Search

The Nunnally Johnson collection of Nathalia Crane papers (1923-1926; 0.03 cubic feet) collection contains correspondence of Nunnally Johnson relating to Nathalia Crane, a child author whose authenticity was questioned. There are 14 letters from Nathalia Crane to Nunnally Johnson; 1 letter from HM Crist to Johnson, and 1 letter from Clarence Crane. Also included is a typescript poem "The First Writer," two photographs of Crane, and one graphite self-portrait by Crane.

This collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned "Nydrie" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned "Algoma," and the Forsyths who owned "Nydrie."

The Otto Herman Weiss photographs (circa 1900-circa 1950; 0.4 cubic feet) document Virginian buildings, streetscapes, and landscapes in the early to middle twentieth century. The collection contains approximately 150 gelatin silver print photographs by Weiss. Subjects include extensive images of Norfolk, Fredricksburg, and Williamsburg, along with aerial photographs of Richmond, Norfolk, and Washington, D.C.

This collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen.