{"links":{"self":"https://arvasarchive.org/catalog.json?facet.page=3\u0026page=225500\u0026view=list","prev":"https://arvasarchive.org/catalog.json?facet.page=3\u0026page=225499\u0026view=list","next":"https://arvasarchive.org/catalog.json?facet.page=3\u0026page=225501\u0026view=list","last":"https://arvasarchive.org/catalog.json?facet.page=3\u0026page=225508\u0026view=list"},"meta":{"pages":{"current_page":225500,"next_page":225501,"prev_page":225499,"total_pages":225508,"limit_value":10,"offset_value":2254990,"total_count":2255078,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_651_c01_c270","type":"File","attributes":{"title":"Zulu, Lucky, 1986/1990","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c01_c270#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_651_c01_c270","ref_ssm":["vifgm_repositories_2_resources_651_c01_c270"],"id":"vifgm_repositories_2_resources_651_c01_c270","ead_ssi":"vifgm_repositories_2_resources_651","_root_":"vifgm_repositories_2_resources_651","_nest_parent_":"vifgm_repositories_2_resources_651_c01","parent_ssi":"vifgm_repositories_2_resources_651_c01","parent_ssim":["Lavinia Scott papers, 1998","Series 1: Correspondence, 1997"],"parent_ids_ssim":["vifgm_repositories_2_resources_651","vifgm_repositories_2_resources_651_c01"],"title_filing_ssi":"Zulu, Lucky","title_ssm":["Zulu, Lucky"],"title_tesim":["Zulu, Lucky"],"normalized_title_ssm":["Zulu, Lucky, 1986/1990"],"text":["Zulu, Lucky, 1986/1990","Lavinia Scott papers, 1998","Series 1: Correspondence, 1997","box 12","folder 9"],"parent_unittitles_ssm":["Lavinia Scott papers, 1998","Series 1: Correspondence, 1997"],"parent_unittitles_tesim":["Lavinia Scott papers, 1998","Series 1: Correspondence, 1997"],"normalized_date_ssm":["1986/1990"],"unitdate_inclusive_ssm":["1986-1990"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":271,"repository_ssim":["George Mason University"],"collection_ssim":["Lavinia Scott papers, 1998"],"containers_ssim":["box 12","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Certain materials in the collection are restricted due to personally identifiable information."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1986,1987,1988,1989,1990],"_nest_path_":"/components#0/components#269","timestamp":"2026-08-14T22:35:13.746Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_651","ead_ssi":"vifgm_repositories_2_resources_651","_root_":"vifgm_repositories_2_resources_651","_nest_parent_":"vifgm_repositories_2_resources_651","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_651.xml","title_filing_ssi":"Lavinia Scott papers","title_ssm":["Lavinia Scott papers"],"title_tesim":["Lavinia Scott papers"],"unitdate_ssm":["circa 1860s-1998"],"unitdate_inclusive_ssm":["circa 1860s-1998"],"normalized_date_ssm":["1998"],"normalized_title_ssm":["Lavinia Scott papers, 1998"],"text":["Lavinia Scott papers, 1998","C0506","/repositories/2/resources/651","South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century","Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides","Certain materials in the collection are restricted due to personally identifiable information.","The collection is arranged in seven series.","Series\n      Series 1: Correspondence\n      Series 2: Professional activities\n      Series 3: Personal materials\n      Series 4: Newspapers and periodicals\n      Series 5: Photographs and negatives\n      Series 6: Audiovisual materials\n      Series 7: South African artifacts","Lavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.","Around the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM).","Lavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.","While her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.","While Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery.","Processing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023.","Northwestern University holds the Lavinia Scott (1907-1997) Papers which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full Franklin D. Scott (1901-1994) Papers. Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the African missions records, as well as the Finding Aid for the Inanda Seminary Oral History Project completed between 2008 – 2010.","The Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.","Series 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Series 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa.","R 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3","George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998","English\n      Zulu\n      Afrikaans"],"collection_title_tesim":["Lavinia Scott papers, 1998"],"collection_ssim":["Lavinia Scott papers, 1998"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0506","/repositories/2/resources/651"],"unitid_tesim":["C0506","/repositories/2/resources/651"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"geogname_ssim":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"places_ssim":["South Africa","KwaZulu-Natal (South Africa)","South Africa -- Politics and government -- 20th century"],"creator_ssm":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creator_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N."],"creator_persname_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ"],"creators_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998","George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["The papers were brought to George Mason University by former Provost Peter Stearns, Lavinia Scott's nephew, in 2018. Before coming to Special Collections in early 2021, members of the George Mason University history faculty, as well as history graduate students, worked with the material."],"access_subjects_ssim":["Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides"],"access_subjects_ssm":["Education, Higher","Nguni (African people)","Nguni languages","Missions, South African","Education -- South Africa","Women missionaries","Apartheid","Anti-apartheid movements -- South Africa","South African newspapers","Social justice -- Religious aspects -- Christianity","Zulu (African people)","Correspondence","Postcards","Photographs","Newspapers","Slides"],"has_online_content_ssim":["false"],"extent_ssm":["33 Linear Feet 72 boxes, 1 map case"],"extent_tesim":["33 Linear Feet 72 boxes, 1 map case"],"genreform_ssim":["Correspondence","Postcards","Photographs","Newspapers","Slides"],"date_range_isim":[1998],"accessrestrict_html_tesm":["\u003cp\u003eCertain materials in the collection are restricted due to personally identifiable information.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Certain materials in the collection are restricted due to personally identifiable information."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in seven series.\u003c/p\u003e    ","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Correspondence\u003c/item\u003e\n      \u003citem\u003eSeries 2: Professional activities\u003c/item\u003e\n      \u003citem\u003eSeries 3: Personal materials\u003c/item\u003e\n      \u003citem\u003eSeries 4: Newspapers and periodicals\u003c/item\u003e\n      \u003citem\u003eSeries 5: Photographs and negatives\u003c/item\u003e\n      \u003citem\u003eSeries 6: Audiovisual materials\u003c/item\u003e\n      \u003citem\u003eSeries 7: South African artifacts\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in seven series.","Series\n      Series 1: Correspondence\n      Series 2: Professional activities\n      Series 3: Personal materials\n      Series 4: Newspapers and periodicals\n      Series 5: Photographs and negatives\n      Series 6: Audiovisual materials\n      Series 7: South African artifacts"],"bioghist_html_tesm":["\u003cp\u003eLavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.\u003c/p\u003e","\u003cp\u003eAround the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM). \u003c/p\u003e","\u003cp\u003eLavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.\u003c/p\u003e","\u003cp\u003eWhile her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.