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Start Over Creator Virginia Museum of Fine Arts Places Richmond (Va.)
Virginia Museum of Fine Arts

Catalogs (PB-01), 1936/2020

63.25 Linear Feet 2,453 items
The collection is part of the Publications Archive, and is comprised of archival copies of all catalogs published by the museum, as well as catalogs for exhibitions that were shown at the museum, but produced by other institutions. Other catalogs highlight particular aspects of the museum's permanent collection.
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Virginia Museum of Fine Arts

Benjamin L. Wigfall Artist Archives and Mary Carter Wigfall Personal Papers, 1880/2023

21.875 Linear Feet 50 boxes; 63 folders
The collection documents the life and work of Benjamin L. Wigfall, African American abstract expressionist artist. Benjamin L. Wigfall was the second African American artist to have a painting aquired by the VMFA, as well as the youngest ever artist to do the same. In addition to his work as an artist, Wigfall also taught and mentored in both Virginia at Hampton Institute, as well as New York at SUNY New Paltz and in his own community. Additionally, the collection contains documents related to the life and career of artist and educator, Mary Carter Wigfall, Benjamin L. Wigfall's wife. Mary C. Wigfall founded and directed the Migrant Childcare Center in New York from the early 1970s until her retirement in 1992.
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Virginia Museum of Fine Arts

Lillian Thomas Pratt Personal Papers (SC-07), 1901/1947

1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder
The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.
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Children looking at Fabergé egg pendant, 1955/1965 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.11.001

Description: A young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records, 1901/1947
  2. Photographic Archives

Children looking at Fabergé eggs, 1966 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.03.001

Description: A young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records, 1901/1947
  2. Photographic Archives

Children looking at Fabergé imperial eggs 1 item Binder SC-07 Photo Archives, Page Unknown, Item SC07.PH.01.001

Description: Two young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.

  1. Series 5: Museum Records, 1901/1947
  2. Photographic Archives
Virginia Museum of Fine Arts

R.E. Lee Camp, No. 1, Confederate Veterans Papers (SC-21), 1885/1958

0.2 Linear Feet 3 boxes; 13 items
The collection documents the history of R.E. Lee Camp, No. 1, Confederate Veterans, a large residential complex for poor and infirm Confederate veterans of the Civil War. Altogether a total of nearly three thousand veterans from thirty-three states called the camp home, and after the camp's closing, the Commonwealth eventually granted use of the buildings and land to the Virginia Museum of Fine Arts. The collection is comprised of photographs and postcards that document the changing landscape of the camp over 50 years, a rare guest register that includes thousands of guest signatures and a page signed by ten members of the Blackfeet Nation, and two extremely rare artifacts – reunion ribbons – provide material testimony to the reconciliation efforts of Confederate and Union veterans only twenty years after they faced each other as enemies during the Civil War.
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