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This collection consists of 63 videos that were originally posted onto YouTube by Governor Tim Kaine's Webmaster between March 2008 and January 2010. Governor Kaine formally announced the creation of the governor's YouTube channel in a 6 May 2008 press release.

Papers and manuscript drafts of Meredith Sue Willis, an author from Clarksburg, West Virginia. Willis is known for her fiction based in West Virginia (notably Higher Ground [1981], Only Great Changes [1985], and Trespassers [1997]) and her non-fiction writing guides.

The Governor Robert F. McDonnell, Executive Office-Counselor's Office, Records are housed in 15 boxes. The collection is arranged into four (4) series. Series have been designated for: I. General Files of the Counselor to the Governor; II. Clemency Files; III. Judges; and IV. Attorney General Settlements. These records include agreements, reports, correspondence, e-mail, memorandums, legal briefs, legal files, budget documents, agendas, handouts, and meeting notes. This collection documents the actions of Governor McDonnell's Counselor's Office. Parts of series I and all of series II, III and IV are closed for 75 years per Code of Virginia, 2.2-3705.1 (attorney-client privilege).

These records were created or collected during the administration of Governor Lawrence Douglas Wilder, 1990-1994, and Governor George Allen, 1994-1998. During the Allen administration, James Gilmore served as the Attorney General (1994-1997). This series includes speeches by Gilmore and others in the office incluidng Gary Aronholt. In addition to speeches, folders include travel logistics, iteneraries, lists of attendees, newspaper clippings, invitations, and regrets.

Records, 1849-ca. 1995, of the Virginia Electric and Power Company (VEPCO) consisting of advertisements including posters and broadsides, correspondence, journals, ledgers, legal files, memorabilia, minute books, photographs, plats, publications including booklets and pamphlets, scrapbooks, for the company and its subsidiary companies.

The materials in the collection include emails, letters, newspaper clippings, cassettes, VHS tapes, memorabilia (awards and medals), book reviews, photographs, memorandums, and ledgers. Materials in the collection relate to Martha Cook, the winners of the Dos Passos award, and/or the jurors who served on the Dos Passos Award Committee.

This collection contains the papers of Ernie McClintock (1937-2003), an American director, producer, actor, writer, teacher, and theatre artist who was a major force in the Black Arts Movement. He taught acting to hundreds of students across the country and directed award-winning plays in Harlem, New York (1960-1989), and Richmond, Virginia (1989-2003). The McClintock papers are a living archive for future drama students and communities interested in Black theatre. They represent the works and dreams of a Black and Gay theatre director who persisted in giving voice to the Black and multicultural communities where he lived. His work spanned beyond one dimensional categories, and he was well-known behind the scenes with famous actors, directors, and playwrights, and was the recipient of seven prestigious Audelco awards for excellence in Black theater. He worked with Tupac Shakur, Ossie Davis, James Earl Jones, Felicia Rashad, Morgan Freeman, Lou Gossett, Jr., Dr. Walter Turnbull, Woody King, Jr. and others. McClintock was committed to world class excellence in theatre and to introducing more Black theatre productions to the community. He directed over two hundred performances from classics like A Raisin in the Sun to Tupac Shakur's Rose Grew Out of Cement, and new plays written by young playwrights and actors like Derome Scott Smith in R.I.O.T. or Jerome Hairston. His personal papers and theatre papers are combined because his life and family were inseparable from the theatre. He also won the Billy Graham artistic excellence award in 2002. (There are two scripts in the collection written by Billy Graham about Martin Luther King, Jr. in Memphis). Too expansive to put in one category, anyone studying Black Theatre Arts will repeatedly come across the exemplary work of Ernie McClintock.