{"links":{"self":"https://arvasarchive.org/catalog.json?facet.page=4\u0026page=228391","prev":"https://arvasarchive.org/catalog.json?facet.page=4\u0026page=228390","next":"https://arvasarchive.org/catalog.json?facet.page=4\u0026page=228392","last":"https://arvasarchive.org/catalog.json?facet.page=4\u0026page=228392"},"meta":{"pages":{"current_page":228391,"next_page":228392,"prev_page":228390,"total_pages":228392,"limit_value":10,"offset_value":2283900,"total_count":2283915,"first_page?":false,"last_page?":false}},"data":[{"id":"vircu_repositories_3_resources_602_c01_c2938","type":"Item","attributes":{"title":"Zwinger, Theodore (1533-1588)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_602_c01_c2938#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_602_c01_c2938","ref_ssm":["vircu_repositories_3_resources_602_c01_c2938"],"id":"vircu_repositories_3_resources_602_c01_c2938","ead_ssi":"vircu_repositories_3_resources_602","_root_":"vircu_repositories_3_resources_602","_nest_parent_":"vircu_repositories_3_resources_602_c01","parent_ssi":"vircu_repositories_3_resources_602_c01","parent_ssim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","Series 1: Prints - People"],"parent_ids_ssim":["vircu_repositories_3_resources_602","vircu_repositories_3_resources_602_c01"],"title_filing_ssi":"Zwinger, Theodore (1533-1588)","title_ssm":["Zwinger, Theodore (1533-1588)"],"title_tesim":["Zwinger, Theodore (1533-1588)"],"normalized_title_ssm":["Zwinger, Theodore (1533-1588)"],"text":["Zwinger, Theodore (1533-1588)","Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","Series 1: Prints - People","box P6","item 2802"],"parent_unittitles_ssm":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","Series 1: Prints - People"],"parent_unittitles_tesim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","Series 1: Prints - People"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":2939,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"containers_ssim":["box P6","item 2802"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Contact archivist to ask about reproduction of images."],"_nest_path_":"/components#0/components#2937","timestamp":"2026-07-23T21:26:17.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_602","ead_ssi":"vircu_repositories_3_resources_602","_root_":"vircu_repositories_3_resources_602","_nest_parent_":"vircu_repositories_3_resources_602","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_602.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/3/resources/602","title_ssm":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"title_tesim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"unitdate_ssm":["17th-20th century"],"unitdate_inclusive_ssm":["17th-20th century"],"normalized_title_ssm":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"text":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","2021.06.006","/repositories/3/resources/602","Portrait prints","Engraving","Lithography","History of Medicine","Silhouettes","Photographs","Some of the prints are fragile and/or brittle.","The collection is open for research.","The collection is arranged in four sections: Prints--people, prints--other, photos, and silhouettes.  Within each section, items are arranged in numerical order according to individual item numbers. These numbers were assigned by the Virginia Historical Society when processing the collection while in their custody.","There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.","To facilitate easier access, the finding aid contents list is arranged alphabetically.","Dr. Joseph Lyon Miller, son of James Henderson Miller and Finetta Ann Lyons Miller, was born at Beech Hill in Mason County, West Virginia on 10 October 1875. Educated locally before enrolling at Barboursville College in neighboring Cabell County, Miller also attended the University of Nashville prior to moving east in September of 1897 for medical school. Miller completed the three-year program at the University College of Medicine in 1900. Following graduation, he accepted a position as assistant to the chief surgeon and medical director of the Davis Coal and Coke Company.  Around 1904, he moved to Ashland, Kentucky and established a private medical practice for 18 months before returning to Thomas, West Virginia. Miller resumed his association with Davis Coal and Coke and became medical director in his own right in 1917. In this same period, he also held the role of surgeon for the Western Maryland Railroad. During World War I, Miller served in the U.S. Volunteer Medical Corps as the medical director for mine operations in his area of West Virginia.","Miller married Pamelia Dorcas Hampton of Ashland, Kentucky on 3 June 1902 and the couple had three children: twin boys born in 1903 and a son born in 1906. This son, John Hampton Miller would follow his father into medicine and graduate from the Medical College of Virginia in 1932.","An active member of his community, Miller served as a member of the town council, as mayor of Thomas, and as president of the local board of health. He was a 32nd degree Mason. Within organized medicine, Miller remained active with the local medical organization, the West Virginia Medical Society, and the Southern Medical Association. His contributions to the medical literature consisted primarily of historical works, his major hobby and passion.","Early in his career, he began publishing in state historical publications and was widely known for his local history and genealogical work. He published several book-length genealogies that remain valuable today. Miller's medical practice provided him with the discretionary income to build a historical library related to the history of Western medicine. Over the years, he built a significant collection by establishing relationships with rare book dealers in Europe and by making purchases without ever leaving the United States. In 1932, Miller donated this valuable collection of over 6,000 books, prints and manuscript items to the Richmond Academy of Medicine after it had constructed a permanent home with an appropriate library. Miller continued collecting, writing, and researching after relinquishing his collection to the Academy. He donated other books, manuscripts, and images to various historical and medical libraries across the southeast. In 1930, the Medical College of Virginia honored him by conferring the doctor of letters degree.","Miller died on 5 January 1957 and is buried in his wife's family plot in the Ashland Cemetery, Ashland, Kentucky.","Joseph Lyon Miller donated his collection of books, prints, and manuscripts to the Richmond Academy of Medicine in 1932. The collection remained in the Richmond Academy of Medicine Building until May of 1988, when it was placed on long-term loan at the Virginia Historical Society. In 2021, Virginia Commonwealth University purchased the collection from the Richmond Academy of Medicine and moved it from the Virginia Museum of History and Culture (former Virginia Historical Society) to VCU.","Upon receipt of the collection VCU SCA staff inventoried and rehoused the collection. They removed acidic backing and enclosures when possible and unframed the silhouettes and other items for preservation purposes.","When on loan to the Virginia Historical Society, the staff assigned the accession number, 2003.300, to the print collection, and numbered each individual item (e.g., 2003.300.1, 2003.300.2, etc.). The staff at VCU retained the individual item number assigned by the VHS and kept the physical collection in the original numeric order. Prints are housed in groups of 25 per folder. Any oversized prints are stored in large print boxes, and their location is noted on an item removed list in the original folder. To facilitate easier access, the finding aid contents list is arranged alphabetically. There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.","The Richmond Academy of Medicine Joseph Lyon Miller Collection of prints consists of engravings, lithographs, photographs, prints, and silhouettes dating from the 17th to 20th centuries that are related to the history of medicine. Many of the items were initially included in publications while others were issued as individual prints. The highlight of the collection is the silhouettes of American and British physicians. These silhouette portraits were cut from life and date from 1750 to 1850. A number of prominent silhouettists are represented including Charles Wilson Peale, William H. Brown, and Auguste Edouart.","The print collection includes likenesses of physicians from the United States, Great Britian, and western Euopean countries. There is also a small section of prints of Greek, Roman, and Islamic physicians. The collection is a good source for studying perceptions of medicine in the 17th and 18th centuries in particular. The artists' selection of iconography is varied and often more interesting than the individual depicted in the print. The photograph section includes a number of rarer images of Virginia physicians, some photographs of painted portraits and others photographic copies of original images. The photograph section also includes images of physicians' homes, hospitals, and medical schools. There are a number of medical caricatures represented in the collection as well as medical art prints.","Contact archivist to ask about reproduction of images.","VCU Health Sciences Library","Richmond Academy of Medicine","Miller, Joseph Lyon","English\n      German\n      Latin\n      French"],"collection_title_tesim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"collection_ssim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2021.06.006","/repositories/3/resources/602"],"unitid_tesim":["2021.06.006","/repositories/3/resources/602"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Miller, Joseph Lyon","Richmond Academy of Medicine"],"creator_ssim":["Miller, Joseph Lyon","Richmond Academy of Medicine"],"creator_persname_ssim":["Miller, Joseph Lyon"],"creator_corpname_ssim":["VCU Health Sciences Library","Richmond Academy of Medicine"],"creators_ssim":["Miller, Joseph Lyon","VCU Health Sciences Library","Richmond Academy of Medicine"],"access_terms_ssm":["Contact archivist to ask about reproduction of images."],"acqinfo_ssim":["Virginia Commonwealth University Libraries purchased the collection in 2021."],"access_subjects_ssim":["Portrait prints","Engraving","Lithography","History of Medicine","Silhouettes","Photographs"],"access_subjects_ssm":["Portrait prints","Engraving","Lithography","History of Medicine","Silhouettes","Photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the prints are fragile and/or brittle."],"extent_ssm":["9.79 Linear Feet 16 boxes. Boxes labeled as follows P = regular prints, PL = large prints, S = Silhouettes"],"extent_tesim":["9.79 Linear Feet 16 boxes. Boxes labeled as follows P = regular prints, PL = large prints, S = Silhouettes"],"physfacet_tesim":["Extent does not include the map drawer or box PL6"],"genreform_ssim":["Silhouettes","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four sections: Prints--people, prints--other, photos, and silhouettes.  Within each section, items are arranged in numerical order according to individual item numbers. These numbers were assigned by the Virginia Historical Society when processing the collection while in their custody. \u003c/p\u003e","\u003cp\u003eThere are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.  \u003c/p\u003e","\u003cp\u003eTo facilitate easier access, the finding aid contents list is arranged alphabetically. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in four sections: Prints--people, prints--other, photos, and silhouettes.  Within each section, items are arranged in numerical order according to individual item numbers. These numbers were assigned by the Virginia Historical Society when processing the collection while in their custody.","There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.","To facilitate easier access, the finding aid contents list is arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eDr. Joseph Lyon Miller, son of James Henderson Miller and Finetta Ann Lyons Miller, was born at Beech Hill in Mason County, West Virginia on 10 October 1875. Educated locally before enrolling at Barboursville College in neighboring Cabell County, Miller also attended the University of Nashville prior to moving east in September of 1897 for medical school. Miller completed the three-year program at the University College of Medicine in 1900. Following graduation, he accepted a position as assistant to the chief surgeon and medical director of the Davis Coal and Coke Company.  Around 1904, he moved to Ashland, Kentucky and established a private medical practice for 18 months before returning to Thomas, West Virginia. Miller resumed his association with Davis Coal and Coke and became medical director in his own right in 1917. In this same period, he also held the role of surgeon for the Western Maryland Railroad. During World War I, Miller served in the U.S. Volunteer Medical Corps as the medical director for mine operations in his area of West Virginia.\u003c/p\u003e","\u003cp\u003eMiller married Pamelia Dorcas Hampton of Ashland, Kentucky on 3 June 1902 and the couple had three children: twin boys born in 1903 and a son born in 1906. This son, John Hampton Miller would follow his father into medicine and graduate from the Medical College of Virginia in 1932. \u003c/p\u003e","\u003cp\u003eAn active member of his community, Miller served as a member of the town council, as mayor of Thomas, and as president of the local board of health. He was a 32nd degree Mason. Within organized medicine, Miller remained active with the local medical organization, the West Virginia Medical Society, and the Southern Medical Association. His contributions to the medical literature consisted primarily of historical works, his major hobby and passion. \u003c/p\u003e","\u003cp\u003eEarly in his career, he began publishing in state historical publications and was widely known for his local history and genealogical work. He published several book-length genealogies that remain valuable today. Miller's medical practice provided him with the discretionary income to build a historical library related to the history of Western medicine. Over the years, he built a significant collection by establishing relationships with rare book dealers in Europe and by making purchases without ever leaving the United States. In 1932, Miller donated this valuable collection of over 6,000 books, prints and manuscript items to the Richmond Academy of Medicine after it had constructed a permanent home with an appropriate library. Miller continued collecting, writing, and researching after relinquishing his collection to the Academy. He donated other books, manuscripts, and images to various historical and medical libraries across the southeast. In 1930, the Medical College of Virginia honored him by conferring the doctor of letters degree.\u003c/p\u003e","\u003cp\u003eMiller died on 5 January 1957 and is buried in his wife's family plot in the Ashland Cemetery, Ashland, Kentucky. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Joseph Lyon Miller, son of James Henderson Miller and Finetta Ann Lyons Miller, was born at Beech Hill in Mason County, West Virginia on 10 October 1875. Educated locally before enrolling at Barboursville College in neighboring Cabell County, Miller also attended the University of Nashville prior to moving east in September of 1897 for medical school. Miller completed the three-year program at the University College of Medicine in 1900. Following graduation, he accepted a position as assistant to the chief surgeon and medical director of the Davis Coal and Coke Company.  Around 1904, he moved to Ashland, Kentucky and established a private medical practice for 18 months before returning to Thomas, West Virginia. Miller resumed his association with Davis Coal and Coke and became medical director in his own right in 1917. In this same period, he also held the role of surgeon for the Western Maryland Railroad. During World War I, Miller served in the U.S. Volunteer Medical Corps as the medical director for mine operations in his area of West Virginia.","Miller married Pamelia Dorcas Hampton of Ashland, Kentucky on 3 June 1902 and the couple had three children: twin boys born in 1903 and a son born in 1906. This son, John Hampton Miller would follow his father into medicine and graduate from the Medical College of Virginia in 1932.","An active member of his community, Miller served as a member of the town council, as mayor of Thomas, and as president of the local board of health. He was a 32nd degree Mason. Within organized medicine, Miller remained active with the local medical organization, the West Virginia Medical Society, and the Southern Medical Association. His contributions to the medical literature consisted primarily of historical works, his major hobby and passion.","Early in his career, he began publishing in state historical publications and was widely known for his local history and genealogical work. He published several book-length genealogies that remain valuable today. Miller's medical practice provided him with the discretionary income to build a historical library related to the history of Western medicine. Over the years, he built a significant collection by establishing relationships with rare book dealers in Europe and by making purchases without ever leaving the United States. In 1932, Miller donated this valuable collection of over 6,000 books, prints and manuscript items to the Richmond Academy of Medicine after it had constructed a permanent home with an appropriate library. Miller continued collecting, writing, and researching after relinquishing his collection to the Academy. He donated other books, manuscripts, and images to various historical and medical libraries across the southeast. In 1930, the Medical College of Virginia honored him by conferring the doctor of letters degree.","Miller died on 5 January 1957 and is buried in his wife's family plot in the Ashland Cemetery, Ashland, Kentucky."],"custodhist_html_tesm":["\u003cp\u003eJoseph Lyon Miller donated his collection of books, prints, and manuscripts to the Richmond Academy of Medicine in 1932. The collection remained in the Richmond Academy of Medicine Building until May of 1988, when it was placed on long-term loan at the Virginia Historical Society. In 2021, Virginia Commonwealth University purchased the collection from the Richmond Academy of Medicine and moved it from the Virginia Museum of History and Culture (former Virginia Historical Society) to VCU.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Joseph Lyon Miller donated his collection of books, prints, and manuscripts to the Richmond Academy of Medicine in 1932. The collection remained in the Richmond Academy of Medicine Building until May of 1988, when it was placed on long-term loan at the Virginia Historical Society. In 2021, Virginia Commonwealth University purchased the collection from the Richmond Academy of Medicine and moved it from the Virginia Museum of History and Culture (former Virginia Historical Society) to VCU."],"prefercite_html_tesm":["\u003cp\u003eRichmond Academy of Medicine Joseph Lyon Miller Collection of prints, 17th-20th century, 2021.06.006, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints, 17th-20th century, 2021.06.006, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eUpon receipt of the collection VCU SCA staff inventoried and rehoused the collection. They removed acidic backing and enclosures when possible and unframed the silhouettes and other items for preservation purposes.\u003c/p\u003e","\u003cp\u003eWhen on loan to the Virginia Historical Society, the staff assigned the accession number, 2003.300, to the print collection, and numbered each individual item (e.g., 2003.300.1, 2003.300.2, etc.). The staff at VCU retained the individual item number assigned by the VHS and kept the physical collection in the original numeric order. Prints are housed in groups of 25 per folder. Any oversized prints are stored in large print boxes, and their location is noted on an item removed list in the original folder. To facilitate easier access, the finding aid contents list is arranged alphabetically. There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Upon receipt of the collection VCU SCA staff inventoried and rehoused the collection. They removed acidic backing and enclosures when possible and unframed the silhouettes and other items for preservation purposes.","When on loan to the Virginia Historical Society, the staff assigned the accession number, 2003.300, to the print collection, and numbered each individual item (e.g., 2003.300.1, 2003.300.2, etc.). The staff at VCU retained the individual item number assigned by the VHS and kept the physical collection in the original numeric order. Prints are housed in groups of 25 per folder. Any oversized prints are stored in large print boxes, and their location is noted on an item removed list in the original folder. To facilitate easier access, the finding aid contents list is arranged alphabetically. There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered."],"scopecontent_html_tesm":["\u003cp\u003eThe Richmond Academy of Medicine Joseph Lyon Miller Collection of prints consists of engravings, lithographs, photographs, prints, and silhouettes dating from the 17th to 20th centuries that are related to the history of medicine. Many of the items were initially included in publications while others were issued as individual prints. The highlight of the collection is the silhouettes of American and British physicians. These silhouette portraits were cut from life and date from 1750 to 1850. A number of prominent silhouettists are represented including Charles Wilson Peale, William H. Brown, and Auguste Edouart. \u003c/p\u003e","\u003cp\u003eThe print collection includes likenesses of physicians from the United States, Great Britian, and western Euopean countries. There is also a small section of prints of Greek, Roman, and Islamic physicians. The collection is a good source for studying perceptions of medicine in the 17th and 18th centuries in particular. The artists' selection of iconography is varied and often more interesting than the individual depicted in the print. The photograph section includes a number of rarer images of Virginia physicians, some photographs of painted portraits and others photographic copies of original images. The photograph section also includes images of physicians' homes, hospitals, and medical schools. There are a number of medical caricatures represented in the collection as well as medical art prints.