Collections : [Virginia Museum of Fine Arts]

Virginia Museum of Fine Arts

VMFA Archives
Virginia Museum of Fine Arts
Margaret R. and Robert M. Freeman Library
200 N. Arthur Ashe Boulevard
Richmond, VA 23220-4007
Primary Collecting Areas:
VMFA institutional records, Donor papers, Virginia Artists Archives, Oral histories, Artist subject files, Analog, and digital audiovisual collections
Description:

The Margaret R. and Robert M. Freeman Library provides access to a wealth of rare and unique primary source materials for scholars, researchers, and the public.

The Archives consists of a diverse and growing collection of permanent materials, covering museum history from its beginnings in the 1930s until today. The Archives includes institutional records from over 25 museum departments, thousands of artist and subject files, as well as donated collections related to the museum and the history of art in Virginia. The Archives also recently launched the Virginia Artists Archives, a collecting initiative that aims to create a rich, diverse, and unprecedented collection of Virginia artists’ papers to increase awareness about the contributions of Virginia artists, both past and present.

POC: Roxanne Winfield
Phone: (804) 340-1497
Phone: (804) 340-1495
Start Over Repository Virginia Museum of Fine Arts Date range 1961

Old Dominion Foundation, 1941/1961 Box 33863 Box 46, Folder 22, Item RG01.01.1.2269

Correspondence from L. Cheek, P. Mellon, E. Brooks Jr., and M. Bush. Subject- Financial support: Artmobile II, building grant and museum survey to expand visitors use to VMFA. Photographs, newspaper clippings. "A Study in Modern Giving: The Old Dominion Foundation", reprinted from articles in Richmond News Leader. "Bollenger Series", catalogue of special edition books. Dates- 1955 - 56 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]

  1. Virginia Museum of Fine Arts
  2. Director's Correspondence (RG-01), 1927/2009
  3. Series 1: Director's Correspondence, 1927/2006
  4. Series 1.1: Early Directors, 1927/1976

Old Dominion Foundation, 1957/1967 Box 33863 Box 46, Folder 23, Item RG01.01.1.2270

Correspondence from L. Cheek, M. Bush (Asst. to Pres. of ODF) and P. Mellon (Pres. of ODF). Subject- Financial assistance to VMFA, Artmobile II, collectors circle, and Old Dominion Foundation statement of purpose. Dates- 9/58 11/67 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]

  1. Virginia Museum of Fine Arts
  2. Director's Correspondence (RG-01), 1927/2009
  3. Series 1: Director's Correspondence, 1927/2006
  4. Series 1.1: Early Directors, 1927/1976

O'Neal, William B., 1961/1963 Box 33863 Box 46, Folder 19, Item RG01.01.1.2265

Correspondence from L. Cheek. Subject- Biographical data, photo and job description/responsibilities as program director for "Art Column". Dates- 3/61 - 7/63 [These notes were taken by VMFA staff in the 1990s before the collection was processed by LVA staff in the 2000s, so the contents of the file may no longer match this description.]

  1. Virginia Museum of Fine Arts
  2. Director's Correspondence (RG-01), 1927/2009
  3. Series 1: Director's Correspondence, 1927/2006
  4. Series 1.1: Early Directors, 1927/1976

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.