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Start Over You searched for: Date range 1937 Remove constraint Date range: 1937 Subjects History of Women in Architecture Remove constraint Subjects: History of Women in Architecture

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Anna P. Sokolina Architectural Collection, 1924/2019

5.2 Cubic Feet 6 boxes; 2 oversize folders
Abstract Or Scope
Anna P. Sokolina is an architectural historian. The majority of the collection consists of her publications, professional documentation, conferences participation, exhibit catalogs, teaching materials, and materials related to her involvement in the International Archive of Women in Architecture.
1 result

Anna P. Sokolina Architectural Collection, 1924/2019 5.2 Cubic Feet 6 boxes; 2 oversize folders

Architectural League of New York: Archive of Women in Architecture Records, 1892/1976

5.2 Cubic Feet 4 boxes and 4 oversize folders
Abstract Or Scope
The Architectural League of New York created the Archive of Women in Architecture Records in 1973 to gather biographical and project data about women professionals in the field of architecture and other related disciplines. This information was used to create a 1977 exhibition and the book, Women in American Architecture: A Historic and Contemporary Perspective, edited by Susana Torre.
1 result

Architectural League of New York: Archive of Women in Architecture Records, 1892/1976 5.2 Cubic Feet 4 boxes and 4 oversize folders

Claire Rufer-Eckmann Architectural Collection, 1928/1958

3.1 Cubic Feet 1 box, 6 oversize folders
Abstract Or Scope
Claire Rufer-Eckmann (1914-1974) was an architect in Bern, Switzerland. The collection consists of architecture class notes taken by Rufer-Eckmann at l'École Polytechnique Federale de Zurich, 1928-1935, original sketches and a report on her travels in Sweden and Finland in the late 1930s, and over forty working drawings created by her as part of SAFFA 58, an exhibition of women's roles in Switzerland.
1 result

Claire Rufer-Eckmann Architectural Collection, 1928/1958 3.1 Cubic Feet 1 box, 6 oversize folders

H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950), 1915/1975

2.5 Cubic Feet
Abstract Or Scope
Henrietta May Steinmesch was born in St. Louis, Missouri, in 1893. After graduating from the University of Washington in St. Louis, she worked on local governmental and residential projects; during World War II she worked for the Army of Engineers and Air Force, drafting maps and plotting airfields. In 1943, she moved West to California, where she remained until her death in 1979. Materials in the collection consist of watercolors, sketches, block prints, photographs, taped interviews, clippings, and several architectural drawings.
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H. May Steinmesch Papers, 1915 - 1975 (bulk 1915-1950), 1915/1975 2.5 Cubic Feet

Louise Hall Collection, 1893/1990

102 Cubic Feet 67 boxes
Abstract Or Scope
Louise Hall (1905-1990) was an American architect, who taught art and architectural history at Duke University from 1931 to 1975. Her papers document her teaching career, architecture career, and personal life.
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Louise Hall Collection, 1893/1990 102 Cubic Feet 67 boxes

Mary Anne Shephard Manuscript, 1847/2016

0.1 Cubic Feet 1 folder
Abstract Or Scope
The Mary Anne Shephard Manuscript is a manuscript titled, "Principles and Illustrations of Gothic Ecclesiastical Architecture", created by Shephard, possibly from England, in 1847 that details gothic architecture through descriptions and drawings, with an additional focus on churches and ministers. This may be based on Matthew Holbrech Bloxam's The Principles of Gothic Ecclesiastical Architecture (London, 1829). While the majority of the document was written in 1847, there are dates written that reach 1850, 1950, and 2016.
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Mary Anne Shephard Manuscript, 1847/2016 0.1 Cubic Feet 1 folder

Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950

11 Cubic Feet 10 boxes and 36 oversize folders
Abstract Or Scope
After graduating from Randolph-Macon Woman's College in 1929, Mary Ramsay Brown Channel earned her degree in architecture at Cornell University in 1933. She returned to her hometown of Portsmouth, Virginia, and worked at a firm for two years before opening her own office as the first registered woman architect in Virginia. She became known for her residential and church designs. Her collection includes sketches and drawings for about 160 mostly residential projects in the Portsmouth area. Also included are some college drawings and projects.
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Mary Brown Channel Architectural Collection, 1936/2002, bulk 1936/1950 11 Cubic Feet 10 boxes and 36 oversize folders

Meeting Minutes of the Art League of Philadelphia and Diary of Art League Member Elsa Marie Hofheinz, 1928/1947

0.2 Cubic Feet 1 box
Abstract Or Scope
This collection contains a book of meeting minutes for the Art League of Philadelphia recorded primarily by secretaries Margaret Nefferdorf and Elsa Hofheinz. The collection also includes Elsa Hofheinz's diary from 1928 when she was in high school.
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"More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993", 1934/2000

2 Cubic Feet 2 boxes, 1 oversize
Abstract Or Scope
The collection is composed almost exclusively of materials created for the exhibit or in preparation of the exhibit, "More Than the Sum of Our Body Parts: An Exhibit by CARY, 1992-1993".
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Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003

26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model
Abstract Or Scope
After earning her degree in architecture in Buenos Aires, Argentinean Susana Torre arrived in New York in 1968 to study and practice architecture. Women's place in architecture and renovation of buildings are topics of particular interest to her. The Susana Torre collection consists of professional correspondence, project files, architectural drawings and sketches of some of her works, research notes, published articles about and by Torre, and teaching notes.
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Susana Torre Architectural Collection, 1830/2003, bulk 1967/2003 26.4 Cubic Feet 23 boxes, 28 oversize folders, 3 framed drawings, and 1 model

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ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.