Search

Start Over Subjects Largo e puntato

Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to her Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange, 1705

Contents
  • SONATA IF
    • GraveC
    • AllegroC
    • Adagio3/4
    • Allegro3/4
  • SONATA IIe
    • GraveC
    • VivaceC
    • Adagio3/4
    • Allegro3/8
  • SONATA IIIA
    • GraveC
    • AllegroC
    • Adagio3/2
    • Allegro3/4
  • SONATA IVa
    • VivaceC
    • AdagioC
    • AllegroC
    • PrestoC|
  • SONATA VB♭
    • Grave3/2
    • AllegroC
    • Adagio3/2
    • AllegroC6/8
  • SONATA VIb
    • GraveC
    • LargoC
    • Adagio3/4
    • AllegroC6/8
  • SONATA VIIC
    • AllegroC
    • GraveC
    • Allegro6/8
  • SONATA VIIIc
    • GraveC
    • AllegroC
    • LargoC
    • Vivace3/4
  • SONATA IXG
    • AllegroC
    • AdagioC
    • Adagio3/2
    • Allegro3/4
  • SONATA Xg
    • GraveC
    • AllegroC
    • Allegro6/8
    • Adagio3/2
    • AllegroC3/8
  • SONATA XId
    • GraveC
    • AllegroC
    • Adagio3/2
    • AllegroC
  • SONATA XIID
    • GraveC
    • Largo e PuntatoC
    • GraveC
    • Allegro6/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to his Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange [same title-page as no. 87 but without Hare's imprint; with "No. 364" added in lower right corner; and "her" changed to "his"], 1730

Contents
  • SONATA I
    • AllegroC3/4
  • SONATA II
    • AllegroC3/8
  • SONATA III
    • AllegroC3/4
  • SONATA IV
    • PrestoC
  • SONATA IX
    • AllegroC3/4
  • SONATA XII
    • Largo e puntatoC
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: SIX SONATAS for two VIOLINS, with a TENOR and THOROUGH BASS for the HARPSICHORD or VIOLONCELLO Composed by Sigr. Nicolo Pasquali 1st. Set LONDON Printed for John Johnson at the Harp & Crown in Cheapside of whom may be had [list of works beginning with: "Avison's 6 Sonatas." and ending with: "Campioni's Sonatas."], 1750

Contents
  • SONATA ID
    • AllegroC
    • Andantino3/8
    • Giga Allegro12/8
  • SONATA IIB♭
    • AllegroC
    • AndantinoC
    • Allegro3/4
  • SONATA IIIG
    • Andante2/4
    • Allegretto6/8
    • Minuet3/4
  • SONATA IVD
    • Largo e PuntatoC
    • Allegro3/4
    • Allegro Assai3/4
  • SONATA Vg
    • SpiccatoC
    • PrestoC
    • Moderato e Grazioso3/4
  • SONATA VIE
    • AndanteC
    • AllegroC
    • Minuet3/4
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: The Score of the Four Setts of Sonatas Compos'd by ARCANGELO CORELLI. For two Violins & a Bass. DEDICATED to Sr. Richd. Corbet of Longnor Hall in the County of Salop Bart. VOL. 1st. N.B. The first & Third sett being composd for a Violoncello & Thorough Bass, of which the Variation being but little, they are put on the same Stave, for the greater Facility in reading. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho. Cross. LONDON. Printed for and Sold by Benjamin Cooke at ye Golden Harp in New Street Covent Garden. Where also may be had in Score, the Twelve Concertos by the same Author. Vol. 2d., 1728

Contents
  • Op. 1. Sonata I
    • Allego.3/4
  • Sonata II
    • AllegroC3/8
  • Sonata III
    • AllegroC3/4
  • Sonata IIII
    • PrestoC|
  • Sonata V
    • Allegro6/8
  • Sonata IX
    • AllegroC3/4
  • Sonata XII
    • Largo e puntatoC
  • Op. 2. Sonata I
    • Preludio LargoC-AllegroC
    • GavottaC|
  • Sonata II
    • Giga AllegroC12/8
  • Sonata III
    • Allemanda prestoC
  • Sonata IIII
    • Allemanda prestoC
  • Sonata V
    • Allemanda AllegroC
    • SarabandaAdgo.3/4
  • Sonata VI
    • Giga AllegroC12/8
  • Sonata VII
    • CorenteAllegro3/4
    • Giga AllegroC3/8
  • Sonata VIII
    • Sarabanda Adagio3/4
  • Sonata X
    • Allemanda AllegroC
    • CorenteAllegro3/4
  • Sonata XI
    • Allemanda prestoC
  • Sonata XII Ciacona
    • LargoC3/4
  • Op. 3. Sonata I
    • Allegro6/8
  • Sonata IIII
    • PrestoC|
  • Sonata V
    • Allegro12/8
  • Sonata VII
    • Allegro3/4
  • Sonata X
    • Allegro12/8
  • Sonata XI
    • PrestoC
    • Allegro3/4
  • Op. 4. Sonata I
    • Allemanda PrestoC
  • Sonata II
    • AllemandaAlleg:oC
  • Sonata III
    • Sarabanda Largo3/2
  • Sonata V
    • GavottaAlleg:oC|
  • Sonata VI
    • Corrente Allegro3/4
  • Sonata VIII
    • Preludio Grave3/2
    • Allemanda AllegroC
  • Sonata X
    • Tempo di Gavotta AllegroC|
  • Sonata XI
    • Preludio LargoC
  • Sonata XII
    • Preludio Largo3/4
    • Allemanda PrestoC|
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.