<?xml version='1.0' encoding='UTF-8'?><ead xmlns="urn:isbn:1-931666-22-9" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="urn:isbn:1-931666-22-9 https://www.loc.gov/ead/ead.xsd"><eadheader countryencoding="iso3166-1" dateencoding="iso8601" langencoding="iso639-2b" repositoryencoding="iso15511"><eadid/><filedesc><titlestmt><titleproper>Composition gold<num>BA-87</num></titleproper></titlestmt><publicationstmt><publisher>University of Richmond Book Arts Studio</publisher><address><addressline>archives@richmond.edu</addressline></address></publicationstmt></filedesc><profiledesc><creation>This finding aid was produced using ArchivesSpace on <date>2025-10-16 07:03:32 -0400</date>.</creation><langusage>Description is written in: <language langcode="eng" scriptcode="Latn">English, Latin script</language>.</langusage></profiledesc></eadheader><archdesc level="item">
  <did>
    <repository>
      <corpname>University of Richmond Book Arts Studio</corpname>
    </repository>
    <unittitle>Composition gold</unittitle>
    <origination label="Creator">
      <corpname authfilenumber="http://id.loc.gov/authorities/names/no2022086367" role="pbl" rules="dacs" source="LOC Authorities">Passenger Pigeon Press</corpname>
    </origination>
    <origination label="Creator">
      <persname authfilenumber="http://id.loc.gov/authorities/names/no2019019903" role="bkd" rules="dacs" source="LOC Authorities">Nguyen, Tammy, 1984-</persname>
    </origination>
    <origination label="Creator">
      <persname role="edt" rules="dacs" source="local">Beer, Téa Chai</persname>
    </origination>
    <origination label="Creator">
      <persname authfilenumber="http://id.loc.gov/authorities/names/no2020078959" role="aut" rules="dacs" source="LOC Authorities">Keum, Tae-Yeoun, 1986-</persname>
    </origination>
    <origination label="Creator">
      <persname authfilenumber="http://id.loc.gov/authorities/names/no2019045896" role="pht" rules="dacs" source="LOC Authorities">Valenzuela, Rodrigo, 1982-</persname>
    </origination>
    <unitid>BA-87</unitid>
    <unitid type="aspace_uri">/repositories/6/resources/146</unitid>
    <physdesc altrender="whole">
      <extent altrender="materialtype spaceoccupied">2 Volumes</extent>
      <physfacet>2 volumes (1 unnumbered folded sheet, 23 page booklet) : black and white photographs</physfacet>
      <dimensions>15 cm</dimensions>
    </physdesc>
    <unitdate datechar="creation" normal="2021/2021">2021</unitdate>
    <abstract id="aspace_f9a9311a7e4c59623936c7ffee5e7d23" label="Description">"This issue of Martha's Quarterly, Issue 20, Summer 2021, Composition Gold, brings together an essay by classicist Tae-Yeoun Keum and photographs by artist Rodrigo Valenzuela to explore questions of nobility and class, labor and imagination, and fate and agency. I was inspired when I listened to someone talk about the noble lie, a kind of myth often told by the elite or ruling class of a society that is meant to maintain social harmony. In monarchies and caste system societies, the noble lie is essential to keeping people spread across different classes, in their place and seldom questioning their situation. Today, many democratic societies also use a noble lie that many accept: "meritocracy," i.e. the idea that one is rewarded and can move between classes as a result of one's hard work and talent." -- publisher's website, viewed August 11, 2022.</abstract>
    <materialspec id="aspace_21f46d2b17557f2a878434b7c21356fb">RBR copy is 46 of 200 numbered copies.</materialspec>
    <physdesc id="aspace_3b9404adb33381c3eb48f542fe4a37fc">"Martha's Quarterly, Issue 20, Summer 2021. Composition Gold was printed using black and white photocopy on 20 lb. text weight paper. The silver laborer was laser-cut from silver Stardream cardstock. The metal leaf is gilded composition gold. Gill Sans font was used throughout in various sizes and styles. Tae-Yeoun Keum's text, Born-Again. Citizens in the Myth of Metals was excerpted from the article Plato's Myth of Er and the Reconfiguration of Nature, published in American Political Science Review, 2020. We reprinted it with permission from Cambridge University Press."--Colophon</physdesc>
    <langmaterial>
      <language langcode="eng" scriptcode="Latn">English</language>
    </langmaterial>
  </did>
  <scopecontent id="aspace_71d1ae519e3e3761f42fac633e438d21">
    <head>Scope and Contents</head>
<p>[Editor's introduction]<br/>
Tammy Nguyen -- Born-Again Citizens in the Myth of Metals<br/>
Tae-Yeoun Keum -- [photographs]<br/>
Rodrigo Valenzuela</p>  </scopecontent>
  <controlaccess>
    <subject authfilenumber="http://id.loc.gov/authorities/subjects/sh96011925" source="lcsh">Nobility in art</subject>
    <subject authfilenumber="http://id.loc.gov/authorities/subjects/sh96011981" source="lcsh">Social classes in art</subject>
    <genreform authfilenumber="http://id.loc.gov/authorities/genreForms/gf2017027220" source="lcsh">Artists' Books</genreform>
    <subject authfilenumber="http://id.loc.gov/authorities/subjects/sh87006764" source="lcsh">Specimens</subject>
  </controlaccess>
  <dsc/>
</archdesc>
</ead>