Search

Start Over Collection Sheet Music Collection, 1827/1974 Date range 1925

Collections, 1872/1926 Box 45, Folder 1

"Chèrie, I Love You" - 1926, Lillian Rosedale Goodman, composer and librettist; "Illuftrirten Allgemeinen Familien-Spielbuche" - undated, various composers; "Old Favorite Songs" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; "There was a Sheep of Darby" - undated, unknown composer; "Peter's Selected Catalogue of New and Popular Music" - 1872, various composers; G. Schirmer music book starting with "Gavotte" - 1888, various composers; "Pianoforte Pieces Representative Composers of the 19th Century" - undated, various composers; "A Select Collection of Original Scottish Airs for the Voice, Volume One" - undated, various composers.

  1. College of William and Mary
  2. Sheet Music Collection, 1827/1974
  3. Series 1: Sheet Music Acquired Prior to 2007, 1806/1962
  4. Portions of Collections

Conrad, Con - composer, 1920/1934 Box 10, Folder 19

"A Needle in a Haystack" - 1934, Herb Magidon, librettists, Con Conrad, composer; "The Continental" - 1934, Con Conrad, composer and Herbert Magidson, librettists; "Don't Forget Me in Your Dreams"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; "I'm Gonna Bring a Watermelon to My Girl Tonight" - 1934, Billy Rose, librettists, Con Conrad, composer; "Margie" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; "Singin the Blues" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; "Talkin to Myself" -1924, Herb Magidson, librettists, Con Conrad, composer.

  1. College of William and Mary
  2. Sheet Music Collection, 1827/1974
  3. Series 1: Sheet Music Acquired Prior to 2007, 1806/1962
  4. Sheet Music Arranged Alphabetically by Composer

Danks, H.P. - composer, 1873/1930 Box 11, Folder 6

"Silver Threads Among the Gold" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. "Silver Threads Among The Gold" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.

  1. College of William and Mary
  2. Sheet Music Collection, 1827/1974
  3. Series 1: Sheet Music Acquired Prior to 2007, 1806/1962
  4. Sheet Music Arranged Alphabetically by Composer

Davis, Benny - composer, 1924/1932 Box 11, Folder 15

"Baby Face" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; "Ev'ry Time My Heart Beats" - 1932, Benny Davis and Gerald Marks, composers; "Oh How I Miss You To-Night" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; "Yearning Just For You" - 1925, Benny Davis and Joe Burke, composer and librettists; "What Price Love" - 1931, Benny Davis and Harry Akst, composers and librettists.

  1. College of William and Mary
  2. Sheet Music Collection, 1827/1974
  3. Series 1: Sheet Music Acquired Prior to 2007, 1806/1962
  4. Sheet Music Arranged Alphabetically by Composer

De Sylva, B.G. - Composer, 1925/1931 Box 11, Folder 27

"Here am I - Broken Hearted" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson "Come to Me" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson "If You Knew Susie Like I Know Susie" - 1925, by B.G. De Sylva "It All Depends on You" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson "My Sin" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson "I Am Only the Words You Are the Melody" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen "You're An Old Smoothie" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio "You Try Somebody Else (We'll Be Back Together Again)" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson

  1. College of William and Mary
  2. Sheet Music Collection, 1827/1974
  3. Series 1: Sheet Music Acquired Prior to 2007, 1806/1962
  4. Sheet Music Arranged Alphabetically by Composer

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.