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Bernice E. Payne letters

0.21 Linear Feet 1 half Hollinger box.
Abstract Or Scope

This collection contains letters predominately from Bernice Edward Payne, of Roaring Springs, Texas, to his parents, Macon L. and Mattie S. Payne, and sister, Eunice Payne. Bernice Payne, a white man, served in the US Army during World War I. He began his initial training at Camp Travis, Texas as a private in the Quartermaster Corps. After successfully passing his examinations, Payne began to oversee the 322nd Labor Battalion Quartermaster Corps, an all-African American battalion. He was soon promoted to sergeant and was transferred along with the 322nd Labor Battalion to Camp Hill in Newport News, Virginia.

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Bernice E. Payne letters 0.21 Linear Feet 1 half Hollinger box.

Dr. and Mrs. Wyatt Tee Walker collection

50 Linear Feet
Abstract Or Scope
This collection includes material related to and collected by the Reverend Dr. Wyatt Tee Walker and his wife, Theresa Ann Edwards Walkers. Materials include personal papers and administrative files of Dr. and Mrs. Walker, audio recordings of Dr. Walker's church services, honors and awards given to Dr. and Mrs. Walker, photographs and slides taken by or depicting Dr. Walker, Dr. Walker's published works and unpublished manuscripts, and other memorabilia and ephemera. Also included is an oral history performed with Dr. and Mrs. Walker.
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Dr. and Mrs. Wyatt Tee Walker collection 50 Linear Feet

Student Protest Collection

2.02 Linear Feet
Abstract Or Scope

The collection contains materials related to on-campus student-led protests

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Student Protest Collection 2.02 Linear Feet

United Klans of America collection

1 Folder
Abstract Or Scope

Content warning: The United Klans of America (UKA) Collection contains racist, sexist and homophobic imagery, language and content. The materials have been processed and made accesible for fair use and research purposes.

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United Klans of America collection 1 Folder

White gaze

1 Volumes
Abstract Or Scope
"In White gaze, artist and filmmaker Michelle Dizon works with an archive of National Geographic magazines to explore the mechanics of the 'white gaze.' Through a process of poetic subtraction, Dizon works with only the language on the original page to write a decolonial counterpoint to a way of imaging the world centered on the West. Her images lay the white gaze bare, unearth a genealogy of a racist visuality, and work in the gap between image and text to write against the grain of imperialist narratives. Artist and writer Việt Lê uses Dizon's images from White gaze as a starting point for his poetic exploration of the legacies of war and imperialism. Lê's text performs a dual work, both contextualizing Dizon's images in the history of empire and unleashing a rhythmic play with language, both visually and aurally, to cut to the core of how meaning is produced. His text speaks to absence as much as presence with a story of war and empire told in fragments, phrases, words hanging on the page--an index of both the trauma and resistance experienced by those subjected to the violence of empire"--Bookmark insert.
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White gaze 1 Volumes

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