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Virginia Museum of Fine Arts

Catalogs (PB-01), 1936/2020

63.25 Linear Feet 2,453 items
The collection is part of the Publications Archive, and is comprised of archival copies of all catalogs published by the museum, as well as catalogs for exhibitions that were shown at the museum, but produced by other institutions. Other catalogs highlight particular aspects of the museum's permanent collection.
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Virginia Museum of Fine Arts

Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023

21.875 Linear Feet 50 boxes; 63 folders
The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.
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Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023 21.875 Linear Feet 50 boxes; 63 folders

Wigfall, Benjamin L., 1930-2017
The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.
Virginia Museum of Fine Arts

Annual Reports (PB-02), 1935/2018

7.5 Linear Feet 239 items
The collection is part of the Publications Archive, and is comprised of archival copies of all Annual Reports published by the museum since 1936. Issued by the Director's Office, these reports cover every aspect of the museum's activities over the course of a given year, including acquisitions, exhibitions, programs, staffing, donations, etc. The collection also contains archival copies of the Honor Roll of Contributors, which is published by the museum at irregular intervals.
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Annual Reports (PB-02), 1935/2018 7.5 Linear Feet 239 items

Virginia Museum of Fine Arts
The collection is part of the Publications Archive, and is comprised of archival copies of all Annual Reports published by the museum since 1936. Issued by the Director's Office, these reports cover every aspect of the museum's activities over the course of a given year, including acquisitions, exhibitions, programs, staffing, donations, etc. The collection also contains archival copies of the Honor Roll of Contributors, which is published by the museum at irregular intervals.
Virginia Museum of Fine Arts

"Arts in Virginia" (PB-04), 1960/1993

23.25 Linear Feet 409 items
The collection is part of the Publications Archive, and is comprised of archival copies of all "Arts in Virginia" issues published by the museum. Published quarterly until 1982, then irregularly until it ceased publication in 1992, "Arts in Virginia" was conceived as a privilege of membership in the museum and included articles about the museum's collection as well as the arts in Virginia. Noted local and national scholars were invited to publish their research, and sometimes guest edited entire issues. In the first two decades of publication, graphic designers used the cover to experiment with different designs, including cut-outs and textures.
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"Arts in Virginia" (PB-04), 1960/1993 23.25 Linear Feet 409 items

Virginia Museum of Fine Arts
The collection is part of the Publications Archive, and is comprised of archival copies of all "Arts in Virginia" issues published by the museum. Published quarterly until 1982, then irregularly until it ceased publication in 1992, "Arts in Virginia" was conceived as a privilege of membership in the museum and included articles about the museum's collection as well as the arts in Virginia. Noted local and national scholars were invited to publish their research, and sometimes guest edited entire issues. In the first two decades of publication, graphic designers used the cover to experiment with different designs, including cut-outs and textures.
Virginia Museum of Fine Arts

Bulletins / Calendars / VMFA Magazines (PB-03), 1940/2024

12 Linear Feet 2,595 items
The collection is part of the Publications Archive, and is comprised of archival copies of all Bulletins / Calendars / VMFA Magazines published by the museum since 1940. The publishing frequncy has changed many times (monthly, quarterly, bi-monthly) and the title changed three times, but the publication has always served to document the daily activities at the museum, including exhibitions, tours, programs, lectures, and more.
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Bulletins / Calendars / VMFA Magazines (PB-03), 1940/2024 12 Linear Feet 2,595 items

Virginia Museum of Fine Arts
The collection is part of the Publications Archive, and is comprised of archival copies of all Bulletins / Calendars / VMFA Magazines published by the museum since 1940. The publishing frequncy has changed many times (monthly, quarterly, bi-monthly) and the title changed three times, but the publication has always served to document the daily activities at the museum, including exhibitions, tours, programs, lectures, and more.
Virginia Museum of Fine Arts

Lillian Thomas Pratt Personal Papers (SC-07), 1901/1947

1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder
The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.
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Children looking at Fabergé egg pendant, 1955/1965 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.11.001

Description: A young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records, 1901/1947
  2. Photographic Archives

Children looking at Fabergé eggs, 1966 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.03.001

Description: A young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records, 1901/1947
  2. Photographic Archives

Children looking at Fabergé imperial eggs 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.01.001

Description: Two young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records, 1901/1947
  2. Photographic Archives
University of Virginia, Special Collections Dept.

