Search

Search Constraints

Start Over You searched for: Places London (England) Remove constraint Places: London (England) Subjects Allegro assai Remove constraint Subjects: Allegro assai Level Item Remove constraint Level: Item

Search Results

Title Transcription: A Second Set of Six SONATAS FOR TWO VIOLINS with a Through Bass for the Harpsicord or Violoncello. Compos'd By Sigr. GIO. BATISTA LAMPUGNANI AND St. MARTINI of Milan. London. Printed for and Sold by I. Walsh, in Catharine Street, in ye Strand. Of whom may be had Just Publish'd [list of works beginning with: "Lampugnani's Airs from all his Operas for a German Flute or Violin and a Bass, also in Score." and ending with: "Six Solos for a Violin or Harpsicord by Sigr. Nicola Pasquali."], 1750

Title Transcription: A Third Set of SIX TRIOS For two VIOLINS and a VIOLONCELLO OBLIGATO with a THOROUGH BASS for the HARPSICHORD Composed by L. BOCCHERINI. Opera IX. Pr. 7s. 6d. LONDON. Printed and Sold by R: BREMNER opposite Somerset House in the STRAND., 1772/1775

Title Transcription: EIGHT CONCERTO'S IN SEVEN PARTS, COMPOS'D By MICHAEL CHRISTIAN FESTING. OPERA QUINTA. LONDON: Printed by WILLIAM SMITH, at Corelli's Head, near St. Clement's Church in the Strand; and Sold only by the Author, at his House in Angel-Court, in Windmill-Street, near the Upper-end of the Hay-Market. (Price one Guinea.) Where may be had, OPERA PRIMA, being Twelve SOLO'S for a Violin, &c. Price one Guinea. OPERA SECUNDA, being Twelve SONATA'S in three Parts. Price one Guinea. OPERA TERZA, being twelve CONCERTO'S in seven Parts. Price one Guinea and a Half. OPERA QUARTA, being Eight SOLO'S for a Violin, &c. Price Half a Guinea. M.DCC.XXXIX., 1739

Title Transcription: EIGHT SYMPHONYS in Eight Parts. Six for Violins, Hoboys, or German Flutes. and Two for Violins, French Horns and Trumpets. with a Bass for the VIOLONCELLO and HARPSICORD. COMPOS'D BY Dr. Wm. BOYCE. OPERA SECONDA. London. Printed for I. Walsh in Catherine Street in the Strand. Of whom may be had by the same author. [list of works beginning with: "Twelve Sonatas for two Violins and a Bass." and ending with: "The Shepherd's Lottery and Chaplet in Score."] Just Publish'd for Concerts for Violins &c. [list of works beginning with: "Handel's 400 Selected Songs for the Harpsicord and Voice in 5 vols. and for Concerts for Violins &c. in 5 Parts."], 1759/1760

Title Transcription: SIX CONCERTI pour le CLAVECIN Deux Violons & une Violoncelle Très humblement dediés A SA MAJESTE CHARLOTTE REINE de la Grande Bretagne &c. &c. &c. & Composés par Jean Bach Oevre Premier a Londres, 1763

Title Transcription: Six CONCERTOS composed by F. GEMINIANI OPERA TERZA Carefully corrected from the Errors of a former Impression, with proper Marks of Expression according to the Intention of the AUTHOR. LONDON, Printed for the Author by John Johson opposite Bow Church in Cheapside, where may be had all the said Author's Works., 1772

Title Transcription: Six CONCERTOS For VIOLINS, FRENCH HORNS or HOBOYS &c. with a Thorough Bass for ye HARPSICORD or VIOLONCELLO. in Eight Parts Compos'd by Sigr: GIOVANNI ADOLFFO HASSE. Opera Quarta. London. Printed for I. Walsh in Catherine Street in the Strand. of whom may be had by the same Author Twelve Concertos, Six Sonatas, and Six Solos for German Flutes &c. and the Favourite Songs from all his Operas. also the Comic Tunes to the Celebrated Dances of Fausan and Barberini for the Violin or Harpsicord. No. 683, 1741

Title Transcription: SIX CONCERTO'S In seven Parts, for Four Violins, a Tenor, a Violoncello: & a Thorough Bass for the Harpsicord. COMPOS'D BY John Alcock, Late Organist of Reading, Berks; and now Organist, Vicar, & Master of the Children of the Cathedral at Lichfield. NB. The 1st. 3d. 4th. & 6th. Concerto's may be play'd with two German Flutes, and the 2d. and 5th. with Hautboys & Bassoons. LONDON Printed for, & sold by the Author, and at all the Musick-Shops, Price 10s. & 6d. MDCCL, 1750

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.