{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=University+of+Richmond\u0026facet.sort=index\u0026page=417","prev":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=University+of+Richmond\u0026facet.sort=index\u0026page=416","next":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=University+of+Richmond\u0026facet.sort=index\u0026page=418","last":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=University+of+Richmond\u0026facet.sort=index\u0026page=435"},"meta":{"pages":{"current_page":417,"next_page":418,"prev_page":416,"total_pages":435,"limit_value":10,"offset_value":4160,"total_count":4342,"first_page?":false,"last_page?":false}},"data":[{"id":"viur_repositories_4_resources_52_c01_c02","type":"File","attributes":{"title":"View taken from south side of the Canal Basin, Richmond, VA, showing Capitol, Customs house, etc., 1865","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_52_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_52_c01_c02","ref_ssm":["viur_repositories_4_resources_52_c01_c02"],"id":"viur_repositories_4_resources_52_c01_c02","ead_ssi":"viur_repositories_4_resources_52","_root_":"viur_repositories_4_resources_52","_nest_parent_":"viur_repositories_4_resources_52_c01","parent_ssi":"viur_repositories_4_resources_52_c01","parent_ssim":["Richmond Civil War Photographs, 1825","Series I: Richmond Civil War Photographs, 1865"],"parent_ids_ssim":["viur_repositories_4_resources_52","viur_repositories_4_resources_52_c01"],"title_filing_ssi":"View taken from south side of the Canal Basin, Richmond, VA, showing Capitol, Customs house, etc.","title_ssm":["View taken from south side of the Canal Basin, Richmond, VA, showing Capitol, Customs house, etc."],"title_tesim":["View taken from south side of the Canal Basin, Richmond, VA, showing Capitol, Customs house, etc."],"normalized_title_ssm":["View taken from south side of the Canal Basin, Richmond, VA, showing Capitol, Customs house, etc., 1865"],"text":["View taken from south side of the Canal Basin, Richmond, VA, showing Capitol, Customs house, etc., 1865","Richmond Civil War Photographs, 1825","Series I: Richmond Civil War Photographs, 1865","box 1 MS-22","folder 2"],"parent_unittitles_ssm":["Richmond Civil War Photographs, 1825","Series I: Richmond Civil War Photographs, 1865"],"parent_unittitles_tesim":["Richmond Civil War Photographs, 1825","Series I: Richmond Civil War Photographs, 1865"],"normalized_date_ssm":["1865"],"unitdate_other_ssim":["April, 1865"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3,"repository_ssim":["University of Richmond"],"collection_ssim":["Richmond Civil War Photographs, 1825"],"containers_ssim":["box 1 MS-22","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1865],"_nest_path_":"/components#0/components#1","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_52","ead_ssi":"viur_repositories_4_resources_52","_root_":"viur_repositories_4_resources_52","_nest_parent_":"viur_repositories_4_resources_52","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_52.xml","title_ssm":["Richmond Civil War Photographs"],"title_tesim":["Richmond Civil War Photographs"],"unitdate_ssm":["April 1865"],"unitdate_inclusive_ssm":["April 1865"],"normalized_date_ssm":["1825"],"normalized_title_ssm":["Richmond Civil War Photographs, 1825"],"text":["Richmond Civil War Photographs, 1825","MS-22","/repositories/4/resources/52","Richmond (Va.)","James River and Kanawha Canal (Va.)","Gambles Hill","Haxall Flour Mills","Carey (Cary) Street (Richmond, Va.)","United States -- History -- Civil War, 1861-1865","Richmond (Va.) -- History -- Siege, 1864-1865","Photographers","Soldiers","Photographs","This collection contains one series.","Sullivan, George, and Mathew B. Brady. In the Wake of Battle: the Civil War Images of Mathew Brady / George Sullivan. Munich; Prestel, 2004.","At the beginning of April 1865, General Robert E. Lee and his Confederate troops retreated from Richmond, leaving the city in flames. A large portion of the riverfront burned, leaving much of the Downtown area completely or nearly destroyed. Photographers arrived to the city just days after the retreat of General Lee and his troops. Alexander Gardner was one of the first photographers to arrive in Richmond. Shortly after, on April 12, Matthew Brady and his men arrived and began taking photographs as well. After Matthew Brady died in 1896, his nephew-in-law L.C. Handy inherited his studio and photographs. This collection represents nine photographs of the hundreds taken over the course of the days following Lee's retreat and the chaos that ensued.","The collection consists of eight files in a flat, metal edged box. Files 4 and 5 occur in succession as they are both images depicting the Haxall Flour Mills and surrounding area. File folders separate each individual picture with one oversized image located in the back of the box.","Processed by Keondra Bailey \u0026 Betty Dickie, Special Collections Cataloging \u0026 Preservation Associate.","This collection represents a series of photos of the Richmond area in April 1865 just days after the retreat of Gen. Robert E. Lee and his troops. These photos showcase the aftermath of the burning and looting of the city. The collection contains photographs taken by Andrew Russell and are from a series housed at L.C. Handy Studios. Handy was the nephew of Civil War photographer Matthew Brady. Multiple areas are shown in the photographs including: the Capital, Customs House, Haxall Flour Mills, ruins of the arsenal, Gambles Hill, State Penitentiary, Kanawha Canal, and Cary (spelled Carey) Street.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection represents a series of photos of the Richmond area in April 1865 just days after the retreat of Gen. Robert E. Lee and his troops.","University of Richmond","L.C. Handy Studios","Virginia Penitentiary","Brady, Mathew B., approximately 1823-1896","Gardner, Alexander, 1821-1882","Handy, Levin C. (Levin Corbin), 1855-1932","Russell, Andrew J.","English\n."],"collection_title_tesim":["Richmond Civil War Photographs, 1825"],"collection_ssim":["Richmond Civil War Photographs, 1825"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-22","/repositories/4/resources/52"],"unitid_tesim":["MS-22","/repositories/4/resources/52"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","James River and Kanawha Canal (Va.)","Gambles Hill","Haxall Flour Mills","Carey (Cary) Street (Richmond, Va.)","United States -- History -- Civil War, 1861-1865","Richmond (Va.) -- History -- Siege, 1864-1865"],"geogname_ssim":["Richmond (Va.)","James River and Kanawha Canal (Va.)","Gambles Hill","Haxall Flour Mills","Carey (Cary) Street (Richmond, Va.)","United States -- History -- Civil War, 1861-1865","Richmond (Va.) -- History -- Siege, 1864-1865"],"places_ssim":["Richmond (Va.)","James River and Kanawha Canal (Va.)","Gambles Hill","Haxall Flour Mills","Carey (Cary) Street (Richmond, Va.)","United States -- History -- Civil War, 1861-1865","Richmond (Va.) -- History -- Siege, 1864-1865"],"creator_ssm":["Brady, Mathew B., approximately 1823-1896","Gardner, Alexander, 1821-1882","Handy, Levin C. (Levin Corbin), 1855-1932","Russell, Andrew J.","L.C. Handy Studios"],"creator_ssim":["Brady, Mathew B., approximately 1823-1896","Gardner, Alexander, 1821-1882","Handy, Levin C. (Levin Corbin), 1855-1932","Russell, Andrew J.","L.C. Handy Studios"],"creator_persname_ssim":["Brady, Mathew B., approximately 1823-1896","Gardner, Alexander, 1821-1882","Handy, Levin C. (Levin Corbin), 1855-1932","Russell, Andrew J."],"creator_corpname_ssim":["University of Richmond","L.C. Handy Studios","Virginia Penitentiary"],"creators_ssim":["Brady, Mathew B., approximately 1823-1896","Gardner, Alexander, 1821-1882","Handy, Levin C. (Levin Corbin), 1855-1932","Russell, Andrew J.","University of Richmond","L.C. Handy Studios","Virginia Penitentiary"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"access_subjects_ssim":["Photographers","Soldiers","Photographs"],"access_subjects_ssm":["Photographers","Soldiers","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.9 Linear Feet"],"extent_tesim":["0.9 Linear Feet"],"genreform_ssim":["Photographs"],"date_range_isim":[1825],"arrangement_html_tesm":["\u003cp\u003eThis collection contains one series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection contains one series."],"bibliography_html_tesm":["\u003cp\u003eSullivan, George, and Mathew B. Brady. \u003cemph render=\"italics\"\u003eIn the Wake of Battle: the Civil War Images of Mathew Brady / George Sullivan\u003c/emph\u003e. Munich; Prestel, 2004.\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Sullivan, George, and Mathew B. Brady. In the Wake of Battle: the Civil War Images of Mathew Brady / George Sullivan. Munich; Prestel, 2004."],"bioghist_html_tesm":["\u003cp\u003eAt the beginning of April 1865, General Robert E. Lee and his Confederate troops retreated from Richmond, leaving the city in flames. A large portion of the riverfront burned, leaving much of the Downtown area completely or nearly destroyed. Photographers arrived to the city just days after the retreat of General Lee and his troops. Alexander Gardner was one of the first photographers to arrive in Richmond. Shortly after, on April 12, Matthew Brady and his men arrived and began taking photographs as well. After Matthew Brady died in 1896, his nephew-in-law L.C. Handy inherited his studio and photographs. This collection represents nine photographs of the hundreds taken over the course of the days following Lee's retreat and the chaos that ensued.