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richmond Academy of Medicine Joseph Lyon Miller Collection of prints consists of engravings, lithographs, photographs, prints, and silhouettes dating from the 17th to 20th centuries that are related to the history of medicine. Many of the items were initially included in publications while others were issued as individual prints. The highlight of the collection is the silhouettes of American and British physicians. These silhouette portraits were cut from life and date from 1750 to 1850. A number of prominent silhouettists are represented including Charles Wilson Peale, William H. Brown, and Auguste Edouart.","The print collection includes likenesses of physicians from the United States, Great Britian, and western Euopean countries. There is also a small section of prints of Greek, Roman, and Islamic physicians. The collection is a good source for studying perceptions of medicine in the 17th and 18th centuries in particular. The artists' selection of iconography is varied and often more interesting than the individual depicted in the print. The photograph section includes a number of rarer images of Virginia physicians, some photographs of painted portraits and others photographic copies of original images. The photograph section also includes images of physicians' homes, hospitals, and medical schools. There are a number of medical caricatures represented in the collection as well as medical art prints."],"userestrict_html_tesm":["\u003cp\u003eContact archivist to ask about reproduction of images.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Contact archivist to ask about reproduction of images."],"corpname_ssim":["VCU Health Sciences Library","Richmond Academy of Medicine"],"names_coll_ssim":["Richmond Academy of Medicine"],"persname_ssim":["Miller, Joseph Lyon"],"names_ssim":["VCU Health Sciences Library","Richmond Academy of Medicine","Miller, Joseph Lyon"],"language_ssim":["English\n      German\n      Latin\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:17.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_602_c01_c2938"}},{"id":"vircu_repositories_3_resources_602_c01_c2939","type":"Item","attributes":{"title":"Zwingerus, Theodore (1658-1724)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_602_c01_c2939#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_602_c01_c2939","ref_ssm":["vircu_repositories_3_resources_602_c01_c2939"],"id":"vircu_repositories_3_resources_602_c01_c2939","ead_ssi":"vircu_repositories_3_resources_602","_root_":"vircu_repositories_3_resources_602","_nest_parent_":"vircu_repositories_3_resources_602_c01","parent_ssi":"vircu_repositories_3_resources_602_c01","parent_ssim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","Series 1: Prints - People"],"parent_ids_ssim":["vircu_repositories_3_resources_602","vircu_repositories_3_resources_602_c01"],"title_filing_ssi":"Zwingerus, Theodore (1658-1724)","title_ssm":["Zwingerus, Theodore (1658-1724)"],"title_tesim":["Zwingerus, Theodore (1658-1724)"],"normalized_title_ssm":["Zwingerus, Theodore (1658-1724)"],"text":["Zwingerus, Theodore (1658-1724)","Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","Series 1: Prints - People","box P6","item 2806"],"parent_unittitles_ssm":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","Series 1: Prints - People"],"parent_unittitles_tesim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","Series 1: Prints - People"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":2940,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"containers_ssim":["box P6","item 2806"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Contact archivist to ask about reproduction of images."],"_nest_path_":"/components#0/components#2938","timestamp":"2026-07-23T21:26:17.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_602","ead_ssi":"vircu_repositories_3_resources_602","_root_":"vircu_repositories_3_resources_602","_nest_parent_":"vircu_repositories_3_resources_602","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_602.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/3/resources/602","title_ssm":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"title_tesim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"unitdate_ssm":["17th-20th century"],"unitdate_inclusive_ssm":["17th-20th century"],"normalized_title_ssm":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"text":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints","2021.06.006","/repositories/3/resources/602","Portrait prints","Engraving","Lithography","History of Medicine","Silhouettes","Photographs","Some of the prints are fragile and/or brittle.","The collection is open for research.","The collection is arranged in four sections: Prints--people, prints--other, photos, and silhouettes.  Within each section, items are arranged in numerical order according to individual item numbers. These numbers were assigned by the Virginia Historical Society when processing the collection while in their custody.","There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.","To facilitate easier access, the finding aid contents list is arranged alphabetically.","Dr. Joseph Lyon Miller, son of James Henderson Miller and Finetta Ann Lyons Miller, was born at Beech Hill in Mason County, West Virginia on 10 October 1875. Educated locally before enrolling at Barboursville College in neighboring Cabell County, Miller also attended the University of Nashville prior to moving east in September of 1897 for medical school. Miller completed the three-year program at the University College of Medicine in 1900. Following graduation, he accepted a position as assistant to the chief surgeon and medical director of the Davis Coal and Coke Company.  Around 1904, he moved to Ashland, Kentucky and established a private medical practice for 18 months before returning to Thomas, West Virginia. Miller resumed his association with Davis Coal and Coke and became medical director in his own right in 1917. In this same period, he also held the role of surgeon for the Western Maryland Railroad. During World War I, Miller served in the U.S. Volunteer Medical Corps as the medical director for mine operations in his area of West Virginia.","Miller married Pamelia Dorcas Hampton of Ashland, Kentucky on 3 June 1902 and the couple had three children: twin boys born in 1903 and a son born in 1906. This son, John Hampton Miller would follow his father into medicine and graduate from the Medical College of Virginia in 1932.","An active member of his community, Miller served as a member of the town council, as mayor of Thomas, and as president of the local board of health. He was a 32nd degree Mason. Within organized medicine, Miller remained active with the local medical organization, the West Virginia Medical Society, and the Southern Medical Association. His contributions to the medical literature consisted primarily of historical works, his major hobby and passion.","Early in his career, he began publishing in state historical publications and was widely known for his local history and genealogical work. He published several book-length genealogies that remain valuable today. Miller's medical practice provided him with the discretionary income to build a historical library related to the history of Western medicine. Over the years, he built a significant collection by establishing relationships with rare book dealers in Europe and by making purchases without ever leaving the United States. In 1932, Miller donated this valuable collection of over 6,000 books, prints and manuscript items to the Richmond Academy of Medicine after it had constructed a permanent home with an appropriate library. Miller continued collecting, writing, and researching after relinquishing his collection to the Academy. He donated other books, manuscripts, and images to various historical and medical libraries across the southeast. In 1930, the Medical College of Virginia honored him by conferring the doctor of letters degree.","Miller died on 5 January 1957 and is buried in his wife's family plot in the Ashland Cemetery, Ashland, Kentucky.","Joseph Lyon Miller donated his collection of books, prints, and manuscripts to the Richmond Academy of Medicine in 1932. The collection remained in the Richmond Academy of Medicine Building until May of 1988, when it was placed on long-term loan at the Virginia Historical Society. In 2021, Virginia Commonwealth University purchased the collection from the Richmond Academy of Medicine and moved it from the Virginia Museum of History and Culture (former Virginia Historical Society) to VCU.","Upon receipt of the collection VCU SCA staff inventoried and rehoused the collection. They removed acidic backing and enclosures when possible and unframed the silhouettes and other items for preservation purposes.","When on loan to the Virginia Historical Society, the staff assigned the accession number, 2003.300, to the print collection, and numbered each individual item (e.g., 2003.300.1, 2003.300.2, etc.). The staff at VCU retained the individual item number assigned by the VHS and kept the physical collection in the original numeric order. Prints are housed in groups of 25 per folder. Any oversized prints are stored in large print boxes, and their location is noted on an item removed list in the original folder. To facilitate easier access, the finding aid contents list is arranged alphabetically. There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.","The Richmond Academy of Medicine Joseph Lyon Miller Collection of prints consists of engravings, lithographs, photographs, prints, and silhouettes dating from the 17th to 20th centuries that are related to the history of medicine. Many of the items were initially included in publications while others were issued as individual prints. The highlight of the collection is the silhouettes of American and British physicians. These silhouette portraits were cut from life and date from 1750 to 1850. A number of prominent silhouettists are represented including Charles Wilson Peale, William H. Brown, and Auguste Edouart.","The print collection includes likenesses of physicians from the United States, Great Britian, and western Euopean countries. There is also a small section of prints of Greek, Roman, and Islamic physicians. The collection is a good source for studying perceptions of medicine in the 17th and 18th centuries in particular. The artists' selection of iconography is varied and often more interesting than the individual depicted in the print. The photograph section includes a number of rarer images of Virginia physicians, some photographs of painted portraits and others photographic copies of original images. The photograph section also includes images of physicians' homes, hospitals, and medical schools. There are a number of medical caricatures represented in the collection as well as medical art prints.","Contact archivist to ask about reproduction of images.","VCU Health Sciences Library","Richmond Academy of Medicine","Miller, Joseph Lyon","English\n      German\n      Latin\n      French"],"collection_title_tesim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"collection_ssim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["2021.06.006","/repositories/3/resources/602"],"unitid_tesim":["2021.06.006","/repositories/3/resources/602"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Miller, Joseph Lyon","Richmond Academy of Medicine"],"creator_ssim":["Miller, Joseph Lyon","Richmond Academy of Medicine"],"creator_persname_ssim":["Miller, Joseph Lyon"],"creator_corpname_ssim":["VCU Health Sciences Library","Richmond Academy of Medicine"],"creators_ssim":["Miller, Joseph Lyon","VCU Health Sciences Library","Richmond Academy of Medicine"],"access_terms_ssm":["Contact archivist to ask about reproduction of images."],"acqinfo_ssim":["Virginia Commonwealth University Libraries purchased the collection in 2021."],"access_subjects_ssim":["Portrait prints","Engraving","Lithography","History of Medicine","Silhouettes","Photographs"],"access_subjects_ssm":["Portrait prints","Engraving","Lithography","History of Medicine","Silhouettes","Photographs"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the prints are fragile and/or brittle."],"extent_ssm":["9.79 Linear Feet 16 boxes. Boxes labeled as follows P = regular prints, PL = large prints, S = Silhouettes"],"extent_tesim":["9.79 Linear Feet 16 boxes. Boxes labeled as follows P = regular prints, PL = large prints, S = Silhouettes"],"physfacet_tesim":["Extent does not include the map drawer or box PL6"],"genreform_ssim":["Silhouettes","Photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in four sections: Prints--people, prints--other, photos, and silhouettes.  Within each section, items are arranged in numerical order according to individual item numbers. These numbers were assigned by the Virginia Historical Society when processing the collection while in their custody. \u003c/p\u003e","\u003cp\u003eThere are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.  \u003c/p\u003e","\u003cp\u003eTo facilitate easier access, the finding aid contents list is arranged alphabetically. \u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in four sections: Prints--people, prints--other, photos, and silhouettes.  Within each section, items are arranged in numerical order according to individual item numbers. These numbers were assigned by the Virginia Historical Society when processing the collection while in their custody.","There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.","To facilitate easier access, the finding aid contents list is arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eDr. Joseph Lyon Miller, son of James Henderson Miller and Finetta Ann Lyons Miller, was born at Beech Hill in Mason County, West Virginia on 10 October 1875. Educated locally before enrolling at Barboursville College in neighboring Cabell County, Miller also attended the University of Nashville prior to moving east in September of 1897 for medical school. Miller completed the three-year program at the University College of Medicine in 1900. Following graduation, he accepted a position as assistant to the chief surgeon and medical director of the Davis Coal and Coke Company.  Around 1904, he moved to Ashland, Kentucky and established a private medical practice for 18 months before returning to Thomas, West Virginia. Miller resumed his association with Davis Coal and Coke and became medical director in his own right in 1917. In this same period, he also held the role of surgeon for the Western Maryland Railroad. During World War I, Miller served in the U.S. Volunteer Medical Corps as the medical director for mine operations in his area of West Virginia.\u003c/p\u003e","\u003cp\u003eMiller married Pamelia Dorcas Hampton of Ashland, Kentucky on 3 June 1902 and the couple had three children: twin boys born in 1903 and a son born in 1906. This son, John Hampton Miller would follow his father into medicine and graduate from the Medical College of Virginia in 1932. \u003c/p\u003e","\u003cp\u003eAn active member of his community, Miller served as a member of the town council, as mayor of Thomas, and as president of the local board of health. He was a 32nd degree Mason. Within organized medicine, Miller remained active with the local medical organization, the West Virginia Medical Society, and the Southern Medical Association. His contributions to the medical literature consisted primarily of historical works, his major hobby and passion. \u003c/p\u003e","\u003cp\u003eEarly in his career, he began publishing in state historical publications and was widely known for his local history and genealogical work. He published several book-length genealogies that remain valuable today. Miller's medical practice provided him with the discretionary income to build a historical library related to the history of Western medicine. Over the years, he built a significant collection by establishing relationships with rare book dealers in Europe and by making purchases without ever leaving the United States. In 1932, Miller donated this valuable collection of over 6,000 books, prints and manuscript items to the Richmond Academy of Medicine after it had constructed a permanent home with an appropriate library. Miller continued collecting, writing, and researching after relinquishing his collection to the Academy. He donated other books, manuscripts, and images to various historical and medical libraries across the southeast. In 1930, the Medical College of Virginia honored him by conferring the doctor of letters degree.\u003c/p\u003e","\u003cp\u003eMiller died on 5 January 1957 and is buried in his wife's family plot in the Ashland Cemetery, Ashland, Kentucky. \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Joseph Lyon Miller, son of James Henderson Miller and Finetta Ann Lyons Miller, was born at Beech Hill in Mason County, West Virginia on 10 October 1875. Educated locally before enrolling at Barboursville College in neighboring Cabell County, Miller also attended the University of Nashville prior to moving east in September of 1897 for medical school. Miller completed the three-year program at the University College of Medicine in 1900. Following graduation, he accepted a position as assistant to the chief surgeon and medical director of the Davis Coal and Coke Company.  Around 1904, he moved to Ashland, Kentucky and established a private medical practice for 18 months before returning to Thomas, West Virginia. Miller resumed his association with Davis Coal and Coke and became medical director in his own right in 1917. In this same period, he also held the role of surgeon for the Western Maryland Railroad. During World War I, Miller served in the U.S. Volunteer Medical Corps as the medical director for mine operations in his area of West Virginia.","Miller married Pamelia Dorcas Hampton of Ashland, Kentucky on 3 June 1902 and the couple had three children: twin boys born in 1903 and a son born in 1906. This son, John Hampton Miller would follow his father into medicine and graduate from the Medical College of Virginia in 1932.","An active member of his community, Miller served as a member of the town council, as mayor of Thomas, and as president of the local board of health. He was a 32nd degree Mason. Within organized medicine, Miller remained active with the local medical organization, the West Virginia Medical Society, and the Southern Medical Association. His contributions to the medical literature consisted primarily of historical works, his major hobby and passion.","Early in his career, he began publishing in state historical publications and was widely known for his local history and genealogical work. He published several book-length genealogies that remain valuable today. Miller's medical practice provided him with the discretionary income to build a historical library related to the history of Western medicine. Over the years, he built a significant collection by establishing relationships with rare book dealers in Europe and by making purchases without ever leaving the United States. In 1932, Miller donated this valuable collection of over 6,000 books, prints and manuscript items to the Richmond Academy of Medicine after it had constructed a permanent home with an appropriate library. Miller continued collecting, writing, and researching after relinquishing his collection to the Academy. He donated other books, manuscripts, and images to various historical and medical libraries across the southeast. In 1930, the Medical College of Virginia honored him by conferring the doctor of letters degree.","Miller died on 5 January 1957 and is buried in his wife's family plot in the Ashland Cemetery, Ashland, Kentucky."],"custodhist_html_tesm":["\u003cp\u003eJoseph Lyon Miller donated his collection of books, prints, and manuscripts to the Richmond Academy of Medicine in 1932. The collection remained in the Richmond Academy of Medicine Building until May of 1988, when it was placed on long-term loan at the Virginia Historical Society. In 2021, Virginia Commonwealth University purchased the collection from the Richmond Academy of Medicine and moved it from the Virginia Museum of History and Culture (former Virginia Historical Society) to VCU.