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The George Washington Presidential Library at Mount Vernon

Historic map collection, 1675/1971

22 Sheets

This collection of historic maps date from 1675-1971, and primarily relate to the Washington and Custis families, the Revolutionary War, and society life in antebellum Washington D.C. and Virginia. Includes matching editions of maps personally owned by George Washington.

3 results
The George Washington Presidential Library at Mount Vernon

Richard H. Brown Revolutionary War Map Collection, 1740/1799

50 Linear Feet

This collection contains approximately 300 rare printed maps, unique manuscript maps, and published texts collected by Richard H. Brown, which pertain to the American Revolutionary War era.

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A plan of New York Island, and part of Long Island, with the circumjacent country, as far as Dobbs's Ferry to the north, and White Plains to the east, including the rivers, islands, roads, &ca : also shewing the landing, routes, battles, lines and encampments of the British forces under the command of His Excellency Sir William Howe Knight of the most honorable Order of the Bath, Commander in Chief &ca. &ca. &ca, 1777 1 Sheets Drawer 122 : L : 2

Campaign headquarters map showing military features and events in the New York area from June to November 1776.

The George Washington Presidential Library at Mount Vernon

Paul Stevens map collection, 1541/1778

26 Sheets

The collection contains 26 maps of the New World, dating 1541-1778, which illustrate the progression of European geographic knowledge about Virginia and North America from the 16th through the 18th centuries

1 result
Virginia Museum of Fine Arts

Louis H. Draper Artist Archives (VA-04), 1945/2005

37.5 Linear Feet 170 boxes; 6,605 items
The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of "engaged resistance" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. In 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. His photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.
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