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The Dorn McGrath Fairfax County and Loudoun County slide collection contains over 500 35mm photographic slides primarily depicting aerial views of locations in Fairfax and Loudoun County, Virginia.

Originals and copies of clippings and photographs concerning the life and career of Izetta Jewel Kenny Brown Miller. Her career included work in the theater, Women's Suffrage Movement, radio, agriculture, television, and politics. Her first husband was William Gay Brown, Sr., West Virginia Congressman from Kingwood, and her second marriage was to Dr. Hugh Miller of the faculties of George Washington University and Union College. In 1922 and 1924, Mrs. Brown ran for the nomination as the Democratic candidate for U.S. Senate from West Virginia. She twice seconded the nomination of John W. Davis at the Democratic National Convention.

The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of "engaged resistance" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. In 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. His photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.