Search

Start Over Subjects Allemande

Title Transcription: SIX SONATA'S FOR TWO VIOLINS and a BASS. Dedicated to WILLIAM TRUMBULL Esq; COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA SESTA. LONDON: Printed by WILLIAM SMITH, in Middle-Row, Holbourn; and Sold only by thje Author, at his House in Queen-Street, near Golden Square. (Price Half a Guinea.) Where may be had, Compos'd by the same Author, OPERA PRIMA, being Twelve SOLO'S for a Violin, &c. Price one Guinea. OPERA SECUNDA, being Twelve SONATA'S in three Parts. Price one Guinea. OPERA TERZA, being twelve CONCERTO'S in seven Parts. Price one Guinea and a Half. OPERA QUARTA, being Eight SOLO'S for a Violin, OPERA QUINTA, being Eight CONCERTO's in seven Parts. Price one Guinea." M.DCC.XXXXII., 1742

Contents
  • SONATA IB♭
    • AndanteC
    • Allegro ma non troppo3/4
    • AdagioC
    • Allegro assaiC|
    • AndanteGratioso3/8
  • SONATA IId
    • LargoC
    • Allemanda Non troppo AllegroC
    • Largo3/4
    • Poco Allegro e DolceC
  • SONATA IIIE♭
    • LarghettoC
    • AllegroC|
    • Andante e Dolce3/4
    • Marcia Largo e PianoC
  • SONATA IVe
    • Largo3/4
    • Poco AllegroC
    • Largo e Dolce3/4
    • Allegro assai3/4
    • Andante e Dolce3/4
  • SONATA VC
    • Largo3/4
    • AllegroC
    • Largo AffettuosoC
    • Allegro3/4
  • SONATA VIg
    • Larghetto6/8
    • Allegro assai3/4
    • AndanteC
    • Presto6/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: SIX Sonatas In three Parts Two for one German Flute one Violin and a Bass Two for two German Flutes and a Bass AND Two for three German Flutes without a Bass COMPOSED BY Charles Frederick Weideman OPERA TERZA London Printed for the Author, and sold at his Lodgings in Angel Court, Windmill Street, near the upper End of the Hay Market. Price 10s=6d, 1751

Contents
  • SONATA I a Flau: Trav: Violino o 2 Flauti Trav: e BassoG
    • Con Spirito e StaccatoC
    • Andante ed Amoroso2/4
    • AllegroC
    • Tempo di Minuetto3/8
  • SONATA II a 2 Flauti Trav: e Bassoe
    • LargoC
    • AllemandaC
    • Allegretto3/8
  • SONATA III a 3 Flauti Travers: senzaBassoD
    • SpiritosoC
    • Alla breveC
    • Affettuoso3/4
    • Presto2/4
  • SONATA IV a Flauto Trav: Violino è BassoD
    • Allegro moderato2/4
    • Largo con affetto3/8
    • poco Allegro3/4
  • SONATA V a 2 Flauti Trav: e BassoG
    • poco Andante3/8
    • Allegro assai2/4
    • Allegretto3/4
  • SONATA VI a 3 Flauti Trav: senza BassoD
    • Vivace2/4
    • AndanteC
    • Allegro3/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: SONATAS of three Parts, for two Violins & a Bass with a through Bass for ye Organ Harpsicord or arch Lute Compos'd by Michele Mascitti. Opera Quinta. LONDON, Printed for J. Walsh Servt. to her Majty. at ye Harp & Hoboy in Katherine Street in ye Strand, & J. Hare at ye Viol & Flute in Cornhill near ye Royal Exchang, 1712

