Search

Start Over Names Geminiani, Francesco, 1687-1762 Subjects A Level Item

Title Transcription: Six CONCERTOS composed by F. GEMINIANI OPERA SECONDA Carefully corrected from the Errors of a former Impression, with proper Marks of Expression according to the Intention of the AUTHOR. LONDON, Printed for the Author by John Johson opposite Bow Church in Cheapside, where may be had all the said Author's Works., 1772

Contents
  • CONCERTO Ic
    • AndanteC
    • AllegroC|
    • AdagioC
    • Allegro3/8
  • CONCERTO IIc
    • AndanteC
    • Allegro3/4
    • Andante3/2
    • AllegroC
  • CONCERTO IIId
    • PrestoC
    • Andante12/8
    • Allegro3/4
  • CONCERTO IVD
    • AndanteC
    • Allo.C
    • Andante3/2
    • Allegro3/8
  • CONCERTO Vd
    • GraveC
    • AllegroC|
    • Andante3/4
    • Allegro3/8
  • CONCERTO VIA
    • Andante3/4
    • AllegroC
    • Adagio3/2
    • Allegro2/4
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: SONATAS of three Parts for two VIOLINS a VIOLONCELLO and THOROUGH BASS made out of Geminianis Solos Dedicated to Hewer Edgeley Hewer Esqr: By FRANCESCO BARSANTI London. Printed for and Sold by I: Walsh Servant to his Majesty at ye Harp and Hoboy in Catherine Street in the Strand. No. 354, 1730

Contents
  • Sonata VIIc
    • Grave3/4
    • AllegroC
    • GraveC
    • Allegro6/8
  • Sonata VIIIb
    • AffettuosoC
    • Vivace3/8
    • AmorosoC
    • Vivace3/8
  • Sonata IXF
    • VivaceC
    • Andante3/4
    • Allegro3/4
  • Sonata XE
    • AdagioC
    • AllegroC
    • Adagio3/4
    • Allegro12/8
  • Sonata XIa
    • Vivace3/4
    • Affettuoso3/4
    • AllegroC
  • Sonata XIId
    • Amororo3/4
    • Allegro12/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: SONATAS of three Parts. FOR TWO VIOLINS with a Thorough Bass for the HARPSICORD or VIOLONCELLO. made from the Solos of FRANCESCO GEMINIANI. London. Printed for I. Walsh in Catharine Street in the Strand. Of whom may be had Just Publish'd For 2 Violins and a Bass. [list of works beginning with: "Nussen's Sonatas" and ending with: "Veracini's Solos"], 1742

Contents
  • Sonata VIIc
    • Grave3/4
    • AllegroC
    • GraveC
    • Allegro6/8
  • Sonata VIIIb
    • AffettuosoC
    • Vivace3/8
    • AmorosoC
    • Vivace3/8
  • Sonata IXF
    • VivaceC
    • Andante3/4
    • Allegro3/4
  • Sonata XE
    • AdagioC
    • AllegroC
    • Adagio3/4
    • Allegro12/8
  • Sonata XIa
    • Vivace3/4
    • Affettuoso3/4
    • AllegroC
  • Sonata XIId
    • Amororo3/4
    • Allegro12/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Title Transcription: SONATE A VIOLINO, VIOLONE, E CEMBALO, DEDICATE Al Illustrissimo et Excellentissimo Signore IL SIGR: BARONE DI KILMANS'EGGE Cavallerizzo Maggiore e Ciamberlano Di sua MAESTÀ BRITANICA E ELETTORE DI BRUNSWICK E LUNEBOURG da Francesco Geminiani. Tho: Cross Sculpsit., 1716

Contents
  • Sonata IA
    • AdagioC
    • Grave3/4
    • AllegroC
  • Sonata IId
    • GraveC
    • AllegroC
    • Adagio3/4
    • Allegro3/8
  • Sonata IIIe
    • AdagC
    • AllegroC|["Adagio"]
  • Sonata IVD
    • AdagioC
    • AllegroC
    • Grave3/4
    • Allegro3/8
  • Sonata VB♭
    • Affettuoso3/4
    • VivaceC
    • GraveC
    • Allegro3/8
  • Sonata VIg
    • Affettuoso3/4
    • Adagio12/8
    • AllegroC|
  • Sonata VIIc
    • Grave3/4
    • AllegroC
    • GraveC
    • Allegro6/8
  • Sonata VIIIb
    • AffettuosoC
    • Vivace3/8
    • AmorosoC
    • Vivace3/8
  • Sonata IXF
    • VivaceC
    • Andante3/4
    • Allegro3/4
  • Sonata XE
    • AdagioC
    • AllegroC
    • Adagio3/4
    • Allegro12/8
  • Sonata XIa
    • Vivace3/4
    • Affettuoso3/4
    • AllegroC
  • Sonata XIId
    • Amororo3/4
    • Allegro12/8
  1. University of Virginia, Music Library
  2. Title Transcription: Alexander Mackay-Smith Collection, 1689/1827

Content Warning

ARVAS is an aggregator of archival resources. ARVAS does not have control of the descriptive language used in our members’ finding aids.

Finding aids may contain historical terms and phrases, reflecting the shared attitudes and values of the community from which they were collected, but are offensive to modern readers. These include demeaning and dehumanizing references to race, ethnicity, and nationality; enslaved or free status; physical or mental ability; religion; sex; and sexual orientation and gender identity.

Many institutions and organizations are in the process of reviewing and revising their descriptive language, with the intent to describe materials in more humanizing, inclusive, and harm-reductive ways. As members revise their descriptive language, their changes will eventually be reflected in their ARVAS finding aids.