Cocke and Related Family Papers, ca.1773-1992

The Cocke- ElliotFamily papers contain ca. 15,000 items (41 Hollinger boxes, ca. 17 linear feet and four oversize folders), ca. 1773-1992, and consist largely of personal and family correspondence, financial and legal papers, memorabilia, bound volumes, and genealogical and historical research material pertaining to the Cocke, Elliot, and related families from the colonial period through the twentieth century, assembled by John Page Elliot.

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Cocke and Related Family Papers, ca.1773-1992

Mrs. John Page Elliot

The Cocke- ElliotFamily papers contain ca. 15,000 items (41 Hollinger boxes, ca. 17 linear feet and four oversize folders), ca. 1773-1992, and consist largely of personal and family correspondence, financial and legal papers, memorabilia, bound volumes, and genealogical and historical research material pertaining to the Cocke, Elliot, and related families from the colonial period through the twentieth century, assembled by John Page Elliot.

Virginia Museum of Fine Arts

Collateral and Other Publications (PB-05), 1952/2023

34 Linear Feet 1,418 items and 52 boxes of uncounted items
The collection is part of the Publications Archive, and is comprised of archival copies of collateral and numerous other types of publications created by the museum, including theater programs, gallery guides, statewide services catalogs, marketing reports, and Council publications.
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Collateral and Other Publications (PB-05), 1952/2023 34 Linear Feet 1,418 items and 52 boxes of uncounted items

Virginia Museum of Fine Arts
The collection is part of the Publications Archive, and is comprised of archival copies of collateral and numerous other types of publications created by the museum, including theater programs, gallery guides, statewide services catalogs, marketing reports, and Council publications.
Washington and Lee University, Leyburn Library

Collection about Marion Montague Junkin, 1939/1979

1 Files

This collection contains a memorial volume and papers relating to Junkin and his works. Specifically there is a typescript concerning Marion Junkin's mural, The Struggle for Intellectual Freedom and a program for an exhibit of Junkin's work held at the Virginia Museum of Fine Arts in 1939.

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Collection about Marion Montague Junkin, 1939/1979 1 Files

Washington and Lee University. University Collections

This collection contains a memorial volume and papers relating to Junkin and his works. Specifically there is a typescript concerning Marion Junkin's mural, The Struggle for Intellectual Freedom and a program for an exhibit of Junkin's work held at the Virginia Museum of Fine Arts in 1939.

Virginia Museum of Fine Arts

R.E. Lee Camp, No. 1, Confederate Veterans Papers (SC-21), 1885/1958

0.2 Linear Feet 3 boxes; 13 items
The collection documents the history of R.E. Lee Camp, No. 1, Confederate Veterans, a large residential complex for poor and infirm Confederate veterans of the Civil War. Altogether a total of nearly three thousand veterans from thirty-three states called the camp home, and after the camp's closing, the Commonwealth eventually granted use of the buildings and land to the Virginia Museum of Fine Arts. The collection is comprised of photographs and postcards that document the changing landscape of the camp over 50 years, a rare guest register that includes thousands of guest signatures and a page signed by ten members of the Blackfeet Nation, and two extremely rare artifacts – reunion ribbons – provide material testimony to the reconciliation efforts of Confederate and Union veterans only twenty years after they faced each other as enemies during the Civil War.
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R.E. Lee Camp, No. 1, Confederate Veterans Papers (SC-21), 1885/1958 0.2 Linear Feet 3 boxes; 13 items

The collection documents the history of R.E. Lee Camp, No. 1, Confederate Veterans, a large residential complex for poor and infirm Confederate veterans of the Civil War. Altogether a total of nearly three thousand veterans from thirty-three states called the camp home, and after the camp's closing, the Commonwealth eventually granted use of the buildings and land to the Virginia Museum of Fine Arts. The collection is comprised of photographs and postcards that document the changing landscape of the camp over 50 years, a rare guest register that includes thousands of guest signatures and a page signed by ten members of the Blackfeet Nation, and two extremely rare artifacts – reunion ribbons – provide material testimony to the reconciliation efforts of Confederate and Union veterans only twenty years after they faced each other as enemies during the Civil War.

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