Search

Start Over Subjects B

Title Transcription: SIX SONATAS FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD OR VIOLONCELLO Compos'd by Sigr. CARLO ANTONIO CAMPIONI. OPERA [in MS: "3za."] London. Printed for I. Walsh in Catherine Street in the Strand. Of whom may be had for two Violins and a Bass [list of works beginning with: "Sixty four Overtures from all Mr. Handel's Operas & Oratorios for Violins in Four Parts for ye use of small Concerts." and ending with: "Bononcinis 12 Sonatas"]

Contents
  • SONATA IG
    • Grazioso3/8
    • AllegroC
    • Allegro6/8
  • SONATA IIE
    • Flebile3/8
    • Allegro2/4
    • Allegretto3/8
  • SONATA IIIC
    • AdagioC
    • Spiritoso2/4
    • Allegretto3/4
  • SONATA IVb
    • AndantinoC
    • FugaC|
    • Allegretto Grazioso3/4
  • SONATA VD
    • AndanteGratioso3/8
    • AllegroC
    • Allegro Assai3/8
  • SONATA VIG
    • Pastorale Adagio e Sostenuto6/8
    • AllegroC
    • Allegro6/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: SIX Sonatas in three Parts for two Violins or two German Flutes (or one German Flute and Violin) with a Bass Compos'd by John George Freake Opera Seconda London Printed by Wm. Smith at the Golden Bass in Middle Row Holborn and sold by the Author at his House in Rathbone Place Soho, & at the Music Shops Where may be had, 12 Solos for the Harpsicord Violin and German Flute Price ... 10s. 6d 24 Duetts for Trumps French Horns Germa Flutes & Violins ... 1. 6

Contents
  • SONATA IG
    • Allegretto2/4
    • Largo Affettuoso3/8
    • Andante Allegro2/4
    • Menuet Moderato3/8
  • SONATA IIb
    • Largo Andante3/4
    • AllegroC|
    • Adagio3/2
    • Menuet3/8
    • Andante un Poco Piano2/4
  • SONATA IIID
    • Andante2/4
    • Adagio3/2
    • GiggaPresto6/8
  • SONATA IVc
    • Andante AffettuosoC
    • Allegro Presto3/8
  • SONATA VA
    • Amoroso Largo3/8
    • Andante AllegroC|
    • Adagio3/2
    • Allegro PrestoC|
    • Menuet Moderato3/8[at end of last movement: "Da Capo Allegro e Fine"]
  • SONATA VIe
    • AdagioC
    • Allegro3/4
    • Grave AdagioC
    • Andante3/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: SIX SONATAS or TRIOS for two VIOLINS or a GERMAN FLUTE & VIOLIN with a Bass for the VIOLONCELLO or HARPSICORD COMPOS'D BY Sigr. STEFANO GALEOTTI. Op: 2a. Just Publish'd, Six Sonatas or Trios for 2 Violoncellos, and a Bass for the Harpsicord by ye same Author. London. Printed for I. Walsh in Catharine Street in ye Strand. Of whom may be had For 2 Violins and a Bass. [list of works beginning with: "Bendall Martyn's 14 Excellent Sonatas" and ending with: "Handel's Favourite Aires for a German Flute and Bass from all his Operas and Oratorios. 7 Volumes."]

Contents
  • SONATA IC
    • AndanteC
    • AllegroC
    • Minuet3/4
  • SONATA IIf#
    • AndanteC
    • AllegroC
    • Minuet3/4
  • SONATA IIIF
    • Andante3/8
    • AllegroC
    • Minuet3/4
  • SONATA IVb
    • AndanteC
    • AllegroC
    • Minuet3/4
  • SONATA VA
    • AndanteC
    • AllegroC|
    • Minuet3/4
  • SONATA VID
    • Andante3/8
    • AllegroC
    • Minuet3/4
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: SONATAS of three Parts for two VIOLINS a VIOLONCELLO and THOROUGH BASS made out of Geminianis Solos Dedicated to Hewer Edgeley Hewer Esqr: By FRANCESCO BARSANTI London. Printed for and Sold by I: Walsh Servant to his Majesty at ye Harp and Hoboy in Catherine Street in the Strand. No. 354

Contents
  • Sonata VIIc
    • Grave3/4
    • AllegroC
    • GraveC
    • Allegro6/8
  • Sonata VIIIb
    • AffettuosoC
    • Vivace3/8
    • AmorosoC
    • Vivace3/8
  • Sonata IXF
    • VivaceC
    • Andante3/4
    • Allegro3/4
  • Sonata XE
    • AdagioC
    • AllegroC
    • Adagio3/4
    • Allegro12/8
  • Sonata XIa
    • Vivace3/4
    • Affettuoso3/4
    • AllegroC
  • Sonata XIId
    • Amororo3/4
    • Allegro12/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: SONATAS of three Parts. FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD or VIOLONCELLO. made from the Solos of FRANCESCO GEMINIANI. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had Just Publish'd For 2 Violins and a Bass. [list of works beginning with: "Nussen's Sonatas" and ending with: "Veracini's Solos"]

