Search

Start Over Subjects Largo e puntato
University of Virginia, Music Library

Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

265 items
The Mackay-Smith Collection's greatest strength is in contemporary editions of 18th-century instrumental music, particularly trio sonatas. The collection shows similarity to the music section of Jefferson's catalogue of 1783. The trio sonatas of Carlo Antonio Campioni (1720-1788), one of Jefferson's favorite composers, are especially well represented.
Top 3 results view all 4

Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to her Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange, 1705

Contents
  • SONATA IF
    • GraveC
    • AllegroC
    • Adagio3/4
    • Allegro3/4
  • SONATA IIe
    • GraveC
    • VivaceC
    • Adagio3/4
    • Allegro3/8
  • SONATA IIIA
    • GraveC
    • AllegroC
    • Adagio3/2
    • Allegro3/4
  • SONATA IVa
    • VivaceC
    • AdagioC
    • AllegroC
    • PrestoC|
  • SONATA VB♭
    • Grave3/2
    • AllegroC
    • Adagio3/2
    • AllegroC6/8
  • SONATA VIb
    • GraveC
    • LargoC
    • Adagio3/4
    • AllegroC6/8
  • SONATA VIIC
    • AllegroC
    • GraveC
    • Allegro6/8
  • SONATA VIIIc
    • GraveC
    • AllegroC
    • LargoC
    • Vivace3/4
  • SONATA IXG
    • AllegroC
    • AdagioC
    • Adagio3/2
    • Allegro3/4
  • SONATA Xg
    • GraveC
    • AllegroC
    • Allegro6/8
    • Adagio3/2
    • AllegroC3/8
  • SONATA XId
    • GraveC
    • AllegroC
    • Adagio3/2
    • AllegroC
  • SONATA XIID
    • GraveC
    • Largo e PuntatoC
    • GraveC
    • Allegro6/8

Title Transcription: ARCANGELO CORELLI Opera Prima XII SONATAS of three parts for two VIOLINS and a BASS with A Through BASS for ye ORGAN HARPSICORD or Arch LUTE Engrav'd from ye Score and Carefully Corected by ye best Italian Masters Note, there are five Operas of this Author's Engrav'd (wch. may be had Single or in one Volume) being all that are as yet Publish'd. London Printed for I. Walsh Servt. to his Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand and I. Hare at the Golden Viol in St Pauls Church yard and at his Shop in Freemans yard near ye Royl. Exchange [same title-page as no. 87 but without Hare's imprint; with "No. 364" added in lower right corner; and "her" changed to "his"], 1730

Contents
  • SONATA I
    • AllegroC3/4
  • SONATA II
    • AllegroC3/8
  • SONATA III
    • AllegroC3/4
  • SONATA IV
    • PrestoC
  • SONATA IX
    • AllegroC3/4
  • SONATA XII
    • Largo e puntatoC

Title Transcription: SIX SONATAS for two VIOLINS, with a TENOR and THOROUGH BASS for the HARPSICHORD or VIOLONCELLO Composed by Sigr. Nicolo Pasquali 1st. Set LONDON Printed for John Johnson at the Harp & Crown in Cheapside of whom may be had [list of works beginning with: "Avison's 6 Sonatas." and ending with: "Campioni's Sonatas."], 1750

Contents
  • SONATA ID
    • AllegroC
    • Andantino3/8
    • Giga Allegro12/8
  • SONATA IIB♭
    • AllegroC
    • AndantinoC
    • Allegro3/4
  • SONATA IIIG
    • Andante2/4
    • Allegretto6/8
    • Minuet3/4
  • SONATA IVD
    • Largo e PuntatoC
    • Allegro3/4
    • Allegro Assai3/4
  • SONATA Vg
    • SpiccatoC
    • PrestoC
    • Moderato e Grazioso3/4
  • SONATA VIE
    • AndanteC
    • AllegroC
    • Minuet3/4

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.