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University of Richmond

A hundred years of : Lex Flex

1 Volumes
A hundred years of: Lex Flex considers the language of the last century, and the ways in which it changed and modified itself to adapt to the kaleidoscopic and tumultuous events of the times. The book begins with the innocent and elegant period up to the 1930s. Part Two moves through the mid-century wars, the battles for civil and human rights, and the cults of personalities. Part Three, sub-titled cyber self and Ether/Other; takes on the digital age, in Laxson's inimitable style.
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A hundred years of : Lex Flex 1 Volumes

Laxson, Ruth
A hundred years of: Lex Flex considers the language of the last century, and the ways in which it changed and modified itself to adapt to the kaleidoscopic and tumultuous events of the times. The book begins with the innocent and elegant period up to the 1930s. Part Two moves through the mid-century wars, the battles for civil and human rights, and the cults of personalities. Part Three, sub-titled cyber self and Ether/Other; takes on the digital age, in Laxson's inimitable style.
University of Richmond

Under the knife

1 Volumes
Part memoir, part treatise, part collage and experiment, Krista Franklin's Under the Knife is an excavation; a dig at the sites of the construction and demolition of the poet/artist's selves. Franklin plays fast and loose with fact at the crossroads of the history of her maternal line and her own in a ruptured conversation about inheritance and the generational traumas that blossom in the body. Under the Knife hiccups, cross-fades and stops midsentence as Franklin cuts through the illusion of memory, the pathologies of history, and the stories we tell ourselves about ourselves.
1 result

Under the knife 1 Volumes

Franklin, Krista
Part memoir, part treatise, part collage and experiment, Krista Franklin's Under the Knife is an excavation; a dig at the sites of the construction and demolition of the poet/artist's selves. Franklin plays fast and loose with fact at the crossroads of the history of her maternal line and her own in a ruptured conversation about inheritance and the generational traumas that blossom in the body. Under the Knife hiccups, cross-fades and stops midsentence as Franklin cuts through the illusion of memory, the pathologies of history, and the stories we tell ourselves about ourselves.

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