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R.E. Lee Camp, No. 1, Confederate Veterans Papers (SC-21), 1885/1958

0.2 Linear Feet 3 boxes; 13 items
Abstract Or Scope
The collection documents the history of R.E. Lee Camp, No. 1, Confederate Veterans, a large residential complex for poor and infirm Confederate veterans of the Civil War. Altogether a total of nearly three thousand veterans from thirty-three states called the camp home, and after the camp's closing, the Commonwealth eventually granted use of the buildings and land to the Virginia Museum of Fine Arts. The collection is comprised of photographs and postcards that document the changing landscape of the camp over 50 years, a rare guest register that includes thousands of guest signatures and a page signed by ten members of the Blackfeet Nation, and two extremely rare artifacts – reunion ribbons – provide material testimony to the reconciliation efforts of Confederate and Union veterans only twenty years after they faced each other as enemies during the Civil War.

Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023

21.875 Linear Feet 50 boxes; 63 folders
Abstract Or Scope
The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.
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Willie Anne Wright Artist Archives (VA-02), 1944/2021

47 boxes 47 boxes; 724 folders
Abstract Or Scope
The collection documents the career of renowned lensless photographer Willie Anne Wright. Wright's paintings, serigraphs and drawings were her professional focus until 1972 when pinhole photography became her primary creative medium. Comprised mainly of the exhibition files Wright maintained, as well as information about gallery representation and art sales, the collection traces the evolution of her artistic journey over four decades.

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