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Virginia Museum of Fine Arts

Catalogs (PB-01)

63.25 Linear Feet 2,453 items
The collection is part of the Publications Archive, and is comprised of archival copies of all catalogs published by the museum, as well as catalogs for exhibitions that were shown at the museum, but produced by other institutions. Other catalogs highlight particular aspects of the museum's permanent collection.
Top 3 results view all 112
Virginia Museum of Fine Arts

R.E. Lee Camp, No. 1, Confederate Veterans Papers (SC-21)

0.2 Linear Feet 3 boxes; 13 items
The collection documents the history of R.E. Lee Camp, No. 1, Confederate Veterans, a large residential complex for poor and infirm Confederate veterans of the Civil War. Altogether a total of nearly three thousand veterans from thirty-three states called the camp home, and after the camp's closing, the Commonwealth eventually granted use of the buildings and land to the Virginia Museum of Fine Arts. The collection is comprised of photographs and postcards that document the changing landscape of the camp over 50 years, a rare guest register that includes thousands of guest signatures and a page signed by ten members of the Blackfeet Nation, and two extremely rare artifacts – reunion ribbons – provide material testimony to the reconciliation efforts of Confederate and Union veterans only twenty years after they faced each other as enemies during the Civil War.
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Old Dominion University

Allan Blank Papers

62.30 Linear Feet

The Allan Blank Papers consist primarily of scores (mainly in manuscript and facsimile formats) and materials related directly to his significant compositions and published materials, including programs, reviews and recordings. His compositions encompass a wide range of instrumentation and format. His works include pieces for a solo instrument, full orchestra, chamber ensemble, voice, music for children, and opera. Materials in this collection also document some of Mr. Blank's personal and professional interests.

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Allan Blank Papers 62.30 Linear Feet

Blank, Allan (1925-2013)

The Allan Blank Papers consist primarily of scores (mainly in manuscript and facsimile formats) and materials related directly to his significant compositions and published materials, including programs, reviews and recordings. His compositions encompass a wide range of instrumentation and format. His works include pieces for a solo instrument, full orchestra, chamber ensemble, voice, music for children, and opera. Materials in this collection also document some of Mr. Blank's personal and professional interests.

Virginia Museum of Fine Arts

Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers

21.875 Linear Feet 50 boxes; 63 folders
The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.
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Virginia Polytechnic Institute and State University

Baughman Family Papers

1.9 Cubic Feet 2 boxes
The Baughman Family Papers contain correspondence between members of the Baughman family of Richmond, Virginia, as well as with friends, written from 1837 to 1957 (bulk, 1837-1907). The second part of the collection is family papers from about 1859 to the 1940s. This includes military documents, estate papers, legal documents, Confederate society papers, poetry, and photographs.
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Baughman Family Papers 1.9 Cubic Feet 2 boxes

Baughman, Charles C. (Charles Christian), 1842-1908
The Baughman Family Papers contain correspondence between members of the Baughman family of Richmond, Virginia, as well as with friends, written from 1837 to 1957 (bulk, 1837-1907). The second part of the collection is family papers from about 1859 to the 1940s. This includes military documents, estate papers, legal documents, Confederate society papers, poetry, and photographs.
West Virginia and Regional History Center

Benjamin Wilson, Attorney, Letter Regarding Conditions in Richmond after Passage of Secession Ordinance

0.01 Linear Feet Summary: 1 item (1 folder)
Letter of two pages authored on 19 April 1861 from Richmond, Virginia by Benjamin Wilson, a Harrison County attorney, describing conditions in Richmond after passage of the Ordinance of Secession by the Virginia General Assembly on 17 April. He indicates how " ... almost every man and boy are in the street has [sic] a gun and sword in hand. Companies are leaving every day, where to I do not know." Benjamin Wilson was born in Harrison County, Virginia in 1825, attended law school in Staunton, Virginia, and was admitted to the bar in 1848. He served as Commonwealth attorney for Harrison County in 1852-1860, and was a member of the State constitutional convention of West Virginia in 1872. He later served in the U.S. Congress (1875 to 1883), and as Assistant Attorney General of the United States (1885-1893). He died in Clarksburg, West Virginia in 1905.
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Benjamin Wilson, Attorney, Letter Regarding Conditions in Richmond after Passage of Secession Ordinance 0.01 Linear Feet Summary: 1 item (1 folder)