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["At the beginning of April 1865, General Robert E. Lee and his Confederate troops retreated from Richmond, leaving the city in flames. A large portion of the riverfront burned, leaving much of the Downtown area completely or nearly destroyed. Photographers arrived to the city just days after the retreat of General Lee and his troops. Alexander Gardner was one of the first photographers to arrive in Richmond. Shortly after, on April 12, Matthew Brady and his men arrived and began taking photographs as well. After Matthew Brady died in 1896, his nephew-in-law L.C. Handy inherited his studio and photographs. This collection represents nine photographs of the hundreds taken over the course of the days following Lee's retreat and the chaos that ensued."],"prefercite_html_tesm":["\u003cp\u003eBox 1, [Folder Number], MS-22, Richmond Civil War Photographs Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["Box 1, [Folder Number], MS-22, Richmond Civil War Photographs Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection consists of eight files in a flat, metal edged box. Files 4 and 5 occur in succession as they are both images depicting the Haxall Flour Mills and surrounding area. File folders separate each individual picture with one oversized image located in the back of the box.\u003c/p\u003e","\u003cp\u003eProcessed by Keondra Bailey \u0026amp; Betty Dickie, Special Collections Cataloging \u0026amp; Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection consists of eight files in a flat, metal edged box. Files 4 and 5 occur in succession as they are both images depicting the Haxall Flour Mills and surrounding area. File folders separate each individual picture with one oversized image located in the back of the box.","Processed by Keondra Bailey \u0026 Betty Dickie, Special Collections Cataloging \u0026 Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection represents a series of photos of the Richmond area in April 1865 just days after the retreat of Gen. Robert E. Lee and his troops. These photos showcase the aftermath of the burning and looting of the city. The collection contains photographs taken by Andrew Russell and are from a series housed at L.C. Handy Studios. Handy was the nephew of Civil War photographer Matthew Brady. Multiple areas are shown in the photographs including: the Capital, Customs House, Haxall Flour Mills, ruins of the arsenal, Gambles Hill, State Penitentiary, Kanawha Canal, and Cary (spelled Carey) Street.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection represents a series of photos of the Richmond area in April 1865 just days after the retreat of Gen. Robert E. Lee and his troops. These photos showcase the aftermath of the burning and looting of the city. The collection contains photographs taken by Andrew Russell and are from a series housed at L.C. Handy Studios. Handy was the nephew of Civil War photographer Matthew Brady. Multiple areas are shown in the photographs including: the Capital, Customs House, Haxall Flour Mills, ruins of the arsenal, Gambles Hill, State Penitentiary, Kanawha Canal, and Cary (spelled Carey) Street."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_cd9e4f7e2ac25535f7252449f2b29108\"\u003eThis collection represents a series of photos of the Richmond area in April 1865 just days after the retreat of Gen. Robert E. Lee and his troops.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection represents a series of photos of the Richmond area in April 1865 just days after the retreat of Gen. Robert E. Lee and his troops."],"corpname_ssim":["University of Richmond","L.C. Handy Studios","Virginia Penitentiary"],"names_coll_ssim":["L.C. Handy Studios","Virginia Penitentiary","Brady, Mathew B., approximately 1823-1896","Gardner, Alexander, 1821-1882","Handy, Levin C. (Levin Corbin), 1855-1932","Russell, Andrew J."],"persname_ssim":["Brady, Mathew B., approximately 1823-1896","Gardner, Alexander, 1821-1882","Handy, Levin C. (Levin Corbin), 1855-1932","Russell, Andrew J."],"names_ssim":["University of Richmond","L.C. Handy Studios","Virginia Penitentiary","Brady, Mathew B., approximately 1823-1896","Gardner, Alexander, 1821-1882","Handy, Levin C. (Levin Corbin), 1855-1932","Russell, Andrew J."],"language_ssim":["English\n."],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_52_c01_c02"}},{"id":"viur_repositories_4_resources_8_c05_c01","type":"File","attributes":{"title":"Vignette of Dr. Robert's memories of a conversation with Mrs. Hardy on T. E. Lawrence, 1935","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_8_c05_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_8_c05_c01","ref_ssm":["viur_repositories_4_resources_8_c05_c01"],"id":"viur_repositories_4_resources_8_c05_c01","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8_c05","parent_ssi":"viur_repositories_4_resources_8_c05","parent_ssim":["Marguerite Roberts Collection, 1924/1980","Series V: Max Gate Circle, 1918/1980"],"parent_ids_ssim":["viur_repositories_4_resources_8","viur_repositories_4_resources_8_c05"],"title_filing_ssi":"Vignette of Dr. Robert's memories of a conversation with Mrs. Hardy on T. E. Lawrence","title_ssm":["Vignette of Dr. Robert's memories of a conversation with Mrs. Hardy on T. E. Lawrence"],"title_tesim":["Vignette of Dr. Robert's memories of a conversation with Mrs. Hardy on T. E. Lawrence"],"normalized_title_ssm":["Vignette of Dr. Robert's memories of a conversation with Mrs. Hardy on T. E. Lawrence, 1935"],"text":["Vignette of Dr. Robert's memories of a conversation with Mrs. Hardy on T. E. Lawrence, 1935","Marguerite Roberts Collection, 1924/1980","Series V: Max Gate Circle, 1918/1980","box 9 MS-9","folder 1"],"parent_unittitles_ssm":["Marguerite Roberts Collection, 1924/1980","Series V: Max Gate Circle, 1918/1980"],"parent_unittitles_tesim":["Marguerite Roberts Collection, 1924/1980","Series V: Max Gate Circle, 1918/1980"],"normalized_date_ssm":["1935"],"unitdate_other_ssim":["[1935]"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":149,"repository_ssim":["University of Richmond"],"collection_ssim":["Marguerite Roberts Collection, 1924/1980"],"containers_ssim":["box 9 MS-9","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1935],"_nest_path_":"/components#4/components#0","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_8","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_8.xml","title_ssm":["Marguerite Roberts Collection"],"title_tesim":["Marguerite Roberts Collection"],"unitdate_ssm":["1924-1980"],"unitdate_inclusive_ssm":["1924-1980"],"normalized_date_ssm":["1924/1980"],"normalized_title_ssm":["Marguerite Roberts Collection, 1924/1980"],"text":["Marguerite Roberts Collection, 1924/1980","MS-9","/repositories/4/resources/8","Nonbook Materials","Photocopying","Clippings","Manuscripts","The collection is arranged into 8 series:","Series I: The Dynasts\nSeries II: Hardy's Dramatic Poetry and the Theater\nSeries III: Tess and the Theater\nSeries IV: Hardy and the Theater\nSeries V: Max Gate Circle\nSeries VI: General Research\nSeries VII: Manuscripts and Journals\nSeries VIII: Personal","Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled Thomas Hardy and the Theater. She continued with this theme in two of her scholarly publications, Tess in the Theater, 1950, and Hardy's Poetic Drama and the Theater, 1965. A third book, Florence Hardy and the Max Gate Circle, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the Journal of the Deans of Women, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.","Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.","The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the Westhampton College Oral Histories in audio and transcription.","This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse, The Dynasts. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work Hardy's Poetic Drama and Theater. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on Tess and the Theater, originally part of Roberts' dissertation. Hardy's book, Tess of the D'Urbervilles, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, Hardy and the Theater. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of Hardy and the Theater. (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, Thomas Hardy and the Theater; and her books, Tess and the Theater, Hardy's Poetic Drama and the Theater, and Florence Hardy and the Max Gate Circle, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.","University of Richmond","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","English"],"collection_title_tesim":["Marguerite Roberts Collection, 1924/1980"],"collection_ssim":["Marguerite Roberts Collection, 1924/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-9","/repositories/4/resources/8"],"unitid_tesim":["MS-9","/repositories/4/resources/8"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"creator_corpname_ssim":["University of Richmond","Thomas Hardy Society"],"creators_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","University of Richmond","Thomas Hardy Society"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"access_subjects_ssim":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"access_subjects_ssm":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"extent_tesim":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"genreform_ssim":["Clippings","Manuscripts"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series:\u003c/p\u003e","\u003cp\u003eSeries I: The Dynasts\u003cbr\u003e\nSeries II: Hardy's Dramatic Poetry and the Theater\u003cbr\u003e\nSeries III: Tess and the Theater\u003cbr\u003e\nSeries IV: Hardy and the Theater\u003cbr\u003e\nSeries V: Max Gate Circle\u003cbr\u003e\nSeries VI: General Research\u003cbr\u003e\nSeries VII: Manuscripts and Journals\u003cbr\u003e\nSeries VIII: Personal\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series:","Series I: The Dynasts\nSeries II: Hardy's Dramatic Poetry and the Theater\nSeries III: Tess and the Theater\nSeries IV: Hardy and the Theater\nSeries V: Max Gate Circle\nSeries VI: General Research\nSeries VII: Manuscripts and Journals\nSeries VIII: Personal"],"bioghist_html_tesm":["\u003cp\u003eDr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.\u003c/p\u003e","\u003cp\u003eDr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.\u003c/p\u003e","\u003cp\u003eDr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e. She continued with this theme in two of her scholarly publications, \u003cemph render=\"italics\"\u003eTess in the Theater\u003c/emph\u003e, 1950, and \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and the Theater\u003c/emph\u003e, 1965. A third book, \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).