Subjects: Fugue - ARVAS Search Results

Start Over Subjects Fugue

Title Transcription: SIX SONATAS for two VIOLINS with a Thorough Bass for the HARPSICORD OR VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA [in MS: "3za."] London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with: "Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts." and ending with: "Fingers Sonatas", 1759

Contents

SONATA IG
- Grazioso3/8
- AllegroC
- Allegro6/8
SONATA IIE
- Flebile3/8
- Allegro2/4
- Allegretto3/8
SONATA IIIC
- AdagioC
- Spiritoso2/4
- Allegretto3/4
SONATA IVb
- AndantinoC
- FugaC|
- Allegretto Grazioso3/4
SONATA VD
- AndanteGratioso3/8
- AllegroC
- Allegro Assai3/8
SONATA VIG
- Pastorale Adagio e Sostenuto6/8
- AllegroC
- Allegro6/8

Collection Context

Title Transcription: SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD OR VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA [in MS: "3za."] London. Printed for I. Walsh in Catherine Street in the Strand. Of whom may be had for two Violins and a Bass [list of works beginning with: "Sixty four Overtures from all Mr. Handel's Operas & Oratorios for Violins in Four Parts for ye use of small Concerts." and ending with: "Bononcinis 12 Sonatas"], 1759

Contents

SONATA IG
- Grazioso3/8
- AllegroC
- Allegro6/8
SONATA IIE
- Flebile3/8
- Allegro2/4
- Allegretto3/8
SONATA IIIC
- AdagioC
- Spiritoso2/4
- Allegretto3/4
SONATA IVb
- AndantinoC
- FugaC|
- Allegretto Grazioso3/4
SONATA VD
- AndanteGratioso3/8
- AllegroC
- Allegro Assai3/8
SONATA VIG
- Pastorale Adagio e Sostenuto6/8
- AllegroC
- Allegro6/8

Collection Context

Title Transcription: SIX SONATAS for two VIOLINS with a Thorough Bass for the HARPSICORD OR VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA [in MS: "Prima"] London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had for two Violins and a Bass. [list of works beginning with: "Twenty four Overtures from Mr. Handel's Operas in Four Parts for the use of small Concerts." and ending with: "Fingers Sonatas", 1760

Contents

SONATA I
- Allegro assai2/4
SONATA II
- Andante3/4
- Allegro con brio assai2/4
- Allegro assai6/8
SONATA III
- AndanteC
SONATA IV
- Allegro Andante assaiC
SONATA V
- Fuga Allegro assaiC

Collection Context

Title Transcription: SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA V [changed in MS to read: "VI"] Just Publish'd by the same Author. [list of works beginning with: "Gasparo Fritz Sonatas Op. 3za." and ending with: "& Wagenseil's Symphonys. For Violins F. H. &c. 8 Parts."], 1765

Contents

SONATA Ig
- AdagioC
- AllegroC
- Allegretto3/4
SONATA IID
- AndanteC
- Allegro con SpiritoC
- Tempo di Menuet3/8
SONATA IIIc
- Larghetto6/8
- Comodo ma con Spirito2/4
- Menuetto Cromatico3/4
SONATA IVF
- Andante LargoC
- FugaC|
- Tempo di Menuetto3/4
SONATA Vg
- Andante Moderato2/4
- Allegro non troppoC
- Tempo di Menuetto3/4
SONATA VID
- Allegro ModeratoC
- Andante2/4
- Menuetto3/4
- Presto2/4

Collection Context

Title Transcription: Six SONATAS in Three Parts FOR A GERMAN FLUTE, A VIOLIN, with a Thorough Bass for the HARPSICORD or VIOLONCELLO Compos'd by Sigr. NICOLAS DÔTHEL LE FILS. London. Printed for I. Walsh in Catherine Street in the Strand. Of whom may be had For 2 German Flutes and a Bass. [list of works beginning with: "Kleinknecht's Sonatas" and ending with: "Tessarinis 12 Solos"], 1761

Contents

SONATA IG
- AllegroC
- AndanteC
- Allegro2/4
SONATA IID
- AllegroC
- AdagioC
- Presto3/8
SONATA IIIe
- Allegro ModeratoC
- AdagioC
- Allegro3/8
SONATA IVD
- AllegrettoC
- AdagioC
- Allegro2/4
SONATA VG
- Allo.ModeratoC
- AdagioC
- Allegro2/4
SONATA VIA
- AllegrettoC
- Adagio3/4
- Allegro FugaC

Collection Context

Title Transcription: Six SONATAS or TRIOS For Two German Flutes or two Violins and a THOROUGH BASS for the HARPSICHORD Composed by Giovanni Adolffo Hasse OPERA TERZA LONDON Printed for J. Oswald & sold at his Music Shop in St. Martins Church yard of whom may be had [list of works beginning with: "Gallos Sonatas" and ending with: "Shortly will be published a 2d. Violin to Oswalds Airs for the 4 Season."], 1756