\u003c/p\u003e","\u003cp\u003eWhile Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Lavinia Scott (also known as Clara Lavinia Scott) was born on March 21, 1907 in Yankton, South Dakota to George Harvey and Mary Maud Cole Scott. The youngest of four children, including the future Dr. Franklin Scott, Lavinia spent her life surrounded by education. As a child she attended local public schools, including Jacksonville High School, and in 1923 enrolled in a Bachelor's degree program at Illinois College, where her father served as a Dean for eight years before his sudden death in 1926. Lavinia graduated the following year (1927) with a B.A. in History and it was here that she began to devote her life to education full-time, securing a teaching position with Illinois' Harvard Community High School District Number 153 which she held for approximately two years.","Around the beginning of the 1930s, Lavinia's focus shifted from secular education to international educational missionary work. She enrolled in a Master's program with the Yale Divinity School and upon moving to Connecticut spent two years in training with the United Congregational Church in Bridgeport. In August 1932, less than two months after receiving her Master of Art's degree in June, Lavinia was assigned a teaching position at Adams College (formerly Amanzimtoti Institute) in South Africa under the direction of the Congregational Church affiliated American Board of Commissioners for Foreign Missions (ABCFM).","Lavinia remained at Adams College until she was transferred to nearby Inanda Seminary in 1936 where she assumed the role of Principal, a title which she held for over 30 years. During this time, she fought back against the South African government's discriminatory Apartheid policies, particularly the Bantu Education Act of 1953, which both significantly lowered the quality of education available to Black South Africans and removed government funding for private missionary schools. She also oversaw the school's Centenary Celebration in 1969, as well as several expansions to the campus, including the beginning of what would become the \"Lavinia Scott Chapel\". In 1969, she left Inanda Seminary, transferring to the newly formed Federal Theological Seminary where she returned to a teaching position until her formal retirement circa 1974.","While her retirement saw a return to the United States, ultimately assuming residence in Claremont, California, it did not mean the end of her mission work. For the next 20 years, Lavinia was an active speaker on behalf of the newly formed United Church of Christ as a South African mission representative for the United Church Board for World Ministries (UCBWM), formerly the ABCFM. She also continued her social justice advocacy, working on behalf of both domestic and international causes, including extensive work throughout the 1980s with the Claremont branch of the Task Force on Central America. Despite her busy schedule, Lavinia still found time to continue her love of traveling, including domestic trips with family and friends, and several returns to South Africa and Inanda Seminary.","While Lavinia never fully stopped her missionary work, she did eventually move to a UCC affiliated retirement community in Claremont known as Pilgrim Place where she lived until her passing on July 10, 1997 at the age of 90. She is buried near her family in Jacksonville's Diamond Grove Cemetery."],"prefercite_html_tesm":["\u003cp\u003eLavinia Scott papers, C0506, Special Collections Research Center, George Mason \nUniversity Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Lavinia Scott papers, C0506, Special Collections Research Center, George Mason \nUniversity Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner from September 2022 - August 2023. Finding aid completed by Meghan Glasbrenner in August 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eNorthwestern University holds the \u003ca href=\"https://findingaids.library.northwestern.edu/repositories/4/resources/829\"\u003eLavinia Scott (1907-1997) Papers\u003c/a\u003e which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full \u003ca href=\"https://findingaids.library.northwestern.edu/repositories/6/resources/463\"\u003eFranklin D. Scott (1901-1994) Papers\u003c/a\u003e. Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the \u003ca href=\"https://hollisarchives.lib.harvard.edu/repositories/24/resources/3023\"\u003eAfrican missions records\u003c/a\u003e, as well as the Finding Aid for the \u003ca href=\"https://scholar.harvard.edu/mehealy/presentations\"\u003eInanda Seminary Oral History Project\u003c/a\u003e completed between 2008 – 2010.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Northwestern University holds the Lavinia Scott (1907-1997) Papers which consists mostly of correspondence, largely to Lavinia's mother Mary Maud Scott, as well as the full Franklin D. Scott (1901-1994) Papers. Harvard University holds several archival collections for the American Board of Commissioners of Foreign Missions divided by location, including the African missions records, as well as the Finding Aid for the Inanda Seminary Oral History Project completed between 2008 – 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.\u003c/p\u003e","\u003cp\u003eSeries 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.\u003c/p\u003e","\u003cp\u003eSeries 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.\u003c/p\u003e","\u003cp\u003eSeries 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.\u003c/p\u003e","\u003cp\u003eSeries 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.\u003c/p\u003e","\u003cp\u003eSeries 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.\u003c/p\u003e","\u003cp\u003eSeries 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.\u003c/p\u003e","\u003cp\u003eSeries 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Lavinia Scott papers largely consist of correspondence, reports, newspapers, promotional materials, magazines, speeches, sermons, writings, educational records, travel maps and postcards, photographs, and audiovisual materials created between circa 1860s-1998. The collection contains 7 series.","Series 1: Correspondence (circa 1860s, 1900s-1997) includes sent and received correspondence, both personal and professional. Types of correspondence include postcards, letters on stationary, airmail letters, greeting cards, Christmas and general holiday letters, and carbon copies of sent letters. While the majority of the correspondence is between Lavinia Scott and others, this series also includes correspondence received by others that was then passed on to Lavinia either for review or after their passing. The bulk of the correspondence covers the 1920s – 1970s, with a slight gap in coverage during the 1980s, and a shift to more general cards and holiday letters in the 1990s. This series is arranged alphabetically by correspondent last name, group title, or type of correspondence, such as Family letters sent by Lavinia during her years in South Africa.","Series 2: Professional activities (1885, 1917-1997) includes both direct and indirect materials related to Lavinia's professional life as a Christian missionary speaker and educator. It is further divided into two subseries. Subseries 1: South African mission (1885, 1917-1990s) includes all materials related to both Lavinia's direct education work in South Africa (such as reports, magazines, newsletters, promotional materials, yearbooks, speech/sermon drafts), materials related to both American Board of Commissioners for Foreign Missions and United Church Board for World Ministries themselves (reports, meeting minutes, policy guides, conference materials), and any general materials or writing related to South Africa, particularly regarding mission work and the fight against Apartheid. The bulk of the materials cover the 1930s – 1970s, with some more general materials from the 1980s – 1990s. This subseries is arranged alphabetically, primarily by organization name (including Adams College, Inanda Seminary, and Federal Theological Seminary) or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: United Church of Christ (1919 – 1997) includes all other professional materials related to Lavinia's work with the United Church of Christ, and the earlier Congregational Christian Church, not directly connected to the South African mission. These include materials from local Congregational and United Church of Christ congregations, general conference materials, extensive materials from Lavinia's involvement with the Central American Task Force in Claremont, CA, and general