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Joseph Lyon Miller donated his collection of books, prints, and manuscripts to the Richmond Academy of Medicine in 1932. The collection remained in the Richmond Academy of Medicine Building until May of 1988, when it was placed on long-term loan at the Virginia Historical Society. In 2021, Virginia Commonwealth University purchased the collection from the Richmond Academy of Medicine and moved it from the Virginia Museum of History and Culture (former Virginia Historical Society) to VCU."],"prefercite_html_tesm":["\u003cp\u003eRichmond Academy of Medicine Joseph Lyon Miller Collection of prints, 17th-20th century, 2021.06.006, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e  "],"prefercite_tesim":["Richmond Academy of Medicine Joseph Lyon Miller Collection of prints, 17th-20th century, 2021.06.006, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eUpon receipt of the collection VCU SCA staff inventoried and rehoused the collection. They removed acidic backing and enclosures when possible and unframed the silhouettes and other items for preservation purposes.\u003c/p\u003e","\u003cp\u003eWhen on loan to the Virginia Historical Society, the staff assigned the accession number, 2003.300, to the print collection, and numbered each individual item (e.g., 2003.300.1, 2003.300.2, etc.). The staff at VCU retained the individual item number assigned by the VHS and kept the physical collection in the original numeric order. Prints are housed in groups of 25 per folder. Any oversized prints are stored in large print boxes, and their location is noted on an item removed list in the original folder. To facilitate easier access, the finding aid contents list is arranged alphabetically. There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Upon receipt of the collection VCU SCA staff inventoried and rehoused the collection. They removed acidic backing and enclosures when possible and unframed the silhouettes and other items for preservation purposes.","When on loan to the Virginia Historical Society, the staff assigned the accession number, 2003.300, to the print collection, and numbered each individual item (e.g., 2003.300.1, 2003.300.2, etc.). The staff at VCU retained the individual item number assigned by the VHS and kept the physical collection in the original numeric order. Prints are housed in groups of 25 per folder. Any oversized prints are stored in large print boxes, and their location is noted on an item removed list in the original folder. To facilitate easier access, the finding aid contents list is arranged alphabetically. There are a small number of prints without an item number. These were either unaccessioned framed items or were part of a portfolio labeled \"Holland, Belgium, Norway, Sweden\" that were never individually numbered."],"scopecontent_html_tesm":["\u003cp\u003eThe Richmond Academy of Medicine Joseph Lyon Miller Collection of prints consists of engravings, lithographs, photographs, prints, and silhouettes dating from the 17th to 20th centuries that are related to the history of medicine. Many of the items were initially included in publications while others were issued as individual prints. The highlight of the collection is the silhouettes of American and British physicians. These silhouette portraits were cut from life and date from 1750 to 1850. A number of prominent silhouettists are represented including Charles Wilson Peale, William H. Brown, and Auguste Edouart. \u003c/p\u003e","\u003cp\u003eThe print collection includes likenesses of physicians from the United States, Great Britian, and western Euopean countries. There is also a small section of prints of Greek, Roman, and Islamic physicians. The collection is a good source for studying perceptions of medicine in the 17th and 18th centuries in particular. The artists' selection of iconography is varied and often more interesting than the individual depicted in the print. The photograph section includes a number of rarer images of Virginia physicians, some photographs of painted portraits and others photographic copies of original images. The photograph section also includes images of physicians' homes, hospitals, and medical schools. There are a number of medical caricatures represented in the collection as well as medical art prints.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["The Richmond Academy of Medicine Joseph Lyon Miller Collection of prints consists of engravings, lithographs, photographs, prints, and silhouettes dating from the 17th to 20th centuries that are related to the history of medicine. Many of the items were initially included in publications while others were issued as individual prints. The highlight of the collection is the silhouettes of American and British physicians. These silhouette portraits were cut from life and date from 1750 to 1850. A number of prominent silhouettists are represented including Charles Wilson Peale, William H. Brown, and Auguste Edouart.","The print collection includes likenesses of physicians from the United States, Great Britian, and western Euopean countries. There is also a small section of prints of Greek, Roman, and Islamic physicians. The collection is a good source for studying perceptions of medicine in the 17th and 18th centuries in particular. The artists' selection of iconography is varied and often more interesting than the individual depicted in the print. The photograph section includes a number of rarer images of Virginia physicians, some photographs of painted portraits and others photographic copies of original images. The photograph section also includes images of physicians' homes, hospitals, and medical schools. There are a number of medical caricatures represented in the collection as well as medical art prints."],"userestrict_html_tesm":["\u003cp\u003eContact archivist to ask about reproduction of images.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Contact archivist to ask about reproduction of images."],"corpname_ssim":["VCU Health Sciences Library","Richmond Academy of Medicine"],"names_coll_ssim":["Richmond Academy of Medicine"],"persname_ssim":["Miller, Joseph Lyon"],"names_ssim":["VCU Health Sciences Library","Richmond Academy of Medicine","Miller, Joseph Lyon"],"language_ssim":["English\n      German\n      Latin\n      French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3311,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:17.619Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_602_c01_c2939"}},{"id":"vircu_repositories_3_resources_9_c01_c97","type":"File","attributes":{"title":"Zwiren, Gerald, 1960/1963","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_9_c01_c97#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_9_c01_c97","ref_ssm":["vircu_repositories_3_resources_9_c01_c97"],"id":"vircu_repositories_3_resources_9_c01_c97","ead_ssi":"vircu_repositories_3_resources_9","_root_":"vircu_repositories_3_resources_9","_nest_parent_":"vircu_repositories_3_resources_9_c01","parent_ssi":"vircu_repositories_3_resources_9_c01","parent_ssim":["Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994","Series 1: Correspondence, 1945/1994"],"parent_ids_ssim":["vircu_repositories_3_resources_9","vircu_repositories_3_resources_9_c01"],"title_filing_ssi":"Zwiren, Gerald,","title_ssm":["Zwiren, Gerald"],"title_tesim":["Zwiren, Gerald"],"normalized_title_ssm":["Zwiren, Gerald, 1960/1963"],"text":["Zwiren, Gerald, 1960/1963","Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994","Series 1: Correspondence, 1945/1994","box 1"],"parent_unittitles_ssm":["Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994","Series 1: Correspondence, 1945/1994"],"parent_unittitles_tesim":["Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994","Series 1: Correspondence, 1945/1994"],"normalized_date_ssm":["1960/1963"],"unitdate_inclusive_ssm":["1960-1963"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":98,"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994"],"containers_ssim":["box 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"date_range_isim":[1960,1961,1962,1963],"_nest_path_":"/components#0/components#96","timestamp":"2026-07-23T21:26:17.619Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_9","ead_ssi":"vircu_repositories_3_resources_9","_root_":"vircu_repositories_3_resources_9","_nest_parent_":"vircu_repositories_3_resources_9","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_9.xml","aspace_url_ssi":"https://archives.library.vcu.edu/repositories/3/resources/9","title_filing_ssi":"Bosher, Lewis Hinton, Jr., papers","title_ssm":["Dr. Lewis Hinton Bosher, Jr. papers"],"title_tesim":["Dr. Lewis Hinton Bosher, Jr. papers"],"unitdate_ssm":["1891-1994"],"unitdate_inclusive_ssm":["1891-1994"],"normalized_date_ssm":["1891/1994"],"normalized_title_ssm":["Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994"],"text":["Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994","1997.Jul.8","/repositories/3/resources/9","Surgeons -- History -- 20th century -- Virginia -- Richmond","General Surgery -- Virginia.","Collection is open to research.","Series 1: Correspondence, 1945-1994 -- Series 2: Professional Papers, 1936-1979 -- Series 3: MCV Papers, 1949-1979 -- Series 4: Subject Files, 1951-1979 -- Series 5: Bigger Biographical Sketch Project, 1923-1987 -- Series 6: Dr. Lewis C. Bosher Materials, 1891-1986 -- Series 7: Miscellaneous Materials, circa 1913. Efforts have been made to maintain the original file organization. Numerous files labeled \"miscellaneous\" were merged with the existing files and some similar files, such as those on thoracic and cardiovascular surgery, were merged together. Files are arranged alphabetically within each series and materials within the files are arranged chronologically where applicable.","Dr. Lewis Hinton Bosher, Jr. (b. 1914)","Lewis Hinton Bosher, Jr. was born in Richmond, Virginia on January 19, 1914 to Lewis Hinton Bosher (1884-1980) and Roberta Ashby Smith Bosher (1886-1973). He attended St. Christopher's School in Richmond and then the University of Virginia (UVA) where he received a B.S. degree in 1936. At UVA he was a member of Phi Beta Kappa Honor Society and The Raven Society. Bosher pursued his medical education at Harvard Medical School and was awarded his M.D. in 1940.","The U.S. entered World War II while Bosher was serving as an assistant resident in surgery at Bellevue Hospital. He joined the Army Medical Corps in 1942, and was assigned to several stateside station hospitals from 1942-1943. In 1944, he was sent to Europe where he served in the First General Hospital until 1944, and then the Fourth Auxiliary Surgical Group. His final transfer was in 1945 to McGuire General Hospital in Virginia. The Army discharged Bosher in 1946 with the rank of Major.","After Bosher was discharged from the Army he served a surgical residency at the Medical College of Virginia (MCV) from 1946 to 1947. He then pursued additional postdoctoral training in general surgery at the Lahey Clinic in Massachusetts and thoracic surgery at Barnes Hospital in St. Louis, Missouri. Bosher returned to MCV in 1950 as an assistant professor in the Department of Surgery. He was promoted to associate professor in 1954 and to full professor in 1974. Bosher retired from academic medicine in 1979 and began a private practice. Bosher partnered with Dr. Harold Jay Levinson to establish cardiac surgery programs at Chippenham and Henrico Doctors' Hospitals. Bosher Auditorium in Chippenham Hospital is named in his honor.","Bosher spent the majority of his career at MCV and received high praise from numerous colleagues for his solid teaching abilities, commitment to the profession, and care and compassion for his patients. However, his tenure at MCV was not without some controversy. Dr. Isaac A. Bigger, head of the Department of Surgery, established a division of thoracic and cardiovascular surgery and made Bosher chief of the division. Bigger died in 1955 and was replaced by Dr. David Hume. Bosher did not always agree with Hume's administrative decisions and they became embroiled in a protracted conflict when Hume abolished Bosher's division in 1958. The Board of Visitors had never formalized Bigger's creation of the division, so Hume interpreted this to mean it never officially existed. The conflict appeared to be resolved in 1962 when the Board admonished Bosher for his defiance of Hume's authority, but they recognized Bosher's authority in the area of thoracic and cardiovascular surgery. Bosher was made chair of the section of thoracic and cardiovascular surgery in 1962. However in 1964 Hume decided to replace the section with a division of thoracic and cardiac surgery and appointed Dr. Richard Lower chair rather than Bosher.","Bosher maintained membership in numerous honorary, professional, and scientific societies including American Association for Thoracic Surgery, American College of Cardiology, American College of Chest Physicians, American College of Surgeons, American Heart Associations, American Medical Association, American Society for Artificial internal Organs, International Cardiovascular Society, Medical Society of Virginia, New York Academy of Science, Richmond Academy of Medicine, Richmond Area Heart Association (board of directors, president, 1961-1962), Society for Vascular Surgeons, Society of Thoracic Surgeons, Southern Surgical Association, Southern Thoracic Surgical Association (president, 1963-1964), Virginia Academy of Science, Virginia Heart Association (board of directors), Virginia Surgical Society, and Virginia Thoracic Society. Bosher also served as associate editor (1952-1953) and editor (1954-1955) of Virginia Medical Monthly.","Bosher married Blanche Kenny Smith of Bourbon County, Kentucky in 1947. They had four children.","Dr. Lewis C. Bosher (1860-1920)","Lewis Crenshaw Bosher, a physician and medical professor, was born on February 17, 1860 in Richmond, Virginia to Robert H. Bosher and Elizabeth Eubank Bosher. Bosher earned his medical degree from the Medical College of Virginia (MCV) in 1883 and received postgraduate training in surgery at Mount Sinai and Bellevue Hospitals in New York. Bosher returned to MCV in 1884 serving as demonstrator of anatomy. He was promoted to professor of anatomy and clinical lecturer on genito-urinary surgery in 1888, professor of the practice of surgery and clinical surgery in 1896, and professor of surgery in 1897. In 1910 Bosher chaired a joint committee whose purpose was to negotiate the merger of the University College of Medicine with MCV, which occurred in 1913. After the merger Bosher accepted the newly created position of professor of genito-urinary surgery.","Bosher was very active in the Richmond medical community. He maintained a private practice while on the faculty at MCV. In 1893 he served as deputy coroner of Richmond. He also chaired the hospital committee for Old Dominion Hospital in the late 1890s, assisted in the planning of Memorial Hospital which opened in 1903, and was a cofounder of Stuart Circle Hospital in 1913. Bosher was also engaged in several professional societies. He served as president of the Richmond Academy of Medicine and Surgery, 1901-1902, first vice president of the Medical Society of Virginia, 1904-1905, and president of the Southern Surgical and Gynecological Association in 1905.","Health problems led Bosher to resign from his faculty position at MCV in March of 1916. He passed away in his Richmond, Virginia home on September 12, 1920 and was buried in Hollywood Cemetery. Bosher never married. He was the great uncle of Lewis H. Bosher (b. 1914), also a physician and faculty member at MCV.","Dr. Isaac A. Bigger (1893-1955)","Isaac Alexander Bigger was born in Bethel, South Carolina on June 25, 1893. He was one of five children born to Isaac A. and Mary Neel Johnston Bigger. He attended Erskine College for one year and then transferred to Davidson College. He entered the University of Virginia (UVA) in 1914 for medical school. Bigger suffered from bronchial asthma and this ailment combined with injuries sustained during a sleepwalking incident slowed his medical education. He eventually graduated from UVA in 1919.","Bigger was on the surgical staff of both UVA and Vanderbilt University before he came to the Medical College of Virginia (MCV) in 1930. He was appointed the first full time professor of surgery at MCV. Bigger was a noted surgeon who developed many surgical innovations while working tirelessly with students, residents, and patients. He contributed over fifty articles to medical literature and coauthored Operative Surgery with J. Shelton Horsley in 1937.","Bigger's health began to deteriorate in 1953. He was hospitalized several times and eventually died of complications resulting from his asthma in 1955. The Isaac A. Bigger Medal, presented to a surgical resident for integrity, leadership, teaching, and clinical ability is awarded annually in memory of Dr. Bigger at the VCU Medical Center.","The papers of Dr. Lewis H. Bosher are primarily items relating to his professional work as a surgeon and a member of the faculty at the Medical College of Virginia (MCV).The majority of his papers are made up of correspondence and also includes some journal articles, newspaper clippings, and photographs. Bosher's papers also contains materials he collected to write a biographical sketch of fellow surgeon Dr. Isaac A. Bigger, and items from his great uncle, Dr. Lewis C. Bosher, including his lecture notes from 1905.","Series 1: Correspondence, 1945-1994. This series is comprised of correspondence that Bosher exchanged with numerous colleagues regarding the practice of thoracic and cardiovascular surgery. Often they are trading information on techniques and problems as well as discussing various types of equipment used in surgery such as oxygenators and coronary perfusion pumps. Also there is correspondence with medical supply companies, other hospitals, and various medical organizations with whom Bosher was involved.","Series 2: Professional Papers, 1936-1979. This series is composed of materials such as Bosher's curriculum vitae, employment information from MCV and McGuire Veteran's Hospital, journal articles, lectures, presentations, reports, and unpublished works.","Series 3: MCV Papers, 1949-1979. This series is composed primarily of correspondence and related materials pertaining to Bosher's tenure at MCV. Of particular interest are the three folders of correspondence labeled \"Thoracic and Cardiovascular Surgery, 1949-1979.\" It spans Bosher's entire career at MCV and provides insight into the evolution of that service.","Series 4: Subject Files, 1951-1979. These files contain correspondence, data, and notes maintained by Bosher on subjects that related to his work in thoracic and cardiovascular surgery.","Series 5: Bigger Biographical Sketch Project, 1923-1987. The American Association for Thoracic Surgery asked Bosher to write a biographical sketch of Dr. Isaac A. Bigger. This series contains the research conducted by Bosher to complete the sketch. Items include correspondence with family, friends, and colleagues of Bigger, copies of his medical articles, and information gleaned from other sources such as newspapers and organizations to which Bigger belonged. Two copies of the completed sketch and the accompanying appendix are also included in the series.","Series 6: Dr. Lewis C. Bosher Materials, 1891-1986. Items in this series belonged to Lewis C. Bosher, great uncle of Lewis H. Bosher. He was a Richmond physician and on the faculty of MCV. This series includes Bosher's lecture notes on genito-urinary surgery, venereal disease, and special fractures, journal articles, and miscellaneous items relating to MCV.","Series 7: Miscellaneous Materials. This series contains an unpublished manuscript on the subject of angiorraphy. Based on the citations it appears to have been written circa 1913. The title page is missing and there is no indication of who is the author.","VCU Health Sciences Library","Medical College of Virginia -- Alumni and alumnae","Bosher, Lewis H. (Lewis Hinton), 1914-","Bosher, Lewis H. (Lewis Hinton), 1914- -- Archives","Bigger, Isaac A. (Isaac Alexander)","English"],"collection_title_tesim":["Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994"],"collection_ssim":["Dr. Lewis Hinton Bosher, Jr. papers, 1891/1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["1997.Jul.8","/repositories/3/resources/9"],"unitid_tesim":["1997.Jul.8","/repositories/3/resources/9"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Bosher, Lewis H. (Lewis Hinton), 1914-"],"creator_ssim":["Bosher, Lewis H. (Lewis Hinton), 1914-"],"creator_persname_ssim":["Bosher, Lewis H. (Lewis Hinton), 1914-","Bosher, Lewis H. (Lewis Hinton), 1914- -- Archives","Bigger, Isaac A. (Isaac Alexander)"],"creator_corpname_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Alumni and alumnae"],"creators_ssim":["Bosher, Lewis H. (Lewis Hinton), 1914-","Bosher, Lewis H. (Lewis Hinton), 1914- -- Archives","Bigger, Isaac A. (Isaac Alexander)","VCU Health Sciences Library","Medical College of Virginia -- Alumni and alumnae"],"acqinfo_ssim":["Gift of Lewis Hinton Bosher, Jr."],"access_subjects_ssim":["Surgeons -- History -- 20th century -- Virginia -- Richmond","General Surgery -- Virginia."],"access_subjects_ssm":["Surgeons -- History -- 20th century -- Virginia -- Richmond","General Surgery -- Virginia."],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet"],"extent_tesim":["4 Linear Feet"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eSeries 1: Correspondence, 1945-1994 -- Series 2: Professional Papers, 1936-1979 -- Series 3: MCV Papers, 1949-1979 -- Series 4: Subject Files, 1951-1979 -- Series 5: Bigger Biographical Sketch Project, 1923-1987 -- Series 6: Dr. Lewis C. Bosher Materials, 1891-1986 -- Series 7: Miscellaneous Materials, circa 1913. Efforts have been made to maintain the original file organization. Numerous files labeled \"miscellaneous\" were merged with the existing files and some similar files, such as those on thoracic and cardiovascular surgery, were merged together. Files are arranged alphabetically within each series and materials within the files are arranged chronologically where applicable.