{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=32119\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=32118\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=32120\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=32127\u0026view=compact"},"meta":{"pages":{"current_page":32119,"next_page":32120,"prev_page":32118,"total_pages":32127,"limit_value":10,"offset_value":321180,"total_count":321262,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_8897_c02_c03_c84","type":"File","attributes":{"title":"Zepkin, Joseph Ross, Judge","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8897_c02_c03_c84#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8897_c02_c03_c84","ref_ssm":["viw_repositories_2_resources_8897_c02_c03_c84"],"id":"viw_repositories_2_resources_8897_c02_c03_c84","ead_ssi":"viw_repositories_2_resources_8897","_root_":"viw_repositories_2_resources_8897","_nest_parent_":"viw_repositories_2_resources_8897_c02_c03","parent_ssi":"viw_repositories_2_resources_8897_c02_c03","parent_ssim":["Will Molineux collection, 1952/2025","Series 2: Photographs","Box 7:  Williamsburg Area Residents, J- Z"],"parent_ids_ssim":["viw_repositories_2_resources_8897","viw_repositories_2_resources_8897_c02","viw_repositories_2_resources_8897_c02_c03"],"title_filing_ssi":"Zepkin, Joseph Ross, Judge","title_ssm":["Zepkin, Joseph Ross, Judge"],"title_tesim":["Zepkin, Joseph Ross, Judge"],"normalized_title_ssm":["Zepkin, Joseph Ross, Judge"],"text":["Zepkin, Joseph Ross, Judge","Will Molineux collection, 1952/2025","Series 2: Photographs","Box 7:  Williamsburg Area Residents, J- Z","Box 7","Folder 84"],"parent_unittitles_ssm":["Will Molineux collection, 1952/2025","Series 2: Photographs","Box 7:  Williamsburg Area Residents, J- Z"],"parent_unittitles_tesim":["Will Molineux collection, 1952/2025","Series 2: Photographs","Box 7:  Williamsburg Area Residents, J- Z"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":729,"repository_ssim":["College of William and Mary"],"collection_ssim":["Will Molineux collection, 1952/2025"],"containers_ssim":["Box 7","Folder 84"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"_nest_path_":"/components#1/components#2/components#83","timestamp":"2026-06-23T07:47:52.105Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8897","ead_ssi":"viw_repositories_2_resources_8897","_root_":"viw_repositories_2_resources_8897","_nest_parent_":"viw_repositories_2_resources_8897","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8897.xml","title_filing_ssi":"Will Molineux collection","title_ssm":["Will Molineux collection"],"title_tesim":["Will Molineux collection"],"unitdate_ssm":["1952-2025"],"unitdate_inclusive_ssm":["1952-2025"],"normalized_date_ssm":["1952/2025"],"normalized_title_ssm":["Will Molineux collection, 1952/2025"],"text":["Will Molineux collection, 1952/2025","MS 00042","/repositories/2/resources/8897","James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs","Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into six series.","Unprocesssed","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary.","Williamsburg-James City County publications including reports, and programs of community organizations.","Long Range Program 1988-1993, Colonial Soil and Water Conservation District. Williamsburg-James City County Public Schools, Matthew Whaley Primary School, self-evaluation, 1985-86.","Matthew Whaley School, Williamsburg, Va, Self Study, 1976-1977. Master Water Plan, James City County, 1979.","Norge Primary School, Self-Study, 1975-1976 City of Williamsburg, Fiscal Outlook, 1982-1987","Scope and Contents Common Glory pamphlet, Virginia Gazette 1976 supplement, Anheuser-Busch press release, Annual Report of the Williamsburg Fire Department, \"Telling our Story for 1965,\" program for 1949 Community Night and more. Collection descriptions on the Parker Family Papers (Liverpool Records Office), Virginia Sources (Public Records Office, London) by John Hemphill in 1955, other research from the 1950's and 1986 \"Crispus Attucks Place\" report by the Williamsburg Redevelopment and Housing Authority and Project Area Committee. Two photographs of George C. Pitts, Jr.","Scope and Contents Williamsburg Business and Services Directory for 1962, 1963-1964; Williamsburg Travel Index of Williamsburg, open letter to James City County residents with descriptions of Community Goals and Objectives, 1974;  1959 Williamsburg Fire Department Annual Report; pamphlet by the Greek Orthodox Churches of America on \"Pilgrimage to Jamestown\" and other items.","Scope and Contents Pamphlets about the County Manager position, election brochures, newspaper articles, \"County Manager Quiz\" and reports.","Article on a Leap-Year ball held in Williamsburg in the Wren Building.  William \u0026 Mary was closed at this time.","Williamsburg-James City County contracts, agreements, plans and budgets.","Photographs of Busch Gardens under construction: plans for Eastern State of Dunbar which never materialized; program for Mental Health Day, Eastern State Hospital, May 4, 1955, Williamsburg.","Copy of article Will Molineux wrote regarding President L.B. Johnson's visit to Bruton Parish Church on November 12, 1967 giving the inside scoop and a copy of Eric Severeid's commentary on the incident on CBS broadcast, 13 Nov. 1967.","1950 map of Virginia, three visitor guides to Williamsburg and an article on Williamsburg National Bank. 12 Campaign buttons, nailclippers advertising Williamsburg National Bank, a drink stirrer from Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009. A group of photographs, with negatives, of E. Tucker Carlton, Jan Ernstmeyer (Miss Williamsburg), H.M. Stryker (Mayor), Dorthy Parker and Marj Force.  March 1, 1968.  Copy of newspaper page with congratuations to The City of Williamsburg for their new Municipal Building","Scope and Contents Four photocopies of photographs of groups of Williamsburg residents.  Some of the people were identified during a Spring 2011 WHRA meeting. Two women holding their sleepy children, probably during a Common Glory presentation at the amphitheater. Five men and one woman at the \"Food Handler School\" standing in front of possibly Matthew Whaley.  Principal Pitts, a math teacher, is identified. Four men standing in front of a Red Cross \"clock\" with a group of children behind them.  The men are identified as Vincent D. McManus, Dewey C. Renick, Thomas G. McCaskey and Horace E. Henderson. Groups of students sitting at tables in the Matthew Whaley School library.  A few possible identifications include a Bell twin, Tommy Singleton and Howard Martin.","Inking the type with a pair of printing balls begins the series of operations necessary to print on page of the Virginia Gazette in the Printing Office at Colonial Williamsburg. Visitors to the historic city can watch costumed historic trades interpreters demonstrate the crafts of printing, book binding and papermaking in the printing office complex.","Labeled \"Staff Photo by Thom Slater\" on the back.","From The Governor's Palace in Williamsburg: A Cultural Study, by Graham Hood. Distributed by the University of North Carolina Press for the Colonial Williamsburg Foundation. Photograph courtesy of the Colonial Williamsburg Foundation.","One of Williamsburg's Most Historical Buildings is the Colonial Capitol where virginia's General Assembly convened from 1704 to 1780. Here an embarrassed and stammering George Washington was applauded by fellow burgesses for his part in the French and Indian War; here Patrick Henry defiantly protested the Stamp Act until accused of treason; and here George Mason's Virginia Declaration of Rights was passed. (large-sized photo)","The Hall of the House of Burgesses in Williamsburg's Capitol building reminds visitors of stirring events at the time of the American Revolution. Patrick Henry's personal copy of his resolves against the Stamp Act is on display, along with the city's mace and the original Speaker's Chair, reinstalled when the Capitol was opened in 1934. (large-sized photo)","The Public Hospital was America's First Public Institution Devoted Exclusively to the Care and Treatment of the Mentally Ill. With the completion of the hospital, Colonial Williamsburg has reconstructed the last of the 18th-century capital city's major public buildings. In the 18th century, the hospital was the last public building constructed prior to the outbreak of the American Revolution in town. It grew from this original building to a complex of many before it burned on the night of June 7, 1885. (large-sized photo)","Five negatives, Three small-sized prints - Vertically framed, slightly blurred man on horse going down the road, Horizontally framed, of what appears to be a speech, an umbrella is featured prominently on the stage, Horizontally framed, two men on horses riding down the street","Carter's Grove from Virginia Plantation Homes by David King Gleason, published by LSU Press. © 1989 Gleason Photography, 1755 Nicholson Drive, Baton Rouge, LA 70802. Ph. 383-8989","Archaeologists digging near the 18th-century mansion at Carter's Grove have uncovered important evidence of a settlement which existed there a hundred years earlier…","Label on front of large picture: \"Floor and elevation plans for the first Hospital for Idiots and Lunatics at Williamsburg\" – Label on back: \"PUBLICK HOSPITAL – On Sept. 14, 1733 Williamsburg Clerk Jacob Bruce announced in the Virginia Gazette that the nation's first public mental hospital was complete and the board of directors…","Same photo printed on a sheet of paper with a caption stapled to it: \"Throughout the 19th century, Eastern State Hospital, the first mental institution in the United States, was the principal institution in Williamsburg where, it was often joked, '500 lazy lived off 500 crazy'…\"","Photocopy of picture of building with caption: Built in 1881, the John R. Thurman Building housed 275 male patients at Eastern State Hospital when the hospital grounds were in downtown Williamsburg. This picture was taken in 1962…","Printout or copy of captioned photo under the heading \"A Look Back: Thurman Building, 1962\", caption reads: Built in 1881, this building in Williamsburg housed 275 male patients at Eastern State Hospital when the hospital campus was downtown on Francis Street…","Upper left: photograph of steps and individuals in profile Upper right: Blurred photograph of a man speaking at a podium in profile Lower: The leaders of the assembly, standing up or leaving Back of Sheet UL: Color guard standing in left of shot UR: Man in glasses speaking at podium, profile, blurred L: Choir singing","Front of Sheet UL: Shot of many men standing in robes, some sitting UR: Shot of men in robes around a podium, light especially strong on one man's head L: Shot of Wren building assembly from far away, showing many rows of empty chairs and some people congregated around the front. Back of Sheet UL: Photograph of a man speaking at the podium, profile, people sitting on some bleachers in the background UR: Man speaking at podium, not wearing a hat as opposed to man in UL L: Profile shot of several men standing in front of Wren building in robes","Front of Sheet UL: Shot of men standing in robes, vertically framed shot UR: Close in shot of a man standing up, holding a piece of paper L: Distance shot of assembly/ceremony, seats filled in front of Wren Building Back of Sheet UL: Shot of stairs in foreground, men in robes in background UR: Blurred shot of a man in glasses speaking at podium L: Photo of busts of heads in front of Wren building","Photo of ceremony at Wren Building from far away, seats filled Pouch, labeled: Negatives, Sept. 24, 1954, Commemorative ceremonies","Scope and Contents Shot of many seated in front of Wren building, labeled Graduation June 1954, front of print has \"Nov\" of \"Nov 54\" marked out with marker Similar shot as above, print labeled \"Jun 54\" on front, labeled W\u0026M commencement, June 6, 1954 on back Picture with corner clipped off, of banner hung on Wren Building balcony, labeled Seats on Wren Building, June 6, 1954, [?] Virginia U.S.A. College of William and Mary Blurred picture of ceremony in Wren yard, seats filled, cannon included in shot","Small picture with textured edge of four people in front of Wren building, labeled: Ed Watkins, Binnie Owens, Lois Mortashed, Will Molineux, Commencement, June 10, 1956 Small picture of three people in chairs facing camera, labeled: Belinda Owens, Lois Mortashed, Ed Watkins, June 10, 1956","Small photograph of a dog walking on bleachers in Wren yard, textured edge, labeled: \"Afterwords\" (?) Negative of same picture","Edward P. Alexander, Colonial Williamsburg, talking with two unidentified foreign students during the Williamsburg International Assembly, circa early 1960's","Blurred photo of students on Pep Club parade float, labeled Nov 54 on front Photo of students in various kinds of gaudy costume, labeled Nov 54 on front, \"Margie\" written on the back Photo of parade float, poorly lit, not easily defined (appears to be covered in either vegetation or significant amounts of paper Photo of parade float with sign \"Keep 'Em Down to Zero\"","Six small square photographs of the singers, one featuring four students on a balcony Negatives","Similar photograph of first in folder, bulldozers in front of Morton hall, 62.6 18-170 written on front, spot Williamsburg, 3x3 ½, Wmsbg for Monday, W\u0026M…Parking area improved along Jamestown road","Contains negatives Photo of some students, labeled: \"Dirty\" Ed Phillips Photo of students, one sitting, one standing, labeled: Dean Roberts \u0026 Margo Ketchum, K? weekend, April 24, 1954 Photo of woman leaning against brick pillar, labeled: Libby Lewis, 1953 sweetheart, K? weekend, April 24, 1954 Photo of student holding a cup, with glasses, labeled: Joe Kinder, K? weekend, April 24, 1954 Red Kappa Sigma Booklet, Nu Chapter 1952","Small bordered photo of horse-drawn carriage featuring people in costume, front has May 54 printed, back labeled with handwriting, not decipherable Small bordered photo of men in costume carrying flags, blurry, front has May 54 printed, unlabeled on back Small photo of people in costume in and around a carriage, numbers printed on back read PP-L1N1Q-SS3VDGW 252023 3.jpg Small bordered photo similar to first photograph, only Nov 54 is printed on front, and KA Parade written on back Negative of horse-drawn carriage","Two copies of a photograph of Newton, both labeled Williamsburg, Blake T. Newton, Jr. Alternate shot of Newton, also labeled Williamsburg, Blake T. Newton, Jr. ¾ Shot of Newton, same label as above Profile shot of Newton, same label as above","Enclosed, engraving of a church labeled Brenton Church, Williamsburg, VA.—From a Sketch by Jas. E. Taylor","Two similar shots","Crossroad-marker in foreground reading Duke of Gloucester, S. Henry, labeled: DP WILLIAMSBURG, Merchant's Square Year Ender Insert, taken in 1966…Please return photo to Williamsburg Bureau—it is on loan from CW…","Small envelope packet (with advertising for Sylvania flashbulbs), contains negatives Two small photographs of military equipment labeled Jun 1960","One package, labeled: Army reserve summer camp USAR, C-3-36-155 How Army Reserve Wally Riley Translucent packet contains two negatives, one of a man looking through a camera, another of a man raising his right hand while another man looks on","Large photo of three people looking at a large placard indicating money raised for the American Cancer Crusade, reads \"What is your Horoscope?\", labeled: Cancer Crusade Under Way, Betty Wallace, Frazier Hoover, Norman G. Beatty","Forty-six slides in a slide carousel tray, and forty-one accompanying note cards with information on the scenes the slides depict. The slides feature places found in Newport News.","1 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.","2 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.","3 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.","Miscellaneous letters relating to photographs published in the Daily Press in the \"Peninsula Look Back\" series.","Newspaper clippings, memos, office directives, miscellaneous newspaper clippings relating to the history of the Daily Press and its ownership. Photographs in scrapbook.","Newspaper clippings, memos, etc. relating to the sale of the Daily Press Inc. in 1986 to Tribune Company of Chicago.","Photographs. Complete set of leaflets \"Tales of Old Fort Monroe.\" Individual issues were published circa 1962-1968. Although the author is not given, probably written by Chester D. Bradley, MD, who for many years was the principal supporter of the Casemate Museum.","Reminiscences by Warren McNamara (as explained in his letter to Parke Rouse). \"Fox Hill: Its People and Places\" by Charles F. Elliott (blue tab).","\"Old Hampton Landmarks\" by Sis Evans. Photocopy of booklet reprinted in 1982 (considered very accurate). \"The Syms-Eaton Free School\" by Mrs. F. M. Armstrong. Photocopy of booklet published by the APVA. Syms School Land Survey, 1805. (greenish tab).","Random newspaper clippings. Booklet \"The First Trading Post at Kicotan\" by Joseph B. Brittingham and Alvin W. Brittingham Sr. (1947); Essay \"The Tylers and Villa Margaret\" by Anne Chapman; Material related to the history of St. John's Episcopal Church; Article on Aberdeen Gardens, the New Deal homestead built by blacks for blacks; photocopy of \"The First Plantation,\" a history of Hampton and Elizabeth City County up to 1887 by Marion L. Starkey; photocopy of \"A Hodgepodge of Memories of Hampton\" by Brig. Gen. (ret.) E. Sclater Montague (1972).","\"VA Hospital: 100 Years of Veterans Care: 1870-1970\" by Shelby M. Liston. Photocopy of article \"One Hundred Years of Medicine at Hampton Veterans Administration Center\" by Chester D. Bradley, MD, originally published November 1970 in Virginia Medical Monthly. (greenish tab).","Articles written by Dale Hoak of William and Mary's History Department and commissioned in 1985 by Dorothy Rouse-bottom for publication in the Daily Press. (Dates of publication are, unfortunately, not indicated). (blue tabs). Article \"The Virginia Company of London\" by Virginia F. Stern. (don't remember the author or if this article was published in the newspaper) (greenish tab). Article \"Virginia and the British Monarchy\" by Michael P. Gleason, an independent Virginia historian and magazine publisher who died 2013. (unknown if published).","Photocopy of booklet \"The Harbor of a Thousand Ships: Newport News, Va.,\" published in 1921. Extensive histories of local businesses, names of white residents. Copy of \"Brief Historical Sketch of the Peninsula,\" published Nov. 4, 1937, in the Religious Herald in connection of a convention of Virginia Baptists in Newport News. (yellow tab).","Articles by James M. Morris, professor of history at Christopher Newport College: \"Collis P. Huntington and His Dream,\" (green tab); \"Collis P. Huntington Acquires a Shipyard Charter: Stratagems of an Empire Builder\" (yellow tab); \"Newport News: Geared Up for War, Only Paused for V-E Thanks,\" (published in Daily Press, date not noted) (green tab); \"Industrial Paternalism in a Segregated Society: Newport News Shipbuilding and the City It Founded\" (talk given March 8, 1985 at CNC). Copy of article \"The Shipyard Monument\" by Alexander Crosby Brown, historian and literary editor of the Daily Press, written in 1984 critical of Tenneco's removal of the Huntington Memorial. At the time, this was a cause celebre and Brown was so determined that his opinionated article be saved he temporarily deposited in the safe of Congressman Thomas N. Downing (see note in his handwriting on page 1. Unknown if this article was published in the Daily Press, but certainly shorter versions were.","\"Then and Now on the Peninsula,\" a photocopy of a Daily Press series of scenes as they stood in 1953-54 and as they had been photographed years before, compiled by Alexander C. Brown, historian and the newspaper's literary editor. This is a significant contribution to local history with accurate captioning. This collection, for which Brown offers a helpful listing, was prepared for the Daily Press and there may be no other copy.","Photo copy of \"History of the Gloucester-Yorktown Ferry System: 1867-1952,\" a research paper by ODU student Marion O. Dixon. Photo copy of master's thesis by Marilyn M. Harper of George Washington University regarding disagreements between the family of George Preston Blow, owners of the Nelson House in Yorktown, and the National Park Service regarding the restoration of that 18th century residence. (greenish tab).","Two studies regarding the location of Fort James on Jamestown Island prior to its discovery by William Kelso. In a 1983 unpublished study, archaeologist Ivor Noel Hume offers a \"reexamination of the documentary and interpretive evidence\" for the Jamestown-Yorktown Foundation, and suggests it may be downstream. Virginia S. Harrington, a historian and archaeologist, presents \"Theories and Evidence for the Location of James Fort\" in an article published in The Virginia Magazine (date not noted), suggests two possible locations.","Booklet. \"Peninsula Roots: A Special Series Exploring the Rich Heritage of the Virginia Peninsula.\" The series was published in 1978 in The Times-Herald.","Booklet. \"From The People, For The People: New Newport News Libraries, The First Century\" by James M. Morris and Margaret S. Moseley (1991).","Booklet.","Booklet. Edited by Jane Carter Webb. (1986).","Booklet.","Booklet. Written by Eleanor S. Holt.","Booklet.","Booklet.","Maritime historian. Author of several books. Literary editor of the Daily Press. Copies of several articles he wrote are in this collection of historical material. He also identified many photographs. He had a reputation for accuracy. Filed under: Biographies","Publisher of the Daily Press, 1953-1981. A significant figure and personality. See also file folder on history of the Daily Press. Photograph of her is in the large scrapbook. Filed under: Biographies","Daughter of Dorothy Bottom. For three years, 1983-1986, she was in charge of the Daily Press editorial page. After her divorce from John Duffy, she adopted the hyphenated spelling Rouse-Bottom. Filed under: Biographies","Copy of the August 25, 1900 edition of The Literary Digest, which contains an obituary notice. Huntington photograph in scrapbook. Filed under: Biographies","Civic leader. Delegate to the Virginia General Assembly, 1936-1966. Auto dealer. Obviously an incomplete file. Filed under: Biographies","Hampton attorney and delegate to the Virginia General Assembly. 1916 graduate of William and Mary. Personal reminiscences. Filed under: Biographies","Dates unknown. Newport News banker. Personal reminiscences. Filed under: Biographies","Widow of Nick Mathews. Yorktown restaurateur honored for her civic spirit, patriotism and generosity. Filed under: Biographies","Warwick County Dairyman. Newport News real estate assessor. Filed under: Biographies","Typescript of unpublished biography of Anna Huntington by Parke Rouse Jr. Filed under: Biographies","Photograph. Filed under: Notable Visitors to Newport News","Photograph of crowd in scrapbook. Filed under: Notable Visitors to Newport News","Eleanor Roosevelt at Hampton Institute (now University). Filed under: Notable Visitors to Newport News","Filed under: Notable Visitors to Newport News","Filed under: Notable Visitors to Newport News","Return to Hampton Roads of the Great White Fleet after sailing around the world. Photographs. Filed under: Great White Fleet Returns-3 Ship Launch","Newspaper accounts. Filed under: Great White Fleet Returns-3 Ship Launch","Newspaper accounts. Photographs in scrapbook. Filed under: Great White Fleet Returns-3 Ship Launch","Filed under: Great White Fleet Returns-3 Ship Launch","Newspaper accounts. Filed under: Major Fires in Newport News","Photographs and newspaper accounts. Filed under: Major Fires in Newport News","Newspaper clips. Filed under: Major Fires in Newport News","Newspaper accounts. Photograph in scrapbook. Filed under: Major Fires in Newport News","Photograph and newspaper accounts. Photograph also in scrapbook. Filed under: Major Fires in Newport News","Photograph and newspaper accounts. Filed under: Major Fires in Newport News","Newspaper accounts. Filed under: Major Fires in Newport News","Newspaper accounts. Photographs in scrapbook. Filed under: Major Fires in Newport News","Photograph. Newspaper accounts. Filed under: Major Fires in Newport News","This town was incorporated into Newport News in 1927. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Fact sheets issued by Fort Eustis Historical and Archaeological Association. Sub file on archaeology of Mulbery Island (Fort Eustis). Filed under: Misc. Folders, Ft. Eustis, Langley Field","Many of these photographs taken during World War I. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Four papers written by W.T. Stauffer. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper accounts. Photograph in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Paper relating to history written by Bill Lee, serious amateur historian whose father was an editor for the Daily Press (see folder on newspaper). Lee has produced seveal other studies relating to Newport News, including a portrait of his father (see folder of Daily Press hisotry). Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper clippings, other documents relating to Parrish Plantation or Parrish House (spelling of Parrish is correct). Articles contain recollections of owners of what was oldest residence in East End of Newport News. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper accounts. A historical account of the hotel written by Alexander C. Brown. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Extensive caption information for photograph in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper article giving history of Warwick Courthouse in Newport News. Photographs in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Extensive history. Newspaper articles. Autobiography of Anthony A. Schiavone who was manager of the mothball fleet off Fort Eustis. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Miscellaneous newspaper articles. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Miscellaneous newspaper articles and photographs. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Miscellaneous newspaper articles. Layout of amusement park. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Aerial photograph of residential community. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Scope and Contents Photographs of Langley Field and NASA Research Center. See \"Langley 1916-1996\" published by the Office of History, Air Combat Command, Langley AFB, 1996 for full caption material. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Articles regarding Albert Kahn, the German-born architect for initial construction of Langley Field. Note: Blue pencil edits were made on Weidinger's article that was not published in the Daily Press. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Photographs of early York River ferry, Hampton Roads ferry, and Chesapeake Bay steamers. Article by Harold S. Sniffen of The Mariners' Museum on steam ferries of Hampton Roads. Article on the last of the Chesapeake steamboats by Robert H. Burgess. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper articles by Alexander C. Brown on an unfinished canal tunnel in Botetourt County and other newspaper articles. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Photographs and newspaper accounts. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Filed under: Misc. Folders, Ft. Eustis, Langley Field","Series of fact sheets issued between 1992 and 2003 by the York County Historical Committee addressing various subjects of county history. Needs sorting because some articles were later revised; periodic index. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper clippings of President Reagan speech and pageantry marking 200th anniversary of the surrender of the British. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Press Packet. Information issued by York County in connection with the county's 350th anniversary in 1984. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Press Packet. Information issued regarding the commissioning July 4, 1984 of the Navy cruiser Yorktown (CG-48) at Naval Weapons Station, Yorktown. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Typescript of unpublished article by J. J. Nicholson. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Press packet and other documents on preservation of ruins of Rosewell Plantation. Architectural evaluation by Edward A. Chappell. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Brief history of Warner Hall Plantation. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Scope and Contents First three issues of \"The Mathews County Antiquarium\" published 1997-1998 by Peter J. Wrike. With index. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Postcard. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Copies of Charles City County Historical Society Newsletter. No. 6 (1996), and Nos. 9 to 24 (December 1996-September 2000) edited by Judith F. Ledbetter. Filed under: Misc. Folders, Ft. Eustis, Langley Field","3 Kiwanis Club of Williamsburg membership rosters.","Official Saint Andrew Society of Williamsburg membership roster.","File includes a 1954 William \u0026 Mary commencement program, letters from president of the student body, Ronald I. Drake and Jack D. Edwards,   as well as a Statement and Findings of the Board of Visitors of the College of William and Mary  Concerning Student Complaints and Related Matters.","Correspondence, by-laws, invitations and membership rosters.","Contains memorabilia, photographs, and other materials of the 1957 Jamestown Festival commemorating the 350th Anniversary of Jamestown, Virginia.","Contains memorabilia, photographs, and other materials of the 1957 Jamestown Festival commemorating the 350th Anniversary of Jamestown, Virginia.","Copy of article from the Episcopal Diocese of Southern Virginia, published April 29, 2025, about the contextualization of the Confederate plaque, copy of email sent by The Rev. Chris Epperson, Rector, to Bruton Parish about the contextualized plaque and historical marker, copy of the talk, \"Sully's Confederate Plaque and Coleman's Confederate Obelisk: Two Memorial Gifts at Bruton Parish Church\" given by Will Molineux to Bruton Parish Church Guides on June 30, 2025, and record of events written by Will Molineux immediately preceding and following the installation of the contextualization plaque.","Copy of email sent by The Rev. Chris Epperson, Rector, to Bruton Parish about the contextualized plaque and historical marker,","Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","English"],"collection_title_tesim":["Will Molineux collection, 1952/2025"],"collection_ssim":["Will Molineux collection, 1952/2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00042","/repositories/2/resources/8897"],"unitid_tesim":["MS 00042","/repositories/2/resources/8897"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"geogname_ssim":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"places_ssim":["James City County (Va.)--History--20th century","Jamestown (Va.)--History--20th century","Williamsburg (Va.)--City Council","Williamsburg (Va.)--History--20th century","Williamsburg (Va.)--Photographs","Williamsburg (Va.)--Social life and customs"],"creator_ssm":["Molineux, Will","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County"],"creator_ssim":["Molineux, Will","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County"],"creator_persname_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"creator_corpname_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"creators_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973","Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["1997.41, 1999.31a, 1999.45, 2005.12, 2006.30, 2007.32, 2008.13a, 2008.167. Please see staff for information about recent accessions."],"access_subjects_ssim":["Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"access_subjects_ssm":["Eastern State Hospital (Va.)--History","Jamestown 350th Anniversary","Jamestown Festival (1957)","Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"has_online_content_ssim":["false"],"extent_ssm":["6 Linear Feet 15 boxes"],"extent_tesim":["6 Linear Feet 15 boxes"],"genreform_ssim":["Buttons (information artifacts)","Church bulletins","Maps","Newspapers","Photographs","Programs","Reports"],"date_range_isim":[1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into six series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into six series."],"prefercite_html_tesm":["\u003cp\u003eWill Molineux collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Will Molineux collection, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eUnprocesssed\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Unprocesssed"],"relatedmaterial_html_tesm":["\u003cp\u003eMss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009."],"scopecontent_html_tesm":["\u003cp\u003eCollection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026amp; Mary.\u003c/p\u003e  ","\u003cp\u003eWilliamsburg-James City County publications including reports, and programs of community organizations.\u003c/p\u003e","\u003cp\u003eLong Range Program 1988-1993, Colonial Soil and Water Conservation District. Williamsburg-James City County Public Schools, Matthew Whaley Primary School, self-evaluation, 1985-86.\u003c/p\u003e","\u003cp\u003eMatthew Whaley School, Williamsburg, Va, Self Study, 1976-1977. Master Water Plan, James City County, 1979.\u003c/p\u003e","\u003cp\u003eNorge Primary School, Self-Study, 1975-1976 City of Williamsburg, Fiscal Outlook, 1982-1987\u003c/p\u003e","\u003cp\u003eScope and Contents Common Glory pamphlet, Virginia Gazette 1976 supplement, Anheuser-Busch press release, Annual Report of the Williamsburg Fire Department, \"Telling our Story for 1965,\" program for 1949 Community Night and more. Collection descriptions on the Parker Family Papers (Liverpool Records Office), Virginia Sources (Public Records Office, London) by John Hemphill in 1955, other research from the 1950's and 1986 \"Crispus Attucks Place\" report by the Williamsburg Redevelopment and Housing Authority and Project Area Committee. Two photographs of George C. Pitts, Jr.\u003c/p\u003e","\u003cp\u003eScope and Contents Williamsburg Business and Services Directory for 1962, 1963-1964; Williamsburg Travel Index of Williamsburg, open letter to James City County residents with descriptions of Community Goals and Objectives, 1974;  1959 Williamsburg Fire Department Annual Report; pamphlet by the Greek Orthodox Churches of America on \"Pilgrimage to Jamestown\" and other items.\u003c/p\u003e","\u003cp\u003eScope and Contents Pamphlets about the County Manager position, election brochures, newspaper articles, \"County Manager Quiz\" and reports.\u003c/p\u003e","\u003cp\u003eArticle on a Leap-Year ball held in Williamsburg in the Wren Building.  William \u0026amp; Mary was closed at this time.\u003c/p\u003e","\u003cp\u003eWilliamsburg-James City County contracts, agreements, plans and budgets.\u003c/p\u003e","\u003cp\u003ePhotographs of Busch Gardens under construction: plans for Eastern State of Dunbar which never materialized; program for Mental Health Day, Eastern State Hospital, May 4, 1955, Williamsburg.\u003c/p\u003e","\u003cp\u003eCopy of article Will Molineux wrote regarding President L.B. Johnson's visit to Bruton Parish Church on November 12, 1967 giving the inside scoop and a copy of Eric Severeid's commentary on the incident on CBS broadcast, 13 Nov. 1967.\u003c/p\u003e","\u003cp\u003e1950 map of Virginia, three visitor guides to Williamsburg and an article on Williamsburg National Bank. 12 Campaign buttons, nailclippers advertising Williamsburg National Bank, a drink stirrer from Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009. A group of photographs, with negatives, of E. Tucker Carlton, Jan Ernstmeyer (Miss Williamsburg), H.M. Stryker (Mayor), Dorthy Parker and Marj Force.  March 1, 1968.  Copy of newspaper page with congratuations to The City of Williamsburg for their new Municipal Building\u003c/p\u003e","\u003cp\u003eScope and Contents Four photocopies of photographs of groups of Williamsburg residents.  Some of the people were identified during a Spring 2011 WHRA meeting. Two women holding their sleepy children, probably during a Common Glory presentation at the amphitheater. Five men and one woman at the \"Food Handler School\" standing in front of possibly Matthew Whaley.  Principal Pitts, a math teacher, is identified. Four men standing in front of a Red Cross \"clock\" with a group of children behind them.  The men are identified as Vincent D. McManus, Dewey C. Renick, Thomas G. McCaskey and Horace E. Henderson. Groups of students sitting at tables in the Matthew Whaley School library.  A few possible identifications include a Bell twin, Tommy Singleton and Howard Martin.\u003c/p\u003e","\u003cp\u003eInking the type with a pair of printing balls begins the series of operations necessary to print on page of the Virginia Gazette in the Printing Office at Colonial Williamsburg. Visitors to the historic city can watch costumed historic trades interpreters demonstrate the crafts of printing, book binding and papermaking in the printing office complex.\u003c/p\u003e","\u003cp\u003eLabeled \"Staff Photo by Thom Slater\" on the back.\u003c/p\u003e","\u003cp\u003eFrom The Governor's Palace in Williamsburg: A Cultural Study, by Graham Hood. Distributed by the University of North Carolina Press for the Colonial Williamsburg Foundation. Photograph courtesy of the Colonial Williamsburg Foundation.\u003c/p\u003e","\u003cp\u003eOne of Williamsburg's Most Historical Buildings is the Colonial Capitol where virginia's General Assembly convened from 1704 to 1780. Here an embarrassed and stammering George Washington was applauded by fellow burgesses for his part in the French and Indian War; here Patrick Henry defiantly protested the Stamp Act until accused of treason; and here George Mason's Virginia Declaration of Rights was passed. (large-sized photo)\u003c/p\u003e","\u003cp\u003eThe Hall of the House of Burgesses in Williamsburg's Capitol building reminds visitors of stirring events at the time of the American Revolution. Patrick Henry's personal copy of his resolves against the Stamp Act is on display, along with the city's mace and the original Speaker's Chair, reinstalled when the Capitol was opened in 1934. (large-sized photo)\u003c/p\u003e","\u003cp\u003eThe Public Hospital was America's First Public Institution Devoted Exclusively to the Care and Treatment of the Mentally Ill. With the completion of the hospital, Colonial Williamsburg has reconstructed the last of the 18th-century capital city's major public buildings. In the 18th century, the hospital was the last public building constructed prior to the outbreak of the American Revolution in town. It grew from this original building to a complex of many before it burned on the night of June 7, 1885. (large-sized photo)\u003c/p\u003e","\u003cp\u003eFive negatives, Three small-sized prints - Vertically framed, slightly blurred man on horse going down the road, Horizontally framed, of what appears to be a speech, an umbrella is featured prominently on the stage, Horizontally framed, two men on horses riding down the street\u003c/p\u003e","\u003cp\u003eCarter's Grove from Virginia Plantation Homes by David King Gleason, published by LSU Press. © 1989 Gleason Photography, 1755 Nicholson Drive, Baton Rouge, LA 70802. Ph. 383-8989\u003c/p\u003e","\u003cp\u003eArchaeologists digging near the 18th-century mansion at Carter's Grove have uncovered important evidence of a settlement which existed there a hundred years earlier…\u003c/p\u003e","\u003cp\u003eLabel on front of large picture: \"Floor and elevation plans for the first Hospital for Idiots and Lunatics at Williamsburg\" – Label on back: \"PUBLICK HOSPITAL – On Sept. 14, 1733 Williamsburg Clerk Jacob Bruce announced in the Virginia Gazette that the nation's first public mental hospital was complete and the board of directors…\u003c/p\u003e","\u003cp\u003eSame photo printed on a sheet of paper with a caption stapled to it: \"Throughout the 19th century, Eastern State Hospital, the first mental institution in the United States, was the principal institution in Williamsburg where, it was often joked, '500 lazy lived off 500 crazy'…\"\u003c/p\u003e","\u003cp\u003ePhotocopy of picture of building with caption: Built in 1881, the John R. Thurman Building housed 275 male patients at Eastern State Hospital when the hospital grounds were in downtown Williamsburg. This picture was taken in 1962…\u003c/p\u003e","\u003cp\u003ePrintout or copy of captioned photo under the heading \"A Look Back: Thurman Building, 1962\", caption reads: Built in 1881, this building in Williamsburg housed 275 male patients at Eastern State Hospital when the hospital campus was downtown on Francis Street…\u003c/p\u003e","\u003cp\u003eUpper left: photograph of steps and individuals in profile Upper right: Blurred photograph of a man speaking at a podium in profile Lower: The leaders of the assembly, standing up or leaving Back of Sheet UL: Color guard standing in left of shot UR: Man in glasses speaking at podium, profile, blurred L: Choir singing\u003c/p\u003e","\u003cp\u003eFront of Sheet UL: Shot of many men standing in robes, some sitting UR: Shot of men in robes around a podium, light especially strong on one man's head L: Shot of Wren building assembly from far away, showing many rows of empty chairs and some people congregated around the front. Back of Sheet UL: Photograph of a man speaking at the podium, profile, people sitting on some bleachers in the background UR: Man speaking at podium, not wearing a hat as opposed to man in UL L: Profile shot of several men standing in front of Wren building in robes\u003c/p\u003e","\u003cp\u003eFront of Sheet UL: Shot of men standing in robes, vertically framed shot UR: Close in shot of a man standing up, holding a piece of paper L: Distance shot of assembly/ceremony, seats filled in front of Wren Building Back of Sheet UL: Shot of stairs in foreground, men in robes in background UR: Blurred shot of a man in glasses speaking at podium L: Photo of busts of heads in front of Wren building\u003c/p\u003e","\u003cp\u003ePhoto of ceremony at Wren Building from far away, seats filled Pouch, labeled: Negatives, Sept. 24, 1954, Commemorative ceremonies\u003c/p\u003e","\u003cp\u003eScope and Contents Shot of many seated in front of Wren building, labeled Graduation June 1954, front of print has \"Nov\" of \"Nov 54\" marked out with marker Similar shot as above, print labeled \"Jun 54\" on front, labeled W\u0026amp;M commencement, June 6, 1954 on back Picture with corner clipped off, of banner hung on Wren Building balcony, labeled Seats on Wren Building, June 6, 1954, [?] Virginia U.S.A. College of William and Mary Blurred picture of ceremony in Wren yard, seats filled, cannon included in shot\u003c/p\u003e","\u003cp\u003eSmall picture with textured edge of four people in front of Wren building, labeled: Ed Watkins, Binnie Owens, Lois Mortashed, Will Molineux, Commencement, June 10, 1956 Small picture of three people in chairs facing camera, labeled: Belinda Owens, Lois Mortashed, Ed Watkins, June 10, 1956\u003c/p\u003e","\u003cp\u003eSmall photograph of a dog walking on bleachers in Wren yard, textured edge, labeled: \"Afterwords\" (?) Negative of same picture\u003c/p\u003e","\u003cp\u003eEdward P. Alexander, Colonial Williamsburg, talking with two unidentified foreign students during the Williamsburg International Assembly, circa early 1960's\u003c/p\u003e","\u003cp\u003eBlurred photo of students on Pep Club parade float, labeled Nov 54 on front Photo of students in various kinds of gaudy costume, labeled Nov 54 on front, \"Margie\" written on the back Photo of parade float, poorly lit, not easily defined (appears to be covered in either vegetation or significant amounts of paper Photo of parade float with sign \"Keep 'Em Down to Zero\"\u003c/p\u003e","\u003cp\u003eSix small square photographs of the singers, one featuring four students on a balcony Negatives\u003c/p\u003e","\u003cp\u003eSimilar photograph of first in folder, bulldozers in front of Morton hall, 62.6 18-170 written on front, spot Williamsburg, 3x3 ½, Wmsbg for Monday, W\u0026amp;M…Parking area improved along Jamestown road\u003c/p\u003e","\u003cp\u003eContains negatives Photo of some students, labeled: \"Dirty\" Ed Phillips Photo of students, one sitting, one standing, labeled: Dean Roberts \u0026amp; Margo Ketchum, K? weekend, April 24, 1954 Photo of woman leaning against brick pillar, labeled: Libby Lewis, 1953 sweetheart, K? weekend, April 24, 1954 Photo of student holding a cup, with glasses, labeled: Joe Kinder, K? weekend, April 24, 1954 Red Kappa Sigma Booklet, Nu Chapter 1952\u003c/p\u003e","\u003cp\u003eSmall bordered photo of horse-drawn carriage featuring people in costume, front has May 54 printed, back labeled with handwriting, not decipherable Small bordered photo of men in costume carrying flags, blurry, front has May 54 printed, unlabeled on back Small photo of people in costume in and around a carriage, numbers printed on back read PP-L1N1Q-SS3VDGW 252023 3.jpg Small bordered photo similar to first photograph, only Nov 54 is printed on front, and KA Parade written on back Negative of horse-drawn carriage\u003c/p\u003e","\u003cp\u003eTwo copies of a photograph of Newton, both labeled Williamsburg, Blake T. Newton, Jr. Alternate shot of Newton, also labeled Williamsburg, Blake T. Newton, Jr. ¾ Shot of Newton, same label as above Profile shot of Newton, same label as above\u003c/p\u003e","\u003cp\u003eEnclosed, engraving of a church labeled Brenton Church, Williamsburg, VA.—From a Sketch by Jas. E. Taylor\u003c/p\u003e","\u003cp\u003eTwo similar shots\u003c/p\u003e","\u003cp\u003eCrossroad-marker in foreground reading Duke of Gloucester, S. Henry, labeled: DP WILLIAMSBURG, Merchant's Square Year Ender Insert, taken in 1966…Please return photo to Williamsburg Bureau—it is on loan from CW…\u003c/p\u003e","\u003cp\u003eSmall envelope packet (with advertising for Sylvania flashbulbs), contains negatives Two small photographs of military equipment labeled Jun 1960\u003c/p\u003e","\u003cp\u003eOne package, labeled: Army reserve summer camp USAR, C-3-36-155 How Army Reserve Wally Riley Translucent packet contains two negatives, one of a man looking through a camera, another of a man raising his right hand while another man looks on\u003c/p\u003e","\u003cp\u003eLarge photo of three people looking at a large placard indicating money raised for the American Cancer Crusade, reads \"What is your Horoscope?\", labeled: Cancer Crusade Under Way, Betty Wallace, Frazier Hoover, Norman G. Beatty\u003c/p\u003e","\u003cp\u003eForty-six slides in a slide carousel tray, and forty-one accompanying note cards with information on the scenes the slides depict. The slides feature places found in Newport News.\u003c/p\u003e","\u003cp\u003e1 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.\u003c/p\u003e","\u003cp\u003e2 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.\u003c/p\u003e","\u003cp\u003e3 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.\u003c/p\u003e","\u003cp\u003eMiscellaneous letters relating to photographs published in the Daily Press in the \"Peninsula Look Back\" series.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, memos, office directives, miscellaneous newspaper clippings relating to the history of the Daily Press and its ownership. Photographs in scrapbook.\u003c/p\u003e","\u003cp\u003eNewspaper clippings, memos, etc. relating to the sale of the Daily Press Inc. in 1986 to Tribune Company of Chicago.\u003c/p\u003e","\u003cp\u003ePhotographs. Complete set of leaflets \"Tales of Old Fort Monroe.\" Individual issues were published circa 1962-1968. Although the author is not given, probably written by Chester D. Bradley, MD, who for many years was the principal supporter of the Casemate Museum.\u003c/p\u003e","\u003cp\u003eReminiscences by Warren McNamara (as explained in his letter to Parke Rouse). \"Fox Hill: Its People and Places\" by Charles F. Elliott (blue tab).\u003c/p\u003e","\u003cp\u003e\"Old Hampton Landmarks\" by Sis Evans. Photocopy of booklet reprinted in 1982 (considered very accurate). \"The Syms-Eaton Free School\" by Mrs. F. M. Armstrong. Photocopy of booklet published by the APVA. Syms School Land Survey, 1805. (greenish tab).\u003c/p\u003e","\u003cp\u003eRandom newspaper clippings. Booklet \"The First Trading Post at Kicotan\" by Joseph B. Brittingham and Alvin W. Brittingham Sr. (1947); Essay \"The Tylers and Villa Margaret\" by Anne Chapman; Material related to the history of St. John's Episcopal Church; Article on Aberdeen Gardens, the New Deal homestead built by blacks for blacks; photocopy of \"The First Plantation,\" a history of Hampton and Elizabeth City County up to 1887 by Marion L. Starkey; photocopy of \"A Hodgepodge of Memories of Hampton\" by Brig. Gen. (ret.) E. Sclater Montague (1972).\u003c/p\u003e","\u003cp\u003e\"VA Hospital: 100 Years of Veterans Care: 1870-1970\" by Shelby M. Liston. Photocopy of article \"One Hundred Years of Medicine at Hampton Veterans Administration Center\" by Chester D. Bradley, MD, originally published November 1970 in Virginia Medical Monthly. (greenish tab).\u003c/p\u003e","\u003cp\u003eArticles written by Dale Hoak of William and Mary's History Department and commissioned in 1985 by Dorothy Rouse-bottom for publication in the Daily Press. (Dates of publication are, unfortunately, not indicated). (blue tabs). Article \"The Virginia Company of London\" by Virginia F. Stern. (don't remember the author or if this article was published in the newspaper) (greenish tab). Article \"Virginia and the British Monarchy\" by Michael P. Gleason, an independent Virginia historian and magazine publisher who died 2013. (unknown if published).\u003c/p\u003e","\u003cp\u003ePhotocopy of booklet \"The Harbor of a Thousand Ships: Newport News, Va.,\" published in 1921. Extensive histories of local businesses, names of white residents. Copy of \"Brief Historical Sketch of the Peninsula,\" published Nov. 4, 1937, in the Religious Herald in connection of a convention of Virginia Baptists in Newport News. (yellow tab).\u003c/p\u003e","\u003cp\u003eArticles by James M. Morris, professor of history at Christopher Newport College: \"Collis P. Huntington and His Dream,\" (green tab); \"Collis P. Huntington Acquires a Shipyard Charter: Stratagems of an Empire Builder\" (yellow tab); \"Newport News: Geared Up for War, Only Paused for V-E Thanks,\" (published in Daily Press, date not noted) (green tab); \"Industrial Paternalism in a Segregated Society: Newport News Shipbuilding and the City It Founded\" (talk given March 8, 1985 at CNC). Copy of article \"The Shipyard Monument\" by Alexander Crosby Brown, historian and literary editor of the Daily Press, written in 1984 critical of Tenneco's removal of the Huntington Memorial. At the time, this was a cause celebre and Brown was so determined that his opinionated article be saved he temporarily deposited in the safe of Congressman Thomas N. Downing (see note in his handwriting on page 1. Unknown if this article was published in the Daily Press, but certainly shorter versions were.\u003c/p\u003e","\u003cp\u003e\"Then and Now on the Peninsula,\" a photocopy of a Daily Press series of scenes as they stood in 1953-54 and as they had been photographed years before, compiled by Alexander C. Brown, historian and the newspaper's literary editor. This is a significant contribution to local history with accurate captioning. This collection, for which Brown offers a helpful listing, was prepared for the Daily Press and there may be no other copy.\u003c/p\u003e","\u003cp\u003ePhoto copy of \"History of the Gloucester-Yorktown Ferry System: 1867-1952,\" a research paper by ODU student Marion O. Dixon. Photo copy of master's thesis by Marilyn M. Harper of George Washington University regarding disagreements between the family of George Preston Blow, owners of the Nelson House in Yorktown, and the National Park Service regarding the restoration of that 18th century residence. (greenish tab).\u003c/p\u003e","\u003cp\u003eTwo studies regarding the location of Fort James on Jamestown Island prior to its discovery by William Kelso. In a 1983 unpublished study, archaeologist Ivor Noel Hume offers a \"reexamination of the documentary and interpretive evidence\" for the Jamestown-Yorktown Foundation, and suggests it may be downstream. Virginia S. Harrington, a historian and archaeologist, presents \"Theories and Evidence for the Location of James Fort\" in an article published in The Virginia Magazine (date not noted), suggests two possible locations.\u003c/p\u003e","\u003cp\u003eBooklet. \"Peninsula Roots: A Special Series Exploring the Rich Heritage of the Virginia Peninsula.\" The series was published in 1978 in The Times-Herald.\u003c/p\u003e","\u003cp\u003eBooklet. \"From The People, For The People: New Newport News Libraries, The First Century\" by James M. Morris and Margaret S. Moseley (1991).\u003c/p\u003e","\u003cp\u003eBooklet.\u003c/p\u003e","\u003cp\u003eBooklet. Edited by Jane Carter Webb. (1986).\u003c/p\u003e","\u003cp\u003eBooklet.\u003c/p\u003e","\u003cp\u003eBooklet. Written by Eleanor S. Holt.\u003c/p\u003e","\u003cp\u003eBooklet.\u003c/p\u003e","\u003cp\u003eBooklet.\u003c/p\u003e","\u003cp\u003eMaritime historian. Author of several books. Literary editor of the Daily Press. Copies of several articles he wrote are in this collection of historical material. He also identified many photographs. He had a reputation for accuracy. Filed under: Biographies\u003c/p\u003e","\u003cp\u003ePublisher of the Daily Press, 1953-1981. A significant figure and personality. See also file folder on history of the Daily Press. Photograph of her is in the large scrapbook. Filed under: Biographies\u003c/p\u003e","\u003cp\u003eDaughter of Dorothy Bottom. For three years, 1983-1986, she was in charge of the Daily Press editorial page. After her divorce from John Duffy, she adopted the hyphenated spelling Rouse-Bottom. Filed under: Biographies\u003c/p\u003e","\u003cp\u003eCopy of the August 25, 1900 edition of The Literary Digest, which contains an obituary notice. Huntington photograph in scrapbook. Filed under: Biographies\u003c/p\u003e","\u003cp\u003eCivic leader. Delegate to the Virginia General Assembly, 1936-1966. Auto dealer. Obviously an incomplete file. Filed under: Biographies\u003c/p\u003e","\u003cp\u003eHampton attorney and delegate to the Virginia General Assembly. 1916 graduate of William and Mary. Personal reminiscences. Filed under: Biographies\u003c/p\u003e","\u003cp\u003eDates unknown. Newport News banker. Personal reminiscences. Filed under: Biographies\u003c/p\u003e","\u003cp\u003eWidow of Nick Mathews. Yorktown restaurateur honored for her civic spirit, patriotism and generosity. Filed under: Biographies\u003c/p\u003e","\u003cp\u003eWarwick County Dairyman. Newport News real estate assessor. Filed under: Biographies\u003c/p\u003e","\u003cp\u003eTypescript of unpublished biography of Anna Huntington by Parke Rouse Jr. Filed under: Biographies\u003c/p\u003e","\u003cp\u003ePhotograph. Filed under: Notable Visitors to Newport News\u003c/p\u003e","\u003cp\u003ePhotograph of crowd in scrapbook. Filed under: Notable Visitors to Newport News\u003c/p\u003e","\u003cp\u003eEleanor Roosevelt at Hampton Institute (now University). Filed under: Notable Visitors to Newport News\u003c/p\u003e","\u003cp\u003eFiled under: Notable Visitors to Newport News\u003c/p\u003e","\u003cp\u003eFiled under: Notable Visitors to Newport News\u003c/p\u003e","\u003cp\u003eReturn to Hampton Roads of the Great White Fleet after sailing around the world. Photographs. Filed under: Great White Fleet Returns-3 Ship Launch\u003c/p\u003e","\u003cp\u003eNewspaper accounts. Filed under: Great White Fleet Returns-3 Ship Launch\u003c/p\u003e","\u003cp\u003eNewspaper accounts. Photographs in scrapbook. Filed under: Great White Fleet Returns-3 Ship Launch\u003c/p\u003e","\u003cp\u003eFiled under: Great White Fleet Returns-3 Ship Launch\u003c/p\u003e","\u003cp\u003eNewspaper accounts. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003ePhotographs and newspaper accounts. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003eNewspaper clips. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003eNewspaper accounts. Photograph in scrapbook. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003ePhotograph and newspaper accounts. Photograph also in scrapbook. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003ePhotograph and newspaper accounts. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003eNewspaper accounts. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003eNewspaper accounts. Photographs in scrapbook. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003ePhotograph. Newspaper accounts. Filed under: Major Fires in Newport News\u003c/p\u003e","\u003cp\u003eThis town was incorporated into Newport News in 1927. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eFact sheets issued by Fort Eustis Historical and Archaeological Association. Sub file on archaeology of Mulbery Island (Fort Eustis). Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eMany of these photographs taken during World War I. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eFour papers written by W.T. Stauffer. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eNewspaper accounts. Photograph in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003ePaper relating to history written by Bill Lee, serious amateur historian whose father was an editor for the Daily Press (see folder on newspaper). Lee has produced seveal other studies relating to Newport News, including a portrait of his father (see folder of Daily Press hisotry). Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eNewspaper clippings, other documents relating to Parrish Plantation or Parrish House (spelling of Parrish is correct). Articles contain recollections of owners of what was oldest residence in East End of Newport News. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eNewspaper accounts. A historical account of the hotel written by Alexander C. Brown. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eExtensive caption information for photograph in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eNewspaper article giving history of Warwick Courthouse in Newport News. Photographs in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eExtensive history. Newspaper articles. Autobiography of Anthony A. Schiavone who was manager of the mothball fleet off Fort Eustis. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eMiscellaneous newspaper articles. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eMiscellaneous newspaper articles and photographs. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eMiscellaneous newspaper articles. Layout of amusement park. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eAerial photograph of residential community. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eScope and Contents Photographs of Langley Field and NASA Research Center. See \"Langley 1916-1996\" published by the Office of History, Air Combat Command, Langley AFB, 1996 for full caption material. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eArticles regarding Albert Kahn, the German-born architect for initial construction of Langley Field. Note: Blue pencil edits were made on Weidinger's article that was not published in the Daily Press. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003ePhotographs of early York River ferry, Hampton Roads ferry, and Chesapeake Bay steamers. Article by Harold S. Sniffen of The Mariners' Museum on steam ferries of Hampton Roads. Article on the last of the Chesapeake steamboats by Robert H. Burgess. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eNewspaper articles by Alexander C. Brown on an unfinished canal tunnel in Botetourt County and other newspaper articles. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003ePhotographs and newspaper accounts. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eFiled under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eSeries of fact sheets issued between 1992 and 2003 by the York County Historical Committee addressing various subjects of county history. Needs sorting because some articles were later revised; periodic index. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eNewspaper clippings of President Reagan speech and pageantry marking 200th anniversary of the surrender of the British. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003ePress Packet. Information issued by York County in connection with the county's 350th anniversary in 1984. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003ePress Packet. Information issued regarding the commissioning July 4, 1984 of the Navy cruiser Yorktown (CG-48) at Naval Weapons Station, Yorktown. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eTypescript of unpublished article by J. J. Nicholson. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003ePress packet and other documents on preservation of ruins of Rosewell Plantation. Architectural evaluation by Edward A. Chappell. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eBrief history of Warner Hall Plantation. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eScope and Contents First three issues of \"The Mathews County Antiquarium\" published 1997-1998 by Peter J. Wrike. With index. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003ePostcard. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003eCopies of Charles City County Historical Society Newsletter. No. 6 (1996), and Nos. 9 to 24 (December 1996-September 2000) edited by Judith F. Ledbetter. Filed under: Misc. Folders, Ft. Eustis, Langley Field\u003c/p\u003e","\u003cp\u003e3 Kiwanis Club of Williamsburg membership rosters.\u003c/p\u003e","\u003cp\u003eOfficial Saint Andrew Society of Williamsburg membership roster.\u003c/p\u003e","\u003cp\u003eFile includes a 1954 William \u0026amp; Mary commencement program, letters from president of the student body, Ronald I. Drake and Jack D. Edwards,   as well as a Statement and Findings of the Board of Visitors of the College of William and Mary  Concerning Student Complaints and Related Matters.\u003c/p\u003e","\u003cp\u003eCorrespondence, by-laws, invitations and membership rosters.\u003c/p\u003e","\u003cp\u003eContains memorabilia, photographs, and other materials of the 1957 Jamestown Festival commemorating the 350th Anniversary of Jamestown, Virginia.\u003c/p\u003e","\u003cp\u003eContains memorabilia, photographs, and other materials of the 1957 Jamestown Festival commemorating the 350th Anniversary of Jamestown, Virginia.\u003c/p\u003e","\u003cp\u003eCopy of article from the Episcopal Diocese of Southern Virginia, published April 29, 2025, about the contextualization of the Confederate plaque, copy of email sent by The Rev. Chris Epperson, Rector, to Bruton Parish about the contextualized plaque and historical marker, copy of the talk, \"Sully's Confederate Plaque and Coleman's Confederate Obelisk: Two Memorial Gifts at Bruton Parish Church\" given by Will Molineux to Bruton Parish Church Guides on June 30, 2025, and record of events written by Will Molineux immediately preceding and following the installation of the contextualization plaque.\u003c/p\u003e","\u003cp\u003eCopy of email sent by The Rev. Chris Epperson, Rector, to Bruton Parish about the contextualized plaque and historical marker,\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Collection contains items donated by Will Molineux, primarily through the Williamsburg Historic Records Association. Some items are personal papers including newspaper articles, belonging to Will Molineux. The photograph collection documents Williamsburg, Virginia,  including James City County and York County. Subjects include people, places, buildings, events, Colonial Williamsburg as well as the College of William \u0026 Mary.","Williamsburg-James City County publications including reports, and programs of community organizations.","Long Range Program 1988-1993, Colonial Soil and Water Conservation District. Williamsburg-James City County Public Schools, Matthew Whaley Primary School, self-evaluation, 1985-86.","Matthew Whaley School, Williamsburg, Va, Self Study, 1976-1977. Master Water Plan, James City County, 1979.","Norge Primary School, Self-Study, 1975-1976 City of Williamsburg, Fiscal Outlook, 1982-1987","Scope and Contents Common Glory pamphlet, Virginia Gazette 1976 supplement, Anheuser-Busch press release, Annual Report of the Williamsburg Fire Department, \"Telling our Story for 1965,\" program for 1949 Community Night and more. Collection descriptions on the Parker Family Papers (Liverpool Records Office), Virginia Sources (Public Records Office, London) by John Hemphill in 1955, other research from the 1950's and 1986 \"Crispus Attucks Place\" report by the Williamsburg Redevelopment and Housing Authority and Project Area Committee. Two photographs of George C. Pitts, Jr.","Scope and Contents Williamsburg Business and Services Directory for 1962, 1963-1964; Williamsburg Travel Index of Williamsburg, open letter to James City County residents with descriptions of Community Goals and Objectives, 1974;  1959 Williamsburg Fire Department Annual Report; pamphlet by the Greek Orthodox Churches of America on \"Pilgrimage to Jamestown\" and other items.","Scope and Contents Pamphlets about the County Manager position, election brochures, newspaper articles, \"County Manager Quiz\" and reports.","Article on a Leap-Year ball held in Williamsburg in the Wren Building.  William \u0026 Mary was closed at this time.","Williamsburg-James City County contracts, agreements, plans and budgets.","Photographs of Busch Gardens under construction: plans for Eastern State of Dunbar which never materialized; program for Mental Health Day, Eastern State Hospital, May 4, 1955, Williamsburg.","Copy of article Will Molineux wrote regarding President L.B. Johnson's visit to Bruton Parish Church on November 12, 1967 giving the inside scoop and a copy of Eric Severeid's commentary on the incident on CBS broadcast, 13 Nov. 1967.","1950 map of Virginia, three visitor guides to Williamsburg and an article on Williamsburg National Bank. 12 Campaign buttons, nailclippers advertising Williamsburg National Bank, a drink stirrer from Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009. A group of photographs, with negatives, of E. Tucker Carlton, Jan Ernstmeyer (Miss Williamsburg), H.M. Stryker (Mayor), Dorthy Parker and Marj Force.  March 1, 1968.  Copy of newspaper page with congratuations to The City of Williamsburg for their new Municipal Building","Scope and Contents Four photocopies of photographs of groups of Williamsburg residents.  Some of the people were identified during a Spring 2011 WHRA meeting. Two women holding their sleepy children, probably during a Common Glory presentation at the amphitheater. Five men and one woman at the \"Food Handler School\" standing in front of possibly Matthew Whaley.  Principal Pitts, a math teacher, is identified. Four men standing in front of a Red Cross \"clock\" with a group of children behind them.  The men are identified as Vincent D. McManus, Dewey C. Renick, Thomas G. McCaskey and Horace E. Henderson. Groups of students sitting at tables in the Matthew Whaley School library.  A few possible identifications include a Bell twin, Tommy Singleton and Howard Martin.","Inking the type with a pair of printing balls begins the series of operations necessary to print on page of the Virginia Gazette in the Printing Office at Colonial Williamsburg. Visitors to the historic city can watch costumed historic trades interpreters demonstrate the crafts of printing, book binding and papermaking in the printing office complex.","Labeled \"Staff Photo by Thom Slater\" on the back.","From The Governor's Palace in Williamsburg: A Cultural Study, by Graham Hood. Distributed by the University of North Carolina Press for the Colonial Williamsburg Foundation. Photograph courtesy of the Colonial Williamsburg Foundation.","One of Williamsburg's Most Historical Buildings is the Colonial Capitol where virginia's General Assembly convened from 1704 to 1780. Here an embarrassed and stammering George Washington was applauded by fellow burgesses for his part in the French and Indian War; here Patrick Henry defiantly protested the Stamp Act until accused of treason; and here George Mason's Virginia Declaration of Rights was passed. (large-sized photo)","The Hall of the House of Burgesses in Williamsburg's Capitol building reminds visitors of stirring events at the time of the American Revolution. Patrick Henry's personal copy of his resolves against the Stamp Act is on display, along with the city's mace and the original Speaker's Chair, reinstalled when the Capitol was opened in 1934. (large-sized photo)","The Public Hospital was America's First Public Institution Devoted Exclusively to the Care and Treatment of the Mentally Ill. With the completion of the hospital, Colonial Williamsburg has reconstructed the last of the 18th-century capital city's major public buildings. In the 18th century, the hospital was the last public building constructed prior to the outbreak of the American Revolution in town. It grew from this original building to a complex of many before it burned on the night of June 7, 1885. (large-sized photo)","Five negatives, Three small-sized prints - Vertically framed, slightly blurred man on horse going down the road, Horizontally framed, of what appears to be a speech, an umbrella is featured prominently on the stage, Horizontally framed, two men on horses riding down the street","Carter's Grove from Virginia Plantation Homes by David King Gleason, published by LSU Press. © 1989 Gleason Photography, 1755 Nicholson Drive, Baton Rouge, LA 70802. Ph. 383-8989","Archaeologists digging near the 18th-century mansion at Carter's Grove have uncovered important evidence of a settlement which existed there a hundred years earlier…","Label on front of large picture: \"Floor and elevation plans for the first Hospital for Idiots and Lunatics at Williamsburg\" – Label on back: \"PUBLICK HOSPITAL – On Sept. 14, 1733 Williamsburg Clerk Jacob Bruce announced in the Virginia Gazette that the nation's first public mental hospital was complete and the board of directors…","Same photo printed on a sheet of paper with a caption stapled to it: \"Throughout the 19th century, Eastern State Hospital, the first mental institution in the United States, was the principal institution in Williamsburg where, it was often joked, '500 lazy lived off 500 crazy'…\"","Photocopy of picture of building with caption: Built in 1881, the John R. Thurman Building housed 275 male patients at Eastern State Hospital when the hospital grounds were in downtown Williamsburg. This picture was taken in 1962…","Printout or copy of captioned photo under the heading \"A Look Back: Thurman Building, 1962\", caption reads: Built in 1881, this building in Williamsburg housed 275 male patients at Eastern State Hospital when the hospital campus was downtown on Francis Street…","Upper left: photograph of steps and individuals in profile Upper right: Blurred photograph of a man speaking at a podium in profile Lower: The leaders of the assembly, standing up or leaving Back of Sheet UL: Color guard standing in left of shot UR: Man in glasses speaking at podium, profile, blurred L: Choir singing","Front of Sheet UL: Shot of many men standing in robes, some sitting UR: Shot of men in robes around a podium, light especially strong on one man's head L: Shot of Wren building assembly from far away, showing many rows of empty chairs and some people congregated around the front. Back of Sheet UL: Photograph of a man speaking at the podium, profile, people sitting on some bleachers in the background UR: Man speaking at podium, not wearing a hat as opposed to man in UL L: Profile shot of several men standing in front of Wren building in robes","Front of Sheet UL: Shot of men standing in robes, vertically framed shot UR: Close in shot of a man standing up, holding a piece of paper L: Distance shot of assembly/ceremony, seats filled in front of Wren Building Back of Sheet UL: Shot of stairs in foreground, men in robes in background UR: Blurred shot of a man in glasses speaking at podium L: Photo of busts of heads in front of Wren building","Photo of ceremony at Wren Building from far away, seats filled Pouch, labeled: Negatives, Sept. 24, 1954, Commemorative ceremonies","Scope and Contents Shot of many seated in front of Wren building, labeled Graduation June 1954, front of print has \"Nov\" of \"Nov 54\" marked out with marker Similar shot as above, print labeled \"Jun 54\" on front, labeled W\u0026M commencement, June 6, 1954 on back Picture with corner clipped off, of banner hung on Wren Building balcony, labeled Seats on Wren Building, June 6, 1954, [?] Virginia U.S.A. College of William and Mary Blurred picture of ceremony in Wren yard, seats filled, cannon included in shot","Small picture with textured edge of four people in front of Wren building, labeled: Ed Watkins, Binnie Owens, Lois Mortashed, Will Molineux, Commencement, June 10, 1956 Small picture of three people in chairs facing camera, labeled: Belinda Owens, Lois Mortashed, Ed Watkins, June 10, 1956","Small photograph of a dog walking on bleachers in Wren yard, textured edge, labeled: \"Afterwords\" (?) Negative of same picture","Edward P. Alexander, Colonial Williamsburg, talking with two unidentified foreign students during the Williamsburg International Assembly, circa early 1960's","Blurred photo of students on Pep Club parade float, labeled Nov 54 on front Photo of students in various kinds of gaudy costume, labeled Nov 54 on front, \"Margie\" written on the back Photo of parade float, poorly lit, not easily defined (appears to be covered in either vegetation or significant amounts of paper Photo of parade float with sign \"Keep 'Em Down to Zero\"","Six small square photographs of the singers, one featuring four students on a balcony Negatives","Similar photograph of first in folder, bulldozers in front of Morton hall, 62.6 18-170 written on front, spot Williamsburg, 3x3 ½, Wmsbg for Monday, W\u0026M…Parking area improved along Jamestown road","Contains negatives Photo of some students, labeled: \"Dirty\" Ed Phillips Photo of students, one sitting, one standing, labeled: Dean Roberts \u0026 Margo Ketchum, K? weekend, April 24, 1954 Photo of woman leaning against brick pillar, labeled: Libby Lewis, 1953 sweetheart, K? weekend, April 24, 1954 Photo of student holding a cup, with glasses, labeled: Joe Kinder, K? weekend, April 24, 1954 Red Kappa Sigma Booklet, Nu Chapter 1952","Small bordered photo of horse-drawn carriage featuring people in costume, front has May 54 printed, back labeled with handwriting, not decipherable Small bordered photo of men in costume carrying flags, blurry, front has May 54 printed, unlabeled on back Small photo of people in costume in and around a carriage, numbers printed on back read PP-L1N1Q-SS3VDGW 252023 3.jpg Small bordered photo similar to first photograph, only Nov 54 is printed on front, and KA Parade written on back Negative of horse-drawn carriage","Two copies of a photograph of Newton, both labeled Williamsburg, Blake T. Newton, Jr. Alternate shot of Newton, also labeled Williamsburg, Blake T. Newton, Jr. ¾ Shot of Newton, same label as above Profile shot of Newton, same label as above","Enclosed, engraving of a church labeled Brenton Church, Williamsburg, VA.