Search

Search Constraints

Start Over You searched for: Places London (England) Remove constraint Places: London (England) Subjects Andante Remove constraint Subjects: Andante

Search Results

Title Transcription: Six TRIOS for Two Violins and a Bass Composed & Humbly Dedicated to THE RIGHT HONORABLE Lady Elizabeth Forster, by FELICE GIARDINI. Op. 28. Pr. 10s.6d. London Printed for Robt. Birchall, at Handel's Head, No. 133, New Bond Street. Where may be had all the above Author's Works. Entered at Stationer's Hall. Neele sculpt 352 Strand., 1790

Title Transcription: Six Trio's four for a VIOLIN, TENOR, and Violoncello-obligato, and two for two Violins & Violoncello obligato. most humbly Dedicated to the Right Honorable Lord Viscount Courtenay Composed by Wm. Churchill; Op: prima Price s/ : 6. LONDON. Smith Sculpsit Printed & sold by J. PRESTON at his Music Warehouse No. 97, Strand., 1785

Title Transcription: SONATAS of three Parts for two VIOLINS a VIOLONCELLO and THOROUGH BASS made out of Geminianis Solos Dedicated to Hewer Edgeley Hewer Esqr: By FRANCESCO BARSANTI London. Printed for and Sold by I: Walsh Servant to his Majesty at ye Harp and Hoboy in Catherine Street in the Strand. No. 354, 1730

Title Transcription: SONATAS of three Parts. FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD or VIOLONCELLO. made from the Solos of FRANCESCO GEMINIANI. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had Just Publish'd For 2 Violins and a Bass. [list of works beginning with: "Nussen's Sonatas" and ending with: "Veracini's Solos"], 1742

Title Transcription: THREE QUARTETTOS, For Two Violins, Viola, & Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY &c &c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho., 1783

Title Transcription: TWELVE Concerto's in Seven Parts for Four Violins, one Alto Viola, a Violoncello, & a Thorough Bass, done from two Books of Lessons for the Harpsicord. Composed by Sigr. Domenico Scarlatti with additional Slow Movements from Manuscript Solo Pieces, by the same Author. Dedicated to Mrs. Bowes BY Charles Avison Organist in Newcastle upon Tyne. LONDON. Engraved by R. Denson, and Printed for the Author, by Joseph Barber in Newcastle, and Sold by the Musick Shops in Town. Price 1L.11s.6d. MDCCXLIV., 1744

Title Transcription: TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer & Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670, 1740/1741

Title Transcription: Twelve SONATAS For Two VIOLINS and a BASS or an ORCHESTRA Compos'd by GIO. BATTA. PERGOLESE. AUTHOR of the STABAT MATER. The Manuscript of these Sonatas were procured by a Curious Gentleman of Fortune, during his Travels through Italy. LONDON. Printed and sold by R. BREMNER, facing Somerset-House in the Strand., 1780

Title Transcription: TWELVE SONATAS FOR Two VIOLINS; With a BASS for the VIOLONCELLO or HARPSICORD. BY WILLIAM BOYCE, Composer to His Majesty. London, Printed for the Author. & Sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catherine Street in the Strand. where may be had By the same Author SOLOMON a Serenata in Score MDCCXLVII, 1747

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.