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series 1: Correspondence, 1945-1994 -- Series 2: Professional Papers, 1936-1979 -- Series 3: MCV Papers, 1949-1979 -- Series 4: Subject Files, 1951-1979 -- Series 5: Bigger Biographical Sketch Project, 1923-1987 -- Series 6: Dr. Lewis C. Bosher Materials, 1891-1986 -- Series 7: Miscellaneous Materials, circa 1913. Efforts have been made to maintain the original file organization. Numerous files labeled \"miscellaneous\" were merged with the existing files and some similar files, such as those on thoracic and cardiovascular surgery, were merged together. Files are arranged alphabetically within each series and materials within the files are arranged chronologically where applicable."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eDr. Lewis Hinton Bosher, Jr. (b. 1914)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eLewis Hinton Bosher, Jr. was born in Richmond, Virginia on January 19, 1914 to Lewis Hinton Bosher (1884-1980) and Roberta Ashby Smith Bosher (1886-1973). He attended St. Christopher's School in Richmond and then the University of Virginia (UVA) where he received a B.S. degree in 1936. At UVA he was a member of Phi Beta Kappa Honor Society and The Raven Society. Bosher pursued his medical education at Harvard Medical School and was awarded his M.D. in 1940.\u003c/p\u003e","\u003cp\u003eThe U.S. entered World War II while Bosher was serving as an assistant resident in surgery at Bellevue Hospital. He joined the Army Medical Corps in 1942, and was assigned to several stateside station hospitals from 1942-1943. In 1944, he was sent to Europe where he served in the First General Hospital until 1944, and then the Fourth Auxiliary Surgical Group. His final transfer was in 1945 to McGuire General Hospital in Virginia. The Army discharged Bosher in 1946 with the rank of Major.\u003c/p\u003e","\u003cp\u003eAfter Bosher was discharged from the Army he served a surgical residency at the Medical College of Virginia (MCV) from 1946 to 1947. He then pursued additional postdoctoral training in general surgery at the Lahey Clinic in Massachusetts and thoracic surgery at Barnes Hospital in St. Louis, Missouri. Bosher returned to MCV in 1950 as an assistant professor in the Department of Surgery. He was promoted to associate professor in 1954 and to full professor in 1974. Bosher retired from academic medicine in 1979 and began a private practice. Bosher partnered with Dr. Harold Jay Levinson to establish cardiac surgery programs at Chippenham and Henrico Doctors' Hospitals. Bosher Auditorium in Chippenham Hospital is named in his honor.\u003c/p\u003e","\u003cp\u003eBosher spent the majority of his career at MCV and received high praise from numerous colleagues for his solid teaching abilities, commitment to the profession, and care and compassion for his patients. However, his tenure at MCV was not without some controversy. Dr. Isaac A. Bigger, head of the Department of Surgery, established a division of thoracic and cardiovascular surgery and made Bosher chief of the division. Bigger died in 1955 and was replaced by Dr. David Hume. Bosher did not always agree with Hume's administrative decisions and they became embroiled in a protracted conflict when Hume abolished Bosher's division in 1958. The Board of Visitors had never formalized Bigger's creation of the division, so Hume interpreted this to mean it never officially existed. The conflict appeared to be resolved in 1962 when the Board admonished Bosher for his defiance of Hume's authority, but they recognized Bosher's authority in the area of thoracic and cardiovascular surgery. Bosher was made chair of the section of thoracic and cardiovascular surgery in 1962. However in 1964 Hume decided to replace the section with a division of thoracic and cardiac surgery and appointed Dr. Richard Lower chair rather than Bosher.\u003c/p\u003e","\u003cp\u003eBosher maintained membership in numerous honorary, professional, and scientific societies including American Association for Thoracic Surgery, American College of Cardiology, American College of Chest Physicians, American College of Surgeons, American Heart Associations, American Medical Association, American Society for Artificial internal Organs, International Cardiovascular Society, Medical Society of Virginia, New York Academy of Science, Richmond Academy of Medicine, Richmond Area Heart Association (board of directors, president, 1961-1962), Society for Vascular Surgeons, Society of Thoracic Surgeons, Southern Surgical Association, Southern Thoracic Surgical Association (president, 1963-1964), Virginia Academy of Science, Virginia Heart Association (board of directors), Virginia Surgical Society, and Virginia Thoracic Society. Bosher also served as associate editor (1952-1953) and editor (1954-1955) of Virginia Medical Monthly.\u003c/p\u003e","\u003cp\u003eBosher married Blanche Kenny Smith of Bourbon County, Kentucky in 1947. They had four children.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eDr. Lewis C. Bosher (1860-1920)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eLewis Crenshaw Bosher, a physician and medical professor, was born on February 17, 1860 in Richmond, Virginia to Robert H. Bosher and Elizabeth Eubank Bosher. Bosher earned his medical degree from the Medical College of Virginia (MCV) in 1883 and received postgraduate training in surgery at Mount Sinai and Bellevue Hospitals in New York. Bosher returned to MCV in 1884 serving as demonstrator of anatomy. He was promoted to professor of anatomy and clinical lecturer on genito-urinary surgery in 1888, professor of the practice of surgery and clinical surgery in 1896, and professor of surgery in 1897. In 1910 Bosher chaired a joint committee whose purpose was to negotiate the merger of the University College of Medicine with MCV, which occurred in 1913. After the merger Bosher accepted the newly created position of professor of genito-urinary surgery.\u003c/p\u003e","\u003cp\u003eBosher was very active in the Richmond medical community. He maintained a private practice while on the faculty at MCV. In 1893 he served as deputy coroner of Richmond. He also chaired the hospital committee for Old Dominion Hospital in the late 1890s, assisted in the planning of Memorial Hospital which opened in 1903, and was a cofounder of Stuart Circle Hospital in 1913. Bosher was also engaged in several professional societies. He served as president of the Richmond Academy of Medicine and Surgery, 1901-1902, first vice president of the Medical Society of Virginia, 1904-1905, and president of the Southern Surgical and Gynecological Association in 1905.\u003c/p\u003e","\u003cp\u003eHealth problems led Bosher to resign from his faculty position at MCV in March of 1916. He passed away in his Richmond, Virginia home on September 12, 1920 and was buried in Hollywood Cemetery. Bosher never married. He was the great uncle of Lewis H. Bosher (b. 1914), also a physician and faculty member at MCV.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"bold\"\u003eDr. Isaac A. Bigger (1893-1955)\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eIsaac Alexander Bigger was born in Bethel, South Carolina on June 25, 1893. He was one of five children born to Isaac A. and Mary Neel Johnston Bigger. He attended Erskine College for one year and then transferred to Davidson College. He entered the University of Virginia (UVA) in 1914 for medical school. Bigger suffered from bronchial asthma and this ailment combined with injuries sustained during a sleepwalking incident slowed his medical education. He eventually graduated from UVA in 1919.\u003c/p\u003e","\u003cp\u003eBigger was on the surgical staff of both UVA and Vanderbilt University before he came to the Medical College of Virginia (MCV) in 1930. He was appointed the first full time professor of surgery at MCV. Bigger was a noted surgeon who developed many surgical innovations while working tirelessly with students, residents, and patients. He contributed over fifty articles to medical literature and coauthored Operative Surgery with J. Shelton Horsley in 1937.\u003c/p\u003e","\u003cp\u003eBigger's health began to deteriorate in 1953. He was hospitalized several times and eventually died of complications resulting from his asthma in 1955. The Isaac A. Bigger Medal, presented to a surgical resident for integrity, leadership, teaching, and clinical ability is awarded annually in memory of Dr. Bigger at the VCU Medical Center.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Lewis Hinton Bosher, Jr. (b. 1914)","Lewis Hinton Bosher, Jr. was born in Richmond, Virginia on January 19, 1914 to Lewis Hinton Bosher (1884-1980) and Roberta Ashby Smith Bosher (1886-1973). He attended St. Christopher's School in Richmond and then the University of Virginia (UVA) where he received a B.S. degree in 1936. At UVA he was a member of Phi Beta Kappa Honor Society and The Raven Society. Bosher pursued his medical education at Harvard Medical School and was awarded his M.D. in 1940.","The U.S. entered World War II while Bosher was serving as an assistant resident in surgery at Bellevue Hospital. He joined the Army Medical Corps in 1942, and was assigned to several stateside station hospitals from 1942-1943. In 1944, he was sent to Europe where he served in the First General Hospital until 1944, and then the Fourth Auxiliary Surgical Group. His final transfer was in 1945 to McGuire General Hospital in Virginia. The Army discharged Bosher in 1946 with the rank of Major.","After Bosher was discharged from the Army he served a surgical residency at the Medical College of Virginia (MCV) from 1946 to 1947. He then pursued additional postdoctoral training in general surgery at the Lahey Clinic in Massachusetts and thoracic surgery at Barnes Hospital in St. Louis, Missouri. Bosher returned to MCV in 1950 as an assistant professor in the Department of Surgery. He was promoted to associate professor in 1954 and to full professor in 1974. Bosher retired from academic medicine in 1979 and began a private practice. Bosher partnered with Dr. Harold Jay Levinson to establish cardiac surgery programs at Chippenham and Henrico Doctors' Hospitals. Bosher Auditorium in Chippenham Hospital is named in his honor.","Bosher spent the majority of his career at MCV and received high praise from numerous colleagues for his solid teaching abilities, commitment to the profession, and care and compassion for his patients. However, his tenure at MCV was not without some controversy. Dr. Isaac A. Bigger, head of the Department of Surgery, established a division of thoracic and cardiovascular surgery and made Bosher chief of the division. Bigger died in 1955 and was replaced by Dr. David Hume. Bosher did not always agree with Hume's administrative decisions and they became embroiled in a protracted conflict when Hume abolished Bosher's division in 1958. The Board of Visitors had never formalized Bigger's creation of the division, so Hume interpreted this to mean it never officially existed. The conflict appeared to be resolved in 1962 when the Board admonished Bosher for his defiance of Hume's authority, but they recognized Bosher's authority in the area of thoracic and cardiovascular surgery. Bosher was made chair of the section of thoracic and cardiovascular surgery in 1962. However in 1964 Hume decided to replace the section with a division of thoracic and cardiac surgery and appointed Dr. Richard Lower chair rather than Bosher.","Bosher maintained membership in numerous honorary, professional, and scientific societies including American Association for Thoracic Surgery, American College of Cardiology, American College of Chest Physicians, American College of Surgeons, American Heart Associations, American Medical Association, American Society for Artificial internal Organs, International Cardiovascular Society, Medical Society of Virginia, New York Academy of Science, Richmond Academy of Medicine, Richmond Area Heart Association (board of directors, president, 1961-1962), Society for Vascular Surgeons, Society of Thoracic Surgeons, Southern Surgical Association, Southern Thoracic Surgical Association (president, 1963-1964), Virginia Academy of Science, Virginia Heart Association (board of directors), Virginia Surgical Society, and Virginia Thoracic Society. Bosher also served as associate editor (1952-1953) and editor (1954-1955) of Virginia Medical Monthly.","Bosher married Blanche Kenny Smith of Bourbon County, Kentucky in 1947. They had four children.","Dr. Lewis C. Bosher (1860-1920)","Lewis Crenshaw Bosher, a physician and medical professor, was born on February 17, 1860 in Richmond, Virginia to Robert H. Bosher and Elizabeth Eubank Bosher. Bosher earned his medical degree from the Medical College of Virginia (MCV) in 1883 and received postgraduate training in surgery at Mount Sinai and Bellevue Hospitals in New York. Bosher returned to MCV in 1884 serving as demonstrator of anatomy. He was promoted to professor of anatomy and clinical lecturer on genito-urinary surgery in 1888, professor of the practice of surgery and clinical surgery in 1896, and professor of surgery in 1897. In 1910 Bosher chaired a joint committee whose purpose was to negotiate the merger of the University College of Medicine with MCV, which occurred in 1913. After the merger Bosher accepted the newly created position of professor of genito-urinary surgery.","Bosher was very active in the Richmond medical community. He maintained a private practice while on the faculty at MCV. In 1893 he served as deputy coroner of Richmond. He also chaired the hospital committee for Old Dominion Hospital in the late 1890s, assisted in the planning of Memorial Hospital which opened in 1903, and was a cofounder of Stuart Circle Hospital in 1913. Bosher was also engaged in several professional societies. He served as president of the Richmond Academy of Medicine and Surgery, 1901-1902, first vice president of the Medical Society of Virginia, 1904-1905, and president of the Southern Surgical and Gynecological Association in 1905.","Health problems led Bosher to resign from his faculty position at MCV in March of 1916. He passed away in his Richmond, Virginia home on September 12, 1920 and was buried in Hollywood Cemetery. Bosher never married. He was the great uncle of Lewis H. Bosher (b. 1914), also a physician and faculty member at MCV.","Dr. Isaac A. Bigger (1893-1955)","Isaac Alexander Bigger was born in Bethel, South Carolina on June 25, 1893. He was one of five children born to Isaac A. and Mary Neel Johnston Bigger. He attended Erskine College for one year and then transferred to Davidson College. He entered the University of Virginia (UVA) in 1914 for medical school. Bigger suffered from bronchial asthma and this ailment combined with injuries sustained during a sleepwalking incident slowed his medical education. He eventually graduated from UVA in 1919.","Bigger was on the surgical staff of both UVA and Vanderbilt University before he came to the Medical College of Virginia (MCV) in 1930. He was appointed the first full time professor of surgery at MCV. Bigger was a noted surgeon who developed many surgical innovations while working tirelessly with students, residents, and patients. He contributed over fifty articles to medical literature and coauthored Operative Surgery with J. Shelton Horsley in 1937.","Bigger's health began to deteriorate in 1953. He was hospitalized several times and eventually died of complications resulting from his asthma in 1955. The Isaac A. Bigger Medal, presented to a surgical resident for integrity, leadership, teaching, and clinical ability is awarded annually in memory of Dr. Bigger at the VCU Medical Center."],"prefercite_html_tesm":["\u003cp\u003ePapers of Dr. Lewis Hinton Bosher, Jr., Accession # 1997/Jul/8, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e  "],"prefercite_tesim":["Papers of Dr. Lewis Hinton Bosher, Jr., Accession # 1997/Jul/8, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Dr. Lewis H. Bosher are primarily items relating to his professional work as a surgeon and a member of the faculty at the Medical College of Virginia (MCV).The majority of his papers are made up of correspondence and also includes some journal articles, newspaper clippings, and photographs. Bosher's papers also contains materials he collected to write a biographical sketch of fellow surgeon Dr. Isaac A. Bigger, and items from his great uncle, Dr. Lewis C. Bosher, including his lecture notes from 1905.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence, 1945-1994. This series is comprised of correspondence that Bosher exchanged with numerous colleagues regarding the practice of thoracic and cardiovascular surgery. Often they are trading information on techniques and problems as well as discussing various types of equipment used in surgery such as oxygenators and coronary perfusion pumps. Also there is correspondence with medical supply companies, other hospitals, and various medical organizations with whom Bosher was involved.\u003c/p\u003e","\u003cp\u003eSeries 2: Professional Papers, 1936-1979. This series is composed of materials such as Bosher's curriculum vitae, employment information from MCV and McGuire Veteran's Hospital, journal articles, lectures, presentations, reports, and unpublished works.\u003c/p\u003e","\u003cp\u003eSeries 3: MCV Papers, 1949-1979. This series is composed primarily of correspondence and related materials pertaining to Bosher's tenure at MCV. Of particular interest are the three folders of correspondence labeled \"Thoracic and Cardiovascular Surgery, 1949-1979.\" It spans Bosher's entire career at MCV and provides insight into the evolution of that service.\u003c/p\u003e","\u003cp\u003eSeries 4: Subject Files, 1951-1979. These files contain correspondence, data, and notes maintained by Bosher on subjects that related to his work in thoracic and cardiovascular surgery.\u003c/p\u003e","\u003cp\u003eSeries 5: Bigger Biographical Sketch Project, 1923-1987. The American Association for Thoracic Surgery asked Bosher to write a biographical sketch of Dr. Isaac A. Bigger. This series contains the research conducted by Bosher to complete the sketch. Items include correspondence with family, friends, and colleagues of Bigger, copies of his medical articles, and information gleaned from other sources such as newspapers and organizations to which Bigger belonged. Two copies of the completed sketch and the accompanying appendix are also included in the series.\u003c/p\u003e","\u003cp\u003eSeries 6: Dr. Lewis C. Bosher Materials, 1891-1986. Items in this series belonged to Lewis C. Bosher, great uncle of Lewis H. Bosher. He was a Richmond physician and on the faculty of MCV. This series includes Bosher's lecture notes on genito-urinary surgery, venereal disease, and special fractures, journal articles, and miscellaneous items relating to MCV.\u003c/p\u003e","\u003cp\u003eSeries 7: Miscellaneous Materials. This series contains an unpublished manuscript on the subject of angiorraphy. Based on the citations it appears to have been written circa 1913. The title page is missing and there is no indication of who is the author.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The papers of Dr. Lewis H. Bosher are primarily items relating to his professional work as a surgeon and a member of the faculty at the Medical College of Virginia (MCV).The majority of his papers are made up of correspondence and also includes some journal articles, newspaper clippings, and photographs. Bosher's papers also contains materials he collected to write a biographical sketch of fellow surgeon Dr. Isaac A. Bigger, and items from his great uncle, Dr. Lewis C. Bosher, including his lecture notes from 1905.","Series 1: Correspondence, 1945-1994. This series is comprised of correspondence that Bosher exchanged with numerous colleagues regarding the practice of thoracic and cardiovascular surgery. Often they are trading information on techniques and problems as well as discussing various types of equipment used in surgery such as oxygenators and coronary perfusion pumps. Also there is correspondence with medical supply companies, other hospitals, and various medical organizations with whom Bosher was involved.","Series 2: Professional Papers, 1936-1979. This series is composed of materials such as Bosher's curriculum vitae, employment information from MCV and McGuire Veteran's Hospital, journal articles, lectures, presentations, reports, and unpublished works.","Series 3: MCV Papers, 1949-1979. This series is composed primarily of correspondence and related materials pertaining to Bosher's tenure at MCV. Of particular interest are the three folders of correspondence labeled \"Thoracic and Cardiovascular Surgery, 1949-1979.