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The collection contains one photograph album and one real photograph postcard.

This collection contains the papers of Ernie McClintock (1937-2003), an American director, producer, actor, writer, teacher, and theatre artist who was a major force in the Black Arts Movement. He taught acting to hundreds of students across the country and directed award-winning plays in Harlem, New York (1960-1989), and Richmond, Virginia (1989-2003). The McClintock papers are a living archive for future drama students and communities interested in Black theatre. They represent the works and dreams of a Black and Gay theatre director who persisted in giving voice to the Black and multicultural communities where he lived. His work spanned beyond one dimensional categories, and he was well-known behind the scenes with famous actors, directors, and playwrights, and was the recipient of seven prestigious Audelco awards for excellence in Black theater. He worked with Tupac Shakur, Ossie Davis, James Earl Jones, Felicia Rashad, Morgan Freeman, Lou Gossett, Jr., Dr. Walter Turnbull, Woody King, Jr. and others. McClintock was committed to world class excellence in theatre and to introducing more Black theatre productions to the community. He directed over two hundred performances from classics like A Raisin in the Sun to Tupac Shakur's Rose Grew Out of Cement, and new plays written by young playwrights and actors like Derome Scott Smith in R.I.O.T. or Jerome Hairston. His personal papers and theatre papers are combined because his life and family were inseparable from the theatre. He also won the Billy Graham artistic excellence award in 2002. (There are two scripts in the collection written by Billy Graham about Martin Luther King, Jr. in Memphis). Too expansive to put in one category, anyone studying Black Theatre Arts will repeatedly come across the exemplary work of Ernie McClintock.

The collection includes papers written by Born during the course of his attendance at William & Mary, mainly for English classes. There is also correspondence from 1985 and loose pages from a photo album believed to have been assembled by Born, while a student at William & Mary. The contents are primarily photographs of campus and Williamsburg area from the 1926-1927. Additional photographs relate to life in rural, early twentieth century Virginia, the Newport News Shipyard, Carter's Grove Plantation, and the myths of Blackbeard. Also includes some photographs of locations outside of Williamsburg such as Mount Vernon and New York City.

This collection consists of papers relating to Nydrie and Algoma, consisting chiefly of photographs and articles pertaining to the family homes of the Logan and Forsyth families. Included is a scrapbook of articles by Lily Logan Morrill.This collection contains material from around 1880, when the homes were built, to about 1960, when the Forsyth family, which owned "Nydrie" at the time, started a discussion about what to do with the house due to its dilapidated conditions. This collection focuses on two families, the Logans who owned "Algoma," and the Forsyths who owned "Nydrie."

Two letters from Pearl S. Buck to her editor. The first letter refers to something enclosed that she wanted to say to African Americans. The enclosed item is not present. She sent copies of this letter to all African American journals, and was glad to have her editor use the letter if they wished on or after February 28.

The racial and ethnic ephemera collection contains various materials regarding race, ethnicity, and racism in the United States. The collection includes papers and items that promote racial prejudice and propaganda. The collection also contains items and papers that exemplify the fight for civil and equal rights. African Americans are the most broadly represented group in the collection. Other ethnic groups include Native Americans, Asian Americans, Jewish Americans, Muslim Americans, and Cuban Americans. Ku Klux Klan pamphlets and anti-immigration publications are also included. Through this collection, the American struggle of racism and prejudice is realized.

Collection of 22 black and white photographs of various African American individuals and families. Some of the photographs are labeled with first names and the date of the picture. Dates range from the 1950's through the 1970's. There is also a newspaper clipping of Annie Poindexter that was published in loving memory of her by her children, Lonnie and Marguerite. Poindexter passed July 3, 1959. It is supposed that the collection of photographs are from a Roanoke Estate.

This material contains racist imagery of Black people. This note aims to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.