Contents
  • Sonata VIIc
    • Grave3/4
    • AllegroC
    • GraveC
    • Allegro6/8
  • Sonata VIIIb
    • AffettuosoC
    • Vivace3/8
    • AmorosoC
    • Vivace3/8
  • Sonata IXF
    • VivaceC
    • Andante3/4
    • Allegro3/4
  • Sonata XE
    • AdagioC
    • AllegroC
    • Adagio3/4
    • Allegro12/8
  • Sonata XIa
    • Vivace3/4
    • Affettuoso3/4
    • AllegroC
  • Sonata XIId
    • Amororo3/4
    • Allegro12/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: SONATE A VIOLINO, VIOLONE, E CEMBALO, DEDICATE Al Illustrissimo et Excellentissimo Signore IL SIGR: BARONE DI KILMANS'EGGE Cavallerizzo Maggiore e Ciamberlano Di sua MAESTÀ BRITANICA E ELETTORE DI BRUNSWICK E LUNEBOURG da Francesco Geminiani. Tho: Cross Sculpsit.

Contents
  • Sonata IA
    • AdagioC
    • Grave3/4
    • AllegroC
  • Sonata IId
    • GraveC
    • AllegroC
    • Adagio3/4
    • Allegro3/8
  • Sonata IIIe
    • AdagC
    • AllegroC|["Adagio"]
  • Sonata IVD
    • AdagioC
    • AllegroC
    • Grave3/4
    • Allegro3/8
  • Sonata VB♭
    • Affettuoso3/4
    • VivaceC
    • GraveC
    • Allegro3/8
  • Sonata VIg
    • Affettuoso3/4
    • Adagio12/8
    • AllegroC|
  • Sonata VIIc
    • Grave3/4
    • AllegroC
    • GraveC
    • Allegro6/8
  • Sonata VIIIb
    • AffettuosoC
    • Vivace3/8
    • AmorosoC
    • Vivace3/8
  • Sonata IXF
    • VivaceC
    • Andante3/4
    • Allegro3/4
  • Sonata XE
    • AdagioC
    • AllegroC
    • Adagio3/4
    • Allegro12/8
  • Sonata XIa
    • Vivace3/4
    • Affettuoso3/4
    • AllegroC
  • Sonata XIId
    • Amororo3/4
    • Allegro12/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: SONATE da CAMERA a Violino, e Violone, o Cembalo Dedicate All'Illustrissimo ed Eccellentissimo Signore il Sig: Duca di RUTLAND, Marchese di Granby, Conte di Rutland, Baron Roos di Hamlake, Trusbut e Belvoir, e Baron Maners di Haddon, Luogotenente & Custos Rotulorum della Contea di Leicester, Cancelliero della Ducea di Lancastro, Consigliero Privato di S.M. Britannica &c. &c. e Cavaliere del Nobilissmo: Ordine della Giartiera Da Gio: Stefano Carbonell.

Contents
  • Sonata ID
    • AdagioC
    • AndanteC|
    • LargoC
    • AllegroC
  • Sonata IId
    • AdagioC
    • AllegroC
    • AllegroC
    • Andante3/4
    • Aria3/8
  • Sonata IIIE
    • AdagioC
    • AllegroC
    • Adagio3/2
    • Giga12/8
  • Sonata IVg
    • Adagio3/4
    • AndanteC
    • LargoC
    • Presto3/8
  • Sonata Vc
    • Adagio3/8
    • AllegroC|
    • AdagioC
    • Giga12/8
  • Sonata VIA
    • AdagioC
    • AllegroC
    • Aria3/8
  • Sonata VIIa
    • LargoC
    • AndanteC
    • Adagio3/2
    • Giga12/8
  • Sonata VIIIG
    • Largo12/8
    • AllegroC
    • AllegroC|
    • Largo12/8
  • Sonata IXe
    • LargoC
    • Allegro3/4
    • Adagio3/2
    • Siciliana12/8
  • Sonata Xg
    • Largo3/4
    • AllegroC
    • Largo3/4
    • Giga12/8
  • Sonata XIA
    • [no indication]C
    • AllegroC
    • Adagio3/2
    • AllegroC
    • Giga12/8
  • Sonata XIIb
    • LargoC
    • AndanteC
    • AriaC|
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: SONATE à Tre Due Violini e Violoncello col Basso Per l'Organo DA GIO. BIANCHI. Violinista Milanese OPERA PRIMA. A Amsterdam Chez ESTIENNE ROGER Marchand libraire.