\" It spans Bosher's entire career at MCV and provides insight into the evolution of that service.","Series 4: Subject Files, 1951-1979. These files contain correspondence, data, and notes maintained by Bosher on subjects that related to his work in thoracic and cardiovascular surgery.","Series 5: Bigger Biographical Sketch Project, 1923-1987. The American Association for Thoracic Surgery asked Bosher to write a biographical sketch of Dr. Isaac A. Bigger. This series contains the research conducted by Bosher to complete the sketch. Items include correspondence with family, friends, and colleagues of Bigger, copies of his medical articles, and information gleaned from other sources such as newspapers and organizations to which Bigger belonged. Two copies of the completed sketch and the accompanying appendix are also included in the series.","Series 6: Dr. Lewis C. Bosher Materials, 1891-1986. Items in this series belonged to Lewis C. Bosher, great uncle of Lewis H. Bosher. He was a Richmond physician and on the faculty of MCV. This series includes Bosher's lecture notes on genito-urinary surgery, venereal disease, and special fractures, journal articles, and miscellaneous items relating to MCV.","Series 7: Miscellaneous Materials. This series contains an unpublished manuscript on the subject of angiorraphy. Based on the citations it appears to have been written circa 1913. The title page is missing and there is no indication of who is the author."],"userestrict_heading_ssm":["Use Restrictions"],"corpname_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Alumni and alumnae"],"names_coll_ssim":["Medical College of Virginia -- Alumni and alumnae","Bosher, Lewis H. 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It is for an exhibition titled \"Between Utopia and Apocalypse\" in Frankfurt (February 14 - April 9, 1989)."],"parent_unittitles_ssm":["East German poster collection film series, 1947/1995"],"parent_unittitles_tesim":["East German poster collection film series, 1947/1995"],"normalized_date_ssm":["1989"],"unitdate_other_ssim":["1989"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":502,"repository_ssim":["George Mason University"],"collection_ssim":["East German poster collection film series, 1947/1995"],"dimensions_tesim":["81 x 57"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"date_range_isim":[1989],"scopecontent_html_tesm":["\u003cp\u003eThis poster shows a collage of images of people in various countries and lifestyles, along with many found objects and toys. It is for an exhibition titled \"Between Utopia and Apocalypse\" in Frankfurt (February 14 - April 9, 1989).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This poster shows a collage of images of people in various countries and lifestyles, along with many found objects and toys. It is for an exhibition titled \"Between Utopia and Apocalypse\" in Frankfurt (February 14 - April 9, 1989)."],"_nest_path_":"/components#501","timestamp":"2026-07-23T21:20:35.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. 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Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. 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EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1979,1980,1981],"_nest_path_":"/components#9/components#50","timestamp":"2026-07-23T21:16:52.444Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2390","ead_ssi":"viblbv_repositories_2_resources_2390","_root_":"viblbv_repositories_2_resources_2390","_nest_parent_":"viblbv_repositories_2_resources_2390","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2390.xml","title_filing_ssi":"Zallen, Richard, Dr., Papers","title_ssm":["Dr. Richard Zallen Papers"],"title_tesim":["Dr. Richard Zallen Papers"],"unitdate_ssm":["1940-2007"],"unitdate_inclusive_ssm":["1940-2007"],"normalized_date_ssm":["1940/2007"],"normalized_title_ssm":["Dr. Richard Zallen Papers, 1940/2007"],"text":["Dr. Richard Zallen Papers, 1940/2007","Ms.2008.069","Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists","The collection is open for research.","The collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically.","Richard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films.","After his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London.","Dr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book, The Physics of Amorphous Solids.","In 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title professor emeritus.","The guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/).","The processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008.","Also available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen: The Physics of Amorphous Solids. New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983. Request via the library catalog online.","The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of melt-spun amorphous, and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics.","(Please note: Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of melt-spun amorphous, and stamps from various countries.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department","Zallen, Richard, b.1937","The materials in the collection are in English."],"collection_title_tesim":["Dr. Richard Zallen Papers, 1940/2007"],"collection_ssim":["Dr. Richard Zallen Papers, 1940/2007"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2008.069"],"unitid_tesim":["Ms.2008.069"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Zallen, Richard, b.1937"],"creator_ssim":["Zallen, Richard, b.1937"],"creator_persname_ssim":["Zallen, Richard, b.1937"],"creator_corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department"],"creators_ssim":["Zallen, Richard, b.1937","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Dr. Richard Zallen Papers were donated to Special Collections and University Archives in 2007."],"access_subjects_ssim":["Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists"],"access_subjects_ssm":["Faculty and staff","Physics","Science and Technology","University History","Students and alumni","Physicists"],"has_online_content_ssim":["false"],"extent_ssm":["17.4 Cubic Feet 36 boxes"],"extent_tesim":["17.4 Cubic Feet 36 boxes"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection maintains original order. Papers are organized by topic and generally appear in reverse chronological order. Correspondence appears alphabetically."],"bioghist_html_tesm":["\u003cp\u003eRichard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films. \u003c/p\u003e","\u003cp\u003eAfter his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London. \u003c/p\u003e","\u003cp\u003eDr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book, \u003ctitle render=\"italic\"\u003eThe Physics of Amorphous Solids\u003c/title\u003e. \u003c/p\u003e","\u003cp\u003eIn 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title \u003ctitle render=\"doublequote\"\u003eprofessor emeritus.\u003c/title\u003e \u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Richard Henry Zallen was born in New York City in 1937. After receiving his bachelors of science in physics from Rensselaer Polytechnic Institute in 1957, Zallen continued his education at Harvard University‐eventually receiving his Ph.D. in Applied Physics in 1964. From 1966 to 1983, Dr. Zallen worked at the Xerox Research Laboratories in Rochester, New York. While working at Xerox, he was part of a team that patented Spin Coated Photoconductor Films.","After his research at Xerox, Dr. Zallen served as a professor of physics at Virginia Tech. In 1976 Dr. Zallen became a fellow of the American Physical Society. During his sabbaticals, Dr. Zallen held several visiting appointments. From 1971 to 1972 he acted as the visiting associate professor of physics at the Technion, The Israel Institute of Technology, in Haifa; in the summer of 1979 he was the visiting professor at the Université de Paris VI; from 1990 to 1991 he was the SERC senior research fellow at Imperial College in London; and in 1998 he served as the visiting professor at Imperial College in London.","Dr. Zallen's primary research interest lies in experimental studies of the optical properties of solids. In pursuance of his interests, Dr. Zallen has published more than one hundred articles and a widely cited book, The Physics of Amorphous Solids.","In 2006, the Virginia Tech Board of Visitors honored Dr. Zallen with the title professor emeritus."],"odd_html_tesm":["\u003cp\u003eThe guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e  "],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Dr. Richard Zallen Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (https://creativecommons.org/share-your-work/public-domain/cc0/)."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dr. Richard Zallen Papers, Ms2008-069, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e  "],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Dr. Richard Zallen Papers, Ms2008-069, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Dr. Richard Zallen Papers commenced in August 2008 and was completed in October 2008."],"relatedmaterial_html_tesm":["\u003cp\u003eAlso available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen: \u003ctitle render=\"italic\"\u003eThe Physics of Amorphous Solids\u003c/title\u003e. New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983. \u003ca target=\"_blank\" href=\"https://catalog.lib.vt.edu/cgi-bin/koha/opac-detail.pl?biblionumber=1006857\"\u003eRequest via the library catalog online.\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Also available from VT Special Collections and University Archives and Newman Library is a book by Dr. Richard Zallen: The Physics of Amorphous Solids. New York: Wiley, c1983. Call number: QC176.8.A44 Z34 1983. Request via the library catalog online."],"scopecontent_html_tesm":["\u003cp\u003eThe Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of \u003ctitle render=\"doublequote\"\u003emelt-spun amorphous,\u003c/title\u003e and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics. \u003c/p\u003e","\u003cp\u003e(\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech, specializing in condensed matter research, largely during the second half of the twentieth century. The papers include information concerning Zallen's study at Harvard and his work at Xerox; research notes; professional correspondence; Virginia Tech lectures; drafts of published works; and materials concerning trips, sabbaticals, and conferences. The corporate and governmental institutions with which Zallen worked include: the Office of Naval Research, Raytheon Manufacturing Company, Texas Instruments, and IBM. Examples of mentioned geographical locations are Israel, Belgium, China, England, France, Canada, Italy, and a host of cities in the United States. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of melt-spun amorphous, and stamps from various countries. Expanatory notes made by Zallen in 2006 annotate many documents. Some significant documents include supporting patent materials for Spin Coated Photoconductor Films, letters concerning the protest by industrial scientists at Xerox over the escalation of the war in Indo-China, and copies of APS Solid State Correspondence discussing the formation of Solid-State Physics.","(Please note: Many of the folders in this collection contain two sets of dates. Dates within parentheses designate the date originally provided by the creator and usually indicate when an event/research occurred. Dates outside of parentheses indicate the chronological range of materials found within the collection. )"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials.","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_448414a858bcdf42379c7aaf1fc1a76a\" label=\"Abstract\"\u003eThe Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of \u003ctitle render=\"doublequote\"\u003emelt-spun amorphous,\u003c/title\u003e and stamps from various countries.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Dr. Richard Zallen Papers document the research and professional development of a physics professor at Virginia Tech specializing in condensed matter research. Papers largely cover the second half of the twentieth century and include information on research at Xerox; professional correspondence; Virginia Tech lecture notes; drafts of published work; and documents concerning trips, sabbaticals, and conferences. Materials include hand-written documents, published material, flat plate drawings, photographs, a sample of melt-spun amorphous, and stamps from various countries."],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department"],"names_coll_ssim":["Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department"],"persname_ssim":["Zallen, Richard, b.1937"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute (1944-1970)","Virginia Polytechnic Institute and State University (1970-)","Virginia Polytechnic Institute and State University. College of Arts and Sciences (1970-2003)","Virginia Polytechnic Institute and State University. College of Science (2003-)","Virginia Polytechnic Institute and State University. Physics Department","Zallen, Richard, b.1937"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":547,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:16:52.444Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2390_c10_c51"}},{"id":"vira_across-the-way_c06_c06_c76","type":"File","attributes":{"title":"Zydeco Cha Cha pt. 2","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vira_across-the-way_c06_c06_c76#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vira_across-the-way_c06_c06_c76","ref_ssm":["vira_across-the-way_c06_c06_c76"],"id":"vira_across-the-way_c06_c06_c76","ead_ssi":"vira_across-the-way","_root_":"vira_across-the-way","_nest_parent_":"vira_across-the-way_c06_c06","parent_ssi":"vira_across-the-way_c06_c06","parent_ssim":["Across the Way Productions, Inc., 2002-2016","6. Live Discs and Other C.D's","6.6 Floyd Fest 8, 2009"],"parent_ids_ssim":["vira_across-the-way","vira_across-the-way_c06","vira_across-the-way_c06_c06"],"title_filing_ssi":"Zydeco Cha Cha pt. 2","title_ssm":["Zydeco Cha Cha pt. 2"],"title_tesim":["Zydeco Cha Cha pt. 2"],"normalized_title_ssm":["Zydeco Cha Cha pt. 2"],"text":["Zydeco Cha Cha pt. 2","Across the Way Productions, Inc., 2002-2016","6. Live Discs and Other C.D's","6.6 Floyd Fest 8, 2009","Volume Binder 2"],"parent_unittitles_ssm":["Across the Way Productions, Inc., 2002-2016","6. Live Discs and Other C.D's","6.6 Floyd Fest 8, 2009"],"parent_unittitles_tesim":["Across the Way Productions, Inc., 2002-2016","6. Live Discs and Other C.D's","6.6 Floyd Fest 8, 2009"],"unitdate_other_ssim":["7/24/09"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":229,"repository_ssim":["Radford University"],"collection_ssim":["Across the Way Productions, Inc., 2002-2016"],"containers_ssim":["Volume Binder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"_nest_path_":"/components#5/components#5/components#75","timestamp":"2026-07-23T21:26:12.165Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vira_across-the-way","ead_ssi":"vira_across-the-way","_root_":"vira_across-the-way","_nest_parent_":"vira_across-the-way","ead_source_url_ssi":"data/ru/across-the-way.xml","title_ssm":["Across the Way Productions, Inc., 2002-2016"],"title_tesim":["Across the Way Productions, Inc., 2002-2016"],"normalized_title_ssm":["Across the Way Productions, Inc., 2002-2016"],"text":["Across the Way Productions, Inc., 2002-2016","AC 035",".","Subject Terms\n\n\nJohnson, Erika\n\n\n\nHodges,Kris\n\n\n\nAcross the Way Productions, Inc.\n\n\n\nFloyd Fest\n\n\n\nCapital City Carnival and Microbew Fest\n\n\n\nFloyd Fandango\n\n\n\nOddfella's Cantina\n\n\n\nThe Phoenix--Across the Way Productions, Inc.\n\n\n\nTotally Rad Roanoke Star City Concert Series\n\n\n\nVintage Virginia Food and Wine Festival\n\n\n\nVirginia Wine Festival\n\n\n\nVirginia, Floyd\n\n\n\nVirginia, Roanoke\n\n\n\nVirginia, Southwest-- Music Festival","The records are arranged in chronological order with the exception of the live discs, which are arranged alphabetically in their respective binders in six series, all of which have been further organized into subseries. The series and subseries arrangement is as follows:","Series 1: Advertising/Promotional Material \n\n1.1 Floyd Fest, 2002-2016\n1.2 Floyd Fandango, 2007-2016\n\n1.3 Vintage Virginia Food and Wine Festival, 2007-2015\n1.4 Virginia Wine Festival, 2009-2015\n1.5 Totally Rad Roanoke Star City Concert Series, 2016\n1.6 Capital City Carnival and Microbrew Fest, 2007\n1.7 The Phoenix, 2006\nSeries 2: Graphic Design for Festivals\n \n2.1 Floyd Fest, 2002-2016\n2.2 Floyd Fandango, 2010-2016\n2.3 Vintage Virginia Food and Wine Festival, 2006-2015\n2.4 Virginia Wine Festival, 2009-2015\n2.5 Totally Rad Roanoke Star City Concert Series, Undated\n2.6 Capital City Carnival and Microbrew Fest, 2007\n2.7 Accomplishments and Accolades, 2005-2011 \nSeries 3: Organization of the Festival\n \n3.1 Floyd Fest, 2002-2015\n3.2 Floyd Fest Performers, 2004-2006\n3.3 Floyd Fandango, Undated\n3.4 Capital City Carnival and Microbrew Fest, 2007 \n3.5 Sponsorship Information, 2002-2004\nSeries 4: Newspaper Articles \n \n4.1 Floyd Fest, 2002-2015 \nSeries 5: Photographs and Multimedia \n \n5.1 Assorted Photographs of Across the Way Productions Events, 2002-2014\n5.2 Video Tapes, 2002-2003\n5.3 Mini Discs, 2002\nSeries 6: Live Discs \n \n6.1 Commercial Collectors C.D's, 2002-2012\n6.2 Miscellaneous C.D's, 2001-2012\n6.3 Floyd Fest- July 26-29, 2007\n6.4 Vintage Virginia, 2010\n6.5 Fandango, 2010 \n6.6 Floyd Fest 8- July 23-26, 2009\n6.7 Floyd Fest 7- July 24-27, 2008\n6.8 Floyd Fest 9- July 22-25, 2010\n6.9 Floyd Fest X- July 28- 31, 2011\n6.10 Floyd Fest 11- July 26-29, 2012","Across the Way Productions, Inc. was founded in June 2000 by Kris Hodges in the town of Floyd, Virginia. His wife, Erika Johnson, was also opening her business, Oddfella's Cantina, simultaneously. The company was founded on the premise of bringing a world music festival to the town of Floyd, Virginia. The company sponsors events such as Floyd Fandango, Capital City Carnival and Microbrew Fest, Vintage Virginia Wine and Food Festival and much more. The company's most famous event is Floyd Fest, a music festival featuring artists from all over the globe, which takes place for 5 days each July. Oddfella's was sold in 2002 for funds to start Floyd Fest. Floyd Fandango is hosted near the fourth of July. Begun in 2009, it did not take place during the years 2012-2015, as the company needed time to make the festival more profitable. Floyd Fandango now draws crowds to the reimagined fest, which now includes outdoor sports and a farm to table dinner in addition to the staples of the festival- beer, cider, and wine tastings, workshops and performances by bands that also frequent Floyd Fest. The company expanded into Northern Virginia with its Capital Carnival and Microbrew Fest, the Vintage Virginia Wine and Food Festival and the Virginia Wine Festival in 2007. Since the Vintage Virginia Wine and Food Festival had operated close to 3 decades, partnering with the event helped the company gain notoriety and establish themselves. In 2016, Across the Way Productions Inc. launched the Totally Rad Roanoke Star City Concert Series, which featured Huey Lewis and The News, Blondie, and Brian Wilson of the Beach Boys' 50th Anniversary of the album \"Pet Sounds,\" that took place at Roanoke's Elmwood Park Amphitheater. Also in 2016, The Phoenix was started as a venue in Roanoke, Virginia. A nod to the battle of the bands format of the 80's and 90's, visitors to the Phoenix receive a token and votes for their favorite band at the end of the night. The winners of the battles go on to compete in Floyd Fests Annual On-The-Rise Artist Competition. The Phoenix battle of the bands competition was renewed for a second year and took place in 2017.","This collection features materials from Across the Way, Inc. located in Floyd, Virginia. It includes 5 linear inches of advertising material such as flyers, post cards, coasters and stickers for the events of Floyd Fest, Floyd Fandango, Vintage Virginia Wine and Food Festival, Virginia Wine Festival, Capital City Carnival and Microbrew Fest, Totally Rad Roanoke Star City Concert Series and The Phoenix, which were all created by the company 1.5 linear feet of oversize advertising materials are present in this collection. 5 linear inches of graphic designs for the events are included encompassing access, parking and camping passes and bracelets, tickets and schedule of events pamphlets. Also included with graphic materials are accomplishments and accolades of the company and its events such as a proclamation from the city of Roanoke. 3 linear inches of organization of the events created by the company are present in this collection and include job descriptions of staff, logistical details, business plans and other reports of that nature, catering plans, maps of the festivals grounds, performer travel and performance organization and FAQ information. 1,090 pictures show mainly daily happenings at various Floyd Fests, but also showcase Capital City Carnival and Microbrew Fest, Vintage Virginia Wine and Food Festival and the Wine Down the Music Trail Festival and a trip to Ghana to search out talent for Floyd Fest. 1.5 linear feet of oversize photographs are also included in this collection. 