writings and speeches related to Christianity. The bulk of the materials cover the 1920s – 1930s and the 1970s – 1990s. Items are arranged alphabetically, primarily by organization name or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Newsletters and periodicals published by affiliated professional and/or religious organizations can be found in Series 4.","Series 3: Personal materials (1891, circa 1909-1998) includes materials related to Lavinia's personal life, including family, friends, and personal travels. It is further divided into three subseries. Subseries 1: Records and mementos (1891, circa 1909 – 1998) includes educational records, creative writings by Lavinia and others, souvenirs and other mementos, travel maps and brochures, personal and correspondence notes, and publications by Lavinia's brother Dr. Franklin Scott. Items are arranged alphabetically, primarily by creator, organization, or material type. Writings were divided by title and arranged alphabetically by author's last name where possible. Subseries 2: Souvenir and travel postcards (circa 1930s – 1980s) includes all non-correspondence souvenir postcards grouped together by general location, starting with non-South African international, followed by United States, South Africa, and general Africa. Postcards used for correspondence can be found in Series 1 and personal photographic postcards can be found in Series 5. Subseries 3: Daily diaries (1920 – 1997) consists of Lavinia's 45 individual personal daily diaries, arranged chronologically. Several diaries contain entries for multiple years.","Series 4: Newspapers and periodicals (1920s – 1997) includes news and periodical print publications and newsletters, both full text and selections, including many from South Africa in both English and Afrikaans. It is further divided into two subseries. Sub-series 1: Full text editions (1927 - 1997) includes all full editions of newspapers, magazines, and newsletters. Magazines and newsletters published by schools and colleges, such as Inanda Seminary and Illinois College, are kept in context and can be found in Series 2-3. Subseries 2: Clippings (1920s - 1997) includes article or section clippings from newspapers, magazines, and newsletters. Most articles cover social and political stories related to South Africa, Apartheid policies and resistance, Lavinia's speaking engagements or mission work, and members of the Scott and Stearns family, such as marriage announcements or community profiles.","Series 5: Photographs and negatives (circa 1870s – 1990s) includes photographs and negatives related to Lavinia's work and personal life. The contents cover a wide array of sizes and mediums, including gelatin prints, black and white and color snapshots, and color processed prints. Many, but not all, prints include some level of identifying inscription on the back, including stamps from local photographers. It is further divided into two subseries. Sub-series 1: South African mission (1930s – 1990s) includes photographs that document Lavinia's work as a missionary educator in South Africa. Major areas of coverage include Inanda Seminary, including campus development, Centennial Celebration, staff and student group and individual portraits, and visits by Lavinia and others after the 1970s, as well as Adams College, The Federal Theological Seminary, and visits by American Board of Commissioners of Foreign Missions representatives and South African political figures such as Chief Lutuli (also spelled Luthuli). Prints have been divided into groupings based on general size or type; further organization by subject has not been completed at this time. Sub-series 2: Personal travel (1920s – 1990s) includes photographs that document Lavinia's personal, non-mission related travel with family and friends mostly within the United States. Prints have been divided into groupings based on general size or type with some attempt at organization by location where possible based on identifying information provided. Sub-series 3: Family (1870s – 1990s) includes photographs of Lavinia's family and friends, including formal portraits. Prints have been divided into groupings based on general size or type with some attempt at organization by subject and/or time period where possible based on identifying information provided. Sub-series 4: Negatives (circa 1930s – 1990s) includes all negatives covering subjects from each of the three sub-series. Negatives have been grouped where possible by size and most do not include identifying information; further organization by subject has not been completed at this time.","Series 6: Audiovisual materials (circa 1930s – 1997) includes all audiovisual materials including photographic slides, both labeled and unlabeled cassette and VHS tapes, three professional .45 records, and one unlabeled Magnetophoband BASF reel to reel tape. Cassette and VHS contents reflect Lavinia's mission work in South Africa, including recordings of sermons and ceremonies at Inanda Seminary, sermons and speeches on various religious and social issues, and oral history interviews with mission workers such as Lou Ann Parsons, as well as 6-7 tapes containing an extensive interview with Lavinia herself. The bulk of these materials cover the 1970s – 1980s. Additionally, the photographic slides depict both South African mission work and Inanda Seminary, as well as personal family events and travels, including numerous souvenir professional slides from international locations. The bulk of these materials cover the 1950s – 1970s. All items in this series have been grouped by medium; some photographic slides include identifying information but, further organization by subject has not been completed at this time.","Series 7: South African artifacts (circa 1970s – 1980s) includes carvings, beadwork, and other artifacts likely purchased by or gifted to Lavinia during a return trip to South Africa that reflect Zulu cultural traditions and crafts."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_80cc4e1315ef5dc6c32b4320325dcd33\"\u003eThe Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa.\u003c/abstract\u003e\n    "],"abstract_tesim":["The Lavinia Scott papers consist of materials created and collected by missionary educator Lavinia Scott (1907 – 1997) covering circa 1860s-1998. This includes materials created by the American Board of Commissioners for Foreign Missions, the United Church Board for World Ministries, the United Church of Christ, and South Africa's Inanda Seminary. The collection covers Lavinia's personal and professional life working and living as a missionary educator in South Africa."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_81acf2a66423a9d0915a1666348eb948\"\u003eR 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3\u003c/physloc\u003e\n    "],"physloc_tesim":["R 71, C 1, S 2 - S 5\n\nR 72, C 3, S 7\n\nR 72, C 4, S 2 - S 7\n\nMap Case 8.3\n\nOS R 2, C 1, S 3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ"],"names_coll_ssim":["Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Scott, Lavinia, 1907-1997","Wood, Agnes A., 1896-1998"],"persname_ssim":["Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Adams College (Amanzimtoti, South Africa)","Amanzimtoti Institute","American Board of Commissioners for Foreign Missions","General Council of the Congregational Christian Churches of the United States","Illinois College","Inanda Seminary (Inanda, South Africa)","United Church Board for World Ministries","United Church of Christ","Scott, Lavinia, 1907-1997","Stearns, Peter N.","Luthuli, A. J. (Albert John), 1898-1967","Paton, Alan","Scott, Franklin D. (Franklin Daniel), 1901-1994","Wood, Agnes A., 1896-1998"],"language_ssim":["English\n      Zulu\n      Afrikaans"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":973,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:35:13.746Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_651_c01_c270"}},{"id":"viw_repositories_2_resources_842_c124_c01","type":"Item","attributes":{"title":"Zulu Nation Green Book and Zulu Nation Black Book, 1973/2014","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_842_c124_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTwo photocopied documents. The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members. The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy. The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation. Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_842_c124_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_842_c124_c01","ref_ssm":["viw_repositories_2_resources_842_c124_c01"],"id":"viw_repositories_2_resources_842_c124_c01","ead_ssi":"viw_repositories_2_resources_842","_root_":"viw_repositories_2_resources_842","_nest_parent_":"viw_repositories_2_resources_842_c124","parent_ssi":"viw_repositories_2_resources_842_c124","parent_ssim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014","Series 124: Zulu Nation, 1973/2014"],"parent_ids_ssim":["viw_repositories_2_resources_842","viw_repositories_2_resources_842_c124"],"title_filing_ssi":"Zulu Nation Green Book and Zulu Nation Black Book","title_ssm":["Zulu Nation Green Book and Zulu Nation Black Book"],"title_tesim":["Zulu Nation Green Book and Zulu Nation Black Book"],"normalized_title_ssm":["Zulu Nation Green Book and Zulu Nation Black Book, 1973/2014"],"text":["Zulu Nation Green Book and Zulu Nation Black Book, 1973/2014","William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014","Series 124: Zulu Nation, 1973/2014","Two photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters."],"parent_unittitles_ssm":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014","Series 124: Zulu Nation, 1973/2014"],"parent_unittitles_tesim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014","Series 124: Zulu Nation, 1973/2014"],"normalized_date_ssm":["1973/2014"],"unitdate_inclusive_ssm":["1973-2014"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":460,"repository_ssim":["College of William and Mary"],"collection_ssim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014],"scopecontent_html_tesm":["\u003cp\u003eTwo photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Two photocopied documents.  The \"Green Book\" is 37 pages long and primarily instructs members on the regulations and expectations of Zulu Nation members.  The Green Book is composed of six sections of Infinity Lessons including the history of hip-hop, Afrika Bambaataa, and the Zulu Nation philosophy.  The \"Black Book\" is 65 pages long and provides the spiritual and metaphysical underpinnings of the Zulu Nation.  Additionally, the Black Book provides further Infinity Lessons examining history, dietary issues, and philosophical matters."],"_nest_path_":"/components#123/components#0","timestamp":"2026-08-14T23:03:54.027Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_842","ead_ssi":"viw_repositories_2_resources_842","_root_":"viw_repositories_2_resources_842","_nest_parent_":"viw_repositories_2_resources_842","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_842.xml","title_filing_ssi":"William \u0026 Mary Hip Hop collection","title_ssm":["William \u0026 Mary Hip Hop collection"],"title_tesim":["William \u0026 Mary Hip Hop collection"],"unitdate_ssm":["Circa 1985-2019","2012-2014"],"unitdate_inclusive_ssm":["Circa 1985-2019"],"unitdate_bulk_ssim":["2012-2014"],"normalized_date_ssm":["1985/2019, bulk 2012/2014"],"normalized_title_ssm":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"text":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014","01/Mss. 1.19","/repositories/2/resources/842","Virginia--Social life and customs--20th century","College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts","are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026 Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775).","The current arrangement by artist is preliminary. and will change as a result of processing.","Additional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level.","Not fully processed yet. Please contact a staff member for help: spcoll@wm.edu","Archived website.","Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/","Established by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026 Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026 Mary itself.","Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.","Sound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist.","Other digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.","Whenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out.","Special Collections Research Center","English"],"collection_title_tesim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"collection_ssim":["William \u0026 Mary Hip Hop collection, 1985/2019, bulk 2012/2014"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["01/Mss. 1.19","/repositories/2/resources/842"],"unitid_tesim":["01/Mss. 1.19","/repositories/2/resources/842"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Social life and customs--20th century"],"geogname_ssim":["Virginia--Social life and customs--20th century"],"places_ssim":["Virginia--Social life and customs--20th century"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"acqinfo_ssim":["Nearly all material received in 2012-2013 was collected by American Studies Ph.D. candidate Kevin Kosanovich working with Swem Library's Special Collections."],"access_subjects_ssim":["College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"access_subjects_ssm":["College of William and Mary--Students--Social life and customs","Hip hop culture--Virginia","Hip hop--Virginia","Hip-hop dance--Virginia","Hip-hop--Social aspects--Virginia","Music","Music--Virginia--Williamsburg.","Radio stations--Virginia","Rap (Music)--Virginia","Rap musicians--Virginia","Teenagers--Social life and customs","Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"has_online_content_ssim":["false"],"extent_ssm":["3.00 Linear Feet"],"extent_tesim":["3.00 Linear Feet"],"genreform_ssim":["Audiocassettes","Fliers (printed matter)","Magazines (periodicals)","Musical recordings","Photographs","Posters","Sound Recordings","T-shirts"],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019],"accruals_html_tesm":["\u003cp\u003eare expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026amp; Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775).\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["are expected on an ongoing basis. Contact Swem Library's Special Collections to donate material to the William \u0026 Mary Hip Hop Collection (spcoll@wm.edu, 757-221-1775)."],"arrangement_html_tesm":["\u003cp\u003eThe current arrangement by artist is preliminary. and will change as a result of processing.\u003c/p\u003e","\u003cp\u003eAdditional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The current arrangement by artist is preliminary. and will change as a result of processing.","Additional information will continue to be added as the collection is more fully processed. Box 1 contains multiple accessions, boxes 2 and 5 contain multiple oversize accessions, box 3 contains audio CDs, and box 4 contains LPs. Artifacts are housed separately, and described here at the item level."],"prefercite_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Hip Hop Collection, Special Collections Research Center, Swem Library, College of William \u0026amp; Mary.\u003c/p\u003e  "],"prefercite_tesim":["William \u0026 Mary Hip Hop Collection, Special Collections Research Center, Swem Library, College of William \u0026 Mary."],"processinfo_html_tesm":["\u003cp\u003eNot fully processed yet. Please contact a staff member for help: spcoll@wm.edu\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Not fully processed yet. Please contact a staff member for help: spcoll@wm.edu"],"relatedmaterial_html_tesm":["\u003cp\u003eArchived website.\u003c/p\u003e","\u003cp\u003e Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Archived website.","Information about related materials is available at https://wayback.archive-it.org/6106/*/http://icelanddogs.com/"],"scopecontent_html_tesm":["\u003cp\u003eEstablished by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026amp; Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026amp; Mary itself.\u003c/p\u003e","\u003cp\u003e Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.\u003c/p\u003e","\u003cp\u003eSound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist. \u003c/p\u003e","\u003cp\u003eOther digitized materials include photographs, record covers and flyers, and to a lesser extent written documents.