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Start Over Subjects Gothic fiction (Literary genre)
University of Virginia, Special Collections Dept.

Maurice Lévy papers, 1952/2012

3.25 Cubic Feet 6 legal document boxes, 1 legal half-width document box

The Maurice Lévy papers (1952-2012; 3.25 cubic feet) document the research, professional career, and personal life of Maurice Lévy. The bulk of the collection consists of research papers and publications, with subjects ranging from gothic literature to William Faulkner to H.P. Lovecraft. The collection also contains conference talks given by Lévy, correspondence with universities and grant agencies, publications from Lévy's organization CERLI (Centre d'Études et de Recherches sur les Littératures de l'Imaginaire), and a few photographs of Lévy with family members.

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Maurice Lévy papers, 1952/2012 3.25 Cubic Feet 6 legal document boxes, 1 legal half-width document box

Lévy, Maurice, 1929-

The Maurice Lévy papers (1952-2012; 3.25 cubic feet) document the research, professional career, and personal life of Maurice Lévy. The bulk of the collection consists of research papers and publications, with subjects ranging from gothic literature to William Faulkner to H.P. Lovecraft. The collection also contains conference talks given by Lévy, correspondence with universities and grant agencies, publications from Lévy's organization CERLI (Centre d'Études et de Recherches sur les Littératures de l'Imaginaire), and a few photographs of Lévy with family members.

University of Virginia, Special Collections Dept.

The Devil's Steeplechase, 1830

.03 Cubic Feet one letter-sized folder

This collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830. It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it. In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy" from the Ingoldsby Legends" which recounts the story of Catherine of Cleves.

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The Devil's Steeplechase, 1830 .03 Cubic Feet one letter-sized folder

This collection contains an anonymous sketchbook containing a highly illustrated handwritten gothic story, additional watercolor paintings, and numerous pen and ink sketches. The primary story pertains to a horse race between the devil and death that takes place on March 12, 1830. It is likely a satire on the first English National Steeplechase, which was run in Bedfordshire on March 8, 1830, and was the precursor of the Grand National race at Aintree. Nine full-page watercolors are devoted to the primary gothic steeplechase story, each with a narrative on the facing page. The story is a morbid variant of the turtle and the hare fable, with the Devil taking an auspicious start but as the Devil relaxes, the Death recovers, catches up and wins, and celebrates his victory by throwing his head (which is a skull) in the air and catching it. In addition to the steeplechase illustrated story, there are three other watercolors of riding, two of these in a steeplechase or a foxhunt. There are also eleven other pages with pen and ink drawings, in varying states of finish, plus three pages heavy with text, and the endpapers are filled with sketches. The other illustration includes a page of silhouettes, which are on military or equestrian themes. Also in the manuscript is a four-page rendering of the Tragedy" from the Ingoldsby Legends" which recounts the story of Catherine of Cleves.

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