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Title Transcription: THREE QUARTETTOS, For Two Violins, Viola, & Violoncello, with a Thorough Bass Composed by JOSEPH HAYDN, Chapel Master to his Highness, THE PRINCE of ESTERHAZY &c &c Op. XXXIII. Pr. 7s. d6. London. Printed by J. Kerpen, No. 19 Wardour Street, Soho.

Title Transcription: Trois TRIOS Pour Violon, Alto et Basse. Dédiés A son ami Kreutzer Par Hyacinthe JADIN ŒUVRE 2e. DE TRIOS. Prix 9tt À PARIS À l'Imprimerie du Conservatoire de Musique; Rue des fossés Montmartre. (Gravé par Mlle. Vératé.)

Title Transcription: TWELVE GRAND CONCERTOS IN SEVEN PARTS FOR FOUR VIOLINS, a TENOR VIOLIN, a VIOLONCELLO with a THROUGH BASS for the HARPSICORD. COMPOS'D BY GEORGE FREDERICK HANDEL. Publish'd by the Author London Printed for and sold by Iohn Walsh Musick Printer & Instrument Maker to his Majesty at the Harp and Hoboy in Catherine Street in the Strand. No. 670

Title Transcription: VIII SONATES À Deux Violons & Basse-Continue. Composées par C.A. CAMPIONI. Musicien de La Chambre de Sa Majesté Royale de Sardaigne &c. &c. &c. OEUVRE QUATRIEME. À AMSTERDAM chez J.J. Hummel, Marchand & Imprimeur de Musique.

Title Transcription: XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini London Printed for and Sold by I. Walsh Musick Printer & Instrument Maker to his Majesty in Catharine Street in the Strand.

Title Transcription: XII SONATE A due Violini, e Violoncello, e Cembalo, se piace, OPERA TERZA, Dedicata All' ALTEZZA REALE di Augusta Principessa di Vallia da Giuseppe San Martini Milanese MDCCXLIII LONDRA.

Title Transcription: XII SONATINE NOTTURNE per due Flauti Traverssi ò due Violini Composti per Sua Maestà Rè di Prusia dal Dottel Figlio LONDON Printed for J. Oswald at his Musick Shop in St. Martin's Church Yard, of whom may be had [list of works beginning with: "The comic Tunes & Songs in Queen Mab" and ending with "The May Pole 2 Books, each"] With great variety of the newest Musick vocal & Instrumental.

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