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Established by American Studies Ph.D. Kevin Kosanovich working in Swem Library's Special Collections, the William \u0026 Mary Hip Hop Collection is the most comprehensive of its kind dedicated to Virginia's hip hop culture and history from the 1980s to the present. The collection includes oral histories committed to preserving and documenting Virginia's rich hip hop past, as well as recordings of hip hop music, publications, and ephemera created by Virginia and Virginia-based artists, collectives, and businesses.  Additionally, the collection documents the origins and impact of hip hop culture on college campuses throughout the state by collecting records of hip hop based student organizations, college radio stations, events and concerts with a special focus on William \u0026 Mary itself.","Oral History are available for most artist, and a brief summary of each is available . The majority of Oral Histories have been made available online and are linked directly from this finding aid. However, some interviews are available only in Swem Library's Special Collections.","Sound recording are available for many artist, and where possible, these to are availalbe through links from this finding aid. The sounds tracks very from individual to mulptiple tunes per artist.","Other digitized materials include photographs, record covers and flyers, and to a lesser extent written documents."],"separatedmaterial_html_tesm":["\u003cp\u003eWhenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Whenever the library  receives multiple copies of CDs, one copy will be transferred to the Music Library where it will be made available for check-out."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"total_component_count_is":516,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:03:54.027Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_842_c124_c01"}},{"id":"vi_vi01861_c04_c49","type":"File","attributes":{"title":"Zuma Memorial Hospital (Nigeria), 1965[?].","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vi_vi01861_c04_c49#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vi_vi01861_c04_c49","ref_ssm":["vi_vi01861_c04_c49"],"id":"vi_vi01861_c04_c49","ead_ssi":"vi_vi01861","_root_":"vi_vi01861","_nest_parent_":"vi_vi01861_c04","parent_ssi":"vi_vi01861_c04","parent_ssim":["Mary Josephine King Papers, 1918-2003","Series IV: Personal Papers."],"parent_ids_ssim":["vi_vi01861","vi_vi01861_c04"],"title_filing_ssi":"Zuma Memorial Hospital (Nigeria), \n\t1965[?].","title_ssm":["Zuma Memorial Hospital (Nigeria), 1965[?]."],"title_tesim":["Zuma Memorial Hospital (Nigeria), 1965[?]."],"normalized_title_ssm":["Zuma Memorial Hospital (Nigeria), 1965[?]."],"text":["Zuma Memorial Hospital (Nigeria), 1965[?].","Mary Josephine King Papers, 1918-2003","Series IV: Personal Papers.","box 36","folder 1"],"parent_unittitles_ssm":["Mary Josephine King Papers, 1918-2003","Series IV: Personal Papers."],"parent_unittitles_tesim":["Mary Josephine King Papers, 1918-2003","Series IV: Personal Papers."],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":607,"repository_ssim":["Library of Virginia"],"collection_ssim":["Mary Josephine King Papers, 1918-2003"],"containers_ssim":["box 36","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["There are no restrictions."],"_nest_path_":"/components#3/components#48","timestamp":"2026-08-14T22:24:32.093Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vi_vi01861","ead_ssi":"vi_vi01861","_root_":"vi_vi01861","_nest_parent_":"vi_vi01861","ead_source_url_ssi":"data/lva/vi01861.xml","title_ssm":["Mary Josephine King Papers, 1918-2003"],"title_tesim":["Mary Josephine King Papers, 1918-2003"],"normalized_title_ssm":["Mary Josephine King Papers, 1918-2003"],"text":["Mary Josephine King Papers, 1918-2003","42309","18.55 cubic feet and 38 boxes","There are no restrictions.","This collection is arranged into the following series:","Family Genealogies\n        Genealogical Correspondence\n        Miscellaneous Genealogical Material\n        Personal Papers\n        Oversize","Mary Josephine King was born 29 April 1924 in Birmingham, Alabama, to John Berry King (1894-1934) and Susan Edith Smith King (1899-1981). Mary Jo King graduated from Central High School in Charlotte, North Carolina, in 1942, and from Presbyterian Hospital School of Nursing (Charlotte) in 1945. King taught nursing in Mississippi and in West Virginia, before accepting a position at Portsmouth (Virginia) General Hospital. After retiring from Portsmouth General, she taught part-time at Louise Obici School of Nursing. King was also a genealogist and belonged to several organizations. She did in-depth research on the King, Smith, and related families. Never married, Mary Josephine King died 22 October 2004 in Chesapeake, Virginia. She was buried in Forest Lawn Cemetery in Charlotte, North Carolina.","Papers, 1918-2003, of Mary Josephine King (1924-2004) of Chesapeake, Virginia, and Charlotte, North Carolina, consisting of genealogical materials collected in doing research on the King, Smith, and related families, and includes genealogical notes and charts, correspondence, and photographs. Papers also include King's personal papers mainly concerning her education and career as a nursing instructor. The series is divided into five series: I: Family Genealogies; II: Genealogical Correspondence; III: Miscellaneous Genealogical Material; IV: Personal Papers; V: Oversize.","There are no restrictions.","English"],"collection_title_tesim":["Mary Josephine King Papers, 1918-2003"],"collection_ssim":["Mary Josephine King Papers, 1918-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["42309"],"unitid_tesim":["42309"],"repository_ssm":["Library of Virginia"],"repository_ssim":["Library of Virginia"],"creator_ssm":["Mary Josephine King"],"creator_ssim":["Mary Josephine King"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Gift of the estate of Mary Josephine King, Atlanta, Georgia.  Video cd of Mary Josephine King interview on the Horton family gift of Harold Horton, Flowood, Mississippi."],"has_online_content_ssim":["false"],"physdesc_tesim":["18.55 cubic feet and 38 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into the following series:\u003c/p\u003e\n      ","\u003clist type=\"simple\"\u003e\n        \u003citem\u003eFamily Genealogies\u003c/item\u003e\n        \u003citem\u003eGenealogical Correspondence\u003c/item\u003e\n        \u003citem\u003eMiscellaneous Genealogical Material\u003c/item\u003e\n        \u003citem\u003ePersonal Papers\u003c/item\u003e\n        \u003citem\u003eOversize\u003c/item\u003e\n      \u003c/list\u003e\n    "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into the following series:","Family Genealogies\n        Genealogical Correspondence\n        Miscellaneous Genealogical Material\n        Personal Papers\n        Oversize"],"bioghist_html_tesm":["\u003cp\u003eMary Josephine King was born 29 April 1924 in Birmingham, Alabama, to John Berry King (1894-1934) and Susan Edith Smith King (1899-1981). Mary Jo King graduated from Central High School in Charlotte, North Carolina, in 1942, and from Presbyterian Hospital School of Nursing (Charlotte) in 1945. King taught nursing in Mississippi and in West Virginia, before accepting a position at Portsmouth (Virginia) General Hospital. After retiring from Portsmouth General, she taught part-time at Louise Obici School of Nursing. King was also a genealogist and belonged to several organizations. She did in-depth research on the King, Smith, and related families. Never married, Mary Josephine King died 22 October 2004 in Chesapeake, Virginia. She was buried in Forest Lawn Cemetery in Charlotte, North Carolina.\n\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Mary Josephine King was born 29 April 1924 in Birmingham, Alabama, to John Berry King (1894-1934) and Susan Edith Smith King (1899-1981). Mary Jo King graduated from Central High School in Charlotte, North Carolina, in 1942, and from Presbyterian Hospital School of Nursing (Charlotte) in 1945. King taught nursing in Mississippi and in West Virginia, before accepting a position at Portsmouth (Virginia) General Hospital. After retiring from Portsmouth General, she taught part-time at Louise Obici School of Nursing. King was also a genealogist and belonged to several organizations. She did in-depth research on the King, Smith, and related families. Never married, Mary Josephine King died 22 October 2004 in Chesapeake, Virginia. She was buried in Forest Lawn Cemetery in Charlotte, North Carolina."],"prefercite_html_tesm":["\u003cp\u003eMary Josephine King Papers, 1918-2003. Accession 42309. Personal papers collection, The Library of Virginia, Richmond, Virginia.