Contents
  • SONATA ID
    • VivaceC
    • AllegroC
    • GraveC
    • Allegro12/8
  • SONATA IIa
    • Un Poco Andante3/4
    • AllegroC
    • AdagioC
    • Allegro3/4
  • SONATA IIIC
    • AdagioC
    • Allegro assaiC
    • AdagioC
    • AllegroC
  • SONATA IVe
    • Allegro e spiccoC
    • AllegroC
    • LargoC3/4
    • AllegroC2/4
  • SONATA a Violino solo e Basso e secondo Violino se piace VD
    • LargoC
    • Allemanda spiritosoC
    • Corrente AndanteC3/4
    • Giga AllegroC12/8
  • SONATA VIA
    • SpiritosoC
    • Allemanda AllegroC
    • SarabandaC3/4
    • AllegroC2/4
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: SONATAS or CHAMBER AIRES for two VIOLINS and a THROUGH BASS Compos'd by the late Mr: Ravenscroft Opera Seconda Engraven in a Better Carecter and more Corect then the former Edition Note the following Peices for two Violins and a Bass may be had where these are sold [list of works beginning with: "Viz Tibaldis Sonatas" and ending with: "Mr. Courtivill Sonatas for two Violins" London Printed for I. Walsh Servt. to Her Matie. at ye Harp and Hoboy in Katherine Street near Somerset House in ye Strand. I. Hare Instrument maker at ye Golden Viol and Flute in Cornhill near the Royal Exchange and P. Randall at ye Violin and Lute without Temple Barr in the Strand, 1708

Contents
  • SONATA IA
    • Preludio AllegroC
    • AdagioC
    • Allemanda AllegroC|
    • Adagio3/2
    • Corrente Allegro3/4
    • Gavotta PrestoC|
  • SONATA IId
    • Preludio GraveC
    • Tempo di Gavotta PrestoC|
    • Adagio3/4
    • Sarabanda Allegro3/8
  • SONATA IIIe
    • Preludio LargoC
    • Allemanda AllegroC
    • Adagio3/2
    • Corrente Allegro3/4
  • SONATA IVC
    • Preludio LargoC
    • Giga Allegro12/8
    • Adagio3/2
    • Sarabanda Vivace3/4
    • Gavotta PrestoC|
  • SONATA VB♭
    • Preludio Largo[3/4]
    • Sarabanda Presto3/4
    • PrestoC|
    • Giga Allegro12/8
  • SONATA VIA
    • Preludio LargoC
    • Ceccona Allegro3/4
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: Sonate a due Violino, e Basso Per Suonarsi con Flauto, o'vero Violino del Signor Martino Bitti Sonator di Violino Del Serenissmo Gran Principe di Toscana Solos with his Graces, Pepusch's 24 Solos, Bomporti's Solos, Albinonis Solos. LONDON, Printed for J. Walsh Servt. to her Majesty at ye Harp & Hoboy in Katherine Street in ye Strand, & J. Hare at ye Viol & Flute in Cornhill near ye Royal Exchange., 1711

Contents
  • SONATA IC
    • Preludio VivaceC
    • Corrente Vivace3/4
    • Gavotta PrestoC|
    • Minuette Allegro3/4
  • SONATA IIB♭
    • Preludio LargoC
    • Corrente Vivace3/4
    • Giga Allegro12/8
    • Minuette Allegro3/4
  • SONATA IIIG
    • Preludio LargoC
    • Corrente Allegro3/4
    • Gavotta PrestoC|
    • Minuette Allegro3/4
  • SONATA IVg
    • Preludio Largo3/2
    • Allemanda VivaceC
    • Corrente Allegro3/4
    • Gavotta PrestoC|
  • SONATA Vc
    • Preludio LargoC
    • Allemanda AllegroC
    • Sarabanda Largo3/2
    • Giga Allegro12/8
  • SONATA VIa
    • Preludio AndanteC
    • Giga Allegro12/8
    • Corrente Vivace3/4
    • Gavotta PrestoC|
  • SONATA VIId
    • Preludio LargoC
    • Allemanda VivaceC
    • Corrente Allegro3/4
    • Giga Allegro12/8
  • SONATA VIIIF
    • Preludio LargoC
    • Corrente Allegro3/4
    • Gavotta PrestoC|
    • Minuette Allegro3/4
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: The Score of the Four Setts of Sonatas Compos'd by ARCANGELO CORELLI. For two Violins & a Bass. DEDICATED to Sr. Richd. Corbet of Longnor Hall in the County of Salop Bart. VOL. 1st. N.B. The first & Third sett being composd for a Violoncello & Thorough Bass, of which the Variation being but little, they are put on the same Stave, for the greater Facility in reading. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho. Cross. LONDON. Printed for and Sold by Benjamin Cooke at ye Golden Harp in New Street Covent Garden. Where also may be had in Score, the Twelve Concertos by the same Author. Vol. 2d., 1728