—From a Sketch by Jas. E. Taylor","Two similar shots","Crossroad-marker in foreground reading Duke of Gloucester, S. Henry, labeled: DP WILLIAMSBURG, Merchant's Square Year Ender Insert, taken in 1966…Please return photo to Williamsburg Bureau—it is on loan from CW…","Small envelope packet (with advertising for Sylvania flashbulbs), contains negatives Two small photographs of military equipment labeled Jun 1960","One package, labeled: Army reserve summer camp USAR, C-3-36-155 How Army Reserve Wally Riley Translucent packet contains two negatives, one of a man looking through a camera, another of a man raising his right hand while another man looks on","Large photo of three people looking at a large placard indicating money raised for the American Cancer Crusade, reads \"What is your Horoscope?\", labeled: Cancer Crusade Under Way, Betty Wallace, Frazier Hoover, Norman G. Beatty","Forty-six slides in a slide carousel tray, and forty-one accompanying note cards with information on the scenes the slides depict. The slides feature places found in Newport News.","1 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.","2 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.","3 of 3. \"Peninsula Look Back\" Series of old photographs published weekly in the Daily Press between September 1, 1991 and August 23, 1998. Not indexed, but caption material useful. Several of the original images are in the large scrapbook of photographs of Newport News. Note: File folder labeled \"Letters Relating to Look Back Photographs\" contains useful caption information, although not indexed.","Miscellaneous letters relating to photographs published in the Daily Press in the \"Peninsula Look Back\" series.","Newspaper clippings, memos, office directives, miscellaneous newspaper clippings relating to the history of the Daily Press and its ownership. Photographs in scrapbook.","Newspaper clippings, memos, etc. relating to the sale of the Daily Press Inc. in 1986 to Tribune Company of Chicago.","Photographs. Complete set of leaflets \"Tales of Old Fort Monroe.\" Individual issues were published circa 1962-1968. Although the author is not given, probably written by Chester D. Bradley, MD, who for many years was the principal supporter of the Casemate Museum.","Reminiscences by Warren McNamara (as explained in his letter to Parke Rouse). \"Fox Hill: Its People and Places\" by Charles F. Elliott (blue tab).","\"Old Hampton Landmarks\" by Sis Evans. Photocopy of booklet reprinted in 1982 (considered very accurate). \"The Syms-Eaton Free School\" by Mrs. F. M. Armstrong. Photocopy of booklet published by the APVA. Syms School Land Survey, 1805. (greenish tab).","Random newspaper clippings. Booklet \"The First Trading Post at Kicotan\" by Joseph B. Brittingham and Alvin W. Brittingham Sr. (1947); Essay \"The Tylers and Villa Margaret\" by Anne Chapman; Material related to the history of St. John's Episcopal Church; Article on Aberdeen Gardens, the New Deal homestead built by blacks for blacks; photocopy of \"The First Plantation,\" a history of Hampton and Elizabeth City County up to 1887 by Marion L. Starkey; photocopy of \"A Hodgepodge of Memories of Hampton\" by Brig. Gen. (ret.) E. Sclater Montague (1972).","\"VA Hospital: 100 Years of Veterans Care: 1870-1970\" by Shelby M. Liston. Photocopy of article \"One Hundred Years of Medicine at Hampton Veterans Administration Center\" by Chester D. Bradley, MD, originally published November 1970 in Virginia Medical Monthly. (greenish tab).","Articles written by Dale Hoak of William and Mary's History Department and commissioned in 1985 by Dorothy Rouse-bottom for publication in the Daily Press. (Dates of publication are, unfortunately, not indicated). (blue tabs). Article \"The Virginia Company of London\" by Virginia F. Stern. (don't remember the author or if this article was published in the newspaper) (greenish tab). Article \"Virginia and the British Monarchy\" by Michael P. Gleason, an independent Virginia historian and magazine publisher who died 2013. (unknown if published).","Photocopy of booklet \"The Harbor of a Thousand Ships: Newport News, Va.,\" published in 1921. Extensive histories of local businesses, names of white residents. Copy of \"Brief Historical Sketch of the Peninsula,\" published Nov. 4, 1937, in the Religious Herald in connection of a convention of Virginia Baptists in Newport News. (yellow tab).","Articles by James M. Morris, professor of history at Christopher Newport College: \"Collis P. Huntington and His Dream,\" (green tab); \"Collis P. Huntington Acquires a Shipyard Charter: Stratagems of an Empire Builder\" (yellow tab); \"Newport News: Geared Up for War, Only Paused for V-E Thanks,\" (published in Daily Press, date not noted) (green tab); \"Industrial Paternalism in a Segregated Society: Newport News Shipbuilding and the City It Founded\" (talk given March 8, 1985 at CNC). Copy of article \"The Shipyard Monument\" by Alexander Crosby Brown, historian and literary editor of the Daily Press, written in 1984 critical of Tenneco's removal of the Huntington Memorial. At the time, this was a cause celebre and Brown was so determined that his opinionated article be saved he temporarily deposited in the safe of Congressman Thomas N. Downing (see note in his handwriting on page 1. Unknown if this article was published in the Daily Press, but certainly shorter versions were.","\"Then and Now on the Peninsula,\" a photocopy of a Daily Press series of scenes as they stood in 1953-54 and as they had been photographed years before, compiled by Alexander C. Brown, historian and the newspaper's literary editor. This is a significant contribution to local history with accurate captioning. This collection, for which Brown offers a helpful listing, was prepared for the Daily Press and there may be no other copy.","Photo copy of \"History of the Gloucester-Yorktown Ferry System: 1867-1952,\" a research paper by ODU student Marion O. Dixon. Photo copy of master's thesis by Marilyn M. Harper of George Washington University regarding disagreements between the family of George Preston Blow, owners of the Nelson House in Yorktown, and the National Park Service regarding the restoration of that 18th century residence. (greenish tab).","Two studies regarding the location of Fort James on Jamestown Island prior to its discovery by William Kelso. In a 1983 unpublished study, archaeologist Ivor Noel Hume offers a \"reexamination of the documentary and interpretive evidence\" for the Jamestown-Yorktown Foundation, and suggests it may be downstream. Virginia S. Harrington, a historian and archaeologist, presents \"Theories and Evidence for the Location of James Fort\" in an article published in The Virginia Magazine (date not noted), suggests two possible locations.","Booklet. \"Peninsula Roots: A Special Series Exploring the Rich Heritage of the Virginia Peninsula.\" The series was published in 1978 in The Times-Herald.","Booklet. \"From The People, For The People: New Newport News Libraries, The First Century\" by James M. Morris and Margaret S. Moseley (1991).","Booklet.","Booklet. Edited by Jane Carter Webb. (1986).","Booklet.","Booklet. Written by Eleanor S. Holt.","Booklet.","Booklet.","Maritime historian. Author of several books. Literary editor of the Daily Press. Copies of several articles he wrote are in this collection of historical material. He also identified many photographs. He had a reputation for accuracy. Filed under: Biographies","Publisher of the Daily Press, 1953-1981. A significant figure and personality. See also file folder on history of the Daily Press. Photograph of her is in the large scrapbook. Filed under: Biographies","Daughter of Dorothy Bottom. For three years, 1983-1986, she was in charge of the Daily Press editorial page. After her divorce from John Duffy, she adopted the hyphenated spelling Rouse-Bottom. Filed under: Biographies","Copy of the August 25, 1900 edition of The Literary Digest, which contains an obituary notice. Huntington photograph in scrapbook. Filed under: Biographies","Civic leader. Delegate to the Virginia General Assembly, 1936-1966. Auto dealer. Obviously an incomplete file. Filed under: Biographies","Hampton attorney and delegate to the Virginia General Assembly. 1916 graduate of William and Mary. Personal reminiscences. Filed under: Biographies","Dates unknown. Newport News banker. Personal reminiscences. Filed under: Biographies","Widow of Nick Mathews. Yorktown restaurateur honored for her civic spirit, patriotism and generosity. Filed under: Biographies","Warwick County Dairyman. Newport News real estate assessor. Filed under: Biographies","Typescript of unpublished biography of Anna Huntington by Parke Rouse Jr. Filed under: Biographies","Photograph. Filed under: Notable Visitors to Newport News","Photograph of crowd in scrapbook. Filed under: Notable Visitors to Newport News","Eleanor Roosevelt at Hampton Institute (now University). Filed under: Notable Visitors to Newport News","Filed under: Notable Visitors to Newport News","Filed under: Notable Visitors to Newport News","Return to Hampton Roads of the Great White Fleet after sailing around the world. Photographs. Filed under: Great White Fleet Returns-3 Ship Launch","Newspaper accounts. Filed under: Great White Fleet Returns-3 Ship Launch","Newspaper accounts. Photographs in scrapbook. Filed under: Great White Fleet Returns-3 Ship Launch","Filed under: Great White Fleet Returns-3 Ship Launch","Newspaper accounts. Filed under: Major Fires in Newport News","Photographs and newspaper accounts. Filed under: Major Fires in Newport News","Newspaper clips. Filed under: Major Fires in Newport News","Newspaper accounts. Photograph in scrapbook. Filed under: Major Fires in Newport News","Photograph and newspaper accounts. Photograph also in scrapbook. Filed under: Major Fires in Newport News","Photograph and newspaper accounts. Filed under: Major Fires in Newport News","Newspaper accounts. Filed under: Major Fires in Newport News","Newspaper accounts. Photographs in scrapbook. Filed under: Major Fires in Newport News","Photograph. Newspaper accounts. Filed under: Major Fires in Newport News","This town was incorporated into Newport News in 1927. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Fact sheets issued by Fort Eustis Historical and Archaeological Association. Sub file on archaeology of Mulbery Island (Fort Eustis). Filed under: Misc. Folders, Ft. Eustis, Langley Field","Many of these photographs taken during World War I. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Four papers written by W.T. Stauffer. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper accounts. Photograph in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Paper relating to history written by Bill Lee, serious amateur historian whose father was an editor for the Daily Press (see folder on newspaper). Lee has produced seveal other studies relating to Newport News, including a portrait of his father (see folder of Daily Press hisotry). Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper clippings, other documents relating to Parrish Plantation or Parrish House (spelling of Parrish is correct). Articles contain recollections of owners of what was oldest residence in East End of Newport News. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper accounts. A historical account of the hotel written by Alexander C. Brown. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Extensive caption information for photograph in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper article giving history of Warwick Courthouse in Newport News. Photographs in scrapbook. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Extensive history. Newspaper articles. Autobiography of Anthony A. Schiavone who was manager of the mothball fleet off Fort Eustis. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Miscellaneous newspaper articles. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Miscellaneous newspaper articles and photographs. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Miscellaneous newspaper articles. Layout of amusement park. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Aerial photograph of residential community. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Scope and Contents Photographs of Langley Field and NASA Research Center. See \"Langley 1916-1996\" published by the Office of History, Air Combat Command, Langley AFB, 1996 for full caption material. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Articles regarding Albert Kahn, the German-born architect for initial construction of Langley Field. Note: Blue pencil edits were made on Weidinger's article that was not published in the Daily Press. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Photographs of early York River ferry, Hampton Roads ferry, and Chesapeake Bay steamers. Article by Harold S. Sniffen of The Mariners' Museum on steam ferries of Hampton Roads. Article on the last of the Chesapeake steamboats by Robert H. Burgess. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper articles by Alexander C. Brown on an unfinished canal tunnel in Botetourt County and other newspaper articles. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Photographs and newspaper accounts. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Filed under: Misc. Folders, Ft. Eustis, Langley Field","Series of fact sheets issued between 1992 and 2003 by the York County Historical Committee addressing various subjects of county history. Needs sorting because some articles were later revised; periodic index. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Newspaper clippings of President Reagan speech and pageantry marking 200th anniversary of the surrender of the British. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Press Packet. Information issued by York County in connection with the county's 350th anniversary in 1984. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Press Packet. Information issued regarding the commissioning July 4, 1984 of the Navy cruiser Yorktown (CG-48) at Naval Weapons Station, Yorktown. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Typescript of unpublished article by J. J. Nicholson. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Press packet and other documents on preservation of ruins of Rosewell Plantation. Architectural evaluation by Edward A. Chappell. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Brief history of Warner Hall Plantation. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Scope and Contents First three issues of \"The Mathews County Antiquarium\" published 1997-1998 by Peter J. Wrike. With index. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Postcard. Filed under: Misc. Folders, Ft. Eustis, Langley Field","Copies of Charles City County Historical Society Newsletter. No. 6 (1996), and Nos. 9 to 24 (December 1996-September 2000) edited by Judith F. Ledbetter. Filed under: Misc. Folders, Ft. Eustis, Langley Field","3 Kiwanis Club of Williamsburg membership rosters.","Official Saint Andrew Society of Williamsburg membership roster.","File includes a 1954 William \u0026 Mary commencement program, letters from president of the student body, Ronald I. Drake and Jack D. Edwards,   as well as a Statement and Findings of the Board of Visitors of the College of William and Mary  Concerning Student Complaints and Related Matters.","Correspondence, by-laws, invitations and membership rosters.","Contains memorabilia, photographs, and other materials of the 1957 Jamestown Festival commemorating the 350th Anniversary of Jamestown, Virginia.","Contains memorabilia, photographs, and other materials of the 1957 Jamestown Festival commemorating the 350th Anniversary of Jamestown, Virginia.","Copy of article from the Episcopal Diocese of Southern Virginia, published April 29, 2025, about the contextualization of the Confederate plaque, copy of email sent by The Rev. Chris Epperson, Rector, to Bruton Parish about the contextualized plaque and historical marker, copy of the talk, \"Sully's Confederate Plaque and Coleman's Confederate Obelisk: Two Memorial Gifts at Bruton Parish Church\" given by Will Molineux to Bruton Parish Church Guides on June 30, 2025, and record of events written by Will Molineux immediately preceding and following the installation of the contextualization plaque.","Copy of email sent by The Rev. Chris Epperson, Rector, to Bruton Parish about the contextualized plaque and historical marker,"],"separatedmaterial_html_tesm":["\u003cp\u003eMss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Mss. Acc. 2005.12: Rodney B. Taylor and Will Molineux, Jamestown, Charleston, SC: Arcadia, 2004. Moved to Rare Books.\nMss. Acc. 2006.30: 1962 Program of \"The Girls in 509\" has been transferred to Mss. 1.09 WHRA Ephemera Collection under Accession 2006.30.\nMss. Acc. 2008.167: 12 Campaign buttons, nail clippers advertising Williamsburg National Bank, a drink stirrer from the Golden Horseshoe Club and a pen from the Williamsburg Inn were transferred to the artifact collection in 2009."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church"],"names_coll_ssim":["College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"persname_ssim":["Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"names_ssim":["Special Collections Research Center","Board of Supervisors of James City County (Va.)","City Council of Williamsburg (Va.)","Williamsburg Historic Records Association (Williamsburg, Va.)","Williamsburg-James City County","College of William and Mary.","Colonial Williamsburg Foundation","Jamestown Church","Molineux, Will","Elizabeth II, Queen of Great Britain, 1926-","Johnson, Lyndon B. (Lyndon Baines), 1908-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":940,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:47:52.105Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8897_c02_c03_c84"}},{"id":"viw_repositories_2_resources_1286_c02_c12_c02_c29","type":"Item","attributes":{"title":"Zeppelin Flying Over a German Town - Lower Valley on the Rhine.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1286_c02_c12_c02_c29#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_1286_c02_c12_c02_c29","ref_ssm":["viw_repositories_2_resources_1286_c02_c12_c02_c29"],"id":"viw_repositories_2_resources_1286_c02_c12_c02_c29","ead_ssi":"viw_repositories_2_resources_1286","_root_":"viw_repositories_2_resources_1286","_nest_parent_":"viw_repositories_2_resources_1286_c02_c12_c02","parent_ssi":"viw_repositories_2_resources_1286_c02_c12_c02","parent_ssim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","Series 2: Stereoviews","Sub-series 2.12:  Keystone View Co., Meadville, PA: World War Through The Stereoscope, Vols I \u0026 II","Box 16"],"parent_ids_ssim":["viw_repositories_2_resources_1286","viw_repositories_2_resources_1286_c02","viw_repositories_2_resources_1286_c02_c12","viw_repositories_2_resources_1286_c02_c12_c02"],"title_filing_ssi":"Zeppelin Flying Over a German Town - Lower Valley on the Rhine.","title_ssm":["Zeppelin Flying Over a German Town - Lower Valley on the Rhine."],"title_tesim":["Zeppelin Flying Over a German Town - Lower Valley on the Rhine."],"normalized_title_ssm":["Zeppelin Flying Over a German Town - Lower Valley on the Rhine."],"text":["Zeppelin Flying Over a German Town - Lower Valley on the Rhine.","Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","Series 2: Stereoviews","Sub-series 2.12:  Keystone View Co., Meadville, PA: World War Through The Stereoscope, Vols I \u0026 II","Box 16","Box 16","Item 29","English"],"parent_unittitles_ssm":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","Series 2: Stereoviews","Sub-series 2.12:  Keystone View Co., Meadville, PA: World War Through The Stereoscope, Vols I \u0026 II","Box 16"],"parent_unittitles_tesim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","Series 2: Stereoviews","Sub-series 2.12:  Keystone View Co., Meadville, PA: World War Through The Stereoscope, Vols I \u0026 II","Box 16"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":2675,"repository_ssim":["College of William and Mary"],"collection_ssim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938"],"containers_ssim":["Box 16","Item 29"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"language_ssim":["English"],"_nest_path_":"/components#1/components#11/components#1/components#28","timestamp":"2026-06-23T07:41:18.235Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1286","ead_ssi":"viw_repositories_2_resources_1286","_root_":"viw_repositories_2_resources_1286","_nest_parent_":"viw_repositories_2_resources_1286","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1286.xml","title_filing_ssi":"Ramsey, Kelvin, Collection of Stereoviews","title_ssm":["Dr. Kelvin Ramsey Collection of Stereoviews-1"],"title_tesim":["Dr. Kelvin Ramsey Collection of Stereoviews-1"],"unitdate_ssm":["1874-1938 and undated"],"unitdate_inclusive_ssm":["1874-1938 and undated"],"normalized_date_ssm":["1874/1938"],"normalized_title_ssm":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938"],"text":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","MS 00009t","/repositories/2/resources/1286","Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Dr. Kelvin Wheeler Ramsey is native of Virginia and graduated from Randolph-Henry High School in Charlotte County. He graduated from William \u0026 Mary in 1979 with majors in Geology and Classical Studies and went on to receive his master's from Vanderbilt University and a doctorate from the University of Delaware, both in Geology. He joined the Delaware Geological Survey at the University of Delaware in 1987 and currently serves in the position of Scientist.","Processed by Special Collections Staff, August 2015","Keystone View Company Collection (MS 00008), Special Collections Research Center, William \u0026 Mary Libraries","World War Through the Stereoscope (Mss. Acc. 2009.178), Special Collections Research Center, William \u0026 Mary Libraries","This collection contains stereoviews, lantern slides, and other photographic materials collected by Kelvin Ramsey. The stereoviews were distributed by various companies, including Melander and Brothers, Keystone and Company, Bell and Brother, and D.H. Anderson. The images cover various historic sites and monuments in Washington, D.C. and Virginia, such as Arlington National Cemetery, Harper's Ferry, the White House, the William \u0026 Mary, Jamestown, and Fort Monroe.The bulk of the lantern slides feature landscapes in Virginia, including Mount Vernon, Williamsburg, Yorktown, and Jamestown. There are also images of tobacco plants and of  aspects of growing and treating tobacco.","Published by Victor Animatograph Co., Davenport, Iowa.","Published by S. Townsend,234 W. 65th St. Chicago.","Published by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY","Published by S. Townsend, 8401 Sangman St. Chicago","Published by S. Townsend, 234 W 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Pageant of America, Yale University Press","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by McIntosh Strereopticon Company, Chicago, Ill.","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by McIntosh Strereopticon Co., Chicago, Ill.","Published by Tom Phillips, 5101-27 S. State St. Chicago","Published by McIntosh Stereopticon Co., Chicsgo, Ill.","Published by Detroit Publishing Co.","Published by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY","Published by McIntosh Stereopticon Co. Chicago, Ill.","Published by McIntosh Stereopticon Co., Chicago, Ill.","Published by Williams, Browne \u0026 Earle, 918 Chesnut St., Philadelphia, U.S.A.","Published by Detroit Publishing Co.","Published by Williams, Brown \u0026 Earle, Inc., 918 Chesnut St Philadelphia PA","Published by Keystone View Co.","Published by The School of Fine Arts, University of Pennsylvania","After one in Paul Wilstach's Mount Vernon. Published by the New York State Education Department.","Published by The University of the State of New York","Published by A. T. Thompson \u0026 Co., Importers \u0026 Manufacturers, 13 Tenement Row, Boston, Mass.","Published by Keystone View Co. Factories, Meadville, VA","Kitchen on right side; office on left.","Published by McIntosh Stereopticon Co., Chicago, Ill.","Published by Detroit Publishing Co.","Published by Dr. C.F. Matteson, Chicago, Ill.","Published S. Townsend, 234 W. 65th St. Chicago","Published by Williams, Brown \u0026 Earle, Inc., 918 Chesnut Street, Philadelphia, PA","Published by Dr. C. F. Matteson, Chicago, Ill.","Published by Keystone View Co., Meadville, PA","Published by the New York State Education Department","Publishedby the New York State Education Department, Visual Instruction Division","Pine woods in background. Published by the University of the State of New York, Visual Instruction Division","Showing roots. Published by The University of the State of New York.","Published by the New York State Education Department, Visual Instruction Division","Published by The University of the State of New York, Visual Instruction Division","Site where Lee surrendered to Grant.","Site where Lees surrendered.","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by the Pageant of America, Yale University Press","Published by The University of the State of New York, Education Department","Open Fields and Wooded Area. Characteristic box type of house under construction, Published by the New York State Education Department.","Looking toward town.","Published by S. Townsend, 8401 Sangamon St., Chicago, Ill.","Published by Edward Van Altena, 6 East 39th St. NYC","Movie Promo. With Clarence Whitehill, Warner Bros., 2 reels. Published by National Studios, Inc, 228-232 West 56th St. NY","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, New York.","Published by McIntosh Stereopticon Co., 35 \u0026 37 Randolph Street, Chicago, Ill.","Image displays a sign that reads \"Old Virginia Homestead of 1803, Mrs. Self 101 years old lives here. Come see her card spin and weave.\"","Published by the University Washington Collection.","Published by Keystone View Co. Meadville, PA","Published by Kansas City Public Schools.","Arch. Am. 17th C. Discovered \u0026 identified in 1903 by Sam'l H. Youge. Published by the Pennsylvania Museum.","Published by World Service Commission, 740 Rush St. Chicago, Ills.","Published by The Free Library of Philadelphia.","Arch. Am. 1639. Published by the Pennsylvania Museum, Williams, Brown \u0026 Earl, Inc., 918 Chesnut St., Philadelphia, PA","Erected by Frances Bland Randolph, Chapter D.A.R., 1914","Published by Joseph Hawkes, New York City","Published by Newton \u0026 Co., 3 Fleet St. London, England","Just as he left it on Wednesday, September 28, 1870 at 3:00 pm.","Published by Williams, Browne \u0026 Earle, 918 Chesnut Street, Philadelphia, PA","Published by T.H. McAllister Manufacturing Opticon, 49 Nassau Street, New York","Published by Williams, Browne \u0026 Earle, 918 Chesnut St., Philadelphia, P.A.","Published by W.R. DuTemple- Providence, R.I.","Designed by Loewy, Virginia Ferry Co.","Published by W. R. DuTemple, Providence, RI","Union line of entrenchments around Petersburg, VA.","Showing entrance to burrowed Union line of entrenchments around Petersburg, VA.","Built in 1823 by James Monroe during his presidential term. Thomas Jefferson superintended the construction.","Seen in Parallel Perspective from Highway Bridge, Slighly Rolling Country.  Just west of Appomattox (1920). Published by The University of the State of New York, Visual Instruction Division","Published by Keystone View Co. Factories, Meadville, PA","Erected 1890. By J. M. A. Mercie. Published by The University of the State of New York, Visual Instruction Division.","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, N.Y. \u0026 George H. Pierce, 136 S. Eleventh St. Philadelphia, PA.","Published by C.W. Briggs Company, 628 Callowhill St., Philadelphia, PA. (Est. 1850).","Published by the New York State Education Department, Visual Instruction Department","Shows dense forest in dry season. Trees adapted to swamp condition grow luxuriantly here.","Built in 1719 by Nathaniel Harrison, Rear of House facing Grove.","Published by The University of the State of New York, Visual Instruction Division.","Published by Edward Van Altena, 6 East 39th St. N.Y.C.","Published by Frank Miles Day, School of Fine Arts, University of Pennsylvannia","Published by A.D. Handy Co. Boston, Mass.","Published by Anthony W. Robinson, Philadelphia, PA","Published by Art \u0026 Travel Company, Steinway Hall, Chicago, Ill.","Published by Newton \u0026 Co., 3 Fleet St. London, England.","Where early colonists settled differences.","Published by The University of the State of New York, Visual Education Division","Published by Rau Stdios, Inc., Philadelphia, PA.","Published by W.P.A.- Board of Education, NYC","Published by WPA Board of Education, NYC","Published by WPA-Board of Education, NYC","Published by WPA Board of Education NYC","Published by WPA- Board of Education, N.Y.C.","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC.","Published by WPA- Board if Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA-Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC.","Published by WPA- Board of Education, NYC.","Published by WPA Board of Education, NYC.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompsonl, Washington, D.C.","Published by E. B.Thompson, Washington D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E.B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington D. C.","Published by E.B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau St., New York","Copyrighted by Melander \u0026 Bro, 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1874-5, Published by Lovejoy \u0026 Foster, Chicago","Copyrighted by Melander \u0026 Bro., 1876","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Washington.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1878","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Washington.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyright Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyright Secured.","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Congress.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyright Secured.","Copyright Secured.","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1875","The celebrated Maryland Heights form part of what is known as the Blue River of the Alleghenies. At this point they rise to a height of 1,460 feet. The Baltimore and Ohio Railroad bridge and Potomac River are in the foreground.","The mighty Shenandoah as it rolls past Riverton, one mile North of Randolph-Macon Academy, Front Royal, VA","Decorated for Opening of the Great Tercentennial Exposition","Enacted by the Survivors of the Pamunkey Indian Tribe at the Jamestown Exposition.","Where the Original Settlers Landed","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Give in Honor of the Homecoming of the Fleet","First President in History to Participate in a Public Event on Foot - Preparedness Parade, Washington, D.C.","Piedmont Plateau","Two viewfinders made from the View Master Company.","One View Master reel featuring scenes from Colonial Williamsburg.","Collection of three reels featuring Virginia scenes compiled by the View Master Company with accompanying 16 page color booklet.","One View Master reel featuring 21 three dimensional images of restored buildings of Colonial Williamsburg.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Ramsey, Kelvin (Ramsey, Kelvin Wheeler)","English"],"collection_title_tesim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938"],"collection_ssim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00009t","/repositories/2/resources/1286"],"unitid_tesim":["MS 00009t","/repositories/2/resources/1286"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"creator_ssim":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"creator_persname_ssim":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["2.45 Linear Feet"],"extent_tesim":["2.45 Linear Feet"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eDr. Kelvin Wheeler Ramsey is native of Virginia and graduated from Randolph-Henry High School in Charlotte County. He graduated from William \u0026amp; Mary in 1979 with majors in Geology and Classical Studies and went on to receive his master's from Vanderbilt University and a doctorate from the University of Delaware, both in Geology. He joined the Delaware Geological Survey at the University of Delaware in 1987 and currently serves in the position of Scientist.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Kelvin Wheeler Ramsey is native of Virginia and graduated from Randolph-Henry High School in Charlotte County. He graduated from William \u0026 Mary in 1979 with majors in Geology and Classical Studies and went on to receive his master's from Vanderbilt University and a doctorate from the University of Delaware, both in Geology. He joined the Delaware Geological Survey at the University of Delaware in 1987 and currently serves in the position of Scientist."],"prefercite_html_tesm":["\u003cp\u003eDr. Kelvin Ramsey Collection of Stereoviews, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Dr. Kelvin Ramsey Collection of Stereoviews, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Staff, August 2015\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Staff, August 2015"],"relatedmaterial_html_tesm":["\u003cp\u003eKeystone View Company Collection (MS 00008), Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e","\u003cp\u003eWorld War Through the Stereoscope (Mss. Acc. 2009.178), Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Keystone View Company Collection (MS 00008), Special Collections Research Center, William \u0026 Mary Libraries","World War Through the Stereoscope (Mss. Acc. 2009.178), Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains stereoviews, lantern slides, and other photographic materials collected by Kelvin Ramsey. The stereoviews were distributed by various companies, including Melander and Brothers, Keystone and Company, Bell and Brother, and D.H. Anderson. The images cover various historic sites and monuments in Washington, D.C. and Virginia, such as Arlington National Cemetery, Harper's Ferry, the White House, the William \u0026amp; Mary, Jamestown, and Fort Monroe.The bulk of the lantern slides feature landscapes in Virginia, including Mount Vernon, Williamsburg, Yorktown, and Jamestown. There are also images of tobacco plants and of  aspects of growing and treating tobacco.\u003c/p\u003e  ","\u003cp\u003ePublished by Victor Animatograph Co., Davenport, Iowa.\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend,234 W. 65th St. Chicago.\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 8401 Sangman St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Pageant of America, Yale University Press\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Strereopticon Company, Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Strereopticon Co., Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Tom Phillips, 5101-27 S. State St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co., Chicsgo, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co. Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co., Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Williams, Browne \u0026amp; Earle, 918 Chesnut St., Philadelphia, U.S.A.\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by Williams, Brown \u0026amp; Earle, Inc., 918 Chesnut St Philadelphia PA\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co.\u003c/p\u003e","\u003cp\u003ePublished by The School of Fine Arts, University of Pennsylvania\u003c/p\u003e","\u003cp\u003eAfter one in Paul Wilstach's Mount Vernon. Published by the New York State Education Department.\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York\u003c/p\u003e","\u003cp\u003ePublished by A. T. Thompson \u0026amp; Co., Importers \u0026amp; Manufacturers, 13 Tenement Row, Boston, Mass.\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co. Factories, Meadville, VA\u003c/p\u003e","\u003cp\u003eKitchen on right side; office on left.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co., Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by Dr. C.F. Matteson, Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by Williams, Brown \u0026amp; Earle, Inc., 918 Chesnut Street, Philadelphia, PA\u003c/p\u003e","\u003cp\u003ePublished by Dr. C. F. Matteson, Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co., Meadville, PA\u003c/p\u003e","\u003cp\u003ePublished by the New York State Education Department\u003c/p\u003e","\u003cp\u003ePublishedby the New York State Education Department, Visual Instruction Division\u003c/p\u003e","\u003cp\u003ePine woods in background. Published by the University of the State of New York, Visual Instruction Division\u003c/p\u003e","\u003cp\u003eShowing roots. Published by The University of the State of New York.\u003c/p\u003e","\u003cp\u003ePublished by the New York State Education Department, Visual Instruction Division\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York, Visual Instruction Division\u003c/p\u003e","\u003cp\u003eSite where Lee surrendered to Grant.\u003c/p\u003e","\u003cp\u003eSite where Lees surrendered.\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by the Pageant of America, Yale University Press\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York, Education Department\u003c/p\u003e","\u003cp\u003eOpen Fields and Wooded Area. Characteristic box type of house under construction, Published by the New York State Education Department.\u003c/p\u003e","\u003cp\u003eLooking toward town.\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 8401 Sangamon St., Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Edward Van Altena, 6 East 39th St. NYC\u003c/p\u003e","\u003cp\u003eMovie Promo. With Clarence Whitehill, Warner Bros., 2 reels. Published by National Studios, Inc, 228-232 West 56th St. NY\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, New York.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co., 35 \u0026amp; 37 Randolph Street, Chicago, Ill.\u003c/p\u003e","\u003cp\u003eImage displays a sign that reads \"Old Virginia Homestead of 1803, Mrs. Self 101 years old lives here. Come see her card spin and weave.\"\u003c/p\u003e","\u003cp\u003ePublished by the University Washington Collection.\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co. Meadville, PA\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools.\u003c/p\u003e","\u003cp\u003eArch. Am. 17th C. Discovered \u0026amp; identified in 1903 by Sam'l H. Youge. Published by the Pennsylvania Museum.\u003c/p\u003e","\u003cp\u003ePublished by World Service Commission, 740 Rush St. Chicago, Ills.\u003c/p\u003e","\u003cp\u003ePublished by The Free Library of Philadelphia.\u003c/p\u003e","\u003cp\u003eArch. Am. 1639. Published by the Pennsylvania Museum, Williams, Brown \u0026amp; Earl, Inc., 918 Chesnut St., Philadelphia, PA\u003c/p\u003e","\u003cp\u003eErected by Frances Bland Randolph, Chapter D.A.R., 1914\u003c/p\u003e","\u003cp\u003ePublished by Joseph Hawkes, New York City\u003c/p\u003e","\u003cp\u003ePublished by Newton \u0026amp; Co., 3 Fleet St. London, England\u003c/p\u003e","\u003cp\u003eJust as he left it on Wednesday, September 28, 1870 at 3:00 pm.\u003c/p\u003e","\u003cp\u003ePublished by Williams, Browne \u0026amp; Earle, 918 Chesnut Street, Philadelphia, PA\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister Manufacturing Opticon, 49 Nassau Street, New York\u003c/p\u003e","\u003cp\u003ePublished by Williams, Browne \u0026amp; Earle, 918 Chesnut St., Philadelphia, P.A.\u003c/p\u003e","\u003cp\u003ePublished by W.R. DuTemple- Providence, R.I.\u003c/p\u003e","\u003cp\u003eDesigned by Loewy, Virginia Ferry Co.\u003c/p\u003e","\u003cp\u003ePublished by W. R. DuTemple, Providence, RI\u003c/p\u003e","\u003cp\u003eUnion line of entrenchments around Petersburg, VA.\u003c/p\u003e","\u003cp\u003eShowing entrance to burrowed Union line of entrenchments around Petersburg, VA.\u003c/p\u003e","\u003cp\u003eBuilt in 1823 by James Monroe during his presidential term. Thomas Jefferson superintended the construction.\u003c/p\u003e","\u003cp\u003eSeen in Parallel Perspective from Highway Bridge, Slighly Rolling Country.  Just west of Appomattox (1920). Published by The University of the State of New York, Visual Instruction Division\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co. Factories, Meadville, PA\u003c/p\u003e","\u003cp\u003eErected 1890. By J. M. A. Mercie. Published by The University of the State of New York, Visual Instruction Division.\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, N.Y. \u0026amp; George H. Pierce, 136 S. Eleventh St. Philadelphia, PA.\u003c/p\u003e","\u003cp\u003ePublished by C.W. Briggs Company, 628 Callowhill St., Philadelphia, PA. (Est. 1850).\u003c/p\u003e","\u003cp\u003ePublished by the New York State Education Department, Visual Instruction Department\u003c/p\u003e","\u003cp\u003eShows dense forest in dry season. Trees adapted to swamp condition grow luxuriantly here.\u003c/p\u003e","\u003cp\u003eBuilt in 1719 by Nathaniel Harrison, Rear of House facing Grove.\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York, Visual Instruction Division.\u003c/p\u003e","\u003cp\u003ePublished by Edward Van Altena, 6 East 39th St. N.Y.C.\u003c/p\u003e","\u003cp\u003ePublished by Frank Miles Day, School of Fine Arts, University of Pennsylvannia\u003c/p\u003e","\u003cp\u003ePublished by A.D. Handy Co. Boston, Mass.\u003c/p\u003e","\u003cp\u003ePublished by Anthony W. Robinson, Philadelphia, PA\u003c/p\u003e","\u003cp\u003ePublished by Art \u0026amp; Travel Company, Steinway Hall, Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Newton \u0026amp; Co., 3 Fleet St. London, England.\u003c/p\u003e","\u003cp\u003eWhere early colonists settled differences.\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York, Visual Education Division\u003c/p\u003e","\u003cp\u003ePublished by Rau Stdios, Inc., Philadelphia, PA.\u003c/p\u003e","\u003cp\u003ePublished by W.P.A.- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA-Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA Board of Education NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, N.Y.C.\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC.\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board if Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA-Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC.\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC.\u003c/p\u003e","\u003cp\u003ePublished by WPA Board of Education, NYC.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompsonl, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B.Thompson, Washington D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington D. C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister, Manufacturing Optician, 49 Nassau St., New York\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro, 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5, Published by Lovejoy \u0026amp; Foster, Chicago\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eEntered according to Act of Congress by L. M. Melander \u0026amp; Bro., in the office of the Librarian of Congress at Washington.\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1878\u003c/p\u003e","\u003cp\u003eEntered according to Act of Congress by L. M. Melander \u0026amp; Bro., in the office of the Librarian of Congress at Washington.\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyright Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyright Secured.\u003c/p\u003e","\u003cp\u003eEntered according to Act of Congress by L. M. Melander \u0026amp; Bro., in the office of the Librarian of Congress at Congress.\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyright Secured.\u003c/p\u003e","\u003cp\u003eCopyright Secured.\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eThe celebrated Maryland Heights form part of what is known as the Blue River of the Alleghenies. At this point they rise to a height of 1,460 feet. The Baltimore and Ohio Railroad bridge and Potomac River are in the foreground.\u003c/p\u003e","\u003cp\u003eThe mighty Shenandoah as it rolls past Riverton, one mile North of Randolph-Macon Academy, Front Royal, VA\u003c/p\u003e","\u003cp\u003eDecorated for Opening of the Great Tercentennial Exposition\u003c/p\u003e","\u003cp\u003eEnacted by the Survivors of the Pamunkey Indian Tribe at the Jamestown Exposition.\u003c/p\u003e","\u003cp\u003eWhere the Original Settlers Landed\u003c/p\u003e","\u003cp\u003eScene of Patrick Henry's Celebrated Speech\u003c/p\u003e","\u003cp\u003eScene of Patrick Henry's Celebrated Speech\u003c/p\u003e","\u003cp\u003eScene of Patrick Henry's Celebrated Speech\u003c/p\u003e","\u003cp\u003eScene of Patrick Henry's Celebrated Speech\u003c/p\u003e","\u003cp\u003eGive in Honor of the Homecoming of the Fleet\u003c/p\u003e","\u003cp\u003eFirst President in History to Participate in a Public Event on Foot - Preparedness Parade, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePiedmont Plateau\u003c/p\u003e","\u003cp\u003eTwo viewfinders made from the View Master Company.\u003c/p\u003e","\u003cp\u003eOne View Master reel featuring scenes from Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eCollection of three reels featuring Virginia scenes compiled by the View Master Company with accompanying 16 page color booklet.\u003c/p\u003e","\u003cp\u003eOne View Master reel featuring 21 three dimensional images of restored buildings of Colonial Williamsburg.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains stereoviews, lantern slides, and other photographic materials collected by Kelvin Ramsey. The stereoviews were distributed by various companies, including Melander and Brothers, Keystone and Company, Bell and Brother, and D.H. Anderson. The images cover various historic sites and monuments in Washington, D.C. and Virginia, such as Arlington National Cemetery, Harper's Ferry, the White House, the William \u0026 Mary, Jamestown, and Fort Monroe.The bulk of the lantern slides feature landscapes in Virginia, including Mount Vernon, Williamsburg, Yorktown, and Jamestown. There are also images of tobacco plants and of  aspects of growing and treating tobacco.","Published by Victor Animatograph Co., Davenport, Iowa.","Published by S. Townsend,234 W. 65th St. Chicago.","Published by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY","Published by S. Townsend, 8401 Sangman St. Chicago","Published by S. Townsend, 234 W 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Pageant of America, Yale University Press","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by McIntosh Strereopticon Company, Chicago, Ill.","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by McIntosh Strereopticon Co., Chicago, Ill.","Published by Tom Phillips, 5101-27 S. State St. Chicago","Published by McIntosh Stereopticon Co., Chicsgo, Ill.","Published by Detroit Publishing Co.","Published by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY","Published by McIntosh Stereopticon Co. Chicago, Ill.","Published by McIntosh Stereopticon Co., Chicago, Ill.","Published by Williams, Browne \u0026 Earle, 918 Chesnut St., Philadelphia, U.S.A.","Published by Detroit Publishing Co.","Published by Williams, Brown \u0026 Earle, Inc., 918 Chesnut St Philadelphia PA","Published by Keystone View Co.","Published by The School of Fine Arts, University of Pennsylvania","After one in Paul Wilstach's Mount Vernon. Published by the New York State Education Department.","Published by The University of the State of New York","Published by A. T. Thompson \u0026 Co., Importers \u0026 Manufacturers, 13 Tenement Row, Boston, Mass.","Published by Keystone View Co. Factories, Meadville, VA","Kitchen on right side; office on left.","Published by McIntosh Stereopticon Co., Chicago, Ill.","Published by Detroit Publishing Co.","Published by Dr. C.F. Matteson, Chicago, Ill.","Published S. Townsend, 234 W. 65th St. Chicago","Published by Williams, Brown \u0026 Earle, Inc., 918 Chesnut Street, Philadelphia, PA","Published by Dr. C. F. Matteson, Chicago, Ill.","Published by Keystone View Co., Meadville, PA","Published by the New York State Education Department","Publishedby the New York State Education Department, Visual Instruction Division","Pine woods in background. Published by the University of the State of New York, Visual Instruction Division","Showing roots. Published by The University of the State of New York.","Published by the New York State Education Department, Visual Instruction Division","Published by The University of the State of New York, Visual Instruction Division","Site where Lee surrendered to Grant.","Site where Lees surrendered.","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by the Pageant of America, Yale University Press","Published by The University of the State of New York, Education Department","Open Fields and Wooded Area. Characteristic box type of house under construction, Published by the New York State Education Department.","Looking toward town.","Published by S. Townsend, 8401 Sangamon St., Chicago, Ill.","Published by Edward Van Altena, 6 East 39th St. NYC","Movie Promo. With Clarence Whitehill, Warner Bros., 2 reels. Published by National Studios, Inc, 228-232 West 56th St. NY","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, New York.","Published by McIntosh Stereopticon Co., 35 \u0026 37 Randolph Street, Chicago, Ill.","Image displays a sign that reads \"Old Virginia Homestead of 1803, Mrs. Self 101 years old lives here. Come see her card spin and weave.\"","Published by the University Washington Collection.","Published by Keystone View Co. Meadville, PA","Published by Kansas City Public Schools.","Arch. Am. 17th C. Discovered \u0026 identified in 1903 by Sam'l H. Youge. Published by the Pennsylvania Museum.","Published by World Service Commission, 740 Rush St. Chicago, Ills.","Published by The Free Library of Philadelphia.","Arch. Am. 1639. Published by the Pennsylvania Museum, Williams, Brown \u0026 Earl, Inc., 918 Chesnut St., Philadelphia, PA","Erected by Frances Bland Randolph, Chapter D.A.R., 1914","Published by Joseph Hawkes, New York City","Published by Newton \u0026 Co., 3 Fleet St. London, England","Just as he left it on Wednesday, September 28, 1870 at 3:00 pm.","Published by Williams, Browne \u0026 Earle, 918 Chesnut Street, Philadelphia, PA","Published by T.H. McAllister Manufacturing Opticon, 49 Nassau Street, New York","Published by Williams, Browne \u0026 Earle, 918 Chesnut St., Philadelphia, P.A.","Published by W.R. DuTemple- Providence, R.I.","Designed by Loewy, Virginia Ferry Co.","Published by W. R. DuTemple, Providence, RI","Union line of entrenchments around Petersburg, VA.","Showing entrance to burrowed Union line of entrenchments around Petersburg, VA.","Built in 1823 by James Monroe during his presidential term. Thomas Jefferson superintended the construction.","Seen in Parallel Perspective from Highway Bridge, Slighly Rolling Country.  Just west of Appomattox (1920). Published by The University of the State of New York, Visual Instruction Division","Published by Keystone View Co. Factories, Meadville, PA","Erected 1890. By J. M. A. Mercie. Published by The University of the State of New York, Visual Instruction Division.","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, N.Y. \u0026 George H. Pierce, 136 S. Eleventh St. Philadelphia, PA.","Published by C.W. Briggs Company, 628 Callowhill St., Philadelphia, PA. (Est. 1850).","Published by the New York State Education Department, Visual Instruction Department","Shows dense forest in dry season. Trees adapted to swamp condition grow luxuriantly here.","Built in 1719 by Nathaniel Harrison, Rear of House facing Grove.","Published by The University of the State of New York, Visual Instruction Division.","Published by Edward Van Altena, 6 East 39th St. N.Y.C.","Published by Frank Miles Day, School of Fine Arts, University of Pennsylvannia","Published by A.D. Handy Co. Boston, Mass.","Published by Anthony W. Robinson, Philadelphia, PA","Published by Art \u0026 Travel Company, Steinway Hall, Chicago, Ill.","Published by Newton \u0026 Co., 3 Fleet St. London, England.","Where early colonists settled differences.","Published by The University of the State of New York, Visual Education Division","Published by Rau Stdios, Inc., Philadelphia, PA.","Published by W.P.A.- Board of Education, NYC","Published by WPA Board of Education, NYC","Published by WPA-Board of Education, NYC","Published by WPA Board of Education NYC","Published by WPA- Board of Education, N.Y.C.","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC.","Published by WPA- Board if Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA-Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC.","Published by WPA- Board of Education, NYC.","Published by WPA Board of Education, NYC.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompsonl, Washington, D.C.","Published by E. B.Thompson, Washington D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E.B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington D. C.","Published by E.B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau St., New York","Copyrighted by Melander \u0026 Bro, 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1874-5, Published by Lovejoy \u0026 Foster, Chicago","Copyrighted by Melander \u0026 Bro., 1876","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Washington.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1878","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Washington.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyright Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyright Secured.","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Congress.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyright Secured.","Copyright Secured.","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1875","The celebrated Maryland Heights form part of what is known as the Blue River of the Alleghenies. At this point they rise to a height of 1,460 feet. The Baltimore and Ohio Railroad bridge and Potomac River are in the foreground.","The mighty Shenandoah as it rolls past Riverton, one mile North of Randolph-Macon Academy, Front Royal, VA","Decorated for Opening of the Great Tercentennial Exposition","Enacted by the Survivors of the Pamunkey Indian Tribe at the Jamestown Exposition.","Where the Original Settlers Landed","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Give in Honor of the Homecoming of the Fleet","First President in History to Participate in a Public Event on Foot - Preparedness Parade, Washington, D.C.","Piedmont Plateau","Two viewfinders made from the View Master Company.","One View Master reel featuring scenes from Colonial Williamsburg.","Collection of three reels featuring Virginia scenes compiled by the View Master Company with accompanying 16 page color booklet.","One View Master reel featuring 21 three dimensional images of restored buildings of Colonial Williamsburg."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"names_ssim":["Special Collections Research Center","Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"language_ssim":["English"],"total_component_count_is":2742,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:41:18.235Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1286_c02_c12_c02_c29"}},{"id":"viw_repositories_2_resources_1286_c02_c12_c02_c30","type":"Item","attributes":{"title":"Zeppelins Wrecked and Burned - Ruins Being Inspected by French Troops.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1286_c02_c12_c02_c30#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_1286_c02_c12_c02_c30","ref_ssm":["viw_repositories_2_resources_1286_c02_c12_c02_c30"],"id":"viw_repositories_2_resources_1286_c02_c12_c02_c30","ead_ssi":"viw_repositories_2_resources_1286","_root_":"viw_repositories_2_resources_1286","_nest_parent_":"viw_repositories_2_resources_1286_c02_c12_c02","parent_ssi":"viw_repositories_2_resources_1286_c02_c12_c02","parent_ssim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","Series 2: Stereoviews","Sub-series 2.12:  Keystone View Co., Meadville, PA: World War Through The Stereoscope, Vols I \u0026 II","Box 16"],"parent_ids_ssim":["viw_repositories_2_resources_1286","viw_repositories_2_resources_1286_c02","viw_repositories_2_resources_1286_c02_c12","viw_repositories_2_resources_1286_c02_c12_c02"],"title_filing_ssi":"Zeppelins Wrecked and Burned - Ruins Being Inspected by French Troops.","title_ssm":["Zeppelins Wrecked and Burned - Ruins Being Inspected by French Troops."],"title_tesim":["Zeppelins Wrecked and Burned - Ruins Being Inspected by French Troops."],"normalized_title_ssm":["Zeppelins Wrecked and Burned - Ruins Being Inspected by French Troops."],"text":["Zeppelins Wrecked and Burned - Ruins Being Inspected by French Troops.","Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","Series 2: Stereoviews","Sub-series 2.12:  Keystone View Co., Meadville, PA: World War Through The Stereoscope, Vols I \u0026 II","Box 16","Box 16","Item 30","English"],"parent_unittitles_ssm":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","Series 2: Stereoviews","Sub-series 2.12:  Keystone View Co., Meadville, PA: World War Through The Stereoscope, Vols I \u0026 II","Box 16"],"parent_unittitles_tesim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","Series 2: Stereoviews","Sub-series 2.12:  Keystone View Co., Meadville, PA: World War Through The Stereoscope, Vols I \u0026 II","Box 16"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[4],"sort_isi":2676,"repository_ssim":["College of William and Mary"],"collection_ssim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938"],"containers_ssim":["Box 16","Item 30"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"language_ssim":["English"],"_nest_path_":"/components#1/components#11/components#1/components#29","timestamp":"2026-06-23T07:41:18.235Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_1286","ead_ssi":"viw_repositories_2_resources_1286","_root_":"viw_repositories_2_resources_1286","_nest_parent_":"viw_repositories_2_resources_1286","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_1286.xml","title_filing_ssi":"Ramsey, Kelvin, Collection of Stereoviews","title_ssm":["Dr. Kelvin Ramsey Collection of Stereoviews-1"],"title_tesim":["Dr. Kelvin Ramsey Collection of Stereoviews-1"],"unitdate_ssm":["1874-1938 and undated"],"unitdate_inclusive_ssm":["1874-1938 and undated"],"normalized_date_ssm":["1874/1938"],"normalized_title_ssm":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938"],"text":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938","MS 00009t","/repositories/2/resources/1286","Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Dr. Kelvin Wheeler Ramsey is native of Virginia and graduated from Randolph-Henry High School in Charlotte County. He graduated from William \u0026 Mary in 1979 with majors in Geology and Classical Studies and went on to receive his master's from Vanderbilt University and a doctorate from the University of Delaware, both in Geology. He joined the Delaware Geological Survey at the University of Delaware in 1987 and currently serves in the position of Scientist.","Processed by Special Collections Staff, August 2015","Keystone View Company Collection (MS 00008), Special Collections Research Center, William \u0026 Mary Libraries","World War Through the Stereoscope (Mss. Acc. 2009.178), Special Collections Research Center, William \u0026 Mary Libraries","This collection contains stereoviews, lantern slides, and other photographic materials collected by Kelvin Ramsey. The stereoviews were distributed by various companies, including Melander and Brothers, Keystone and Company, Bell and Brother, and D.H. Anderson. The images cover various historic sites and monuments in Washington, D.C. and Virginia, such as Arlington National Cemetery, Harper's Ferry, the White House, the William \u0026 Mary, Jamestown, and Fort Monroe.The bulk of the lantern slides feature landscapes in Virginia, including Mount Vernon, Williamsburg, Yorktown, and Jamestown. There are also images of tobacco plants and of  aspects of growing and treating tobacco.","Published by Victor Animatograph Co., Davenport, Iowa.","Published by S. Townsend,234 W. 65th St. Chicago.","Published by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY","Published by S. Townsend, 8401 Sangman St. Chicago","Published by S. Townsend, 234 W 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Pageant of America, Yale University Press","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by McIntosh Strereopticon Company, Chicago, Ill.","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by McIntosh Strereopticon Co., Chicago, Ill.","Published by Tom Phillips, 5101-27 S. State St. Chicago","Published by McIntosh Stereopticon Co., Chicsgo, Ill.","Published by Detroit Publishing Co.","Published by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY","Published by McIntosh Stereopticon Co. Chicago, Ill.","Published by McIntosh Stereopticon Co., Chicago, Ill.","Published by Williams, Browne \u0026 Earle, 918 Chesnut St., Philadelphia, U.S.A.","Published by Detroit Publishing Co.","Published by Williams, Brown \u0026 Earle, Inc., 918 Chesnut St Philadelphia PA","Published by Keystone View Co.","Published by The School of Fine Arts, University of Pennsylvania","After one in Paul Wilstach's Mount Vernon. Published by the New York State Education Department.","Published by The University of the State of New York","Published by A. T. Thompson \u0026 Co., Importers \u0026 Manufacturers, 13 Tenement Row, Boston, Mass.","Published by Keystone View Co. Factories, Meadville, VA","Kitchen on right side; office on left.","Published by McIntosh Stereopticon Co., Chicago, Ill.","Published by Detroit Publishing Co.","Published by Dr. C.F. Matteson, Chicago, Ill.","Published S. Townsend, 234 W. 65th St. Chicago","Published by Williams, Brown \u0026 Earle, Inc., 918 Chesnut Street, Philadelphia, PA","Published by Dr. C. F. Matteson, Chicago, Ill.","Published by Keystone View Co., Meadville, PA","Published by the New York State Education Department","Publishedby the New York State Education Department, Visual Instruction Division","Pine woods in background. Published by the University of the State of New York, Visual Instruction Division","Showing roots. Published by The University of the State of New York.","Published by the New York State Education Department, Visual Instruction Division","Published by The University of the State of New York, Visual Instruction Division","Site where Lee surrendered to Grant.","Site where Lees surrendered.","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by the Pageant of America, Yale University Press","Published by The University of the State of New York, Education Department","Open Fields and Wooded Area. Characteristic box type of house under construction, Published by the New York State Education Department.","Looking toward town.","Published by S. Townsend, 8401 Sangamon St., Chicago, Ill.","Published by Edward Van Altena, 6 East 39th St. NYC","Movie Promo. With Clarence Whitehill, Warner Bros., 2 reels. Published by National Studios, Inc, 228-232 West 56th St. NY","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, New York.","Published by McIntosh Stereopticon Co., 35 \u0026 37 Randolph Street, Chicago, Ill.","Image displays a sign that reads \"Old Virginia Homestead of 1803, Mrs. Self 101 years old lives here. Come see her card spin and weave.\"","Published by the University Washington Collection.","Published by Keystone View Co. Meadville, PA","Published by Kansas City Public Schools.","Arch. Am. 17th C. Discovered \u0026 identified in 1903 by Sam'l H. Youge. Published by the Pennsylvania Museum.","Published by World Service Commission, 740 Rush St. Chicago, Ills.","Published by The Free Library of Philadelphia.","Arch. Am. 1639. Published by the Pennsylvania Museum, Williams, Brown \u0026 Earl, Inc., 918 Chesnut St., Philadelphia, PA","Erected by Frances Bland Randolph, Chapter D.A.R., 1914","Published by Joseph Hawkes, New York City","Published by Newton \u0026 Co., 3 Fleet St. London, England","Just as he left it on Wednesday, September 28, 1870 at 3:00 pm.","Published by Williams, Browne \u0026 Earle, 918 Chesnut Street, Philadelphia, PA","Published by T.H. McAllister Manufacturing Opticon, 49 Nassau Street, New York","Published by Williams, Browne \u0026 Earle, 918 Chesnut St., Philadelphia, P.A.","Published by W.R. DuTemple- Providence, R.I.","Designed by Loewy, Virginia Ferry Co.","Published by W. R. DuTemple, Providence, RI","Union line of entrenchments around Petersburg, VA.","Showing entrance to burrowed Union line of entrenchments around Petersburg, VA.","Built in 1823 by James Monroe during his presidential term. Thomas Jefferson superintended the construction.","Seen in Parallel Perspective from Highway Bridge, Slighly Rolling Country.  Just west of Appomattox (1920). Published by The University of the State of New York, Visual Instruction Division","Published by Keystone View Co. Factories, Meadville, PA","Erected 1890. By J. M. A. Mercie. Published by The University of the State of New York, Visual Instruction Division.","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, N.Y. \u0026 George H. Pierce, 136 S. Eleventh St. Philadelphia, PA.","Published by C.W. Briggs Company, 628 Callowhill St., Philadelphia, PA. (Est. 1850).","Published by the New York State Education Department, Visual Instruction Department","Shows dense forest in dry season. Trees adapted to swamp condition grow luxuriantly here.","Built in 1719 by Nathaniel Harrison, Rear of House facing Grove.","Published by The University of the State of New York, Visual Instruction Division.","Published by Edward Van Altena, 6 East 39th St. N.Y.C.","Published by Frank Miles Day, School of Fine Arts, University of Pennsylvannia","Published by A.D. Handy Co. Boston, Mass.","Published by Anthony W. Robinson, Philadelphia, PA","Published by Art \u0026 Travel Company, Steinway Hall, Chicago, Ill.","Published by Newton \u0026 Co., 3 Fleet St. London, England.","Where early colonists settled differences.","Published by The University of the State of New York, Visual Education Division","Published by Rau Stdios, Inc., Philadelphia, PA.","Published by W.P.A.- Board of Education, NYC","Published by WPA Board of Education, NYC","Published by WPA-Board of Education, NYC","Published by WPA Board of Education NYC","Published by WPA- Board of Education, N.Y.C.","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC.","Published by WPA- Board if Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA-Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC.","Published by WPA- Board of Education, NYC.","Published by WPA Board of Education, NYC.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompsonl, Washington, D.C.","Published by E. B.Thompson, Washington D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E.B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington D. C.","Published by E.B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau St., New York","Copyrighted by Melander \u0026 Bro, 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1874-5, Published by Lovejoy \u0026 Foster, Chicago","Copyrighted by Melander \u0026 Bro., 1876","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Washington.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1878","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Washington.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyright Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyright Secured.","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Congress.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyright Secured.","Copyright Secured.","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1875","The celebrated Maryland Heights form part of what is known as the Blue River of the Alleghenies. At this point they rise to a height of 1,460 feet. The Baltimore and Ohio Railroad bridge and Potomac River are in the foreground.","The mighty Shenandoah as it rolls past Riverton, one mile North of Randolph-Macon Academy, Front Royal, VA","Decorated for Opening of the Great Tercentennial Exposition","Enacted by the Survivors of the Pamunkey Indian Tribe at the Jamestown Exposition.","Where the Original Settlers Landed","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Give in Honor of the Homecoming of the Fleet","First President in History to Participate in a Public Event on Foot - Preparedness Parade, Washington, D.C.","Piedmont Plateau","Two viewfinders made from the View Master Company.","One View Master reel featuring scenes from Colonial Williamsburg.","Collection of three reels featuring Virginia scenes compiled by the View Master Company with accompanying 16 page color booklet.","One View Master reel featuring 21 three dimensional images of restored buildings of Colonial Williamsburg.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Ramsey, Kelvin (Ramsey, Kelvin Wheeler)","English"],"collection_title_tesim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938"],"collection_ssim":["Dr. Kelvin Ramsey Collection of Stereoviews-1, 1874/1938"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00009t","/repositories/2/resources/1286"],"unitid_tesim":["MS 00009t","/repositories/2/resources/1286"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"creator_ssim":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"creator_persname_ssim":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)","Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"has_online_content_ssim":["false"],"extent_ssm":["2.45 Linear Feet"],"extent_tesim":["2.45 Linear Feet"],"date_range_isim":[1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eDr. Kelvin Wheeler Ramsey is native of Virginia and graduated from Randolph-Henry High School in Charlotte County. He graduated from William \u0026amp; Mary in 1979 with majors in Geology and Classical Studies and went on to receive his master's from Vanderbilt University and a doctorate from the University of Delaware, both in Geology. He joined the Delaware Geological Survey at the University of Delaware in 1987 and currently serves in the position of Scientist.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Kelvin Wheeler Ramsey is native of Virginia and graduated from Randolph-Henry High School in Charlotte County. He graduated from William \u0026 Mary in 1979 with majors in Geology and Classical Studies and went on to receive his master's from Vanderbilt University and a doctorate from the University of Delaware, both in Geology. He joined the Delaware Geological Survey at the University of Delaware in 1987 and currently serves in the position of Scientist."],"prefercite_html_tesm":["\u003cp\u003eDr. Kelvin Ramsey Collection of Stereoviews, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e  "],"prefercite_tesim":["Dr. Kelvin Ramsey Collection of Stereoviews, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Staff, August 2015\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Staff, August 2015"],"relatedmaterial_html_tesm":["\u003cp\u003eKeystone View Company Collection (MS 00008), Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e","\u003cp\u003eWorld War Through the Stereoscope (Mss. Acc. 2009.178), Special Collections Research Center, William \u0026amp; Mary Libraries\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Keystone View Company Collection (MS 00008), Special Collections Research Center, William \u0026 Mary Libraries","World War Through the Stereoscope (Mss. Acc. 2009.178), Special Collections Research Center, William \u0026 Mary Libraries"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains stereoviews, lantern slides, and other photographic materials collected by Kelvin Ramsey. The stereoviews were distributed by various companies, including Melander and Brothers, Keystone and Company, Bell and Brother, and D.H. Anderson. The images cover various historic sites and monuments in Washington, D.C. and Virginia, such as Arlington National Cemetery, Harper's Ferry, the White House, the William \u0026amp; Mary, Jamestown, and Fort Monroe.The bulk of the lantern slides feature landscapes in Virginia, including Mount Vernon, Williamsburg, Yorktown, and Jamestown. There are also images of tobacco plants and of  aspects of growing and treating tobacco.\u003c/p\u003e  ","\u003cp\u003ePublished by Victor Animatograph Co., Davenport, Iowa.\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend,234 W. 65th St. Chicago.\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 8401 Sangman St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Pageant of America, Yale University Press\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Strereopticon Company, Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Strereopticon Co., Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Tom Phillips, 5101-27 S. State St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co., Chicsgo, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co. Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co., Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Williams, Browne \u0026amp; Earle, 918 Chesnut St., Philadelphia, U.S.A.\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by Williams, Brown \u0026amp; Earle, Inc., 918 Chesnut St Philadelphia PA\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co.\u003c/p\u003e","\u003cp\u003ePublished by The School of Fine Arts, University of Pennsylvania\u003c/p\u003e","\u003cp\u003eAfter one in Paul Wilstach's Mount Vernon. Published by the New York State Education Department.\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York\u003c/p\u003e","\u003cp\u003ePublished by A. T. Thompson \u0026amp; Co., Importers \u0026amp; Manufacturers, 13 Tenement Row, Boston, Mass.\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co. Factories, Meadville, VA\u003c/p\u003e","\u003cp\u003eKitchen on right side; office on left.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co., Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Detroit Publishing Co.\u003c/p\u003e","\u003cp\u003ePublished by Dr. C.F. Matteson, Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by Williams, Brown \u0026amp; Earle, Inc., 918 Chesnut Street, Philadelphia, PA\u003c/p\u003e","\u003cp\u003ePublished by Dr. C. F. Matteson, Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co., Meadville, PA\u003c/p\u003e","\u003cp\u003ePublished by the New York State Education Department\u003c/p\u003e","\u003cp\u003ePublishedby the New York State Education Department, Visual Instruction Division\u003c/p\u003e","\u003cp\u003ePine woods in background. Published by the University of the State of New York, Visual Instruction Division\u003c/p\u003e","\u003cp\u003eShowing roots. Published by The University of the State of New York.\u003c/p\u003e","\u003cp\u003ePublished by the New York State Education Department, Visual Instruction Division\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York, Visual Instruction Division\u003c/p\u003e","\u003cp\u003eSite where Lee surrendered to Grant.\u003c/p\u003e","\u003cp\u003eSite where Lees surrendered.