\u003c/p\u003e","\u003cp\u003eDuring the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the \u003cemph render=\"italics\"\u003eJournal of the Deans of Women\u003c/emph\u003e, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled Thomas Hardy and the Theater. She continued with this theme in two of her scholarly publications, Tess in the Theater, 1950, and Hardy's Poetic Drama and the Theater, 1965. A third book, Florence Hardy and the Max Gate Circle, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the Journal of the Deans of Women, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate."],"relatedmaterial_html_tesm":["\u003cp\u003eThe rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the \u003ca href=\"https://richmond.access.preservica.com/uncategorized/SO_bd7ac587-3a3c-4c65-82dc-79217b000972/\"\u003eWesthampton College Oral Histories\u003c/a\u003e in audio and transcription.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the Westhampton College Oral Histories in audio and transcription."],"scopecontent_html_tesm":["\u003cp\u003eThis collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.\u003c/p\u003e","\u003cp\u003eSeries I, The Dynasts, contains materials relating to Hardy's drama in verse, \u003cemph render=\"italics\"\u003eThe Dynasts\u003c/emph\u003e. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)\u003c/p\u003e","\u003cp\u003eSeries II, Hardy's Dramatic Poetry and the Theater, focuses on the work \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and Theater\u003c/emph\u003e. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)\u003c/p\u003e","\u003cp\u003eSeries III, Tess and the Theater, includes materials on \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e, originally part of Roberts' dissertation. Hardy's book, \u003cemph render=\"italics\"\u003eTess of the D'Urbervilles\u003c/emph\u003e, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)\u003c/p\u003e","\u003cp\u003eSeries IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. (Boxes 6, 7, and 8)\u003c/p\u003e","\u003cp\u003eSeries V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)\u003c/p\u003e","\u003cp\u003eSeries VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)\u003c/p\u003e","\u003cp\u003eSeries VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)\u003c/p\u003e","\u003cp\u003eSeries VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse, The Dynasts. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work Hardy's Poetic Drama and Theater. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on Tess and the Theater, originally part of Roberts' dissertation. Hardy's book, Tess of the D'Urbervilles, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, Hardy and the Theater. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of Hardy and the Theater. (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d14460ea85e1a2d844806d9fe01bc9a\"\u003eDr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e; and her books, \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e,\u003cemph render=\"italics\"\u003e Hardy's Poetic Drama and the Theater\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.\u003c/abstract\u003e\n    "],"abstract_tesim":["Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, Thomas Hardy and the Theater; and her books, Tess and the Theater, Hardy's Poetic Drama and the Theater, and Florence Hardy and the Max Gate Circle, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers."],"corpname_ssim":["University of Richmond","Thomas Hardy Society"],"names_coll_ssim":["Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"names_ssim":["University of Richmond","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_8_c05_c01"}},{"id":"viur_repositories_4_resources_8_c05_c63","type":"File","attributes":{"title":"Vignette of Virginia Woolf's visit to Thomas Hardy","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_8_c05_c63#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_8_c05_c63","ref_ssm":["viur_repositories_4_resources_8_c05_c63"],"id":"viur_repositories_4_resources_8_c05_c63","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8_c05","parent_ssi":"viur_repositories_4_resources_8_c05","parent_ssim":["Marguerite Roberts Collection, 1924/1980","Series V: Max Gate Circle, 1918/1980"],"parent_ids_ssim":["viur_repositories_4_resources_8","viur_repositories_4_resources_8_c05"],"title_filing_ssi":"Vignette of Virginia Woolf's visit to Thomas Hardy","title_ssm":["Vignette of Virginia Woolf's visit to Thomas Hardy"],"title_tesim":["Vignette of Virginia Woolf's visit to Thomas Hardy"],"normalized_title_ssm":["Vignette of Virginia Woolf's visit to Thomas Hardy"],"text":["Vignette of Virginia Woolf's visit to Thomas Hardy","Marguerite Roberts Collection, 1924/1980","Series V: Max Gate Circle, 1918/1980","box 13 MS-9","folder 9"],"parent_unittitles_ssm":["Marguerite Roberts Collection, 1924/1980","Series V: Max Gate Circle, 1918/1980"],"parent_unittitles_tesim":["Marguerite Roberts Collection, 1924/1980","Series V: Max Gate Circle, 1918/1980"],"unitdate_other_ssim":["undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":211,"repository_ssim":["University of Richmond"],"collection_ssim":["Marguerite Roberts Collection, 1924/1980"],"containers_ssim":["box 13 MS-9","folder 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#4/components#62","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_8","ead_ssi":"viur_repositories_4_resources_8","_root_":"viur_repositories_4_resources_8","_nest_parent_":"viur_repositories_4_resources_8","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_8.xml","title_ssm":["Marguerite Roberts Collection"],"title_tesim":["Marguerite Roberts Collection"],"unitdate_ssm":["1924-1980"],"unitdate_inclusive_ssm":["1924-1980"],"normalized_date_ssm":["1924/1980"],"normalized_title_ssm":["Marguerite Roberts Collection, 1924/1980"],"text":["Marguerite Roberts Collection, 1924/1980","MS-9","/repositories/4/resources/8","Nonbook Materials","Photocopying","Clippings","Manuscripts","The collection is arranged into 8 series:","Series I: The Dynasts\nSeries II: Hardy's Dramatic Poetry and the Theater\nSeries III: Tess and the Theater\nSeries IV: Hardy and the Theater\nSeries V: Max Gate Circle\nSeries VI: General Research\nSeries VII: Manuscripts and Journals\nSeries VIII: Personal","Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled Thomas Hardy and the Theater. She continued with this theme in two of her scholarly publications, Tess in the Theater, 1950, and Hardy's Poetic Drama and the Theater, 1965. A third book, Florence Hardy and the Max Gate Circle, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the Journal of the Deans of Women, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.","Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.","The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the Westhampton College Oral Histories in audio and transcription.","This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse, The Dynasts. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work Hardy's Poetic Drama and Theater. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on Tess and the Theater, originally part of Roberts' dissertation. Hardy's book, Tess of the D'Urbervilles, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, Hardy and the Theater. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of Hardy and the Theater. (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, Thomas Hardy and the Theater; and her books, Tess and the Theater, Hardy's Poetic Drama and the Theater, and Florence Hardy and the Max Gate Circle, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.","University of Richmond","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","English"],"collection_title_tesim":["Marguerite Roberts Collection, 1924/1980"],"collection_ssim":["Marguerite Roberts Collection, 1924/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-9","/repositories/4/resources/8"],"unitid_tesim":["MS-9","/repositories/4/resources/8"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_ssim":["Roberts, Marguerite M., Dr., 1904-1988"],"creator_persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"creator_corpname_ssim":["University of Richmond","Thomas Hardy Society"],"creators_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937","University of Richmond","Thomas Hardy Society"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"access_subjects_ssim":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"access_subjects_ssm":["Nonbook Materials","Photocopying","Clippings","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"extent_tesim":["8.42 Linear Feet Collection is arranged in folders in 18 archival boxes."],"genreform_ssim":["Clippings","Manuscripts"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 8 series:\u003c/p\u003e","\u003cp\u003eSeries I: The Dynasts\u003cbr\u003e\nSeries II: Hardy's Dramatic Poetry and the Theater\u003cbr\u003e\nSeries III: Tess and the Theater\u003cbr\u003e\nSeries IV: Hardy and the Theater\u003cbr\u003e\nSeries V: Max Gate Circle\u003cbr\u003e\nSeries VI: General Research\u003cbr\u003e\nSeries VII: Manuscripts and Journals\u003cbr\u003e\nSeries VIII: Personal\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 8 series:","Series I: The Dynasts\nSeries II: Hardy's Dramatic Poetry and the Theater\nSeries III: Tess and the Theater\nSeries IV: Hardy and the Theater\nSeries V: Max Gate Circle\nSeries VI: General Research\nSeries VII: Manuscripts and Journals\nSeries VIII: Personal"],"bioghist_html_tesm":["\u003cp\u003eDr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.\u003c/p\u003e","\u003cp\u003eDr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.