Wilson, Benjamin
Letter of two pages authored on 19 April 1861 from Richmond, Virginia by Benjamin Wilson, a Harrison County attorney, describing conditions in Richmond after passage of the Ordinance of Secession by the Virginia General Assembly on 17 April. He indicates how " ... almost every man and boy are in the street has [sic] a gun and sword in hand. Companies are leaving every day, where to I do not know." Benjamin Wilson was born in Harrison County, Virginia in 1825, attended law school in Staunton, Virginia, and was admitted to the bar in 1848. He served as Commonwealth attorney for Harrison County in 1852-1860, and was a member of the State constitutional convention of West Virginia in 1872. He later served in the U.S. Congress (1875 to 1883), and as Assistant Attorney General of the United States (1885-1893). He died in Clarksburg, West Virginia in 1905.
Virginia Museum of Fine Arts

Louis H. Draper Artist Archives (VA-04)

37.5 Linear Feet 170 boxes; 6,605 items
The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of "engaged resistance" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. In 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. His photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.
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Virginia Museum of Fine Arts

Lillian Thomas Pratt Personal Papers (SC-07)

1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder
The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.
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Children looking at Fabergé egg pendant 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.11.001

Description: A young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records
  2. Photographic Archives

Children looking at Fabergé eggs 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.03.001

Description: A young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records
  2. Photographic Archives

Children looking at Fabergé imperial eggs 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.01.001

Description: Two young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records
  2. Photographic Archives
University of Virginia, Special Collections Dept.

Cora M. Aldridge scrapbook

0.04 Cubic Feet One letter-sized file folder changed to legal size folder because letter inside scrapbook is legal size.

This collection contains the college scrapbook of Cora M. Aldridge, an African American student at Hartshorn Memorial College in Richmond, Virginia. Hartshorn Memorial College was a private college for African American women in Richmond, Virginia, active from 1883 until 1932, when it merged with Virginia Union University. The cover is titled "My Memories of School Days" in gilt. Alridge's name and her Vauxhall, New Jersey, address are written on the first endpage, as is the date of June 14, 1926. The content of the scrapbook chronicles Alridge's final year at Hartshorn. A photograph of Hartshorn, social and academic event programs, graduation cards, a flower, and newspaper clippings are tipped in and pasted throughout. The signatures of Cora's classmates, many with greetings and well wishes, are also present throughout the scrapbook. Cora describes her love for dancing, taking the streetcar, stealing food, going to shows in town, and other activities forbidden for students at the College. A tipped-in handwritten essay by Aldrige is titled "Do not simply be good – be good for something." There is a letter from 1956 relating to the 30th anniversary of the Class of 1926's graduation.

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Cora M. Aldridge scrapbook 0.04 Cubic Feet One letter-sized file folder changed to legal size folder because letter inside scrapbook is legal size.

Aldridge, Cora M.

This collection contains the college scrapbook of Cora M. Aldridge, an African American student at Hartshorn Memorial College in Richmond, Virginia. Hartshorn Memorial College was a private college for African American women in Richmond, Virginia, active from 1883 until 1932, when it merged with Virginia Union University. The cover is titled "My Memories of School Days" in gilt. Alridge's name and her Vauxhall, New Jersey, address are written on the first endpage, as is the date of June 14, 1926. The content of the scrapbook chronicles Alridge's final year at Hartshorn. A photograph of Hartshorn, social and academic event programs, graduation cards, a flower, and newspaper clippings are tipped in and pasted throughout. The signatures of Cora's classmates, many with greetings and well wishes, are also present throughout the scrapbook. Cora describes her love for dancing, taking the streetcar, stealing food, going to shows in town, and other activities forbidden for students at the College. A tipped-in handwritten essay by Aldrige is titled "Do not simply be good – be good for something." There is a letter from 1956 relating to the 30th anniversary of the Class of 1926's graduation.

University of Richmond

Dr. and Mrs. Wyatt Tee Walker collection

50 Linear Feet
This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.
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Dr. and Mrs. Wyatt Tee Walker collection 50 Linear Feet

Walker, Wyatt Tee
This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.

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