\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 234 W. 65th St. Chicago\u003c/p\u003e","\u003cp\u003ePublished by the Pageant of America, Yale University Press\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York, Education Department\u003c/p\u003e","\u003cp\u003eOpen Fields and Wooded Area. Characteristic box type of house under construction, Published by the New York State Education Department.\u003c/p\u003e","\u003cp\u003eLooking toward town.\u003c/p\u003e","\u003cp\u003ePublished by S. Townsend, 8401 Sangamon St., Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Edward Van Altena, 6 East 39th St. NYC\u003c/p\u003e","\u003cp\u003eMovie Promo. With Clarence Whitehill, Warner Bros., 2 reels. Published by National Studios, Inc, 228-232 West 56th St. NY\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, New York.\u003c/p\u003e","\u003cp\u003ePublished by McIntosh Stereopticon Co., 35 \u0026amp; 37 Randolph Street, Chicago, Ill.\u003c/p\u003e","\u003cp\u003eImage displays a sign that reads \"Old Virginia Homestead of 1803, Mrs. Self 101 years old lives here. Come see her card spin and weave.\"\u003c/p\u003e","\u003cp\u003ePublished by the University Washington Collection.\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co. Meadville, PA\u003c/p\u003e","\u003cp\u003ePublished by Kansas City Public Schools.\u003c/p\u003e","\u003cp\u003eArch. Am. 17th C. Discovered \u0026amp; identified in 1903 by Sam'l H. Youge. Published by the Pennsylvania Museum.\u003c/p\u003e","\u003cp\u003ePublished by World Service Commission, 740 Rush St. Chicago, Ills.\u003c/p\u003e","\u003cp\u003ePublished by The Free Library of Philadelphia.\u003c/p\u003e","\u003cp\u003eArch. Am. 1639. Published by the Pennsylvania Museum, Williams, Brown \u0026amp; Earl, Inc., 918 Chesnut St., Philadelphia, PA\u003c/p\u003e","\u003cp\u003eErected by Frances Bland Randolph, Chapter D.A.R., 1914\u003c/p\u003e","\u003cp\u003ePublished by Joseph Hawkes, New York City\u003c/p\u003e","\u003cp\u003ePublished by Newton \u0026amp; Co., 3 Fleet St. London, England\u003c/p\u003e","\u003cp\u003eJust as he left it on Wednesday, September 28, 1870 at 3:00 pm.\u003c/p\u003e","\u003cp\u003ePublished by Williams, Browne \u0026amp; Earle, 918 Chesnut Street, Philadelphia, PA\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister Manufacturing Opticon, 49 Nassau Street, New York\u003c/p\u003e","\u003cp\u003ePublished by Williams, Browne \u0026amp; Earle, 918 Chesnut St., Philadelphia, P.A.\u003c/p\u003e","\u003cp\u003ePublished by W.R. DuTemple- Providence, R.I.\u003c/p\u003e","\u003cp\u003eDesigned by Loewy, Virginia Ferry Co.\u003c/p\u003e","\u003cp\u003ePublished by W. R. DuTemple, Providence, RI\u003c/p\u003e","\u003cp\u003eUnion line of entrenchments around Petersburg, VA.\u003c/p\u003e","\u003cp\u003eShowing entrance to burrowed Union line of entrenchments around Petersburg, VA.\u003c/p\u003e","\u003cp\u003eBuilt in 1823 by James Monroe during his presidential term. Thomas Jefferson superintended the construction.\u003c/p\u003e","\u003cp\u003eSeen in Parallel Perspective from Highway Bridge, Slighly Rolling Country.  Just west of Appomattox (1920). Published by The University of the State of New York, Visual Instruction Division\u003c/p\u003e","\u003cp\u003ePublished by Keystone View Co. Factories, Meadville, PA\u003c/p\u003e","\u003cp\u003eErected 1890. By J. M. A. Mercie. Published by The University of the State of New York, Visual Instruction Division.\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, N.Y. \u0026amp; George H. Pierce, 136 S. Eleventh St. Philadelphia, PA.\u003c/p\u003e","\u003cp\u003ePublished by C.W. Briggs Company, 628 Callowhill St., Philadelphia, PA. (Est. 1850).\u003c/p\u003e","\u003cp\u003ePublished by the New York State Education Department, Visual Instruction Department\u003c/p\u003e","\u003cp\u003eShows dense forest in dry season. Trees adapted to swamp condition grow luxuriantly here.\u003c/p\u003e","\u003cp\u003eBuilt in 1719 by Nathaniel Harrison, Rear of House facing Grove.\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York, Visual Instruction Division.\u003c/p\u003e","\u003cp\u003ePublished by Edward Van Altena, 6 East 39th St. N.Y.C.\u003c/p\u003e","\u003cp\u003ePublished by Frank Miles Day, School of Fine Arts, University of Pennsylvannia\u003c/p\u003e","\u003cp\u003ePublished by A.D. Handy Co. Boston, Mass.\u003c/p\u003e","\u003cp\u003ePublished by Anthony W. Robinson, Philadelphia, PA\u003c/p\u003e","\u003cp\u003ePublished by Art \u0026amp; Travel Company, Steinway Hall, Chicago, Ill.\u003c/p\u003e","\u003cp\u003ePublished by Newton \u0026amp; Co., 3 Fleet St. London, England.\u003c/p\u003e","\u003cp\u003eWhere early colonists settled differences.\u003c/p\u003e","\u003cp\u003ePublished by The University of the State of New York, Visual Education Division\u003c/p\u003e","\u003cp\u003ePublished by Rau Stdios, Inc., Philadelphia, PA.\u003c/p\u003e","\u003cp\u003ePublished by W.P.A.- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA-Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA Board of Education NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, N.Y.C.\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC.\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board if Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA-Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC.\u003c/p\u003e","\u003cp\u003ePublished by WPA- Board of Education, NYC.\u003c/p\u003e","\u003cp\u003ePublished by WPA Board of Education, NYC.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompsonl, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B.Thompson, Washington D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington D. C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D. C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E. B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by E.B. Thompson, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePublished by T.H. McAllister, Manufacturing Optician, 49 Nassau St., New York\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro, 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5, Published by Lovejoy \u0026amp; Foster, Chicago\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eEntered according to Act of Congress by L. M. Melander \u0026amp; Bro., in the office of the Librarian of Congress at Washington.\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1878\u003c/p\u003e","\u003cp\u003eEntered according to Act of Congress by L. M. Melander \u0026amp; Bro., in the office of the Librarian of Congress at Washington.\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyright Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyright Secured.\u003c/p\u003e","\u003cp\u003eEntered according to Act of Congress by L. M. Melander \u0026amp; Bro., in the office of the Librarian of Congress at Congress.\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyright Secured.\u003c/p\u003e","\u003cp\u003eCopyright Secured.\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1889\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1874-5\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1876\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1877\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1879\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1880\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1881\u003c/p\u003e","\u003cp\u003eCopyrighted by Melander \u0026amp; Bro., 1875\u003c/p\u003e","\u003cp\u003eThe celebrated Maryland Heights form part of what is known as the Blue River of the Alleghenies. At this point they rise to a height of 1,460 feet. The Baltimore and Ohio Railroad bridge and Potomac River are in the foreground.\u003c/p\u003e","\u003cp\u003eThe mighty Shenandoah as it rolls past Riverton, one mile North of Randolph-Macon Academy, Front Royal, VA\u003c/p\u003e","\u003cp\u003eDecorated for Opening of the Great Tercentennial Exposition\u003c/p\u003e","\u003cp\u003eEnacted by the Survivors of the Pamunkey Indian Tribe at the Jamestown Exposition.\u003c/p\u003e","\u003cp\u003eWhere the Original Settlers Landed\u003c/p\u003e","\u003cp\u003eScene of Patrick Henry's Celebrated Speech\u003c/p\u003e","\u003cp\u003eScene of Patrick Henry's Celebrated Speech\u003c/p\u003e","\u003cp\u003eScene of Patrick Henry's Celebrated Speech\u003c/p\u003e","\u003cp\u003eScene of Patrick Henry's Celebrated Speech\u003c/p\u003e","\u003cp\u003eGive in Honor of the Homecoming of the Fleet\u003c/p\u003e","\u003cp\u003eFirst President in History to Participate in a Public Event on Foot - Preparedness Parade, Washington, D.C.\u003c/p\u003e","\u003cp\u003ePiedmont Plateau\u003c/p\u003e","\u003cp\u003eTwo viewfinders made from the View Master Company.\u003c/p\u003e","\u003cp\u003eOne View Master reel featuring scenes from Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eCollection of three reels featuring Virginia scenes compiled by the View Master Company with accompanying 16 page color booklet.\u003c/p\u003e","\u003cp\u003eOne View Master reel featuring 21 three dimensional images of restored buildings of Colonial Williamsburg.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains stereoviews, lantern slides, and other photographic materials collected by Kelvin Ramsey. The stereoviews were distributed by various companies, including Melander and Brothers, Keystone and Company, Bell and Brother, and D.H. Anderson. The images cover various historic sites and monuments in Washington, D.C. and Virginia, such as Arlington National Cemetery, Harper's Ferry, the White House, the William \u0026 Mary, Jamestown, and Fort Monroe.The bulk of the lantern slides feature landscapes in Virginia, including Mount Vernon, Williamsburg, Yorktown, and Jamestown. There are also images of tobacco plants and of  aspects of growing and treating tobacco.","Published by Victor Animatograph Co., Davenport, Iowa.","Published by S. Townsend,234 W. 65th St. Chicago.","Published by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY","Published by S. Townsend, 8401 Sangman St. Chicago","Published by S. Townsend, 234 W 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Pageant of America, Yale University Press","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by McIntosh Strereopticon Company, Chicago, Ill.","Published by Kansas City Public Schools","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by Kansas City Public Schools","Published by Detroit Publishing Co.","Published by McIntosh Strereopticon Co., Chicago, Ill.","Published by Tom Phillips, 5101-27 S. State St. Chicago","Published by McIntosh Stereopticon Co., Chicsgo, Ill.","Published by Detroit Publishing Co.","Published by T.H. McAllister Manufacturing Optician, 49 Nassau Street, NY","Published by McIntosh Stereopticon Co. Chicago, Ill.","Published by McIntosh Stereopticon Co., Chicago, Ill.","Published by Williams, Browne \u0026 Earle, 918 Chesnut St., Philadelphia, U.S.A.","Published by Detroit Publishing Co.","Published by Williams, Brown \u0026 Earle, Inc., 918 Chesnut St Philadelphia PA","Published by Keystone View Co.","Published by The School of Fine Arts, University of Pennsylvania","After one in Paul Wilstach's Mount Vernon. Published by the New York State Education Department.","Published by The University of the State of New York","Published by A. T. Thompson \u0026 Co., Importers \u0026 Manufacturers, 13 Tenement Row, Boston, Mass.","Published by Keystone View Co. Factories, Meadville, VA","Kitchen on right side; office on left.","Published by McIntosh Stereopticon Co., Chicago, Ill.","Published by Detroit Publishing Co.","Published by Dr. C.F. Matteson, Chicago, Ill.","Published S. Townsend, 234 W. 65th St. Chicago","Published by Williams, Brown \u0026 Earle, Inc., 918 Chesnut Street, Philadelphia, PA","Published by Dr. C. F. Matteson, Chicago, Ill.","Published by Keystone View Co., Meadville, PA","Published by the New York State Education Department","Publishedby the New York State Education Department, Visual Instruction Division","Pine woods in background. Published by the University of the State of New York, Visual Instruction Division","Showing roots. Published by The University of the State of New York.","Published by the New York State Education Department, Visual Instruction Division","Published by The University of the State of New York, Visual Instruction Division","Site where Lee surrendered to Grant.","Site where Lees surrendered.","Published by S. Townsend, 234 W. 65th St. Chicago","Published by S. Townsend, 234 W. 65th St. Chicago","Published by the Pageant of America, Yale University Press","Published by The University of the State of New York, Education Department","Open Fields and Wooded Area. Characteristic box type of house under construction, Published by the New York State Education Department.","Looking toward town.","Published by S. Townsend, 8401 Sangamon St., Chicago, Ill.","Published by Edward Van Altena, 6 East 39th St. NYC","Movie Promo. With Clarence Whitehill, Warner Bros., 2 reels. Published by National Studios, Inc, 228-232 West 56th St. NY","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, New York.","Published by McIntosh Stereopticon Co., 35 \u0026 37 Randolph Street, Chicago, Ill.","Image displays a sign that reads \"Old Virginia Homestead of 1803, Mrs. Self 101 years old lives here. Come see her card spin and weave.\"","Published by the University Washington Collection.","Published by Keystone View Co. Meadville, PA","Published by Kansas City Public Schools.","Arch. Am. 17th C. Discovered \u0026 identified in 1903 by Sam'l H. Youge. Published by the Pennsylvania Museum.","Published by World Service Commission, 740 Rush St. Chicago, Ills.","Published by The Free Library of Philadelphia.","Arch. Am. 1639. Published by the Pennsylvania Museum, Williams, Brown \u0026 Earl, Inc., 918 Chesnut St., Philadelphia, PA","Erected by Frances Bland Randolph, Chapter D.A.R., 1914","Published by Joseph Hawkes, New York City","Published by Newton \u0026 Co., 3 Fleet St. London, England","Just as he left it on Wednesday, September 28, 1870 at 3:00 pm.","Published by Williams, Browne \u0026 Earle, 918 Chesnut Street, Philadelphia, PA","Published by T.H. McAllister Manufacturing Opticon, 49 Nassau Street, New York","Published by Williams, Browne \u0026 Earle, 918 Chesnut St., Philadelphia, P.A.","Published by W.R. DuTemple- Providence, R.I.","Designed by Loewy, Virginia Ferry Co.","Published by W. R. DuTemple, Providence, RI","Union line of entrenchments around Petersburg, VA.","Showing entrance to burrowed Union line of entrenchments around Petersburg, VA.","Built in 1823 by James Monroe during his presidential term. Thomas Jefferson superintended the construction.","Seen in Parallel Perspective from Highway Bridge, Slighly Rolling Country.  Just west of Appomattox (1920). Published by The University of the State of New York, Visual Instruction Division","Published by Keystone View Co. Factories, Meadville, PA","Erected 1890. By J. M. A. Mercie. Published by The University of the State of New York, Visual Instruction Division.","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau Street, N.Y. \u0026 George H. Pierce, 136 S. Eleventh St. Philadelphia, PA.","Published by C.W. Briggs Company, 628 Callowhill St., Philadelphia, PA. (Est. 1850).","Published by the New York State Education Department, Visual Instruction Department","Shows dense forest in dry season. Trees adapted to swamp condition grow luxuriantly here.","Built in 1719 by Nathaniel Harrison, Rear of House facing Grove.","Published by The University of the State of New York, Visual Instruction Division.","Published by Edward Van Altena, 6 East 39th St. N.Y.C.","Published by Frank Miles Day, School of Fine Arts, University of Pennsylvannia","Published by A.D. Handy Co. Boston, Mass.","Published by Anthony W. Robinson, Philadelphia, PA","Published by Art \u0026 Travel Company, Steinway Hall, Chicago, Ill.","Published by Newton \u0026 Co., 3 Fleet St. London, England.","Where early colonists settled differences.","Published by The University of the State of New York, Visual Education Division","Published by Rau Stdios, Inc., Philadelphia, PA.","Published by W.P.A.- Board of Education, NYC","Published by WPA Board of Education, NYC","Published by WPA-Board of Education, NYC","Published by WPA Board of Education NYC","Published by WPA- Board of Education, N.Y.C.","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC.","Published by WPA- Board if Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA-Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC","Published by WPA- Board of Education, NYC.","Published by WPA- Board of Education, NYC.","Published by WPA Board of Education, NYC.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompsonl, Washington, D.C.","Published by E. B.Thompson, Washington D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E.B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington D. C.","Published by E.B. Thompson, Washington, D. C.","Published by E. B. Thompson, Washington, D. C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E. B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by E.B. Thompson, Washington, D.C.","Published by T.H. McAllister, Manufacturing Optician, 49 Nassau St., New York","Copyrighted by Melander \u0026 Bro, 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1874-5, Published by Lovejoy \u0026 Foster, Chicago","Copyrighted by Melander \u0026 Bro., 1876","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Washington.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1878","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Washington.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyright Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyright Secured.","Entered according to Act of Congress by L. M. Melander \u0026 Bro., in the office of the Librarian of Congress at Congress.","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyright Secured.","Copyright Secured.","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1889","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1874-5","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1875","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1876","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1877","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1879","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1880","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1881","Copyrighted by Melander \u0026 Bro., 1875","The celebrated Maryland Heights form part of what is known as the Blue River of the Alleghenies. At this point they rise to a height of 1,460 feet. The Baltimore and Ohio Railroad bridge and Potomac River are in the foreground.","The mighty Shenandoah as it rolls past Riverton, one mile North of Randolph-Macon Academy, Front Royal, VA","Decorated for Opening of the Great Tercentennial Exposition","Enacted by the Survivors of the Pamunkey Indian Tribe at the Jamestown Exposition.","Where the Original Settlers Landed","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Scene of Patrick Henry's Celebrated Speech","Give in Honor of the Homecoming of the Fleet","First President in History to Participate in a Public Event on Foot - Preparedness Parade, Washington, D.C.","Piedmont Plateau","Two viewfinders made from the View Master Company.","One View Master reel featuring scenes from Colonial Williamsburg.","Collection of three reels featuring Virginia scenes compiled by the View Master Company with accompanying 16 page color booklet.","One View Master reel featuring 21 three dimensional images of restored buildings of Colonial Williamsburg."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"names_ssim":["Special Collections Research Center","Ramsey, Kelvin (Ramsey, Kelvin Wheeler)"],"language_ssim":["English"],"total_component_count_is":2742,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:41:18.235Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_1286_c02_c12_c02_c30"}},{"id":"viw_repositories_2_resources_8982_c03_c2332","type":"File","attributes":{"title":"Zerrahn, Carl, 1860","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8982_c03_c2332#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eWecker Polka-cover art Ypsilanti-cover art\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8982_c03_c2332#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8982_c03_c2332","ref_ssm":["viw_repositories_2_resources_8982_c03_c2332"],"id":"viw_repositories_2_resources_8982_c03_c2332","ead_ssi":"viw_repositories_2_resources_8982","_root_":"viw_repositories_2_resources_8982","_nest_parent_":"viw_repositories_2_resources_8982_c03","parent_ssi":"viw_repositories_2_resources_8982_c03","parent_ssim":["Sheet Music Collection, 1827/1974","Series 3: 19th Century Sheet Music"],"parent_ids_ssim":["viw_repositories_2_resources_8982","viw_repositories_2_resources_8982_c03"],"title_filing_ssi":"Zerrahn, Carl","title_ssm":["Zerrahn, Carl"],"title_tesim":["Zerrahn, Carl"],"normalized_title_ssm":["Zerrahn, Carl, 1860"],"text":["Zerrahn, Carl, 1860","Sheet Music Collection, 1827/1974","Series 3: 19th Century Sheet Music","Box Series 3, Box 111","Folder 15","Wecker Polka-cover art Ypsilanti-cover art"],"parent_unittitles_ssm":["Sheet Music Collection, 1827/1974","Series 3: 19th Century Sheet Music"],"parent_unittitles_tesim":["Sheet Music Collection, 1827/1974","Series 3: 19th Century Sheet Music"],"normalized_date_ssm":["1860"],"unitdate_inclusive_ssm":["1860"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3562,"repository_ssim":["College of William and Mary"],"collection_ssim":["Sheet Music Collection, 1827/1974"],"containers_ssim":["Box Series 3, Box 111","Folder 15"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1860],"scopecontent_html_tesm":["\u003cp\u003eWecker Polka-cover art Ypsilanti-cover art\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Wecker Polka-cover art Ypsilanti-cover art"],"_nest_path_":"/components#2/components#2331","timestamp":"2026-06-23T07:48:00.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8982","ead_ssi":"viw_repositories_2_resources_8982","_root_":"viw_repositories_2_resources_8982","_nest_parent_":"viw_repositories_2_resources_8982","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8982.xml","title_filing_ssi":"Sheet Music Collection","title_ssm":["Sheet Music Collection"],"title_tesim":["Sheet Music Collection"],"unitdate_ssm":["1827-1974"],"unitdate_inclusive_ssm":["1827-1974"],"normalized_date_ssm":["1827/1974"],"normalized_title_ssm":["Sheet Music Collection, 1827/1974"],"text":["Sheet Music Collection, 1827/1974","Mss. 1.07","/repositories/2/resources/8982","African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","The collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point.","Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos.","Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received.","Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series.","Material received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013.","The Sheet Music Collection includes sheet music collected by the Special Collections Research Center.","This series includes sheet music collected by the Special Collections Research Center prior to 2007.","Scope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.","Scope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.","Scope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.","Scope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.","Scope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.","Scope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.","Scope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.","Scope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.","Scope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.","Scope and Contents \"Latest and Best\" - undated","Scope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;","Scope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.","Scope and Contents \"Maid of Athens\" - undated, Allen ?, composer.","Scope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.","Scope and Contents \"Minnesota March\"- undated, George N. Allen, composer.","Scope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.","Scope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.","Scope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.","Scope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.","Scope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.","Scope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.","Scope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.","Scope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.","Scope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.","Scope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.","Scope and Contents \"Soko\" - 1903, John Arnold, composer.","Scope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.","Scope and Contents \"Alice\" - undated, Joseph Asher, composer.","Scope and Contents \"My Task\"- undated, E.L. Ashford.","Scope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.","Scope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.","Scope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.","\"Marching Through Georgia, Rudolf Thaler, composer","Scope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.","Scope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.","Scope and Contents \"Miss Helyett\"- undated, E. Audran, composer.","Scope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.","Scope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.","Scope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.","Scope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.","Scope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.","Scope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.","Scope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.","Scope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.","Scope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.","Scope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.","Scope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.","Scope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.","Scope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.","Scope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.","Scope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.","Scope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.","Scope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.","Scope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.","Scope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.","Scope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.","Scope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.","Scope and Contents \"Virginia\" - 1904, D. A. Barrackman","Scope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;","Scope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.","Scope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.","Scope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.","Scope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.","Scope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer","Scope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.","Scope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.","Scope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.","\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.","Scope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.","Scope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.","Scope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.","Scope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.","Scope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.","Scope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.","Scope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.","Scope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.","Scope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.","Scope and Contents \"Parlor Concert\" - undated, Carl J. Berger.","Scope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.","Scope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.","Scope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.","Scope and Contents \"Maybe\" - undated, Bertrand Brown, composer.","Scope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.","Scope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.","Scope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.","Scope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.","Scope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.","Scope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.","Scope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.","Scope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.","Scope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.","Scope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.","Scope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.","Scope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.","Scope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.","Scope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.","Scope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.","Scope and Contents \"Blackmar\u0026Bro's selection of Favorite Songs\" - undated, Blockley, composer.","Scope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.","Scope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.","Scope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.","Scope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.","Scope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.","Scope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.","Scope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.","Scope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.","Scope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.","Scope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.","Scope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.","Scope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.","Scope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.","Scope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.","Scope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.","Scope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.","Scope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.","Scope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.","Scope and Contents \"Remember Me\" - undated, M. Brinkman, composer.","Scope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.","Scope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.","Scope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.","Scope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.","Scope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.","Scope and Contents \"Salut a La France\" - undated, Brunner, composer.","Scope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.","Scope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.","Scope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.","Scope and Contents \"At Evening\" - 1899, Dudley Buck, composer.","Scope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.","Scope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.","Scope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.","Scope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.","Scope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.","Scope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.","Scope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.","Scope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.","Scope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.","Scope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.","Scope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.","Scope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.","Scope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.","Scope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.","Scope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.","Scope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman","Scope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar","Scope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana","Scope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell","Scope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell","Scope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning","Scope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders","Scope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew","Scope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence","Scope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle","Scope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams","Scope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael","Scope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael","Scope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens","Scope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola","Scope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll","Scope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll","Scope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin","Scope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi","Scope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll","Scope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar","Scope and Contents \"Martha\" - undated, composed by Cavatine","Scope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade","Scope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway","Scope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry","Scope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin","Scope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy","Scope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel","Scope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke","Scope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft","Scope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau","Scope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover","Scope and Contents \"My Reverie\" - 1938, by Larry Clinton","\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford","Scope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton","Scope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley","Scope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse","Scope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel","Scope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.","Scope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.","Scope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.","Scope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.","Scope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.","Scope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.","Scope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.","Scope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.","Scope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.","Scope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.","Scope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.","Scope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.","Scope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.","Scope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.","Scope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.","Scope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer","Scope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis","Scope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots","Scope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin","Scope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow","Scope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe","Scope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner","Scope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper","\"How Can I Leave Thee?\" - 1851, by C. Cramer","Scope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer","Scope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn","\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford","Scope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson","Scope and Contents \"The Pelican\" - undated, composed by W.J. Crerar","Scope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch","Scope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny","Scope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.","Scope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.","Scope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.","Scope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.","Scope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.","Scope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.","Scope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.","Scope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.","Scope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.","Scope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.","Scope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg","Scope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.","Scope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.","Scope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.","Scope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.","Scope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.","Scope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.","Scope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.","Scope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.","Scope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.","Scope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.","Scope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.","Scope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.","Scope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.","Scope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.","Scope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.","Scope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson","Scope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson","Scope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan","Scope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence","Scope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter","\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin","Scope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher","Scope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro","Scope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin","Scope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz","Scope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro","Scope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie","Scope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods","Scope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge","Scope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth","Scope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler","Scope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert","Scope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson","\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph","Scope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds","Scope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks","Scope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn","Scope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti","Scope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn","Scope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist","Scope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty","Scope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen","Scope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.","Scope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.","Scope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.","Scope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.","Scope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer","Scope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.","Scope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.","Scope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.","Scope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.","Scope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer","Scope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.","Scope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.","Scope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.","Scope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.","Scope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.","Scope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.","Scope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.","Scope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.","\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.","Scope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.","Scope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.","Scope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.","Scope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.","Scope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.","Scope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.","Scope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.","Scope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.","Scope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.","Scope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.","Scope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.","Scope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.","Scope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.","Scope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.","Scope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.","Scope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.","Scope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.","Scope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.","Scope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.","Scope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.","Scope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.","Scope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.","Scope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.","Scope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.","Scope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.","Scope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.","Scope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.","Scope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.","Scope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.","Scope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.","Scope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.","Scope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.","Scope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.","Scope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.","Scope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.","Scope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.","Scope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.","Scope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.","Scope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.","Scope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.","Scope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.","Scope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.","Scope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.","Scope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.","Scope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.","Scope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.","Scope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.","Scope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.","Scope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.","\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones","Scope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger","Scope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes","Scope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel","Scope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade","Scope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey","Scope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.","Scope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland","Scope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay","Scope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay","Scope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips","Scope and Contents \"Calcutta\" - 1958, Heino Gaze","Scope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze","Scope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood","Scope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert","Scope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn","Scope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens","Scope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis","Scope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman","Scope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter","Scope and Contents \"Gavotte\" - undated, by C.W. Gluck","Scope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts","Scope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood","Scope and Contents \"The Guards Waltz\" - undated, by D. Godfrey","Scope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent","Scope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler","Scope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold","Scope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn","Scope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz","Scope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman","Scope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman","Scope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash","Scope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel","Scope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria","Scope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare","\"Do You Really Think He Did?\" - 1855, by J.T. Gosden","Scope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke","Scope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk","Scope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod","Scope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley","Scope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept","Scope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle","Scope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David","\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman","\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham","Scope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour","\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill","Scope and Contents \"Anona\" - 1903, by Vivian Grey","Scope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York","Scope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose","Scope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe","Scope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé","Scope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman","Scope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange","Scope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend","Scope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson","Scope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo","Scope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l","Scope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams","Scope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt","Scope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez","Scope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.","Scope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.","Scope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.","Scope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.","Scope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.","Scope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.","Scope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.","Scope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.","Scope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.","Scope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.","Scope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.","Scope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.","Scope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.","Scope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.","Scope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.","Scope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.","Scope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.","Scope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.","Scope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.","Scope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.","Scope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.","Scope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.","Scope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.","Scope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.","Scope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt","Scope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith","Scope and Contents \"Clareene\" - 1905, by Max L. Herman","Scope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache","Scope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer","Scope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz","Scope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman","Scope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh","Scope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller","Scope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton","Scope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber","Scope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter","Scope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs","Scope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence","Scope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed","Scope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon","Scope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman","\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith","Scope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer","Scope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman","Scope and Contents \"The Gift Polka\" - 1855, by Albert Holland","Scope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser","Scope and Contents \"Smoky Mokes\" - undated, by A. Holzmann","Scope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy","Scope and Contents \"The Toast\" - 1931, by Francis Hopkinson","Scope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach","Scope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard","Scope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard","\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks","Scope and Contents \"Winsome Grace\" - 1890, by T.H. Howe","Scope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden","Scope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills","Scope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah","Scope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.","Scope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck","\"Holiday Waltz - 1878, J.A. Ide, composer.","Scope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.","Scope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.","Scope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.","Scope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.","Scope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026 Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.","Scope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.","Scope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.","Scope and Contents \"Eva's Parting\" - 1852, F. James, composer.","Scope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.","Scope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.","Scope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.","Scope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.","Scope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;","Scope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.","Scope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.","Scope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.","Scope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.","Scope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.","Scope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.","Scope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.","Scope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.","Scope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.","Scope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams","Scope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston","Scope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting","Scope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders","Scope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang","Scope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby","Scope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn","Scope and Contents \"Variations sur Lestoco\" - undated, by H. Karr","Scope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun","Scope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters","Scope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser","\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson","Scope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove","Scope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly","Scope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly","Scope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly","Scope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley","\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.","Scope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II","Scope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel","Scope and Contents \"Rondeaux\" - undated, by Ferd. Kessler","Scope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby","Scope and Contents \"Gipsies\" - undated, by Ella Ketterer","Scope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer","Scope and Contents \"Sonate\" - undated, by Friedrich Kiel","Scope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder","Scope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King","Scope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare","Scope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn","Scope and Contents \"The Star Spangled Banner\" - 1835, W.A. King","Scope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel","Scope and Contents \"A Bohemian Walzer\" - undated, by Kirmair","Scope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber","Scope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein","\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll","Scope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis","Scope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini","Scope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley","\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost","Scope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton","Scope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass","Scope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy","Scope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler","\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine","Scope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset","Scope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan","Scope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.","Scope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.","Scope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.","Scope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.","Scope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.","Scope and Contents \"Union March\" - undated, Hans Krummacher, composer.","Scope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.","Scope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.","Scope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.","Scope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.","Scope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.","Scope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.","Scope and Contents \"Memories\" - 1901, Albert Kussner, composer.","Scope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.","Scope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.","Scope and Contents \"Crescendo\" - 1896, Per Lasson, composer.","Scope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.","Scope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.","Scope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.","Scope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.","Scope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.","Scope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.","Scope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.","Scope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.","Scope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.","Scope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.","Scope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers","Scope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona","Scope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles","Scope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee","Scope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef","Scope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély","Scope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart","Scope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare","Scope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse","Scope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow","Scope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky","Scope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke","Scope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin","Scope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields","Scope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg","Scope and Contents \"All-American Girl\" - 1932, by Al Lewis","Scope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais","Scope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis","Scope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa","Scope and Contents \"Mocking Bird\" - 1903, by Fred Lewis","Scope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis","Scope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young","Scope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach","Scope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.","Scope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.","Scope and Contents \"Tired\" - undated, M. Lindsay, composer.","Scope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.","Scope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.","Scope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.","Scope and Contents \"Too Tired\" - 1924, George A. Little, composer.","Scope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.","Scope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.","Scope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.","Scope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.","Scope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.","Scope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.","Scope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.","Scope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.","Scope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.","Scope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.","Scope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.","Scope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw","\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo","Scope and Contents \"At Rest\" - 1915, by Katherine E. Lucke","Scope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna","Scope and Contents \"In Memoriam\" - 1872, by A. Lutz","\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire","Scope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg","Scope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.","Scope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.","Scope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.","Scope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.","Scope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.","Scope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid","Scope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.","Scope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;","Scope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;","Scope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell","Scope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell","Scope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell","Scope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren","Scope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack","\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.","Scope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano","Scope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300","Scope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.","Scope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.","\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.","Scope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.","Scope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.","Scope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.","Scope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.","Scope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.","Scope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.","Scope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.","Scope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.","Scope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.","Scope and Contents \"Smith's March\" - 1848, J.T. March - composer.","Scope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.","Scope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.","Scope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.","Scope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.","Scope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.","Scope and Contents \"Longing\" - undated, Charles Mayor, composer.","Scope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.","Scope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.","Scope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.","Scope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.","Scope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.","Scope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.","Scope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.","Scope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.","Scope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.","Scope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.","Scope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.","Scope and Contents \"Butterfly\" - undated, G. Merkel, composer.","Scope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.","Scope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.","Scope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer","Scope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist","Scope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist","Scope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist","Scope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer","\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund","Scope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists","Scope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer","Scope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists","Scope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist","Scope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists","Scope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist","Scope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists","Scope and Contents \"Retour du Printemps\" - undated, Moelling, composer","\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist","Scope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist","Scope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer","Scope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist","Scope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist","Scope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist","Scope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists","Scope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist","Scope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist","Scope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer","\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists","Scope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist","Scope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist","Scope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer","Scope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists","Scope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist","Scope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer","Scope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist","Scope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist","Scope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer","Scope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists","Scope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist","Scope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer","Scope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists","Scope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist","Scope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist","Scope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer","Scope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist","Scope and Contents \"The Beauregard\" - 1861, A. Noir, composer","Scope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist","Scope and Contents \"Èlègie\" - 1895, E. Nollet, composer","Scope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist","Scope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer","\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist","Scope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer","Scope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist","Scope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer","Scope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer","Scope and Contents \"La Polka\" - undated, Offenbach, composer","Scope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists","Scope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist","Scope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist","Scope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist","Scope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist","Scope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists","Scope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist","Scope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists","Scope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist","Scope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist","Scope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists","Scope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer","Scope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist","Scope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist","Scope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.","Scope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.","Scope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.","Scope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.","Scope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.","Scope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.","Scope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.","Scope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.","Scope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.","\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.","Scope and Contents \"Pensees\" - undated, Ernst Perabo, composer.","Scope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.","Scope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.","Scope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.","Scope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.","Scope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.","Scope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.","Scope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.","Scope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.","Scope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.","Scope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.","Scope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.","Scope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.","Scope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.","Scope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.","Scope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.","Scope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.","Scope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.","Scope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.","Scope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.","Scope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.","Scope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer","Scope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer","Scope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist","Scope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists","Scope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist","Scope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist","Scope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer","Scope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist","Scope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist","Scope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer","Scope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer","Scope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer","Scope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist","Scope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist","Scope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist","Scope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer","\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists","Scope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist","Scope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer","Scope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger","Scope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer","\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist","Scope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer","Scope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer","Scope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist","Scope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists","Scope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists","Scope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist","Scope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist","Scope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist","Scope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist","Scope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist","Scope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer","Scope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists","Scope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer","Scope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.","Scope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.","Scope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.","Scope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.","Scope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.","Scope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.","Scope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.","Scope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.","Scope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.","Scope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.","Scope and Contents \"Trumpet March\" - undated, Rossini, composer.","Scope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.","Scope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.","Scope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.","Scope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.","Scope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.","Scope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.","Scope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.","Scope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.","Scope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.","Scope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.","Scope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.","Scope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.","Scope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.","Scope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.","Scope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.","Scope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.","Scope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.","Scope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.","Scope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.","Scope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.","Scope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.","Scope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.","Scope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.","Scope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.","Scope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.","Scope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.","Scope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.","Scope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.","Scope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.","Scope and Contents \"Quintett\" - undated, Robert Shunmann, composer.","Scope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist","Scope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist","Scope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist","Scope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist","Scope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists","Scope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer","Scope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer","Scope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist","Scope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott","Scope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist","Scope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist","Scope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists","Scope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist","Scope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists","Scope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer","Scope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer","Scope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist","Scope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist","Scope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer","Scope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists","Scope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer","Scope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist","Scope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists","Scope