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Virginia Museum of Fine Arts

Louis H. Draper Artist Archives (VA-04), 1945/2005

37.5 Linear Feet 170 boxes; 6,605 items
The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of "engaged resistance" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. In 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. His photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.
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University of Virginia, Special Collections Dept.

Claude Rains annotated script, 1952

.03 Cubic Feet One letter size folder

This collection contains Claude Rains' copy of the Jefferson Heritage with extensive annotations and emendations. This bound volume is contemporary buckram with two leaves and old cello tape repairs.

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Claude Rains annotated script, 1952 .03 Cubic Feet One letter size folder

Rains, Claude, 1889-1967

This collection contains Claude Rains' copy of the Jefferson Heritage with extensive annotations and emendations. This bound volume is contemporary buckram with two leaves and old cello tape repairs.

University of Virginia, Special Collections Dept.

Denne Bart Petitclerc, "A Farewell to Arms" dialogue continuity and Ben Hecht screenplays, 1956/1958

0.4 Cubic Feet 1 letter size document box

This collection contains a dialogue and three screenplays of Denne Bart Petitclerc's film adaptation of Ernest Hemingway "A Farewell to Arms" starring Rock Hudson and Jennifer Jones adapted by Ben Hecht from the Selznick Studio in Hollywood, California. The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.

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Denne Bart Petitclerc, "A Farewell to Arms" dialogue continuity and Ben Hecht screenplays, 1956/1958 0.4 Cubic Feet 1 letter size document box

This collection contains a dialogue and three screenplays of Denne Bart Petitclerc's film adaptation of Ernest Hemingway "A Farewell to Arms" starring Rock Hudson and Jennifer Jones adapted by Ben Hecht from the Selznick Studio in Hollywood, California. The first screenplay is called Script 82,Quarto, mimeographed typescript printed on rectos bradbound in yellow production company wrappers, dated October 22, 1956, and begins with two ambulance drivers playing cards when the main character Frederick Henry comes up to them with the sounds of war in the background in Orsini, Italy.

University of Virginia, Special Collections Dept.

Denne Bart Petitclerc A Farewell to Arms screenplay, 1970/1979

0.03 Cubic Feet 1 folder
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University of Virginia, Special Collections Dept.

Dennis Palumbo "The Grande Game" screenplay, 1985

0.03 Cubic Feet 1 folder

Script for an unproduced film, "The Grande Game" about Edgar Allan Poe.

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University of Virginia, Special Collections Dept.

Dick Miller copy of "The Premature Burial" screenplay, 1962

.03 Cubic Feet 1 letter-sized folder

This collection contains Dick Miller's working copy of the original screenplay for the 1962 film "The Premature Burial." Miller's only annotation to the script is blood dripping from the title in red holograph ink. Miller played the part of "Mole" in the film. This film was the director Roger Corman's third of seven Edgar Allan Poe adaptations, known collectively as the "Poe Cycle." Based on the 1844 short story by Edgar Allan Poe, and adapted to the screen by Charles Beaumont, noted horror novelist and screenwriter, and Ray Russell. The plot is about a British aristocrat in Victorian England who develops a paranoid fear of being buried alive. Typescript, 116 leaves, bound with a printed green portfolio cover and fastened with brads.

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Dick Miller copy of "The Premature Burial" screenplay, 1962 .03 Cubic Feet 1 letter-sized folder

Miller, Dick, 1928-2019

This collection contains Dick Miller's working copy of the original screenplay for the 1962 film "The Premature Burial." Miller's only annotation to the script is blood dripping from the title in red holograph ink. Miller played the part of "Mole" in the film. This film was the director Roger Corman's third of seven Edgar Allan Poe adaptations, known collectively as the "Poe Cycle." Based on the 1844 short story by Edgar Allan Poe, and adapted to the screen by Charles Beaumont, noted horror novelist and screenwriter, and Ray Russell. The plot is about a British aristocrat in Victorian England who develops a paranoid fear of being buried alive. Typescript, 116 leaves, bound with a printed green portfolio cover and fastened with brads.

University of Virginia, Special Collections Dept.

In Our Time screenplay, 1984

0.03 Cubic Feet 1 letter-sized folder

This collection features a single screenplay for an unproduced film based on John H.N. Hemingway's memories of his parents Ernest and Hadley Hemingway. The script was written in 1984 by Denne Petitclerc (1929-2006), a journalist, screenwriter, and friend of Ernest Hemingway. "In Our Time" is based on the primary source material and recollections of John H.N. Hemingway and Petitclerc described in the first three pages of the script titled " A Note on the Sources of this Screenplay." The screenplay focuses on the time surrounding Ernest Hemingway's first short story collection, published in 1924 and 1925, titled "In Our Time." The front cover notes the work as a 'The Producers Group' production and the address of the firm is present on the title page and consists of 119 single-sided pages.

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In Our Time screenplay, 1984 0.03 Cubic Feet 1 letter-sized folder

Petitclerc, Denne Bart

This collection features a single screenplay for an unproduced film based on John H.N. Hemingway's memories of his parents Ernest and Hadley Hemingway. The script was written in 1984 by Denne Petitclerc (1929-2006), a journalist, screenwriter, and friend of Ernest Hemingway. "In Our Time" is based on the primary source material and recollections of John H.N. Hemingway and Petitclerc described in the first three pages of the script titled " A Note on the Sources of this Screenplay." The screenplay focuses on the time surrounding Ernest Hemingway's first short story collection, published in 1924 and 1925, titled "In Our Time." The front cover notes the work as a 'The Producers Group' production and the address of the firm is present on the title page and consists of 119 single-sided pages.

University of Virginia, Special Collections Dept.

Jacques Letellier script for film, "The Lottery in Babylon", 1960

0.03 Cubic Feet One folder in a document box BW 8.

Jacques Letellier script for film, "The Lottery in Babylon" 1960's, .03 cubic feet, a typed draft for an unproduced film based on the 1941 short story by Jorge Louis Borges.

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Jacques Letellier script for film, "The Lottery in Babylon", 1960 0.03 Cubic Feet One folder in a document box BW 8.

Jacques Letellier script for film, "The Lottery in Babylon" 1960's, .03 cubic feet, a typed draft for an unproduced film based on the 1941 short story by Jorge Louis Borges.

University of Virginia, Special Collections Dept.

Jamal Joseph "Liberated Territory" screenplay, 1989

0.03 Cubic Feet 1 folder
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University of Virginia, Special Collections Dept.

Michael Murphy "Seance" screenplay, 1966

0.03 Cubic Feet One folder

Michael Murphy's original screenplay Seance (1966; 0.03 cubic feet) was written for a television episode. It was part of a series but this episode was never produced. Each show was a seance, given by four "distinquished guests," and the specter they attempt to "recall." This episode is about Ernest Hemingway. Throughout the episode the guests converse with Hemingway, asking him questions about his youth and his writing career. The episode ends with a hint at the following week's episode about Ludwig Van Beethoven.

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Michael Murphy "Seance" screenplay, 1966 0.03 Cubic Feet One folder

Michael Murphy's original screenplay Seance (1966; 0.03 cubic feet) was written for a television episode. It was part of a series but this episode was never produced. Each show was a seance, given by four "distinquished guests," and the specter they attempt to "recall." This episode is about Ernest Hemingway. Throughout the episode the guests converse with Hemingway, asking him questions about his youth and his writing career. The episode ends with a hint at the following week's episode about Ludwig Van Beethoven.

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