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The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.

The Art Attack records contains materials that documented the creative process of multidisciplinary American and international artists as a part of the Art Attack collective from 1979-2009. The collection contains audience feedback, cassette tapes, contact sheets, correspondence, mixed-media artwork, notes, oversized blueprints, photographs, photo negatives, photo slides, contact sheets, and press and reviews created by and related to the Art Attack collective.

The Blackley Family Papers, 1830-2020, consists of hundreds of letters that span from 1830 to 2011; diaries; official United States, Confederate, and Texas documents; literary works; newspaper clippings; postcards; ephemera; and photographs. These papers document the related Scott, Bassett, Blackley, Hoge, Matthews, and Nix families of Texas and Staunton, Virginia.

Photographs, postcards, engravings, sketches, art tools, correspondence, pamphlets, recipes and newspaper clippings belonging to Blanche Lazzell, a West Virginia born leading American artist of the inter-war years. The collection reflects her development as an artist from her student days at West Virginia University to the end of the Korean War. Addenda include correspondence, genealogy, published material, photos, prints, drawings, news clippings, and mementos of Blanche Lazzell. Addenda topics include Lazzell family history, Blanche's art and artistic influences, and the National Society of the Daughters of the American Revolution (DAR). See Historical Note for information on Blanche Lazzell.

This collection contains Washington Metropolitan Area Transportation Authority (WMATA) materials relating to the foundation and construction of the Metro, information regarding American and international mass transit systems, and photographs taken by Charles Lietwiler.

The papers of Edward J. Cabbell, an author, poet, editor, and historian documents subjects regarding African-American history in Appalachia, encompassing the colonial period through 1988. The materials include research papers, articles, photographs, clippings, books, and publications such as "Then & Now" and "Black Diamonds". There is also information pertaining to the John Henry legend and includes articles, music references and literature. There are photographs of paintings and sculptures of John Henry, candid images of the John Henry Folk Festivals, Edward J. Cabbell as the director of the John Henry Memorial Foundation and Louis W. Chappell, a West Virginia University professor who compiled a massive collection of Appalachia folklore and music, including John Henry material.

Paper ephemera, including: illustrated letterhead titled "Offices of J.W. Wiles" featuring portrait of J.W. Wiles and photo of the "Wiles Block" building in Morgantown, WV; there is also letterhead for the "Star Glass Company" and "Union Realty and Development Co.," both of Morgantown; illustrated envelopes for the "Hotel Morgan" of Morgantown, "The Waldo" of Clarksburg, and "The Ruffner" of Charleston. Signed calling card of J.W. Wiles. There is an extensive collection of greeting cards, including Valentines. There is also a printed invitation card for a luncheon with President and Mrs. Taft (1912). Addendum of 2019/06/17 includes four greeting cards from the Young family of Morgantown, including two large Valentine cards (including windmill and seesaw graphics; undated), one small Valentine card (undated), and one Christmas card (booklet, "One Christmas Back in Grandfather's Time"; 1952).

Three volumes of genealogical compilations of family group sheet forms of the Murphy family and allied families by John Burns Murphy (b. July 5, 1914-d. November 24, 1992). There are three separate name indexes, one for each volume, and 12 captioned photos of the William and Hester Murphy family of Moatsville, Barbour Co., WV, 1770-1988, 1 1/2 ft. Other families mentioned most often in the index are Allen, Amos, Anderson, Anon, Arnett, Ashcraft, Bailey, Baker, Ball, Barnes, Barr, Bartlett, Baughman, Bennett, Benson, Blake, Boggess, Bolyard, Booth, Boyles, Brady, Brown, Bryan, Campbell, Canfield, Carpenter, Coffman, Cole, Copenhaver, Corder, Cox, Crim, Crites, Cross, Cunningham, Davis, Davisson, Digman, Duckworth, Duncan, Dye, Edgell, Ellifritt, Elliot, Ellison, Ellyson, Eneix, Farence, Felton, Ferguson, Flowers, Forman, Fortney, Freeman, Friend, Gainer, Gall, Gatrell, Glasscock, Glover, Godwin, Griffin, Gum, Haddix, Hall, Haller, Hannah, Harbert, Hart, Harvey, Hathaway, Hawker, Hawkins, Heldreth, Hess, Hoffman, Holbert, Huey, Huffman, Hustead, Ice, Isner, Jackson, James, Jefferies, Jenkins, Johnson, Jones, Keller, Kelly, Kennedy, Kittle, Knotts, Laulis, Lawson, Leach, Linville, Long, Looman, Lyons, Markley, Marple, Marsh, Martin, Mason, Matthews, McDaniel, McGee, McIntire, McIntosh, McVicker, Minear, Mitchell, Moats, Moore, Mouser, Nay, Nestor, Nutter, Odle, Ogden, O'Neal, Phillips, Pigott, Poe, Poling, Price, Pritchard, Proudfoot, Rector, Reed, Rice, Richardson, Rittenhouse, Robbins, Robey, Robinson, Rogers, Rusk, Saffell, Sanders, Sandy, Sayre, Shaffer, Shanabarger, Sharp, Shaver, Shaw, Shinn, Shreve, Simons Sinsel, Stansberry, Stark, Stemple, Stewart, Stickel, Straight, Stump, Sturm, Swiger, Swisher, Switzer, Talbott, Talkington, Taylor, Tetrick, Tharp, Thompson, Tibbs, Van Scoy, Wadsworth, Wass, Watson, Weaver, Webb, White, Whiteman, Whitman, Williams, Williamson, Wilmoth, Wilson, Woodford, Wright, Wyer, Zinn. Materials cover the years 1770-1988.

Brochures, programs and correspondence of the John Henry Folk Festivals. The festivals are an annual celebration in West Virginia of its inter-ethnic cultural folk heritage with an emphasized focus on that of black Appalachians. The festival is especially noted for featuring Blues musicians and singers. Most correspondence is between festival director, Edward J. Cabbell, and participants or contributors to the festival. The collection, the correspondence in particular, indicates the development and changes in the format and thematic agenda of the festival over the years, an example being its 1982 participation in the World's Fair at Knoxville, Tennessee. Addendum is 6 pages of papers (1996) of the John Henry Center, the parent organization of the John Henry Folk Festival.