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This collection contains an estimated nine hundred thousand printed photographs, negatives, and slides captured by professional photographers at Gitchell's Studio in Charlottesville between 1972 and 2016. The collection provides provides a photographic history of the Charlottesville, Virginia including the University of Virginia and includes printed photographs, negatives, slides, and photographs saved on CD-Rs and DVD-Rs. The collection is organized by year and event. Most of the content is commissioned photographs paid for by Charlottesville and Albemarle County residents or businesses. The subject matter of the photographs spans wedding portraits, personal portraits, family portraits, corporate events, commercial scenes, sporting events and graduations for the University of Virginia and area high schools, church events, University of Virginia sports, and the Dogwood Festival. This guide only describes accession 2017-0077 (addition 1) of the collection and does not include a description of the original deposit.

The Kathleen Bonnie Crispin Worsham papers (1860s-2018; 1.35 cubic feet) document Worsham's historical research on the unincorporated community of Cifax in Bedford County, Virginia. Materials include family histories, photocopies of municipal documents, photographs of residents past and present, building floor plans, topographical maps, application materials for the National Register of Historic Places, and architectural surveys. Worsham's research places special emphasis on The Cedars, the Cifax house she owns with her husband Raleigh, and the area's broader architectural significance. The collection has been arranged into four series.

This collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned "Nydrie" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned "Algoma," and the Forsyths who owned "Nydrie."

This collection contains journals, artworks, correspondence, and photographs that illuminate the life and work of Petra Vogt, a poet, actress, artist, and model, known for her involvement with the Living Theatre, Ira Cohen, and the Bardo Matrix Press during the 1960s and 1970s. Of particular interest are thirty-four journals, chiefly by Petra Vogt, with poetry, prose works, diary entries, and intricate rapidograph drawings along with collage, paintings, and other artworks within; about 150 artworks by Vogt, as well as handmade books of Ira Cohen's photographs and collage, 850 photographs by Ira Cohen, including those from his Mylar photography series and 60 pieces of correspondence and post cards addressed to Vogt and Cohen.