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Reiko Tomita Architectural Collection, 1970-2019, 1970/2019

0.2 Cubic Feet 2 oversize folders of materials
Abstract Or Scope
The Reiko Tomita Architectural Collection consists primarily of sketches (27 total), made with various media applied to different substrates. Other materials include a design printed on a hand-dyed piece of fabric and a curriculum vitae.
1 result

Reiko Tomita Architectural Collection, 1970-2019, 1970/2019 0.2 Cubic Feet 2 oversize folders of materials

Rutsu Tanimura Drawings

2 Cubic Feet 1 oversize folder
Abstract Or Scope
Rutsu Tanimura is an architect in Nagoya City, Japan. The collection comprises two drawing panels for Asahidai House by Tanimura. The panels demonstrate the design for a house on a sloping site in Aichi-pre.
1 result

Rutsu Tanimura Drawings 2 Cubic Feet 1 oversize folder

Saffa 58 Architectural Drawings, 1958

2.8 Cubic Feet 4 oversize folders
Abstract Or Scope
The SAFFA was a Swiss fair exhibition on women in Zurich, Switzerland, that was built by Swiss women architects. The Saffa 58 Architectural Drawings consist of sixty-three drawings of the buildings for the 1958 fair, including the collaborative work of Claire Rufer-Eckmann, Beate Billeter, Verena Fuhrimann, Jetti Judin-Mutzenberg, and Annemarie Hubacher-Constam.
1 result

Saffa 58 Architectural Drawings, 1958 2.8 Cubic Feet 4 oversize folders

Sally Waldner Bould Stan Architectural Collection, 1940/1997

2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches
Abstract Or Scope
This collection documents the architect Sally Waldner Bould Stan. She lived from 1917 to 2008, spending most of her life in Lafayette, California. Over the course of her life, Sally designed around 2000 homes as well as numerous notable commercial projects before retiring in 1998. Her collection is comprised of biographical notes as well as drawings for 55 of her professional projects. One standard and five oversized folders.
1 result

Sally Waldner Bould Stan Architectural Collection, 1940/1997 2 Cubic Feet 5 folders of 42x30 inches and one folder of 14.75x9.5 inches

Sarah Pillsbury Harkness Architectural Collection, 1986/2013

2.25 Cubic Feet 1 box, 1 oversize folder
Abstract Or Scope
The Sarah Pillsbury Harkness Architectural Collection consists of biographical information, a booklet documenting the presentations given on November 21, 1991, and architectural drawings and photographs for her 1996-1997 design of a house in Essex, Massachusetts.
1 result

Sarah Pillsbury Harkness Architectural Collection, 1986/2013 2.25 Cubic Feet 1 box, 1 oversize folder

Sena Sekulić-Gvozdanović Architectural Collection, 1963/2002

0.5 Cubic Feet 1 box
Abstract Or Scope
Sena Sekulić-Gvozdanović (d. 2002) architect in Zagreb, Republic of Croatia. She was a professor (1946-1986) and the first female Dean of Architecture (1979-1982) at the University of Zagreb. In 1983, she was awarded the Viktor Kovacic Award for Lifetime Achievement. Sekulić-Gvozdanović's collection contains published and unpublished works, personal correspondence, photographs, slides, and lectures pertaining to her research concerning women in architecture. Materials range in date from 1963-2002.
1 result

Sena Sekulić-Gvozdanović Architectural Collection, 1963/2002 0.5 Cubic Feet 1 box

Snezha Daskalova Architectural Collection, 1985

2.8 Cubic Feet 8 folders
Abstract Or Scope
Snezha Daskalova (also Snezha Daskalova-Milkovska) is an architect in Sofia, Bulgaria. The collection contains drawings for residential projects by Daskalova, one set of student drawings by her daughter, Marine Milkovska, and biographical information.
1 result

Snezha Daskalova Architectural Collection, 1985 2.8 Cubic Feet 8 folders

Society of Architectural Historians Women in Architecture Affiliate Group Records, 2020, 2020

1.32 Gigabytes File types (extensions) include docx, pdf, jpg, mhtml, pptx, png, xlsx
Abstract Or Scope
The Society of Architectural Historians Women in Architecture Affiliate Group Records are a set of electronic text and image files documenting the history, membership, and activities of the affiliate group of the long-standing international professional organization dedicated to studying the built environment.
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Society of Architectural Historians Women in Architecture Affiliate Group Records, 2020, 2020 1.32 Gigabytes File types (extensions) include docx, pdf, jpg, mhtml, pptx, png, xlsx

Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003

26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model
Abstract Or Scope
After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.
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Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003 26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model

"That Exceptional One: Women in American Architecture, 1888-1988, " Exhibition, 1988

100 Cubic Feet 3 boxes; oversize panels
Abstract Or Scope
This collection includes a traveling exhibit created by the American Architectural Foundation of the American Institute of Architects about women in American architecture. The exhibit starts with Louise Bethune, who in 1888 was the first woman to join the AIA. Materials include exhibit panels, planning documents and research for the creation of the exhibit.
1 result

"That Exceptional One: Women in American Architecture, 1888-1988, " Exhibition, 1988 100 Cubic Feet 3 boxes; oversize panels

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.