Collections

Start Over Date range 2004 Subjects Theater Level Collection

Arena Stage records 369.5 Linear Feet 739 boxes

Arena Stage (Organization : Washington, D.C.)
The Arena Stage records consist of material that spans the theater's history from its beginnings in 1950 to the present, including production notebooks, photographs, audiotapes, videotapes, playbills, scrapbooks, scripts, handwritten correspondence, and other production materials, as well as administrative records.
  1. George Mason University

Carol Berger Chicago performing arts playbills collection 1 Linear Feet 4 boxes

Berger, Carol
This collection largely consists of playbills from Chicago's Lyric Opera House, the Chicago Symphony Orchestra, and regional theatres collected by Carol Berger. There are also ticket stubs from the performances, as well as materials from the Art Institute of Chicago.
  1. George Mason University

College of Visual and Performing Arts records 36.0 linear feet (64 boxes)

George Mason University. College of Visual & Performing Arts
The College of Visual and Performing Arts records contains information about several departments within the college itself along with many posters, playbills and class materials ranging from the 1960s-2015. As the College of Visual and Performing Arts was established in 1990, much of the collection is made up from materials from the departments pre-dating the time when the College brought them all together.
  1. George Mason University

Helen Butler papers on Ernie McClintock .2 Cubic Feet 1 document box (half-letter)

This collection contains the papers of Helen Butler, arts educator, actress, and writer, on Ernie McClintock, American director, teacher, and theatre artist. The collection contains professional correspondence, memos, pamphlets, brochures, flyers, reports, newsletters, clippings, obituaries, Articles of Incorporation of the Jazz Theater and the Afro-American Heritage Society, as well as By-Laws for Jazz theater, and a headshot of Ernie McClintock. Also included is an album of the Afro-American Studio, which consists of an essay by Barbara Lewis on the theater's history as well as fliers, clippings, and correspondence related to the Afro-American Studio.

  1. University of Virginia, Special Collections Dept.

Jon Gilbert Fox collection 2.60 Linear Feet 1 extra tall Hollinger box and two flat files

The Jon Gilbert Fox collection contains photographs, newspaper clippings, theater posters, essays, and ephemera relating to LGBTQ+ history, events and political activism.

  1. College of William and Mary

L. Claire Kincannon theatre collection 20 Linear Feet 88 boxes

Kincannon, Lois Claire
The L. Claire Kincannon theatre collection contains promotional materials for theatre productions attended by theatre critic and radio journalist Lois Claire Kincannon in Washington D.C., Dayton, Ohio, New York City, London, Paris, and other areas across the United States and Europe, dating from 1941-2015. Materials include programs, playbills, photographs, press kits, newspaper articles, drafted and published reviews, and articles, as well as visual and audio materials from a project in Hungary and Kincannon's radio show Behind the Scenes.
  1. George Mason University

Martin Cohen theater collection 15 Linear Feet 18 boxes, 6 map cases, 2 triangle boxes

Cohen, Martin B.
The Martin Cohen theater collection contains material pertaining to musical theater, stage performances, and motion picture film. It primarily includes playbills, sheet music, and film posters, as well as as comic books, animation film cells, memorabilia, and toys.
  1. George Mason University

Thomas H. Arthur Papers 2.7 cubic feet 9 boxes (including 1 four-flap enclosure)

Arthur, Thomas H.
The Thomas H. Arthur Papers, 1953-2018, consist of eight boxes (2.42 cubic feet) of personal correspondence, manuscripts, theater programs, photographs, and notes written by Dr. Thomas H. Arthur, JMU faculty member, and pertaining to actor Melvyn Douglas.
  1. James Madison University

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Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

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