Collections : [Virginia Commonwealth University, Cabell Library]

Virginia Commonwealth University, Cabell Library

James Branch Cabell Library
Virginia Commonwealth University
P.O. Box 842003
901 Park Avenue
Richmond, VA 23284-2003
Primary Collecting Areas:
book art, comic arts, university archives, and 20th and 21st century Richmond and Central Virginia history, including African-American, gay and lesbian, and women's activist communities; the visual, literary, and performing arts; and architecture and urban planning
Description:
Special Collections and Archives at James Branch Cabell Library collects rare and unique research materials documenting 20th and 21st century Richmond and Central Virginia. Our holdings include manuscripts, personal papers, photograph collections, oral histories, and various institutional records. Books and other published materials include nationally significant special collections of book art and comic arts; rare books and periodicals; late 19th and early 20th-century architecture and decorative arts; and Richmond history, imprints, literature and serial publications from the late 20th century to the present. The historical records of VCU and its Monroe Park Campus predecessor, the Richmond Professional Institute, are found here as well.
POC: SCA Staff
Phone: (804) 828-1108
Fax: (804) 828-0151

Search Constraints

Start Over You searched for: Repository Virginia Commonwealth University, Cabell Library Remove constraint Repository: Virginia Commonwealth University, Cabell Library Subjects Poets, American -- Virginia Remove constraint Subjects: Poets, American -- Virginia

Search Results

Cathryn Hankla papers

9.95 Linear Feet
Abstract Or Scope

Cathryn Hankla's collection contains her poetry, short stories, plays, and novels from 1971 to 1992. The material documents the development and maturation of Hankla from the age of 13. The bulk of Hankla's collection is in her poetry drafts (1971-1989) and her published work (1980-1992). There are no significant gaps in her collection since its contents are spread out evenly throughout its 21 year period.Another strength of Hankla's papers is in her poetry. Containing the poems that she has written over a 18 year range, many of her initial poems have been revised repeatedly. These drafts provide an insight to her development as a poet and writer by demonstrating the obvious changes in her style, form, and content. The weakness of this collection is the lack of any biographical information about Cathryn Hankla. Except for some passing information in some of her book reviews, there is no significant information about Hankla herself. In this collection of novels, poetry, short stories, plays, theses, and notes, a large area of interest is in her published work. This is especially true in examples like Phenomena, Learning the Mother Tongue, A Blue Moon in Poorwater, and Afterimages that contain a complete set of correspondence, drafts, and reviews. Specifically, the correspondence shows her initial contact with numerous publishing companies and her continuous discussion with the eventual publisher about the evolution of her work. As a result, the collection documents the complete development of her work from draft to review. Presently, Hankla is not represented in any other repository.

1 result

Cathryn Hankla papers 9.95 Linear Feet

Martha R. Roberts papers

4 Linear Feet
Abstract Or Scope

Contains materials relating to her publications, correspondence, and drafts of her work.

1 result

Martha R. Roberts papers 4 Linear Feet

Mary Sinton Leitch papers

1.88 Linear Feet
Abstract Or Scope

The Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century.

1 result

Mary Sinton Leitch papers 1.88 Linear Feet

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.