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Mary Josephine King Papers, 1918-2003. Accession 42309. Personal papers collection, The Library of Virginia, Richmond, Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers, 1918-2003, of Mary Josephine King (1924-2004) of Chesapeake, Virginia, and Charlotte, North Carolina, consisting of genealogical materials collected in doing research on the King, Smith, and related families, and includes genealogical notes and charts, correspondence, and photographs. Papers also include King's personal papers mainly concerning her education and career as a nursing instructor. The series is divided into five series: I: Family Genealogies; II: Genealogical Correspondence; III: Miscellaneous Genealogical Material; IV: Personal Papers; V: Oversize. \n\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Papers, 1918-2003, of Mary Josephine King (1924-2004) of Chesapeake, Virginia, and Charlotte, North Carolina, consisting of genealogical materials collected in doing research on the King, Smith, and related families, and includes genealogical notes and charts, correspondence, and photographs. Papers also include King's personal papers mainly concerning her education and career as a nursing instructor. The series is divided into five series: I: Family Genealogies; II: Genealogical Correspondence; III: Miscellaneous Genealogical Material; IV: Personal Papers; V: Oversize."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"language_ssim":["English"],"total_component_count_is":632,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:24:32.093Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vi_vi01861_c04_c49"}},{"id":"vifgm_repositories_2_resources_316_c1642","type":"File","attributes":{"title":"Zum Beispiel, 1981","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1642#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis poster has a yellow background and shows an image of a rifle sticking out of a stone trashcan on a sidewalk. The poster is signed by Manfred Butzmann.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1642#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_316_c1642","ref_ssm":["vifgm_repositories_2_resources_316_c1642"],"id":"vifgm_repositories_2_resources_316_c1642","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","parent_ssi":"vifgm_repositories_2_resources_316","parent_ssim":["East German poster collection film series, 1947/1995"],"parent_ids_ssim":["vifgm_repositories_2_resources_316"],"title_filing_ssi":"Zum Beispiel","title_ssm":["Zum Beispiel"],"title_tesim":["Zum Beispiel"],"normalized_title_ssm":["Zum Beispiel, 1981"],"text":["Zum Beispiel, 1981","East German poster collection film series, 1947/1995","This poster has a yellow background and shows an image of a rifle sticking out of a stone trashcan on a sidewalk. The poster is signed by Manfred Butzmann."],"parent_unittitles_ssm":["East German poster collection film series, 1947/1995"],"parent_unittitles_tesim":["East German poster collection film series, 1947/1995"],"normalized_date_ssm":["1981"],"unitdate_other_ssim":["1981"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1642,"repository_ssim":["George Mason University"],"collection_ssim":["East German poster collection film series, 1947/1995"],"dimensions_tesim":["57 x 81"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"date_range_isim":[1981],"scopecontent_html_tesm":["\u003cp\u003eThis poster has a yellow background and shows an image of a rifle sticking out of a stone trashcan on a sidewalk. The poster is signed by Manfred Butzmann.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This poster has a yellow background and shows an image of a rifle sticking out of a stone trashcan on a sidewalk. The poster is signed by Manfred Butzmann."],"_nest_path_":"/components#1641","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.","Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. 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Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1870,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1642"}},{"id":"vifgm_repositories_2_resources_316_c1617","type":"File","attributes":{"title":"Zum Beispiel, 1982","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1617#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis poster has a light green background and shows two images. The left image shows a vine growing onto a concrete pillar and the right image shows a streetlight covered in foliage. The title of the poster reads \"For Example\" and is signed by Manfred Butz\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1617#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_316_c1617","ref_ssm":["vifgm_repositories_2_resources_316_c1617"],"id":"vifgm_repositories_2_resources_316_c1617","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","parent_ssi":"vifgm_repositories_2_resources_316","parent_ssim":["East German poster collection film series, 1947/1995"],"parent_ids_ssim":["vifgm_repositories_2_resources_316"],"title_filing_ssi":"Zum Beispiel","title_ssm":["Zum Beispiel"],"title_tesim":["Zum Beispiel"],"normalized_title_ssm":["Zum Beispiel, 1982"],"text":["Zum Beispiel, 1982","East German poster collection film series, 1947/1995","This poster has a light green background and shows two images. The left image shows a vine growing onto a concrete pillar and the right image shows a streetlight covered in foliage. The title of the poster reads \"For Example\" and is signed by Manfred Butz"],"parent_unittitles_ssm":["East German poster collection film series, 1947/1995"],"parent_unittitles_tesim":["East German poster collection film series, 1947/1995"],"normalized_date_ssm":["1982"],"unitdate_other_ssim":["1982"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1617,"repository_ssim":["George Mason University"],"collection_ssim":["East German poster collection film series, 1947/1995"],"dimensions_tesim":["81 x 57"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"date_range_isim":[1982],"scopecontent_html_tesm":["\u003cp\u003eThis poster has a light green background and shows two images. The left image shows a vine growing onto a concrete pillar and the right image shows a streetlight covered in foliage. The title of the poster reads \"For Example\" and is signed by Manfred Butz\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This poster has a light green background and shows two images. The left image shows a vine growing onto a concrete pillar and the right image shows a streetlight covered in foliage. The title of the poster reads \"For Example\" and is signed by Manfred Butz"],"_nest_path_":"/components#1616","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.","Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. 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The hue of the image is green. 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The hue of the image is green. The title of the poster reads \"For example\" and is signed by Manfred Butzmann."],"parent_unittitles_ssm":["East German poster collection film series, 1947/1995"],"parent_unittitles_tesim":["East German poster collection film series, 1947/1995"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1612,"repository_ssim":["George Mason University"],"collection_ssim":["East German poster collection film series, 1947/1995"],"dimensions_tesim":["26 x 34"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"date_range_isim":[1985],"scopecontent_html_tesm":["\u003cp\u003eThis poster has a white background and shows an image of a street lamp covered in foliage. The hue of the image is green. The title of the poster reads \"For example\" and is signed by Manfred Butzmann.