Contents
  • Op. 1. Sonata I
    • Allego.3/4
  • Sonata II
    • AllegroC3/8
  • Sonata III
    • AllegroC3/4
  • Sonata IIII
    • PrestoC|
  • Sonata V
    • Allegro6/8
  • Sonata IX
    • AllegroC3/4
  • Sonata XII
    • Largo e puntatoC
  • Op. 2. Sonata I
    • Preludio LargoC-AllegroC
    • GavottaC|
  • Sonata II
    • Giga AllegroC12/8
  • Sonata III
    • Allemanda prestoC
  • Sonata IIII
    • Allemanda prestoC
  • Sonata V
    • Allemanda AllegroC
    • SarabandaAdgo.3/4
  • Sonata VI
    • Giga AllegroC12/8
  • Sonata VII
    • CorenteAllegro3/4
    • Giga AllegroC3/8
  • Sonata VIII
    • Sarabanda Adagio3/4
  • Sonata X
    • Allemanda AllegroC
    • CorenteAllegro3/4
  • Sonata XI
    • Allemanda prestoC
  • Sonata XII Ciacona
    • LargoC3/4
  • Op. 3. Sonata I
    • Allegro6/8
  • Sonata IIII
    • PrestoC|
  • Sonata V
    • Allegro12/8
  • Sonata VII
    • Allegro3/4
  • Sonata X
    • Allegro12/8
  • Sonata XI
    • PrestoC
    • Allegro3/4
  • Op. 4. Sonata I
    • Allemanda PrestoC
  • Sonata II
    • AllemandaAlleg:oC
  • Sonata III
    • Sarabanda Largo3/2
  • Sonata V
    • GavottaAlleg:oC|
  • Sonata VI
    • Corrente Allegro3/4
  • Sonata VIII
    • Preludio Grave3/2
    • Allemanda AllegroC
  • Sonata X
    • Tempo di Gavotta AllegroC|
  • Sonata XI
    • Preludio LargoC
  • Sonata XII
    • Preludio Largo3/4
    • Allemanda PrestoC|
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: The Score of the Twelve Concertos Compos'd by ARCANGELO CORELLI. For two Violins & a Violoncello, with two Violins more, a Tenor & Thorough Bass for Ripieno Parts, which may be doubled at pleasure. DEDICATED to Ralph Jenison of Walworth Hall in the Bishoprick of Durham Esqr. VOL. IId. The Whole Carefully Corrected by several most Eminent Masters, and revis'd by Dr. Pepusch. Engrav'd with the utmost exactness by Tho: Cross. LONDON Printed for and Sold by Benjamin Cooke at ye Golden Harp, in New Street Covent Garden. Where also may be had in Score the Four Setts of Sonatas, by the Same Author. Vol. 1st., 1728