\u003c/p\u003e","\u003cp\u003eDr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e. She continued with this theme in two of her scholarly publications, \u003cemph render=\"italics\"\u003eTess in the Theater\u003c/emph\u003e, 1950, and \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and the Theater\u003c/emph\u003e, 1965. A third book, \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).\u003c/p\u003e","\u003cp\u003eDuring the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the \u003cemph render=\"italics\"\u003eJournal of the Deans of Women\u003c/emph\u003e, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Marguerite M. Roberts, Professor of English, was the second Dean of Westhampton College, from 1947 to 1965. Born in Rockport, Indiana on March 15, 1904, she was the daughter of the Hon. Judge Ralph Elmer and Alice Enfield (nee Saunders) Roberts. She was educated at Evansville College where she earned her Bachelor of Arts degree in 1924. She received her Master's and Ph.D. degrees from Radcliffe College in 1928 and 1943 respectively. From 1928 to 1936, she taught in Central and Bosse High Schools in Evansville, and also at Evansville College. She did graduate work at Indiana University and Cambridge University during the years 1925-1929. In 1937, Dr. Roberts became Dean of Women and Assistant Professor of English at McMaster University in Hamilton, Ontario, Canada, and served in that capacity until 1946. She lectured in English at Toronto University from 1946 to 1947, when she came to Westhampton College as Dean and Professor of English. In 1965, she left the position as Dean and continued as a Professor of English until her retirement in 1975.","Dr. Roberts' most notable quality as a teacher was always her strong demand for excellence from her students, something she certainly mirrored in her tenacity in her research and writing. Her personal grace and charm were also mentioned many times, as was her ability to put faculty and students at ease in social settings.","Dr. Roberts was a leading Thomas Hardy scholar and actually lived for a year in 1935 at Max Gate, Dorset, the Hardy estate, with Hardy's widow, Florence. Her doctoral dissertation was titled Thomas Hardy and the Theater. She continued with this theme in two of her scholarly publications, Tess in the Theater, 1950, and Hardy's Poetic Drama and the Theater, 1965. A third book, Florence Hardy and the Max Gate Circle, was eventually published in the Thomas Hardy Yearbook, no. 9 (1980).","During the Vietnam War, Dr. Roberts was appointed by the Secretary of Defense, Robert McNamara, to the Defense Advisory Committee on Women in the Services, 1965-68. In addition to being a Virginia Cultural Laureate, Dr. Roberts was also associate editor of the Journal of the Deans of Women, 1942-50; member of Phi Beta Kappa, American Association of University Professors, Modern Language Association, the Canadian Author's Association, and the Virginia Writer's Association. She was also president of the Women's Club of Richmond, 1970-1971. Health issues forced her to return to Indiana, where, after a long illness, she died on March 25, 1988."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-9, Marguerite Roberts Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie, Special Collections Cataloging and Preservation Associate."],"relatedmaterial_html_tesm":["\u003cp\u003eThe rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the \u003ca href=\"https://richmond.access.preservica.com/uncategorized/SO_bd7ac587-3a3c-4c65-82dc-79217b000972/\"\u003eWesthampton College Oral Histories\u003c/a\u003e in audio and transcription.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The rare book collection at Boatwright Library has volumes that were gifted to Dr. Roberts and items that were gifts of Dr. Roberts. Those items are noted in the library catalog records and may be located by searching her name. Dr. Roberts also did an oral history interview on 14 April 1976 that is available as part of the Westhampton College Oral Histories in audio and transcription."],"scopecontent_html_tesm":["\u003cp\u003eThis collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.\u003c/p\u003e","\u003cp\u003eSeries I, The Dynasts, contains materials relating to Hardy's drama in verse, \u003cemph render=\"italics\"\u003eThe Dynasts\u003c/emph\u003e. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)\u003c/p\u003e","\u003cp\u003eSeries II, Hardy's Dramatic Poetry and the Theater, focuses on the work \u003cemph render=\"italics\"\u003eHardy's Poetic Drama and Theater\u003c/emph\u003e. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)\u003c/p\u003e","\u003cp\u003eSeries III, Tess and the Theater, includes materials on \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e, originally part of Roberts' dissertation. Hardy's book, \u003cemph render=\"italics\"\u003eTess of the D'Urbervilles\u003c/emph\u003e, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)\u003c/p\u003e","\u003cp\u003eSeries IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of \u003cemph render=\"italics\"\u003eHardy and the Theater\u003c/emph\u003e. (Boxes 6, 7, and 8)\u003c/p\u003e","\u003cp\u003eSeries V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)\u003c/p\u003e","\u003cp\u003eSeries VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)\u003c/p\u003e","\u003cp\u003eSeries VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)\u003c/p\u003e","\u003cp\u003eSeries VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection encompasses Dr. Roberts' research and writing about Thomas Hardy. It includes her research for her books and articles, collected information about Hardy and Wessex, England, as well as her manuscripts, journal articles and dissertation. What is interesting about this collection is the extent to which Dr. Roberts pursued her subject, leaving no stone unturned, and the relationships that grew during her research and lasted long after. Most notable was her long-term relationship with Florence Hardy.","Series I, The Dynasts, contains materials relating to Hardy's drama in verse, The Dynasts. This material is of note since this seems to have been a little studied piece.  This series includes a leather-bound copy of The Dynasts arranged by Harley Granville-Barker. (Box 1)","Series II, Hardy's Dramatic Poetry and the Theater, focuses on the work Hardy's Poetic Drama and Theater. Materials include research and manuscripts in various states of editing, and notes of the various productions of Hardy's plays. (Box 2)","Series III, Tess and the Theater, includes materials on Tess and the Theater, originally part of Roberts' dissertation. Hardy's book, Tess of the D'Urbervilles, was first dramatized by Hardy.  Several versions of his play were produced and documented here. Ronald Gow and Lorimer Stoddard attempted their own versions, copies of which are in the collection, along with information and playbills about their productions. (Boxes 3, 4, and 5)","Series IV, Hardy and the Theater, focuses on Dr. Roberts's dissertation, Hardy and the Theater. This series contains correspondence from actors and historians about the Hardy Players, permission requests, research notes, drafts of the dissertation, and a bound copy of Hardy and the Theater. (Boxes 6, 7, and 8)","Series V, Max Gate Circle, contains her work on the Max Gate Circle. Hardy's home, Max Gate, drew many famous and even infamous people.  With Hardy's advancing age and infirmity, it was often Florence, his second wife, who held things together. This series includes letters and vignettes of Florence's conversations with Dr. Roberts, along with memories, copies of letters and various drafts of the finished piece. (Boxes 9, 10, 11, 12, and 13)","Series VI, General Research, is a collection of Dr. Roberts's general research and information on Thomas Hardy, Florence Hardy, Dorset, and those certain of Hardy's contemporaries. (Boxes 14, 15, and 16)","Series VII, Manuscripts and Journals, includes manuscripts of Dr. Roberts which are not in her books, and journals in which her articles appear or are related to her Hardy scholarship. (Boxes 17 and 18)","Series VIII, Personal, contains items that do not really fit with any of the other series and have been classed as Personal. There are papers from her visit to the House of Commons, letters from friends and former professors. (Box 18)"],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d14460ea85e1a2d844806d9fe01bc9a\"\u003eDr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, \u003cemph render=\"italics\"\u003eThomas Hardy and the Theater\u003c/emph\u003e; and her books, \u003cemph render=\"italics\"\u003eTess and the Theater\u003c/emph\u003e,\u003cemph render=\"italics\"\u003e Hardy's Poetic Drama and the Theater\u003c/emph\u003e, and \u003cemph render=\"italics\"\u003eFlorence Hardy and the Max Gate Circle\u003c/emph\u003e, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers.\u003c/abstract\u003e\n    "],"abstract_tesim":["Dr. Marguerite Roberts was a University of Richmond faculty member and dean of Westhampton College, and she was also a noted Thomas Hardy scholar. This collection includes years of research on Hardy and his contemporaries as well as his second wife, Florence Dugdale Hardy. Copies of Roberts' manuscripts for her dissertation, Thomas Hardy and the Theater; and her books, Tess and the Theater, Hardy's Poetic Drama and the Theater, and Florence Hardy and the Max Gate Circle, are included. The collection also contains Dr. Roberts' correspondence with publishers and her requests for permission to publish. She carried on a long correspondence with Mrs. Florence Hardy, Lady Tweedsmuir, and other Hardy scholars, in addition to letters from actors and producers."],"corpname_ssim":["University of Richmond","Thomas Hardy Society"],"names_coll_ssim":["Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"persname_ssim":["Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"names_ssim":["University of Richmond","Thomas Hardy Society","Roberts, Marguerite M., Dr., 1904-1988","Hardy, Thomas, 1840-1928","Hardy, Florence Emily, 1879-1937"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":325,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_8_c05_c63"}},{"id":"viur_repositories_4_resources_13_c144","type":"File","attributes":{"title":"Violaceae","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_13_c144#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_13_c144","ref_ssm":["viur_repositories_4_resources_13_c144"],"id":"viur_repositories_4_resources_13_c144","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","parent_ssi":"viur_repositories_4_resources_13","parent_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_ids_ssim":["viur_repositories_4_resources_13"],"title_filing_ssi":"Violaceae","title_ssm":["Violaceae"],"title_tesim":["Violaceae"],"normalized_title_ssm":["Violaceae"],"text":["Violaceae","W. H. Brown Botanical Drawings Collection, 1930/1939","box 13","folder 3"],"parent_unittitles_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"parent_unittitles_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"unitdate_inclusive_ssm":["Undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":684,"repository_ssim":["University of Richmond"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"extent_ssm":["16 Items"],"extent_tesim":["16 Items"],"containers_ssim":["box 13","folder 3"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#143","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_13","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_13.xml","title_ssm":["W. H. Brown Botanical Drawings Collection"],"title_tesim":["W. H. Brown Botanical Drawings Collection"],"unitdate_ssm":["1930-1939"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"text":["W. H. Brown Botanical Drawings Collection, 1930/1939","MS-23","/repositories/4/resources/13","Plants in art","Botanical illustration","There are no restrictions on accessing material in this collection.","This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.","These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.","Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.","This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.","University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur","English\n      Latin"],"collection_title_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-23","/repositories/4/resources/13"],"unitid_tesim":["MS-23","/repositories/4/resources/13"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creator_famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"creators_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the library by Dr. John Hayden, Professor of Biology, University of Richmond"],"access_subjects_ssim":["Plants in art","Botanical illustration"],"access_subjects_ssm":["Plants in art","Botanical illustration"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"genreform_ssim":["Botanical illustration"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThese drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eMuch of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_292b1d89c62a3ee6826c4ddfb3eb795a\"\u003eThis collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names."],"corpname_ssim":["University of Richmond"],"famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"names_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"language_ssim":["English\n      Latin"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_13_c144"}},{"id":"viur_repositories_4_resources_9_c01_c133","type":"File","attributes":{"title":"\"Viola's Catch\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_9_c01_c133#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_9_c01_c133","ref_ssm":["viur_repositories_4_resources_9_c01_c133"],"id":"viur_repositories_4_resources_9_c01_c133","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9_c01","parent_ssi":"viur_repositories_4_resources_9_c01","parent_ssim":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"parent_ids_ssim":["viur_repositories_4_resources_9","viur_repositories_4_resources_9_c01"],"title_filing_ssi":"\"Viola's Catch\"","title_ssm":["\"Viola's Catch\""],"title_tesim":["\"Viola's Catch\""],"normalized_title_ssm":["\"Viola's Catch\""],"text":["\"Viola's Catch\"","Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946","box 4 MS-3","folder 43","By Edward Peple."],"parent_unittitles_ssm":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"parent_unittitles_tesim":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"unitdate_other_ssim":["undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":134,"repository_ssim":["University of Richmond"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"containers_ssim":["box 4 MS-3","folder 43"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_4bf6a82dde968f85b6e0bdfe32197ebe\"\u003eBy Edward Peple.\u003c/materialspec\u003e"],"materialspec_tesim":["By Edward Peple."],"_nest_path_":"/components#0/components#132","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_9","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_9.xml","title_ssm":["Edward H. Peple Collection"],"title_tesim":["Edward H. Peple Collection"],"unitdate_ssm":["1891-1953"],"unitdate_inclusive_ssm":["1891-1953"],"normalized_date_ssm":["1891/1953"],"normalized_title_ssm":["Edward H. Peple Collection, 1891/1953"],"text":["Edward H. Peple Collection, 1891/1953","MS-3","/repositories/4/resources/9","Richmond (Va.)","New York (N.Y.)","Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs","The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-3","/repositories/4/resources/9"],"unitid_tesim":["MS-3","/repositories/4/resources/9"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)"],"places_ssim":["Richmond (Va.)","New York (N.Y.)"],"creator_ssm":["Peple, Edward, 1869-1924"],"creator_ssim":["Peple, Edward, 1869-1924"],"creator_persname_ssim":["Peple, Edward, 1869-1924"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Peple, Edward, 1869-1924","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, \u003cemph render=\"italics\"\u003eThe Broken Rosary\u003c/emph\u003e, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.\u003c/p\u003e","\u003cp\u003eBy the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_9_c01_c133"}},{"id":"viur_repositories_4_resources_13_c144_c01","type":"Item","attributes":{"title":"Viola Tricolor","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_13_c144_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_13_c144_c01","ref_ssm":["viur_repositories_4_resources_13_c144_c01"],"id":"viur_repositories_4_resources_13_c144_c01","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13_c144","parent_ssi":"viur_repositories_4_resources_13_c144","parent_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939","Violaceae"],"parent_ids_ssim":["viur_repositories_4_resources_13","viur_repositories_4_resources_13_c144"],"title_filing_ssi":"Viola Tricolor","title_ssm":["Viola Tricolor"],"title_tesim":["Viola Tricolor"],"normalized_title_ssm":["Viola Tricolor"],"text":["Viola Tricolor","W. H. Brown Botanical Drawings Collection, 1930/1939","Violaceae","box 13","folder 3","object 1-16"],"parent_unittitles_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939","Violaceae"],"parent_unittitles_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939","Violaceae"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":685,"repository_ssim":["University of Richmond"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"extent_ssm":["16 Items"],"extent_tesim":["16 Items"],"containers_ssim":["box 13","folder 3","object 1-16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["There are no restrictions on accessing material in this collection."],"parent_access_terms_tesm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#143/components#0","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_13","ead_ssi":"viur_repositories_4_resources_13","_root_":"viur_repositories_4_resources_13","_nest_parent_":"viur_repositories_4_resources_13","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_13.xml","title_ssm":["W. H. Brown Botanical Drawings Collection"],"title_tesim":["W. H. Brown Botanical Drawings Collection"],"unitdate_ssm":["1930-1939"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"text":["W. H. Brown Botanical Drawings Collection, 1930/1939","MS-23","/repositories/4/resources/13","Plants in art","Botanical illustration","There are no restrictions on accessing material in this collection.","This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.","These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.","Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.","This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.","Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.","University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur","English\n      Latin"],"collection_title_tesim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"collection_ssim":["W. H. Brown Botanical Drawings Collection, 1930/1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-23","/repositories/4/resources/13"],"unitid_tesim":["MS-23","/repositories/4/resources/13"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creator_famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"creators_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"access_terms_ssm":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated to the library by Dr. John Hayden, Professor of Biology, University of Richmond"],"access_subjects_ssim":["Plants in art","Botanical illustration"],"access_subjects_ssm":["Plants in art","Botanical illustration"],"has_online_content_ssim":["false"],"extent_ssm":["13 Linear Feet"],"extent_tesim":["13 Linear Feet"],"genreform_ssim":["Botanical illustration"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions on accessing material in this collection.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions on accessing material in this collection."