2 linear inches of newspaper articles and clippings are also available in this collection and deal exclusively with Floyd Fest. These newspaper articles and clippings document the years of 2002-2015. There is approximately 1 linear foot of multimedia items in this collection that comprise of videos, mini discs and C.D.'s. Videotapes record live shows and show an interview with Kris Hodges on Virginia Tonight. Mini discs hold recordings of live performances as well. The C.D's account for 5 linear feet of the multimedia series and are of live performances done during various Floyd Fests and feature bands such as Donna the Buffalo, Trampling Turtles and African Showboys. As well as commercial C.D's produced from various Floyd Fests and other miscellaneous C.D's originally intended for private use.","Across the Way Productions Inc. was founded in 2002 by Kris Hodges and Erika Johnson. The two wished to create a world music festival in Floyd, Virginia and thus Floyd Fest began in September of 2002. This collection features materials from the events Floyd Fest, Floyd Fandango, Vintage Virginia Wine and Food Festival, Virginia Wine Festival, Capital City Carnival and Microbrew Fest, Totally Rad Roanoke Star City Concert Series and The Phoenix all created by Across the Way Productions, Inc. Materials include advertising/promotional items, graphic design elements, the organization and logistics of the events, newspaper clippings, photographs, videos, live discs and mini discs of the events.","Johnson, Erika","Hodges,Kris","Across the Way Productions, Inc.","Floyd Fest","Capital City Carnival and Microbew Fest","Floyd Fandango","Oddfella's Cantina","The Phoenix--Across the Way Productions, Inc.","Totally Rad Roanoke Star City Concert Series","Vintage Virginia Food and Wine Festival","Virginia Wine Festival","English"],"collection_title_tesim":["Across the Way Productions, Inc., 2002-2016"],"collection_ssim":["Across the Way Productions, Inc., 2002-2016"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["AC 035"],"unitid_tesim":["AC 035"],"repository_ssm":["Radford University"],"repository_ssim":["Radford University"],"creator_ssm":["Across the Way Productions, Inc."],"creator_ssim":["Across the Way Productions, Inc."],"acqinfo_ssim":["Across the Way Productions, Inc."],"has_online_content_ssim":["false"],"physdesc_tesim":["."],"extent_ssm":["9.5 Linear feet, 1,090 photographs, 3 mini discs, 6 videotapes, 5 linear feet of C.D's"],"extent_tesim":["9.5 Linear feet, 1,090 photographs, 3 mini discs, 6 videotapes, 5 linear feet of C.D's"],"indexes_html_tesm":["\u003cindex\u003e\n\u003chead\u003eSubject Terms\n\u003c/head\u003e\n\u003cindexentry\u003e\n\u003cname\u003eJohnson, Erika\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eHodges,Kris\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eAcross the Way Productions, Inc.\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eFloyd Fest\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eCapital City Carnival and Microbew Fest\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eFloyd Fandango\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eOddfella's Cantina\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eThe Phoenix--Across the Way Productions, Inc.\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eTotally Rad Roanoke Star City Concert Series\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eVintage Virginia Food and Wine Festival\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003cname\u003eVirginia Wine Festival\u003c/name\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003csubject\u003eVirginia, Floyd\u003c/subject\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003csubject\u003eVirginia, Roanoke\u003c/subject\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003cindexentry\u003e\n\u003csubject\u003eVirginia, Southwest-- Music Festival\u003c/subject\u003e\n\u003cref type=\"simple\"\u003e\u003c/ref\u003e\n\u003c/indexentry\u003e\n\u003c/index\u003e\n"],"indexes_tesim":["Subject Terms\n\n\nJohnson, Erika\n\n\n\nHodges,Kris\n\n\n\nAcross the Way Productions, Inc.\n\n\n\nFloyd Fest\n\n\n\nCapital City Carnival and Microbew Fest\n\n\n\nFloyd Fandango\n\n\n\nOddfella's Cantina\n\n\n\nThe Phoenix--Across the Way Productions, Inc.\n\n\n\nTotally Rad Roanoke Star City Concert Series\n\n\n\nVintage Virginia Food and Wine Festival\n\n\n\nVirginia Wine Festival\n\n\n\nVirginia, Floyd\n\n\n\nVirginia, Roanoke\n\n\n\nVirginia, Southwest-- Music Festival"],"arrangement_html_tesm":["\u003cp\u003eThe records are arranged in chronological order with the exception of the live discs, which are arranged alphabetically in their respective binders in six series, all of which have been further organized into subseries. The series and subseries arrangement is as follows:\n\u003c/p\u003e\n","\u003cp\u003eSeries 1: Advertising/Promotional Material \n\u003clb\u003e\u003c/lb\u003e\n\u003cblockquote\u003e\u003cp\u003e1.1 Floyd Fest, 2002-2016\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e1.2 Floyd Fandango, 2007-2016\n\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e1.3 Vintage Virginia Food and Wine Festival, 2007-2015\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e1.4 Virginia Wine Festival, 2009-2015\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e1.5 Totally Rad Roanoke Star City Concert Series, 2016\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e1.6 Capital City Carnival and Microbrew Fest, 2007\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e1.7 The Phoenix, 2006\u003c/p\u003e\u003c/blockquote\u003e\nSeries 2: Graphic Design for Festivals\u003clb\u003e\u003c/lb\u003e\n \n\u003cblockquote\u003e\u003cp\u003e2.1 Floyd Fest, 2002-2016\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e2.2 Floyd Fandango, 2010-2016\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e2.3 Vintage Virginia Food and Wine Festival, 2006-2015\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e2.4 Virginia Wine Festival, 2009-2015\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e2.5 Totally Rad Roanoke Star City Concert Series, Undated\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e2.6 Capital City Carnival and Microbrew Fest, 2007\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e2.7 Accomplishments and Accolades, 2005-2011 \u003c/p\u003e\u003c/blockquote\u003e\nSeries 3: Organization of the Festival\u003clb\u003e\u003c/lb\u003e\n \n\u003cblockquote\u003e\u003cp\u003e3.1 Floyd Fest, 2002-2015\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e3.2 Floyd Fest Performers, 2004-2006\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e3.3 Floyd Fandango, Undated\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e3.4 Capital City Carnival and Microbrew Fest, 2007 \u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e3.5 Sponsorship Information, 2002-2004\u003c/p\u003e\u003c/blockquote\u003e\nSeries 4: Newspaper Articles \u003clb\u003e\u003c/lb\u003e\n \n\u003cblockquote\u003e\u003cp\u003e4.1 Floyd Fest, 2002-2015 \u003c/p\u003e\u003c/blockquote\u003e\nSeries 5: Photographs and Multimedia \u003clb\u003e\u003c/lb\u003e\n \n\u003cblockquote\u003e\u003cp\u003e5.1 Assorted Photographs of Across the Way Productions Events, 2002-2014\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e5.2 Video Tapes, 2002-2003\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e5.3 Mini Discs, 2002\u003c/p\u003e\u003c/blockquote\u003e\nSeries 6: Live Discs \u003clb\u003e\u003c/lb\u003e\n \n\u003cblockquote\u003e\u003cp\u003e6.1 Commercial Collectors C.D's, 2002-2012\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.2 Miscellaneous C.D's, 2001-2012\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.3 Floyd Fest- July 26-29, 2007\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.4 Vintage Virginia, 2010\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.5 Fandango, 2010 \u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.6 Floyd Fest 8- July 23-26, 2009\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.7 Floyd Fest 7- July 24-27, 2008\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.8 Floyd Fest 9- July 22-25, 2010\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.9 Floyd Fest X- July 28- 31, 2011\u003c/p\u003e\u003c/blockquote\u003e\n\u003cblockquote\u003e\u003cp\u003e6.10 Floyd Fest 11- July 26-29, 2012\u003c/p\u003e\u003c/blockquote\u003e\n\u003c/p\u003e\n"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The records are arranged in chronological order with the exception of the live discs, which are arranged alphabetically in their respective binders in six series, all of which have been further organized into subseries. The series and subseries arrangement is as follows:","Series 1: Advertising/Promotional Material \n\n1.1 Floyd Fest, 2002-2016\n1.2 Floyd Fandango, 2007-2016\n\n1.3 Vintage Virginia Food and Wine Festival, 2007-2015\n1.4 Virginia Wine Festival, 2009-2015\n1.5 Totally Rad Roanoke Star City Concert Series, 2016\n1.6 Capital City Carnival and Microbrew Fest, 2007\n1.7 The Phoenix, 2006\nSeries 2: Graphic Design for Festivals\n \n2.1 Floyd Fest, 2002-2016\n2.2 Floyd Fandango, 2010-2016\n2.3 Vintage Virginia Food and Wine Festival, 2006-2015\n2.4 Virginia Wine Festival, 2009-2015\n2.5 Totally Rad Roanoke Star City Concert Series, Undated\n2.6 Capital City Carnival and Microbrew Fest, 2007\n2.7 Accomplishments and Accolades, 2005-2011 \nSeries 3: Organization of the Festival\n \n3.1 Floyd Fest, 2002-2015\n3.2 Floyd Fest Performers, 2004-2006\n3.3 Floyd Fandango, Undated\n3.4 Capital City Carnival and Microbrew Fest, 2007 \n3.5 Sponsorship Information, 2002-2004\nSeries 4: Newspaper Articles \n \n4.1 Floyd Fest, 2002-2015 \nSeries 5: Photographs and Multimedia \n \n5.1 Assorted Photographs of Across the Way Productions Events, 2002-2014\n5.2 Video Tapes, 2002-2003\n5.3 Mini Discs, 2002\nSeries 6: Live Discs \n \n6.1 Commercial Collectors C.D's, 2002-2012\n6.2 Miscellaneous C.D's, 2001-2012\n6.3 Floyd Fest- July 26-29, 2007\n6.4 Vintage Virginia, 2010\n6.5 Fandango, 2010 \n6.6 Floyd Fest 8- July 23-26, 2009\n6.7 Floyd Fest 7- July 24-27, 2008\n6.8 Floyd Fest 9- July 22-25, 2010\n6.9 Floyd Fest X- July 28- 31, 2011\n6.10 Floyd Fest 11- July 26-29, 2012"],"bioghist_html_tesm":["\u003cp\u003eAcross the Way Productions, Inc. was founded in June 2000 by Kris Hodges in the town of Floyd, Virginia. His wife, Erika Johnson, was also opening her business, Oddfella's Cantina, simultaneously. The company was founded on the premise of bringing a world music festival to the town of Floyd, Virginia. The company sponsors events such as Floyd Fandango, Capital City Carnival and Microbrew Fest, Vintage Virginia Wine and Food Festival and much more. The company's most famous event is Floyd Fest, a music festival featuring artists from all over the globe, which takes place for 5 days each July. Oddfella's was sold in 2002 for funds to start Floyd Fest. Floyd Fandango is hosted near the fourth of July. Begun in 2009, it did not take place during the years 2012-2015, as the company needed time to make the festival more profitable. Floyd Fandango now draws crowds to the reimagined fest, which now includes outdoor sports and a farm to table dinner in addition to the staples of the festival- beer, cider, and wine tastings, workshops and performances by bands that also frequent Floyd Fest. The company expanded into Northern Virginia with its Capital Carnival and Microbrew Fest, the Vintage Virginia Wine and Food Festival and the Virginia Wine Festival in 2007. Since the Vintage Virginia Wine and Food Festival had operated close to 3 decades, partnering with the event helped the company gain notoriety and establish themselves. In 2016, Across the Way Productions Inc. launched the Totally Rad Roanoke Star City Concert Series, which featured Huey Lewis and The News, Blondie, and Brian Wilson of the Beach Boys' 50th Anniversary of the album \"Pet Sounds,\" that took place at Roanoke's Elmwood Park Amphitheater. Also in 2016, The Phoenix was started as a venue in Roanoke, Virginia. A nod to the battle of the bands format of the 80's and 90's, visitors to the Phoenix receive a token and votes for their favorite band at the end of the night. The winners of the battles go on to compete in Floyd Fests Annual On-The-Rise Artist Competition. The Phoenix battle of the bands competition was renewed for a second year and took place in 2017.\n\u003c/p\u003e\n"],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Across the Way Productions, Inc. was founded in June 2000 by Kris Hodges in the town of Floyd, Virginia. His wife, Erika Johnson, was also opening her business, Oddfella's Cantina, simultaneously. The company was founded on the premise of bringing a world music festival to the town of Floyd, Virginia. The company sponsors events such as Floyd Fandango, Capital City Carnival and Microbrew Fest, Vintage Virginia Wine and Food Festival and much more. The company's most famous event is Floyd Fest, a music festival featuring artists from all over the globe, which takes place for 5 days each July. Oddfella's was sold in 2002 for funds to start Floyd Fest. Floyd Fandango is hosted near the fourth of July. Begun in 2009, it did not take place during the years 2012-2015, as the company needed time to make the festival more profitable. Floyd Fandango now draws crowds to the reimagined fest, which now includes outdoor sports and a farm to table dinner in addition to the staples of the festival- beer, cider, and wine tastings, workshops and performances by bands that also frequent Floyd Fest. The company expanded into Northern Virginia with its Capital Carnival and Microbrew Fest, the Vintage Virginia Wine and Food Festival and the Virginia Wine Festival in 2007. Since the Vintage Virginia Wine and Food Festival had operated close to 3 decades, partnering with the event helped the company gain notoriety and establish themselves. In 2016, Across the Way Productions Inc. launched the Totally Rad Roanoke Star City Concert Series, which featured Huey Lewis and The News, Blondie, and Brian Wilson of the Beach Boys' 50th Anniversary of the album \"Pet Sounds,\" that took place at Roanoke's Elmwood Park Amphitheater. Also in 2016, The Phoenix was started as a venue in Roanoke, Virginia. A nod to the battle of the bands format of the 80's and 90's, visitors to the Phoenix receive a token and votes for their favorite band at the end of the night. The winners of the battles go on to compete in Floyd Fests Annual On-The-Rise Artist Competition. The Phoenix battle of the bands competition was renewed for a second year and took place in 2017."],"scopecontent_html_tesm":["\u003cp\u003eThis collection features materials from Across the Way, Inc. located in Floyd, Virginia. It includes 5 linear inches of advertising material such as flyers, post cards, coasters and stickers for the events of Floyd Fest, Floyd Fandango, Vintage Virginia Wine and Food Festival, Virginia Wine Festival, Capital City Carnival and Microbrew Fest, Totally Rad Roanoke Star City Concert Series and The Phoenix, which were all created by the company 1.5 linear feet of oversize advertising materials are present in this collection. 5 linear inches of graphic designs for the events are included encompassing access, parking and camping passes and bracelets, tickets and schedule of events pamphlets. Also included with graphic materials are accomplishments and accolades of the company and its events such as a proclamation from the city of Roanoke. 3 linear inches of organization of the events created by the company are present in this collection and include job descriptions of staff, logistical details, business plans and other reports of that nature, catering plans, maps of the festivals grounds, performer travel and performance organization and FAQ information. 1,090 pictures show mainly daily happenings at various Floyd Fests, but also showcase Capital City Carnival and Microbrew Fest, Vintage Virginia Wine and Food Festival and the Wine Down the Music Trail Festival and a trip to Ghana to search out talent for Floyd Fest. 1.5 linear feet of oversize photographs are also included in this collection. 2 linear inches of newspaper articles and clippings are also available in this collection and deal exclusively with Floyd Fest. These newspaper articles and clippings document the years of 2002-2015. There is approximately 1 linear foot of multimedia items in this collection that comprise of videos, mini discs and C.D.'s. Videotapes record live shows and show an interview with Kris Hodges on Virginia Tonight. Mini discs hold recordings of live performances as well. The C.D's account for 5 linear feet of the multimedia series and are of live performances done during various Floyd Fests and feature bands such as Donna the Buffalo, Trampling Turtles and African Showboys. As well as commercial C.D's produced from various Floyd Fests and other miscellaneous C.D's originally intended for private use.\n\u003c/p\u003e\n"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection features materials from Across the Way, Inc. located in Floyd, Virginia. It includes 5 linear inches of advertising material such as flyers, post cards, coasters and stickers for the events of Floyd Fest, Floyd Fandango, Vintage Virginia Wine and Food Festival, Virginia Wine Festival, Capital City Carnival and Microbrew Fest, Totally Rad Roanoke Star City Concert Series and The Phoenix, which were all created by the company 1.5 linear feet of oversize advertising materials are present in this collection. 5 linear inches of graphic designs for the events are included encompassing access, parking and camping passes and bracelets, tickets and schedule of events pamphlets. Also included with graphic materials are accomplishments and accolades of the company and its events such as a proclamation from the city of Roanoke. 3 linear inches of organization of the events created by the company are present in this collection and include job descriptions of staff, logistical details, business plans and other reports of that nature, catering plans, maps of the festivals grounds, performer travel and performance organization and FAQ information. 1,090 pictures show mainly daily happenings at various Floyd Fests, but also showcase Capital City Carnival and Microbrew Fest, Vintage Virginia Wine and Food Festival and the Wine Down the Music Trail Festival and a trip to Ghana to search out talent for Floyd Fest. 1.5 linear feet of oversize photographs are also included in this collection. 2 linear inches of newspaper articles and clippings are also available in this collection and deal exclusively with Floyd Fest. These newspaper articles and clippings document the years of 2002-2015. There is approximately 1 linear foot of multimedia items in this collection that comprise of videos, mini discs and C.D.'s. Videotapes record live shows and show an interview with Kris Hodges on Virginia Tonight. Mini discs hold recordings of live performances as well. The C.D's account for 5 linear feet of the multimedia series and are of live performances done during various Floyd Fests and feature bands such as Donna the Buffalo, Trampling Turtles and African Showboys. As well as commercial C.D's produced from various Floyd Fests and other miscellaneous C.D's originally intended for private use."],"abstract_html_tesm":["\u003cabstract label=\"Abstract\"\u003eAcross the Way Productions Inc. was founded in 2002 by Kris Hodges and Erika Johnson. The two wished to create a world music festival in Floyd, Virginia and thus Floyd Fest began in September of 2002. This collection features materials from the events Floyd Fest, Floyd Fandango, Vintage Virginia Wine and Food Festival, Virginia Wine Festival, Capital City Carnival and Microbrew Fest, Totally Rad Roanoke Star City Concert Series and The Phoenix all created by Across the Way Productions, Inc. Materials include advertising/promotional items, graphic design elements, the organization and logistics of the events, newspaper clippings, photographs, videos, live discs and mini discs of the events.\n\u003c/abstract\u003e\n"],"abstract_tesim":["Across the Way Productions Inc. was founded in 2002 by Kris Hodges and Erika Johnson. The two wished to create a world music festival in Floyd, Virginia and thus Floyd Fest began in September of 2002. This collection features materials from the events Floyd Fest, Floyd Fandango, Vintage Virginia Wine and Food Festival, Virginia Wine Festival, Capital City Carnival and Microbrew Fest, Totally Rad Roanoke Star City Concert Series and The Phoenix all created by Across the Way Productions, Inc. Materials include advertising/promotional items, graphic design elements, the organization and logistics of the events, newspaper clippings, photographs, videos, live discs and mini discs of the events."],"name_ssim":["Johnson, Erika","Hodges,Kris","Across the Way Productions, Inc.","Floyd Fest","Capital City Carnival and Microbew Fest","Floyd Fandango","Oddfella's Cantina","The Phoenix--Across the Way Productions, Inc.","Totally Rad Roanoke Star City Concert Series","Vintage Virginia Food and Wine Festival","Virginia Wine Festival"],"names_ssim":["Johnson, Erika","Hodges,Kris","Across the Way Productions, Inc.","Floyd Fest","Capital City Carnival and Microbew Fest","Floyd Fandango","Oddfella's Cantina","The Phoenix--Across the Way Productions, Inc.","Totally Rad Roanoke Star City Concert Series","Vintage Virginia Food and Wine Festival","Virginia Wine Festival"],"language_ssim":["English"],"total_component_count_is":554,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:26:12.165Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vira_across-the-way_c06_c06_c76"}},{"id":"virmu_repositories_4_resources_10683","type":"collection","attributes":{"title":"Zygler, Eleanor. 