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This poster has a white background and shows an image of a street lamp covered in foliage. The hue of the image is green. The title of the poster reads \"For example\" and is signed by Manfred Butzmann."],"_nest_path_":"/components#1611","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. 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Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. 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The title of the poster reads \"For example\" and is signed by Manfred Butzmann.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1614#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_316_c1614","ref_ssm":["vifgm_repositories_2_resources_316_c1614"],"id":"vifgm_repositories_2_resources_316_c1614","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","parent_ssi":"vifgm_repositories_2_resources_316","parent_ssim":["East German poster collection film series, 1947/1995"],"parent_ids_ssim":["vifgm_repositories_2_resources_316"],"title_filing_ssi":"Zum Beispiel","title_ssm":["Zum Beispiel"],"title_tesim":["Zum Beispiel"],"normalized_title_ssm":["Zum Beispiel, 1985"],"text":["Zum Beispiel, 1985","East German poster collection film series, 1947/1995","This poster has a light green background and shows an image of a vine growing up a concrete pole on a stone sidewalk. The title of the poster reads \"For example\" and is signed by Manfred Butzmann."],"parent_unittitles_ssm":["East German poster collection film series, 1947/1995"],"parent_unittitles_tesim":["East German poster collection film series, 1947/1995"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1614,"repository_ssim":["George Mason University"],"collection_ssim":["East German poster collection film series, 1947/1995"],"dimensions_tesim":["41 x 57"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"date_range_isim":[1985],"scopecontent_html_tesm":["\u003cp\u003eThis poster has a light green background and shows an image of a vine growing up a concrete pole on a stone sidewalk. The title of the poster reads \"For example\" and is signed by Manfred Butzmann.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This poster has a light green background and shows an image of a vine growing up a concrete pole on a stone sidewalk. The title of the poster reads \"For example\" and is signed by Manfred Butzmann."],"_nest_path_":"/components#1613","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. 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Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. 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Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1870,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1614"}},{"id":"vifgm_repositories_2_resources_316_c1615","type":"File","attributes":{"title":"Zum Beispiel, 1985","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1615#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis poster has a light green background and shows a streetlight that is covered in foliage. The title of the poster reads \"For Example\" and is signed by Manfred Butzmann.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1615#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_316_c1615","ref_ssm":["vifgm_repositories_2_resources_316_c1615"],"id":"vifgm_repositories_2_resources_316_c1615","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","parent_ssi":"vifgm_repositories_2_resources_316","parent_ssim":["East German poster collection film series, 1947/1995"],"parent_ids_ssim":["vifgm_repositories_2_resources_316"],"title_filing_ssi":"Zum Beispiel","title_ssm":["Zum Beispiel"],"title_tesim":["Zum Beispiel"],"normalized_title_ssm":["Zum Beispiel, 1985"],"text":["Zum Beispiel, 1985","East German poster collection film series, 1947/1995","This poster has a light green background and shows a streetlight that is covered in foliage. The title of the poster reads \"For Example\" and is signed by Manfred Butzmann."],"parent_unittitles_ssm":["East German poster collection film series, 1947/1995"],"parent_unittitles_tesim":["East German poster collection film series, 1947/1995"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1615,"repository_ssim":["George Mason University"],"collection_ssim":["East German poster collection film series, 1947/1995"],"dimensions_tesim":["41 x 57"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"date_range_isim":[1985],"scopecontent_html_tesm":["\u003cp\u003eThis poster has a light green background and shows a streetlight that is covered in foliage. The title of the poster reads \"For Example\" and is signed by Manfred Butzmann.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This poster has a light green background and shows a streetlight that is covered in foliage. The title of the poster reads \"For Example\" and is signed by Manfred Butzmann."],"_nest_path_":"/components#1614","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. 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Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. 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Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"language_ssim":["German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1870,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T22:34:37.194Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1615"}},{"id":"vifgm_repositories_2_resources_316_c1616","type":"File","attributes":{"title":"Zum Beispiel, 1985","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1616#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThis poster has a light green background and shows an image of several boats titled to a shore. A larger boat full of trees and bushes is further out in the water. The title of the poster reads \"For Example\" and is signed by Manfred Butzmann.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_316_c1616#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_316_c1616","ref_ssm":["vifgm_repositories_2_resources_316_c1616"],"id":"vifgm_repositories_2_resources_316_c1616","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","parent_ssi":"vifgm_repositories_2_resources_316","parent_ssim":["East German poster collection film series, 1947/1995"],"parent_ids_ssim":["vifgm_repositories_2_resources_316"],"title_filing_ssi":"Zum Beispiel","title_ssm":["Zum Beispiel"],"title_tesim":["Zum Beispiel"],"normalized_title_ssm":["Zum Beispiel, 1985"],"text":["Zum Beispiel, 1985","East German poster collection film series, 1947/1995","This poster has a light green background and shows an image of several boats titled to a shore. A larger boat full of trees and bushes is further out in the water. The title of the poster reads \"For Example\" and is signed by Manfred Butzmann."],"parent_unittitles_ssm":["East German poster collection film series, 1947/1995"],"parent_unittitles_tesim":["East German poster collection film series, 1947/1995"],"normalized_date_ssm":["1985"],"unitdate_other_ssim":["1985"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":1616,"repository_ssim":["George Mason University"],"collection_ssim":["East German poster collection film series, 1947/1995"],"dimensions_tesim":["41 x 57"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"date_range_isim":[1985],"scopecontent_html_tesm":["\u003cp\u003eThis poster has a light green background and shows an image of several boats titled to a shore. A larger boat full of trees and bushes is further out in the water. The title of the poster reads \"For Example\" and is signed by Manfred Butzmann.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This poster has a light green background and shows an image of several boats titled to a shore. A larger boat full of trees and bushes is further out in the water. The title of the poster reads \"For Example\" and is signed by Manfred Butzmann."],"_nest_path_":"/components#1615","timestamp":"2026-08-14T22:34:37.194Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_316","ead_ssi":"vifgm_repositories_2_resources_316","_root_":"vifgm_repositories_2_resources_316","_nest_parent_":"vifgm_repositories_2_resources_316","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_316.xml","title_ssm":["East German poster collection film series"],"title_tesim":["East German poster collection film series"],"unitdate_ssm":["1947-1995"],"unitdate_inclusive_ssm":["1947-1995"],"normalized_date_ssm":["1947/1995"],"normalized_title_ssm":["East German poster collection film series, 1947/1995"],"text":["East German poster collection film series, 1947/1995","C0208","/repositories/2/resources/316","Germany (East)","Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters","Collection is open to research.","Arranged by subject and a numbering system.","The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.","Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources.","The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.","There may be restrictions on reproduction. Contact the Special Collections Research Center for more information.","These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.","MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3","George Mason University. Libraries. 