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized alphabetically by family name. Arrangement within folder is alphabetical by how drawings are labeled; sometimes this is common name and sometimes it is scientific name. Changes in family names and other classification/name changes are noted throughout. Each folder is labeled with its scientific family name and contains the drawings belonging to that family, in alphabetical order."],"bioghist_html_tesm":["\u003cp\u003eThese drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["These drawings were donated by Dr. John Hayden, a professor of biology at the University of Richmond. He recieved his Ph.D. at the University of Maryland and focuses on the morphology, anatomy, and systematics of plants. His research concerns plants of the family Euphorbiaceae, Virginia flora, and Yucatan ethnobotany and floristics."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-23, W. C. Brown Botanical Drawings Collection, Rare Books and Special Collections, Boatwright Memorial Library, University of Richmond, Richmond, Virginia"],"processinfo_html_tesm":["\u003cp\u003eMuch of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Much of the initial collection information and organizing was completed by Dr. Hayden and his students prior to transfer. Processed by Alison Stokes, Brooklyn Student Assistants; Mary Lamb, Intern; Betty Dickie, Spec. Coll. Cataloging and Preservation Associate."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is made up of 14 boxes containing over 2000 hand-drawn ink botanical illustrations, completed by various artists in the 1930s. Most drawings are undated, but dates are noted when provided. There is very little information on the drawings (beyond plant structure, etc.), so locations and artist names are noted when available. Unlabeled drawings that are obvious parts of other labeled collages were labeled on the back with that plant name. Anything unsure or unlabeled was left as-is and described as unidentified. Box 14 contains miscellaneous drawings seprated from the collection due to water damage or mold."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply.  Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_292b1d89c62a3ee6826c4ddfb3eb795a\"\u003eThis collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 2000 original botanical drawings primarily completed in the 1930s and identified by their scientific names."],"corpname_ssim":["University of Richmond"],"famname_ssim":["R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"names_ssim":["University of Richmond","R. Graham","J Galvante","RIT","Yatco","Stella Dernoga","CZ","Santiago","Chris Mikolaitis","H Vasquez","Cruz","ICO","Galvante","Dernoga","Vasquez","Grace Parker","Chris Mikolautis","Stella Dergona","Iananaco","Galavante","M.T.","Stella Dervoga","Yateo","Mikolaitis","Parker","Larkspur"],"language_ssim":["English\n      Latin"],"total_component_count_is":748,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_13_c144_c01"}},{"id":"viur_repositories_4_resources_9_c01_c12","type":"File","attributes":{"title":"\"Violette or the Doge of Venice\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_9_c01_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_9_c01_c12","ref_ssm":["viur_repositories_4_resources_9_c01_c12"],"id":"viur_repositories_4_resources_9_c01_c12","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9_c01","parent_ssi":"viur_repositories_4_resources_9_c01","parent_ssim":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"parent_ids_ssim":["viur_repositories_4_resources_9","viur_repositories_4_resources_9_c01"],"title_filing_ssi":"\"Violette or the Doge of Venice\"","title_ssm":["\"Violette or the Doge of Venice\""],"title_tesim":["\"Violette or the Doge of Venice\""],"normalized_title_ssm":["\"Violette or the Doge of Venice\""],"text":["\"Violette or the Doge of Venice\"","Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946","box 1 MS-3","folder 12","By Edward Peple."],"parent_unittitles_ssm":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"parent_unittitles_tesim":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"unitdate_other_ssim":["undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":13,"repository_ssim":["University of Richmond"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"containers_ssim":["box 1 MS-3","folder 12"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_3109a0e034cfe355d27f7deb7ca64a8c\"\u003eBy Edward Peple.\u003c/materialspec\u003e"],"materialspec_tesim":["By Edward Peple."],"_nest_path_":"/components#0/components#11","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_9","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_9.xml","title_ssm":["Edward H. Peple Collection"],"title_tesim":["Edward H. Peple Collection"],"unitdate_ssm":["1891-1953"],"unitdate_inclusive_ssm":["1891-1953"],"normalized_date_ssm":["1891/1953"],"normalized_title_ssm":["Edward H. Peple Collection, 1891/1953"],"text":["Edward H. Peple Collection, 1891/1953","MS-3","/repositories/4/resources/9","Richmond (Va.)","New York (N.Y.)","Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs","The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-3","/repositories/4/resources/9"],"unitid_tesim":["MS-3","/repositories/4/resources/9"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)"],"places_ssim":["Richmond (Va.)","New York (N.Y.)"],"creator_ssm":["Peple, Edward, 1869-1924"],"creator_ssim":["Peple, Edward, 1869-1924"],"creator_persname_ssim":["Peple, Edward, 1869-1924"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Peple, Edward, 1869-1924","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, \u003cemph render=\"italics\"\u003eThe Broken Rosary\u003c/emph\u003e, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.\u003c/p\u003e","\u003cp\u003eBy the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_9_c01_c12"}},{"id":"viur_repositories_4_resources_36_c04_c03_c33","type":"File","attributes":{"title":"Violette Verdy, dancer, 1961","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c03_c33#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c04_c03_c33","ref_ssm":["viur_repositories_4_resources_36_c04_c03_c33"],"id":"viur_repositories_4_resources_36_c04_c03_c33","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c04_c03","parent_ssi":"viur_repositories_4_resources_36_c04_c03","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963","Photographs by Carl Van Vechten, 1932/1963"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c04","viur_repositories_4_resources_36_c04_c03"],"title_filing_ssi":"Violette Verdy, dancer","title_ssm":["Violette Verdy, dancer"],"title_tesim":["Violette Verdy, dancer"],"normalized_title_ssm":["Violette Verdy, dancer, 1961"],"text":["Violette Verdy, dancer, 1961","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963","Photographs by Carl Van Vechten, 1932/1963","box 11 MS-1","folder 33","[In Seranade]"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963","Photographs by Carl Van Vechten, 1932/1963"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Photographs, 1881/1963","Photographs by Carl Van Vechten, 1932/1963"],"normalized_date_ssm":["1961"],"unitdate_other_ssim":["December 4, 1961"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":361,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 11 MS-1","folder 33"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1961],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_60583b586adab35ff6309c0169e887f4\"\u003e[In \u003cemph render=\"italics\"\u003eSeranade\u003c/emph\u003e]\u003c/materialspec\u003e"],"materialspec_tesim":["[In Seranade]"],"_nest_path_":"/components#3/components#2/components#32","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. 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Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. 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Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c03_c33"}},{"id":"viur_repositories_4_resources_20_c01_c02_c01","type":"File","attributes":{"title":"\"Virginia and West Virginia\", 1891","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_20_c01_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_20_c01_c02_c01","ref_ssm":["viur_repositories_4_resources_20_c01_c02_c01"],"id":"viur_repositories_4_resources_20_c01_c02_c01","ead_ssi":"viur_repositories_4_resources_20","_root_":"viur_repositories_4_resources_20","_nest_parent_":"viur_repositories_4_resources_20_c01_c02","parent_ssi":"viur_repositories_4_resources_20_c01_c02","parent_ssim":["Richmond Print Collection, 1831/1892","Series I: Maps, 1861/1895","Sub-Series IB: Other Maps, 1891/1892"],"parent_ids_ssim":["viur_repositories_4_resources_20","viur_repositories_4_resources_20_c01","viur_repositories_4_resources_20_c01_c02"],"title_filing_ssi":"\"Virginia and West Virginia\"","title_ssm":["\"Virginia and West Virginia\""],"title_tesim":["\"Virginia and West Virginia\""],"normalized_title_ssm":["\"Virginia and West Virginia\", 1891"],"text":["\"Virginia and West Virginia\", 1891","Richmond Print Collection, 1831/1892","Series I: Maps, 1861/1895","Sub-Series IB: Other Maps, 1891/1892","box 1 MS-17","folder 7","Map. People's Publishing Co.1891 in pencil."],"parent_unittitles_ssm":["Richmond Print Collection, 1831/1892","Series I: Maps, 1861/1895","Sub-Series IB: Other Maps, 1891/1892"],"parent_unittitles_tesim":["Richmond Print Collection, 1831/1892","Series I: Maps, 1861/1895","Sub-Series IB: Other Maps, 1891/1892"],"normalized_date_ssm":["1891"],"unitdate_other_ssim":["1891"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":10,"repository_ssim":["University of Richmond"],"collection_ssim":["Richmond Print Collection, 1831/1892"],"containers_ssim":["box 1 MS-17","folder 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1891],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_662269075d096625e4460e007cc278bb\"\u003eMap. People's Publishing Co.1891 in pencil.