Contents
  • Concerto ID
    • LargoC
    • Largo3/4
    • Allo.[3/4]
    • LargoC
    • Alle.C|
    • AllegroC|
  • Concerto IIF
    • VivaceC3/4
    • AllegroC
    • GraveC
    • AllegroC|
  • Concerto IIIc
    • LargoC
    • Allegro3/4
    • GraveC
    • VivaceC
    • AllegroC12/8
  • Concerto IIIID
    • Ado.C-AllegroC
    • AdagioC
    • Vivace3/4
    • AllegroC2/4
    • AllegroC
  • Concerto VB♭
    • AdagioC
    • Adagio3/8
    • AllegroC|
    • Largo3/4
    • AllegroC|
  • Concerto VIF
    • Ado.C3/4
    • AllegroC
    • LargoC
    • Vivace3/8
    • Allo.C|2/4
  • Concerto VIID
    • VivaceC
    • Allo.3/4
    • AllegroC
    • Andante LargoC
    • AllegroC
    • Vivace3/8
  • Concerto VIIIg
    • VivaceC3/4
    • GraveC
    • AllegroC
    • AdagioC
    • Vivace3/4
    • AllegroC|
    • Pastorale ad LibitumLargoC12/8
  • Concerto IXF
    • Preludio LargoC
    • Allemanda AllegroC
    • Corrente Vivace3/4
    • GavottaAllego.C
    • Adagio3/4
    • Minuetto VivaceC3/8
  • Concerto XC
    • Preludio Andante LargoC
    • AllemandaAlleo.C
    • Adagio3/4
    • Corrente VivaceC3/4
    • AllegroC
    • Minuetto Vivace3/8
  • Concerto XIB♭
    • Preludio Andante LargoC
    • Allemanda AllegroC
    • Ado.3/4
    • Andante LargoC
    • Sarabanda Largo3/4
    • Giga VivaceC6/8
  • Concerto XIIF
    • PreludioAdo.C
    • AllegroC
    • Ado.C
    • Sarabanda Vivace3/4
    • GigaAllo.C6/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer & Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670, 1740/1741

Contents
  • CONCERTO IG
    • A tempo GiustoC
    • Allegro e forteC
    • Adagio3/4
    • AllegroC
    • Allegro6/8
  • CONCERTO IId
    • Andante LarghettoC
    • AllegroC
    • Largo3/4
    • Allegro ma non troppo3/4
  • CONCERTO IIIe
    • Larghetto3/2
    • Andante12/8
    • AllegroC
    • PolonoiseAndante3/4
    • Allegro ma non troppo6/8
  • CONCERTO IVa
    • Larghetto affettuosoC
    • AllegroC
    • Largo e piano3/2
    • Allegro3/4
  • CONCERTO VD
    • [no indication]3/4
    • AllegroC
    • Presto3/8
    • Largo3/2
    • AllegroC
    • Minuet un poco Larghetto3/4
  • CONCERTO VIg
    • Largo Affettuoso3/2
    • Allegro ma non troppoC
    • Larghetto Musette3/4
    • AllegroC
    • Allegro3/8
  • CONCERTO VIIB♭
    • LargoC
    • AllegroC
    • Largo e piano3/4
    • AndanteC
    • Hornpipe3/2
  • CONCERTO VIIIc
    • AllemandeC
    • GraveC
    • Adagio3/4
    • Siciliana Andante12/8
    • Allegro3/4
  • CONCERTO IXF
    • Largo3/4
    • AllegroC
    • Larghetto6/8
    • AllegroC
    • Menuet3/8
    • Gigue12/8
  • CONCERTO Xd
    • OvertureC
    • Allegro6/8
    • Air Lente3/2
    • AllegroC
    • Allegro3/4
    • Allegro ModeratoC
  • CONCERTO XIE
    • Andante Larghetto e StaccatoC
    • AllegroC
    • LargoC
    • Andante3/4
    • AllegroC
  • CONCERTO XIID
    • LargoC
    • AllegroC
    • Aria Larghetto3/4
    • LargoC
    • AllegroC
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: XII SOLOS FOR A VIOLIN WITH A THOROUGH BASS FOR THE HARPSICORD OR VIOLONCELLO COMPOS'D BY ARCANGELO CORELLI Opera Quinta. N.B. These Solos are Printed from a curious Edition Publish'd at Rome by the Author. London. Printed for and Sold by I. Walsh, in Catherine Street in Strand, of whom may be had all the Works of Corelli (viz) his Sonatas and Concertos in Parts and in Score., 1740

