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The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of "engaged resistance" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. In 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. His photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.

The collection documents the activities of the Aaron Siskind Foundation during its years of operation, from 1984 to 2020. Aaron Siskind directed that his estate become a resource that would support contemporary photography and reward and encourage excellence in its practitioners. Since his death in 1991, the Aaron Siskind Foundation provided cash grants to individual photographic artists on a yearly basis until disbanding in 2020.

Negatives and other material from the Gravely and Moore Studio of Charleston, West Virginia. The majority of items within the collection are cellulose acetate negatives; the collection also includes glass plate negatives, prints, two photograph albums, and other material, as well as a card catalog documenting business transactions with customers. The collection is organized into customer project files as established by the Studio; the contents of these files are stored in envelopes usually containing one or two negatives, but they can contain up to a dozen or more. There are approximately 3,500 customer project files containing an estimated 11,000 items, most of which are negatives. The majority of photographs within the collection are portraits of individual adults. Other subjects include portraits of children; group photographs; businesses and advertising; members of the military; civil servants; civic organizations; missionaries; and aerial photographs, among others.