Contents
  • Sonata IG
    • Adagio ma AndanteC[in Violoncello: "Largo ma Andante"]
    • AllegroC
    • Adagio3/2-Presto3/4
    • Presto3/4
  • Sonata IIa
    • AdagioC
    • AllegroC
    • Adagio3/2
    • Presto12/8
  • Sonata IIIB♭
    • LargoC
    • PrestoC
    • Adagio3/2
    • PrestoC
  • Sonata IVC
    • AllegroC
    • AdagioC
    • Presto3/8
  • Sonata VD
    • AdagioC
    • SpiritosoC
    • Largo3/4
    • Allegro6/8
  • Sonata VIe
    • Largo3/2
    • PrestoC
    • LargoC
    • Allegro6/8
  • Sonata VIIF
    • Largo ma AndanteC
    • SpiritosoC
    • Largo3/4
    • Presto6/8
  • Sonata VIIIg
    • LargoC
    • AllegroC
    • Largo3/2
    • Presto e StaccatoC
  • Sonata IXd
    • AdagioC
    • AllegroC
    • Adagio3/2
    • Presto3/4
  • Sonata Xb
    • LargoC
    • AllegroC
    • Adagio3/4
    • Presto3/4
  • Sonata XIc
    • AdagioC
    • AllegroC
    • AdagioC
    • Presto3/4
  • Sonata XIIA
    • AdagioC-PrestoC
    • AllegroC
    • Adagio3/2
    • Allegro6/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: THREE QUARTETTOS, For Two Violins, Viola, & Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY &c &c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho.

Contents
  • QUARTETTO IG

    [Hob. III: 41 (Op. 33, no. 5)]

    • Vivace Assai2/4
    • Largo CantabileC|
    • Scherzo Allegro3/4
    • Allegretto6/8
  • QUARTETTO IIE♭

    [Hob. III: 38 (Op. 33, no. 2)]

    • Allo.Modo.CantoC
    • Scherzo Allegro3/4
    • LargoSostenutto3/4
    • Presto6/8
  • QUARTETTO IIIb

    [Hob. III: 37 (Op. 33, no. 1)]

    • AlloModoC
    • ScherzoAllodi molto3/4
    • Andante6/8
    • Presto2/4
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Title Transcription: Tibaldi's SONATA'S or CHAMBER AIRES in three Parts for two VIOLINS and a THROUGH BASS Compos'd by Gio. Battista Tibaldi Opera Prima London Printed for I. Walsh Servt. to Her Matie. at ye Harp & Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol & Flute in Cornhill near ye Royal Exchange. and P Randall at ye Violin and Lute by Pauls grave head Court without Temple Barr in the Strand.

Contents
  • SONATA ID
    • AdagioC
    • AllegroC|
    • AdagioC
    • Allegro3/8
    • AdagioC
    • [Allegro: from VIOLINO SECONDO]C|
  • SONATA IIC
    • AdagioC
    • AllegroC|
    • Adagio3/4
    • Allegro3/8
  • SONATA IIId
    • AdagioC
    • AllegroC
    • AdagioC
    • Allegro3/4
    • AdagioC
    • Allegro12/8
  • SONATA IVG
    • AdagioC
    • AllegroC|
    • Adagio3/4
    • AllegroC|
    • Adagio3/4
    • Allegro3/8
  • SONATA VA
    • Adagio3/4
    • AllegroC|
    • Adagio3/4
    • AllegroC
    • AdagioC
    • Allegro3/8
  • SONATA VIB♭
    • AdagioC
    • AllegroC|
    • Adagio3/4
    • PrestoC|
    • AdagioC
    • Allegro3/8
  • SONATA VIIa
    • AdagioC
    • AllegroC|
    • AdagioC
    • Allegro12/8
  • SONATA VIIIF
    • AdagioC
    • AllegroC
    • AdagioC
    • Allegro3/8
  • SONATA IXc
    • AdagioC
    • AllegroC|
    • AdagioC
    • AllegroC|
  • SONATA Xg
    • [Adagio: from VIOLINO SECONDO]C
    • AllegroC
    • Adagio3/4
    • AllegroC|
  • SONATA XIb
    • AdagioC
    • AllegroC|
    • AdagioC
    • AllegC|
  • SONATA XIIE
    • AdagioC-AllegroC|
    • Adagio3/4
    • AllegroC|
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.