Contents
  • SONATA ID
    • GraveC-Allegro6/8
    • AllegroC
    • AllegroC
    • Adagio3/2
    • Allegro6/8
  • SONATA IIF
    • GraveC
    • AllegroC
    • Vivace3/4
    • AdagioC
    • Vivace3/4
  • SONATA IIIC
    • AdagioC
    • AllegroC
    • Adagio3/4
    • AllegroC
    • Allegro12/8
  • SONATA IVF
    • AdagioC
    • AllegroC
    • Vivace3/4
    • AdagioC
    • AllegroC|
  • SONATA Vg
    • AdagioC
    • Vivace3/8
    • Adagio3/4
    • Vivace3/4
    • Giga Allegro12/8
  • SONATA VIA
    • GraveC
    • AllegroC
    • AllegroC
    • Adagio3/2
    • Allegro6/8
  • SONATA VIId
    • Preludio VivaceC
    • Corrente Allegro3/4
    • Sarabanda Largo3/4
    • Giga Allegro6/8
  • SONATA VIIIe
    • Preludio Largo3/4
    • Allemanda AllegroC
    • Sarabanda Largo3/4
    • Giga AllegroC12/8
  • SONATA IXA
    • Preludio LargoC
    • Giga Allegro12/8
    • Adagio3/2
    • Tempo di Gavotta AllegroC|
  • SONATA XF
    • Preludio AdagioC
    • AllamandaAllegroC
    • Sarabanda Largo3/4
    • Gavotta AllegroC
    • Giga Allegro6/8
  • SONATA XIE
    • Preludio AdagioC
    • AllegroC
    • Adagio3/2
    • Vivace3/8
    • Gavotta Allegro2/4
  • FOLLIA XIId
    • Adagio3/4
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: XII SONATAS or SOLOS for a FLUTE with a THROUGH BASS for the HARPSICORD or BASS VIOLIN Compos'd by Jean Baptiste Loeillett de Gant Opera Terza London Printed for I: Walsh Servt. in Ordinary to his Majesty at ye Harp and Hautboy in Catherine Street in ye Strand; & I: Hare at ye Viol and Flute in Cornhill near the Royall Exchange, 1718/1719

Contents
  • SONATA IC
    • AdagioC-PrestoC
    • Vivace3/4
    • AdagioC
    • AllegroC|
    • Adagio3/2
    • Allegro12/8
  • SONATA IIB♭
    • LargoC|
    • AllegroC|
    • AdagioC-Allegro3/4
    • Largo3/2
    • Giga Allegro6/8
  • SONATA IIIg
    • Affettuoso et Grave6/8
    • AllegroC|
    • AdagioC
    • Giga Allegro6/8
  • SONATA IVG
    • Adagio3/2
    • AllegroC|
    • Sarabanda Largo3/4
    • Allegro3/8
  • SONATA Vc
    • Largo3/4
    • AllegroC|
    • Poco Allegro3/4
    • AdagioC
    • Giga Allegro12/8
  • SONATA VIe
    • Largo3/4
    • Allemanda Poco GraveC|
    • Adagio3/2
    • Corrente Allegro3/4
    • AdagioC-Vivace3/4
  • SONATA VIIE♭
    • LargoC
    • Vivace2
    • Adagio3/2
    • Vivace3/4
  • SONATA VIIIF
    • LargoC
    • Allemanda Poco AllegroC|
    • Vivace3/4
    • Largo3/2
    • Allegro6/8
  • SONATA IXB♭
    • Largo3/4
    • AllegroC|
    • Sarabanda Largo3/4
    • Giga Allegro12/8
  • SONATA Xd
    • LargoC
    • AllegroC|
    • Adagio3/2
    • Giga Allegro12/8
  • SONATA XIA
    • LargoC
    • Allemanda VivaceC|
    • Gavotta Poco Allegro2
    • Sarabanda Largo3/4
    • Siciliana Affettuoso et Poco Largo6/8
    • Giga Vivace6/8
  • SONATA XIIe
    • Adagio3/4
    • VivaceC|
    • LargoC-Allegro3/8
    • Gavotta Presto2
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.