\u003c/materialspec\u003e"],"materialspec_tesim":["Map. People's Publishing Co.1891 in pencil."],"_nest_path_":"/components#0/components#1/components#0","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_20","ead_ssi":"viur_repositories_4_resources_20","_root_":"viur_repositories_4_resources_20","_nest_parent_":"viur_repositories_4_resources_20","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_20.xml","title_ssm":["Richmond Print Collection"],"title_tesim":["Richmond Print Collection"],"unitdate_ssm":["1831-1892"],"unitdate_inclusive_ssm":["1831-1892"],"normalized_date_ssm":["1831/1892"],"normalized_title_ssm":["Richmond Print Collection, 1831/1892"],"text":["Richmond Print Collection, 1831/1892","MS-17","/repositories/4/resources/20","Richmond (Va.) -- History","Confederate States of America","Richmond (Va.) -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Prisoners and prisons","Richmond (Va.) -- Capital disaster, 1870","Clippings","Maps","Subseries 1A: Civil War maps \n\nSubseries 1B: Other maps","Subseries 2A: Pre-Civil War Richmond \n\nSubseries 2B: Richmond in the Civil War \n\nSubseries 2C: Campaigns of the Civil War \n\nSubseries 2D: Post Civil-War Richmond","The majority of pieces within the collection come from one of three sources: weekly newspapers Harper's Weekly and Frank Leslie's Illustrated Newspaper (in one case, a German-language edition printed in New York), and one-time publication Atlas to Accompany the Official Records of the Union and Confederate Armies. Harper's Weekly was published in New York from 1857 to 1916 as an offshoot of the more popular Harper's Monthly; both publications covered a variety of topics, including politics, literature, arts, humor, and illustrations, although the Weekly was especially famed for coverage of the events of the Civil War as they unfolded. Frank Leslie's Illustrated Newspaper was published in New York from 1855 to 1921 under a variety of titles; the German language edition, Frank Leslie's Illustrirte Zeitung, was published from 1857 to 1894, also in New York. Atlas to Accompany the Official Records of the Union and Confederate Armies, often referred to by historians as the War of the Rebellion Atlas, was created as a companion piece to the Official Records of the American Civil War, a collection of primary sources from both sides of the war, including orders, correspondence, and diagrams; maps were compiled into the Atlas. Of special note here are those included on Plate LXXXI, which were created originally by Jedediah Hotchkiss for Stonewall Jackson and whose detail and precision are credited as being a factor in Jackson's success.","Titles included in the finding aid are taken from the items themselves.","Processed by John Durvin.","The collection consists of two series: maps and illustrations. Series I, Maps, is subdivided into Civil War era, arranged chronologically by year of publication and including several campaign maps from the definitive Atlas, and two additional maps.","Series II, Illustrations, tends to come from contemporary newspapers, and as such, the reverse sides may feature editorials and propaganda in support of the Union and ridiculing both the South and the pro-reconciliation views of the British, as well as fiction, poetry, and advertisements for patent medicines and sundry other items.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection of contemporary (and near-contemporary) maps, woodcuts, and steel engravings illustrates the history of Richmond and environs from the 1830s to the 1870s, largely centered on the Civil War Era, but also featuring several illustrations of the disasters of 1870.","University of Richmond","Libby Prison","Davis, Jefferson, 1808-1889","McClellan, George B. (George Brinton), 1826-1885","English\n      German"],"collection_title_tesim":["Richmond Print Collection, 1831/1892"],"collection_ssim":["Richmond Print Collection, 1831/1892"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-17","/repositories/4/resources/20"],"unitid_tesim":["MS-17","/repositories/4/resources/20"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.) -- History","Confederate States of America","Richmond (Va.) -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Prisoners and prisons"],"geogname_ssim":["Richmond (Va.) -- History","Confederate States of America","Richmond (Va.) -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Prisoners and prisons"],"places_ssim":["Richmond (Va.) -- History","Confederate States of America","Richmond (Va.) -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865","United States -- History -- Civil War, 1861-1865 -- Prisoners and prisons"],"creator_persname_ssim":["Davis, Jefferson, 1808-1889","McClellan, George B. (George Brinton), 1826-1885"],"creator_corpname_ssim":["University of Richmond","Libby Prison"],"creators_ssim":["Davis, Jefferson, 1808-1889","McClellan, George B. (George Brinton), 1826-1885","University of Richmond","Libby Prison"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The immediate source of acquisition for this collection is unknown."],"access_subjects_ssim":["Richmond (Va.) -- Capital disaster, 1870","Clippings","Maps"],"access_subjects_ssm":["Richmond (Va.) -- Capital disaster, 1870","Clippings","Maps"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"physfacet_tesim":["27 items: 8 maps, 19 illustrations (4 color, 15 black/white)"],"genreform_ssim":["Clippings","Maps"],"date_range_isim":[1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892],"arrangement_html_tesm":["\u003cul\u003e\n\n\u003cli\u003eSubseries 1A: Civil War maps\u003c/li\u003e \n\n\u003cli\u003eSubseries 1B: Other maps\u003c/li\u003e\n\u003c/ul\u003e\nSeries 2: Illustrations\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2A: Pre-Civil War Richmond\u003c/li\u003e \n\n\u003cli\u003eSubseries 2B: Richmond in the Civil War\u003c/li\u003e \n\n\u003cli\u003eSubseries 2C: Campaigns of the Civil War \u003c/li\u003e\n\n\u003cli\u003eSubseries 2D: Post Civil-War Richmond\u003c/li\u003e\n\u003c/ul\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 1A: Civil War maps \n\nSubseries 1B: Other maps","Subseries 2A: Pre-Civil War Richmond \n\nSubseries 2B: Richmond in the Civil War \n\nSubseries 2C: Campaigns of the Civil War \n\nSubseries 2D: Post Civil-War Richmond"],"bioghist_html_tesm":["\u003cp\u003eThe majority of pieces within the collection come from one of three sources: weekly newspapers \u003cemph render=\"italics\"\u003eHarper's Weekly and Frank Leslie's Illustrated Newspaper\u003c/emph\u003e (in one case, a German-language edition printed in New York), and one-time publication \u003cemph render=\"italics\"\u003eAtlas to Accompany the Official Records of the Union and Confederate Armies\u003c/emph\u003e. \u003cemph render=\"italics\"\u003eHarper's Weekly\u003c/emph\u003e was published in New York from 1857 to 1916 as an offshoot of the more popular \u003cemph render=\"italics\"\u003eHarper's Monthly\u003c/emph\u003e; both publications covered a variety of topics, including politics, literature, arts, humor, and illustrations, although the \u003cemph render=\"italics\"\u003eWeekly\u003c/emph\u003e was especially famed for coverage of the events of the Civil War as they unfolded. \u003cemph render=\"italics\"\u003eFrank Leslie's Illustrated Newspaper\u003c/emph\u003e was published in New York from 1855 to 1921 under a variety of titles; the German language edition, \u003cemph render=\"italics\"\u003eFrank Leslie's Illustrirte Zeitung\u003c/emph\u003e, was published from 1857 to 1894, also in New York. \u003cemph render=\"italics\"\u003eAtlas to Accompany the Official Records of the Union and Confederate Armies\u003c/emph\u003e, often referred to by historians as the \u003cemph render=\"italics\"\u003eWar of the Rebellion Atlas\u003c/emph\u003e, was created as a companion piece to the \u003cemph render=\"italics\"\u003eOfficial Records of the American Civil War\u003c/emph\u003e, a collection of primary sources from both sides of the war, including orders, correspondence, and diagrams; maps were compiled into the Atlas. Of special note here are those included on Plate LXXXI, which were created originally by Jedediah Hotchkiss for Stonewall Jackson and whose detail and precision are credited as being a factor in Jackson's success.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The majority of pieces within the collection come from one of three sources: weekly newspapers Harper's Weekly and Frank Leslie's Illustrated Newspaper (in one case, a German-language edition printed in New York), and one-time publication Atlas to Accompany the Official Records of the Union and Confederate Armies. Harper's Weekly was published in New York from 1857 to 1916 as an offshoot of the more popular Harper's Monthly; both publications covered a variety of topics, including politics, literature, arts, humor, and illustrations, although the Weekly was especially famed for coverage of the events of the Civil War as they unfolded. Frank Leslie's Illustrated Newspaper was published in New York from 1855 to 1921 under a variety of titles; the German language edition, Frank Leslie's Illustrirte Zeitung, was published from 1857 to 1894, also in New York. Atlas to Accompany the Official Records of the Union and Confederate Armies, often referred to by historians as the War of the Rebellion Atlas, was created as a companion piece to the Official Records of the American Civil War, a collection of primary sources from both sides of the war, including orders, correspondence, and diagrams; maps were compiled into the Atlas. Of special note here are those included on Plate LXXXI, which were created originally by Jedediah Hotchkiss for Stonewall Jackson and whose detail and precision are credited as being a factor in Jackson's success."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-17, Richmond Print Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-17, Richmond Print Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eTitles included in the finding aid are taken from the items themselves.\u003c/p\u003e","\u003cp\u003eProcessed by John Durvin.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Titles included in the finding aid are taken from the items themselves.","Processed by John Durvin."