and Contents \"Autumn\" - 1931, Lee Sims, composer","Scope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer","Scope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist","Scope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist","Scope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer","Scope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer","Scope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist","Scope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist","Scope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist","Scope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer","Scope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896","Scope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer","Scope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer","Scope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist","Scope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist","Scope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist","Scope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer","Scope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists","Scope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer","Scope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer","Scope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer","Scope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist","Scope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist","Scope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer","Scope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist","Scope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists","Scope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer","Scope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.","Scope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.","Scope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.","Scope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.","Scope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.","Scope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.","Scope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.","Scope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.","Scope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.","Scope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.","Scope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.","Scope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.","Scope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.","Scope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.","Scope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.","Scope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.","Scope and Contents \"Polka\" - undated, L. Streabbog, composer.","Scope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.","Scope and Contents Florodora\" - 1900, Stuart Leslie, composer.","Scope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.","Scope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.","Scope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.","Scope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.","Scope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.","Scope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.","Scope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist","Scope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer","Scope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert","Scope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist","Scope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist","Scope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist","Scope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist","Scope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist","Scope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist","Scope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist","Scope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist","Scope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist","Scope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist","Scope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer","Scope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists","Scope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist","Scope and Contents \"Hence Discontent\" - undated, Tolbecque, composer","Scope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer","Scope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer","Scope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier","Scope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist","Scope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists","Scope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist","Scope and Contents \"Tarantelle\" - undated, Berthold Tours, composer","Scope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists","Scope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist","Scope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist","Scope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer","Scope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist","Scope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer","Scope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist","Scope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer","\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists","Scope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists","Scope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists","Scope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist","Scope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer","Scope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist","\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist","Scope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist","Scope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists","Scope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer","Scope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist","\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists","Scope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer","Scope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist","Scope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist","Scope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer","Scope and Contents \"Don Juan\" - undated, Charles Voss, composer","Scope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.","Scope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.","Scope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.","Scope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.","Scope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.","Scope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.","Scope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.","Scope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.","Scope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.","Scope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.","Scope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.","Scope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.","Scope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.","Scope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.","Scope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.","Scope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.","Scope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.","Scope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.","Scope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.","Scope and Contents \"Polka\" - 1859, Julius Weel, composer.","Scope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .","Scope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.","Scope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.","Scope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.","Scope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.","Scope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.","Scope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.","Scope and Contents \"Postlude in F\" - 1896, John A. West, composer.","Scope and Contents \"Postlude in B\" - undated, John E. West, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.","Scope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.","Scope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.","Scope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.","Scope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.","Scope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.","Scope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.","Scope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.","Scope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.","Scope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.","Scope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.","Scope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.","Scope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.","Scope and Contents \"Black Apollo\" - undated, Charles White, composer.","Scope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.","Scope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.","Scope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.","Scope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.","Scope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.","Scope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.","Scope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026 Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.","Scope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.","Scope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.","Scope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.","Scope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.","Scope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.","Scope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.","Scope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.","Scope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.","Scope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.","Scope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.","Scope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.","Scope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.","Scope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.","Scope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.","Scope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.","Scope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.","Scope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.","Scope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.","Scope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.","Scope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.","Scope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.","Scope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.","Scope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.","Scope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.","Scope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.","Scope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.","Scope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.","Scope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.","Scope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.","Scope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.","Three items present.","Scope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.","Scope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.","Scope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.","Scope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.","Scope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.","Scope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.","Scope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.","Scope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.","Scope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.","Scope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026 Claribel, composers.","Scope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.","Scope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.","Scope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.","Scope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.","Scope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026 F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.","Scope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.","Scope and Contents Untitled exercise book, undated, various composers.","Scope and Contents Untitled exercise book, undated, unknown composer.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.","Scope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.","Scope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.","Scope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.","Scope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.","Scope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers","Scope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.","Scope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.","Scope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.","Scope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.","Scope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.","Scope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers","Scope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.","Scope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.","Scope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers","Scope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.","Scope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.","Scope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.","Scope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;","Scope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.","Scope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.","Scope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.","This series includes sheet music collected by the Special Collections Research Center beginning 2007.","\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.","\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.","Scope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;","10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026 Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.","Scope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.","Scope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.","Scope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.","Scope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.","Scope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.","William's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.","Scope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .","Songster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.","Scope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.","Scope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026 Co.  Copyright date of 1851.  Hand sewn binding.","Contains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.","From the musical comedy \"Three Little Lambs.\"","Contains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026 Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026 Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026 Dresser, New York, 1903.","Contains songs for use in \"Special Services Activites by Armed Forces personnel only.\"","Scope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.","Scope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.","Contains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.","Five Salted Peanuts","Capt. May's Quick Step","Virginia","Sweet Virginia Rose","He's A Rag Picker","Carry Me Back to Old Virginia (two copies)","Peanuts And Diamonds","The Teddy Bears' Picnic","Hot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)","Wait Till The War, Love, Is Over","Rose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)","Virginia Lullaby","Scope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"","Heart-Sickness Blues","Bud Rag","Moonlight on the Melonpatch","How's Your Folks and My Folks Down in Norfolk Town","Virginia Blues (two copies)","Virginia Belle","Virginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)","There's a Girl in Old New Hampshire Whose Heart is Apart of Me","Peanuts (La Cacahuata)","Tell Them You're From Virginia","'Mid Tthe Green Fields of Virginia","Throwing Peanuts to the Moon","Scope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"","Texas","Old Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)","Pray, Maiden , Pray!","The U. Va. Two-Step","Watermelon Club","Virginia Lou","I'm Going to Climb the Blue Ridge Mountains Back to You","Temptation Rag","Watermelon Man","She is the Sunshine of Virginia","Billy","Billy Boy","When It's Harvest Time in Peaceful Valley","Melinda's Wedding Day","The Lord Made a Peanut","At a Georgia Campmeeting","Shenandoah","Watermelon and Friends","Chariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)","Melon Time in Dixieland","I'm Gonna Bring a Watermelon to my Girl To-Night","Heart of Virginia","Virginia Moon (Waltz-song)","An Old Fashioned Garden in Virginia","The Peanut Vendor (El Manisero)","A Tale of Old Virginia","Under the Anheuser Bush (two copies)","Watermelons- Songs for Living","When it's Springtime in Virginia","Watermelon Weather","Peanuts! 5 a Bag","Carbalick Acid Rag","Memories of Virginia (Two copies)","Down Old Virginia Way (Operatic Edition)","Cover Me Up with the Sunshine of Virginia","Contains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"","La Belle Virginienne Valse (Binding hand-stitched)","The Ashland Memories","Princess Pocahontas (March and Two Step)","Researchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.","Organist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz","Gems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?","Christmas Song O Christmas Night Le Diable-A-Quatre Polka","Don't Be Angry Mother Scotch Air","A Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy","Picture of Comm. Enrico Caruso","known also as The Prima Donna Song; arranged and adapted by Chas.Jarvis","from Bellini's Admired Opera of Il Pirata","La Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore","cover art","cover art","photo on cover","hand written music sheets included","photo of Allen on cover","Souvenir edition for Army Air Forces Leave Hotels on French Riviera","Hand written music sheets with hand designed cover art","Tis Midnight Hour with cover art Constancy","Larmes of Joie Katie's Secret","Cover Art","cover only","covert art","Somebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight","cover art","Ecstasy The Meeting - cover art L' Arditia","Treasures of the Deep One Struggle More","Mexico","Cover Art Madrid ,Spain","Cover Art","cover art: photo of Julio Martinez Arteaga Bolivia - Spanish","Marie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure","Bolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)","Mexico - Spanish","Italian Photos on cover","Sweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast","Mexico - Spanish","Spanish - Barcelona, Spain Cover art by J. Casals","Christine - cover art My home by the mountain side The Cot by the Hill - cover art","Drei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken","London","Orphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany","Centennial March - cover art I'd be a Butterfly","cover art","The Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee","Once a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits","Then You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!","I Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee","Italian","Das Konigsballet","German and English","Dear  Love, Be True Darling \"Tis You","Mary Gray The Gypsie's Festival","Der Herr is Mein Hirt - German Marcia Fantastica Albumblatt","I am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? Why do Summer Roses Fade Would you Leave me to Mourn","O bury me by the river's side Silently, tenderly, mournfully home","O That I Had Wings Love Not Waltz Give Me another Flower I Love Thee Still","I Spring-Tine When the Tide Comes In My Golden Ship","The Days of Old Romance Le Matin (Polka)","The Highland Minstrel Boy Moonlight, Music, Love \u0026 Flowers My Father Land Guard Her as a Treasure The Light Guitar Why Do I Weep - cover art Galopade from Gustavus By the Flowing Guadilquiver I wish I had a Little Bird Why Say Farewell!","Don't Stay away so Long Little Footsteps - cover art","I Oftern Sigh in Sadness Love's Regret","The Dying Girl's Farewell Novelette Quickstep","I Would That My Love - German and English Lieder Ohne Worte The Wedding March Trois Fantasies","Sing to Me Nightingale The Village Quick Step","Sweet and Low There is a fountain fill'd with blood Don't Care Tarantella","Silvery Shower Biscaccianti Waltz Breakfast Bell Polka Salut a La France Ever Be Happy! The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day","Bilder in TonenGerman with cover art Rondo Mignon","Long Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife","French cover art and photos","Ah! Yes I Remember How Sweet are the Roses","Le Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale","The Whispering Trees The Image in the Heart","Sonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz","Rondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! God Thy Goodness Vienne March Minuet in G Grand Waltz Sonatine Sonaten Op. 10","Irrlichter The Jolly Trumpeter Galop","German","Italian","Take Them I implore Thee Hear me Norma Wher eare Now the Hopes I Cherished Sunbeam of Summer Oh Love for Me Thy Power Ah Bello a Me Ritorna Still so Gently o'er Me Stealing La Sonnambula Ah! non giunge Grand March in Norma","Linda Dumbarton's March 20 Joys (collection for Piano Fairy Dances Highland Fling Lilly Dale Starlight is Beaming I've not a thought but what is Thine Starlight Waltz","Night Fall Schottisch Hyazinth Schottisch The Young Recruit Quickstep La Favorita Domino Gallop Starlight Waltz Sleeping I Dream Love Blanche Alpen Waltz The Snowflake Schottisch The Dearest Spot of Earth Friendships Polka","Rocking Chair Polka 'Tis Midnight Hour Les Bords du Rhin A Good Old Fashion Polka St. Patricks Day Waltz Il Travatore Yankee Doodle The Wizard's Polka Schottisch Quickstep Lily Dale March di Bravura Poliuto","Bridal March La Fille du regiment Gentle Annie Friendship Waltz Bon Ton Polka Clara Polka Le Torrent Waltz Martha Potpouri Polka Joyful Waltz Little Darling Sack Waltz Chit Chat Plain Cotillion","cover photo","Wait for the Wagon Hope Be Thy Guide","The Atlantic Polka By the Sad Sea Waves Take this Lute - cover art The Cruiskeen Lawn","cover art","English and French","The Sands of dee Octave Galop The Tremolo Waltz Linda di Chamounix Les vespres Siciliennes La Traviata","covert art","Italian and English","Italian","German and English versions","Ernani Rondeau Polacca Rondeau La Muette de Portici Teufel's Polka Balisario The Evening Star Waltz Parade March Martha de Flotow Lucia di Lammermoor","La Fille du Regimment Salut a la France The Evening Star Waltz O Wert Thou But Mine Own Love Fleurs Italiennes Elfen Waltz Second March Martha Norma Ernani","Lucrezia Borgia Maniac or Pestal Waltzes Le Prophete Evening Star Waltz Last Waltzes of a Madman Azalea Polka I Puritani Faust de Spohr","Bouquets de Melodies OP. 42 - Cover art Belisario Post Horn Polka Evening Star Waltz La Sonnambula Opera Guillaume Tell de Rossini - cover art Fleurs Italiennes","Toujours Mobile Galop Faust","Marguerite - cover art Take Me Jamie dear","Home! Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band","Pretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells","\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle","On the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March","Oh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly","cover art","cover art","The Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube","Remember Me - cover art 48 Etudes","True Love Lives Forever Wery Pekoollar","German; cover art","Lora vale Remembered","The Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words","A Favourite French Air Michelson's Celebrated Waltz","The Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message","covert art","The Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop","Silhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German","Goodbye Douglas, Tender and True the Sea has its Pearls","French and English","Italian","cover art","photo on cover","The Lament of the Blind Orphan Girl Victory at Last","Italian, German, English","Take My Arm the Other Side Quadrille","Serenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76","Oriental Waltz Carmac Polka","photo cover","Golden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn","Bring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling","German and English","Fantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61","Woodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille","Tyrolese Evening Hymn Come to the Sunset Tree","Rondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano","French- colored cover with photo","Te Deum in B Minor Down by the Mill","The Diana Waltz The Ocean Wave Waltz","The Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene","Jolly Brothers L'Avant Coureur Galop","cover art photo","Marching Along Quick Step Rory O'Moore Quick Step","Fee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse","Colored cover art","Cinderella Waltz Oh Welcome the Hour from Catherine Grey","ZaZa - French - covert art Elle Avait des Soquettes - cover art","Italian","Italian","Weep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me","Italian","covert art","Love Moon J'aime Mon Amour - cover art","Mexico","Ring the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling","Italian","Espana Tabasco March Habanera","Miller's Daughter - cover art Three Little Songs","Nancy Till The Black Quadrilles","Automne Les Noces D'Argent","I Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? Trees of the Forest How beautiful is the Sea When the Autumn leaves are falling","Chanson Pour Jean Le Cantique De Justice John's Lullaby","Old Folks at Home Susan Rayne","Deux Polonaises Op. 26 XXI Op. 25 Mazurka No. 1 Vier Impromptus Trois Valses Op. 64 Fantaisie-Impromptu Op. 66","Cover Photo","I cannot Sing the Old songs My Heart is over the Sea Five O'Clock in the Morning Faithful to Thee Maggie's Secret Maggie's Welcome - cover art Strangers Yet Take back the Heart We'd Better to Bide a Wee Won't You Tell Me Why Robin All Along the Valley","Poor Juna Rock of Liberty Meet Me By the Running Brook Minnie Minton Under the Ice Do not Sing that Song Again The Rover's Grave Jenny June The Sword of Bunker Hill I Live for Those Who Love Me The Old Mountain Tree Lament of the Sailor Boy's Mother","Sonate Op.36 Sonate No. 3 C. Sechs Sonatinen Sonata Nr. 18","Sweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken","cover art","covert art","cover art","cover art","cover photo","cover photo","cover art","The Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more","The captain Grand March","Judith The May Queen The Holiday The Valley of Roses","Farewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha","Spring Season Polka Three Bells Polka","Dear Violetta Loves Ritornella Gustavus the Third","The Chatsworth Quadrilles Mugby Junction Galop","Beautiful Air The Harp That I Strung","Ecco Quel Fiero La Stella D'Amore","I Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch","Tarantelle Celluloid Polka-cover art","She is Sleeping, Sweetly Sleeping The Dismal Swamp","Sweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie","Thou Still Art Near to Me Meet Me at the Lane","Last Idea of Weber The Lat Rose of Summer Le Desir","Frederick Polka Il Desiderio Lucrezia Borgia De Donizetti","Marche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies","cover art","The Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch","L'Hirondelle et le Prisonnier Une Voix Dans La Nuit","Lovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae","Pray Child then Pray - cover art Ernani","Kathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie","See Saw Waltz Little, Saucy Kate -cover art","Johnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles","Had I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore","Trust to Luck Juney at the Gate","Sweet Alice in Heaven the Sunshine in You The Sylphide Polka","Oft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl","Four Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno","Vorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme","Schule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs","Stephanie-Gavotte En Avant Lover's Dream after the Ball","The Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille","Good Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop","Das Madchen und der Schmetterling Mittelalterliche Venushymne","cover art","Flee as a Bird The Past! The Past!","Romance Berceuse","Go Where the Mists are Sleeping Maiden! awake from thy slumbers","Silver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling","cover art","Babina Innamorta - cover art non dimenticar le mie parole - cover art","7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes","Brindisi Octoroon Galopp","La Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels","cover art","Let Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day","When the Swallows Homeward Fly La Prima Donna Valse","Les Adieux Spanische Tanze","cover art; Russian/Cyrillic","Songs of the Gondola Wings of a Dove","cover art","cover art","28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum","'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art","Ossian's Serenade The Whitw Mountain Serenade","Elizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March","Elizabeth Scottisch Bell Polka - cover art","cover art","Marjorie's Almana - ccover art He Thinks I do not Love Him","The Old Clock on the Stairs The Bridge - cover art The Brook","Motivo d'Amore - cover photo io che non vivo - cover photo","cover art","Child of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France","Rayon du Soleil Martha","cover art","I Can-not Live Without Thee I Live, Love! But for Thee","The Silken Bands Pensez a moi ma Chere a mie","We were Happy Then The Old Thatched Cot I went to Gather Flowers","Mary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around","O Salutaris Ave Verum","Annie Laurie Will Ye Come Back Again","1re Valse 6eme Valse","Canzonetta Sonte in B dur","Pleasures of Home Speed the Plough","Attila Gustave","12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder","Mr. Tambourine Man (French) With God on Our Side (French)","The Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss","Cousin et Cousin Du Plus Belle! Perce-Neige La Blondine","La Gaiete The Ethiopian","Button-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo","I Hear the Angels Calling My Idol Home When the Hues of Daylight fade","Burst, ye Apple Buds! At the Sea-shore","Sweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German","cover art","Boscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South","covert art","Bolero La Carnaval de Venise","D'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch","Dear Heart Sweet Long Ago","Angel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love","One copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)","Forget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast","Le Donne Comm'e' Bella 'a Stagione","dedicated to the Harvard Class of 1837","Panis Angelicus Ecce Panis Les Rameaux","Up and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art","includes some handwritten notes in Italian","Im Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung","Haydn's Gypsy Rondo Grecian Rondo","When I saw Sweet Nellie Home Liberty and Union","cover art","cover art","Lizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music","Willie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray","Fire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse","Over the Garden Wall - cover art Guild Polka Militaire - cover art","Little Annie Polka Mireille - Galop Polka Ideale","The Lanciers The Fishermaiden - cover art","Colored cover art","The Deep, Deep Sea Little Snow White Hands","Across the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night","covert art","Sing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not","cover art","O Fair Dove, O Fond Dove True Till Death","Ritmo Facinante Liza Alguien Me Ama Hazio Otra Vez","The Virginia Rose Bud Shells of the Ocean We are coming Father Abraham","Alice I'll Come to Thee Little Tottie's Prayer - cover art","I left Thee Where I Found Thee Love Allen Adale","Kathleen O Moore Kate Kearney","Good News From Home Academy Polka Oh let me dream of former years","cover photo","I Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen","Che Faro Senza Euridice Iphigenie in Aulis","All Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026 Charity Floating on the Wind","Gently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?","I Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026 Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree","The Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026 Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art","L'Aimable Cavorre","Au Matin Danse d'Almees Pan's Flute","Danse des Gnomes Scaramouche","The Usurious Lover A Woman's Love Deep in the Heart","Marche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear","Ave Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms","The Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains","Grand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird","Maggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea","Saint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home","Farewell Ask if I Love Thee Goodnight Goodnight Beloved","Alethea Little Wide Awake","cover Art","Klavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke","Pleasant dreams of long ago I am lonely to=night","Nelly wants to Marry Young Folks from Home","I'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again","The Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!","Premierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise","Blanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds","The Fest March Sounds from Home","Gentle Lilly Bell Blue Eyes Scottisch","The Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow","L'heure Exquise Fetes-Galantes-cover art","cover art","Who'll buy my Pretty Flowers Pretty Pong Lillies","Darling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree","I Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett","Memories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus","cover Art","Ever Onward! Call me Pet Names","cover art","The Blue Bells of Scotland Let Me Rest in the Land of My Birth","No One to Love Etty Way Dilly Burn","Hassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance","The Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole","How Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!","Symphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+","Pat Malloy Six Popular Dances for the guitar","Mollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal","The Burial of Mrs. Judson The Grave of Bonaparte","Little Daises 30 Etudes Progressives op. 46 Oeuvres de Piano","Just Once More! A Summer Night, Waltz Champagne Gallop Coterie Polka Der Wildfang The Skaters Mazurka","Romance Sans Paroles Marguerite","Evening Song to the Virgin The Child's first Grief The Messenger Bird","La Manola Lola Polka Deux Languages Tais-Toi Mon Coeur - cover art","When Alll the World is Young, Lad Oh Hush Thee my Babies","If I were a Bird I'd Fly to thee Liebeslied","cover art","cover art","Madame Sontags Waltz Empress Henrietta's Waltz Theme D'Aline Linda Di Chamounix Rondo Tyrolian Waltz Stabat Mater We Have Lived and Loved Together The Last rose of Summer L'Orage Variations Brillantes","I Have Riches, Thou Hast Beauty We Have Lived and Loved Together The Bridal Star La Parisienne Fairy Bells Cavatina de la Violette Fifty National Melodies First Set of Quadrilles Melodies de Christy Military Polka Comic Polka","O'er the Lone Sea Marseilles March Grand Minuet Madelle Sontags We Have Lived and Loved Together","Cover Photo Mme.Cassier","La Victoire Polka Facile","We're Out Upon the Moonlight Wave Few Days I Knew Thou Would'st Return Away then to the Mountains Days of Childhood 'Tis Home Where'er the Heart is Sleeping I Dreamed Love The Mountain Bugle Where Shall the Lover Rest The Bridesmaid Do You Love Me? Mr. and Mrs. Snibbs My Mountain Kate My Childhood Happy Home She Knew Him Not The Ladies Man","The Snow Storm - cover art Webster's Quick Step","Der Kinderlied In Meiner Heimath Abschied der Vogel Der Spielmann","Fantasiestuck Zur Guitarre","Himan's Serenade Matthew's Grand March","I See them on their Winding Way Wilt Tho Meet Me there Love Something to Love Me The Beautiful Day Where as Dewy Twilight Lingers","Song of the Captive Greek Girl Bird of the Greenwood","Dreams Still o'er the Waters Ruse-Bush L'Amicizia Snowy Lilly of the Valley The Alp Horn","My Home My Happy Home - Cover Art Hark! 'Tis the signal of the Meeting Annot Lyle The Poachers The Midshipman's Farewell Tell Me Mary How to Woo Thee The Woodbine Bower Her Heart is not There He Never Said He Loved O'er the Mountain Wi' My Love I'll March Away My Pretty Rose Give Me Back My Arab steed When the Moonbeams tender light","The Mockingbird - cover art Caprice de Concert Grand Paraphase de Concerr Love Among the Rose The Nightingales Trill","Invigorator Schottisch The Katy Darling Scottisch","Galopp Souvenir de Trovatore Crepuscule La Gazelle","Unter'm Machandelbaum Donauweibchen und Eisner Mann","Allegro Marziale Another Year Wood Up","Young America Waltzes Dance of the Demon Cachucha","Angels Watching Oh! What is Life.","Ellen's Waltz The Soldiers Joy","Let us now go even unto Bethlehem The Sailor's Grave","Did I Try to Paint Temptaion Oh! Yes we often mention her The Deep Deep Sea The Dew Drop All Things Love Thee so do I Dark Eyed One Come! Come! Soldiers Come! Cherry Ripe Where Zephyr dwells Again, Again, Again I Know a Bank Come Buy My Roses O'Come to the West Through the Wood The Banks of the Allan Water Mother oh sing me to rest","O'er the Blue Sea O Give Me a Home By the Sea Ella Gray Ballad Hear the Wild Birds Song The Rover's Adieu","Little Barefoot Only a Pansy Blossom When the Robins Nest Again - cover art","Sliding Down the Cellar Door I Leave you to Decide You Never miss the Water until the Well Runs Dry","Scenes de la Csarda Poemes Hongrois","Wyoming Grand Waltz Franconia Waltz","Wake Lady Wake The Social Glass","color cover art","Three Fishers went sailing Autumn Leaves Turn Fortune, Turn Thy Wheel","Cover art","Scales and Exercises for the Piano Forte La Rose Trumpet March Malcolm's March Leipsig Waltz O Cara Memoria Le Charme Le Debut de La Jeunesse Gallopade Quadrille The Emerald The Sultana 'T were wain to tell thee","Non piu mesta in la Cenerentola Come to Me, Gentle Sleep Les Bords du Rhin Trois Sentimentales: L'eloge des Larmes Collection of Operatic Airs Le Petit Tambour Six Tyrolien Waltzes Duo de Belisario Air de Herold L'Alliance Melodies Gracieuses Le Retour au Chalet L'elisir D'amore Marche de la Norma","Mrs. Lofty and I Eight Dollars a day","Braille Notation","My Love, my last thoughts are of thee Helen May","Fourth Calisthenic Rondo Third Calisthenic Rondo Alpenlied The Rosy Morn Come Where the Violets Blow Birth-day Ball: Valse Birth-day Ball: Schottische - cover art The Hazel Dell The Arkansas Traveller Oft in the Stilly Night Wake from your Slumbers Galatea Mazurka","The Dew Drop Brothers raise the Cheerful Song Soft be the gently breathing notes","Saviour breathe an evening blessing Te Deum Laudamus","La Pastorale Provencale Berceuse Amoureuse","cover art \u0026 photo","Valse de l'Opera Faust de Gounod Third Meditation, Op. 17","Le coeur de ma mie L'oiseau bleu","Lulu is Our Darling Pride Little Chatter-box Polka The Orphan's Lament Rome! Thou art no more Love's Hours Home Ever Dear Make Me No Gaudy Chaplet Widow Malone","Prayer at Sea Juvenile Party Galop","Florence The Mariner's Bride The Wings of a Dove","Opus 32 - Heft 1 Opus 32 - Heft 2 Opus 32 - Heft 3 Classiche Violin Musik The Mill Oh Lay Thy Cheek on Mine, Dear Love Opus 38 Dolorosa Nachmittags-stille Morgengruss - Opus 17 Abendmusik","cover sheet only","Thoughts of Other Days Song Without Words My Mellow Horn","The Prima Donna Waltz La Sicilienne Katy-Did Polka The Moldavian Schottisch Royal Irish My Father's Coming Home Mother The Mont Blanc Polka - cover art Douro Polka Faust Quadrille Grand Quadrille Hail to the Chief","Roseate Polka Victoria Rifles Quadrilles","Heimweh Silver Bells The First Violet Feu Follet Farewell, We'll Meet Again Irrlicht","Knights Templar Mazurka Flower Mazurka","Der kleine Postillon Rheinlander Champagner Walzer","When Night's Dark Shades are Stealing Vienna Gallop","No. 2 Petite Valse No. 6 Impromptu","Primrose Polka My Soul in one Unbroken Sigh Cricket on the Hearth Little Mischief Polnaise Blosson Polka Ravel Polka You are all the World to Me","cover art","La Bohemienne Charming Mazurka Ploka mazurka - Faust Boute-en-Train Flick et Flock Galop Argentine Mazurka - cover art Defile Marche - cover art Caprice Hongrois La Norvegienne","Araby's Daughter The Maid of Athens Bright and best of the sond of the morning Kate Kearney","The Minute Gun at Sea Eve's Lamentation","The Watchword Souvenir de la Belle Poules","I Would not live Alway The Rainbow Schottisch - colored cover art","The Orphan's Prayer Mollie Darling","Whisperings of Love - cover art Angel's Serenade Mountain Belle - cover art Annie Laurie March Perle de L'Amerique - cover picture Red Bird Polka Love by Midnight - cover art torn Innocence Polka - cover art Charming Waltz - cover art Lotta's Favorites - cover picture Violet Waltz - cover art","The Coral Schottisch The Rainbow Schottisch - Color cover art The Pearl Polka Sontag Polka The Signal March How dear to me the hour","title and cover pages","Blue Eyed Soldier Boy Is the Sweet Dream Broken","Valse de Mignonette Jovial Waltz Fairy Waltz","Rocked in the Cradle of the Deep Oh! fly to the Prairie Land Ho! Rocked in the Cradle of the Deep-cover art I'm Queen of a Fairy Band Farewell to Summer She Wore a wreath of Roses Say, what shall my song be to-night Dear Land of My Birth!","Lone Galop Lancer's Quadrilles Dancing in the Moonlight Coronation Polka Kitty Clover Fire-Fly Polka Evening Dew Waltz La Blonde Polka Apple of My Eye The Grand Duchesse Laughing Water Polka Ivy Leaf Waltz Cherry Ripe Polka","title page only","cover art","Potpourri fur lustige Leut Feinsliebchen Polka - cover art Neues Leben Walzer Marchen-Lauschen","Salut a Pesth Marche Hongroise","The Flowers of the Forest John Anderson, My Jo","Bouquet de Melodies - Lucia Bouquet de Melodies - Lucrezia Borgia Bouquet de Melodies - Freischutz Bouquet de Melodies - Tanuhauser Bouquet de Melodies - La Fille du Regiment Bouquet de Melodies - Martha de Flotow Zampa Shepherd's Song Guillaume Tell Berceuse Mazourka Galante Turkish Reveille Marsch aus Faust von Ch. Gounod Arie Aus Stabat Mater Miserere und Romanze Volkslied A Mother's Prayer Lily of the Valley","Rosa de Vries Waltz Ella Polka","The Maid of Judah We Met by Chance Ave Maria Drift My Bark Trot Galop Gently Rest The Slumber Song","Duettino Scene Bohemienne Hilda Waltz Graziella","Three Favorite Songs - Lilly Salina Le Bijou Sonatine Rondo IV The New Kingdom","cover art","cover art","Thou Art Ever Nigh A Morning in the Woods","Russian Polka The Aurora Waltzes The Dublin Waltzes Les Clochettes Polka Salut a Prague","cover art","Thou hast wounded the spirit that lov'd thee Oh! Were I a Bird","Would I were with Thee The Wild Ash Deer","First Kiss Breeze of Night","colored cover art","Serenade Der Tyroler und sein Kind Abendlauten Heather Rose Minnelied Die Glockenblumen von Schottland","Steyrische Tanze Evening Star Waltz Hof-Ball-Tanze Busserl - Walzer","cover art","Highland Gems Pride Schottische - cover art","O Dolce Concento Panama Waltz The Bugle Call Tink a Tink The Nightinggale with Variations","The Joyful Summer's Come On the Banks of Guadalquiver My Dreams are now no more of thee","cover art","La Chatelaine Vaga Luna","Away, Away to the Mountains Brow The Soldier's Tear Come Dwell with Me By the Margin of Fair Zurich's Waters Day-light Love is Pass'd Away The Gypsey's Wild Chaunt I am Dreaming of Thee Oh! no never name her to me I'll Be No Submissive Wife Oh Bring Me Showers of Roses The Alpine Maid Love in a Cottage A Dream in the Past The Moon's on the Lake Napolitaine Sing Away, by Day \u0026 By Night","Write to Me, Love My Own One","Les Cloches du Monastere Titania","cover art","cover art","Lawrence Waltz Rondoletto","When Twilight woo's the silver Sea Ellsworth","Bachelors Polka Alice Polka","braille notation on cover","La Source Mazurka","Rock Me to Sleep, Mother Woodland Whispers - cover art Angels My Loved One will Rock thee to sleep Let me linger by thy side","O Memory Speed On My Bark","Home! Ever Loved Home Thy Will Be Done","Esmeralda Ka foozle-um Galop","cover art","Recreations caracteristiques - cvoer art Souvenir D'Enfance Chanson a Boire","Massarianta - cover photo Vieneme 'Nzuonne E Parleme","Devotion Camelia Wasser-Nixen","cover art","Cover Photo","The Bridge - colored cover art Too Late, too late - cover art","Yes! The Die is Cast Pestal, or, the Prison Song","It is better to Laugh than be Sighing Laddie Come Where the Foutains Play Thou Art Near Me Again I've left the Snow-Clad Hills - cover art Woods of Green Erin! Thou Art gone from My Gaze The Sister's Wedding Mornings Ruddy Beam Why do I Love Thee Yet It's Now the May Time Rosa May Only for Thee I Heard the Wee Bord Singing Bonnie New Moon Love me little, love me long Dreams of the Heart The Mountain Daisy","Kiss the Little Ones for Me Alone in the Lane","Etude de Concert Sonate Rhapsodie hongroise - Hungarian Rhapsody 6 Chants polonais Mazurka Brillante Ein Fichtenbaum steht Einsam - handwritten copy","Not for Joseph I've Something Sweet to Tell You Bonnie Bell The Soldier's Song","There's a Fresh little Mound near the willow Sweet Kitty Manee Down by the Sea Heaven Our Home","cover art","Come and Buy Each Summer Flower There's a Path by the river Blow Gentle Gales The Old House at Home Philip, the Falconer","The Serious Family Polka The Bride The Rose of Affection Bundle and Go","30 Melodische Etuden No. 7 In Der Dammerung","colored cover art","Fly Away Galop Uncle Sam What ails you?","Ecstasy Waltz Ladies Polka Redowa","cover art","cover photo","Dream Land Waltzes - Lenore Louis' Second Waltz Departed Days","Dawn Waltz Ev'ry Land My Home -cover art","The Fairy Boy Rory O'Moore The Low Back'd Car Yes, we must part Widow Ma Chree The Angels Whisper True Love Can Ne'er Forget My Mother Dear","Oh! Molly Bawn Why Leave Me Pining The May-Dew Bowld Sojer Boy The Lands of dreams Mother He's Going Away Norah McShane Molly Bawn Thou Art Away Girl I left behind me The Haunted Spring What will you do love The Fairy Tempter","cover art","Alice Gallopade The Moonbeams are Glancing Spring Flowers","Barbe-Bleue Galop La Belle Helene","cover photo","Flutina Waltz Fountain Waltz","Maryland My Home A Home By the Sea","Polonaise Marzwind The Eagle or Der Adler","Village Belle Polka Immortellen Waltzes National Beauties III Marches Heroiques Happy Waltz Cumberland March No One to Love On the Beach at Long Branch Galop Softly Tread my Nelly's Sleeping The Mother's Reply Memorial March Ninety Years Ago Beautiful River Captain Jinks No, ne'er can Thy Home Be Mine Cato's Qucikstep Geranium Polacca Lotta Galop","Fondly and Truly The Cinderella Grand March","Take Me to the Ball -Cover photo The Separation Christabel The Silent Farewell Erin is My Home I Have Something Sweet to Tell You The Clarion Now Sounds to the Field Home Sweet Home Am I to Blame Pas L'Espagnol","I Have Something Sweet to tell You Maryland Institute Schottisch The Lost Flower","cover art","cover art","Le Torrent Juana","Waltz of Love 20 Vocalises","Cover art","Sailing The King of the Main","I Love the Path of the Free The Mountaineer Would You","Maguerite - cover photo My God and Father, whilw I stray Lonely Across the Far Blue Hills MArie","Little Lula Let the Dead and Beautiful Rest","Quadrilles - cover art Come this way my Father","cover art","Rosebud Quickstep The Ring My Mother Wore","Twickenham Ferry Friendship","Aragonaise Elegie Leonore When the Heart is Young When a Child Roamed the Green Fields Through Le Roi de Lahore - cover photo","Sunset Ballad When the Moon on the Lake is Beaming - cover art Love's Rememberance Come Sing Again that Song","Lady Love Lake It is Not True","cover art","Ein Stern fallt vom Himmel Wo beim Wein ein Walzer klingt Juanita - cover art","Gluten Polka By and By","The Mascot Waltz - cover art Silver Threads Among the Gold","El Kohinoor The Humming Bird Fantasie","When a Little farm we Keep Ye Shepherds Tell Me","Comrades Belle Mahone - cover art Oh, Peter! Oh! Uncle John","The Faded Coat of Blue The Dying Minstrel When You and I Were Young Annie Darling","I'm O'er Young to Marry This Harp is Mute","Thought Cuoid One Day! I Love Forever! Bonnie Mary Haye The Bird at Sea","cover art","3 Caprices - cover art To Distant Lands I'll Rove Italy Over the Mountain P Wert Thou in the Cauld Blast I would that my Love Consolation Songs without words If with all your Hearts Capriccio Rondo Capriccioso Auf Flugeln des Gesanges Oh Rest in the Lord Overture-Midsummer-Nights Dream I Would that my Love The Sabbath Morn Zweites Konzert fur Pianoforte In His Hands are all Corners of the Earth","Mit mehreren 8 und 4 fuss. Stimmen Zwanzig Praeludien Zehn Vor-und Nachspiele Drei Tonbilder Sechs Degelstucke Drei Clavierstucke-Novellette","cover art","Those Evening Bells Deliciosa or Leonore Polka","Long, Long Weary Day I am dreaming I'm an Infant - cover art Do You Love Me? I am Thine I'd Mourn the hopes that Leave Me Smiles \u0026 Tears","The Blind Girl Ballad - cover art Woodland Waltz The Willow Song Mount Pleasant Waltz","The Celebrated Sack Waltz Absent - cover art","Le Carnaval de Venise Air Russes Chant Bohemien","The Village Band - cover art Golden Band March Waltz","Daisy Marche Militaire Where the Hills are Heaven Adoring Fairy Spell","Scope and Contents Melodies from \"Le Prophete\" - cover art Hours of Rapture The Vale of Rest Sadly and Drearily Come to Me Dearest Maiden!","cover art","Recompense Mother, watch the little feet","Absent from Thee Ballad The Bonnie Wee Wife","Under the Daisies Ballad - cover art Darling Little Gertie - cover photo The Love Bird Waltz Song I am Waiting for Him to Come Home I Hear a voice from Heaven Waiting Song Longing The Whip-Poor-Will's - cover art","Ah! Che la Morte Ognora Ave Maria - cover art After My Galloping Steed - cover photo When the Tide somes in The Flag of the Tree Picking Cherries Down the Lane Watching - cover art Meeting","Calotta - Walzer I am the Unfortunate Jonathan The Army Chaplain Fan Autographs","Return of Springs Chestnut Street Scottisch Sleigh - Ride Scottisch","Sonata Trio-Sonate","Best of All Only Once More","Little Tin Soldier The Kerry Dance Song Rose Marie My Love has gone a sailing Three Simple Words","cover art","The Poor Savoyard - cover art Bo Peep Polka","Song of the Olden Time Come Play Me That Simple Air Again They Tell Me Thou'rt the Favoured Guest Wilt Thou Say FArewell Love Believe Me if all those endearing young Charms Come rest in this Bosom Those Evening Bells Love's Young Dream Oft in the Stilly Night My Heart and Lute Origin of the Harp Come Rest in this Bosom Watchman Weeping for Thee the Feast of Roses 'Tis the Last Rose of Summer Come Sing me that Sweet air again The Romanika","The Swiss Waltz Kinlock of Kinlock The Watchman The Carrier Pigeon Favorite Swiss Waltz - Harp or Piano","Twilight My Darling Husband Lost Hope","On the Road to Brighton Peter Gray Dressed in a Dolly Varden","Op. 113 - Grand Duo pour piano Swiss BoyTthe Switzer's Long of Home Erin is now My Home","Grande Valse de Concert Op.72 - 15 Etudes de Virtuosite Gondoliera Guitarre Spanische Tanze No. 4 Spanische Tanze No. 1 Malaguena`","Idoneneus - Arie Arie aus Oper. Il re pastore fur Sopran - Braille notation Sonate No. 17 Sonata in G Major Violet Go, Forget Me, Why Should Sorrow Selection of Melodies from Don Giovanni Yet That Have Tasted La Ci Darem","Navy Yard Grand March Lancaster Gallop Waltz","The Coming Step The Brightest Eyes Memory's Dream The Break of Day Falling Leaves Bijou of the Opera No. 13","Boquet Schottisch Polka The Coquette Schottisch","The Child's Wish Ballad My Heart Would Seek a Home","Annie Laurie Thalberg Polka Where I'd Love to Live","cover art - collection of Songs","cover sheet only","cover art","Mary of Argyle The Bride When Night Comes O'er the Plain The Bonny English Rose Deep in My Soul Dear Native Land The Rose of Allandale We Soon Shall meet Again Hear me Norma O! For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! The Moment was Sad The Spanish Guitar The Pilot Hear Me Norma","My Life is Like a Summer Rose Annie of the Vale","The Sea 4th Symphonie de Mozart","Gigue-Favorite Gavotte Favorite","cover only","Golden Moments Darling Little Lizzie fairest of the Fair","Mighty lak'a rose Serenade","handwritten","'O Viaggio 'E nozze Canto per te!","cover art","I Do Not Love Thee The Fairy Bells Oh Take Me Back to Switzerland Juanita Would I were with Thee Fanny Grey Maraquita The Officer's Funeral Love Not We are the Wandering Breezes","Ladies Reception Grand March But Where Art Thou","We Were Girls together Last Words of Emmet","Lights and Shadows Long and weary Day Perles de L'Opera Die Elfen, Valse de Labitzky Liebesschmerz Alpine Bells Auf der Schaukel Bonbonniere Musicale Book 4 Bonbonniere Musicale Book 5 Perles Allemandes Gondolied Ernani Maienliebe Snowbell's Spring Carol Staendchen Diavolina Minnesang","La Belle Helene Advance in Maiden Beauty Pot Pourri Orphee Aux Enfers A Poor Girl's Letter","Cover art","cover sheet only","The Lone Starry Hours Home Again The Galloping Sleigh Ride Going Home! Sam Brown Jenny Lane Silver Moonlight Winds The Indian Warrior's Grave Let Me Kiss Him for his Mother Dreaming of Home \u0026 Mother-cover art Twinkling stars are laughing, Love","Home Delights - cover art Root, Hog, or Die Oh! Emma was a Darling - cover art Wake! Dinah Wake! Home beloved, I miss thee then Moss Grown Dell","cover art","La Pluie de Perles O Sing to Me - cover art Who's at my Window","Down the Shadowed Lane she goes Shadow","cover art","Cover Photo","3 Volslieder Un Ballo in Maschere Loves of the Angels - cover art","cover art","colored cover art","La Violetera - cover art Ca...C'est Paris!","Sweet Evelina Starlight Waltz I'm Willing to Wait Sunlight","2 page cover art","My Ain Fire Side Sweet Home The Land of the Stranger Wanted a Governess Smile again my bonny Lassie Dost Thou Love Me Sister Ruth Vilikins \u0026 His Dinah Sleep My Darling Lullaby Slumber lie soft on Thy Beautiful Eye The Tyrolese Fortune Teller Comin' Thro' the Rye O! Merry row the bonnie Bark","cover art","Le Lever du Soleil Guide Me, O thou Great Jehovah","colored cover art","Melodienkranz Volksklange","cover art","Cover art","My Hearts in the Highlands When Wilt Thou Think of Me Love","Colored cover art","Stabat Mater Nina - braille on cover","Beware! The Polish Maiden's Song Marguerite Darling Little Minnie","Speak, only Speak! Little Robin Tell Kitty I'm Coming Barney Take Me Home Again Slumber not Darling","Mam'zelle Carabin - cover art Bonjour Suzon!","I Love Thee Dear Erin Old Rosin, the Bow Mothe Dear Ballad Sweet Memories of Thee The Greek March Shall we meet again Mary O! Doubt Not Natille, Maid of the Mill Louisville Gallopade The Ben Bolt Polka The Sailor Boy Oh! I am in Love Silken Bands The Only Daughter","Terpsichore Polka How Can I Leave Thee!","My Soul is Dark Be Kind to Each Other","Thou Art Lovelier Far I Love Wild \u0026 Mute","Young Ellen The Rock of the Pilgrims","Concerto per Violoncello Tarantella per Violoncello Fantasia romantica","May Flower Scottische We May Roam Round the World Spangle Polka","Little White Cottage The Medley Song","I Love My Love The Golden Lesson When Life is Brightest The Swallow The Raft There is Music..By the River","Here Awa' there awa' Wandering Willie La Recreation des Demoiselles Six Petits Duos","Mandoline Dansons La Gigue","colored cover art","Braille on cover","cover art - Annie Louise Cary","Mazurkai Op.11 No.3 Mazurkai Op.51 No.6 Mazurkai Op.32 No.2 Mazurkai Op.3 No.2 Ave Maria Ellentanz Polanaise de Concert Drei Stucke Op. 11","Tarantelle Chanson sans Paroles Spanische Tanze-cover art Zwei Transcriptionene-Schlummerlied Spanischer Carneval Ballet Scene Romanze Menuetto Serenade Orientale Trauermarsch","Noche y Dia Justamente una de esas Cosas Volver a Empezar Eso Que Llaman Amor","Serious Family Polka My Home is Nigh Ballad","Let Me Dream of Home Sweet Home - colored cover art First Rose of Summer Ballad","Mediation Waltz Mazourka Institute Polka Only Just a Year Ago Ballad Linwood Waltz","My Home's on the boundless sea Just Beyond the Pearly Gates Walking Down Broadway - cover art of Wm. Lingard As Through the Park I Go - cover art of Wm. Lingard Is My Darling True to Me?","cover art","cover art","The Sailor's Dream - cover art The Harvest Queen - cover art","My Heart Returns to Thee Again Switzer's Longing for Home Tyrolese-Song","A Grecian Air Here's a Health to all Good Lasses","Strike the Cymbal Sweet Breathing, Tranquil Peace","cover photo","The Lay of the Minstrel Knights On Wi the Tartan","cover art","Fenesta Enfamita! - cover photos Russulella Mia - cover photos","La Polka de la Reine La Fileuse Tarantella","The Mountain Maid's Invitation The Miller's Maid","Joyous Life Marinella - cover art","Dinah is the Girl for Me Die Musicanten","Braille notation on cover","Isle of Beauty, Fare Thee Well Oh! Come to Me","cover art","cover art","Robin Adair When the Green Leaves of Youth Turn Yellow","braille notation on cover","Thou art so near and yet so far Love's Request","Concert fur das Violoncell Clavier-Concerte Concert Op. 254 Cadenzen Spring Flowers Variationen Op. 84 In Memoriam","Typed copy","cover art","Cover art picture of the Mount Vernon Hotel, Cape May, NJ","cover art","cover art","cover art","Tone Pictures Blumen am Weg","Hungarian","Pastoral-Sonate Op.88 Zehn Trios","Kissing Song We are Off to Seek for Eva Dutch Song","Warblings at Eve Janet's Choice The Puritan's Daughter Rosalie Floating on the Wind What are the Wild Waves Saying God bless the Prince of Wales The Danube River St. Patrick's Day The Dream of the Wanderer The Monastery The Bells of Aberdovey Where the warbling waters flow The Flowers of Friendship Les Vepres Siciliennes Christmas Chimes Her Birght Smile Haunts Me Still Marie En Absence","cover drawing - Dessin de Vigne \u0026 Junka","Gentle Words Wait for the Waggon Vi Ravviso","Happy Land Bonnie Dundee Quadrille","O Dolce Concento Sacred Melodies - cover art","I have learned to love thee fondly You, Ballad Sentimentale","braille notation on cover","I'll Be There O Charming May! - cover art The Banks of the Blue Moselle Draw the Sword Scotland The Flower of Ellerslie Beautiful blue Violets From distant climes a Troubadour O'Steal to Thy Lattice - cover art A Tear Shall Tell Him All","A Bird in Hand The Skippers of St. Ives No, Thank You, Tom So far away","Cantilena Thou'lt yet be Mine in Heaven Fishermen's Evening Serenade","Oh, Sing Me No new song to night Philena Schottisch The Ausgusta Gallop","Hours There were The Melody","Konzertstucke Opus 51,50,61 Concerto Op 7 Konzert fur das Violoncell Violoncello Principale Violoncell solo Op.66 Le Troubadour","The One We Love May Guardian Angels Hover Near Thee O Would I were a Boy Again You Say We Part Forever","Two Brown Heads with Tossing Curls O! Mio Fernando Di Che M'ami!","My Boyhood's Home Under the Tree","Departed Days Touch the Keys Softly Sing Me to Sleep Father! Only Waiting The Crimson Glow of Summer Fades","Pictures of Memory - cover art Oh are ye sleeping Maggie The Vacant Chair- cover art Just Before the Battle, Mother - cover art On, On On, the Boys Came Marching - cover art Dearest Spot of Earth to Me is Home","Overature Guillaume Tell Fantasie Brillamte L'Iris Le Tremolo","Schottische de Concert All is Quiet","cover art","Hagar The Blind Girl's Lament Lo Here the Gentle Lark Oh Well I Know He Loves Me I'm with you in My Dreams Think of Me Ballad","Overature of Cinderella Dark Day of Horror Grand March Un Segretto D'Importanza Recitativo e Cavatina - braille Il Barbierre de Sevilla I Ne'er Could Leave Thee Una Voce Poco Pa Di tanti palpati O Calm Forgetful Slumber! - cover art Cujus Animam The Separation La Carita Gulliaume Tell","Colored cover art","Melodie Polka Boheme The Wanderer's Night Song 2 Melodies dediees Berceuse Pecheur Napolitain et Nepolitaine","Frederick William Polka Summit Polka","Elfin Waltz Varsovienna Elizabeth Polka Mazurka Assembly Gallop Spring Sparrow Polka Rural Felicity Silver Lake Waltz Rochester Scottisch","Some Love to Roam o'er the Dark Sea Foam The Braye Old Oak A Life on the Ocean Wave Woodman! Spare That Tree! - cover art The Old English Gentleman Our Way Across the Mountain, Ho! Russian march Robin Ruff Oh Lonely is the Forest Shade where oft in Days of Old The Wife's dream Come Brother Arouse The Ivy Green The Old Sexton I'm Afloat, I'm Afloat The Sabbath Eve","The Friar of Olden Time Believe not the Tales they have told thee of Me My Mother's Bible - cover art The Old Arm Chair - cover art Cheer, Boys Cheer I Love, I Love the Free When I rov'd a Young Highlander If I had but a Thousand a year","Darling, Take Me to Your Heart Dear to Day as Ever Save the Sweetest Kiss for Me","Lida Polka Redowa Bird Songs - cover art Fond thoughts of thee Bonnie Sweet Bessie Whispering Zephyrs Moonlight Dance","The Celebrated Linda Polka Susanna Polka","Allegro appassionato Theme Varie Menuet et Gavotte du Septuor Everie du Soir Danse Macabre Variations","I'm Sweeping through the Gates Absence - cover art","Lulu is Our Darling Pride Philadelphia Serenading","Photo - Moody \u0026 Sankey","Hand typed material","Speed Away! Music from Afar Anna is the One I Love O'er the Wildly Heaving Sea Jingle, Jingle clear the way The Lonely Tear Juliette Waltz","Peeking Thro' the Bars Swinging in the Lane - cover art Lu LuDee Who will care for Mother Now? When the Boys Come Home Mother would comfort me","cover art","cover art","La Favorita La Revel Polka Silver Lake Waltz","The echo O sweet Mother of Sorrow!","cover art","cove art","When Other Friends Are Round Thee The Musical Wife","Liebesgefluster Herz von an echten Weana","Ausgewahlte Lieder Phantasie Impromptu I Rest Me Oh My Saviour Cradle Song Trois Marches Heroiques La Pastorella - cover art Das Lied im Grunen Variationen in Asdur uber ein Original-Thema Sammtliche Tanze Wanderer Adieu Der Hirt auf dem Felsen Tanze","Arabeske Op. 18 Fantasiestucke Op. 12 Theme varie sur le nom Abegg Traumerei Drei Romanzen Op.28","Valse mignonne Op. 16 A la bien-aimee Reverie Op.31","Orchesterstudien Kontrabass: das Rheingold Orchesterstudien Kontrabass: Siegfried Orchesterstudien Contrabass: Fidelio Orchesterstudien Contrabass: Symphonie von Franz Schubert","colored cover art","cover art","I Love thee mine own one Jenny Rose","The Beggar Girl Poor Bessie's Song The Firemans Death Keemo Kimo - cover art","Cover photo","Souvenir de Spa Fantasie Fantasie et Variations Trombe en Utka Grande Fantasie Concerto Militaire Fantasie et Variations: Corni Fantasie et Variations: Flanto Fantasie et Variations: Viola","multiple languages","cover art","The Tide Comes in and the Tide Goes Out Don't always depend on your friend Come while the morning Blushes","colored cover art","The Rain-Drop and Minstrel The Happy Bride All Things Fair \u0026 Brigh tare Thine The Eagle on His Mountain Height The Mercy Seat Bristol March Bring Roses","La Bacchanale des Gnomes Amid Bright Blooms Mazurka I'll Think of Thee Waltz","Meet Me By Moonlight Hark! I Hear an Angel Sing","Cover art","Konig Kristian-Suite Erster Teil Madchen kam vom Stelldichein","Elementar-Vocalisen Die Alpenrose","cover art","cover art","cover photo","Come sit Thee Doen - signed copy Dumbarton's Bonnie Dell Johnny Sands Comic Ballad - cover art Hey the Bonnie Breast-Knots","Fantaisie Stabat Mater Op. 134","Cover photo/art","cover art","Zweite Polonaise a dur fur Violine Op. 49 Romance, Nocturne, Scherzo-Tarantelle Concert Op. 34","Why did They Dig Ma's Grave So Deep? Don't Bury Me Deep Papa - cover art Little Darling Dream of Me Serenade - cover art","cover art","Thou hast learned to love another - cover art Lament of the Exile","cover art","By the Blue Sea The Sailor's Story","A Place in Thy Memory, my Love Tis sweet to Look Back Sometimes","cover art","Lord Lovel and Nancy Bell Oh! Ne'er can I the Joys forget","Cover art","I Have Come from a Happy Land Let us haste to Kelvin grove","The Mountain Stream Queen of the Faires La Dame Blanche For You - cover art","Danse des Fantomes Oo. 200 - colored cover art Fete Champetre Marche des Tambours la Reine des Fees Feu de Joie - cover art Torrent de la Montagne Maritana Der Freischutz Lilly of the Valley Mazurka - cover art Tarantelle Brillante in E Minor","When the Leaves Begin to Fade - cover art Blossom Waltzes - cover art Old Oaken Bucket - cover art Massa's in the Cold ground - cover art","Our Hut on the Old Plantation Rosa Lane","Cover photo","Incline Thine Ear to Me I Will Love Thee I Will be Glad Blessed be the Lord","Scottisch de Concert Grande Scottische Brillliant","Leonora Flow Gently Sweet Afton Speed thee Pearlina Fair","Waldvoglein Valse Gracieuse Nosegay of Violets Anna Bolena Gazelle Musicalische Gedenkblatter","My Dream is Over Children Pray this Love to Cherish","In the Days When we went Gypsying List! Tis the Lay of the Gondolier Dream on Young Hearts","In the Days when we went Gipsying Do you ever think of Me","My King--cover art Mary Anderson Waltz--cover art It Never Comes Again--cover art","I am Waiting for Somebody I am Lonely no More","cover art","cover art","Lo Obscuro de Las Escaleras--cover art Gracias Te Doy--cover art Verdes Anos--cover art","Reiffarth Polka Lexington Galop Rejoui Polka Mazurka Halloo, Halloo Galop Le Bon-Vivant Galop Sans Pareil Polka Cupid Scottisch Brillante","Colored cover art","The Yankee Quilting Party She Sweetly Sleeps","Oh Tell Me Mary Dear I'll Watch for Thee from my lonely bow'r The Romaika Oft in the Stilly Night A Temple to Friendship All that's Bright Must Fade Flow on thou Shining River Sound the Loud Timbrel The Twilight Dews Tis the Last Rose of Summer","cover art","The Brightest Eyes The Dream of Home Die Thraene","New England New England Evergreen Waltz","handwritten note","cover art","Tell Tale Polka Carnaval A Paris Dear mother was it right? I turn to Thee The Fountain Love Chase Polka","Overature to the Operetta Genevieve Overature to the Operetta Laila","Love's Charm Girofle-Girofla Walzer Trois Etudes de Jazz","Gruss aus Osterreich MorgenBlatter--cover art The Ladies Waltzes Duke of Reichstadt's Waltz--cover art Far Away Sans Souci Polka The Real Russian Polka Queen Victoria's Waltz Dichterliebe Walzer Potpourri Csardas Kompositionen Altdeutscher Walzer The Ostrich feather Waltz Ruk-Walzer --cover art Annen Polka Redowa de Vienne On the Beautiful Blue Danube --cover art","Margherita-Polka Le Pensee Four Children of Haimon Blue Danube Waltzes - cover art Dorfschwalben aus Oesterreich","Wiegenlied--braille on cover Nachtgang","Anderschonen blauen Donau Oiseaux de Paradis--cover art Mountain Echoes Les Etoiles D'or","Madrienne--cover art When Lillies Bloom","The Letter that never came--cover art Looking Back","Jolly Hearts March Tripping thro' the Daises","Orpheus with his lute If Doughty Deeds My Ladys Please Birds in the Night Once Again Looking Back Were I Thy Bride--cover art Little Darling, Sleep Again","The Blue Juanita The Field of Monterey Mary Lindsey","cover art","Concert Op.7 Romanze Op. 26","cover art","Etude Mazurka Musidora Polka Mazurka Camille Polka","Der Vogel im Walde Sleep in Sweet repose Slumber Gently Falls","Sparkling \u0026 Bright Oh! No, we never mention Her Bring Flowers","Lart du Chant - cover art Home! Sweet Home! Serenade de Don Pasquale La Sonnambula","cover art","John Brown's Legacy Tis said that Absence Conquers Love The Dew is on the Blossom","cover art","cover art","Oh! Pity the heart that has suffered Bonny Eloise Voice of the Western Wind Beautiful Isle of the Sea As Pants the Hart Let Us Speak of a Man as we find Him Mother Kissed Me in my Dream In the Glade Annie of the Vale Thou Art With Me When the Light Waves 'Tis but a Little Faded Flower Down By the River Side I Stray The Stream in the Valley","Oh! Gently Breathe Jolly Good Laugh Evangeline - cover art The Leaves that Fall in Spring Janette - colored cover art Must we then Meet as Strangers? - cover art Far Away Voice of the Western Wind Happy Be Thy Dreams Some One to Love Pleasant Memories Down By the River I stray The Cottage By the Sea - cover art Cross and Crown - cover art Apart! - cover art","Dreaming of Thee Thou, thou, reign'st in this bosom Hymns of the Church - cover art Angel Voices - cover art No Crown without the Cross - colored cover art Must I leave Thee? Blue-eyed Jeannie In the Moonlight long Ago Ettie May Some One to Love The Birds Welcome Again - colored cover art","Happy Be Thy Dreams Down By the Gate - cover art Jenny who lives in the Dell - cover art Linger Not Darling Eilleen Allanna - colored cover art Fond Hearts at Home The Gates Ajar - cover art","Who will care for Mother now? Little Mary's Triumph","Marion Lee Annie Lisle Lilly Dale -cover art Ida May Willie's on the Dark Blue Sea I'm lonely since my Mother died","Don't go out to-night Come where the Lillies bloom - cover art","cover art","cover art","cover art braille notation on cover","Queen of the Night Take Back the Ring La Primavera","Vorrei Morir The Love That Came too Late Forever and Forever Chanson de Fortunio","Little Bird's Story Willie's Ship Song - cover art Only Come! - cover art","Colored cover art","Bird of the Wilderness Agathe","The Sleigh Ride- cover art Rail Road Galop - cover art Cute Schottische - cover art","cover art","Yarico's Lament The Blue Bird Scottisch","Sinfonie Nr. 4 f-Moll Souvenir de Hapsal Serenade fur Streichorchester Jahreszeiten No. 11 Sleigh Ride Chanson Triste","Come Maiden with Me Call me not back from the Echoless Shore Lost Star of My Home Dear Mother I have Come Home to Die Star of the Evening Weeping, Sad and Lonely Do Not Heed Her Warning 'Tis Evening Brings My Heart to Thee Violets Under the Snow Come from Afar Come Willie dear I'm Weeping Now Home, Home, I Love Thee Sweet Genevieve Memory Bells Darling Bessie of the Lea","Love Launched a Fairy Boat Summer Hours Ballad - cover art Where the Weary are at Rest I'd marry him tomorrow","Christmas Carol The Nation's Honored Dead Sweet Memory Ever of Thee Bouquet de Roses - cover art A Grand American Overture Tread Softly the Angels Are Coming - cover art Mossy Dell Waltz - cover art Mary of the Wild Moor Silver Moon - cover art Mrs. Malone Come sing to me again Fairy Wedding","Emblem of Constancy Scenes of My Youth Sweet Girl May I Be There!","I Love to Gaze on Beauty's Cheek Love's Gentle Whisper I Dreamed of Thee My Heart is Thine Speak Kindly","Handwritten music sheet inside score cover art","cover art","Aria Alla Scozzese Sicilian Air of Home Sweet Home The White Cockade Langolee an Irish Melody Beethoven's Admired Waltz She Wore a Wreath of Roses","The Morning Glory Waltz The May Queen Polka","Cover art - map of Japan and Korean Pennisula","Colored drawing on cover","cover art","cover art","Colored cover art","Home to Our Mountains ( Si la Stanchezza) Prison Song Over the Summer Sea Ah! I Have Sigh'd to Rest Me Ernani We'll Laugh and Sing All Cares Away Melodies from the Trovatore T'was no Vision In Tears I Pine for Thee Tempest of the Heart La Forza del Destino - cover art","Teutonia Quick Step Rose Waltz I Wish I was in Dixie - cover art Edinburgh Polka Seconfd Review Quick Step Les Graces","Caprice Menuet Les Pecheurs de Perles","cover art","cover art","cover art","Hungarian -cover art","cover art","cover art","cover art - internal cover","God of the Fatherless Love \u0026 Sorrow Footsteps of Angels The Hunters Chorus Echo Waltz Three Celebrated Pieces Last Waltz","6 Amusements Elegants-La Polka Le Carnevale de Venise Ernani Un Soir au Chateau Rouge Rosalie Redowa Elegantes When the Swallows Homeward Fly The Long, long weary Day Rose et Blanche","Patorale pour Grand Organ Nadia - cover art","Meet Me By Moonlight Hours there were Float Down the Tide Fair Rose I've Wander'd in Dreams O Do You Remember","cover art","cover art","cover art","cover art","Dolores Walzer Trictrac Polka La Plus Belle Walzer Bien Aimes Well Beloved Waltzes Sirenes Waltzes Bella Polka-Mazurka - cover art","Ever be Happy Chant des Oiseaux When Thou art near Parlor Cottillions No.2 I Fondly Think of Thee - cover art","Good Night and Pleasant Dreams Tis the Last Rose of Summer Why do I weep for Thee - cover photo Lucis di Lammermoor I Mourn Thee But I Love no More Tell Me some fond name Holy Mother Guide His Footsteps Adieu Dear Native Land Say my heart can this be Love? The Spring and Summer both are past Softly Ye Night Winds Speak Gently Sweet Evening Star","Sweet Spirit, Hear My Prayer! In Happy Moments Le Reve Softly Ye Night Winds The Hundreth Psalm The Star of Love The Midnight Waltz The Night Winds Wait for the Wagons Polka The Leaves are Turning Red Good Night and Pleasant Dreams The Midnight Serenade It is the Happy Summer Time","The Blue Bells of Scotland The Hundreth Psalm Grande Polka de Concert First Love I Have waited for Thy Coming Sleeping I Dreamed, Love Alas Thomes Chimes so Sweetly Stealing Melodie Peruvienne Bird of the greenwood The Winds that waft my sighs to thee","Tis the Harp in the Air Scenes That are Brightest Annie Laurie The Low Backed Car The Night-Winds The Spell If Lov'd by Thee Annie Dear, Good Bye - cover art Old Friendship's Smile Lotus Leaf La Mexicana The Lost Star Ballad The Celebrated Witches' Dance Adieu Grande Polka - cover art Scenes","Jenny Lind Polka First Love Redowa Brigand Polka The Storm Polka Fruhlings Landler First Love Pen and Ink - cover art Fleur des Champs Coquette Polka La Romantique - cover art","Kind Friends are Near Her Patch-work Polka Where are ye now Bright Dreams of My Childhood Sounds from the Ringing Rocks","Brother's fainting at the door - cover art Come sit by My Side Little Darling - cover art","Cover Photo","Inman Line March - cover art An Eine Aeolsharfe Nearer My God to Thee - cover art Come Holy Spirit - cover art Old Folks at Home Transcription Schottische Brilliant On the Track Galop Jessamine Polka Redowa Rippling Rill Mazurka","Old Haunts Ballad Rock of Ages Moss a Ballad Love's Twilight Star - cover art Christ the Lord is risen to day Rock of Ages The Reveille Come Holy Spirit Bobolink Polka Marche Militaire Tam O'Shanter - cover art The Song of the Brook As Pants the Hart Harum Scarum Polka","Recuerdame - cover art Solo Tengo Ojos Para Ti - cover art","The Morning Star Polka Jenny Forrester","Ah Do Not Forget Love - cover art Mondamin","The Mother's Vow What will you do Love","John Anderson My Jo.