Collections : [University of Virginia, Special Collections Dept.]

University of Virginia, Special Collections Dept.

Albert and Shirley Small Special Collections Library
University of Virginia
P.O. Box 400110
170 McCormick Rd
Charlottesville, Virginia 22904-4110
Primary Collecting Areas:
American literature, antiquarian and contemporary, American history (Southeastern United States), Virginiana, British literature, Sporting books and manuscripts, World War I, Bibliography, the book arts, history of the book and typography
Fine press and artist’s books, Pop-up books, Victorian publishers bindings, Typography, Archives of the University of Virginia
Description:

The Albert and Shirley Small Special Collections Library administers over 13 million manuscripts, 3.6 million items in the University archives, and 325,000 rare books, as well as approximately 5,000 maps, over 4,000 broadsides; more than 250,000 photographs and small prints; over 8,000 reels of microfilm; and substantial holdings of audio recordings, motion picture films, and ephemera.

The major emphasis of the Department’s collections are American history and literature, with additional substantive collections in Virginiana, British literature, African-American history, book arts, the history of sporting and World War I, among others. In addition, the library serves as the University Archives, holding records of historic significance to UVA.

POC: Special Collections Public Services & Reference Staff
Phone: (434) 243-1776
Fax: (434) 924-4968

Search Constraints

Start Over You searched for: Repository University of Virginia, Special Collections Dept. Remove constraint Repository: University of Virginia, Special Collections Dept. Subjects African American musicians Remove constraint Subjects: African American musicians

Search Results

165th Depot Brigade Band photograph, 1914/1918

.03 Cubic Feet 1 letter folder
Abstract Or Scope

This collection contains a black and white photograph of Black army musicians of the 165 Depot Brigade, Camp Travis, Texas. A typed caption pasted on the back of the photo reads, "#263 Negro Band, Frist [sic] Group, 165 Depot Brigade, Camp Travis, Texas. Taken just outside Army Y.M.C.A. Building No. 1, devoted exclusively to negro troops. (Negro Secretaries in charge.)" Publicity Bureau National War Work Council, Y.M.C.A. Northeastern Dept. 352 Little Bldg. Boston, Mass is stamped in ink on the back. The picture depicts twenty-one men seated and two standing in uniform outside the Y.M.C.A building. The men hold their instruments, which include trumpets, French horns, saxophones, clarinets, trombones, tuba, and drums. The role of Depot Brigades was to receive and organize recruits, provide them with uniforms, equipment, and initial military training, and then send them to France to fight on the front lines. The depot brigades also received soldiers returning home at the war's end and completed their outprocessing and discharges.

1 result

165th Depot Brigade Band photograph, 1914/1918 .03 Cubic Feet 1 letter folder

Benjamin Boblett Photographs of John Jackson, 1975/1976

.13 Cubic Feet 1 oversized folder
Abstract Or Scope

This collection contains three black and white photographs of musician John Jackson taken by physician and photographerBenjamin Boblett. John Jackson (1924–2002) was an American Piedmont Blues Musician. Jackson played an important role in highlighting the Appalachian musical traditions. The photographs are annotated and signed by the artist. Two studio photographs (16"X20") were taken in approximately 1983. The other performance photograph (8.5"X11") was taken at the Woodlawwn High School performance in 1975, and printed in 1976.

1 result

Benjamin Boblett Photographs of John Jackson, 1975/1976 .13 Cubic Feet 1 oversized folder

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.