Contents

SONATA IG
- AllegroC
- AdagioC
- FugaAllo.3/8
SONATA IIe
- Allegro moderatoC
- Adagio2/4
- Allegro3/8
SONATA IIID
- AllegroC
- AdagioC
- Allegro3/8
SONATA IVG
- Allegro moderatoC
- AdagioC
- Allegro3/8
SONATA Va
- Allegro moderatoC
- Andante Grazioso2/4
- Canone Allegretto3/4
SONATA VID
- Allegro moderatoC
- AndanteC
- Fuga Allegro3/8

Collection Context

Title Transcription: SIX SONATES EN TRIO Deux Violons et Basse continuë DEDIEES A Son Altesse MONSEIGNEUR LE PRINCE CHARLES DE LA TOUR TASSIS. PAR HENRY IAQUES DE CROES. ŒUVRE IIIE. Prix 9tt. A PARIS, Chez Me. Boivin, Mde. Rüe St. Honoré, a la Regle d'Or. Mr. Le Clerc, Md. Rue du Roule, a la Croix d'Or., 1751/1752

Contents

SONATA ID
- GraveC
- DaCapellaC|
- Grave3/2
- AllegroC
SONATA IIA
- GraveC
- Allegro3/8
- Fuga AllegroC
SONATA IIIa
- Affettuoso3
- AllegroC
- AdagioC
- AllegroC
- Tempo di Menuetto3/8
SONATA IVg
- AllegroC
- AdagioC
- Largetto3/8
- Allegro2/4
SONATA Va
- GraveC
- AllegroC
- Gratioso3/8
- Allegro2/4
- Tempo di Menuetto3/8
SONATA VIB♭
- Allo3
- Cicilliana Largo6/8
- Andante2/4
- Allegro3/8

Collection Context

Title Transcription: SIX SONATES EN TRIO POUR LES VIOLONS FLUTES TE BASSE CONTINUE PAR HENRY JACQUES DE CROES ŒURE VE. Gravées par Melle. Michelon. Prix 6tt SE VEND A PARIS Chez Mr. Le Clerc Md. Rue du Roule à la Croix d'Or. Mme. Boivin Mde. Rue St. Honoré à la Régle d'Or. AVEC PRIVILÉGE DU ROY., 1762/1768

Contents

SONATA Ia
- Allegro2/4
- Affectuoso eGratioso3/8
- Tempo di minuetto3/8
SONATA IIG
- Allegro ma non PrestoC
- AdagioC
- Tempo di minuetto3/8
SONATA IIIF
- AllegroC
- Arioso Andante3/8
- Allegro2
- Tempo di menuetto3
SONATA IVg
- AllegroC
- Andante e cantabile2/4
- AllegroC
SONATA VF
- AllegroC
- Largetto3/8
- AllegroC
SONATA VId
- LargoC
- Fuga allegroC
- Grave2/4
- Allegro3

Collection Context

Title Transcription: Six SONATES pour deux VIOLONS et une BASSE. Composes par GIUSEPPE HAYDN a Vienne Opera IV. Pr. 6s. LONDON. Printed & Sold by R. Bremner opposite Somerset House in the STRAND., 1771

Contents

TRIO IE♭
[Hob. V:4]
- Allegro2/4
- Adagio3/4
- Presto2/4
TRIO IIG
[Hob. V:20]
- Allegro2/4
- Menuetto3/4
- Presto6/8
TRIO IIID
[Hob. V:3]
- Adagio2/4
- Allegro2/4
- Tempo di Menuetto3/4
TRIO IVE♭
[Hob. V:17]
- Allo.C
- Menuetto3/4
- Presto2/4
TRIO VG
[by Michael Haydn]
- AllegroC
- Andante2/4
- Menuetto3/4
- Presto3/8
TRIO VIA
[by Michael Haydn]
- Allo.moderatoC
- Andante3/4
- Menuetto3/4
- Fuga AllegroC

Collection Context

Title Transcription: TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. & Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII, 1747

Contents

SONATA Ia
- Largo3/4
- Fuga AllegroC
- Allegro ma non Troppo2/4
SONATA IIF
- Andante VivaceC
- Adagio3/2
- AllegroC
- Allegro ma non Troppo6/8
SONATA IIIA
- Largo3/2
- Fuga Allegro assaiC
- AdagioC
- Tempo di Minuetto3/8
SONATA IVg
- Gratioso3/4
- March GraveC
- Tempo di GavottaC
SONATA VD
- AllegroC
- Largo3/2
- Fuga Allegro assai3/4
SONATA VIB♭
- Adagio3/2
- VivaceC
- AdagioC
- Affettuoso3/4
SONATA VIId
- AndanteC
- Fuga Allegro3/8
- Adagio3/2
- Allegro6/8
SONATA VIIIE♭
- LargoC
- Allegro2/4
- Siciliana6/8
- Tempo di Minuetto Allegro3/8
SONATA IXC
- Adagio ad Libitum3/4
- Fuga AllegroC|
- Canone GraveC
- Spirituoso2/4
SONATA Xe
- AdagioC
- Allegro3/4
- Largo3/2
- Tempo di Minuetto Allegro3/8
SONATA XIc
- Adagio3/2
- Fuga AllegroC|
- Affettuoso3/4
- Allegro6/8
SONATA XIIG
- Moderato3/4
- Tempo di GavottaC

Collection Context

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.