- cover art Beautiful Dream Waltz Tis sweet to take the bonnie Lake Come, come to me, my Rover","cover art","Come to the Sunset Tree Good Bye! a ballad","Gondoliers Song Home, Sweet Home","Wake Lady Wake The Plain Gold Ring The Magic Spell Jubel-Ouverture Mouvement Perpetuel Aufforderung zum Tanze Rondo Brillant","cover art","Lorena Zula Zong Softly, Lightly, Sweetly Sing Paul Vane Under the Beautiful Stars The Old Man Dreams Where the little feet are waiting - cover art Lorena Oh How I Love My Mountain Home They Buried Her Under the Old Elm Tree Dont Be Sorrowful Spare the Old Homestead Tap on the Window Pane It will be summer by and by Sweet By and By - cover art Over the River","cover art","The Nupital Quick Step Home Sweet Home Ever of thee Waltz Spanish Fandango","Harvest of Flowers ( Blumenlese) Praktische Violinschule- Blumenlese fur angehende Violinisten","cover art","Fleur des Alpes - cover art Serenade de Ruy-Blas","Dreaming Weaving","What Nora Said - cover art Beautiful Bells - cover art Watch and Pay - cover art Little Fanchon - cover art","cover art","La Grande Duchesse -- cover art Qui Vive Galop -- cover art","cover art","cover art","cover art","How Merrily We Live that Shepherds Be The Footstep on the Stair","In a Fairy Grot Thou hast Learn'd to Love Another Keep to the Right Love's Golden Chain","Stick to Your Father, Dick - cover art Pretty as a Pink - cover art","cover art","Darby Kelly Oh! Rest thee Babe","Put Me in my Litle Bed - - cover art Come Birdie Come -- cover art Poor Little Johnny -- cover art A bird from o'er the sea -- cover art Little Emily -- cover art Little Clo Baby Fingers on my Cheek -- cover art Far From Home -- cover art The Old Turnkey-- cover art Marguerite -- cover art The Widow in the Cottage by the Sea-Side He was Crucified -- cover art","The Watcher Quick Step When Voices Breathe a Music Sweet Wrecker's Daughter Oh Susanna! Joys that were Crowning Love Not Verdi's Quick Step Sachems Daughter -- cover art Rosa Lee The Birde of Sighs The Farmer's Boy Sister, Swift the Hours Have Fled In the Lonely Grove I Linger Rose of Allandale French Republic March","cover art","cover art","The Welcome Wild roses","Contes D'Avril Six Duos pour Pianoo et Harmonium","Variations on Hadyn's Austrian National Hymn -- cover art Rochester Scottisch and Affection Waltz May Queen Polka -- cover art Bouquet of Melodies -- cover art","Fading the still fading the last beam is shining Ingleside Triumph March -- cover art Away away we bound o'er the deep The Harpers Song","cover art","cover art","The Soldiers Grave The Brides Farewell Larboard Watch","Heliotrope Polka Geranium Waltz Coming Out Waltz -- cover art","cover art","Glen Mary Waltzes Day is Departing","Sleep the Kind Angel is Near me Christmas Carol","Sehnsucht am Meere Flieg' Vogel, Fliege! Freundvoll und Leidvoll","cover art","The Chapel in the Mountains -- cover art The Sky-Lark The Shepherd Boy -- cover art Highlands Echoes -- cover art Tripping thro' the Meadows -- cover art Les Voix du Matin","Five Favorite Chants Hark! The Herald Angels sing","cover art","cover art","Farewell Song of Enoch Arden First Love Redowa Martha Loves Chiding's Waltz -- cover art La Fille du Regiment Trab-Trab Galop La Belle Helene Nothing to Wear -- cover art The Sunshine Schottisch -- cover art Bells of Corneville","Cover art","cover art","cover art","cover art","Evening By the Sea Sweet Cecile Leslie","Cover art","Orgelvorspiele Sonate in B moll fur Orgel","cover art","Grand March de Concert Galop di Bravura L'Hirondelle Grande Marche Militaire Le Dernier Sourire Marrie Polka-Mazurka The Whispering Wind","cover photo","I've brought Thee an Ivy Leaf--cover art Clara May","cover art","The Indian's Prayer Home of the Penitent Be Kind to the Loved Ones at Home Mother Dear O Pray for Me Gentle Words and Loving Smiles The Sailor Boy's Last Dream He Doeth All Things Well--cover art","Speed Away! Speed Away! Take Me Home to Die Strike the Harp Gently Oh for a Home Beside the Hills Take Me Home to Die--cover art Give Me a loving Heart Uncle John is Sweetly Sleeping Katy's Cry Ella Dear He Doeth all things Well --cover art","Mary McNeil Bell Brandon","Come Home, Father Brave Boys Kingdon Coming--cover art Grandmother Told Me So--cover art Now Moses--cover art","cover art","The Belle of the Forest The Buccanier's Bride","Shylie Bawn Her Bright Smile Haunts Me Still Dearest Spot of Earth to Me is Home Gentle ray of sunlight Smiles and tears Sing me an English Song Let my care be no man's sorrow","The Hazel Dell--cover art The Church within the wood Rosalie the Prarie flower Departed Days Old Folks are Gone Annie Lowe Fair Thee Well Kitty Dear Bright Eyed Little Nell of Narragansett Bay","Shepherd Boy--cover art Silvery Waves Gaily our Boat glides o'er the Sea--cover art Dashing Spray The Last Rose of Summer Home Reveries--cover art Song of the Sky Lark Fishers Hornpipe Medley Little Maggie May When You and I were Young","Sister Come! Come Away. Fly Pretty Butterfly","The Dearer Name New Year Polka","cover art","Herculean Quick Step The Giraffe Waltz","cover art","Wecker Polka-cover art Ypsilanti-cover art","Schoenfeld - Marsch Wiener Buerger Natursanger Walzer Marsch-Evoluntionen Leipziger CoupletGluckliche Tage Die Tanzerin Unanfechtbar Marsch Marsch der Burgwache Diplomaten-Gavotte","The Fashionables 6 Celebrated PolkasCome Sing Me That Sweet Air Again Luna Waltz Azalia Polka The Dawn Waltz","White Rose Polka Scraps from Martha","Dearest Old Mansion","The Musical Repository","Dix Pieces pour Orgue Douze Pieces pour Orgue","Filippo Capocci","Coppella Ballet","Aida","Auld Lang Syne","Pleasant Recreations for Young Pianists","Mozart con fan tutte","Daily Exercises and Scales Sousa's Favorite March Book-Flute Sousa's Favorite March Book-Oboe Sousa's Favorite March Book-Drums Sousa's Favorite March Book-Coronet Fox Favorite Orchestra Folio","Sousa's Favorite March Book- 1st Violin A (2) Sousa's Favorite March Book- 1st Violin Sousa's Favorite March Book- 2nd Violin Sousa's Favorite March Book-Alto Saxophone Sousa's Favorite March Book-Trombone Sousa's Favorite March Book-Bass Sousa's Favorite March Book-Piano","Fosterlandsk Musik","Polkas, Waltzes and Quadrilles","Les Hirondelles","Le Pianiste Virtuose","It Will not do to Tell","Dancers Delight","Five Finger Exercises","Cottage Music","Im Walde Suite","Carlos Gomez Barrera","La Melancolie La Volette Mazonrka","Comedy Capers","Heures Mystiques Grands Succes Du Piano","Overture z.Op Figaros Hochzeit","Music for the Sanctuary Lays of Sweden and Findland Songs and Duets composed by Ciro Pinsuti","Music and Her Sister Song Duet","Four Rondos","The Angels Whisper","Tam O'Shanter Young Americas Schottisch Musical Bazaar: A Collection of Songs and Ballads for the Guitar La Senora Waltz The Boudoir Polkas The Champagne Galop Rosebud Quick Step The Faires Danse Gentle Annie Ballad","Collection de Morceaux choisis par Otto Schick","Ask Not My Love","La Lyre Ganloise Select Collection of Classic Piano Music Si Tu Savais","Chants de France Dance Music","Bingen on the Rhine When the Swallos Homeward Fly Le Tremolo pour le Piano Il Desiderio O Charming May","L'Art du Chant","Agathe Queen of My Soul The Rose of Allandale The Bride","No. 30 Bach","Six Petits Duos pour Deux Violins de I. Pleyel Album Classique our Violin et Orgue  par G. Zanger","Aurora! de Peigeian Oft in the Stilly Night by Wilhel, Iucho","6 Pieces d'Orgue Pieces Recreatives pour Violin et Piano Pelleas et Melisande by Claude Debussy Album de six Morceaux Choisis","Cling to the Rock","Love Not! by Blockley The Sea by Phillips Rory O'More by Carl Muller Galop de Piquillo by Francois Hunten","Pleasures of Home","Thy Spirit of Love Keeps a Watch Over Me by G. Linley","Montechi e Capuletti by J. Blumtal","Peters' Musical Monthly - Novembe 1871 Peters Musical Monthly - March 1872 Don't Be Sorrowful","Klavierwerke-Preludio con Fuga by J.S. Bach No. 1 Toccata con Fuga by J.S. Bach Dmoll-Konzert fur Pianoforte by Adolf Ruthardt Bach Capriccio, Fantasie Bach Toccata con Fuga Mendelssohn Lieder Onhe Worte Brahams Duette Bach -Album fur Orgel","Chorus - Down Went McGinty","Gaily the Troubadour","Die Dollarprinzessin","What Joy to Listen","Robert Volksmann Musikalisches Bilderbuch","The Echo of the Italian Opera","Paisley Schottisch March from Lucia De Lamermoor- Charles Gobe Norma de Bellini Primrose Polka","The Ceebrated Sophie Waltz by Charles Grobe The Tip Toe Polka Galop by J.C. Meininger Etudes de la Velocite by Charles Czerny Der Freischutz by Sydney Smith Thoughts of Home by J. Ascher","Le Poilu by H. Maurice Jacquet","Bossi Six Morceaux pour Orgue Hellmesberger Exercises en forme de gammes","L'Art du Chant","Hazel's New Ideal Orchetra Book-First Violin Hazel's New Ideal Orchetra Book-Alto Saxophone","General Yeoman's Grand March -E.B. Spencer","Take Them, I Implore Thee","Smith's March by J. T. Martin Have Faith in One Another by James Perring The Long, long Weary Day","Harold and Mildred by Herman Finck","Premiere Symphonie pour grand Orchestre by S. Taneiew Overture, Danses et Marche by A. Borodine","Blessed are they thta consider the Poor","Symphonie No. 5 by Anton Dvorak","Come Home, Father by Henry Clay Work I Wonder why he comes Not","Fritz Spindler's Piano Compositions: Convent Bells","Horse Radish Fox Favorite Orchestra Folio Vol. 5 - 2nd Coronet Fox Favorite Orchestra Folio Vol. 5 - Bass Fox Favorite Orchestra Folio Vol. 5 - 1st Violin Fox Favorite Orchestra Folio Vol. 5 - Drums","Evangeline by A.P. Wyman The Little Ones at Home by C.J. Lockwood","Piano Classics by the Best Composers","The May Queen by William Dempster Rakeman's Pas Redouble Gipsey Schottisch Guillaume Tell by F. Beyer White Mountain Serenade Do They Miss Me at Home? In Dreams of Peace The Dismal Swamp Where are the Friends of My Youth Farewell","The May Queen Le lever du Soleil Do They Miss Me at Home? Sally, Come Up Love's Hidings Place Prison Waltz I Love the Merry Sunshine The Pirates Chorus","Pokcaha March Wont you tell me why, Robin? The Pianist's Best Companion Why Not Be Happy Now The Vocal Beauties of Lucia di Lammermoor","Morceau de Concert par F. Servais Violoncelle Opus 14 (2) Concert fur das Violoncell von Carl Reinecke O Cara Memoria F. Servais Op 17. (2) Fantaisie Burlesque pour Violoncelle par F. Servais Op.9","Fantasie Burlesque (ou le Carnaval de Venise) pour Violoncelle par F. Servais Op.9 Grande Fantaisie polonaise sur des Airs du Ballet par F. Servais Op. 19 Grande Fantaisie polonaise pour Violoncelle par F. Servais Op. 19 Faust ( Margarethe) oper in Funf akten von Gound No. 2 Polnischer National-Gesang Chant National Polonais; Vaterlands-Lieder von Ferd. Beyer; Albert Sowinski ( includes National Hymns/Songs from Poland, France, the Netherlands, Belgium, Norway, Scotland, Chile, Serbia, Java)","25 Etudes pour Piano par Francois Hunten Opus 114 Jugend Bande, Leichtes Vierhandiges Album, Band 1: Aletter, Kleines Menuett; Franke, Fruhlingszauber; Gurlitt, Valse noble; Parlow, Polonaise; Reinecke, Primula veria; Sartorio, Mit Lingendem Spiel; Spindler, Landisches Fest; Morley, Teerose; Zilcher, Wasserfahrt, Barcolle; Mendelssohn, LUD, Zigeunertanz; Ziegler, Goldene Sterne, Abenlied; Schytte, Allegro moderato; D'Ourville, Fruhling; Wil, Tanz im Dorfe First Flights in Music (melodius piano Studies for Beginners) by Martin Frey 25 Etudes pour le Piano par Fredic. Burgmuller, Op.100","Rebecca at the Well by Septimus Winner Linked with many bitter Tears by Alice Hawthorne Ideas from the Opera, No. 1 Flower Song \u0026 Chorus from Faust","Capricious Annette bu Gaston Borch","Symphonies pour Orgue par Charles Marie Widor","Return of Spring Polka Brilliant par Theo. Moelling The Wreath-A collection of favorite Waltzes-Jour de Naissance, Op. 89, Burgmuller","Marceline Polka for Piano Forte by John A. Janke, Jr.","Birds of All Feathers, a musical sketch by Mildred Adair","La Traviata par Charles Voss","Lovey-Dovey Intermezzo by Robert A. Hellard","O Let me Die in spring-time by W. Cumming","Zampa Gallopades by Herold","The Lost Fairy Cavatina by C.AE.Horn (cover only)","Pique Dame Galop by C. Denstedt","The Celebrated Anvil Chorus by Francis H. Brown Oh Summer Night by Wm. Dressler, Op.41 Happy Home of My Childhood by George Croal A Voice from the Waves Duett by Stephen Grover Louise Polka Brilliante by Joseph Ascher Pepita Polka by Joseph Ascher","The Whispering Wind Mazurka Caprice pour le Piano par  Hermann A. Wollenhaupt, Op. 38 Nellie Darling by H. Millard Sleeping I Dreamed Love by W.V. Wallace","As You Like it by Wiliam Shakespeare; music Kiss me and Say Goodnight by Johnston \u0026 Wiedoft","Etudes de la Velocite pour le Piano forte par Charles Czerny","Sweet Smile Polka by Charles Kinkel","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Sheet Music Collection, 1827/1974"],"collection_ssim":["Sheet Music Collection, 1827/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 1.07","/repositories/2/resources/8982"],"unitid_tesim":["Mss. 1.07","/repositories/2/resources/8982"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1997.054 was a gift received on 9/25/1997; Acc. 2007.87 was a gift from Mrs. Edmun C. Glover, III via Jim Deffenbaugh, Music Librarian. Acc. 2009.061 was purchased on 2/26/2009. Acc. 2009.070 was purchased on 2/21/2009. Acc. 2009.069 was purchased on 2/23/2009. Acquisition information for accessions received after February 2009 is not displayed for technical reasons. Consult a staff member for details."],"access_subjects_ssim":["African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music"],"access_subjects_ssm":["African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["55.80 Linear Feet"],"extent_tesim":["55.80 Linear Feet"],"genreform_ssim":["Scores","Sheet music"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"arrangement_html_tesm":["\u003cp\u003eThe collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point.\u003c/p\u003e","\u003cp\u003e Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos.\u003c/p\u003e","\u003cp\u003e Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received.\u003c/p\u003e","\u003cp\u003e Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point.","Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos.","Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received.","Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series."],"prefercite_html_tesm":["\u003cp\u003eSheet Music Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Sheet Music Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eMaterial received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Material received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Sheet Music Collection includes sheet music collected by the Special Collections Research Center.\u003c/p\u003e  ","\u003cp\u003eThis series includes sheet music collected by the Special Collections Research Center prior to 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Latest and Best\" - undated\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;\u003c/p\u003e","\u003cp\u003eScope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maid of Athens\" - undated, Allen ?, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Minnesota March\"- undated, George N. Allen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Soko\" - 1903, John Arnold, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice\" - undated, Joseph Asher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Task\"- undated, E.L. Ashford.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.\u003c/p\u003e","\u003cp\u003e\"Marching Through Georgia, Rudolf Thaler, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss Helyett\"- undated, E. Audran, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Virginia\" - 1904, D. A. Barrackman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.\u003c/p\u003e","\u003cp\u003e\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Parlor Concert\" - undated, Carl J. Berger.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maybe\" - undated, Bertrand Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blackmar\u0026amp;Bro's selection of Favorite Songs\" - undated, Blockley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Remember Me\" - undated, M. Brinkman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Salut a La France\" - undated, Brunner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Evening\" - 1899, Dudley Buck, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar\u003c/p\u003e","\u003cp\u003eScope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana\u003c/p\u003e","\u003cp\u003eScope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning\u003c/p\u003e","\u003cp\u003eScope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence\u003c/p\u003e","\u003cp\u003eScope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael\u003c/p\u003e","\u003cp\u003eScope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola\u003c/p\u003e","\u003cp\u003eScope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll\u003c/p\u003e","\u003cp\u003eScope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi\u003c/p\u003e","\u003cp\u003eScope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar\u003c/p\u003e","\u003cp\u003eScope and Contents \"Martha\" - undated, composed by Cavatine\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway\u003c/p\u003e","\u003cp\u003eScope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry\u003c/p\u003e","\u003cp\u003eScope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy\u003c/p\u003e","\u003cp\u003eScope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft\u003c/p\u003e","\u003cp\u003eScope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Reverie\" - 1938, by Larry Clinton\u003c/p\u003e","\u003cp\u003e\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse\u003c/p\u003e","\u003cp\u003eScope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots\u003c/p\u003e","\u003cp\u003eScope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin\u003c/p\u003e","\u003cp\u003eScope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper\u003c/p\u003e","\u003cp\u003e\"How Can I Leave Thee?\" - 1851, by C. Cramer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn\u003c/p\u003e","\u003cp\u003e\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford\u003c/p\u003e","\u003cp\u003eScope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Pelican\" - undated, composed by W.J. Crerar\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny\u003c/p\u003e","\u003cp\u003eScope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg\u003c/p\u003e","\u003cp\u003eScope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson\u003c/p\u003e","\u003cp\u003eScope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson\u003c/p\u003e","\u003cp\u003eScope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter\u003c/p\u003e","\u003cp\u003e\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz\u003c/p\u003e","\u003cp\u003eScope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro\u003c/p\u003e","\u003cp\u003eScope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth\u003c/p\u003e","\u003cp\u003eScope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson\u003c/p\u003e","\u003cp\u003e\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.\u003c/p\u003e","\u003cp\u003e\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.\u003c/p\u003e","\u003cp\u003e\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger\u003c/p\u003e","\u003cp\u003eScope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes\u003c/p\u003e","\u003cp\u003eScope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay\u003c/p\u003e","\u003cp\u003eScope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips\u003c/p\u003e","\u003cp\u003eScope and Contents \"Calcutta\" - 1958, Heino Gaze\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze\u003c/p\u003e","\u003cp\u003eScope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte\" - undated, by C.W. Gluck\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts\u003c/p\u003e","\u003cp\u003eScope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Guards Waltz\" - undated, by D. Godfrey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent\u003c/p\u003e","\u003cp\u003eScope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold\u003c/p\u003e","\u003cp\u003eScope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz\u003c/p\u003e","\u003cp\u003eScope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare\u003c/p\u003e","\u003cp\u003e\"Do You Really Think He Did?\" - 1855, by J.T. Gosden\u003c/p\u003e","\u003cp\u003eScope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk\u003c/p\u003e","\u003cp\u003eScope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley\u003c/p\u003e","\u003cp\u003eScope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle\u003c/p\u003e","\u003cp\u003eScope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David\u003c/p\u003e","\u003cp\u003e\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman\u003c/p\u003e","\u003cp\u003e\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour\u003c/p\u003e","\u003cp\u003e\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anona\" - 1903, by Vivian Grey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose\u003c/p\u003e","\u003cp\u003eScope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman\u003c/p\u003e","\u003cp\u003eScope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams\u003c/p\u003e","\u003cp\u003eScope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith\u003c/p\u003e","\u003cp\u003eScope and Contents \"Clareene\" - 1905, by Max L. Herman\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz\u003c/p\u003e","\u003cp\u003eScope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs\u003c/p\u003e","\u003cp\u003eScope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence\u003c/p\u003e","\u003cp\u003eScope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed\u003c/p\u003e","\u003cp\u003eScope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman\u003c/p\u003e","\u003cp\u003e\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Gift Polka\" - 1855, by Albert Holland\u003c/p\u003e","\u003cp\u003eScope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smoky Mokes\" - undated, by A. Holzmann\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Toast\" - 1931, by Francis Hopkinson\u003c/p\u003e","\u003cp\u003eScope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard\u003c/p\u003e","\u003cp\u003eScope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard\u003c/p\u003e","\u003cp\u003e\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks\u003c/p\u003e","\u003cp\u003eScope and Contents \"Winsome Grace\" - 1890, by T.H. Howe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck\u003c/p\u003e","\u003cp\u003e\"Holiday Waltz - 1878, J.A. Ide, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026amp; Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eva's Parting\" - 1852, F. James, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston\u003c/p\u003e","\u003cp\u003eScope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Variations sur Lestoco\" - undated, by H. Karr\u003c/p\u003e","\u003cp\u003eScope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun\u003c/p\u003e","\u003cp\u003eScope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters\u003c/p\u003e","\u003cp\u003eScope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser\u003c/p\u003e","\u003cp\u003e\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley\u003c/p\u003e","\u003cp\u003e\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II\u003c/p\u003e","\u003cp\u003eScope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rondeaux\" - undated, by Ferd. Kessler\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gipsies\" - undated, by Ella Ketterer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, by Friedrich Kiel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder\u003c/p\u003e","\u003cp\u003eScope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Star Spangled Banner\" - 1835, W.A. King\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Bohemian Walzer\" - undated, by Kirmair\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein\u003c/p\u003e","\u003cp\u003e\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley\u003c/p\u003e","\u003cp\u003e\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler\u003c/p\u003e","\u003cp\u003e\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Union March\" - undated, Hans Krummacher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memories\" - 1901, Albert Kussner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crescendo\" - 1896, Per Lasson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona\u003c/p\u003e","\u003cp\u003eScope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles\u003c/p\u003e","\u003cp\u003eScope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee\u003c/p\u003e","\u003cp\u003eScope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély\u003c/p\u003e","\u003cp\u003eScope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare\u003c/p\u003e","\u003cp\u003eScope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow\u003c/p\u003e","\u003cp\u003eScope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg\u003c/p\u003e","\u003cp\u003eScope and Contents \"All-American Girl\" - 1932, by Al Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais\u003c/p\u003e","\u003cp\u003eScope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird\" - 1903, by Fred Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach\u003c/p\u003e","\u003cp\u003eScope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tired\" - undated, M. Lindsay, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Too Tired\" - 1924, George A. Little, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw\u003c/p\u003e","\u003cp\u003e\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Rest\" - 1915, by Katherine E. Lucke\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Memoriam\" - 1872, by A. Lutz\u003c/p\u003e","\u003cp\u003e\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire\u003c/p\u003e","\u003cp\u003eScope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg\u003c/p\u003e","\u003cp\u003eScope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack\u003c/p\u003e","\u003cp\u003e\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.\u003c/p\u003e","\u003cp\u003e\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smith's March\" - 1848, J.T. March - composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Longing\" - undated, Charles Mayor, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Butterfly\" - undated, G. Merkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer\u003c/p\u003e","\u003cp\u003e\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Retour du Printemps\" - undated, Moelling, composer\u003c/p\u003e","\u003cp\u003e\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer\u003c/p\u003e","\u003cp\u003e\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Beauregard\" - 1861, A. Noir, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Èlègie\" - 1895, E. Nollet, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer\u003c/p\u003e","\u003cp\u003e\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Polka\" - undated, Offenbach, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.\u003c/p\u003e","\u003cp\u003e\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pensees\" - undated, Ernst Perabo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer\u003c/p\u003e","\u003cp\u003e\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer\u003c/p\u003e","\u003cp\u003e\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trumpet March\" - undated, Rossini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Quintett\" - undated, Robert Shunmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott\u003c/p\u003e","\u003cp\u003eScope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Autumn\" - 1931, Lee Sims, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka\" - undated, L. Streabbog, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Florodora\" - 1900, Stuart Leslie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hence Discontent\" - undated, Tolbecque, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tarantelle\" - undated, Berthold Tours, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer\u003c/p\u003e","\u003cp\u003e\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist\u003c/p\u003e","\u003cp\u003e\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist\u003c/p\u003e","\u003cp\u003e\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don Juan\" - undated, Charles Voss, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka\" - 1859, Julius Weel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .\u003c/p\u003e","\u003cp\u003eScope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in F\" - 1896, John A. West, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in B\" - undated, John E. West, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Black Apollo\" - undated, Charles White, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026amp; Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.\u003c/p\u003e","\u003cp\u003eThree items present.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026amp; Claribel, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026amp; F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled exercise book, undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled exercise book, undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026amp;words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.\u003c/p\u003e","\u003cp\u003eThis series includes sheet music collected by the Special Collections Research Center beginning 2007.\u003c/p\u003e","\u003cp\u003e\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.\u003c/p\u003e","\u003cp\u003e\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;\u003c/p\u003e","\u003cp\u003e10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026amp; Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.\u003c/p\u003e","\u003cp\u003eWilliam's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026amp;Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.\u003c/p\u003e","\u003cp\u003eScope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .\u003c/p\u003e","\u003cp\u003eSongster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026amp; Co.  Copyright date of 1851.  Hand sewn binding.\u003c/p\u003e","\u003cp\u003eContains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs\u003c/p\u003e","\u003cp\u003eIncludes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.\u003c/p\u003e","\u003cp\u003eIncludes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.\u003c/p\u003e","\u003cp\u003eIncludes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.\u003c/p\u003e","\u003cp\u003eFrom the musical comedy \"Three Little Lambs.\"\u003c/p\u003e","\u003cp\u003eContains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026amp; Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026amp; Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026amp; Dresser, New York, 1903.\u003c/p\u003e","\u003cp\u003eContains songs for use in \"Special Services Activites by Armed Forces personnel only.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.\u003c/p\u003e","\u003cp\u003eScope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.\u003c/p\u003e","\u003cp\u003eContains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.\u003c/p\u003e","\u003cp\u003eFive Salted Peanuts\u003c/p\u003e","\u003cp\u003eCapt. May's Quick Step\u003c/p\u003e","\u003cp\u003eVirginia\u003c/p\u003e","\u003cp\u003eSweet Virginia Rose\u003c/p\u003e","\u003cp\u003eHe's A Rag Picker\u003c/p\u003e","\u003cp\u003eCarry Me Back to Old Virginia (two copies)\u003c/p\u003e","\u003cp\u003ePeanuts And Diamonds\u003c/p\u003e","\u003cp\u003eThe Teddy Bears' Picnic\u003c/p\u003e","\u003cp\u003eHot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)\u003c/p\u003e","\u003cp\u003eWait Till The War, Love, Is Over\u003c/p\u003e","\u003cp\u003eRose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)\u003c/p\u003e","\u003cp\u003eVirginia Lullaby\u003c/p\u003e","\u003cp\u003eScope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"\u003c/p\u003e","\u003cp\u003eHeart-Sickness Blues\u003c/p\u003e","\u003cp\u003eBud Rag\u003c/p\u003e","\u003cp\u003eMoonlight on the Melonpatch\u003c/p\u003e","\u003cp\u003eHow's Your Folks and My Folks Down in Norfolk Town\u003c/p\u003e","\u003cp\u003eVirginia Blues (two copies)\u003c/p\u003e","\u003cp\u003eVirginia Belle\u003c/p\u003e","\u003cp\u003eVirginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)\u003c/p\u003e","\u003cp\u003eThere's a Girl in Old New Hampshire Whose Heart is Apart of Me\u003c/p\u003e","\u003cp\u003ePeanuts (La Cacahuata)\u003c/p\u003e","\u003cp\u003eTell Them You're From Virginia\u003c/p\u003e","\u003cp\u003e'Mid Tthe Green Fields of Virginia\u003c/p\u003e","\u003cp\u003eThrowing Peanuts to the Moon\u003c/p\u003e","\u003cp\u003eScope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"\u003c/p\u003e","\u003cp\u003eTexas\u003c/p\u003e","\u003cp\u003eOld Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)\u003c/p\u003e","\u003cp\u003ePray, Maiden , Pray!\u003c/p\u003e","\u003cp\u003eThe U. Va. Two-Step\u003c/p\u003e","\u003cp\u003eWatermelon Club\u003c/p\u003e","\u003cp\u003eVirginia Lou\u003c/p\u003e","\u003cp\u003eI'm Going to Climb the Blue Ridge Mountains Back to You\u003c/p\u003e","\u003cp\u003eTemptation Rag\u003c/p\u003e","\u003cp\u003eWatermelon Man\u003c/p\u003e","\u003cp\u003eShe is the Sunshine of Virginia\u003c/p\u003e","\u003cp\u003eBilly\u003c/p\u003e","\u003cp\u003eBilly Boy\u003c/p\u003e","\u003cp\u003eWhen It's Harvest Time in Peaceful Valley\u003c/p\u003e","\u003cp\u003eMelinda's Wedding Day\u003c/p\u003e","\u003cp\u003eThe Lord Made a Peanut\u003c/p\u003e","\u003cp\u003eAt a Georgia Campmeeting\u003c/p\u003e","\u003cp\u003eShenandoah\u003c/p\u003e","\u003cp\u003eWatermelon and Friends\u003c/p\u003e","\u003cp\u003eChariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)\u003c/p\u003e","\u003cp\u003eMelon Time in Dixieland\u003c/p\u003e","\u003cp\u003eI'm Gonna Bring a Watermelon to my Girl To-Night\u003c/p\u003e","\u003cp\u003eHeart of Virginia\u003c/p\u003e","\u003cp\u003eVirginia Moon (Waltz-song)\u003c/p\u003e","\u003cp\u003eAn Old Fashioned Garden in Virginia\u003c/p\u003e","\u003cp\u003eThe Peanut Vendor (El Manisero)\u003c/p\u003e","\u003cp\u003eA Tale of Old Virginia\u003c/p\u003e","\u003cp\u003eUnder the Anheuser Bush (two copies)\u003c/p\u003e","\u003cp\u003eWatermelons- Songs for Living\u003c/p\u003e","\u003cp\u003eWhen it's Springtime in Virginia\u003c/p\u003e","\u003cp\u003eWatermelon Weather\u003c/p\u003e","\u003cp\u003ePeanuts! 5 a Bag\u003c/p\u003e","\u003cp\u003eCarbalick Acid Rag\u003c/p\u003e","\u003cp\u003eMemories of Virginia (Two copies)\u003c/p\u003e","\u003cp\u003eDown Old Virginia Way (Operatic Edition)\u003c/p\u003e","\u003cp\u003eCover Me Up with the Sunshine of Virginia\u003c/p\u003e","\u003cp\u003eContains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"\u003c/p\u003e","\u003cp\u003eLa Belle Virginienne Valse (Binding hand-stitched)\u003c/p\u003e","\u003cp\u003eThe Ashland Memories\u003c/p\u003e","\u003cp\u003ePrincess Pocahontas (March and Two Step)\u003c/p\u003e","\u003cp\u003eResearchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.\u003c/p\u003e","\u003cp\u003eOrganist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz\u003c/p\u003e","\u003cp\u003eGems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?\u003c/p\u003e","\u003cp\u003eChristmas Song O Christmas Night Le Diable-A-Quatre Polka\u003c/p\u003e","\u003cp\u003eDon't Be Angry Mother Scotch Air\u003c/p\u003e","\u003cp\u003eA Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy\u003c/p\u003e","\u003cp\u003ePicture of Comm. Enrico Caruso\u003c/p\u003e","\u003cp\u003eknown also as The Prima Donna Song; arranged and adapted by Chas.Jarvis\u003c/p\u003e","\u003cp\u003efrom Bellini's Admired Opera of Il Pirata\u003c/p\u003e","\u003cp\u003eLa Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ephoto on cover\u003c/p\u003e","\u003cp\u003ehand written music sheets included\u003c/p\u003e","\u003cp\u003ephoto of Allen on cover\u003c/p\u003e","\u003cp\u003eSouvenir edition for Army Air Forces Leave Hotels on French Riviera\u003c/p\u003e","\u003cp\u003eHand written music sheets with hand designed cover art\u003c/p\u003e","\u003cp\u003eTis Midnight Hour with cover art Constancy\u003c/p\u003e","\u003cp\u003eLarmes of Joie Katie's Secret\u003c/p\u003e","\u003cp\u003eCover Art\u003c/p\u003e","\u003cp\u003ecover only\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eSomebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eEcstasy The Meeting - cover art L' Arditia\u003c/p\u003e","\u003cp\u003eTreasures of the Deep One Struggle More\u003c/p\u003e","\u003cp\u003eMexico\u003c/p\u003e","\u003cp\u003eCover Art Madrid ,Spain\u003c/p\u003e","\u003cp\u003eCover Art\u003c/p\u003e","\u003cp\u003ecover art: photo of Julio Martinez Arteaga Bolivia - Spanish\u003c/p\u003e","\u003cp\u003eMarie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure\u003c/p\u003e","\u003cp\u003eBolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)\u003c/p\u003e","\u003cp\u003eMexico - Spanish\u003c/p\u003e","\u003cp\u003eItalian Photos on cover\u003c/p\u003e","\u003cp\u003eSweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast\u003c/p\u003e","\u003cp\u003eMexico - Spanish\u003c/p\u003e","\u003cp\u003eSpanish - Barcelona, Spain Cover art by J. Casals\u003c/p\u003e","\u003cp\u003eChristine - cover art My home by the mountain side The Cot by the Hill - cover art\u003c/p\u003e","\u003cp\u003eDrei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken\u003c/p\u003e","\u003cp\u003eLondon\u003c/p\u003e","\u003cp\u003eOrphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany\u003c/p\u003e","\u003cp\u003eCentennial March - cover art I'd be a Butterfly\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee\u003c/p\u003e","\u003cp\u003eOnce a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits\u003c/p\u003e","\u003cp\u003eThen You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!\u003c/p\u003e","\u003cp\u003eI Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eDas Konigsballet\u003c/p\u003e","\u003cp\u003eGerman and English\u003c/p\u003e","\u003cp\u003eDear  Love, Be True Darling \"Tis You\u003c/p\u003e","\u003cp\u003eMary Gray The Gypsie's Festival\u003c/p\u003e","\u003cp\u003eDer Herr is Mein Hirt - German Marcia Fantastica Albumblatt\u003c/p\u003e","\u003cp\u003eI am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? Why do Summer Roses Fade Would you Leave me to Mourn\u003c/p\u003e","\u003cp\u003eO bury me by the river's side Silently, tenderly, mournfully home\u003c/p\u003e","\u003cp\u003eO That I Had Wings Love Not Waltz Give Me another Flower I Love Thee Still\u003c/p\u003e","\u003cp\u003eI Spring-Tine When the Tide Comes In My Golden Ship\u003c/p\u003e","\u003cp\u003eThe Days of Old Romance Le Matin (Polka)\u003c/p\u003e","\u003cp\u003eThe Highland Minstrel Boy Moonlight, Music, Love \u0026amp; Flowers My Father Land Guard Her as a Treasure The Light Guitar Why Do I Weep - cover art Galopade from Gustavus By the Flowing Guadilquiver I wish I had a Little Bird Why Say Farewell!\u003c/p\u003e","\u003cp\u003eDon't Stay away so Long Little Footsteps - cover art\u003c/p\u003e","\u003cp\u003eI Oftern Sigh in Sadness Love's Regret\u003c/p\u003e","\u003cp\u003eThe Dying Girl's Farewell Novelette Quickstep\u003c/p\u003e","\u003cp\u003eI Would That My Love - German and English Lieder Ohne Worte The Wedding March Trois Fantasies\u003c/p\u003e","\u003cp\u003eSing to Me Nightingale The Village Quick Step\u003c/p\u003e","\u003cp\u003eSweet and Low There is a fountain fill'd with blood Don't Care Tarantella\u003c/p\u003e","\u003cp\u003eSilvery Shower Biscaccianti Waltz Breakfast Bell Polka Salut a La France Ever Be Happy! The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day\u003c/p\u003e","\u003cp\u003eBilder in TonenGerman with cover art Rondo Mignon\u003c/p\u003e","\u003cp\u003eLong Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife\u003c/p\u003e","\u003cp\u003eFrench cover art and photos\u003c/p\u003e","\u003cp\u003eAh! Yes I Remember How Sweet are the Roses\u003c/p\u003e","\u003cp\u003eLe Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale\u003c/p\u003e","\u003cp\u003eThe Whispering Trees The Image in the Heart\u003c/p\u003e","\u003cp\u003eSonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz\u003c/p\u003e","\u003cp\u003eRondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! God Thy Goodness Vienne March Minuet in G Grand Waltz Sonatine Sonaten Op. 10\u003c/p\u003e","\u003cp\u003eIrrlichter The Jolly Trumpeter Galop\u003c/p\u003e","\u003cp\u003eGerman\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eTake Them I implore Thee Hear me Norma Wher eare Now the Hopes I Cherished Sunbeam of Summer Oh Love for Me Thy Power Ah Bello a Me Ritorna Still so Gently o'er Me Stealing La Sonnambula Ah! non giunge Grand March in Norma\u003c/p\u003e","\u003cp\u003eLinda Dumbarton's March 20 Joys (collection for Piano Fairy Dances Highland Fling Lilly Dale Starlight is Beaming I've not a thought but what is Thine Starlight Waltz\u003c/p\u003e","\u003cp\u003eNight Fall Schottisch Hyazinth Schottisch The Young Recruit Quickstep La Favorita Domino Gallop Starlight Waltz Sleeping I Dream Love Blanche Alpen Waltz The Snowflake Schottisch The Dearest Spot of Earth Friendships Polka\u003c/p\u003e","\u003cp\u003eRocking Chair Polka 'Tis Midnight Hour Les Bords du Rhin A Good Old Fashion Polka St. Patricks Day Waltz Il Travatore Yankee Doodle The Wizard's Polka Schottisch Quickstep Lily Dale March di Bravura Poliuto\u003c/p\u003e","\u003cp\u003eBridal March La Fille du regiment Gentle Annie Friendship Waltz Bon Ton Polka Clara Polka Le Torrent Waltz Martha Potpouri Polka Joyful Waltz Little Darling Sack Waltz Chit Chat Plain Cotillion\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003eWait for the Wagon Hope Be Thy Guide\u003c/p\u003e","\u003cp\u003eThe Atlantic Polka By the Sad Sea Waves Take this Lute - cover art The Cruiskeen Lawn\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eEnglish and French\u003c/p\u003e","\u003cp\u003eThe Sands of dee Octave Galop The Tremolo Waltz Linda di Chamounix Les vespres Siciliennes La Traviata\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eItalian and English\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eGerman and English versions\u003c/p\u003e","\u003cp\u003eErnani Rondeau Polacca Rondeau La Muette de Portici Teufel's Polka Balisario The Evening Star Waltz Parade March Martha de Flotow Lucia di Lammermoor\u003c/p\u003e","\u003cp\u003eLa Fille du Regimment Salut a la France The Evening Star Waltz O Wert Thou But Mine Own Love Fleurs Italiennes Elfen Waltz Second March Martha Norma Ernani\u003c/p\u003e","\u003cp\u003eLucrezia Borgia Maniac or Pestal Waltzes Le Prophete Evening Star Waltz Last Waltzes of a Madman Azalea Polka I Puritani Faust de Spohr\u003c/p\u003e","\u003cp\u003eBouquets de Melodies OP. 42 - Cover art Belisario Post Horn Polka Evening Star Waltz La Sonnambula Opera Guillaume Tell de Rossini - cover art Fleurs Italiennes\u003c/p\u003e","\u003cp\u003eToujours Mobile Galop Faust\u003c/p\u003e","\u003cp\u003eMarguerite - cover art Take Me Jamie dear\u003c/p\u003e","\u003cp\u003eHome! Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band\u003c/p\u003e","\u003cp\u003ePretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells\u003c/p\u003e","\u003cp\u003e\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle\u003c/p\u003e","\u003cp\u003eOn the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March\u003c/p\u003e","\u003cp\u003eOh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube\u003c/p\u003e","\u003cp\u003eRemember Me - cover art 48 Etudes\u003c/p\u003e","\u003cp\u003eTrue Love Lives Forever Wery Pekoollar\u003c/p\u003e","\u003cp\u003eGerman; cover art\u003c/p\u003e","\u003cp\u003eLora vale Remembered\u003c/p\u003e","\u003cp\u003eThe Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words\u003c/p\u003e","\u003cp\u003eA Favourite French Air Michelson's Celebrated Waltz\u003c/p\u003e","\u003cp\u003eThe Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eThe Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop\u003c/p\u003e","\u003cp\u003eSilhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German\u003c/p\u003e","\u003cp\u003eGoodbye Douglas, Tender and True the Sea has its Pearls\u003c/p\u003e","\u003cp\u003eFrench and English\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ephoto on cover\u003c/p\u003e","\u003cp\u003eThe Lament of the Blind Orphan Girl Victory at Last\u003c/p\u003e","\u003cp\u003eItalian, German, English\u003c/p\u003e","\u003cp\u003eTake My Arm the Other Side Quadrille\u003c/p\u003e","\u003cp\u003eSerenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76\u003c/p\u003e","\u003cp\u003eOriental Waltz Carmac Polka\u003c/p\u003e","\u003cp\u003ephoto cover\u003c/p\u003e","\u003cp\u003eGolden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn\u003c/p\u003e","\u003cp\u003eBring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling\u003c/p\u003e","\u003cp\u003eGerman and English\u003c/p\u003e","\u003cp\u003eFantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61\u003c/p\u003e","\u003cp\u003eWoodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille\u003c/p\u003e","\u003cp\u003eTyrolese Evening Hymn Come to the Sunset Tree\u003c/p\u003e","\u003cp\u003eRondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano\u003c/p\u003e","\u003cp\u003eFrench- colored cover with photo\u003c/p\u003e","\u003cp\u003eTe Deum in B Minor Down by the Mill\u003c/p\u003e","\u003cp\u003eThe Diana Waltz The Ocean Wave Waltz\u003c/p\u003e","\u003cp\u003eThe Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene\u003c/p\u003e","\u003cp\u003eJolly Brothers L'Avant Coureur Galop\u003c/p\u003e","\u003cp\u003ecover art photo\u003c/p\u003e","\u003cp\u003eMarching Along Quick Step Rory O'Moore Quick Step\u003c/p\u003e","\u003cp\u003eFee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse\u003c/p\u003e","\u003cp\u003eColored cover art\u003c/p\u003e","\u003cp\u003eCinderella Waltz Oh Welcome the Hour from Catherine Grey\u003c/p\u003e","\u003cp\u003eZaZa - French - covert art Elle Avait des Soquettes - cover art\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eWeep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eLove Moon J'aime Mon Amour - cover art\u003c/p\u003e","\u003cp\u003eMexico\u003c/p\u003e","\u003cp\u003eRing the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eEspana Tabasco March Habanera\u003c/p\u003e","\u003cp\u003eMiller's Daughter - cover art Three Little Songs\u003c/p\u003e","\u003cp\u003eNancy Till The Black Quadrilles\u003c/p\u003e","\u003cp\u003eAutomne Les Noces D'Argent\u003c/p\u003e","\u003cp\u003eI Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? Trees of the Forest How beautiful is the Sea When the Autumn leaves are falling\u003c/p\u003e","\u003cp\u003eChanson Pour Jean Le Cantique De Justice John's Lullaby\u003c/p\u003e","\u003cp\u003eOld Folks at Home Susan Rayne\u003c/p\u003e","\u003cp\u003eDeux Polonaises Op. 26 XXI Op. 25 Mazurka No. 1 Vier Impromptus Trois Valses Op. 64 Fantaisie-Impromptu Op. 66\u003c/p\u003e","\u003cp\u003eCover Photo\u003c/p\u003e","\u003cp\u003eI cannot Sing the Old songs My Heart is over the Sea Five O'Clock in the Morning Faithful to Thee Maggie's Secret Maggie's Welcome - cover art Strangers Yet Take back the Heart We'd Better to Bide a Wee Won't You Tell Me Why Robin All Along the Valley\u003c/p\u003e","\u003cp\u003ePoor Juna Rock of Liberty Meet Me By the Running Brook Minnie Minton Under the Ice Do not Sing that Song Again The Rover's Grave Jenny June The Sword of Bunker Hill I Live for Those Who Love Me The Old Mountain Tree Lament of the Sailor Boy's Mother\u003c/p\u003e","\u003cp\u003eSonate Op.36 Sonate No. 3 C. Sechs Sonatinen Sonata Nr. 18\u003c/p\u003e","\u003cp\u003eSweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more\u003c/p\u003e","\u003cp\u003eThe captain Grand March\u003c/p\u003e","\u003cp\u003eJudith The May Queen The Holiday The Valley of Roses\u003c/p\u003e","\u003cp\u003eFarewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha\u003c/p\u003e","\u003cp\u003eSpring Season Polka Three Bells Polka\u003c/p\u003e","\u003cp\u003eDear Violetta Loves Ritornella Gustavus the Third\u003c/p\u003e","\u003cp\u003eThe Chatsworth Quadrilles Mugby Junction Galop\u003c/p\u003e","\u003cp\u003eBeautiful Air The Harp That I Strung\u003c/p\u003e","\u003cp\u003eEcco Quel Fiero La Stella D'Amore\u003c/p\u003e","\u003cp\u003eI Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch\u003c/p\u003e","\u003cp\u003eTarantelle Celluloid Polka-cover art\u003c/p\u003e","\u003cp\u003eShe is Sleeping, Sweetly Sleeping The Dismal Swamp\u003c/p\u003e","\u003cp\u003eSweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie\u003c/p\u003e","\u003cp\u003eThou Still Art Near to Me Meet Me at the Lane\u003c/p\u003e","\u003cp\u003eLast Idea of Weber The Lat Rose of Summer Le Desir\u003c/p\u003e","\u003cp\u003eFrederick Polka Il Desiderio Lucrezia Borgia De Donizetti\u003c/p\u003e","\u003cp\u003eMarche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch\u003c/p\u003e","\u003cp\u003eL'Hirondelle et le Prisonnier Une Voix Dans La Nuit\u003c/p\u003e","\u003cp\u003eLovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae\u003c/p\u003e","\u003cp\u003ePray Child then Pray - cover art Ernani\u003c/p\u003e","\u003cp\u003eKathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie\u003c/p\u003e","\u003cp\u003eSee Saw Waltz Little, Saucy Kate -cover art\u003c/p\u003e","\u003cp\u003eJohnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles\u003c/p\u003e","\u003cp\u003eHad I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore\u003c/p\u003e","\u003cp\u003eTrust to Luck Juney at the Gate\u003c/p\u003e","\u003cp\u003eSweet Alice in Heaven the Sunshine in You The Sylphide Polka\u003c/p\u003e","\u003cp\u003eOft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl\u003c/p\u003e","\u003cp\u003eFour Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno\u003c/p\u003e","\u003cp\u003eVorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme\u003c/p\u003e","\u003cp\u003eSchule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs\u003c/p\u003e","\u003cp\u003eStephanie-Gavotte En Avant Lover's Dream after the Ball\u003c/p\u003e","\u003cp\u003eThe Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille\u003c/p\u003e","\u003cp\u003eGood Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop\u003c/p\u003e","\u003cp\u003eDas Madchen und der Schmetterling Mittelalterliche Venushymne\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eFlee as a Bird The Past! The Past!\u003c/p\u003e","\u003cp\u003eRomance Berceuse\u003c/p\u003e","\u003cp\u003eGo Where the Mists are Sleeping Maiden! awake from thy slumbers\u003c/p\u003e","\u003cp\u003eSilver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eBabina Innamorta - cover art non dimenticar le mie parole - cover art\u003c/p\u003e","\u003cp\u003e7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes\u003c/p\u003e","\u003cp\u003eBrindisi Octoroon Galopp\u003c/p\u003e","\u003cp\u003eLa Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eLet Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day\u003c/p\u003e","\u003cp\u003eWhen the Swallows Homeward Fly La Prima Donna Valse\u003c/p\u003e","\u003cp\u003eLes Adieux Spanische Tanze\u003c/p\u003e","\u003cp\u003ecover art; Russian/Cyrillic\u003c/p\u003e","\u003cp\u003eSongs of the Gondola Wings of a Dove\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003e28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum\u003c/p\u003e","\u003cp\u003e'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art\u003c/p\u003e","\u003cp\u003eOssian's Serenade The Whitw Mountain Serenade\u003c/p\u003e","\u003cp\u003eElizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March\u003c/p\u003e","\u003cp\u003eElizabeth Scottisch Bell Polka - cover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eMarjorie's Almana - ccover art He Thinks I do not Love Him\u003c/p\u003e","\u003cp\u003eThe Old Clock on the Stairs The Bridge - cover art The Brook\u003c/p\u003e","\u003cp\u003eMotivo d'Amore - cover photo io che non vivo - cover photo\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eChild of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France\u003c/p\u003e","\u003cp\u003eRayon du Soleil Martha\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eI Can-not Live Without Thee I Live, Love! But for Thee\u003c/p\u003e","\u003cp\u003eThe Silken Bands Pensez a moi ma Chere a mie\u003c/p\u003e","\u003cp\u003eWe were Happy Then The Old Thatched Cot I went to Gather Flowers\u003c/p\u003e","\u003cp\u003eMary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around\u003c/p\u003e","\u003cp\u003eO Salutaris Ave Verum\u003c/p\u003e","\u003cp\u003eAnnie Laurie Will Ye Come Back Again\u003c/p\u003e","\u003cp\u003e1re Valse 6eme Valse\u003c/p\u003e","\u003cp\u003eCanzonetta Sonte in B dur\u003c/p\u003e","\u003cp\u003ePleasures of Home Speed the Plough\u003c/p\u003e","\u003cp\u003eAttila Gustave\u003c/p\u003e","\u003cp\u003e12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder\u003c/p\u003e","\u003cp\u003eMr. Tambourine Man (French) With God on Our Side (French)\u003c/p\u003e","\u003cp\u003eThe Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss\u003c/p\u003e","\u003cp\u003eCousin et Cousin Du Plus Belle! Perce-Neige La Blondine\u003c/p\u003e","\u003cp\u003eLa Gaiete The Ethiopian\u003c/p\u003e","\u003cp\u003eButton-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo\u003c/p\u003e","\u003cp\u003eI Hear the Angels Calling My Idol Home When the Hues of Daylight fade\u003c/p\u003e","\u003cp\u003eBurst, ye Apple Buds! At the Sea-shore\u003c/p\u003e","\u003cp\u003eSweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eBoscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eBolero La Carnaval de Venise\u003c/p\u003e","\u003cp\u003eD'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch\u003c/p\u003e","\u003cp\u003eDear Heart Sweet Long Ago\u003c/p\u003e","\u003cp\u003eAngel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love\u003c/p\u003e","\u003cp\u003eOne copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)\u003c/p\u003e","\u003cp\u003eForget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast\u003c/p\u003e","\u003cp\u003eLe Donne Comm'e' Bella 'a Stagione\u003c/p\u003e","\u003cp\u003ededicated to the Harvard Class of 1837\u003c/p\u003e","\u003cp\u003ePanis Angelicus Ecce Panis Les Rameaux\u003c/p\u003e","\u003cp\u003eUp and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art\u003c/p\u003e","\u003cp\u003eincludes some handwritten notes in Italian\u003c/p\u003e","\u003cp\u003eIm Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung\u003c/p\u003e","\u003cp\u003eHaydn's Gypsy Rondo Grecian Rondo\u003c/p\u003e","\u003cp\u003eWhen I saw Sweet Nellie Home Liberty and Union\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eLizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music\u003c/p\u003e","\u003cp\u003eWillie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray\u003c/p\u003e","\u003cp\u003eFire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse\u003c/p\u003e","\u003cp\u003eOver the Garden Wall - cover art Guild Polka Militaire - cover art\u003c/p\u003e","\u003cp\u003eLittle Annie Polka Mireille - Galop Polka Ideale\u003c/p\u003e","\u003cp\u003eThe Lanciers The Fishermaiden - cover art\u003c/p\u003e","\u003cp\u003eColored cover art\u003c/p\u003e","\u003cp\u003eThe Deep, Deep Sea Little Snow White Hands\u003c/p\u003e","\u003cp\u003eAcross the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eSing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eO Fair Dove, O Fond Dove True Till Death\u003c/p\u003e","\u003cp\u003eRitmo Facinante Liza Alguien Me Ama Hazio Otra Vez\u003c/p\u003e","\u003cp\u003eThe Virginia Rose Bud Shells of the Ocean We are coming Father Abraham\u003c/p\u003e","\u003cp\u003eAlice I'll Come to Thee Little Tottie's Prayer - cover art\u003c/p\u003e","\u003cp\u003eI left Thee Where I Found Thee Love Allen Adale\u003c/p\u003e","\u003cp\u003eKathleen O Moore Kate Kearney\u003c/p\u003e","\u003cp\u003eGood News From Home Academy Polka Oh let me dream of former years\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003eI Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen\u003c/p\u003e","\u003cp\u003eChe Faro Senza Euridice Iphigenie in Aulis\u003c/p\u003e","\u003cp\u003eAll Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026amp; Charity Floating on the Wind\u003c/p\u003e","\u003cp\u003eGently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?\u003c/p\u003e","\u003cp\u003eI Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026amp; Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree\u003c/p\u003e","\u003cp\u003eThe Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026amp; Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art\u003c/p\u003e","\u003cp\u003eL'Aimable Cavorre\u003c/p\u003e","\u003cp\u003eAu Matin Danse d'Almees Pan's Flute\u003c/p\u003e","\u003cp\u003eDanse des Gnomes Scaramouche\u003c/p\u003e","\u003cp\u003eThe Usurious Lover A Woman's Love Deep in the Heart\u003c/p\u003e","\u003cp\u003eMarche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear\u003c/p\u003e","\u003cp\u003eAve Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms\u003c/p\u003e","\u003cp\u003eThe Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains\u003c/p\u003e","\u003cp\u003eGrand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird\u003c/p\u003e","\u003cp\u003eMaggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea\u003c/p\u003e","\u003cp\u003eSaint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home\u003c/p\u003e","\u003cp\u003eFarewell Ask if I Love Thee Goodnight Goodnight Beloved\u003c/p\u003e","\u003cp\u003eAlethea Little Wide Awake\u003c/p\u003e","\u003cp\u003ecover Art\u003c/p\u003e","\u003cp\u003eKlavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke\u003c/p\u003e","\u003cp\u003ePleasant dreams of long ago I am lonely to=night\u003c/p\u003e","\u003cp\u003eNelly wants to Marry Young Folks from Home\u003c/p\u003e","\u003cp\u003eI'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again\u003c/p\u003e","\u003cp\u003eThe Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!\u003c/p\u003e","\u003cp\u003ePremierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise\u003c/p\u003e","\u003cp\u003eBlanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds\u003c/p\u003e","\u003cp\u003eThe Fest March Sounds from Home\u003c/p\u003e","\u003cp\u003eGentle Lilly Bell Blue Eyes Scottisch\u003c/p\u003e","\u003cp\u003eThe Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow\u003c/p\u003e","\u003cp\u003eL'heure Exquise Fetes-Galantes-cover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eWho'll buy my Pretty Flowers Pretty Pong Lillies\u003c/p\u003e","\u003cp\u003eDarling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree\u003c/p\u003e","\u003cp\u003eI Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett\u003c/p\u003e","\u003cp\u003eMemories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus\u003c/p\u003e","\u003cp\u003ecover Art\u003c/p\u003e","\u003cp\u003eEver Onward! Call me Pet Names\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Blue Bells of Scotland Let Me Rest in the Land of My Birth\u003c/p\u003e","\u003cp\u003eNo One to Love Etty Way Dilly Burn\u003c/p\u003e","\u003cp\u003eHassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance\u003c/p\u003e","\u003cp\u003eThe Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole\u003c/p\u003e","\u003cp\u003eHow Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!\u003c/p\u003e","\u003cp\u003eSymphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+\u003c/p\u003e","\u003cp\u003ePat Malloy Six Popular Dances for the guitar\u003c/p\u003e","\u003cp\u003eMollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal\u003c/p\u003e","\u003cp\u003eThe Burial of Mrs. Judson The Grave of Bonaparte\u003c/p\u003e","\u003cp\u003eLittle Daises 30 Etudes Progressives op. 46 Oeuvres de Piano\u003c/p\u003e","\u003cp\u003eJust Once More! A Summer Night, Waltz Champagne Gallop Coterie Polka Der Wildfang The Skaters Mazurka\u003c/p\u003e","\u003cp\u003eRomance Sans Paroles Marguerite\u003c/p\u003e","\u003cp\u003eEvening Song to the Virgin The Child's first Grief The Messenger Bird\u003c/p\u003e","\u003cp\u003eLa Manola Lola Polka Deux Languages Tais-Toi Mon Coeur - cover art\u003c/p\u003e","\u003cp\u003eWhen Alll the World is Young, Lad Oh Hush Thee my Babies\u003c/p\u003e","\u003cp\u003eIf I were a Bird I'd Fly to thee Liebeslied\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eMadame Sontags Waltz Empress Henrietta's Waltz Theme D'Aline Linda Di Chamounix Rondo Tyrolian Waltz Stabat Mater We Have Lived and Loved Together The Last rose of Summer L'Orage Variations Brillantes\u003c/p\u003e","\u003cp\u003eI Have Riches, Thou Hast Beauty We Have Lived and Loved Together The Bridal Star La Parisienne Fairy Bells Cavatina de la Violette Fifty National Melodies First Set of Quadrilles Melodies de Christy Military Polka Comic Polka\u003c/p\u003e","\u003cp\u003eO'er the Lone Sea Marseilles March Grand Minuet Madelle Sontags We Have Lived and Loved Together\u003c/p\u003e","\u003cp\u003eCover Photo Mme.Cassier\u003c/p\u003e","\u003cp\u003eLa Victoire Polka Facile\u003c/p\u003e","\u003cp\u003eWe're Out Upon the Moonlight Wave Few Days I Knew Thou Would'st Return Away then to the Mountains Days of Childhood 'Tis Home Where'er the Heart is Sleeping I Dreamed Love The Mountain Bugle Where Shall the Lover Rest The Bridesmaid Do You Love Me? Mr. and Mrs. Snibbs My Mountain Kate My Childhood Happy Home She Knew Him Not The Ladies Man\u003c/p\u003e","\u003cp\u003eThe Snow Storm - cover art Webster's Quick Step\u003c/p\u003e","\u003cp\u003eDer Kinderlied In Meiner Heimath Abschied der Vogel Der Spielmann\u003c/p\u003e","\u003cp\u003eFantasiestuck Zur Guitarre\u003c/p\u003e","\u003cp\u003eHiman's Serenade Matthew's Grand March\u003c/p\u003e","\u003cp\u003eI See them on their Winding Way Wilt Tho Meet Me there Love Something to Love Me The Beautiful Day Where as Dewy Twilight Lingers\u003c/p\u003e","\u003cp\u003eSong of the Captive Greek Girl Bird of the Greenwood\u003c/p\u003e","\u003cp\u003eDreams Still o'er the Waters Ruse-Bush L'Amicizia Snowy Lilly of the Valley The Alp Horn\u003c/p\u003e","\u003cp\u003eMy Home My Happy Home - Cover Art Hark! 'Tis the signal of the Meeting Annot Lyle The Poachers The Midshipman's Farewell Tell Me Mary How to Woo Thee The Woodbine Bower Her Heart is not There He Never Said He Loved O'er the Mountain Wi' My Love I'll March Away My Pretty Rose Give Me Back My Arab steed When the Moonbeams tender light\u003c/p\u003e","\u003cp\u003eThe Mockingbird - cover art Caprice de Concert Grand Paraphase de Concerr Love Among the Rose The Nightingales Trill\u003c/p\u003e","\u003cp\u003eInvigorator Schottisch The Katy Darling Scottisch\u003c/p\u003e","\u003cp\u003eGalopp Souvenir de Trovatore Crepuscule La Gazelle\u003c/p\u003e","\u003cp\u003eUnter'm Machandelbaum Donauweibchen und Eisner Mann\u003c/p\u003e","\u003cp\u003eAllegro Marziale Another Year Wood Up\u003c/p\u003e","\u003cp\u003eYoung America Waltzes Dance of the Demon Cachucha\u003c/p\u003e","\u003cp\u003eAngels Watching Oh! What is Life.\u003c/p\u003e","\u003cp\u003eEllen's Waltz The Soldiers Joy\u003c/p\u003e","\u003cp\u003eLet us now go even unto Bethlehem The Sailor's Grave\u003c/p\u003e","\u003cp\u003eDid I Try to Paint Temptaion Oh! Yes we often mention her The Deep Deep Sea The Dew Drop All Things Love Thee so do I Dark Eyed One Come! Come! Soldiers Come! Cherry Ripe Where Zephyr dwells Again, Again, Again I Know a Bank Come Buy My Roses O'Come to the West Through the Wood The Banks of the Allan Water Mother oh sing me to rest\u003c/p\u003e","\u003cp\u003eO'er the Blue Sea O Give Me a Home By the Sea Ella Gray Ballad Hear the Wild Birds Song The Rover's Adieu\u003c/p\u003e","\u003cp\u003eLittle Barefoot Only a Pansy Blossom When the Robins Nest Again - cover art\u003c/p\u003e","\u003cp\u003eSliding Down the Cellar Door I Leave you to Decide You Never miss the Water until the Well Runs Dry\u003c/p\u003e","\u003cp\u003eScenes de la Csarda Poemes Hongrois\u003c/p\u003e","\u003cp\u003eWyoming Grand Waltz Franconia Waltz\u003c/p\u003e","\u003cp\u003eWake Lady Wake The Social Glass\u003c/p\u003e","\u003cp\u003ecolor cover art\u003c/p\u003e","\u003cp\u003eThree Fishers went sailing Autumn Leaves Turn Fortune, Turn Thy Wheel\u003c/p\u003e","\u003cp\u003eCover art\u003c/p\u003e","\u003cp\u003eScales and Exercises for the Piano Forte La Rose Trumpet March Malcolm's March Leipsig Waltz O Cara Memoria Le Charme Le Debut de La Jeunesse Gallopade Quadrille The Emerald The Sultana 'T were wain to tell thee\u003c/p\u003e","\u003cp\u003eNon piu mesta in la Cenerentola Come to Me, Gentle Sleep Les Bords du Rhin Trois Sentimentales: L'eloge des Larmes Collection of Operatic Airs Le Petit Tambour Six Tyrolien Waltzes Duo de Belisario Air de Herold L'Alliance Melodies Gracieuses Le Retour au Chalet L'elisir D'amore Marche de la Norma\u003c/p\u003e","\u003cp\u003eMrs. Lofty and I Eight Dollars a day\u003c/p\u003e","\u003cp\u003eBraille Notation\u003c/p\u003e","\u003cp\u003eMy Love, my last thoughts are of thee Helen May\u003c/p\u003e","\u003cp\u003eFourth Calisthenic Rondo Third Calisthenic Rondo Alpenlied The Rosy Morn Come Where the Violets Blow Birth-day Ball: Valse Birth-day Ball: Schottische - cover art The Hazel Dell The Arkansas Traveller Oft in the Stilly Night Wake from your Slumbers Galatea Mazurka\u003c/p\u003e","\u003cp\u003eThe Dew Drop Brothers raise the Cheerful Song Soft be the gently breathing notes\u003c/p\u003e","\u003cp\u003eSaviour breathe an evening blessing Te Deum Laudamus\u003c/p\u003e","\u003cp\u003eLa Pastorale Provencale Berceuse Amoureuse\u003c/p\u003e","\u003cp\u003ecover art \u0026amp; photo\u003c/p\u003e","\u003cp\u003eValse de l'Opera Faust de Gounod Third Meditation, Op. 17\u003c/p\u003e","\u003cp\u003eLe coeur de ma mie L'oiseau bleu\u003c/p\u003e","\u003cp\u003eLulu is Our Darling Pride Little Chatter-box Polka The Orphan's Lament Rome! Thou art no more Love's Hours Home Ever Dear Make Me No Gaudy Chaplet Widow Malone\u003c/p\u003e","\u003cp\u003ePrayer at Sea Juvenile Party Galop\u003c/p\u003e","\u003cp\u003eFlorence The Mariner's Bride The Wings of a Dove\u003c/p\u003e","\u003cp\u003eOpus 32 - Heft 1 Opus 32 - Heft 2 Opus 32 - Heft 3 Classiche Violin Musik The Mill Oh Lay Thy Cheek on Mine, Dear Love Opus 38 Dolorosa Nachmittags-stille Morgengruss - Opus 17 Abendmusik\u003c/p\u003e","\u003cp\u003ecover sheet only\u003c/p\u003e","\u003cp\u003eThoughts of Other Days Song Without Words My Mellow Horn\u003c/p\u003e","\u003cp\u003eThe Prima Donna Waltz La Sicilienne Katy-Did Polka The Moldavian Schottisch Royal Irish My Father's Coming Home Mother The Mont Blanc Polka - cover art Douro Polka Faust Quadrille Grand Quadrille Hail to the Chief\u003c/p\u003e","\u003cp\u003eRoseate Polka Victoria Rifles Quadrilles\u003c/p\u003e","\u003cp\u003eHeimweh Silver Bells The First Violet Feu Follet Farewell, We'll Meet Again Irrlicht\u003c/p\u003e","\u003cp\u003eKnights Templar Mazurka Flower Mazurka\u003c/p\u003e","\u003cp\u003eDer kleine Postillon Rheinlander Champagner Walzer\u003c/p\u003e","\u003cp\u003eWhen Night's Dark Shades are Stealing Vienna Gallop\u003c/p\u003e","\u003cp\u003eNo. 2 Petite Valse No. 6 Impromptu\u003c/p\u003e","\u003cp\u003ePrimrose Polka My Soul in one Unbroken Sigh Cricket on the Hearth Little Mischief Polnaise Blosson Polka Ravel Polka You are all the World to Me\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eLa Bohemienne Charming Mazurka Ploka mazurka - Faust Boute-en-Train Flick et Flock Galop Argentine Mazurka - cover art Defile Marche - cover art Caprice Hongrois La Norvegienne\u003c/p\u003e","\u003cp\u003eAraby's Daughter The Maid of Athens Bright and best of the sond of the morning Kate Kearney\u003c/p\u003e","\u003cp\u003eThe Minute Gun at Sea Eve's Lamentation\u003c/p\u003e","\u003cp\u003eThe Watchword Souvenir de la Belle Poules\u003c/p\u003e","\u003cp\u003eI Would not live Alway The Rainbow Schottisch - colored cover art\u003c/p\u003e","\u003cp\u003eThe Orphan's Prayer Mollie Darling\u003c/p\u003e","\u003cp\u003eWhisperings of Love - cover art Angel's Serenade Mountain Belle - cover art Annie Laurie March Perle de L'Amerique - cover picture Red Bird Polka Love by Midnight - cover art torn Innocence Polka - cover art Charming Waltz - cover art Lotta's Favorites - cover picture Violet Waltz - cover art\u003c/p\u003e","\u003cp\u003eThe Coral Schottisch The Rainbow Schottisch - Color cover art The Pearl Polka Sontag Polka The Signal March How dear to me the hour\u003c/p\u003e","\u003cp\u003etitle and cover pages\u003c/p\u003e","\u003cp\u003eBlue Eyed Soldier Boy Is the Sweet Dream Broken\u003c/p\u003e","\u003cp\u003eValse de Mignonette Jovial Waltz Fairy Waltz\u003c/p\u003e","\u003cp\u003eRocked in the Cradle of the Deep Oh! fly to the Prairie Land Ho! 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For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! 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Lingard As Through the Park I Go - cover art of Wm. 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Spare That Tree! - cover art The Old English Gentleman Our Way Across the Mountain, Ho! 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Music from Afar Anna is the One I Love O'er the Wildly Heaving Sea Jingle, Jingle clear the way The Lonely Tear Juliette Waltz\u003c/p\u003e","\u003cp\u003ePeeking Thro' the Bars Swinging in the Lane - cover art Lu LuDee Who will care for Mother Now? 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Pleyel Album Classique our Violin et Orgue  par G. Zanger\u003c/p\u003e","\u003cp\u003eAurora! de Peigeian Oft in the Stilly Night by Wilhel, Iucho\u003c/p\u003e","\u003cp\u003e6 Pieces d'Orgue Pieces Recreatives pour Violin et Piano Pelleas et Melisande by Claude Debussy Album de six Morceaux Choisis\u003c/p\u003e","\u003cp\u003eCling to the Rock\u003c/p\u003e","\u003cp\u003eLove Not! by Blockley The Sea by Phillips Rory O'More by Carl Muller Galop de Piquillo by Francois Hunten\u003c/p\u003e","\u003cp\u003ePleasures of Home\u003c/p\u003e","\u003cp\u003eThy Spirit of Love Keeps a Watch Over Me by G. Linley\u003c/p\u003e","\u003cp\u003eMontechi e Capuletti by J. Blumtal\u003c/p\u003e","\u003cp\u003ePeters' Musical Monthly - Novembe 1871 Peters Musical Monthly - March 1872 Don't Be Sorrowful\u003c/p\u003e","\u003cp\u003eKlavierwerke-Preludio con Fuga by J.S. Bach No. 1 Toccata con Fuga by J.S. Bach Dmoll-Konzert fur Pianoforte by Adolf Ruthardt Bach Capriccio, Fantasie Bach Toccata con Fuga Mendelssohn Lieder Onhe Worte Brahams Duette Bach -Album fur Orgel\u003c/p\u003e","\u003cp\u003eChorus - Down Went McGinty\u003c/p\u003e","\u003cp\u003eGaily the Troubadour\u003c/p\u003e","\u003cp\u003eDie Dollarprinzessin\u003c/p\u003e","\u003cp\u003eWhat Joy to Listen\u003c/p\u003e","\u003cp\u003eRobert Volksmann Musikalisches Bilderbuch\u003c/p\u003e","\u003cp\u003eThe Echo of the Italian Opera\u003c/p\u003e","\u003cp\u003ePaisley Schottisch March from Lucia De Lamermoor- Charles Gobe Norma de Bellini Primrose Polka\u003c/p\u003e","\u003cp\u003eThe Ceebrated Sophie Waltz by Charles Grobe The Tip Toe Polka Galop by J.C. Meininger Etudes de la Velocite by Charles Czerny Der Freischutz by Sydney Smith Thoughts of Home by J. Ascher\u003c/p\u003e","\u003cp\u003eLe Poilu by H. Maurice Jacquet\u003c/p\u003e","\u003cp\u003eBossi Six Morceaux pour Orgue Hellmesberger Exercises en forme de gammes\u003c/p\u003e","\u003cp\u003eL'Art du Chant\u003c/p\u003e","\u003cp\u003eHazel's New Ideal Orchetra Book-First Violin Hazel's New Ideal Orchetra Book-Alto Saxophone\u003c/p\u003e","\u003cp\u003eGeneral Yeoman's Grand March -E.B. Spencer\u003c/p\u003e","\u003cp\u003eTake Them, I Implore Thee\u003c/p\u003e","\u003cp\u003eSmith's March by J. T. Martin Have Faith in One Another by James Perring The Long, long Weary Day\u003c/p\u003e","\u003cp\u003eHarold and Mildred by Herman Finck\u003c/p\u003e","\u003cp\u003ePremiere Symphonie pour grand Orchestre by S. Taneiew Overture, Danses et Marche by A. Borodine\u003c/p\u003e","\u003cp\u003eBlessed are they thta consider the Poor\u003c/p\u003e","\u003cp\u003eSymphonie No. 5 by Anton Dvorak\u003c/p\u003e","\u003cp\u003eCome Home, Father by Henry Clay Work I Wonder why he comes Not\u003c/p\u003e","\u003cp\u003eFritz Spindler's Piano Compositions: Convent Bells\u003c/p\u003e","\u003cp\u003eHorse Radish Fox Favorite Orchestra Folio Vol. 5 - 2nd Coronet Fox Favorite Orchestra Folio Vol. 5 - Bass Fox Favorite Orchestra Folio Vol. 5 - 1st Violin Fox Favorite Orchestra Folio Vol. 5 - Drums\u003c/p\u003e","\u003cp\u003eEvangeline by A.P. Wyman The Little Ones at Home by C.J. Lockwood\u003c/p\u003e","\u003cp\u003ePiano Classics by the Best Composers\u003c/p\u003e","\u003cp\u003eThe May Queen by William Dempster Rakeman's Pas Redouble Gipsey Schottisch Guillaume Tell by F. Beyer White Mountain Serenade Do They Miss Me at Home? In Dreams of Peace The Dismal Swamp Where are the Friends of My Youth Farewell\u003c/p\u003e","\u003cp\u003eThe May Queen Le lever du Soleil Do They Miss Me at Home? Sally, Come Up Love's Hidings Place Prison Waltz I Love the Merry Sunshine The Pirates Chorus\u003c/p\u003e","\u003cp\u003ePokcaha March Wont you tell me why, Robin? The Pianist's Best Companion Why Not Be Happy Now The Vocal Beauties of Lucia di Lammermoor\u003c/p\u003e","\u003cp\u003eMorceau de Concert par F. Servais Violoncelle Opus 14 (2) Concert fur das Violoncell von Carl Reinecke O Cara Memoria F. Servais Op 17. (2) Fantaisie Burlesque pour Violoncelle par F. Servais Op.9\u003c/p\u003e","\u003cp\u003eFantasie Burlesque (ou le Carnaval de Venise) pour Violoncelle par F. Servais Op.9 Grande Fantaisie polonaise sur des Airs du Ballet par F. Servais Op. 19 Grande Fantaisie polonaise pour Violoncelle par F. Servais Op. 19 Faust ( Margarethe) oper in Funf akten von Gound No. 2 Polnischer National-Gesang Chant National Polonais; Vaterlands-Lieder von Ferd. Beyer; Albert Sowinski ( includes National Hymns/Songs from Poland, France, the Netherlands, Belgium, Norway, Scotland, Chile, Serbia, Java)\u003c/p\u003e","\u003cp\u003e25 Etudes pour Piano par Francois Hunten Opus 114 Jugend Bande, Leichtes Vierhandiges Album, Band 1: Aletter, Kleines Menuett; Franke, Fruhlingszauber; Gurlitt, Valse noble; Parlow, Polonaise; Reinecke, Primula veria; Sartorio, Mit Lingendem Spiel; Spindler, Landisches Fest; Morley, Teerose; Zilcher, Wasserfahrt, Barcolle; Mendelssohn, LUD, Zigeunertanz; Ziegler, Goldene Sterne, Abenlied; Schytte, Allegro moderato; D'Ourville, Fruhling; Wil, Tanz im Dorfe First Flights in Music (melodius piano Studies for Beginners) by Martin Frey 25 Etudes pour le Piano par Fredic. Burgmuller, Op.100\u003c/p\u003e","\u003cp\u003eRebecca at the Well by Septimus Winner Linked with many bitter Tears by Alice Hawthorne Ideas from the Opera, No. 1 Flower Song \u0026amp; Chorus from Faust\u003c/p\u003e","\u003cp\u003eCapricious Annette bu Gaston Borch\u003c/p\u003e","\u003cp\u003eSymphonies pour Orgue par Charles Marie Widor\u003c/p\u003e","\u003cp\u003eReturn of Spring Polka Brilliant par Theo. Moelling The Wreath-A collection of favorite Waltzes-Jour de Naissance, Op. 89, Burgmuller\u003c/p\u003e","\u003cp\u003eMarceline Polka for Piano Forte by John A. Janke, Jr.