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Contact the Special Collections Research Center for more information."],"acqinfo_ssim":["Purchased from Thomas Hill in 2009."],"access_subjects_ssim":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"access_subjects_ssm":["Motion pictures -- Germany (East) -- Posters","Motion Pictures, Yugoslavian -- Germany (East) -- Posters","Motion Pictures, West German -- Germany (East) -- Posters","Motion Pictures, Spanish -- Germany (East) -- Posters","Film posters","Motion Pictures, Soviet -- Germany (East) -- Posters","Motion Pictures, Romanian -- Germany (East) -- Posters","Motion Pictures, Polish -- Germany (East) -- Posters","Motion Pictures, North Korean -- Germany (East) -- Posters","Motion Pictures, American -- Germany (East) -- Posters","Motion Pictures, Australian -- Germany (East) -- Posters","Motion Pictures, Austrian -- Germany (East) -- Posters","Motion Pictures, Bulgarian -- Germany (East) -- Posters","Motion Pictures, Chinese -- Germany (East) -- Posters","Motion Pictures, Cuban -- Germany (East) -- Posters","Motion Pictures, Czechoslovakian -- Germany (East) -- Posters","Motion Pictures, East German -- Germany (East) -- Posters","Motion Pictures, French -- Germany (East) -- Posters","Motion Pictures, German -- Germany (East) -- Posters","Motion Pictures, Hungarian -- Germany (East) -- Posters","Motion Pictures, Italian -- Germany (East) -- Posters","Motion Pictures, Japanese -- Germany (East) -- Posters","Posters"],"has_online_content_ssim":["false"],"extent_ssm":["3060 posters"],"extent_tesim":["3060 posters"],"genreform_ssim":["Posters"],"date_range_isim":[1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject and a numbering system.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject and a numbering system."],"bioghist_html_tesm":["\u003cp\u003eThe cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The cinema of East Germany is strongly identified with the studio Deutsche Film-Aktiengesellschaft (DEFA) and the distributor Progress Film Vertrieb, which later became VEB Progress Film Vertrieb, and then Progress Film Verleih. The Soviet Military Administration created DEFA following the end of World War II and the establishment of the military districts that divided Germany. In 1949 the newly formed Deutsche Demokratische Republik (DDR) developed DEFA into a film studio with strict guidelines for creating works that favored socialist prospectives. Even though the strict rules on content limited the number of films created by DEFA, the number of films distributed by Progress Film Vertrieb increased as more and more cinemas opened. By the 1970s, Progress Film Vertrieb distributed films from 30 countries. In addition to distributing films to cinemas, Progress Film Vertrieb also sponsored film festivals."],"prefercite_html_tesm":["\u003cp\u003eEast German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["East German poster collection film series, C0208, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.\u003c/p\u003e","\u003cp\u003eProcessing supported by a grant from the Council on Library and Information Resources. \u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Sean Tennant and Alexa Potter in 2010-2011. EAD markup completed by Jordan Patty in 2011. Finding aid updated by Amanda Menjivar in July 2022 and October 2023.","Processing supported by a grant from the Council on Library and Information Resources."],"relatedmaterial_html_tesm":["\u003cp\u003eThe East German poster collection contains other series, including the \u003cextptr show=\"new\" title=\"art exhibitions series\" href=\"https://aspace.gmu.edu/resources/c0207\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"performing arts series\" href=\"https://aspace.gmu.edu/resources/c0209\"\u003e\u003c/extptr\u003e, \u003cextptr show=\"new\" title=\"culture and science series\" href=\"https://aspace.gmu.edu/resources/c0206\"\u003e\u003c/extptr\u003e, and \u003cextptr show=\"new\" title=\"political series\" href=\"https://aspace.gmu.edu/resources/c0169\"\u003e\u003c/extptr\u003e.\u003c/p\u003e","\u003cp\u003eIn 2021, GMU Professor Samuel Huneke led the completion of the \u003cextptr show=\"new\" title=\"East German Poster Database\" href=\"https://eastgermanposters.gmu.edu/s/eastgermanposters/page/home\"\u003e\u003c/extptr\u003e\n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The East German poster collection contains other series, including the , , , and .","In 2021, GMU Professor Samuel Huneke led the completion of the \n, a project funded by a Fenwick Fellowship. The posters from each of the East German poster collection series can be searched in this database."],"scopecontent_html_tesm":["\u003cp\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990. The collection includes a poster for the 1965 DEFA production of \"The Rabbit is Me,\" which was banned by the DDR as anti-socialist. Another poster for \"Your Unknown Brother,\" a film that was nominated for the Cannes Film Festival, was withdrawn by DDR officials. A poster for \"Jacob the Liar,\" the first and only DDR film to be nominated for an Academy Award in 1975, was not released to the public until 1989. A significant portion of the posters are for films produced outside the former Eastern Bloc, but they often promote socialist concepts or have socialist undertones. For example, one of the posters advertises for \"Trading Places,\" an American film about two wealthy capitalists manipulating the marketplace and their downfall arranged by a homeless black man and a white former employee of the capitalists. Most of the films from other countries are from the former Soviet Union and other Communist countries."],"userestrict_html_tesm":["\u003cp\u003eThere may be restrictions on reproduction. Contact the Special Collections Research Center for more information.\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There may be restrictions on reproduction. Contact the Special Collections Research Center for more information."],"abstract_html_tesm":["\u003cabstract id=\"aspace_700efba4c5b4e42f689760e84a9deae5\"\u003eThese posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990.\u003c/abstract\u003e\n    "],"abstract_tesim":["These posters document the cinematic heritage of the DDR and represent the films through both abstract works and interpretations of scenes from the films. The posters range in size from 21 x 57.5 cm to 84 x 59.5 cm. Although the posters date from 1947-1995, the majority fall between 1950 and 1990."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_5ad7900c9eb15215493fa99eec8d329b\"\u003eMC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3\u003c/physloc\u003e\n    "],"physloc_tesim":["MC 5.1-7.2, 10.5, 20.2, 20.5, 28.1, 28.3"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)"],"names_coll_ssim":["DEFA","Progress Film-Verleih","Progress Film-Vertrieb (Berlin, Germany)","Sovėksportfilʹm (Firm)","Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"persname_ssim":["Wongel, Gisela","Wittkugel, Klaus, 1910-","Westphal, Fred","Wendt, Horst","Wendlandt, Lars","Rosié, Paul, 1910-1984","Müller, Rudolf Felix","Lenk, Eberhard","Hill, Thomas","Lauenroth, Ernst","Baltzer, Hans, 1900-1972","Bofinger, Manfred","Brandt, Gernot","Claus, Matthias","Ebel, Heinz","Ehbets, Christoph","Geffers, Kurt","Grüttner, Erhard","Grüttner, Roswitha","Handschick, Heinz","Heller, Bert","Klemke, Werner","Kummert, Otto, 1936-"],"names_ssim":["George Mason University. 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