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of two series: maps and illustrations. Series I, Maps, is subdivided into Civil War era, arranged chronologically by year of publication and including several campaign maps from the definitive \u003cemph render=\"italics\"\u003eAtlas\u003c/emph\u003e, and two additional maps.\u003c/p\u003e","\u003cp\u003eSeries II, Illustrations, tends to come from contemporary newspapers, and as such, the reverse sides may feature editorials and propaganda in support of the Union and ridiculing both the South and the pro-reconciliation views of the British, as well as fiction, poetry, and advertisements for patent medicines and sundry other items.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection consists of two series: maps and illustrations. Series I, Maps, is subdivided into Civil War era, arranged chronologically by year of publication and including several campaign maps from the definitive Atlas, and two additional maps.","Series II, Illustrations, tends to come from contemporary newspapers, and as such, the reverse sides may feature editorials and propaganda in support of the Union and ridiculing both the South and the pro-reconciliation views of the British, as well as fiction, poetry, and advertisements for patent medicines and sundry other items."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_61d8a450dbe95ea20e68a1d75841bdb2\"\u003eThis collection of contemporary (and near-contemporary) maps, woodcuts, and steel engravings illustrates the history of Richmond and environs from the 1830s to the 1870s, largely centered on the Civil War Era, but also featuring several illustrations of the disasters of 1870.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection of contemporary (and near-contemporary) maps, woodcuts, and steel engravings illustrates the history of Richmond and environs from the 1830s to the 1870s, largely centered on the Civil War Era, but also featuring several illustrations of the disasters of 1870."],"corpname_ssim":["University of Richmond","Libby Prison"],"names_coll_ssim":["Libby Prison","Davis, Jefferson, 1808-1889","McClellan, George B. (George Brinton), 1826-1885"],"persname_ssim":["Davis, Jefferson, 1808-1889","McClellan, George B. (George Brinton), 1826-1885"],"names_ssim":["University of Richmond","Libby Prison","Davis, Jefferson, 1808-1889","McClellan, George B. (George Brinton), 1826-1885"],"language_ssim":["English\n      German"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_20_c01_c02_c01"}},{"id":"viur_repositories_4_resources_17_c01_c08","type":"Item","attributes":{"title":"Virginia and West Virginia (1974 imprint)--?, 1891","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_17_c01_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_17_c01_c08","ref_ssm":["viur_repositories_4_resources_17_c01_c08"],"id":"viur_repositories_4_resources_17_c01_c08","ead_ssi":"viur_repositories_4_resources_17","_root_":"viur_repositories_4_resources_17","_nest_parent_":"viur_repositories_4_resources_17_c01","parent_ssi":"viur_repositories_4_resources_17_c01","parent_ssim":["Historic Map and Government Documents Collection, 1630/1978","Series 1: Maps of Virginia, 1630/1891"],"parent_ids_ssim":["viur_repositories_4_resources_17","viur_repositories_4_resources_17_c01"],"title_filing_ssi":"Virginia and West Virginia (1974 imprint)--?","title_ssm":["Virginia and West Virginia (1974 imprint)--?"],"title_tesim":["Virginia and West Virginia (1974 imprint)--?"],"normalized_title_ssm":["Virginia and West Virginia (1974 imprint)--?, 1891"],"text":["Virginia and West Virginia (1974 imprint)--?, 1891","Historic Map and Government Documents Collection, 1630/1978","Series 1: Maps of Virginia, 1630/1891","box 1","folder 9","object 7"],"parent_unittitles_ssm":["Historic Map and Government Documents Collection, 1630/1978","Series 1: Maps of Virginia, 1630/1891"],"parent_unittitles_tesim":["Historic Map and Government Documents Collection, 1630/1978","Series 1: Maps of Virginia, 1630/1891"],"normalized_date_ssm":["1891"],"unitdate_other_ssim":["1891"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":9,"repository_ssim":["University of Richmond"],"collection_ssim":["Historic Map and Government Documents Collection, 1630/1978"],"containers_ssim":["box 1","folder 9","object 7"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1891],"_nest_path_":"/components#0/components#7","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_17","ead_ssi":"viur_repositories_4_resources_17","_root_":"viur_repositories_4_resources_17","_nest_parent_":"viur_repositories_4_resources_17","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_17.xml","title_ssm":["Historic Map and Government Documents Collection"],"title_tesim":["Historic Map and Government Documents Collection"],"unitdate_ssm":["1630-1978"],"unitdate_inclusive_ssm":["1630-1978"],"normalized_date_ssm":["1630/1978"],"normalized_title_ssm":["Historic Map and Government Documents Collection, 1630/1978"],"text":["Historic Map and Government Documents Collection, 1630/1978","MS-5","/repositories/4/resources/17","World War, 1939-1945","Maps","The collection is grouped according to theme, and each series is organized chronologically.  There are 11 series:","Maps of Virginia\n      A.D. Bache U.S. Coast Surveys\n      Maps of the Americas\n      Assorted Survey Maps of the U.S.\n      Plat and Street Alteration Maps of Washington D.C.—B.B. French and W. Forsyth\n      Transportation Maps\n      WWII Prints\n      Assorted U. S. Financial Documents\n      Maps of Europe\n      Maps of Washington, DC\n      Panama Canal Materials","The originals of many of the imprints in Series 10 are located at the National Gallery of Art and can be viewed on their website.","This collection was processed by Joe Felix and Betty Dickie. In Fall 2024 the materials were encapuslated, moved to flat storage, and the finding aid was updated with improved detail and formatting.","This collection is an eclectic grouping of maps and government documents transferred from the library's main circulating collection for reasons of historical significance or other considerations. Certain maps of Europe and the graphics concerning the Panama Canal were purchased and incoroporated into the collection, as well. Specific information is listed in the inventory below for individual documents and maps. Many are contemporary imprints.","A collection of historical maps—1630-1898—original and facsimiles, and WWII prints—including \"I am Ann\" written and illustrated by Theodore Geisel.","University of Richmond","Jean Lattre","English"],"collection_title_tesim":["Historic Map and Government Documents Collection, 1630/1978"],"collection_ssim":["Historic Map and Government Documents Collection, 1630/1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-5","/repositories/4/resources/17"],"unitid_tesim":["MS-5","/repositories/4/resources/17"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_persname_ssim":["Jean Lattre"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Jean Lattre","University of Richmond"],"access_subjects_ssim":["World War, 1939-1945","Maps"],"access_subjects_ssm":["World War, 1939-1945","Maps"],"has_online_content_ssim":["false"],"extent_ssm":["16 Files"],"extent_tesim":["16 Files"],"genreform_ssim":["Maps"],"date_range_isim":[1630,1631,1632,1633,1634,1635,1636,1637,1638,1639,1640,1641,1642,1643,1644,1645,1646,1647,1648,1649,1650,1651,1652,1653,1654,1655,1656,1657,1658,1659,1660,1661,1662,1663,1664,1665,1666,1667,1668,1669,1670,1671,1672,1673,1674,1675,1676,1677,1678,1679,1680,1681,1682,1683,1684,1685,1686,1687,1688,1689,1690,1691,1692,1693,1694,1695,1696,1697,1698,1699,1700,1701,1702,1703,1704,1705,1706,1707,1708,1709,1710,1711,1712,1713,1714,1715,1716,1717,1718,1719,1720,1721,1722,1723,1724,1725,1726,1727,1728,1729,1730,1731,1732,1733,1734,1735,1736,1737,1738,1739,1740,1741,1742,1743,1744,1745,1746,1747,1748,1749,1750,1751,1752,1753,1754,1755,1756,1757,1758,1759,1760,1761,1762,1763,1764,1765,1766,1767,1768,1769,1770,1771,1772,1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"arrangement_html_tesm":["\u003cp\u003eThe collection is grouped according to theme, and each series is organized chronologically.  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Financial Documents\u003c/item\u003e\n      \u003citem\u003eMaps of Europe\u003c/item\u003e\n      \u003citem\u003eMaps of Washington, DC\u003c/item\u003e\n      \u003citem\u003ePanama Canal Materials\u003c/item\u003e\n    \u003c/list\u003e\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is grouped according to theme, and each series is organized chronologically.  There are 11 series:","Maps of Virginia\n      A.D. Bache U.S. Coast Surveys\n      Maps of the Americas\n      Assorted Survey Maps of the U.S.\n      Plat and Street Alteration Maps of Washington D.C.—B.B. French and W. Forsyth\n      Transportation Maps\n      WWII Prints\n      Assorted U. S. 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In Fall 2024 the materials were encapuslated, moved to flat storage, and the finding aid was updated with improved detail and formatting."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is an eclectic grouping of maps and government documents transferred from the library's main circulating collection for reasons of historical significance or other considerations. Certain maps of Europe and the graphics concerning the Panama Canal were purchased and incoroporated into the collection, as well. Specific information is listed in the inventory below for individual documents and maps. Many are contemporary imprints.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection is an eclectic grouping of maps and government documents transferred from the library's main circulating collection for reasons of historical significance or other considerations. Certain maps of Europe and the graphics concerning the Panama Canal were purchased and incoroporated into the collection, as well. Specific information is listed in the inventory below for individual documents and maps. 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