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Philip S. Hench Walter Reed Yellow Fever collection, 1800/1998, bulk 1863/1974

67 Linear Feet 154 boxes
Abstract Or Scope
The Philip S. Hench Walter Reed Yellow Fever Collection documents the work of the U.S. Army Yellow Fever Commission, the legacy of the commission's discoveries, the lives of individuals who were connected to the commission, and twentieth century campaigns to shape public memory of the commission. Items in the collection date from 1800 to 1998, with the bulk of the items dating from 1864 to 1974. A wide range of formats are represented in the collection including, but not limited to the following: articles, artifacts, audiocassettes, bills (legislative records), biographies, charts (graphic documents), correspondence, diaries, editorials, interviews, journals (periodicals), magazines, maps, medical records, military records, negatives (photographic), notes, photographs, reports, reprints, scrapbooks, and speeches. Unique materials in the collection are supplemented with copies of original documents and photographs housed in other institutions (e.g. the U.S. National Archives). Most of the materials in the collection were collected or created by Nobel laureate Philip Showalter Hench while researching the history of the U.S. Army Yellow Fever Commission.

Philip S. Hench Walter Reed Yellow Fever Collectioncirca 1800-circa 1998 bulk 1863-1974

67 linear feet; 153 boxes
Abstract Or Scope
The Philip S. Hench Walter Reed Yellow Fever Collection documents the work of the U.S. Army Yellow Fever Commission, the legacy of the commission’s discoveries, the lives of individuals who were connected to the commission, and twentieth century campaigns to shape public memory of the commission. Items in the collection date from 1800 to 1998, with the bulk of the items dating from 1864 to 1974. A wide range of formats are represented in the collection including, but not limited to the following: articles, artifacts, audiocassettes, bills (legislative records), biographies, charts (graphic documents), correspondence, diaries, editorials, interviews, journals (periodicals), magazines, maps, medical records, military records, negatives (photographic), notes, photographs, reports, reprints, scrapbooks, and speeches. Unique materials in the collection are supplemented with copies of original documents and photographs housed in other institutions (e.g. the U.S. National Archives). Most of the materials in the collection were collected or created by Nobel laureate Philip Showalter Hench while researching the history of the U.S. Army Yellow Fever Commission.

Charles Dudley Warner manuscript, 1897

.03 Cubic Feet 1 letter sized folder
Abstract Or Scope

This collection contains twenty-six leaves of Charles Dudley Warmer's manuscript of "The Study" for "The Editor's Study" in Harper's Bazaar. The manuscript contains the first two parts of Warner's essay published in Volume 95, October 1897 [pp. 798-800]. The text appears identical to the published version. It is likely that this was the manuscript submitted to Harper's – though there are minor authorial corrections throughout.

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Charles Dudley Warner manuscript, 1897 .03 Cubic Feet 1 letter sized folder

Country Museum magazine for Monday December 3, 1787, 1787

0.03 Cubic Feet 1 letter size folder
Abstract Or Scope

The collection contains one issue of an amateur newspaper or manuscript magazine from December 3rd, 1787, 18 pages, including several poems, on laid paper with crown watermark and a 6 page handwritten essay by Reverend Martin Sherlock, "Comparison between the Sexes". The newspaper is a collection of pastoral essays and rhyming poetry, apparently unpublished in any form. Poems include, "To the Museumite," "The Wonderful Age," (signed Apricot), "The Ramble," and "Female Politeness." Both the magazine manuscript and the essay contain elements of feminism by their support of women as writers and comments made about women's lack of opportunity as compared with those available to men.

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Country Museum magazine for Monday December 3, 1787, 1787 0.03 Cubic Feet 1 letter size folder

Julia Hooper's Rose Leaves: A Manuscript Magazine, 1896

0.03 Cubic Feet 1 folder
Abstract Or Scope

Julia Hooper's Rose Leaves: A Manuscript Magazine is a handmade manuscript album styled in the format of a magazine. (September 1896, London England) The cover features a water color floral illustration with a decorative border and has the name R. G. Hooper below it. There is one grey and white watercolor used as the frontispiece that is credited as original art by W. H. Overend, who was one of the foremost maritime artists of his era. This watercolor apeared in the September 1894 edition of Pall Wall Magazine. The title of the manuscript album was done in four different type faces with decorations. It has 60 pages, all of which consist of hand drawn pen and ink and manuscript text, with the exception of 14 pages of pasted in printed illustrations (some in color) of coats of arms that correspond to a "Letter to the Editoress" on heraldry.There is one excerpt from "The ethics of dust," by John Ruskin. The titles of the articles and poems with the album manuscript are "An Episode of Indian Life", "Her little Deception", "The Gold-Diggers Story", "A Social Evening", "Angela's Lovers", "Adieu", "A Colonial Pleasure?", "People I have Met, No. 11, Mrs. Harriet Beecher Stowe", and "In Summer Time". While the 'authors' for each story and/or article are named, it is unclear if some of them are fictitious names or real individuals.

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Julia Hooper's Rose Leaves: A Manuscript Magazine, 1896 0.03 Cubic Feet 1 folder

Library Development Office - addition, 1946/2016

.6 Cubic Feet 1 letter-sized document box and 1 half letter document box 1 Cassettes 1 VHS .7 Gigabytes 1 CD-R
Abstract Or Scope

This addition to RG 12 University Library includes clippings, university and student magazines about student life, faculty, alumni and UVA athletics, promotional cards and event ephemera about UVA and Special Collections exhibits and dinners, and a file on "Wednesdays in Mississippi" movement with a recording on CD of Dorothy Height at the University of Virginia, and a VHS tape of a Local PBS station's story on Lewis and Clark. The magazines include The Virginia Spectator, Crust Magazine, Libel Magazine, and UVA Athletic News.

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Library Development Office - addition, 1946/2016 .6 Cubic Feet 1 letter-sized document box and 1 half letter document box 1 Cassettes 1 VHS .7 Gigabytes 1 CD-R

Sadie commonplace book, 1878

.2 Cubic Feet 1 half-width letter sized document box
Abstract Or Scope

This collection consists of a commonplace book. It is not clear the provenance but inscribed in the front and back covers is the name Sadie. The album contains 170 pages of content and a few loose clippings. Each page is filled with clippings from magazines and newspapers that focus on women's work, loss, fairy tales, literature, and poetry. The owner hand colored all the illustrations from magazines. Many of the illustrations are of women; some in non-traditional roles. Many articles are from the periodical Hearth and Home. Many of the articles are by women and include writers such as Clio Stanley, Helen Forrest Graves, Lottie Brown, Hester a Benedict, Emma Alic Brown among others.

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Sadie commonplace book, 1878 .2 Cubic Feet 1 half-width letter sized document box

The Gleaner magazine, 1910/1918

0.8 Cubic Feet 2 document boxes
Abstract Or Scope

The Gleaner magazine (1910-1918; 0.8 cubic feet) documents a partial print run of the UK amateur manuscript magazine. The collection contains sixteen issues, each handmade and one-of-a-kind, each containing a variety of literary essays, illustrations, and cartoons. Later issues include first-person accounts of World War I written by members of the military.

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The Gleaner magazine, 1910/1918 0.8 Cubic Feet 2 document boxes

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