\u003c/p\u003e","\u003cp\u003eBirds of All Feathers, a musical sketch by Mildred Adair\u003c/p\u003e","\u003cp\u003eLa Traviata par Charles Voss\u003c/p\u003e","\u003cp\u003eLovey-Dovey Intermezzo by Robert A. Hellard\u003c/p\u003e","\u003cp\u003eO Let me Die in spring-time by W. Cumming\u003c/p\u003e","\u003cp\u003eZampa Gallopades by Herold\u003c/p\u003e","\u003cp\u003eThe Lost Fairy Cavatina by C.AE.Horn (cover only)\u003c/p\u003e","\u003cp\u003ePique Dame Galop by C. Denstedt\u003c/p\u003e","\u003cp\u003eThe Celebrated Anvil Chorus by Francis H. Brown Oh Summer Night by Wm. Dressler, Op.41 Happy Home of My Childhood by George Croal A Voice from the Waves Duett by Stephen Grover Louise Polka Brilliante by Joseph Ascher Pepita Polka by Joseph Ascher\u003c/p\u003e","\u003cp\u003eThe Whispering Wind Mazurka Caprice pour le Piano par  Hermann A. Wollenhaupt, Op. 38 Nellie Darling by H. Millard Sleeping I Dreamed Love by W.V. Wallace\u003c/p\u003e","\u003cp\u003eAs You Like it by Wiliam Shakespeare; music Kiss me and Say Goodnight by Johnston \u0026amp; Wiedoft\u003c/p\u003e","\u003cp\u003eEtudes de la Velocite pour le Piano forte par Charles Czerny\u003c/p\u003e","\u003cp\u003eSweet Smile Polka by Charles Kinkel\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Sheet Music Collection includes sheet music collected by the Special Collections Research Center.","This series includes sheet music collected by the Special Collections Research Center prior to 2007.","Scope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.","Scope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.","Scope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.","Scope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.","Scope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.","Scope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.","Scope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.","Scope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.","Scope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.","Scope and Contents \"Latest and Best\" - undated","Scope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;","Scope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.","Scope and Contents \"Maid of Athens\" - undated, Allen ?, composer.","Scope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.","Scope and Contents \"Minnesota March\"- undated, George N. Allen, composer.","Scope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.","Scope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.","Scope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.","Scope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.","Scope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.","Scope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.","Scope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.","Scope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.","Scope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.","Scope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.","Scope and Contents \"Soko\" - 1903, John Arnold, composer.","Scope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.","Scope and Contents \"Alice\" - undated, Joseph Asher, composer.","Scope and Contents \"My Task\"- undated, E.L. Ashford.","Scope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.","Scope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.","Scope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.","\"Marching Through Georgia, Rudolf Thaler, composer","Scope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.","Scope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.","Scope and Contents \"Miss Helyett\"- undated, E. Audran, composer.","Scope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.","Scope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.","Scope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.","Scope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.","Scope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.","Scope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.","Scope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.","Scope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.","Scope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.","Scope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.","Scope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.","Scope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.","Scope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.","Scope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.","Scope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.","Scope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.","Scope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.","Scope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.","Scope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.","Scope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.","Scope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.","Scope and Contents \"Virginia\" - 1904, D. A. Barrackman","Scope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;","Scope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.","Scope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.","Scope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.","Scope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.","Scope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer","Scope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.","Scope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.","Scope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.","\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.","Scope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.","Scope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.","Scope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.","Scope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.","Scope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.","Scope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.","Scope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.","Scope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.","Scope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.","Scope and Contents \"Parlor Concert\" - undated, Carl J. Berger.","Scope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.","Scope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.","Scope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.","Scope and Contents \"Maybe\" - undated, Bertrand Brown, composer.","Scope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.","Scope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.","Scope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.","Scope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.","Scope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.","Scope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.","Scope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.","Scope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.","Scope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.","Scope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.","Scope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.","Scope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.","Scope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.","Scope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.","Scope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.","Scope and Contents \"Blackmar\u0026Bro's selection of Favorite Songs\" - undated, Blockley, composer.","Scope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.","Scope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.","Scope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.","Scope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.","Scope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.","Scope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.","Scope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.","Scope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.","Scope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.","Scope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.","Scope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.","Scope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.","Scope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.","Scope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.","Scope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.","Scope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.","Scope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.","Scope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.","Scope and Contents \"Remember Me\" - undated, M. Brinkman, composer.","Scope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.","Scope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.","Scope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.","Scope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.","Scope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.","Scope and Contents \"Salut a La France\" - undated, Brunner, composer.","Scope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.","Scope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.","Scope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.","Scope and Contents \"At Evening\" - 1899, Dudley Buck, composer.","Scope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.","Scope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.","Scope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.","Scope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.","Scope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.","Scope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.","Scope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.","Scope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.","Scope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.","Scope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.","Scope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.","Scope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.","Scope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.","Scope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.","Scope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.","Scope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman","Scope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar","Scope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana","Scope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell","Scope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell","Scope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning","Scope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders","Scope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew","Scope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence","Scope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle","Scope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams","Scope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael","Scope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael","Scope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens","Scope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola","Scope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll","Scope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll","Scope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin","Scope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi","Scope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll","Scope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar","Scope and Contents \"Martha\" - undated, composed by Cavatine","Scope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade","Scope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway","Scope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry","Scope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin","Scope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy","Scope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel","Scope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke","Scope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft","Scope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau","Scope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover","Scope and Contents \"My Reverie\" - 1938, by Larry Clinton","\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford","Scope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton","Scope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley","Scope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse","Scope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel","Scope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.","Scope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.","Scope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.","Scope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.","Scope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.","Scope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.","Scope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.","Scope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.","Scope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.","Scope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.","Scope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.","Scope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.","Scope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.","Scope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.","Scope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.","Scope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer","Scope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis","Scope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots","Scope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin","Scope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow","Scope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe","Scope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner","Scope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper","\"How Can I Leave Thee?\" - 1851, by C. Cramer","Scope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer","Scope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn","\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford","Scope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson","Scope and Contents \"The Pelican\" - undated, composed by W.J. Crerar","Scope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch","Scope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny","Scope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.","Scope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.","Scope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.","Scope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.","Scope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.","Scope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.","Scope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.","Scope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.","Scope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.","Scope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.","Scope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg","Scope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.","Scope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.","Scope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.","Scope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.","Scope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.","Scope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.","Scope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.","Scope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.","Scope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.","Scope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.","Scope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.","Scope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.","Scope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.","Scope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.","Scope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.","Scope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson","Scope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson","Scope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan","Scope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence","Scope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter","\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin","Scope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher","Scope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro","Scope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin","Scope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz","Scope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro","Scope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie","Scope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods","Scope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge","Scope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth","Scope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler","Scope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert","Scope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson","\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph","Scope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds","Scope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks","Scope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn","Scope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti","Scope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn","Scope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist","Scope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty","Scope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen","Scope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.","Scope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.","Scope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.","Scope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.","Scope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer","Scope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.","Scope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.","Scope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.","Scope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.","Scope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer","Scope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.","Scope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.","Scope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.","Scope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.","Scope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.","Scope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.","Scope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.","Scope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.","\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.","Scope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.","Scope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.","Scope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.","Scope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.","Scope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.","Scope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.","Scope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.","Scope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.","Scope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.","Scope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.","Scope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.","Scope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.","Scope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.","Scope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.","Scope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.","Scope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.","Scope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.","Scope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.","Scope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.","Scope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.","Scope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.","Scope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.","Scope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.","Scope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.","Scope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.","Scope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.","Scope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.","Scope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.","Scope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.","Scope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.","Scope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.","Scope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.","Scope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.","Scope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.","Scope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.","Scope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.","Scope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.","Scope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.","Scope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.","Scope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.","Scope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.","Scope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.","Scope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.","Scope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.","Scope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.","Scope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.","Scope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.","Scope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.","Scope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.","\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones","Scope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger","Scope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes","Scope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel","Scope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade","Scope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey","Scope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.","Scope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland","Scope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay","Scope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay","Scope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips","Scope and Contents \"Calcutta\" - 1958, Heino Gaze","Scope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze","Scope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood","Scope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert","Scope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn","Scope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens","Scope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis","Scope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman","Scope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter","Scope and Contents \"Gavotte\" - undated, by C.W. Gluck","Scope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts","Scope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood","Scope and Contents \"The Guards Waltz\" - undated, by D. Godfrey","Scope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent","Scope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler","Scope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold","Scope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn","Scope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz","Scope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman","Scope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman","Scope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash","Scope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel","Scope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria","Scope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare","\"Do You Really Think He Did?\" - 1855, by J.T. Gosden","Scope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke","Scope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk","Scope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod","Scope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley","Scope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept","Scope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle","Scope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David","\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman","\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham","Scope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour","\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill","Scope and Contents \"Anona\" - 1903, by Vivian Grey","Scope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York","Scope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose","Scope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe","Scope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé","Scope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman","Scope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange","Scope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend","Scope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson","Scope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo","Scope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l","Scope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams","Scope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt","Scope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez","Scope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.","Scope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.","Scope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.","Scope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.","Scope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.","Scope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.","Scope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.","Scope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.","Scope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.","Scope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.","Scope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.","Scope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.","Scope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.","Scope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.","Scope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.","Scope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.","Scope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.","Scope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.","Scope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.","Scope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.","Scope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.","Scope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.","Scope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.","Scope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.","Scope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt","Scope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith","Scope and Contents \"Clareene\" - 1905, by Max L. Herman","Scope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache","Scope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer","Scope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz","Scope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman","Scope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh","Scope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller","Scope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton","Scope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber","Scope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter","Scope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs","Scope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence","Scope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed","Scope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon","Scope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman","\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith","Scope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer","Scope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman","Scope and Contents \"The Gift Polka\" - 1855, by Albert Holland","Scope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser","Scope and Contents \"Smoky Mokes\" - undated, by A. Holzmann","Scope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy","Scope and Contents \"The Toast\" - 1931, by Francis Hopkinson","Scope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach","Scope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard","Scope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard","\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks","Scope and Contents \"Winsome Grace\" - 1890, by T.H. Howe","Scope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden","Scope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills","Scope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah","Scope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.","Scope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck","\"Holiday Waltz - 1878, J.A. Ide, composer.","Scope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.","Scope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.","Scope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.","Scope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.","Scope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026 Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.","Scope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.","Scope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.","Scope and Contents \"Eva's Parting\" - 1852, F. James, composer.","Scope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.","Scope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.","Scope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.","Scope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.","Scope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;","Scope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.","Scope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.","Scope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.","Scope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.","Scope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.","Scope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.","Scope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.","Scope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.","Scope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.","Scope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams","Scope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston","Scope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting","Scope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders","Scope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang","Scope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby","Scope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn","Scope and Contents \"Variations sur Lestoco\" - undated, by H. Karr","Scope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun","Scope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters","Scope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser","\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson","Scope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove","Scope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly","Scope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly","Scope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly","Scope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley","\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.","Scope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II","Scope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel","Scope and Contents \"Rondeaux\" - undated, by Ferd. Kessler","Scope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby","Scope and Contents \"Gipsies\" - undated, by Ella Ketterer","Scope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer","Scope and Contents \"Sonate\" - undated, by Friedrich Kiel","Scope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder","Scope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King","Scope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare","Scope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn","Scope and Contents \"The Star Spangled Banner\" - 1835, W.A. King","Scope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel","Scope and Contents \"A Bohemian Walzer\" - undated, by Kirmair","Scope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber","Scope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein","\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll","Scope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis","Scope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini","Scope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley","\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost","Scope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton","Scope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass","Scope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy","Scope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler","\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine","Scope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset","Scope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan","Scope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.","Scope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.","Scope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.","Scope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.","Scope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.","Scope and Contents \"Union March\" - undated, Hans Krummacher, composer.","Scope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.","Scope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.","Scope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.","Scope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.","Scope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.","Scope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.","Scope and Contents \"Memories\" - 1901, Albert Kussner, composer.","Scope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.","Scope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.","Scope and Contents \"Crescendo\" - 1896, Per Lasson, composer.","Scope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.","Scope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.","Scope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.","Scope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.","Scope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.","Scope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.","Scope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.","Scope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.","Scope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.","Scope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.","Scope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers","Scope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona","Scope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles","Scope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee","Scope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef","Scope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély","Scope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart","Scope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare","Scope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse","Scope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow","Scope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky","Scope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke","Scope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin","Scope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields","Scope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg","Scope and Contents \"All-American Girl\" - 1932, by Al Lewis","Scope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais","Scope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis","Scope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa","Scope and Contents \"Mocking Bird\" - 1903, by Fred Lewis","Scope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis","Scope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young","Scope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach","Scope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.","Scope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.","Scope and Contents \"Tired\" - undated, M. Lindsay, composer.","Scope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.","Scope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.","Scope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.","Scope and Contents \"Too Tired\" - 1924, George A. Little, composer.","Scope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.","Scope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.","Scope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.","Scope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.","Scope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.","Scope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.","Scope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.","Scope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.","Scope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.","Scope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.","Scope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.","Scope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw","\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo","Scope and Contents \"At Rest\" - 1915, by Katherine E. Lucke","Scope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna","Scope and Contents \"In Memoriam\" - 1872, by A. Lutz","\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire","Scope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg","Scope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.","Scope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.","Scope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.","Scope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.","Scope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.","Scope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid","Scope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.","Scope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;","Scope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;","Scope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell","Scope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell","Scope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell","Scope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren","Scope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack","\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.","Scope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano","Scope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300","Scope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.","Scope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.","\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.","Scope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.","Scope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.","Scope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.","Scope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.","Scope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.","Scope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.","Scope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.","Scope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.","Scope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.","Scope and Contents \"Smith's March\" - 1848, J.T. March - composer.","Scope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.","Scope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.","Scope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.","Scope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.","Scope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.","Scope and Contents \"Longing\" - undated, Charles Mayor, composer.","Scope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.","Scope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.","Scope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.","Scope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.","Scope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.","Scope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.","Scope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.","Scope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.","Scope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.","Scope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.","Scope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.","Scope and Contents \"Butterfly\" - undated, G. Merkel, composer.","Scope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.","Scope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.","Scope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer","Scope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist","Scope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist","Scope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist","Scope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer","\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund","Scope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists","Scope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer","Scope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists","Scope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist","Scope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists","Scope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist","Scope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists","Scope and Contents \"Retour du Printemps\" - undated, Moelling, composer","\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist","Scope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist","Scope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer","Scope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist","Scope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist","Scope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist","Scope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists","Scope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist","Scope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist","Scope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer","\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists","Scope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist","Scope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist","Scope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer","Scope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists","Scope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist","Scope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer","Scope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist","Scope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist","Scope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer","Scope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists","Scope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist","Scope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer","Scope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists","Scope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist","Scope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist","Scope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer","Scope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist","Scope and Contents \"The Beauregard\" - 1861, A. Noir, composer","Scope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist","Scope and Contents \"Èlègie\" - 1895, E. Nollet, composer","Scope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist","Scope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer","\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist","Scope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer","Scope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist","Scope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer","Scope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer","Scope and Contents \"La Polka\" - undated, Offenbach, composer","Scope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists","Scope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist","Scope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist","Scope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist","Scope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist","Scope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists","Scope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist","Scope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists","Scope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist","Scope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist","Scope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists","Scope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer","Scope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist","Scope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist","Scope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.","Scope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.","Scope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.","Scope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.","Scope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.","Scope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.","Scope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.","Scope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.","Scope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.","\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.","Scope and Contents \"Pensees\" - undated, Ernst Perabo, composer.","Scope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.","Scope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.","Scope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.","Scope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.","Scope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.","Scope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.","Scope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.","Scope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.","Scope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.","Scope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.","Scope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.","Scope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.","Scope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.","Scope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.","Scope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.","Scope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.","Scope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.","Scope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.","Scope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.","Scope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.","Scope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer","Scope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer","Scope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist","Scope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists","Scope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist","Scope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist","Scope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer","Scope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist","Scope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist","Scope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer","Scope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer","Scope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer","Scope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist","Scope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist","Scope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist","Scope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer","\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists","Scope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist","Scope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer","Scope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger","Scope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer","\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist","Scope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer","Scope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer","Scope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist","Scope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists","Scope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists","Scope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist","Scope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist","Scope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist","Scope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist","Scope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist","Scope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer","Scope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists","Scope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer","Scope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.","Scope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.","Scope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.","Scope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.","Scope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.","Scope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.","Scope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.","Scope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.","Scope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.","Scope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.","Scope and Contents \"Trumpet March\" - undated, Rossini, composer.","Scope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.","Scope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.","Scope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.","Scope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.","Scope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.","Scope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.","Scope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.","Scope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.","Scope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.","Scope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.","Scope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.","Scope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.","Scope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.","Scope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.","Scope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.","Scope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.","Scope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.","Scope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.","Scope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.","Scope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.","Scope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.","Scope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.","Scope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.","Scope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.","Scope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.","Scope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.","Scope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.","Scope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.","Scope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.","Scope and Contents \"Quintett\" - undated, Robert Shunmann, composer.","Scope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist","Scope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist","Scope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist","Scope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist","Scope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists","Scope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer","Scope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer","Scope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist","Scope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott","Scope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist","Scope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist","Scope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists","Scope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist","Scope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists","Scope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer","Scope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer","Scope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist","Scope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist","Scope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer","Scope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists","Scope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer","Scope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist","Scope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists","Scope and Contents \"Autumn\" - 1931, Lee Sims, composer","Scope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer","Scope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist","Scope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist","Scope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer","Scope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer","Scope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist","Scope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist","Scope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist","Scope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer","Scope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896","Scope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer","Scope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer","Scope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist","Scope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist","Scope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist","Scope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer","Scope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists","Scope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer","Scope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer","Scope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer","Scope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist","Scope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist","Scope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer","Scope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist","Scope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists","Scope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer","Scope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.","Scope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.","Scope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.","Scope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.","Scope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.","Scope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.","Scope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.","Scope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.","Scope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.","Scope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.","Scope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.","Scope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.","Scope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.","Scope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.","Scope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.","Scope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.","Scope and Contents \"Polka\" - undated, L. Streabbog, composer.","Scope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.","Scope and Contents Florodora\" - 1900, Stuart Leslie, composer.","Scope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.","Scope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.","Scope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.","Scope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.","Scope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.","Scope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.","Scope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist","Scope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer","Scope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert","Scope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist","Scope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist","Scope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist","Scope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist","Scope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist","Scope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist","Scope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist","Scope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist","Scope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist","Scope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist","Scope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer","Scope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists","Scope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist","Scope and Contents \"Hence Discontent\" - undated, Tolbecque, composer","Scope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer","Scope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer","Scope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier","Scope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist","Scope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists","Scope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist","Scope and Contents \"Tarantelle\" - undated, Berthold Tours, composer","Scope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists","Scope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist","Scope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist","Scope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer","Scope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist","Scope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer","Scope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist","Scope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer","\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists","Scope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists","Scope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists","Scope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist","Scope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer","Scope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist","\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist","Scope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist","Scope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists","Scope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer","Scope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist","\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists","Scope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer","Scope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist","Scope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist","Scope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer","Scope and Contents \"Don Juan\" - undated, Charles Voss, composer","Scope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.","Scope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.","Scope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.","Scope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.","Scope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.","Scope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.","Scope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.","Scope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.","Scope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.","Scope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.","Scope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.","Scope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.","Scope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.","Scope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.","Scope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.","Scope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.","Scope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.","Scope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.","Scope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.","Scope and Contents \"Polka\" - 1859, Julius Weel, composer.","Scope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .","Scope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.","Scope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.","Scope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.","Scope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.","Scope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.","Scope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.","Scope and Contents \"Postlude in F\" - 1896, John A. West, composer.","Scope and Contents \"Postlude in B\" - undated, John E. West, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.","Scope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.","Scope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.","Scope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.","Scope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.","Scope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.","Scope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.","Scope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.","Scope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.","Scope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.","Scope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.","Scope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.","Scope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.","Scope and Contents \"Black Apollo\" - undated, Charles White, composer.","Scope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.","Scope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.","Scope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.","Scope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.","Scope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.","Scope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.","Scope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026 Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.","Scope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.","Scope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.","Scope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.","Scope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.","Scope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.","Scope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.","Scope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.","Scope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.","Scope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.","Scope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.","Scope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.","Scope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.","Scope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.","Scope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.","Scope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.","Scope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.","Scope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.","Scope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.","Scope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.","Scope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.","Scope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.","Scope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.","Scope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.","Scope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.","Scope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.","Scope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.","Scope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.","Scope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.","Scope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.","Scope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.","Three items present.","Scope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.","Scope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.","Scope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.","Scope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.","Scope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.","Scope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.","Scope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.","Scope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.","Scope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.","Scope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026 Claribel, composers.","Scope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.","Scope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.","Scope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.","Scope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.","Scope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026 F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.","Scope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.","Scope and Contents Untitled exercise book, undated, various composers.","Scope and Contents Untitled exercise book, undated, unknown composer.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.","Scope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.","Scope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.","Scope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.","Scope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.","Scope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers","Scope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.","Scope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.","Scope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.","Scope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.","Scope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.","Scope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers","Scope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.","Scope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.","Scope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers","Scope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.","Scope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.","Scope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.","Scope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;","Scope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.","Scope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.","Scope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.","This series includes sheet music collected by the Special Collections Research Center beginning 2007.","\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.","\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.","Scope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;","10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026 Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.","Scope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.","Scope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.","Scope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.","Scope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.","Scope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.","William's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.","Scope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .","Songster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.","Scope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.","Scope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026 Co.  Copyright date of 1851.  Hand sewn binding.","Contains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.","From the musical comedy \"Three Little Lambs.\"","Contains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026 Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026 Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026 Dresser, New York, 1903.","Contains songs for use in \"Special Services Activites by Armed Forces personnel only.\"","Scope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.","Scope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.","Contains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.","Five Salted Peanuts","Capt. May's Quick Step","Virginia","Sweet Virginia Rose","He's A Rag Picker","Carry Me Back to Old Virginia (two copies)","Peanuts And Diamonds","The Teddy Bears' Picnic","Hot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)","Wait Till The War, Love, Is Over","Rose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)","Virginia Lullaby","Scope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"","Heart-Sickness Blues","Bud Rag","Moonlight on the Melonpatch","How's Your Folks and My Folks Down in Norfolk Town","Virginia Blues (two copies)","Virginia Belle","Virginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)","There's a Girl in Old New Hampshire Whose Heart is Apart of Me","Peanuts (La Cacahuata)","Tell Them You're From Virginia","'Mid Tthe Green Fields of Virginia","Throwing Peanuts to the Moon","Scope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"","Texas","Old Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)","Pray, Maiden , Pray!","The U. Va. Two-Step","Watermelon Club","Virginia Lou","I'm Going to Climb the Blue Ridge Mountains Back to You","Temptation Rag","Watermelon Man","She is the Sunshine of Virginia","Billy","Billy Boy","When It's Harvest Time in Peaceful Valley","Melinda's Wedding Day","The Lord Made a Peanut","At a Georgia Campmeeting","Shenandoah","Watermelon and Friends","Chariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)","Melon Time in Dixieland","I'm Gonna Bring a Watermelon to my Girl To-Night","Heart of Virginia","Virginia Moon (Waltz-song)","An Old Fashioned Garden in Virginia","The Peanut Vendor (El Manisero)","A Tale of Old Virginia","Under the Anheuser Bush (two copies)","Watermelons- Songs for Living","When it's Springtime in Virginia","Watermelon Weather","Peanuts! 5 a Bag","Carbalick Acid Rag","Memories of Virginia (Two copies)","Down Old Virginia Way (Operatic Edition)","Cover Me Up with the Sunshine of Virginia","Contains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"","La Belle Virginienne Valse (Binding hand-stitched)","The Ashland Memories","Princess Pocahontas (March and Two Step)","Researchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.","Organist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz","Gems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?","Christmas Song O Christmas Night Le Diable-A-Quatre Polka","Don't Be Angry Mother Scotch Air","A Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy","Picture of Comm. Enrico Caruso","known also as The Prima Donna Song; arranged and adapted by Chas.Jarvis","from Bellini's Admired Opera of Il Pirata","La Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore","cover art","cover art","photo on cover","hand written music sheets included","photo of Allen on cover","Souvenir edition for Army Air Forces Leave Hotels on French Riviera","Hand written music sheets with hand designed cover art","Tis Midnight Hour with cover art Constancy","Larmes of Joie Katie's Secret","Cover Art","cover only","covert art","Somebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight","cover art","Ecstasy The Meeting - cover art L' Arditia","Treasures of the Deep One Struggle More","Mexico","Cover Art Madrid ,Spain","Cover Art","cover art: photo of Julio Martinez Arteaga Bolivia - Spanish","Marie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure","Bolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)","Mexico - Spanish","Italian Photos on cover","Sweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast","Mexico - Spanish","Spanish - Barcelona, Spain Cover art by J. Casals","Christine - cover art My home by the mountain side The Cot by the Hill - cover art","Drei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken","London","Orphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany","Centennial March - cover art I'd be a Butterfly","cover art","The Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee","Once a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits","Then You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!","I Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee","Italian","Das Konigsballet","German and English","Dear  Love, Be True Darling \"Tis You","Mary Gray The Gypsie's Festival","Der Herr is Mein Hirt - German Marcia Fantastica Albumblatt","I am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? Why do Summer Roses Fade Would you Leave me to Mourn","O bury me by the river's side Silently, tenderly, mournfully home","O That I Had Wings Love Not Waltz Give Me another Flower I Love Thee Still","I Spring-Tine When the Tide Comes In My Golden Ship","The Days of Old Romance Le Matin (Polka)","The Highland Minstrel Boy Moonlight, Music, Love \u0026 Flowers My Father Land Guard Her as a Treasure The Light Guitar Why Do I Weep - cover art Galopade from Gustavus By the Flowing Guadilquiver I wish I had a Little Bird Why Say Farewell!","Don't Stay away so Long Little Footsteps - cover art","I Oftern Sigh in Sadness Love's Regret","The Dying Girl's Farewell Novelette Quickstep","I Would That My Love - German and English Lieder Ohne Worte The Wedding March Trois Fantasies","Sing to Me Nightingale The Village Quick Step","Sweet and Low There is a fountain fill'd with blood Don't Care Tarantella","Silvery Shower Biscaccianti Waltz Breakfast Bell Polka Salut a La France Ever Be Happy! The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day","Bilder in TonenGerman with cover art Rondo Mignon","Long Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife","French cover art and photos","Ah! Yes I Remember How Sweet are the Roses","Le Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale","The Whispering Trees The Image in the Heart","Sonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz","Rondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! God Thy Goodness Vienne March Minuet in G Grand Waltz Sonatine Sonaten Op. 10","Irrlichter The Jolly Trumpeter Galop","German","Italian","Take Them I implore Thee Hear me Norma Wher eare Now the Hopes I Cherished Sunbeam of Summer Oh Love for Me Thy Power Ah Bello a Me Ritorna Still so Gently o'er Me Stealing La Sonnambula Ah! non giunge Grand March in Norma","Linda Dumbarton's March 20 Joys (collection for Piano Fairy Dances Highland Fling Lilly Dale Starlight is Beaming I've not a thought but what is Thine Starlight Waltz","Night Fall Schottisch Hyazinth Schottisch The Young Recruit Quickstep La Favorita Domino Gallop Starlight Waltz Sleeping I Dream Love Blanche Alpen Waltz The Snowflake Schottisch The Dearest Spot of Earth Friendships Polka","Rocking Chair Polka 'Tis Midnight Hour Les Bords du Rhin A Good Old Fashion Polka St. Patricks Day Waltz Il Travatore Yankee Doodle The Wizard's Polka Schottisch Quickstep Lily Dale March di Bravura Poliuto","Bridal March La Fille du regiment Gentle Annie Friendship Waltz Bon Ton Polka Clara Polka Le Torrent Waltz Martha Potpouri Polka Joyful Waltz Little Darling Sack Waltz Chit Chat Plain Cotillion","cover photo","Wait for the Wagon Hope Be Thy Guide","The Atlantic Polka By the Sad Sea Waves Take this Lute - cover art The Cruiskeen Lawn","cover art","English and French","The Sands of dee Octave Galop The Tremolo Waltz Linda di Chamounix Les vespres Siciliennes La Traviata","covert art","Italian and English","Italian","German and English versions","Ernani Rondeau Polacca Rondeau La Muette de Portici Teufel's Polka Balisario The Evening Star Waltz Parade March Martha de Flotow Lucia di Lammermoor","La Fille du Regimment Salut a la France The Evening Star Waltz O Wert Thou But Mine Own Love Fleurs Italiennes Elfen Waltz Second March Martha Norma Ernani","Lucrezia Borgia Maniac or Pestal Waltzes Le Prophete Evening Star Waltz Last Waltzes of a Madman Azalea Polka I Puritani Faust de Spohr","Bouquets de Melodies OP. 42 - Cover art Belisario Post Horn Polka Evening Star Waltz La Sonnambula Opera Guillaume Tell de Rossini - cover art Fleurs Italiennes","Toujours Mobile Galop Faust","Marguerite - cover art Take Me Jamie dear","Home! Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band","Pretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells","\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle","On the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March","Oh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly","cover art","cover art","The Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube","Remember Me - cover art 48 Etudes","True Love Lives Forever Wery Pekoollar","German; cover art","Lora vale Remembered","The Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words","A Favourite French Air Michelson's Celebrated Waltz","The Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message","covert art","The Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop","Silhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German","Goodbye Douglas, Tender and True the Sea has its Pearls","French and English","Italian","cover art","photo on cover","The Lament of the Blind Orphan Girl Victory at Last","Italian, German, English","Take My Arm the Other Side Quadrille","Serenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76","Oriental Waltz Carmac Polka","photo cover","Golden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn","Bring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling","German and English","Fantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61","Woodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille","Tyrolese Evening Hymn Come to the Sunset Tree","Rondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano","French- colored cover with photo","Te Deum in B Minor Down by the Mill","The Diana Waltz The Ocean Wave Waltz","The Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene","Jolly Brothers L'Avant Coureur Galop","cover art photo","Marching Along Quick Step Rory O'Moore Quick Step","Fee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse","Colored cover art","Cinderella Waltz Oh Welcome the Hour from Catherine Grey","ZaZa - French - covert art Elle Avait des Soquettes - cover art","Italian","Italian","Weep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me","Italian","covert art","Love Moon J'aime Mon Amour - cover art","Mexico","Ring the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling","Italian","Espana Tabasco March Habanera","Miller's Daughter - cover art Three Little Songs","Nancy Till The Black Quadrilles","Automne Les Noces D'Argent","I Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? Trees of the Forest How beautiful is the Sea When the Autumn leaves are falling","Chanson Pour Jean Le Cantique De Justice John's Lullaby","Old Folks at Home Susan Rayne","Deux Polonaises Op. 26 XXI Op. 25 Mazurka No. 1 Vier Impromptus Trois Valses Op. 64 Fantaisie-Impromptu Op. 66","Cover Photo","I cannot Sing the Old songs My Heart is over the Sea Five O'Clock in the Morning Faithful to Thee Maggie's Secret Maggie's Welcome - cover art Strangers Yet Take back the Heart We'd Better to Bide a Wee Won't You Tell Me Why Robin All Along the Valley","Poor Juna Rock of Liberty Meet Me By the Running Brook Minnie Minton Under the Ice Do not Sing that Song Again The Rover's Grave Jenny June The Sword of Bunker Hill I Live for Those Who Love Me The Old Mountain Tree Lament of the Sailor Boy's Mother","Sonate Op.36 Sonate No. 3 C. Sechs Sonatinen Sonata Nr. 18","Sweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken","cover art","covert art","cover art","cover art","cover photo","cover photo","cover art","The Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more","The captain Grand March","Judith The May Queen The Holiday The Valley of Roses","Farewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha","Spring Season Polka Three Bells Polka","Dear Violetta Loves Ritornella Gustavus the Third","The Chatsworth Quadrilles Mugby Junction Galop","Beautiful Air The Harp That I Strung","Ecco Quel Fiero La Stella D'Amore","I Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch","Tarantelle Celluloid Polka-cover art","She is Sleeping, Sweetly Sleeping The Dismal Swamp","Sweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie","Thou Still Art Near to Me Meet Me at the Lane","Last Idea of Weber The Lat Rose of Summer Le Desir","Frederick Polka Il Desiderio Lucrezia Borgia De Donizetti","Marche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies","cover art","The Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch","L'Hirondelle et le Prisonnier Une Voix Dans La Nuit","Lovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae","Pray Child then Pray - cover art Ernani","Kathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie","See Saw Waltz Little, Saucy Kate -cover art","Johnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles","Had I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore","Trust to Luck Juney at the Gate","Sweet Alice in Heaven the Sunshine in You The Sylphide Polka","Oft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl","Four Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno","Vorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme","Schule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs","Stephanie-Gavotte En Avant Lover's Dream after the Ball","The Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille","Good Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop","Das Madchen und der Schmetterling Mittelalterliche Venushymne","cover art","Flee as a Bird The Past! The Past!","Romance Berceuse","Go Where the Mists are Sleeping Maiden! awake from thy slumbers","Silver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling","cover art","Babina Innamorta - cover art non dimenticar le mie parole - cover art","7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes","Brindisi Octoroon Galopp","La Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels","cover art","Let Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day","When the Swallows Homeward Fly La Prima Donna Valse","Les Adieux Spanische Tanze","cover art; Russian/Cyrillic","Songs of the Gondola Wings of a Dove","cover art","cover art","28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum","'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art","Ossian's Serenade The Whitw Mountain Serenade","Elizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March","Elizabeth Scottisch Bell Polka - cover art","cover art","Marjorie's Almana - ccover art He Thinks I do not Love Him","The Old Clock on the Stairs The Bridge - cover art The Brook","Motivo d'Amore - cover photo io che non vivo - cover photo","cover art","Child of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France","Rayon du Soleil Martha","cover art","I Can-not Live Without Thee I Live, Love! But for Thee","The Silken Bands Pensez a moi ma Chere a mie","We were Happy Then The Old Thatched Cot I went to Gather Flowers","Mary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around","O Salutaris Ave Verum","Annie Laurie Will Ye Come Back Again","1re Valse 6eme Valse","Canzonetta Sonte in B dur","Pleasures of Home Speed the Plough","Attila Gustave","12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder","Mr. Tambourine Man (French) With God on Our Side (French)","The Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss","Cousin et Cousin Du Plus Belle! Perce-Neige La Blondine","La Gaiete The Ethiopian","Button-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo","I Hear the Angels Calling My Idol Home When the Hues of Daylight fade","Burst, ye Apple Buds! At the Sea-shore","Sweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German","cover art","Boscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South","covert art","Bolero La Carnaval de Venise","D'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch","Dear Heart Sweet Long Ago","Angel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love","One copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)","Forget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast","Le Donne Comm'e' Bella 'a Stagione","dedicated to the Harvard Class of 1837","Panis Angelicus Ecce Panis Les Rameaux","Up and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art","includes some handwritten notes in Italian","Im Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung","Haydn's Gypsy Rondo Grecian Rondo","When I saw Sweet Nellie Home Liberty and Union","cover art","cover art","Lizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music","Willie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray","Fire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse","Over the Garden Wall - cover art Guild Polka Militaire - cover art","Little Annie Polka Mireille - Galop Polka Ideale","The Lanciers The Fishermaiden - cover art","Colored cover art","The Deep, Deep Sea Little Snow White Hands","Across the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night","covert art","Sing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not","cover art","O Fair Dove, O Fond Dove True Till Death","Ritmo Facinante Liza Alguien Me Ama Hazio Otra Vez","The Virginia Rose Bud Shells of the Ocean We are coming Father Abraham","Alice I'll Come to Thee Little Tottie's Prayer - cover art","I left Thee Where I Found Thee Love Allen Adale","Kathleen O Moore Kate Kearney","Good News From Home Academy Polka Oh let me dream of former years","cover photo","I Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen","Che Faro Senza Euridice Iphigenie in Aulis","All Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026 Charity Floating on the Wind","Gently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?","I Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026 Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree","The Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026 Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art","L'Aimable Cavorre","Au Matin Danse d'Almees Pan's Flute","Danse des Gnomes Scaramouche","The Usurious Lover A Woman's Love Deep in the Heart","Marche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear","Ave Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms","The Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains","Grand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird","Maggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea","Saint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home","Farewell Ask if I Love Thee Goodnight Goodnight Beloved","Alethea Little Wide Awake","cover Art","Klavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke","Pleasant dreams of long ago I am lonely to=night","Nelly wants to Marry Young Folks from Home","I'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again","The Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!","Premierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise","Blanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds","The Fest March Sounds from Home","Gentle Lilly Bell Blue Eyes Scottisch","The Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow","L'heure Exquise Fetes-Galantes-cover art","cover art","Who'll buy my Pretty Flowers Pretty Pong Lillies","Darling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree","I Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett","Memories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus","cover Art","Ever Onward! Call me Pet Names","cover art","The Blue Bells of Scotland Let Me Rest in the Land of My Birth","No One to Love Etty Way Dilly Burn","Hassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance","The Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole","How Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!","Symphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+","Pat Malloy Six Popular Dances for the guitar","Mollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal","The Burial of Mrs. Judson The Grave of Bonaparte","Little Daises 30 Etudes Progressives op. 46 Oeuvres de Piano","Just Once More! A Summer Night, Waltz Champagne Gallop Coterie Polka Der Wildfang The Skaters Mazurka","Romance Sans Paroles Marguerite","Evening Song to the Virgin The Child's first Grief The Messenger Bird","La Manola Lola Polka Deux Languages Tais-Toi Mon Coeur - cover art","When Alll the World is Young, Lad Oh Hush Thee my Babies","If I were a Bird I'd Fly to thee Liebeslied","cover art","cover art","Madame Sontags Waltz Empress Henrietta's Waltz Theme D'Aline Linda Di Chamounix Rondo Tyrolian Waltz Stabat Mater We Have Lived and Loved Together The Last rose of Summer L'Orage Variations Brillantes","I Have Riches, Thou Hast Beauty We Have Lived and Loved Together The Bridal Star La Parisienne Fairy Bells Cavatina de la Violette Fifty National Melodies First Set of Quadrilles Melodies de Christy Military Polka Comic Polka","O'er the Lone Sea Marseilles March Grand Minuet Madelle Sontags We Have Lived and Loved Together","Cover Photo Mme.Cassier","La Victoire Polka Facile","We're Out Upon the Moonlight Wave Few Days I Knew Thou Would'st Return Away then to the Mountains Days of Childhood 'Tis Home Where'er the Heart is Sleeping I Dreamed Love The Mountain Bugle Where Shall the Lover Rest The Bridesmaid Do You Love Me? Mr. and Mrs. Snibbs My Mountain Kate My Childhood Happy Home She Knew Him Not The Ladies Man","The Snow Storm - cover art Webster's Quick Step","Der Kinderlied In Meiner Heimath Abschied der Vogel Der Spielmann","Fantasiestuck Zur Guitarre","Himan's Serenade Matthew's Grand March","I See them on their Winding Way Wilt Tho Meet Me there Love Something to Love Me The Beautiful Day Where as Dewy Twilight Lingers","Song of the Captive Greek Girl Bird of the Greenwood","Dreams Still o'er the Waters Ruse-Bush L'Amicizia Snowy Lilly of the Valley The Alp Horn","My Home My Happy Home - Cover Art Hark! 'Tis the signal of the Meeting Annot Lyle The Poachers The Midshipman's Farewell Tell Me Mary How to Woo Thee The Woodbine Bower Her Heart is not There He Never Said He Loved O'er the Mountain Wi' My Love I'll March Away My Pretty Rose Give Me Back My Arab steed When the Moonbeams tender light","The Mockingbird - cover art Caprice de Concert Grand Paraphase de Concerr Love Among the Rose The Nightingales Trill","Invigorator Schottisch The Katy Darling Scottisch","Galopp Souvenir de Trovatore Crepuscule La Gazelle","Unter'm Machandelbaum Donauweibchen und Eisner Mann","Allegro Marziale Another Year Wood Up","Young America Waltzes Dance of the Demon Cachucha","Angels Watching Oh! What is Life.","Ellen's Waltz The Soldiers Joy","Let us now go even unto Bethlehem The Sailor's Grave","Did I Try to Paint Temptaion Oh! Yes we often mention her The Deep Deep Sea The Dew Drop All Things Love Thee so do I Dark Eyed One Come! Come! Soldiers Come! Cherry Ripe Where Zephyr dwells Again, Again, Again I Know a Bank Come Buy My Roses O'Come to the West Through the Wood The Banks of the Allan Water Mother oh sing me to rest","O'er the Blue Sea O Give Me a Home By the Sea Ella Gray Ballad Hear the Wild Birds Song The Rover's Adieu","Little Barefoot Only a Pansy Blossom When the Robins Nest Again - cover art","Sliding Down the Cellar Door I Leave you to Decide You Never miss the Water until the Well Runs Dry","Scenes de la Csarda Poemes Hongrois","Wyoming Grand Waltz Franconia Waltz","Wake Lady Wake The Social Glass","color cover art","Three Fishers went sailing Autumn Leaves Turn Fortune, Turn Thy Wheel","Cover art","Scales and Exercises for the Piano Forte La Rose Trumpet March Malcolm's March Leipsig Waltz O Cara Memoria Le Charme Le Debut de La Jeunesse Gallopade Quadrille The Emerald The Sultana 'T were wain to tell thee","Non piu mesta in la Cenerentola Come to Me, Gentle Sleep Les Bords du Rhin Trois Sentimentales: L'eloge des Larmes Collection of Operatic Airs Le Petit Tambour Six Tyrolien Waltzes Duo de Belisario Air de Herold L'Alliance Melodies Gracieuses Le Retour au Chalet L'elisir D'amore Marche de la Norma","Mrs. Lofty and I Eight Dollars a day","Braille Notation","My Love, my last thoughts are of thee Helen May","Fourth Calisthenic Rondo Third Calisthenic Rondo Alpenlied The Rosy Morn Come Where the Violets Blow Birth-day Ball: Valse Birth-day Ball: Schottische - cover art The Hazel Dell The Arkansas Traveller Oft in the Stilly Night Wake from your Slumbers Galatea Mazurka","The Dew Drop Brothers raise the Cheerful Song Soft be the gently breathing notes","Saviour breathe an evening blessing Te Deum Laudamus","La Pastorale Provencale Berceuse Amoureuse","cover art \u0026 photo","Valse de l'Opera Faust de Gounod Third Meditation, Op. 17","Le coeur de ma mie L'oiseau bleu","Lulu is Our Darling Pride Little Chatter-box Polka The Orphan's Lament Rome! Thou art no more Love's Hours Home Ever Dear Make Me No Gaudy Chaplet Widow Malone","Prayer at Sea Juvenile Party Galop","Florence The Mariner's Bride The Wings of a Dove","Opus 32 - Heft 1 Opus 32 - Heft 2 Opus 32 - Heft 3 Classiche Violin Musik The Mill Oh Lay Thy Cheek on Mine, Dear Love Opus 38 Dolorosa Nachmittags-stille Morgengruss - Opus 17 Abendmusik","cover sheet only","Thoughts of Other Days Song Without Words My Mellow Horn","The Prima Donna Waltz La Sicilienne Katy-Did Polka The Moldavian Schottisch Royal Irish My Father's Coming Home Mother The Mont Blanc Polka - cover art Douro Polka Faust Quadrille Grand Quadrille Hail to the Chief","Roseate Polka Victoria Rifles Quadrilles","Heimweh Silver Bells The First Violet Feu Follet Farewell, We'll Meet Again Irrlicht","Knights Templar Mazurka Flower Mazurka","Der kleine Postillon Rheinlander Champagner Walzer","When Night's Dark Shades are Stealing Vienna Gallop","No. 2 Petite Valse No. 6 Impromptu","Primrose Polka My Soul in one Unbroken Sigh Cricket on the Hearth Little Mischief Polnaise Blosson Polka Ravel Polka You are all the World to Me","cover art","La Bohemienne Charming Mazurka Ploka mazurka - Faust Boute-en-Train Flick et Flock Galop Argentine Mazurka - cover art Defile Marche - cover art Caprice Hongrois La Norvegienne","Araby's Daughter The Maid of Athens Bright and best of the sond of the morning Kate Kearney","The Minute Gun at Sea Eve's Lamentation","The Watchword Souvenir de la Belle Poules","I Would not live Alway The Rainbow Schottisch - colored cover art","The Orphan's Prayer Mollie Darling","Whisperings of Love - cover art Angel's Serenade Mountain Belle - cover art Annie Laurie March Perle de L'Amerique - cover picture Red Bird Polka Love by Midnight - cover art torn Innocence Polka - cover art Charming Waltz - cover art Lotta's Favorites - cover picture Violet Waltz - cover art","The Coral Schottisch The Rainbow Schottisch - Color cover art The Pearl Polka Sontag Polka The Signal March How dear to me the hour","title and cover pages","Blue Eyed Soldier Boy Is the Sweet Dream Broken","Valse de Mignonette Jovial Waltz Fairy Waltz","Rocked in the Cradle of the Deep Oh! fly to the Prairie Land Ho! Rocked in the Cradle of the Deep-cover art I'm Queen of a Fairy Band Farewell to Summer She Wore a wreath of Roses Say, what shall my song be to-night Dear Land of My Birth!","Lone Galop Lancer's Quadrilles Dancing in the Moonlight Coronation Polka Kitty Clover Fire-Fly Polka Evening Dew Waltz La Blonde Polka Apple of My Eye The Grand Duchesse Laughing Water Polka Ivy Leaf Waltz Cherry Ripe Polka","title page only","cover art","Potpourri fur lustige Leut Feinsliebchen Polka - cover art Neues Leben Walzer Marchen-Lauschen","Salut a Pesth Marche Hongroise","The Flowers of the Forest John Anderson, My Jo","Bouquet de Melodies - Lucia Bouquet de Melodies - Lucrezia Borgia Bouquet de Melodies - Freischutz Bouquet de Melodies - Tanuhauser Bouquet de Melodies - La Fille du Regiment Bouquet de Melodies - Martha de Flotow Zampa Shepherd's Song Guillaume Tell Berceuse Mazourka Galante Turkish Reveille Marsch aus Faust von Ch. Gounod Arie Aus Stabat Mater Miserere und Romanze Volkslied A Mother's Prayer Lily of the Valley","Rosa de Vries Waltz Ella Polka","The Maid of Judah We Met by Chance Ave Maria Drift My Bark Trot Galop Gently Rest The Slumber Song","Duettino Scene Bohemienne Hilda Waltz Graziella","Three Favorite Songs - Lilly Salina Le Bijou Sonatine Rondo IV The New Kingdom","cover art","cover art","Thou Art Ever Nigh A Morning in the Woods","Russian Polka The Aurora Waltzes The Dublin Waltzes Les Clochettes Polka Salut a Prague","cover art","Thou hast wounded the spirit that lov'd thee Oh! Were I a Bird","Would I were with Thee The Wild Ash Deer","First Kiss Breeze of Night","colored cover art","Serenade Der Tyroler und sein Kind Abendlauten Heather Rose Minnelied Die Glockenblumen von Schottland","Steyrische Tanze Evening Star Waltz Hof-Ball-Tanze Busserl - Walzer","cover art","Highland Gems Pride Schottische - cover art","O Dolce Concento Panama Waltz The Bugle Call Tink a Tink The Nightinggale with Variations","The Joyful Summer's Come On the Banks of Guadalquiver My Dreams are now no more of thee","cover art","La Chatelaine Vaga Luna","Away, Away to the Mountains Brow The Soldier's Tear Come Dwell with Me By the Margin of Fair Zurich's Waters Day-light Love is Pass'd Away The Gypsey's Wild Chaunt I am Dreaming of Thee Oh! no never name her to me I'll Be No Submissive Wife Oh Bring Me Showers of Roses The Alpine Maid Love in a Cottage A Dream in the Past The Moon's on the Lake Napolitaine Sing Away, by Day \u0026 By Night","Write to Me, Love My Own One","Les Cloches du Monastere Titania","cover art","cover art","Lawrence Waltz Rondoletto","When Twilight woo's the silver Sea Ellsworth","Bachelors Polka Alice Polka","braille notation on cover","La Source Mazurka","Rock Me to Sleep, Mother Woodland Whispers - cover art Angels My Loved One will Rock thee to sleep Let me linger by thy side","O Memory Speed On My Bark","Home! Ever Loved Home Thy Will Be Done","Esmeralda Ka foozle-um Galop","cover art","Recreations caracteristiques - cvoer art Souvenir D'Enfance Chanson a Boire","Massarianta - cover photo Vieneme 'Nzuonne E Parleme","Devotion Camelia Wasser-Nixen","cover art","Cover Photo","The Bridge - colored cover art Too Late, too late - cover art","Yes! The Die is Cast Pestal, or, the Prison Song","It is better to Laugh than be Sighing Laddie Come Where the Foutains Play Thou Art Near Me Again I've left the Snow-Clad Hills - cover art Woods of Green Erin! Thou Art gone from My Gaze The Sister's Wedding Mornings Ruddy Beam Why do I Love Thee Yet It's Now the May Time Rosa May Only for Thee I Heard the Wee Bord Singing Bonnie New Moon Love me little, love me long Dreams of the Heart The Mountain Daisy","Kiss the Little Ones for Me Alone in the Lane","Etude de Concert Sonate Rhapsodie hongroise - Hungarian Rhapsody 6 Chants polonais Mazurka Brillante Ein Fichtenbaum steht Einsam - handwritten copy","Not for Joseph I've Something Sweet to Tell You Bonnie Bell The Soldier's Song","There's a Fresh little Mound near the willow Sweet Kitty Manee Down by the Sea Heaven Our Home","cover art","Come and Buy Each Summer Flower There's a Path by the river Blow Gentle Gales The Old House at Home Philip, the Falconer","The Serious Family Polka The Bride The Rose of Affection Bundle and Go","30 Melodische Etuden No. 7 In Der Dammerung","colored cover art","Fly Away Galop Uncle Sam What ails you?","Ecstasy Waltz Ladies Polka Redowa","cover art","cover photo","Dream Land Waltzes - Lenore Louis' Second Waltz Departed Days","Dawn Waltz Ev'ry Land My Home -cover art","The Fairy Boy Rory O'Moore The Low Back'd Car Yes, we must part Widow Ma Chree The Angels Whisper True Love Can Ne'er Forget My Mother Dear","Oh! Molly Bawn Why Leave Me Pining The May-Dew Bowld Sojer Boy The Lands of dreams Mother He's Going Away Norah McShane Molly Bawn Thou Art Away Girl I left behind me The Haunted Spring What will you do love The Fairy Tempter","cover art","Alice Gallopade The Moonbeams are Glancing Spring Flowers","Barbe-Bleue Galop La Belle Helene","cover photo","Flutina Waltz Fountain Waltz","Maryland My Home A Home By the Sea","Polonaise Marzwind The Eagle or Der Adler","Village Belle Polka Immortellen Waltzes National Beauties III Marches Heroiques Happy Waltz Cumberland March No One to Love On the Beach at Long Branch Galop Softly Tread my Nelly's Sleeping The Mother's Reply Memorial March Ninety Years Ago Beautiful River Captain Jinks No, ne'er can Thy Home Be Mine Cato's Qucikstep Geranium Polacca Lotta Galop","Fondly and Truly The Cinderella Grand March","Take Me to the Ball -Cover photo The Separation Christabel The Silent Farewell Erin is My Home I Have Something Sweet to Tell You The Clarion Now Sounds to the Field Home Sweet Home Am I to Blame Pas L'Espagnol","I Have Something Sweet to tell You Maryland Institute Schottisch The Lost Flower","cover art","cover art","Le Torrent Juana","Waltz of Love 20 Vocalises","Cover art","Sailing The King of the Main","I Love the Path of the Free The Mountaineer Would You","Maguerite - cover photo My God and Father, whilw I stray Lonely Across the Far Blue Hills MArie","Little Lula Let the Dead and Beautiful Rest","Quadrilles - cover art Come this way my Father","cover art","Rosebud Quickstep The Ring My Mother Wore","Twickenham Ferry Friendship","Aragonaise Elegie Leonore When the Heart is Young When a Child Roamed the Green Fields Through Le Roi de Lahore - cover photo","Sunset Ballad When the Moon on the Lake is Beaming - cover art Love's Rememberance Come Sing Again that Song","Lady Love Lake It is Not True","cover art","Ein Stern fallt vom Himmel Wo beim Wein ein Walzer klingt Juanita - cover art","Gluten Polka By and By","The Mascot Waltz - cover art Silver Threads Among the Gold","El Kohinoor The Humming Bird Fantasie","When a Little farm we Keep Ye Shepherds Tell Me","Comrades Belle Mahone - cover art Oh, Peter! Oh! Uncle John","The Faded Coat of Blue The Dying Minstrel When You and I Were Young Annie Darling","I'm O'er Young to Marry This Harp is Mute","Thought Cuoid One Day! I Love Forever! Bonnie Mary Haye The Bird at Sea","cover art","3 Caprices - cover art To Distant Lands I'll Rove Italy Over the Mountain P Wert Thou in the Cauld Blast I would that my Love Consolation Songs without words If with all your Hearts Capriccio Rondo Capriccioso Auf Flugeln des Gesanges Oh Rest in the Lord Overture-Midsummer-Nights Dream I Would that my Love The Sabbath Morn Zweites Konzert fur Pianoforte In His Hands are all Corners of the Earth","Mit mehreren 8 und 4 fuss. Stimmen Zwanzig Praeludien Zehn Vor-und Nachspiele Drei Tonbilder Sechs Degelstucke Drei Clavierstucke-Novellette","cover art","Those Evening Bells Deliciosa or Leonore Polka","Long, Long Weary Day I am dreaming I'm an Infant - cover art Do You Love Me? I am Thine I'd Mourn the hopes that Leave Me Smiles \u0026 Tears","The Blind Girl Ballad - cover art Woodland Waltz The Willow Song Mount Pleasant Waltz","The Celebrated Sack Waltz Absent - cover art","Le Carnaval de Venise Air Russes Chant Bohemien","The Village Band - cover art Golden Band March Waltz","Daisy Marche Militaire Where the Hills are Heaven Adoring Fairy Spell","Scope and Contents Melodies from \"Le Prophete\" - cover art Hours of Rapture The Vale of Rest Sadly and Drearily Come to Me Dearest Maiden!","cover art","Recompense Mother, watch the little feet","Absent from Thee Ballad The Bonnie Wee Wife","Under the Daisies Ballad - cover art Darling Little Gertie - cover photo The Love Bird Waltz Song I am Waiting for Him to Come Home I Hear a voice from Heaven Waiting Song Longing The Whip-Poor-Will's - cover art","Ah! Che la Morte Ognora Ave Maria - cover art After My Galloping Steed - cover photo When the Tide somes in The Flag of the Tree Picking Cherries Down the Lane Watching - cover art Meeting","Calotta - Walzer I am the Unfortunate Jonathan The Army Chaplain Fan Autographs","Return of Springs Chestnut Street Scottisch Sleigh - Ride Scottisch","Sonata Trio-Sonate","Best of All Only Once More","Little Tin Soldier The Kerry Dance Song Rose Marie My Love has gone a sailing Three Simple Words","cover art","The Poor Savoyard - cover art Bo Peep Polka","Song of the Olden Time Come Play Me That Simple Air Again They Tell Me Thou'rt the Favoured Guest Wilt Thou Say FArewell Love Believe Me if all those endearing young Charms Come rest in this Bosom Those Evening Bells Love's Young Dream Oft in the Stilly Night My Heart and Lute Origin of the Harp Come Rest in this Bosom Watchman Weeping for Thee the Feast of Roses 'Tis the Last Rose of Summer Come Sing me that Sweet air again The Romanika","The Swiss Waltz Kinlock of Kinlock The Watchman The Carrier Pigeon Favorite Swiss Waltz - Harp or Piano","Twilight My Darling Husband Lost Hope","On the Road to Brighton Peter Gray Dressed in a Dolly Varden","Op. 113 - Grand Duo pour piano Swiss BoyTthe Switzer's Long of Home Erin is now My Home","Grande Valse de Concert Op.72 - 15 Etudes de Virtuosite Gondoliera Guitarre Spanische Tanze No. 4 Spanische Tanze No. 1 Malaguena`","Idoneneus - Arie Arie aus Oper. Il re pastore fur Sopran - Braille notation Sonate No. 17 Sonata in G Major Violet Go, Forget Me, Why Should Sorrow Selection of Melodies from Don Giovanni Yet That Have Tasted La Ci Darem","Navy Yard Grand March Lancaster Gallop Waltz","The Coming Step The Brightest Eyes Memory's Dream The Break of Day Falling Leaves Bijou of the Opera No. 13","Boquet Schottisch Polka The Coquette Schottisch","The Child's Wish Ballad My Heart Would Seek a Home","Annie Laurie Thalberg Polka Where I'd Love to Live","cover art - collection of Songs","cover sheet only","cover art","Mary of Argyle The Bride When Night Comes O'er the Plain The Bonny English Rose Deep in My Soul Dear Native Land The Rose of Allandale We Soon Shall meet Again Hear me Norma O! For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! The Moment was Sad The Spanish Guitar The Pilot Hear Me Norma","My Life is Like a Summer Rose Annie of the Vale","The Sea 4th Symphonie de Mozart","Gigue-Favorite Gavotte Favorite","cover only","Golden Moments Darling Little Lizzie fairest of the Fair","Mighty lak'a rose Serenade","handwritten","'O Viaggio 'E nozze Canto per te!","cover art","I Do Not Love Thee The Fairy Bells Oh Take Me Back to Switzerland Juanita Would I were with Thee Fanny Grey Maraquita The Officer's Funeral Love Not We are the Wandering Breezes","Ladies Reception Grand March But Where Art Thou","We Were Girls together Last Words of Emmet","Lights and Shadows Long and weary Day Perles de L'Opera Die Elfen, Valse de Labitzky Liebesschmerz Alpine Bells Auf der Schaukel Bonbonniere Musicale Book 4 Bonbonniere Musicale Book 5 Perles Allemandes Gondolied Ernani Maienliebe Snowbell's Spring Carol Staendchen Diavolina Minnesang","La Belle Helene Advance in Maiden Beauty Pot Pourri Orphee Aux Enfers A Poor Girl's Letter","Cover art","cover sheet only","The Lone Starry Hours Home Again The Galloping Sleigh Ride Going Home! Sam Brown Jenny Lane Silver Moonlight Winds The Indian Warrior's Grave Let Me Kiss Him for his Mother Dreaming of Home \u0026 Mother-cover art Twinkling stars are laughing, Love","Home Delights - cover art Root, Hog, or Die Oh! Emma was a Darling - cover art Wake! Dinah Wake! Home beloved, I miss thee then Moss Grown Dell","cover art","La Pluie de Perles O Sing to Me - cover art Who's at my Window","Down the Shadowed Lane she goes Shadow","cover art","Cover Photo","3 Volslieder Un Ballo in Maschere Loves of the Angels - cover art","cover art","colored cover art","La Violetera - cover art Ca...C'est Paris!","Sweet Evelina Starlight Waltz I'm Willing to Wait Sunlight","2 page cover art","My Ain Fire Side Sweet Home The Land of the Stranger Wanted a Governess Smile again my bonny Lassie Dost Thou Love Me Sister Ruth Vilikins \u0026 His Dinah Sleep My Darling Lullaby Slumber lie soft on Thy Beautiful Eye The Tyrolese Fortune Teller Comin' Thro' the Rye O! Merry row the bonnie Bark","cover art","Le Lever du Soleil Guide Me, O thou Great Jehovah","colored cover art","Melodienkranz Volksklange","cover art","Cover art","My Hearts in the Highlands When Wilt Thou Think of Me Love","Colored cover art","Stabat Mater Nina - braille on cover","Beware! The Polish Maiden's Song Marguerite Darling Little Minnie","Speak, only Speak! Little Robin Tell Kitty I'm Coming Barney Take Me Home Again Slumber not Darling","Mam'zelle Carabin - cover art Bonjour Suzon!","I Love Thee Dear Erin Old Rosin, the Bow Mothe Dear Ballad Sweet Memories of Thee The Greek March Shall we meet again Mary O! Doubt Not Natille, Maid of the Mill Louisville Gallopade The Ben Bolt Polka The Sailor Boy Oh! I am in Love Silken Bands The Only Daughter","Terpsichore Polka How Can I Leave Thee!","My Soul is Dark Be Kind to Each Other","Thou Art Lovelier Far I Love Wild \u0026 Mute","Young Ellen The Rock of the Pilgrims","Concerto per Violoncello Tarantella per Violoncello Fantasia romantica","May Flower Scottische We May Roam Round the World Spangle Polka","Little White Cottage The Medley Song","I Love My Love The Golden Lesson When Life is Brightest The Swallow The Raft There is Music..By the River","Here Awa' there awa' Wandering Willie La Recreation des Demoiselles Six Petits Duos","Mandoline Dansons La Gigue","colored cover art","Braille on cover","cover art - Annie Louise Cary","Mazurkai Op.11 No.3 Mazurkai Op.51 No.6 Mazurkai Op.32 No.2 Mazurkai Op.3 No.2 Ave Maria Ellentanz Polanaise de Concert Drei Stucke Op. 11","Tarantelle Chanson sans Paroles Spanische Tanze-cover art Zwei Transcriptionene-Schlummerlied Spanischer Carneval Ballet Scene Romanze Menuetto Serenade Orientale Trauermarsch","Noche y Dia Justamente una de esas Cosas Volver a Empezar Eso Que Llaman Amor","Serious Family Polka My Home is Nigh Ballad","Let Me Dream of Home Sweet Home - colored cover art First Rose of Summer Ballad","Mediation Waltz Mazourka Institute Polka Only Just a Year Ago Ballad Linwood Waltz","My Home's on the boundless sea Just Beyond the Pearly Gates Walking Down Broadway - cover art of Wm. Lingard As Through the Park I Go - cover art of Wm. Lingard Is My Darling True to Me?","cover art","cover art","The Sailor's Dream - cover art The Harvest Queen - cover art","My Heart Returns to Thee Again Switzer's Longing for Home Tyrolese-Song","A Grecian Air Here's a Health to all Good Lasses","Strike the Cymbal Sweet Breathing, Tranquil Peace","cover photo","The Lay of the Minstrel Knights On Wi the Tartan","cover art","Fenesta Enfamita! - cover photos Russulella Mia - cover photos","La Polka de la Reine La Fileuse Tarantella","The Mountain Maid's Invitation The Miller's Maid","Joyous Life Marinella - cover art","Dinah is the Girl for Me Die Musicanten","Braille notation on cover","Isle of Beauty, Fare Thee Well Oh! Come to Me","cover art","cover art","Robin Adair When the Green Leaves of Youth Turn Yellow","braille notation on cover","Thou art so near and yet so far Love's Request","Concert fur das Violoncell Clavier-Concerte Concert Op. 254 Cadenzen Spring Flowers Variationen Op. 84 In Memoriam","Typed copy","cover art","Cover art picture of the Mount Vernon Hotel, Cape May, NJ","cover art","cover art","cover art","Tone Pictures Blumen am Weg","Hungarian","Pastoral-Sonate Op.88 Zehn Trios","Kissing Song We are Off to Seek for Eva Dutch Song","Warblings at Eve Janet's Choice The Puritan's Daughter Rosalie Floating on the Wind What are the Wild Waves Saying God bless the Prince of Wales The Danube River St. Patrick's Day The Dream of the Wanderer The Monastery The Bells of Aberdovey Where the warbling waters flow The Flowers of Friendship Les Vepres Siciliennes Christmas Chimes Her Birght Smile Haunts Me Still Marie En Absence","cover drawing - Dessin de Vigne \u0026 Junka","Gentle Words Wait for the Waggon Vi Ravviso","Happy Land Bonnie Dundee Quadrille","O Dolce Concento Sacred Melodies - cover art","I have learned to love thee fondly You, Ballad Sentimentale","braille notation on cover","I'll Be There O Charming May! - cover art The Banks of the Blue Moselle Draw the Sword Scotland The Flower of Ellerslie Beautiful blue Violets From distant climes a Troubadour O'Steal to Thy Lattice - cover art A Tear Shall Tell Him All","A Bird in Hand The Skippers of St. Ives No, Thank You, Tom So far away","Cantilena Thou'lt yet be Mine in Heaven Fishermen's Evening Serenade","Oh, Sing Me No new song to night Philena Schottisch The Ausgusta Gallop","Hours There were The Melody","Konzertstucke Opus 51,50,61 Concerto Op 7 Konzert fur das Violoncell Violoncello Principale Violoncell solo Op.66 Le Troubadour","The One We Love May Guardian Angels Hover Near Thee O Would I were a Boy Again You Say We Part Forever","Two Brown Heads with Tossing Curls O! Mio Fernando Di Che M'ami!","My Boyhood's Home Under the Tree","Departed Days Touch the Keys Softly Sing Me to Sleep Father! Only Waiting The Crimson Glow of Summer Fades","Pictures of Memory - cover art Oh are ye sleeping Maggie The Vacant Chair- cover art Just Before the Battle, Mother - cover art On, On On, the Boys Came Marching - cover art Dearest Spot of Earth to Me is Home","Overature Guillaume Tell Fantasie Brillamte L'Iris Le Tremolo","Schottische de Concert All is Quiet","cover art","Hagar The Blind Girl's Lament Lo Here the Gentle Lark Oh Well I Know He Loves Me I'm with you in My Dreams Think of Me Ballad","Overature of Cinderella Dark Day of Horror Grand March Un Segretto D'Importanza Recitativo e Cavatina - braille Il Barbierre de Sevilla I Ne'er Could Leave Thee Una Voce Poco Pa Di tanti palpati O Calm Forgetful Slumber! - cover art Cujus Animam The Separation La Carita Gulliaume Tell","Colored cover art","Melodie Polka Boheme The Wanderer's Night Song 2 Melodies dediees Berceuse Pecheur Napolitain et Nepolitaine","Frederick William Polka Summit Polka","Elfin Waltz Varsovienna Elizabeth Polka Mazurka Assembly Gallop Spring Sparrow Polka Rural Felicity Silver Lake Waltz Rochester Scottisch","Some Love to Roam o'er the Dark Sea Foam The Braye Old Oak A Life on the Ocean Wave Woodman! Spare That Tree! - cover art The Old English Gentleman Our Way Across the Mountain, Ho! Russian march Robin Ruff Oh Lonely is the Forest Shade where oft in Days of Old The Wife's dream Come Brother Arouse The Ivy Green The Old Sexton I'm Afloat, I'm Afloat The Sabbath Eve","The Friar of Olden Time Believe not the Tales they have told thee of Me My Mother's Bible - cover art The Old Arm Chair - cover art Cheer, Boys Cheer I Love, I Love the Free When I rov'd a Young Highlander If I had but a Thousand a year","Darling, Take Me to Your Heart Dear to Day as Ever Save the Sweetest Kiss for Me","Lida Polka Redowa Bird Songs - cover art Fond thoughts of thee Bonnie Sweet Bessie Whispering Zephyrs Moonlight Dance","The Celebrated Linda Polka Susanna Polka","Allegro appassionato Theme Varie Menuet et Gavotte du Septuor Everie du Soir Danse Macabre Variations","I'm Sweeping through the Gates Absence - cover art","Lulu is Our Darling Pride Philadelphia Serenading","Photo - Moody \u0026 Sankey","Hand typed material","Speed Away! Music from Afar Anna is the One I Love O'er the Wildly Heaving Sea Jingle, Jingle clear the way The Lonely Tear Juliette Waltz","Peeking Thro' the Bars Swinging in the Lane - cover art Lu LuDee Who will care for Mother Now? When the Boys Come Home Mother would comfort me","cover art","cover art","La Favorita La Revel Polka Silver Lake Waltz","The echo O sweet Mother of Sorrow!","cover art","cove art","When Other Friends Are Round Thee The Musical Wife","Liebesgefluster Herz von an echten Weana","Ausgewahlte Lieder Phantasie Impromptu I Rest Me Oh My Saviour Cradle Song Trois Marches Heroiques La Pastorella - cover art Das Lied im Grunen Variationen in Asdur uber ein Original-Thema Sammtliche Tanze Wanderer Adieu Der Hirt auf dem Felsen Tanze","Arabeske Op. 18 Fantasiestucke Op. 12 Theme varie sur le nom Abegg Traumerei Drei Romanzen Op.28","Valse mignonne Op. 16 A la bien-aimee Reverie Op.31","Orchesterstudien Kontrabass: das Rheingold Orchesterstudien Kontrabass: Siegfried Orchesterstudien Contrabass: Fidelio Orchesterstudien Contrabass: Symphonie von Franz Schubert","colored cover art","cover art","I Love thee mine own one Jenny Rose","The Beggar Girl Poor Bessie's Song The Firemans Death Keemo Kimo - cover art","Cover photo","Souvenir de Spa Fantasie Fantasie et Variations Trombe en Utka Grande Fantasie Concerto Militaire Fantasie et Variations: Corni Fantasie et Variations: Flanto Fantasie et Variations: Viola","multiple languages","cover art","The Tide Comes in and the Tide Goes Out Don't always depend on your friend Come while the morning Blushes","colored cover art","The Rain-Drop and Minstrel The Happy Bride All Things Fair \u0026 Brigh tare Thine The Eagle on His Mountain Height The Mercy Seat Bristol March Bring Roses","La Bacchanale des Gnomes Amid Bright Blooms Mazurka I'll Think of Thee Waltz","Meet Me By Moonlight Hark! I Hear an Angel Sing","Cover art","Konig Kristian-Suite Erster Teil Madchen kam vom Stelldichein","Elementar-Vocalisen Die Alpenrose","cover art","cover art","cover photo","Come sit Thee Doen - signed copy Dumbarton's Bonnie Dell Johnny Sands Comic Ballad - cover art Hey the Bonnie Breast-Knots","Fantaisie Stabat Mater Op. 134","Cover photo/art","cover art","Zweite Polonaise a dur fur Violine Op. 49 Romance, Nocturne, Scherzo-Tarantelle Concert Op. 34","Why did They Dig Ma's Grave So Deep? Don't Bury Me Deep Papa - cover art Little Darling Dream of Me Serenade - cover art","cover art","Thou hast learned to love another - cover art Lament of the Exile","cover art","By the Blue Sea The Sailor's Story","A Place in Thy Memory, my Love Tis sweet to Look Back Sometimes","cover art","Lord Lovel and Nancy Bell Oh! Ne'er can I the Joys forget","Cover art","I Have Come from a Happy Land Let us haste to Kelvin grove","The Mountain Stream Queen of the Faires La Dame Blanche For You - cover art","Danse des Fantomes Oo. 200 - colored cover art Fete Champetre Marche des Tambours la Reine des Fees Feu de Joie - cover art Torrent de la Montagne Maritana Der Freischutz Lilly of the Valley Mazurka - cover art Tarantelle Brillante in E Minor","When the Leaves Begin to Fade - cover art Blossom Waltzes - cover art Old Oaken Bucket - cover art Massa's in the Cold ground - cover art","Our Hut on the Old Plantation Rosa Lane","Cover photo","Incline Thine Ear to Me I Will Love Thee I Will be Glad Blessed be the Lord","Scottisch de Concert Grande Scottische Brillliant","Leonora Flow Gently Sweet Afton Speed thee Pearlina Fair","Waldvoglein Valse Gracieuse Nosegay of Violets Anna Bolena Gazelle Musicalische Gedenkblatter","My Dream is Over Children Pray this Love to Cherish","In the Days When we went Gypsying List! Tis the Lay of the Gondolier Dream on Young Hearts","In the Days when we went Gipsying Do you ever think of Me","My King--cover art Mary Anderson Waltz--cover art It Never Comes Again--cover art","I am Waiting for Somebody I am Lonely no More","cover art","cover art","Lo Obscuro de Las Escaleras--cover art Gracias Te Doy--cover art Verdes Anos--cover art","Reiffarth Polka Lexington Galop Rejoui Polka Mazurka Halloo, Halloo Galop Le Bon-Vivant Galop Sans Pareil Polka Cupid Scottisch Brillante","Colored cover art","The Yankee Quilting Party She Sweetly Sleeps","Oh Tell Me Mary Dear I'll Watch for Thee from my lonely bow'r The Romaika Oft in the Stilly Night A Temple to Friendship All that's Bright Must Fade Flow on thou Shining River Sound the Loud Timbrel The Twilight Dews Tis the Last Rose of Summer","cover art","The Brightest Eyes The Dream of Home Die Thraene","New England New England Evergreen Waltz","handwritten note","cover art","Tell Tale Polka Carnaval A Paris Dear mother was it right? I turn to Thee The Fountain Love Chase Polka","Overature to the Operetta Genevieve Overature to the Operetta Laila","Love's Charm Girofle-Girofla Walzer Trois Etudes de Jazz","Gruss aus Osterreich MorgenBlatter--cover art The Ladies Waltzes Duke of Reichstadt's Waltz--cover art Far Away Sans Souci Polka The Real Russian Polka Queen Victoria's Waltz Dichterliebe Walzer Potpourri Csardas Kompositionen Altdeutscher Walzer The Ostrich feather Waltz Ruk-Walzer --cover art Annen Polka Redowa de Vienne On the Beautiful Blue Danube --cover art","Margherita-Polka Le Pensee Four Children of Haimon Blue Danube Waltzes - cover art Dorfschwalben aus Oesterreich","Wiegenlied--braille on cover Nachtgang","Anderschonen blauen Donau Oiseaux de Paradis--cover art Mountain Echoes Les Etoiles D'or","Madrienne--cover art When Lillies Bloom","The Letter that never came--cover art Looking Back","Jolly Hearts March Tripping thro' the Daises","Orpheus with his lute If Doughty Deeds My Ladys Please Birds in the Night Once Again Looking Back Were I Thy Bride--cover art Little Darling, Sleep Again","The Blue Juanita The Field of Monterey Mary Lindsey","cover art","Concert Op.7 Romanze Op. 26","cover art","Etude Mazurka Musidora Polka Mazurka Camille Polka","Der Vogel im Walde Sleep in Sweet repose Slumber Gently Falls","Sparkling \u0026 Bright Oh! No, we never mention Her Bring Flowers","Lart du Chant - cover art Home! Sweet Home! Serenade de Don Pasquale La Sonnambula","cover art","John Brown's Legacy Tis said that Absence Conquers Love The Dew is on the Blossom","cover art","cover art","Oh! Pity the heart that has suffered Bonny Eloise Voice of the Western Wind Beautiful Isle of the Sea As Pants the Hart Let Us Speak of a Man as we find Him Mother Kissed Me in my Dream In the Glade Annie of the Vale Thou Art With Me When the Light Waves 'Tis but a Little Faded Flower Down By the River Side I Stray The Stream in the Valley","Oh! Gently Breathe Jolly Good Laugh Evangeline - cover art The Leaves that Fall in Spring Janette - colored cover art Must we then Meet as Strangers? - cover art Far Away Voice of the Western Wind Happy Be Thy Dreams Some One to Love Pleasant Memories Down By the River I stray The Cottage By the Sea - cover art Cross and Crown - cover art Apart! - cover art","Dreaming of Thee Thou, thou, reign'st in this bosom Hymns of the Church - cover art Angel Voices - cover art No Crown without the Cross - colored cover art Must I leave Thee? Blue-eyed Jeannie In the Moonlight long Ago Ettie May Some One to Love The Birds Welcome Again - colored cover art","Happy Be Thy Dreams Down By the Gate - cover art Jenny who lives in the Dell - cover art Linger Not Darling Eilleen Allanna - colored cover art Fond Hearts at Home The Gates Ajar - cover art","Who will care for Mother now? Little Mary's Triumph","Marion Lee Annie Lisle Lilly Dale -cover art Ida May Willie's on the Dark Blue Sea I'm lonely since my Mother died","Don't go out to-night Come where the Lillies bloom - cover art","cover art","cover art","cover art braille notation on cover","Queen of the Night Take Back the Ring La Primavera","Vorrei Morir The Love That Came too Late Forever and Forever Chanson de Fortunio","Little Bird's Story Willie's Ship Song - cover art Only Come! - cover art","Colored cover art","Bird of the Wilderness Agathe","The Sleigh Ride- cover art Rail Road Galop - cover art Cute Schottische - cover art","cover art","Yarico's Lament The Blue Bird Scottisch","Sinfonie Nr. 4 f-Moll Souvenir de Hapsal Serenade fur Streichorchester Jahreszeiten No. 11 Sleigh Ride Chanson Triste","Come Maiden with Me Call me not back from the Echoless Shore Lost Star of My Home Dear Mother I have Come Home to Die Star of the Evening Weeping, Sad and Lonely Do Not Heed Her Warning 'Tis Evening Brings My Heart to Thee Violets Under the Snow Come from Afar Come Willie dear I'm Weeping Now Home, Home, I Love Thee Sweet Genevieve Memory Bells Darling Bessie of the Lea","Love Launched a Fairy Boat Summer Hours Ballad - cover art Where the Weary are at Rest I'd marry him tomorrow","Christmas Carol The Nation's Honored Dead Sweet Memory Ever of Thee Bouquet de Roses - cover art A Grand American Overture Tread Softly the Angels Are Coming - cover art Mossy Dell Waltz - cover art Mary of the Wild Moor Silver Moon - cover art Mrs. Malone Come sing to me again Fairy Wedding","Emblem of Constancy Scenes of My Youth Sweet Girl May I Be There!","I Love to Gaze on Beauty's Cheek Love's Gentle Whisper I Dreamed of Thee My Heart is Thine Speak Kindly","Handwritten music sheet inside score cover art","cover art","Aria Alla Scozzese Sicilian Air of Home Sweet Home The White Cockade Langolee an Irish Melody Beethoven's Admired Waltz She Wore a Wreath of Roses","The Morning Glory Waltz The May Queen Polka","Cover art - map of Japan and Korean Pennisula","Colored drawing on cover","cover art","cover art","Colored cover art","Home to Our Mountains ( Si la Stanchezza) Prison Song Over the Summer Sea Ah! I Have Sigh'd to Rest Me Ernani We'll Laugh and Sing All Cares Away Melodies from the Trovatore T'was no Vision In Tears I Pine for Thee Tempest of the Heart La Forza del Destino - cover art","Teutonia Quick Step Rose Waltz I Wish I was in Dixie - cover art Edinburgh Polka Seconfd Review Quick Step Les Graces","Caprice Menuet Les Pecheurs de Perles","cover art","cover art","cover art","Hungarian -cover art","cover art","cover art","cover art - internal cover","God of the Fatherless Love \u0026 Sorrow Footsteps of Angels The Hunters Chorus Echo Waltz Three Celebrated Pieces Last Waltz","6 Amusements Elegants-La Polka Le Carnevale de Venise Ernani Un Soir au Chateau Rouge Rosalie Redowa Elegantes When the Swallows Homeward Fly The Long, long weary Day Rose et Blanche","Patorale pour Grand Organ Nadia - cover art","Meet Me By Moonlight Hours there were Float Down the Tide Fair Rose I've Wander'd in Dreams O Do You Remember","cover art","cover art","cover art","cover art","Dolores Walzer Trictrac Polka La Plus Belle Walzer Bien Aimes Well Beloved Waltzes Sirenes Waltzes Bella Polka-Mazurka - cover art","Ever be Happy Chant des Oiseaux When Thou art near Parlor Cottillions No.2 I Fondly Think of Thee - cover art","Good Night and Pleasant Dreams Tis the Last Rose of Summer Why do I weep for Thee - cover photo Lucis di Lammermoor I Mourn Thee But I Love no More Tell Me some fond name Holy Mother Guide His Footsteps Adieu Dear Native Land Say my heart can this be Love? The Spring and Summer both are past Softly Ye Night Winds Speak Gently Sweet Evening Star","Sweet Spirit, Hear My Prayer! In Happy Moments Le Reve Softly Ye Night Winds The Hundreth Psalm The Star of Love The Midnight Waltz The Night Winds Wait for the Wagons Polka The Leaves are Turning Red Good Night and Pleasant Dreams The Midnight Serenade It is the Happy Summer Time","The Blue Bells of Scotland The Hundreth Psalm Grande Polka de Concert First Love I Have waited for Thy Coming Sleeping I Dreamed, Love Alas Thomes Chimes so Sweetly Stealing Melodie Peruvienne Bird of the greenwood The Winds that waft my sighs to thee","Tis the Harp in the Air Scenes That are Brightest Annie Laurie The Low Backed Car The Night-Winds The Spell If Lov'd by Thee Annie Dear, Good Bye - cover art Old Friendship's Smile Lotus Leaf La Mexicana The Lost Star Ballad The Celebrated Witches' Dance Adieu Grande Polka - cover art Scenes","Jenny Lind Polka First Love Redowa Brigand Polka The Storm Polka Fruhlings Landler First Love Pen and Ink - cover art Fleur des Champs Coquette Polka La Romantique - cover art","Kind Friends are Near Her Patch-work Polka Where are ye now Bright Dreams of My Childhood Sounds from the Ringing Rocks","Brother's fainting at the door - cover art Come sit by My Side Little Darling - cover art","Cover Photo","Inman Line March - cover art An Eine Aeolsharfe Nearer My God to Thee - cover art Come Holy Spirit - cover art Old Folks at Home Transcription Schottische Brilliant On the Track Galop Jessamine Polka Redowa Rippling Rill Mazurka","Old Haunts Ballad Rock of Ages Moss a Ballad Love's Twilight Star - cover art Christ the Lord is risen to day Rock of Ages The Reveille Come Holy Spirit Bobolink Polka Marche Militaire Tam O'Shanter - cover art The Song of the Brook As Pants the Hart Harum Scarum Polka","Recuerdame - cover art Solo Tengo Ojos Para Ti - cover art","The Morning Star Polka Jenny Forrester","Ah Do Not Forget Love - cover art Mondamin","The Mother's Vow What will you do Love","John Anderson My Jo.- cover art Beautiful Dream Waltz Tis sweet to take the bonnie Lake Come, come to me, my Rover","cover art","Come to the Sunset Tree Good Bye! a ballad","Gondoliers Song Home, Sweet Home","Wake Lady Wake The Plain Gold Ring The Magic Spell Jubel-Ouverture Mouvement Perpetuel Aufforderung zum Tanze Rondo Brillant","cover art","Lorena Zula Zong Softly, Lightly, Sweetly Sing Paul Vane Under the Beautiful Stars The Old Man Dreams Where the little feet are waiting - cover art Lorena Oh How I Love My Mountain Home They Buried Her Under the Old Elm Tree Dont Be Sorrowful Spare the Old Homestead Tap on the Window Pane It will be summer by and by Sweet By and By - cover art Over the River","cover art","The Nupital Quick Step Home Sweet Home Ever of thee Waltz Spanish Fandango","Harvest of Flowers ( Blumenlese) Praktische Violinschule- Blumenlese fur angehende Violinisten","cover art","Fleur des Alpes - cover art Serenade de Ruy-Blas","Dreaming Weaving","What Nora Said - cover art Beautiful Bells - cover art Watch and Pay - cover art Little Fanchon - cover art","cover art","La Grande Duchesse -- cover art Qui Vive Galop -- cover art","cover art","cover art","cover art","How Merrily We Live that Shepherds Be The Footstep on the Stair","In a Fairy Grot Thou hast Learn'd to Love Another Keep to the Right Love's Golden Chain","Stick to Your Father, Dick - cover art Pretty as a Pink - cover art","cover art","Darby Kelly Oh! Rest thee Babe","Put Me in my Litle Bed - - cover art Come Birdie Come -- cover art Poor Little Johnny -- cover art A bird from o'er the sea -- cover art Little Emily -- cover art Little Clo Baby Fingers on my Cheek -- cover art Far From Home -- cover art The Old Turnkey-- cover art Marguerite -- cover art The Widow in the Cottage by the Sea-Side He was Crucified -- cover art","The Watcher Quick Step When Voices Breathe a Music Sweet Wrecker's Daughter Oh Susanna! Joys that were Crowning Love Not Verdi's Quick Step Sachems Daughter -- cover art Rosa Lee The Birde of Sighs The Farmer's Boy Sister, Swift the Hours Have Fled In the Lonely Grove I Linger Rose of Allandale French Republic March","cover art","cover art","The Welcome Wild roses","Contes D'Avril Six Duos pour Pianoo et Harmonium","Variations on Hadyn's Austrian National Hymn -- cover art Rochester Scottisch and Affection Waltz May Queen Polka -- cover art Bouquet of Melodies -- cover art","Fading the still fading the last beam is shining Ingleside Triumph March -- cover art Away away we bound o'er the deep The Harpers Song","cover art","cover art","The Soldiers Grave The Brides Farewell Larboard Watch","Heliotrope Polka Geranium Waltz Coming Out Waltz -- cover art","cover art","Glen Mary Waltzes Day is Departing","Sleep the Kind Angel is Near me Christmas Carol","Sehnsucht am Meere Flieg' Vogel, Fliege! Freundvoll und Leidvoll","cover art","The Chapel in the Mountains -- cover art The Sky-Lark The Shepherd Boy -- cover art Highlands Echoes -- cover art Tripping thro' the Meadows -- cover art Les Voix du Matin","Five Favorite Chants Hark! The Herald Angels sing","cover art","cover art","Farewell Song of Enoch Arden First Love Redowa Martha Loves Chiding's Waltz -- cover art La Fille du Regiment Trab-Trab Galop La Belle Helene Nothing to Wear -- cover art The Sunshine Schottisch -- cover art Bells of Corneville","Cover art","cover art","cover art","cover art","Evening By the Sea Sweet Cecile Leslie","Cover art","Orgelvorspiele Sonate in B moll fur Orgel","cover art","Grand March de Concert Galop di Bravura L'Hirondelle Grande Marche Militaire Le Dernier Sourire Marrie Polka-Mazurka The Whispering Wind","cover photo","I've brought Thee an Ivy Leaf--cover art Clara May","cover art","The Indian's Prayer Home of the Penitent Be Kind to the Loved Ones at Home Mother Dear O Pray for Me Gentle Words and Loving Smiles The Sailor Boy's Last Dream He Doeth All Things Well--cover art","Speed Away! Speed Away! Take Me Home to Die Strike the Harp Gently Oh for a Home Beside the Hills Take Me Home to Die--cover art Give Me a loving Heart Uncle John is Sweetly Sleeping Katy's Cry Ella Dear He Doeth all things Well --cover art","Mary McNeil Bell Brandon","Come Home, Father Brave Boys Kingdon Coming--cover art Grandmother Told Me So--cover art Now Moses--cover art","cover art","The Belle of the Forest The Buccanier's Bride","Shylie Bawn Her Bright Smile Haunts Me Still Dearest Spot of Earth to Me is Home Gentle ray of sunlight Smiles and tears Sing me an English Song Let my care be no man's sorrow","The Hazel Dell--cover art The Church within the wood Rosalie the Prarie flower Departed Days Old Folks are Gone Annie Lowe Fair Thee Well Kitty Dear Bright Eyed Little Nell of Narragansett Bay","Shepherd Boy--cover art Silvery Waves Gaily our Boat glides o'er the Sea--cover art Dashing Spray The Last Rose of Summer Home Reveries--cover art Song of the Sky Lark Fishers Hornpipe Medley Little Maggie May When You and I were Young","Sister Come! Come Away. Fly Pretty Butterfly","The Dearer Name New Year Polka","cover art","Herculean Quick Step The Giraffe Waltz","cover art","Wecker Polka-cover art Ypsilanti-cover art","Schoenfeld - Marsch Wiener Buerger Natursanger Walzer Marsch-Evoluntionen Leipziger CoupletGluckliche Tage Die Tanzerin Unanfechtbar Marsch Marsch der Burgwache Diplomaten-Gavotte","The Fashionables 6 Celebrated PolkasCome Sing Me That Sweet Air Again Luna Waltz Azalia Polka The Dawn Waltz","White Rose Polka Scraps from Martha","Dearest Old Mansion","The Musical Repository","Dix Pieces pour Orgue Douze Pieces pour Orgue","Filippo Capocci","Coppella Ballet","Aida","Auld Lang Syne","Pleasant Recreations for Young Pianists","Mozart con fan tutte","Daily Exercises and Scales Sousa's Favorite March Book-Flute Sousa's Favorite March Book-Oboe Sousa's Favorite March Book-Drums Sousa's Favorite March Book-Coronet Fox Favorite Orchestra Folio","Sousa's Favorite March Book- 1st Violin A (2) Sousa's Favorite March Book- 1st Violin Sousa's Favorite March Book- 2nd Violin Sousa's Favorite March Book-Alto Saxophone Sousa's Favorite March Book-Trombone Sousa's Favorite March Book-Bass Sousa's Favorite March Book-Piano","Fosterlandsk Musik","Polkas, Waltzes and Quadrilles","Les Hirondelles","Le Pianiste Virtuose","It Will not do to Tell","Dancers Delight","Five Finger Exercises","Cottage Music","Im Walde Suite","Carlos Gomez Barrera","La Melancolie La Volette Mazonrka","Comedy Capers","Heures Mystiques Grands Succes Du Piano","Overture z.Op Figaros Hochzeit","Music for the Sanctuary Lays of Sweden and Findland Songs and Duets composed by Ciro Pinsuti","Music and Her Sister Song Duet","Four Rondos","The Angels Whisper","Tam O'Shanter Young Americas Schottisch Musical Bazaar: A Collection of Songs and Ballads for the Guitar La Senora Waltz The Boudoir Polkas The Champagne Galop Rosebud Quick Step The Faires Danse Gentle Annie Ballad","Collection de Morceaux choisis par Otto Schick","Ask Not My Love","La Lyre Ganloise Select Collection of Classic Piano Music Si Tu Savais","Chants de France Dance Music","Bingen on the Rhine When the Swallos Homeward Fly Le Tremolo pour le Piano Il Desiderio O Charming May","L'Art du Chant","Agathe Queen of My Soul The Rose of Allandale The Bride","No. 30 Bach","Six Petits Duos pour Deux Violins de I. Pleyel Album Classique our Violin et Orgue  par G. Zanger","Aurora! de Peigeian Oft in the Stilly Night by Wilhel, Iucho","6 Pieces d'Orgue Pieces Recreatives pour Violin et Piano Pelleas et Melisande by Claude Debussy Album de six Morceaux Choisis","Cling to the Rock","Love Not! by Blockley The Sea by Phillips Rory O'More by Carl Muller Galop de Piquillo by Francois Hunten","Pleasures of Home","Thy Spirit of Love Keeps a Watch Over Me by G. Linley","Montechi e Capuletti by J. Blumtal","Peters' Musical Monthly - Novembe 1871 Peters Musical Monthly - March 1872 Don't Be Sorrowful","Klavierwerke-Preludio con Fuga by J.S. Bach No. 1 Toccata con Fuga by J.S. 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(Douglas E. Jackson)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:34.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9917"}},{"id":"viw_repositories_2_resources_8982_c03_c2333","type":"File","attributes":{"title":"Zeuner, Ch.; The Evening Gun, 1831","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8982_c03_c2333#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8982_c03_c2333","ref_ssm":["viw_repositories_2_resources_8982_c03_c2333"],"id":"viw_repositories_2_resources_8982_c03_c2333","ead_ssi":"viw_repositories_2_resources_8982","_root_":"viw_repositories_2_resources_8982","_nest_parent_":"viw_repositories_2_resources_8982_c03","parent_ssi":"viw_repositories_2_resources_8982_c03","parent_ssim":["Sheet Music Collection, 1827/1974","Series 3: 19th Century Sheet Music"],"parent_ids_ssim":["viw_repositories_2_resources_8982","viw_repositories_2_resources_8982_c03"],"title_filing_ssi":"Zeuner, Ch.; The Evening Gun","title_ssm":["Zeuner, Ch.; The Evening Gun"],"title_tesim":["Zeuner, Ch.; The Evening Gun"],"normalized_title_ssm":["Zeuner, Ch.; The Evening Gun, 1831"],"text":["Zeuner, Ch.; The Evening Gun, 1831","Sheet Music Collection, 1827/1974","Series 3: 19th Century Sheet Music","Box Series 3, Box 111","Folder 16"],"parent_unittitles_ssm":["Sheet Music Collection, 1827/1974","Series 3: 19th Century Sheet Music"],"parent_unittitles_tesim":["Sheet Music Collection, 1827/1974","Series 3: 19th Century Sheet Music"],"normalized_date_ssm":["1831"],"unitdate_inclusive_ssm":["1831"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3563,"repository_ssim":["College of William and Mary"],"collection_ssim":["Sheet Music Collection, 1827/1974"],"containers_ssim":["Box Series 3, Box 111","Folder 16"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1831],"_nest_path_":"/components#2/components#2332","timestamp":"2026-06-23T07:48:00.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8982","ead_ssi":"viw_repositories_2_resources_8982","_root_":"viw_repositories_2_resources_8982","_nest_parent_":"viw_repositories_2_resources_8982","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8982.xml","title_filing_ssi":"Sheet Music Collection","title_ssm":["Sheet Music Collection"],"title_tesim":["Sheet Music Collection"],"unitdate_ssm":["1827-1974"],"unitdate_inclusive_ssm":["1827-1974"],"normalized_date_ssm":["1827/1974"],"normalized_title_ssm":["Sheet Music Collection, 1827/1974"],"text":["Sheet Music Collection, 1827/1974","Mss. 1.07","/repositories/2/resources/8982","African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Additions are being made to this collection on an ongoing basis.","The collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point.","Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos.","Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received.","Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series.","Material received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013.","The Sheet Music Collection includes sheet music collected by the Special Collections Research Center.","This series includes sheet music collected by the Special Collections Research Center prior to 2007.","Scope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.","Scope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.","Scope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.","Scope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.","Scope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.","Scope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.","Scope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.","Scope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.","Scope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.","Scope and Contents \"Latest and Best\" - undated","Scope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;","Scope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.","Scope and Contents \"Maid of Athens\" - undated, Allen ?, composer.","Scope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.","Scope and Contents \"Minnesota March\"- undated, George N. Allen, composer.","Scope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.","Scope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.","Scope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.","Scope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.","Scope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.","Scope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.","Scope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.","Scope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.","Scope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.","Scope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.","Scope and Contents \"Soko\" - 1903, John Arnold, composer.","Scope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.","Scope and Contents \"Alice\" - undated, Joseph Asher, composer.","Scope and Contents \"My Task\"- undated, E.L. Ashford.","Scope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.","Scope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.","Scope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.","\"Marching Through Georgia, Rudolf Thaler, composer","Scope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.","Scope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.","Scope and Contents \"Miss Helyett\"- undated, E. Audran, composer.","Scope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.","Scope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.","Scope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.","Scope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.","Scope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.","Scope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.","Scope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.","Scope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.","Scope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.","Scope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.","Scope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.","Scope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.","Scope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.","Scope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.","Scope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.","Scope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.","Scope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.","Scope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.","Scope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.","Scope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.","Scope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.","Scope and Contents \"Virginia\" - 1904, D. A. Barrackman","Scope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;","Scope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.","Scope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.","Scope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.","Scope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.","Scope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer","Scope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.","Scope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.","Scope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.","\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.","Scope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.","Scope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.","Scope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.","Scope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.","Scope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.","Scope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.","Scope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.","Scope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.","Scope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.","Scope and Contents \"Parlor Concert\" - undated, Carl J. Berger.","Scope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.","Scope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.","Scope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.","Scope and Contents \"Maybe\" - undated, Bertrand Brown, composer.","Scope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.","Scope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.","Scope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.","Scope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.","Scope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.","Scope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.","Scope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.","Scope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.","Scope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.","Scope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.","Scope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.","Scope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.","Scope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.","Scope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.","Scope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.","Scope and Contents \"Blackmar\u0026Bro's selection of Favorite Songs\" - undated, Blockley, composer.","Scope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.","Scope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.","Scope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.","Scope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.","Scope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.","Scope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.","Scope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.","Scope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.","Scope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.","Scope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.","Scope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.","Scope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.","Scope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.","Scope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.","Scope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.","Scope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.","Scope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.","Scope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.","Scope and Contents \"Remember Me\" - undated, M. Brinkman, composer.","Scope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.","Scope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.","Scope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.","Scope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.","Scope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.","Scope and Contents \"Salut a La France\" - undated, Brunner, composer.","Scope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.","Scope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.","Scope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.","Scope and Contents \"At Evening\" - 1899, Dudley Buck, composer.","Scope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.","Scope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.","Scope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.","Scope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.","Scope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.","Scope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.","Scope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.","Scope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.","Scope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.","Scope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.","Scope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.","Scope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.","Scope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.","Scope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.","Scope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.","Scope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman","Scope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar","Scope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana","Scope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell","Scope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell","Scope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning","Scope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders","Scope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew","Scope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence","Scope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle","Scope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams","Scope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael","Scope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael","Scope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens","Scope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola","Scope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll","Scope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll","Scope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin","Scope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi","Scope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll","Scope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar","Scope and Contents \"Martha\" - undated, composed by Cavatine","Scope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade","Scope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway","Scope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry","Scope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin","Scope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy","Scope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel","Scope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke","Scope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft","Scope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau","Scope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover","Scope and Contents \"My Reverie\" - 1938, by Larry Clinton","\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford","Scope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton","Scope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley","Scope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse","Scope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel","Scope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.","Scope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.","Scope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.","Scope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.","Scope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.","Scope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.","Scope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.","Scope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.","Scope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.","Scope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.","Scope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.","Scope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.","Scope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.","Scope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.","Scope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.","Scope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer","Scope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis","Scope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots","Scope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin","Scope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow","Scope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe","Scope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner","Scope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper","\"How Can I Leave Thee?