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Start Over Creator Virginia Museum of Fine Arts

Institute of Contemporary Art, 1979/1984 1 Linear Feet Two binders

Virginia Museum of Fine Arts
The collection documents the work of the Institute of Contemporary Art from 1978-1984, including exhibition planning and implementation, collections management, and specific artists and works, and comprises photographic prints, slides, and related ephemera.
  1. Virginia Museum of Fine Arts

Leslie Cheek, Jr. Personal Papers (SC-02), 1931/1993 19.4 Linear Feet 16 boxes; 596 folders and 48 oversized items

Cheek, Leslie, 1908-
This collection documents a portion of the life of Leslie Cheek, Jr., the Virginia Museum of Fine Arts' second and longest-tenured Director (1948-1968). One series includes material from his early career and activities before the VMFA, as well as his tenure at the museum, and through his retirement. Two series document the publication of two photobiographies about Cheek, "Living by Design" and "Designing for the Arts." Another series is comprised of materials about Skylark Farm, the house and tree farm located in the Blue Ridge Mountains, owned, designed and furnished by the Cheeks between 1967 and 1977 when it was donated to Washington and Lee University. Other series document the Cheeks' personal world travels in the 1950s-1980s, some of Cheek's awards, and finally, a number of framed architectural drawings done by Cheek as a student in the 1930s.
  1. Virginia Museum of Fine Arts

Lillian Thomas Pratt Personal Papers (SC-07), 1901/1947 1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder

Pratt, Lillian Thomas, 1876?
The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.
  1. Virginia Museum of Fine Arts

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