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This collection contains the trial drawings for an illustrated alphabet book by the Reverend George Liddell Johnston. The book, bound in crushed red morocco by C. & C. McLeish sometime in the early twentieth century, contains the inlaid drawings and manuscript pages. The book begins with two calligraphic frontispieces, one titled "The Envelope" with an angel holding a brush and canvas. This image was likely the front panel of an envelope that stored the contents before binding. Then follows three pen and ink title pages with letters in the Victorian grotesque tradition, eight manuscript leaves with limericks for each letter, twenty-six calligraphic leaves of alphabet limericks in pencil and pen, twelve watercolors, and forty-six total drawings. The bulk of the manuscript is the drawings and watercolors that illustrate the alphabet, some referencing the subject of the limericks and others alternative subjects. These are humorous and often satirical images. These include critiques of religious figures like cardinals and the Pope and more everyday situations and people like a quack, a statesman, a Yankee, an older man entranced by a younger woman, and an angry wife, among other characters. Devils and demons are frequent figures in the illustrations. A number of the drawings that appear here also appear in a privately printed book by the same title. Johnston made a few copies of this book for his friends and family.

The collection comprises mostly of anatomical illustrations of humans and animals by professional medical illustrators and medical practioners, but there is a good number of caricatures. Many of the images depict 20th century surgical prodedures; there are also physiological illustrations included in the collection. Most items are drawn in pencil on illustration paper with cardboard backing. In addition, there are some drawings in notepads and on tracing paper.

These additions of MSS 10204 Warren Chappell papers contain letters, drawings, photographs, ephemera, and publications documenting the life and work of Warren Chappell from roughly 1929 to 2000. Janet Anderson, Shelah Kane Scott, and Calvin Otto were recipients and owners of the collections. The bulk of the collection is correspondence with colleagues, family, and friends including his wife Lydia Chappell. There is significant amounts of correspondence with Rafael Fernandez, Curator of Prints and Drawings at the Clark Art Institute at Williamstown, Massachusettes; and correspondence with the staff at the University of Virginia. There are also personal and professional photographs and negatives; drawings and cartoons, and assorted ephemera and publications.

This collection contains fifteen prints of drawings created by Dr. W. Dexter Whitehead, a professor of physics at the University of Virginia from 1956-1992. The drawings depict the following views and locations around Grounds, and are titled accordingly: Lawn Room, Steps at Pavilion IX, Pavilion IX Entrance Detail, Dome Room - The Rotunda, Levering Hall, Steps Behind Pavilion VIII, West Rotunda Arch, Pavilion III, Arcade Fan Windows, East Rotunda Arch, Pavilion VI, Pavilion IX - Entrance, Rotunda Fan Window, Dome Room - The Rotunda, and Fan Windows. Each print is signed by Whitehead in the bottom right corner.