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Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the library by Dr. John Hayden, Professor of Biology, University of Richmond"],"access_subjects_ssim":["Plants in art","Botanical illustration"],"access_subjects_ssm":["Plants in art","Botanical illustration"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"genreform_ssim":["Botanical illustration"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThese drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eMuch of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_292b1d89c62a3ee6826c4ddfb3eb795a\"\u003eThis collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names."],"corpname_ssim":["University of Richmond"],"famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"names_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"language_ssim":["English\n      Latin"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:47:27.798Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_13_c148"}},{"id":"virmu_repositories_2_resources_37_c08_c02_c16","type":"Item","attributes":{"title":"Zykkor M. C 80-205mm 1:4.5 Auto Macro Zoom #4040250 with lens cap and case for a Chinar lens","breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_37_c08_c02_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_37_c08_c02_c16","ref_ssm":["virmu_repositories_2_resources_37_c08_c02_c16"],"id":"virmu_repositories_2_resources_37_c08_c02_c16","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37_c08_c02","parent_ssi":"virmu_repositories_2_resources_37_c08_c02","parent_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 8: Photographic Equipment, 1945/1988","Sub-Series 8.2: Lenses"],"parent_ids_ssim":["virmu_repositories_2_resources_37","virmu_repositories_2_resources_37_c08","virmu_repositories_2_resources_37_c08_c02"],"title_filing_ssi":"Zykkor M. C 80-205mm 1:4.5 Auto Macro Zoom #4040250 with lens cap and case for a Chinar lens","title_ssm":["Zykkor M. C 80-205mm 1:4.5 Auto Macro Zoom #4040250 with lens cap and case for a Chinar lens"],"title_tesim":["Zykkor M. C 80-205mm 1:4.5 Auto Macro Zoom #4040250 with lens cap and case for a Chinar lens"],"normalized_title_ssm":["Zykkor M. C 80-205mm 1:4.5 Auto Macro Zoom #4040250 with lens cap and case for a Chinar lens"],"text":["Zykkor M. C 80-205mm 1:4.5 Auto Macro Zoom #4040250 with lens cap and case for a Chinar lens","Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 8: Photographic Equipment, 1945/1988","Sub-Series 8.2: Lenses","box VA-04 Box 169","Item VA04.08.2.016","Cameras","Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"parent_unittitles_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 8: Photographic Equipment, 1945/1988","Sub-Series 8.2: Lenses"],"parent_unittitles_tesim":["Louis H. Draper Artist Archives (VA-04), 1945/2005","Series 8: Photographic Equipment, 1945/1988","Sub-Series 8.2: Lenses"],"unitdate_other_ssim":["undated"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[3],"sort_isi":6386,"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"physfacet_tesim":["Camera equipment"],"containers_ssim":["box VA-04 Box 169","Item VA04.08.2.016"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"access_subjects_ssim":["Cameras"],"access_subjects_ssm":["Cameras"],"acqinfo_ssim":["Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund."],"odd_html_tesm":["\u003cp\u003eDigitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Digitization has been made possible in part by the National Endowment for the Humanities: Exploring the Human Endeavor."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#7/components#1/components#15","timestamp":"2026-07-23T21:26:47.567Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_37","ead_ssi":"virmu_repositories_2_resources_37","_root_":"virmu_repositories_2_resources_37","_nest_parent_":"virmu_repositories_2_resources_37","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_37.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/37","title_filing_ssi":"Draper, Louis (VA-04)","title_ssm":["Louis H. Draper Artist Archives (VA-04)"],"title_tesim":["Louis H. Draper Artist Archives (VA-04)"],"unitdate_ssm":["1945-2005"],"unitdate_inclusive_ssm":["1945-2005"],"normalized_date_ssm":["1945/2005"],"normalized_title_ssm":["Louis H. Draper Artist Archives (VA-04), 1945/2005"],"text":["Louis H. Draper Artist Archives (VA-04), 1945/2005","VA-04","/repositories/2/resources/37","Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching","The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.","The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n        Manuscripts, 1947-2005, undated\n      \n      \n        Series 2\n        Publications, 1959-2005, undated\n      \n      \n        Series 3\n        Photography: Portraits, 1958-2001, undated\n      \n      \n        Series 4\n        Photography: United States Locations, 1957-1999, undated\n      \n      \n        Series 5\n        Photography: International Locations, 1978-1990, undated\n      \n      \n        Series 6\n        Photography: Landscapes and Abstractions, 1960-2000, undated\n      \n      \n        Series 7\n        Portfolios, 1964, undated\n      \n      \n        Series 8\n        Photographic Equipment, 1945-1988, undated\n      \n      \n        Series 9\n        Audiovisual Materials, 1972-2000, undated\n      \n      \n        Series 10\n        Born Digital Files, 1996-2001, undated\n      \n      \n        Series 11\n        Photographs by Others, 1946-1998, undated","Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge","Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"","Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019).","In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.","The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.","The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.","Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. 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The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"access_terms_ssm":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"access_subjects_ssm":["Photography, Artistic","Photography, Artistic -- Exhibitions","Photography--History--20th century","Photography--History--21st century","Photographers -- Virginia","Photography--Study and teaching"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 170 boxes; 6,605 items"],"extent_tesim":["37.5 Linear Feet 170 boxes; 6,605 items"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/collections/search-archives/louis-h-draper-archive-portal/\"\u003eVMFA Collections Search website\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eA limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research. Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website.","A limited number of files are restricted. Access to restricted materials may require written permission of the donor and/or the VMFA Director."],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"\u003c/p\u003e    ","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eManuscripts, 1947-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003ePublications, 1959-2005, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003ePhotography: Portraits, 1958-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003ePhotography: United States Locations, 1957-1999, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003ePhotography: International Locations, 1978-1990, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 6\u003c/label\u003e\n        \u003citem\u003ePhotography: Landscapes and Abstractions, 1960-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 7\u003c/label\u003e\n        \u003citem\u003ePortfolios, 1964, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 8\u003c/label\u003e\n        \u003citem\u003ePhotographic Equipment, 1945-1988, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 9\u003c/label\u003e\n        \u003citem\u003eAudiovisual Materials, 1972-2000, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 10\u003c/label\u003e\n        \u003citem\u003eBorn Digital Files, 1996-2001, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 11\u003c/label\u003e\n        \u003citem\u003ePhotographs by Others, 1946-1998, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into eleven series. Arrangement within each series varies based upon the material. In general, the manuscript materials are arranged chronologically (where possible), and the photographic material is arranged thematically, often by geographic location. The only series that is arranged alphabetically is Series 3.1: Identified Subjects.\"","Series 1\n        Manuscripts, 1947-2005, undated\n      \n      \n        Series 2\n        Publications, 1959-2005, undated\n      \n      \n        Series 3\n        Photography: Portraits, 1958-2001, undated\n      \n      \n        Series 4\n        Photography: United States Locations, 1957-1999, undated\n      \n      \n        Series 5\n        Photography: International Locations, 1978-1990, undated\n      \n      \n        Series 6\n        Photography: Landscapes and Abstractions, 1960-2000, undated\n      \n      \n        Series 7\n        Portfolios, 1964, undated\n      \n      \n        Series 8\n        Photographic Equipment, 1945-1988, undated\n      \n      \n        Series 9\n        Audiovisual Materials, 1972-2000, undated\n      \n      \n        Series 10\n        Born Digital Files, 1996-2001, undated\n      \n      \n        Series 11\n        Photographs by Others, 1946-1998, undated"],"bibliography_html_tesm":["\u003cbibref\u003eWorking Together: Louis Draper and the Kamoinge Workshop, 2020\u003c/bibref\u003e\n    ","\u003cbibref\u003eGrowing up in Civil Rights Richmond: A Community Remembers, 2019\u003c/bibref\u003e\n    ","\u003cbibref\u003eLouis H. Draper: Selected Photographs, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eTimeless, 2015\u003c/bibref\u003e\n    ","\u003cbibref\u003eThe Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004\u003c/bibref\u003e\n  ","\u003cbibref\u003eVirginia Artist File: Louis Draper\u003c/bibref\u003e\n    ","\u003cbibref\u003eInternational Artist File: Kamoinge\u003c/bibref\u003e\n  "],"bibliography_heading_ssm":["Related Materials - VMFA Library: Books","Related Materials - VMFA Library: Artist Files"],"bibliography_tesim":["Working Together: Louis Draper and the Kamoinge Workshop, 2020","Growing up in Civil Rights Richmond: A Community Remembers, 2019","Louis H. Draper: Selected Photographs, 2015","Timeless, 2015","The Sweet Breath of Life: A Poetic Narrative of the African-American Family, 2004","Virginia Artist File: Louis Draper","International Artist File: Kamoinge"],"bioghist_html_tesm":["\u003cp\u003eLouis Hansel Draper\u003c/p\u003e","\u003cp\u003eBorn: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ\u003c/p\u003e","\u003cp\u003eWhile a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.\u003c/p\u003e","\u003cp\u003eThroughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.\u003c/p\u003e","\u003cp\u003eIn 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.\u003c/p\u003e","\u003cp\u003eDraper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.\u003c/p\u003e","\u003cp\u003eIn 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"\u003c/p\u003e","\u003cp\u003eIn the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.\u003c/p\u003e","\u003cp\u003eIn 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.\u003c/p\u003e","\u003cp\u003eIn 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.\u003c/p\u003e","\u003cp\u003eEssence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.\u003c/p\u003e","\u003cp\u003eIn 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.\u003c/p\u003e","\u003cp\u003eInterspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.\u003c/p\u003e","\u003cp\u003eFrom 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.\u003c/p\u003e","\u003cp\u003eDraper taught at Mercer until his death in 2002.\u003c/p\u003e","\u003cp\u003e\u003ci\u003eThe biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\"\u003c/i\u003e\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Louis Hansel Draper","Born: September 24, 1935, Richmond, VA\nDied: February 18, 2002, Trenton, NJ","While a student at Virginia State College (now University) Lou Draper wrote to his father, Hansel, with the news that he had joined the school newspaper. His father—an amateur photographer in Richmond's East End—gave Draper his first camera. After joining the college camera club, he dropped a bottle of acid while trying to develop his film. As a result of trying to mop it up, he was hospitalized and subsequently kicked out of the club. Despite this initial setback, Draper resolved to be a photographer after seeing the exhibition catalogue for The Family of Man (1955). Realizing that the work he admired was made by photographers in New York, Draper left Virginia State during his final semester and, with the support of his family, moved to New York City.","Throughout the late 1950s Draper worked as a medical clerk while studying at the New York Institute of Photography. He dropped out realizing he could learn the same information through magazines like Modern Photography. In 1958 Draper enrolled in a photography workshop led by Harold Feinstein, where he met professional photographers like David Vestal and Herb Randall. Draper also worked as an assistant to studio photographers Larence Shustak and John Rawlings.","In 1959 Draper exhibited two works in the Photography at Mid-Century exhibition curated by Beaumont Newhall at the George Eastman House (now Museum). He also exhibited his work in Greenwich Village galleries, including the Image Gallery run by Larry Siegel.","Draper enrolled in workshops at the New School for Social Research, including W. Eugene Smith's course \"Photography Made Difficult: Photojournalism, the Construction of Picture Stories and Picture Essays\" and began working with the prolific magazine photographer around 1960. In addition to assisting in the darkroom, Draper was a teaching aide for \"Photography Made More Difficult\" hosted at Smith's Flower-District loft.","In 1963 Draper turned his attention to the Kamoinge Workshop and quickly emerged as one of the group's teachers. Draper contributed to major workshop projects in the early to mid-1960s beginning with Portfolio No. 1 through the \"Harlem\" photo-essay in the July 1966 issue of Camera magazine, which featured his photograph John Henry on the cover. Portfolio No. 2 and the photoessay included Draper's poem \"Colonial Legacy.\"","In the late 1960s Draper taught photography courses while taking classes in film production. Between 1966 and 1968 Draper worked with Randall, Ray Francis, and Jimmie Mannas at the Youth in Action program in Bedford-Stuyvesant, teaching photography to teenagers and young adults. He also participated in the Channel 13 Black Journal Workshop where he concentrated on learning motion picture production. In 1968 he enrolled in the graduate program at the New York University Institute of Film and Television along with future Kamoinge member Danny Dawson. Draper gained professional film experience by working for Mannas's Jymie Productions and assisted Mannas with two short documentaries, Head and Heart and The Folks. He was also a cameraman for commercial and independent projects led by NYU professors like cinematographer Bedrich (Beda) Batka and worked on a number of productions as a still photographer. In 1982 he was a script supervisor and photographer for the feature-length film Losing Ground.","In 1967 he began teaching a class in photographic techniques at Central Brooklyn Neighborhood College, which was supported by the Pratt Institute Center for Community Improvement. He left the program in 1969 but returned to Pratt in 1974 to teach a college-level photography course for design students. Draper joined the staff of the Multi-Media Project at Intermediate School 201 in the Bronx in 1971 where Herb Randall, Calvin Wilson, and Ray Francis also served as photographers and teachers. He also worked with the Photography for Rehabilitation program at the New York State Division for Youth in 1974.","In 1971 the director of the Studio Museum in Harlem, Edward Spriggs, called a meeting of photographers to address how they could use photography to support the neighborhood. Draper and Beuford Smith were among the founding members of a group named the Collective Black Photographers. During Draper's tenure as chairman of the group they organized a fundraisers and community photography projects. Draper also served on the Studio Museum's Photography Committee.","Essence sent Draper to Ruleville, Mississippi, to photograph civil rights activist Fannie Lou Hamer and the Freedom Farm Cooperative. These photographs were part of the feature story \"Fannie Lou Hamer Speaks Out\" in the magazine's October 1971 issue. The next month, Essence published Draper's portraits of the some of the mothers of the \"Harlem Six,\" a group of young Black men who were wrongly accused of murder in New York City in 1964.","In 1973 Draper won a Creative Artists Public Service (CAPS) program grant \"to create a set of film-strips about Ruleville, Mississippi . . . for use in New York City public schools and for public presentation.\" CAPS award panels included leading photographers such as Harry Callahan, and not only provided funding for artists but also enriched the creative community. In 1976 the CAPS publication Exposure: Work by Ten Photographers included work by Draper and Anthony Barboza. From 1974 to 1975 Draper served as coordinator of photography for the CAPS program and was an award panelist in 1982.","Interspersed with his teaching assignments, Draper explored other artistic media and forms. In addition to taking screenwriting classes at NYU, he attended workshops at the Frederick Douglass Creative Arts Center in 1982, studying screenwriting with Fred Hudson and Elihu Weiner and videotape production with Vernard Gantt. Building on his experiences with W. Eugene Smith, Draper studied page design at the C. Richard Read Studio. On occasion, he worked as a studio assistant to Herb Robinson and Barboza. He was also a cofounder of Northlight Studios, which operated from 1975 to 1985.","From 1978 to 1982 Draper taught and coordinated photography courses for schools in New Jersey, through the Creative Resources Institute. Afterward, he began teaching photography for Mercer County Community College in Trenton. Draper finally received his bachelor of arts degree from Thomas A. Edison State College in 1987. He participated in organizations like the Trenton Artists Workshop Association (TAWA) and was an artist in residence at Light Work in Syracuse, New York, where he printed his series New Jersey Artists, which included portraits of painters Hughie Lee-Smith and Bernarda Bryson Shahn, among others.","Draper taught at Mercer until his death in 2002.","The biography above, written by Sharayah Cochran, has been reproduced from the catalog \"Working Together: Louis Draper and the Kamoinge Workshop.\""],"custodhist_html_tesm":["\u003cp\u003eLouis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006. \u003c/p\u003e","\u003cp\u003eSaretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (\u003ci\u003eemail to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019\u003c/i\u003e). \u003c/p\u003e","\u003cp\u003eAt that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection. \u003c/p\u003e","\u003cp\u003eIn February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (\u003ci\u003eemail to Courtney Tkacz from Gary Saretzky, June 28, 2019\u003c/i\u003e). \u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Louis Draper's sister, Nell Draper-Winston, inherited his estate upon his death in 2002. The collection remained at Mercer Community College in Trenton, New Jersey while Gary Saretzky (Draper's friend and colleague, as well as an Archivist for the Monmouth County Archives) organized it from 2002-2006.","Saretzky created a detailed finding aid for the photographs and archives before transferring them (on Draper-Winston's behalf) to the Albert and Shirley Small Special Collections Library at the University of Virginia in Charlottesville, Virginia. The collection arrived at the University of Virginia on December 26, 2006, and left in November 2012 to come to Candela Books and Photographs in Richmond, Virginia (email to Courtney Tkacz from Heather Riser, Head of Operations, Albert and Shirley Small Special Collections Library, July 1, 2019).","At that time, Candela represented the Louis H. Draper Preservation Trust and housed the collection until it was acquired by the Virginia Museum of Fine Arts in December 2015 as part of a gift-purchase of the archive and 35 photographs for the museum's art collection.","In February 2008, Don Lowing, a darkroom technician at Mercer County Community College located other materials including cameras, disks, and photographic materials (mainly negatives). These additional materials were inventoried by Saretzky and sent to the University of Virginia to be integrated into the rest of the collection (email to Courtney Tkacz from Gary Saretzky, June 28, 2019)."],"prefercite_html_tesm":["\u003cp\u003eLouis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Louis H. Draper Artist Archives (VA-04). Acquired from the Louis H. Draper Preservation Trust with the Arthur and Margaret Glasgow Endowment Fund. VMFA Archives, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eIn 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.\u003c/p\u003e","\u003cp\u003eWhile the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.\u003c/p\u003e","\u003cp\u003eProcessing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained.    \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In 2017, the museum was awarded a grant from the National Endowment for the Humanities to fund 29 months of work that transformed this extremely large, physical archive into a rich digital resource. An interdepartmental grant team was assembled from across the museum, including staff members of the Library/Archives, Imaging Resources, Curatorial, and Conservation departments.","While the physical archive had been well organized previously, the digitization process allowed the team to rethink the intellectual arrangement and determine an ideal numbering scheme for a photography archive. The result was a system designed around the organizing principle of the photoshoot itself, and now all related contact sheets, prints, slides, and negatives are described together.","Processing and description of the manuscript materials was performed by Courtney Yevich Tkacz from 2016-2017, and processing and description of the photographic material was performed by Margo Lentz-Meyer from 2017-2019. All materials were digitized in their original sleeves, then rehoused, but all sleeves with Draper's handwriting were retained."],"scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection's inclusive dates are 1945-2005, with the bulk of the material dating from the 1960s-1990s. The collection is comprised of correspondence, ephemera, publications, negatives, contact sheets, slides, prints, and photographic equipment."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eTransmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders. \u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The collection is subject to all copyright laws. VMFA has been granted a non-exclusive license to reproduce the collection only for their educational and publicity purposes by the Louis H. Draper Preservation Trust. Other digitized content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License.","Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"abstract_html_tesm":["\u003cabstract id=\"aspace_80d4d02edaa46a99725ed524cbb90700\"\u003eThe extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s.\u003c/abstract\u003e\n    "],"abstract_tesim":["The extensive collection documents the life and work of Richmond-born photographer and educator Louis Draper (1935–2002). Manuscript and photographic materials document Draper's experience and work as an African American photographer, including his recognition of his photography as a form of \"engaged resistance\" that not only bore witness to leaders of the civil rights movement, but also offered a richer and more diverse perspective of African American life than provided by the mainstream media. \n\nIn 1963, he was a founding member of the Kamoinge Workshop, a collective of African American photographers, and the collection includes significant materials from the early years of the Kamoinge Workshop and document his perspective on the professional challenges that he and the collective confronted in the process of finding publications that would publish photographs of African Americans made by African Americans. \n\nHis photographs of significant 20th-century artists, writers, musicians, and performers reflect the wide array of personal connections that Draper made after moving to New York from Richmond, Virginia in 1957. Printed photographs and contact sheets in Draper's archive show a broad view of city life and the everyday interactions between people and also offer a unique vision of African American neighborhoods in the 1960s and 1970s."],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Art Direction","College of New Rochelle","Hofstra University","National Urban League","Gallery 62","Césaire Photo Agency","Photo/Chronicles Ltd.","National Association for the Advancement of Colored People","Just Above Midtown Gallery","Kenkeleba Gallery (New York, N.Y.)","New Jersey State Museum","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","International Black Photographers","Trenton City Museum","Ellarslie Mansion","Pavilion Galleries","TAWA Soviet Exchange Committee","Photographic Association of the USSR","Planeta Publishers","Sovart Inc.","Chuvash ASSR Photographic Art Society","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Mercer County Community College News","Bucks County Technical School (Bucks County, Pa.)","Mercer County Community College (N.J.). Student Activities Department","Mercer County Community College (N.J.). Student Government Association","St. Lawrence Rehabilitation Center. Lobby Gallery","Hopewell Valley News","Artifacts Gallery","Mercer County Library. Ewing Branch","Mercer County Community College (N.J.). East Windsor Municipal Building","Pennington Post","Queenstown Gallery","Hamilton Township Public Library","Messenger-Press","Town Topics","Chronicle","Mercer Messenger","Beacon","New Jersey. Department of Higher Education","Infinity","American Society of Magazine Photographers","Barksdale Gallery","American Academy of Arts and Letters","Audio Visual Product News","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","William Morrow and Company","Black Creation","New York University. Institute of African-American Affairs","Avon Books.","Hearst Corporation","Frederick Douglass Creative Arts Center","Another View, Inc.","Langston Hughes Society","Brown University","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","South Trenton Review","New Jersey Historical Commission","Transmondo","Sekonic","Hasselblad USA","Lindahl","Staticmaster"],"names_coll_ssim":["Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Kamoinge Inc.‏","Draper, Louis H., 1935-2002"],"persname_ssim":["Draper, Louis H., 1935-2002","Faulkner, William, 1897-1962","Harris, Charles \"Teenie\", 1908-1998","Parker, Pat","Gloster, Dorothy","Williams, Henry A.","Draper, Hansel H.","Shaw-Beach","Beach, George A. (George Anderson), 1902-1994","Massey, Cal, 1927-1972","Hughes, Langston, 1902-1967","Morgan, Margaret","Collins, Kathleen, 1942-1988","Gray, Ronald K.","Gloster, Brandon","Schulte, Roger","Hudson, Fred","Marcus","Szarkowski, John, 1925-2007","Bunnell, Peter C., 1937-","Caponigro, Paul, 1932-","Bat'ka, Bedřich, 1922-1994","Tangney, Ralph","Reno, Mike","Recording Institute of America","Darkroom \u0026 creative camera techniques","Jilg, Mark","McNutt, Dennis","Bucks County Community College","Beach, Donald","Felip, John","Edwal Scientific Products","Carter, David","Moman-Bell, Patricia","Russo, Eleanor","Hackensack Public Schools","Kolovakos, Gregory, 1951-1990","New York State Council on the Arts","Holford, Mary","Creative Resources Institute","Moutoussamy-Ashe, Jeanne, 1951-","Olander, William, 1950-1989","Collins, Denise","Salewski, Randal","Horwitz, Alan","Levin, David","Remer, Lisa","West, Janice M.","Blackford, Eva","Greater Bordentown Chamber of Commerce","Holl-Madara, Lynn","Siskind, Carroll","Conklin, D. David","Chiego, William J., 1943-","Rotkin, Charles E., 1916-","The Rotkin Review","Rosado, Maria","Price, Pamela","Steele, Diana","Princeton Photography Club","Fawcetter, Caroline","Young, John","John Young Audio-Visual Production","Willis, Deborah, 1948-","Bey, Dawoud, 1953-","Pope, Sharon","Mathesius, Bill","Feinstein, Harold, 1931-2015","Schneeman, Liane","Williams, H. G.","Adams, Jeanne","Zakia, Richard D. (Richard Donald), 1925-2012","Henderson, Wanda","Naar, Harry I.","Photo Workshop","Wiley, Mary Helen","Collier, David E., 1929-2012","Kokotajlo, Stan","Troeller, Linda, 1949-","Fabbri, Anne R.","The Noyes Museum","Saretzky, Gary D.","Serbin, Glen","Deering, Bill","Art Kane Photo Workshop","Cook, Sue","Simad, Teresa","Carty, Diane","Williams, Ann","The Morris Museum","Rand, Henry","Aparicio, Roxana","George Eastman House","Earenfight, Phillip, 1962-","Russell, Lisa","Tolin, Ann","McCollough, Charles","Charles McCollough Studio","Smith, Beuford, 1941-","Morris, Jennifer","Anacostia Museum and Center for African American History and Culture","Lehman, Arnold L.","Duganne, Erina","General Artists Agency","Bertoli, Barbara","Stephanini, Pat","Pavilion Gallery Sculpture Garden","Nini, Rose","Pearce, Jeannie","O'Boyle, Bob","Virginia Statesman","Like It Is","Photography Project of the President's Council on Youth Opportunity","Baum, Ralph","Industrial Photography","Inside Out","Vestal, David, 1924-2013","Associated Press","Petit, Philippe, 1949-","Photography Year","Norton, Eleanor Holmes, 1937-","Ms.","Rivera, Christine","Dialogue","Cagan, Steve","Doan-Johnson, Susan","Hightstown Gazette","McCoy, Regina","Press of Atlantic City","Weekend Beacon","Viksjo, Cathy","Argo","Post, Kevin","Asbury Park Press","Burlington Times","Bledsoe, Lysbeth","Courier-Post","Shipley, Barbara","Heisler, Wendy","New Jersey Herald","Star-Ledger","Seidel, Mitchell","Carlson, Michele","Small, Michael C.","Mutterperl, Mindy","Crossman, Lorraine","Fone, Lisa","Addis, Amanda","Purcell, Janet","Monroe Township View","Orsi, Chris","Princeton Living","Beres, Derek","Dube, Ilene","Merrimack Publishing Corp.","Kimbrough, Larry","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman","Sepia Tones","General Motors Corporation. Chevrolet Motor Division","Image Gallery","Community Gallery","Madison, Clarence","First Time Photo Gallery","Maddox, James","Noyes Museum","Morris Museum","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Mariboe Gallery","Princeton Art Association","Allan P. Kirby Arts Center Gallery","Lawrenceville School","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Light Impressions Corporation","Kismaric, Carole, 1942-2002","Palaszczuk, Mary Ellen","Fernandez, Isabelle","Catskill Center for Photography (Woodstock, N.Y.)","Kenyon, Kathleen","Obscura","Los Angeles Center For Photographic Studies","Weems, Carrie Mae, 1953-","Ten.8","Walker, Shawn, 1940-","Sullivan, George E. (George Edward), 1927-","Dutton Juvenile","Taha, Halima","Crown Publishers","DeCarava, Roy, 1919-2009","Mannas, James \"Jimmie\" M., 1941-","Rudolph, Sa","Francis, James \"Ray\"","Jackson, Miles M., Jr., 1929-","Mayer, Grace M.","Hoffman, Michael E. (Michael Eugene), 1942-2001","Porter, Allan, 1934-2022","Crawford, Joe","Liska, Jane","Columbia College (Chicago, Ill.)","Cobb, Vandell","Romais, Miriam","Kenyon College","Wilson, Calvin, 1924-","Fournier, Collette","Stewart, Frank, 1949-","W.W. Norton \u0026 Company","Hinzmann, Hilary","Institute for Youth Entrepreneurship","Lawrence, Steve","Culturefront","Smith, Evelyn","Fennar, Albert, 1938-","Howard, Herman","Martin, Steve","Newsweek","Barboza, Anthony, 1944-","Barboza, Ken","Clarke, LeRoy, 1938-","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. (Bethesda, Md.)","Mingo, Jones, Guilmenot, Inc.","De-Lite Records","PolyGram Records, Inc.","David Deutsch Associates","Cowans, Adger W., 1936-","Art Direction","Preston, George Nelson, 1938-","Bearden, Romare, 1911-1988","College of New Rochelle","Dix, Seldon","Littles, Dolores Allen","Dawson, C. Daniel","American Visions","Parks, Toni","Pinderhughes, John, 1946-","Randall, Herbert, 1936-","Robinson, Herb","National Urban League","Gallery 62","Wilmer, Val (Valerie), 1941-","Photo/Chronicles","Smith, Morgan, 1910-1993","Smith, Marvin, 1910-2003","Smith, Ming, 1950-","Steichen, Edward, 1879-1973","Just Above Midtown Gallery","Kenkeleba Gallery","Gordon Parks Gallery","School of New Resources","Crawford \u0026 Sloan Gallery","Greene, Cheryll Y., 1943-2013","Sleet, Moneta, Jr., 1926-1996","Stewart, Charles (Chuck), 1927-2017","Wilkinson, Carlton","Kauffman, Aubrey","Leipzig, Melvin, 1935-","Baskakov, Andrew","Brodsky, Judith","Berezin, Valentin Solomonovich","Planeta Publishers","Sovart Inc.","Nesterova, Natalʹi︠a︡, 1944-","Chilnikov, Sergey","Chuvash ASSR Photographic Art Society","Mari ASSR Photographic Art Society","Suprun, Aleksandr","Perm Scientific Methodological Center for Folk Art and Cultural and Educational Work","People's Photostudio of Perm","Reticulation","Dobrynkin, A.","Chuvashskiĭ gosudarstvennyĭ universitet im. I.N. Ulʹi︠a︡nova","Hanley, John P.","Bullock, Joanne B.","Corwin, Luene Holmes, 1937-","Dowd, Jennifer Ann","Mathias, John","Weiss, Celia","Bundy, Roy","Flynn, William J.","Hain, Josh","Rivera, Frank","White, Larry","Barksdale, William E., 1927-","Dietrich, Marilyn","Duncan, Noreen","Lobby Gallery","Hymans, Kay","Lamba, Marie","Hopewell Valley News","Stender, Barbara","Artifacts Gallery","Town Topics","Chronicle","Beacon","Williams, Gray","New Jersey Department of Higher Education","Osborne, Linda","Caruso, Jennifer","Infinity","American Society of Magazine Photographers","Moran, Daniel Thomas","Barksdale Gallery","American Academy of Arts and Letters","Bateson, Michael A.","Audio Visual Product News","Davis, Gail","Gray, Jeanne","Clyde","Smith, W. Eugene, 1918-1978","County College of Morris","UFA Gallery","Gallery of South Orange","Jubilee","Von Hildebrand, Alice, 1923-2022","Von Hildebrand, Dietrich, 1889-1977","O'Daniel, Therman B. (Therman Benjamin), 1908-1986","William Morrow and Company","Hathaway, Paul R.","Hamer, Fannie Lou, 1917-1977","Johnson, Thomas A., 1928-2008","Gillespie, Marcia","Reynolds, Barbara Ann","Jackson, Jacqueline, 1944-","Moore, Marjorie","Fouch, Barbara","James, Delores","McDougall, Joyce, 1926-2011","Lebovici, Serge, 1915-2000","Avon Books","Hearst Corporation","Clark, Duvie","Ebert, Alan","Bryant, Joyce, 1927-2022","Frederick Douglass Creative Arts Center","Another View, Inc.","Garland Publishing, Inc.","U.S. Lakeland Terrier Club","Bower, Sue","Kiley, Frederick S. (Frederick Spencer), 1922-2002","Wright, Giles R.","New Jersey Historical Commission","Allen, Jules, 1947-","Anderson, Julie","Chycota, Johanna","Anderson, Mary B.","Pendergrass, Teddy, 1950-2010","Paul, Billy, 1934-2016","Shinee, Ntozake","Ferman, Terry","Barboza, Leanette","Barboza, Linda Anderson","Barboza, Tim","Bass, George Houston, 1938-1990","Builder, Levy, 1942-","Fuller, Naimah","Bennett, Alan","Bickal, Janet","Blake, Nina","Blake, Eubie, 1887-1983","Bobo, Anne","Bogle, Donald, 1944-","McNatt, Rosemary Bray","Brenner, Glen","Brooks, Wenonah","Bulaj, Marek","Johnson, Barbara Piasecka, 1937-2013","Burton, Sandy","Callender, Arlene","Campbell, Diane","Carty, Delores","Ceglia, Vincent","Chambers, Paul, 1935-1969","Chapman, Glenn Edward","Chavez, Lynn","Chavez, Pete","Chavooshian, Marge","Colavita, James J., 1949-1996","Collins, Lucrentia","Cook, Molly","Simao, Teresa","Crawley, Hazel","Critchlow, Carol","Crotty, Mary","Cummings, Blondell, 1944-2015","Davis, Daryl","Davis, Judy","Davis, Miles, 1926-1991","De Veaux, Alexis, 1948-","Banks, Diane","Deveaux, Pam","Dixon, Mel","Douglas, Clara","Dunham, Katherine, 1909-2006","Esquila, Ramon","Evans, Scott","Fennar, Miya","Koho, Keiko","Fennar, Tad","Folmer, Daniella","Fontaine, Walter","Durniak, John","Galeano, Cheryl","Gibson, Pat","Goldman, Midge","Goodkin, Vera Herman","Guitar Shorty, 1939-2022","Flakes, Jacqueline Hamer, 1966-","Moore, Richard B. (Richard Benjamin), 1893-1978","Harper, Toy","Johnson, Hall, 1887-1970","Harper, Ves","Heck, Soskia","Henry, John","Heywood, Jeni","Hicks, Bernice S.","Hilton, Larry","Hunter, Clementine, 1886-1988","Anderson, Madeline","Iman, 1955-","Jackson, Jesse Louis, 1941-","Jessua, Alain, 1932-2017","Jones, Billy","Kim, Yung Ju","Konrad, Adolf Ferdinand, 1915-2004","Kucay, Susan","Landau, Jacob, 1917-2001","Lawrence, Jacob, 1917-2000","Lehman, Harold","Leipzig, Francesca","Leipzig, Joshua","Graves, Michael, 1934-2015","Lewis, Byron E., Sr., 1931-","Lindfors, Viveca, 1920-1995","Littwin, Michael","Livingston, Bud","Lowing, Donald","Malloy, Tom, 1912-2008","Marshall, Paula","McNichol, Terri","Medina, Pablo, 1948-","Merlino, Joseph","Merlino, Molly","Goldman, Irene","Miller, Robert","Miller, Tony","Michaux, Lewis H., 1885-1976","Novak, Josie","Palmer, Nancy","Pasolini, Pier Paolo, 1922-1975","Passer, Ivan, 1933-2020","Pastira, Sangeeta","Patterson, Latta","Freed, Arthur","Perkoff, Sarah","Ryan, Dave","Polar, Maria","Santiago, Nilsa","Pietroski, Susan","Portee, Natalie","Purdy, Janet, Dr.","Purdy, John","Rachlin, Margaret","Randall, Rosalind","Reaves, Gail","Reaves, Kenny","Reiner, Eric","Reynolds, Rene","Richardson, Al","Richardson, Beverly","Rodriguez, Cecilio","Rosskam, Louise, 1910-2003","Ruffner, Jim","Rutkowski, Catherine","Samad, Marianne","Sandler, Kathe","Sandler, Eve","Sandler, Joan","Santos, Delissa","Sartezky, Anya","Schulte, Judy","Puccio, Victor","Schulte, Lynn M.","Schwartz, Lise","Selwood, Maureen","Shahn, Bernarda Bryson, 1903-2004","Sherman, Terry","Simmons, Ron","Slater, Xandria","Smith, Catherine","Smith, Gregory","Lee-Smith, Hughie, 1915-1999","Smith, Kevin","Smith, Mingus","Standard, Michael","Taylor, John","Taylor, Susan, 1946-","Teneny, Ralph","Sommerville, Tom","Tooker, Holly","Torres, Jose","Van Der Zee, James, 1886-1983","Wallace, Douglas","Weiss, Jiří, 1913-2004","Welliver, Michael","White, Hazel","Wiggins, Ernie","Wilkerson, Lisa","Williams, Ace","Williams, Jim","Wood, Michelle","X., Malcolm, 1925-1965","Draper-Winston, Nell","Winston, Charles","Johnson, Beverly, 1952-","Davidhazy, Andrew","Baldwin, James, 1924-1987","Jackson, Maynard, 1938-2003","Jackson, Valerie Richardson, 1949-","Hamer, Perry","Cook, Susan","Palmer, Douglas, 1951-","Harrell, Hugh","Smith, Aileen","Jorrin, Mario","Calla, Henry","Angelou, Maya, 1928-2014","Maynard, Joan, 1921-1998","Cronkite, Walter, 1916-2009","Cavett, Dick, 1936-","Hurwitz, Leo T., 1909-1991","Chiarenza, Carl, 1935-","Cauthen, Steve, 1960-","Gunn, Bill, 1934-1989","Scott, Seret","Deleo, Fame P.","Toppin, Christopher","Deileo, Fame","Mick, Chianese","Peck, Mary S.","Boeing, Loran K.","Doter, ?","Dill, Timothy","Jaborski, Pierre","Libsohn, Sol, 1914-2001","Linder, Evan","Pope-Lance, Elton","Jean-Bart, Leslie","McBride, Will","Ryan, Joe","Long, Kadar","Malloy","Mike","Hashimoto"],"names_ssim":["Virginia Museum of Fine Arts Archives","Louis H. Draper Preservation Trust","Kamoinge Inc.‏","Random House (Firm). Penguin Books, Inc.","United States Civil Service Commission","Junior Courier","Bedford-Stuyvesant Youth in Action","Honeywell Information Systems, Inc.","American Telephone and Telegraph Company","Nikon, Inc.","New Bridge Baptist Church","American Negro Commemorative Society","Shaw-Beach","New York Foundation for the Arts","Pratt Institute. Art School","U.S. Consumer Product Safety Commission","Urban Bikeway Design Collaborative","Museum of Modern Art (New York, N.Y.)","Free Library of Philadelphia","New Jersey State Teen Arts Program","Brooklyn Museum of Art","Riverside Church Weekday School","Mercer County Community College (N.J.)","Gallery Henoch","Rochester Institute of Technology","Virginia State College","New York University. Institute of Graduate Film and Television","Temple University","Thomas Edison State College","Eastman Kodak Company","Recording Institute of America","Indiana University. Independent Study Division","Preston Publications","Bucks County Community College","Edwal Scientific Products","Studio Museum in Harlem","Hackensack Public Schools","New York State Council on the Arts","Creative Resources Institute","Allen Memorial Art Museum","Trenton Writers Guild","Greater Bordentown Chamber of Commerce","The Rotkin Review","Princeton Photography Club","John Young Audio-Visual Production","Schomburg Center for Research in Black Culture","St. Lawrence Rehabilitation Center","Mercer County (N.J.)","Stockton State College","Ansel Adams Gallery (Yosemite National Park, Calif.)","Rider College Art Gallery","Photo Workshop","Mercer Medical Center","Noyes Museum of Art","Photographers Forum","Art Kane Photo Workshop","Morris Museum","Essence","New York University. American Photography Institute","George Eastman House","Art in the Atrium","Johnson \u0026 Johnson","Bristol-Myers Squibb Company","Webster University","Charles McCollough Studio","Anacostia Museum and Center for African American History and Culture","University of Texas at Austin‏","General Artists Agency","Pavilion Gallery. Sculpture Garden","Virginia Statesman","Camera (Lucerne, Switzerland)","The Arrow","Like It Is","Photography Project of the President's Council on Youth Opportunity","Industrial Photography","Inside Out","New York Times company","Popular Photography","The Honeywell World","New York post","Associated Press","Photography Year","Black enterprise","College Voice","Dialogue","Trentonian","Trenton Sunday Times. The Magazine","Round-up","Trenton Sunday Times","Hightstown Gazette","Whoot","Garden State Press Clipping Bureau","Press of Atlantic City","Weekend Beacon","New Jersey Clipping Service","Argo","Asbury Park Press","Burlington Times","Courier-Post","Mercer","Time Off","New Jersey Herald","Star-Ledger (Newark, N.J.)","Art Matters","Trenton Times","Viking","United States Highway 1","Princeton Packet","The Monroe Township View","Voice","Princeton Living","The Link","Lawrence Ledger","Light Work (Organization : Syracuse, N.Y.)","Merrimack Publishing Corp.","Decathlon Corporation","Paramount Pictures Corporation","Fischl \u0026 Hartman Photographs","Sepia Tones","Image Gallery","Community Gallery","Countee Cullen Library","International Center of Photography","Corcoran Gallery of Art","First Time Photo Gallery","George Washington University","Artists Space (Gallery)","Arts Council of Rockland","Rockland Community College (Suffern, N.Y.)","Memorial Hospital of Burlington County","Mariboe Gallery","Peddie School","Artworks","Princeton Art Association","Allan P. Kirby Arts Center Gallery","The Lawrenceville School","May Gallery","New York University. Graduate School of Arts and Sciences","Trenton Artists Workshop Association","Forum Notes","Empire State College","New York African American Institute","J. Sargeant Reynolds Community College","Creative Artists Public Service Program","Light Impressions Corporation","Fashion Institute of Technology (New York, N.Y.)","Fashion Institute of Technology (New York, N.Y.). Galleries","Catskill Center for Photography (Woodstock, N.Y.)","Photo Newsletter","James Van DerZee Institute","Obscura","Los Angeles Center For Photographic Studies","Ten.8","Crown Publishers, Inc.","Atlanta University","Aperture, Inc.","Black Photographers Annual","Madison Art Center","Columbia College (Chicago, Ill.)","En Foco, Inc.","Kenyon College","W.W. Norton \u0026 Company","Institute for Youth Entrepreneurship","Culturefront","Newsweek","New York (N.Y.). Department of Commerce and Industrial Development","Uniworld Group, Inc. 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