\" - 1851, by C. Cramer","Scope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer","Scope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn","\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford","Scope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson","Scope and Contents \"The Pelican\" - undated, composed by W.J. Crerar","Scope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch","Scope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny","Scope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.","Scope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.","Scope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.","Scope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.","Scope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.","Scope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.","Scope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.","Scope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.","Scope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.","Scope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.","Scope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg","Scope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.","Scope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.","Scope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.","Scope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.","Scope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.","Scope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.","Scope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.","Scope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.","Scope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.","Scope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.","Scope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.","Scope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.","Scope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.","Scope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.","Scope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.","Scope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson","Scope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson","Scope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan","Scope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence","Scope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter","\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin","Scope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher","Scope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro","Scope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin","Scope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz","Scope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro","Scope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie","Scope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods","Scope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge","Scope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth","Scope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler","Scope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert","Scope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson","\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph","Scope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds","Scope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks","Scope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn","Scope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti","Scope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn","Scope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist","Scope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty","Scope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen","Scope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.","Scope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.","Scope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.","Scope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.","Scope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer","Scope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.","Scope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.","Scope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.","Scope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.","Scope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer","Scope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.","Scope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.","Scope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.","Scope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.","Scope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.","Scope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.","Scope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.","Scope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.","\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.","Scope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.","Scope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.","Scope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.","Scope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.","Scope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.","Scope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.","Scope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.","Scope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.","Scope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.","Scope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.","Scope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.","Scope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.","Scope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.","Scope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.","Scope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.","Scope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.","Scope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.","Scope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.","Scope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.","Scope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.","Scope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.","Scope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.","Scope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.","Scope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.","Scope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.","Scope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.","Scope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.","Scope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.","Scope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.","Scope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.","Scope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.","Scope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.","Scope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.","Scope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.","Scope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.","Scope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.","Scope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.","Scope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.","Scope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.","Scope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.","Scope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.","Scope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.","Scope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.","Scope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.","Scope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.","Scope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.","Scope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.","Scope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.","Scope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.","\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones","Scope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger","Scope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes","Scope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel","Scope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade","Scope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey","Scope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.","Scope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland","Scope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay","Scope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay","Scope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips","Scope and Contents \"Calcutta\" - 1958, Heino Gaze","Scope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze","Scope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood","Scope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert","Scope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn","Scope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens","Scope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis","Scope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman","Scope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter","Scope and Contents \"Gavotte\" - undated, by C.W. Gluck","Scope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts","Scope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood","Scope and Contents \"The Guards Waltz\" - undated, by D. Godfrey","Scope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent","Scope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler","Scope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold","Scope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn","Scope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz","Scope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman","Scope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman","Scope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash","Scope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel","Scope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria","Scope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare","\"Do You Really Think He Did?\" - 1855, by J.T. Gosden","Scope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke","Scope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk","Scope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod","Scope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley","Scope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept","Scope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle","Scope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David","\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman","\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham","Scope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour","\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill","Scope and Contents \"Anona\" - 1903, by Vivian Grey","Scope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York","Scope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose","Scope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe","Scope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé","Scope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman","Scope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange","Scope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend","Scope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson","Scope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo","Scope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l","Scope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams","Scope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt","Scope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez","Scope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.","Scope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.","Scope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.","Scope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.","Scope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.","Scope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.","Scope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.","Scope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.","Scope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.","Scope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.","Scope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.","Scope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.","Scope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.","Scope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.","Scope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.","Scope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.","Scope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.","Scope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.","Scope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.","Scope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.","Scope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.","Scope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.","Scope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.","Scope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.","Scope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt","Scope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith","Scope and Contents \"Clareene\" - 1905, by Max L. Herman","Scope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache","Scope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer","Scope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz","Scope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman","Scope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh","Scope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller","Scope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton","Scope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber","Scope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter","Scope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs","Scope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence","Scope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed","Scope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon","Scope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman","\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith","Scope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer","Scope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman","Scope and Contents \"The Gift Polka\" - 1855, by Albert Holland","Scope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser","Scope and Contents \"Smoky Mokes\" - undated, by A. Holzmann","Scope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy","Scope and Contents \"The Toast\" - 1931, by Francis Hopkinson","Scope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach","Scope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard","Scope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard","\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks","Scope and Contents \"Winsome Grace\" - 1890, by T.H. Howe","Scope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden","Scope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills","Scope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah","Scope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.","Scope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck","\"Holiday Waltz - 1878, J.A. Ide, composer.","Scope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.","Scope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.","Scope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.","Scope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.","Scope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026 Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.","Scope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.","Scope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.","Scope and Contents \"Eva's Parting\" - 1852, F. James, composer.","Scope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.","Scope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.","Scope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.","Scope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.","Scope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;","Scope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.","Scope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.","Scope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.","Scope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.","Scope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.","Scope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.","Scope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.","Scope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.","Scope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.","Scope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams","Scope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston","Scope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting","Scope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders","Scope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang","Scope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby","Scope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn","Scope and Contents \"Variations sur Lestoco\" - undated, by H. Karr","Scope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun","Scope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters","Scope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser","\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson","Scope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove","Scope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly","Scope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly","Scope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly","Scope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley","\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.","Scope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II","Scope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel","Scope and Contents \"Rondeaux\" - undated, by Ferd. Kessler","Scope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby","Scope and Contents \"Gipsies\" - undated, by Ella Ketterer","Scope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer","Scope and Contents \"Sonate\" - undated, by Friedrich Kiel","Scope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder","Scope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King","Scope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare","Scope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn","Scope and Contents \"The Star Spangled Banner\" - 1835, W.A. King","Scope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel","Scope and Contents \"A Bohemian Walzer\" - undated, by Kirmair","Scope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber","Scope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein","\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll","Scope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis","Scope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini","Scope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley","\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost","Scope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton","Scope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass","Scope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy","Scope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler","\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine","Scope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset","Scope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan","Scope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.","Scope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.","Scope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.","Scope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.","Scope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.","Scope and Contents \"Union March\" - undated, Hans Krummacher, composer.","Scope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.","Scope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.","Scope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.","Scope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.","Scope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.","Scope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.","Scope and Contents \"Memories\" - 1901, Albert Kussner, composer.","Scope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.","Scope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.","Scope and Contents \"Crescendo\" - 1896, Per Lasson, composer.","Scope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.","Scope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.","Scope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.","Scope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.","Scope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.","Scope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.","Scope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.","Scope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.","Scope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.","Scope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.","Scope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers","Scope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona","Scope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles","Scope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee","Scope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef","Scope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély","Scope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart","Scope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare","Scope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse","Scope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow","Scope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky","Scope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke","Scope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin","Scope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields","Scope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg","Scope and Contents \"All-American Girl\" - 1932, by Al Lewis","Scope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais","Scope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis","Scope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa","Scope and Contents \"Mocking Bird\" - 1903, by Fred Lewis","Scope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis","Scope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young","Scope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach","Scope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.","Scope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.","Scope and Contents \"Tired\" - undated, M. Lindsay, composer.","Scope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.","Scope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.","Scope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.","Scope and Contents \"Too Tired\" - 1924, George A. Little, composer.","Scope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.","Scope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.","Scope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.","Scope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.","Scope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.","Scope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.","Scope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.","Scope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.","Scope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.","Scope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.","Scope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.","Scope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw","\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo","Scope and Contents \"At Rest\" - 1915, by Katherine E. Lucke","Scope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna","Scope and Contents \"In Memoriam\" - 1872, by A. Lutz","\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire","Scope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg","Scope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.","Scope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.","Scope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.","Scope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.","Scope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.","Scope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid","Scope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.","Scope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;","Scope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;","Scope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell","Scope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell","Scope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell","Scope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren","Scope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack","\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.","Scope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano","Scope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300","Scope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.","Scope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.","\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.","Scope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.","Scope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.","Scope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.","Scope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.","Scope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.","Scope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.","Scope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.","Scope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.","Scope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.","Scope and Contents \"Smith's March\" - 1848, J.T. March - composer.","Scope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.","Scope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.","Scope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.","Scope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.","Scope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.","Scope and Contents \"Longing\" - undated, Charles Mayor, composer.","Scope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.","Scope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.","Scope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.","Scope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.","Scope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.","Scope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.","Scope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.","Scope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.","Scope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.","Scope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.","Scope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.","Scope and Contents \"Butterfly\" - undated, G. Merkel, composer.","Scope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.","Scope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.","Scope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer","Scope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist","Scope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist","Scope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist","Scope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer","\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund","Scope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists","Scope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer","Scope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists","Scope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist","Scope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists","Scope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist","Scope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists","Scope and Contents \"Retour du Printemps\" - undated, Moelling, composer","\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist","Scope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist","Scope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer","Scope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist","Scope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist","Scope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist","Scope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists","Scope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist","Scope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist","Scope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer","\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists","Scope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist","Scope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist","Scope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer","Scope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists","Scope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist","Scope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer","Scope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist","Scope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist","Scope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer","Scope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists","Scope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist","Scope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer","Scope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists","Scope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist","Scope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist","Scope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer","Scope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist","Scope and Contents \"The Beauregard\" - 1861, A. Noir, composer","Scope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist","Scope and Contents \"Èlègie\" - 1895, E. Nollet, composer","Scope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist","Scope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer","\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist","Scope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer","Scope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist","Scope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer","Scope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer","Scope and Contents \"La Polka\" - undated, Offenbach, composer","Scope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists","Scope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist","Scope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist","Scope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist","Scope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist","Scope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists","Scope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist","Scope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists","Scope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist","Scope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist","Scope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists","Scope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer","Scope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist","Scope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist","Scope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.","Scope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.","Scope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.","Scope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.","Scope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.","Scope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.","Scope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.","Scope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.","Scope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.","\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.","Scope and Contents \"Pensees\" - undated, Ernst Perabo, composer.","Scope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.","Scope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.","Scope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.","Scope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.","Scope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.","Scope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.","Scope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.","Scope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.","Scope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.","Scope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.","Scope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.","Scope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.","Scope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.","Scope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.","Scope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.","Scope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.","Scope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.","Scope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.","Scope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.","Scope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.","Scope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer","Scope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer","Scope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist","Scope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists","Scope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist","Scope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist","Scope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer","Scope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist","Scope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist","Scope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer","Scope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer","Scope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer","Scope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist","Scope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist","Scope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist","Scope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer","\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists","Scope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist","Scope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer","Scope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger","Scope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer","\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist","Scope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer","Scope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer","Scope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist","Scope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists","Scope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists","Scope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist","Scope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist","Scope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist","Scope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist","Scope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist","Scope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer","Scope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists","Scope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer","Scope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.","Scope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.","Scope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.","Scope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.","Scope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.","Scope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.","Scope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.","Scope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.","Scope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.","Scope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.","Scope and Contents \"Trumpet March\" - undated, Rossini, composer.","Scope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.","Scope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.","Scope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.","Scope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.","Scope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.","Scope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.","Scope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.","Scope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.","Scope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.","Scope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.","Scope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.","Scope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.","Scope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.","Scope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.","Scope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.","Scope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.","Scope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.","Scope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.","Scope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.","Scope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.","Scope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.","Scope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.","Scope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.","Scope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.","Scope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.","Scope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.","Scope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.","Scope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.","Scope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.","Scope and Contents \"Quintett\" - undated, Robert Shunmann, composer.","Scope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist","Scope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist","Scope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist","Scope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist","Scope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists","Scope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer","Scope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer","Scope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist","Scope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott","Scope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist","Scope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist","Scope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists","Scope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist","Scope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists","Scope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer","Scope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer","Scope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist","Scope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist","Scope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer","Scope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists","Scope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer","Scope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist","Scope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists","Scope and Contents \"Autumn\" - 1931, Lee Sims, composer","Scope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer","Scope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist","Scope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist","Scope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer","Scope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer","Scope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist","Scope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist","Scope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist","Scope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer","Scope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896","Scope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer","Scope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer","Scope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist","Scope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist","Scope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist","Scope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer","Scope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists","Scope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer","Scope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer","Scope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer","Scope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist","Scope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist","Scope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer","Scope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist","Scope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists","Scope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer","Scope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.","Scope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.","Scope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.","Scope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.","Scope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.","Scope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.","Scope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.","Scope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.","Scope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.","Scope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.","Scope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.","Scope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.","Scope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.","Scope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.","Scope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.","Scope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.","Scope and Contents \"Polka\" - undated, L. Streabbog, composer.","Scope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.","Scope and Contents Florodora\" - 1900, Stuart Leslie, composer.","Scope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.","Scope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.","Scope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.","Scope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.","Scope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.","Scope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.","Scope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist","Scope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer","Scope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert","Scope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist","Scope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist","Scope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist","Scope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist","Scope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist","Scope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist","Scope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist","Scope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist","Scope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist","Scope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist","Scope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer","Scope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists","Scope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist","Scope and Contents \"Hence Discontent\" - undated, Tolbecque, composer","Scope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer","Scope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer","Scope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier","Scope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist","Scope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists","Scope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist","Scope and Contents \"Tarantelle\" - undated, Berthold Tours, composer","Scope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists","Scope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist","Scope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist","Scope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer","Scope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist","Scope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer","Scope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist","Scope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer","\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists","Scope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists","Scope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists","Scope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist","Scope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer","Scope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist","\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist","Scope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist","Scope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists","Scope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer","Scope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist","\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists","Scope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer","Scope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist","Scope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist","Scope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer","Scope and Contents \"Don Juan\" - undated, Charles Voss, composer","Scope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.","Scope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.","Scope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.","Scope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.","Scope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.","Scope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.","Scope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.","Scope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.","Scope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.","Scope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.","Scope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.","Scope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.","Scope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.","Scope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.","Scope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.","Scope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.","Scope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.","Scope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.","Scope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.","Scope and Contents \"Polka\" - 1859, Julius Weel, composer.","Scope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .","Scope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.","Scope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.","Scope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.","Scope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.","Scope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.","Scope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.","Scope and Contents \"Postlude in F\" - 1896, John A. West, composer.","Scope and Contents \"Postlude in B\" - undated, John E. West, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.","Scope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.","Scope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.","Scope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.","Scope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.","Scope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.","Scope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.","Scope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.","Scope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.","Scope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.","Scope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.","Scope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.","Scope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.","Scope and Contents \"Black Apollo\" - undated, Charles White, composer.","Scope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.","Scope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.","Scope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.","Scope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.","Scope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.","Scope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.","Scope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026 Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.","Scope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.","Scope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.","Scope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.","Scope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.","Scope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.","Scope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.","Scope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.","Scope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.","Scope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.","Scope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.","Scope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.","Scope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.","Scope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.","Scope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.","Scope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.","Scope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.","Scope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.","Scope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.","Scope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.","Scope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.","Scope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.","Scope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.","Scope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.","Scope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.","Scope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.","Scope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.","Scope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.","Scope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.","Scope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.","Scope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.","Three items present.","Scope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.","Scope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.","Scope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.","Scope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.","Scope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.","Scope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.","Scope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.","Scope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.","Scope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.","Scope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026 Claribel, composers.","Scope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.","Scope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.","Scope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.","Scope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.","Scope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026 F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.","Scope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.","Scope and Contents Untitled exercise book, undated, various composers.","Scope and Contents Untitled exercise book, undated, unknown composer.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.","Scope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.","Scope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.","Scope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.","Scope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.","Scope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers","Scope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.","Scope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.","Scope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.","Scope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.","Scope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.","Scope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers","Scope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.","Scope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.","Scope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers","Scope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.","Scope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.","Scope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.","Scope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;","Scope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.","Scope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.","Scope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.","This series includes sheet music collected by the Special Collections Research Center beginning 2007.","\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.","\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.","Scope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;","10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026 Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.","Scope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.","Scope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.","Scope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.","Scope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.","Scope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.","William's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.","Scope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .","Songster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.","Scope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.","Scope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026 Co.  Copyright date of 1851.  Hand sewn binding.","Contains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.","From the musical comedy \"Three Little Lambs.\"","Contains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026 Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026 Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026 Dresser, New York, 1903.","Contains songs for use in \"Special Services Activites by Armed Forces personnel only.\"","Scope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.","Scope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.","Contains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.","Five Salted Peanuts","Capt. May's Quick Step","Virginia","Sweet Virginia Rose","He's A Rag Picker","Carry Me Back to Old Virginia (two copies)","Peanuts And Diamonds","The Teddy Bears' Picnic","Hot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)","Wait Till The War, Love, Is Over","Rose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)","Virginia Lullaby","Scope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"","Heart-Sickness Blues","Bud Rag","Moonlight on the Melonpatch","How's Your Folks and My Folks Down in Norfolk Town","Virginia Blues (two copies)","Virginia Belle","Virginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)","There's a Girl in Old New Hampshire Whose Heart is Apart of Me","Peanuts (La Cacahuata)","Tell Them You're From Virginia","'Mid Tthe Green Fields of Virginia","Throwing Peanuts to the Moon","Scope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"","Texas","Old Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)","Pray, Maiden , Pray!","The U. Va. Two-Step","Watermelon Club","Virginia Lou","I'm Going to Climb the Blue Ridge Mountains Back to You","Temptation Rag","Watermelon Man","She is the Sunshine of Virginia","Billy","Billy Boy","When It's Harvest Time in Peaceful Valley","Melinda's Wedding Day","The Lord Made a Peanut","At a Georgia Campmeeting","Shenandoah","Watermelon and Friends","Chariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)","Melon Time in Dixieland","I'm Gonna Bring a Watermelon to my Girl To-Night","Heart of Virginia","Virginia Moon (Waltz-song)","An Old Fashioned Garden in Virginia","The Peanut Vendor (El Manisero)","A Tale of Old Virginia","Under the Anheuser Bush (two copies)","Watermelons- Songs for Living","When it's Springtime in Virginia","Watermelon Weather","Peanuts! 5 a Bag","Carbalick Acid Rag","Memories of Virginia (Two copies)","Down Old Virginia Way (Operatic Edition)","Cover Me Up with the Sunshine of Virginia","Contains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"","La Belle Virginienne Valse (Binding hand-stitched)","The Ashland Memories","Princess Pocahontas (March and Two Step)","Researchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.","Organist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz","Gems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?","Christmas Song O Christmas Night Le Diable-A-Quatre Polka","Don't Be Angry Mother Scotch Air","A Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy","Picture of Comm. Enrico Caruso","known also as The Prima Donna Song; arranged and adapted by Chas.Jarvis","from Bellini's Admired Opera of Il Pirata","La Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore","cover art","cover art","photo on cover","hand written music sheets included","photo of Allen on cover","Souvenir edition for Army Air Forces Leave Hotels on French Riviera","Hand written music sheets with hand designed cover art","Tis Midnight Hour with cover art Constancy","Larmes of Joie Katie's Secret","Cover Art","cover only","covert art","Somebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight","cover art","Ecstasy The Meeting - cover art L' Arditia","Treasures of the Deep One Struggle More","Mexico","Cover Art Madrid ,Spain","Cover Art","cover art: photo of Julio Martinez Arteaga Bolivia - Spanish","Marie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure","Bolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)","Mexico - Spanish","Italian Photos on cover","Sweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast","Mexico - Spanish","Spanish - Barcelona, Spain Cover art by J. Casals","Christine - cover art My home by the mountain side The Cot by the Hill - cover art","Drei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken","London","Orphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany","Centennial March - cover art I'd be a Butterfly","cover art","The Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee","Once a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits","Then You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!","I Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee","Italian","Das Konigsballet","German and English","Dear  Love, Be True Darling \"Tis You","Mary Gray The Gypsie's Festival","Der Herr is Mein Hirt - German Marcia Fantastica Albumblatt","I am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? Why do Summer Roses Fade Would you Leave me to Mourn","O bury me by the river's side Silently, tenderly, mournfully home","O That I Had Wings Love Not Waltz Give Me another Flower I Love Thee Still","I Spring-Tine When the Tide Comes In My Golden Ship","The Days of Old Romance Le Matin (Polka)","The Highland Minstrel Boy Moonlight, Music, Love \u0026 Flowers My Father Land Guard Her as a Treasure The Light Guitar Why Do I Weep - cover art Galopade from Gustavus By the Flowing Guadilquiver I wish I had a Little Bird Why Say Farewell!","Don't Stay away so Long Little Footsteps - cover art","I Oftern Sigh in Sadness Love's Regret","The Dying Girl's Farewell Novelette Quickstep","I Would That My Love - German and English Lieder Ohne Worte The Wedding March Trois Fantasies","Sing to Me Nightingale The Village Quick Step","Sweet and Low There is a fountain fill'd with blood Don't Care Tarantella","Silvery Shower Biscaccianti Waltz Breakfast Bell Polka Salut a La France Ever Be Happy! The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day","Bilder in TonenGerman with cover art Rondo Mignon","Long Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife","French cover art and photos","Ah! Yes I Remember How Sweet are the Roses","Le Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale","The Whispering Trees The Image in the Heart","Sonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz","Rondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! God Thy Goodness Vienne March Minuet in G Grand Waltz Sonatine Sonaten Op. 10","Irrlichter The Jolly Trumpeter Galop","German","Italian","Take Them I implore Thee Hear me Norma Wher eare Now the Hopes I Cherished Sunbeam of Summer Oh Love for Me Thy Power Ah Bello a Me Ritorna Still so Gently o'er Me Stealing La Sonnambula Ah! non giunge Grand March in Norma","Linda Dumbarton's March 20 Joys (collection for Piano Fairy Dances Highland Fling Lilly Dale Starlight is Beaming I've not a thought but what is Thine Starlight Waltz","Night Fall Schottisch Hyazinth Schottisch The Young Recruit Quickstep La Favorita Domino Gallop Starlight Waltz Sleeping I Dream Love Blanche Alpen Waltz The Snowflake Schottisch The Dearest Spot of Earth Friendships Polka","Rocking Chair Polka 'Tis Midnight Hour Les Bords du Rhin A Good Old Fashion Polka St. Patricks Day Waltz Il Travatore Yankee Doodle The Wizard's Polka Schottisch Quickstep Lily Dale March di Bravura Poliuto","Bridal March La Fille du regiment Gentle Annie Friendship Waltz Bon Ton Polka Clara Polka Le Torrent Waltz Martha Potpouri Polka Joyful Waltz Little Darling Sack Waltz Chit Chat Plain Cotillion","cover photo","Wait for the Wagon Hope Be Thy Guide","The Atlantic Polka By the Sad Sea Waves Take this Lute - cover art The Cruiskeen Lawn","cover art","English and French","The Sands of dee Octave Galop The Tremolo Waltz Linda di Chamounix Les vespres Siciliennes La Traviata","covert art","Italian and English","Italian","German and English versions","Ernani Rondeau Polacca Rondeau La Muette de Portici Teufel's Polka Balisario The Evening Star Waltz Parade March Martha de Flotow Lucia di Lammermoor","La Fille du Regimment Salut a la France The Evening Star Waltz O Wert Thou But Mine Own Love Fleurs Italiennes Elfen Waltz Second March Martha Norma Ernani","Lucrezia Borgia Maniac or Pestal Waltzes Le Prophete Evening Star Waltz Last Waltzes of a Madman Azalea Polka I Puritani Faust de Spohr","Bouquets de Melodies OP. 42 - Cover art Belisario Post Horn Polka Evening Star Waltz La Sonnambula Opera Guillaume Tell de Rossini - cover art Fleurs Italiennes","Toujours Mobile Galop Faust","Marguerite - cover art Take Me Jamie dear","Home! Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band","Pretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells","\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle","On the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March","Oh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly","cover art","cover art","The Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube","Remember Me - cover art 48 Etudes","True Love Lives Forever Wery Pekoollar","German; cover art","Lora vale Remembered","The Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words","A Favourite French Air Michelson's Celebrated Waltz","The Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message","covert art","The Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop","Silhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German","Goodbye Douglas, Tender and True the Sea has its Pearls","French and English","Italian","cover art","photo on cover","The Lament of the Blind Orphan Girl Victory at Last","Italian, German, English","Take My Arm the Other Side Quadrille","Serenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76","Oriental Waltz Carmac Polka","photo cover","Golden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn","Bring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling","German and English","Fantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61","Woodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille","Tyrolese Evening Hymn Come to the Sunset Tree","Rondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano","French- colored cover with photo","Te Deum in B Minor Down by the Mill","The Diana Waltz The Ocean Wave Waltz","The Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene","Jolly Brothers L'Avant Coureur Galop","cover art photo","Marching Along Quick Step Rory O'Moore Quick Step","Fee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse","Colored cover art","Cinderella Waltz Oh Welcome the Hour from Catherine Grey","ZaZa - French - covert art Elle Avait des Soquettes - cover art","Italian","Italian","Weep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me","Italian","covert art","Love Moon J'aime Mon Amour - cover art","Mexico","Ring the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling","Italian","Espana Tabasco March Habanera","Miller's Daughter - cover art Three Little Songs","Nancy Till The Black Quadrilles","Automne Les Noces D'Argent","I Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? Trees of the Forest How beautiful is the Sea When the Autumn leaves are falling","Chanson Pour Jean Le Cantique De Justice John's Lullaby","Old Folks at Home Susan Rayne","Deux Polonaises Op. 26 XXI Op. 25 Mazurka No. 1 Vier Impromptus Trois Valses Op. 64 Fantaisie-Impromptu Op. 66","Cover Photo","I cannot Sing the Old songs My Heart is over the Sea Five O'Clock in the Morning Faithful to Thee Maggie's Secret Maggie's Welcome - cover art Strangers Yet Take back the Heart We'd Better to Bide a Wee Won't You Tell Me Why Robin All Along the Valley","Poor Juna Rock of Liberty Meet Me By the Running Brook Minnie Minton Under the Ice Do not Sing that Song Again The Rover's Grave Jenny June The Sword of Bunker Hill I Live for Those Who Love Me The Old Mountain Tree Lament of the Sailor Boy's Mother","Sonate Op.36 Sonate No. 3 C. Sechs Sonatinen Sonata Nr. 18","Sweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken","cover art","covert art","cover art","cover art","cover photo","cover photo","cover art","The Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more","The captain Grand March","Judith The May Queen The Holiday The Valley of Roses","Farewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha","Spring Season Polka Three Bells Polka","Dear Violetta Loves Ritornella Gustavus the Third","The Chatsworth Quadrilles Mugby Junction Galop","Beautiful Air The Harp That I Strung","Ecco Quel Fiero La Stella D'Amore","I Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch","Tarantelle Celluloid Polka-cover art","She is Sleeping, Sweetly Sleeping The Dismal Swamp","Sweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie","Thou Still Art Near to Me Meet Me at the Lane","Last Idea of Weber The Lat Rose of Summer Le Desir","Frederick Polka Il Desiderio Lucrezia Borgia De Donizetti","Marche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies","cover art","The Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch","L'Hirondelle et le Prisonnier Une Voix Dans La Nuit","Lovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae","Pray Child then Pray - cover art Ernani","Kathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie","See Saw Waltz Little, Saucy Kate -cover art","Johnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles","Had I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore","Trust to Luck Juney at the Gate","Sweet Alice in Heaven the Sunshine in You The Sylphide Polka","Oft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl","Four Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno","Vorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme","Schule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs","Stephanie-Gavotte En Avant Lover's Dream after the Ball","The Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille","Good Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop","Das Madchen und der Schmetterling Mittelalterliche Venushymne","cover art","Flee as a Bird The Past! The Past!","Romance Berceuse","Go Where the Mists are Sleeping Maiden! awake from thy slumbers","Silver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling","cover art","Babina Innamorta - cover art non dimenticar le mie parole - cover art","7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes","Brindisi Octoroon Galopp","La Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels","cover art","Let Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day","When the Swallows Homeward Fly La Prima Donna Valse","Les Adieux Spanische Tanze","cover art; Russian/Cyrillic","Songs of the Gondola Wings of a Dove","cover art","cover art","28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum","'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art","Ossian's Serenade The Whitw Mountain Serenade","Elizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March","Elizabeth Scottisch Bell Polka - cover art","cover art","Marjorie's Almana - ccover art He Thinks I do not Love Him","The Old Clock on the Stairs The Bridge - cover art The Brook","Motivo d'Amore - cover photo io che non vivo - cover photo","cover art","Child of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France","Rayon du Soleil Martha","cover art","I Can-not Live Without Thee I Live, Love! But for Thee","The Silken Bands Pensez a moi ma Chere a mie","We were Happy Then The Old Thatched Cot I went to Gather Flowers","Mary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around","O Salutaris Ave Verum","Annie Laurie Will Ye Come Back Again","1re Valse 6eme Valse","Canzonetta Sonte in B dur","Pleasures of Home Speed the Plough","Attila Gustave","12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder","Mr. Tambourine Man (French) With God on Our Side (French)","The Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss","Cousin et Cousin Du Plus Belle! Perce-Neige La Blondine","La Gaiete The Ethiopian","Button-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo","I Hear the Angels Calling My Idol Home When the Hues of Daylight fade","Burst, ye Apple Buds! At the Sea-shore","Sweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German","cover art","Boscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South","covert art","Bolero La Carnaval de Venise","D'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch","Dear Heart Sweet Long Ago","Angel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love","One copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)","Forget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast","Le Donne Comm'e' Bella 'a Stagione","dedicated to the Harvard Class of 1837","Panis Angelicus Ecce Panis Les Rameaux","Up and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art","includes some handwritten notes in Italian","Im Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung","Haydn's Gypsy Rondo Grecian Rondo","When I saw Sweet Nellie Home Liberty and Union","cover art","cover art","Lizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music","Willie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray","Fire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse","Over the Garden Wall - cover art Guild Polka Militaire - cover art","Little Annie Polka Mireille - Galop Polka Ideale","The Lanciers The Fishermaiden - cover art","Colored cover art","The Deep, Deep Sea Little Snow White Hands","Across the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night","covert art","Sing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not","cover art","O Fair Dove, O Fond Dove True Till Death","Ritmo Facinante Liza Alguien Me Ama Hazio Otra Vez","The Virginia Rose Bud Shells of the Ocean We are coming Father Abraham","Alice I'll Come to Thee Little Tottie's Prayer - cover art","I left Thee Where I Found Thee Love Allen Adale","Kathleen O Moore Kate Kearney","Good News From Home Academy Polka Oh let me dream of former years","cover photo","I Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen","Che Faro Senza Euridice Iphigenie in Aulis","All Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026 Charity Floating on the Wind","Gently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?","I Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026 Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree","The Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026 Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art","L'Aimable Cavorre","Au Matin Danse d'Almees Pan's Flute","Danse des Gnomes Scaramouche","The Usurious Lover A Woman's Love Deep in the Heart","Marche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear","Ave Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms","The Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains","Grand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird","Maggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea","Saint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home","Farewell Ask if I Love Thee Goodnight Goodnight Beloved","Alethea Little Wide Awake","cover Art","Klavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke","Pleasant dreams of long ago I am lonely to=night","Nelly wants to Marry Young Folks from Home","I'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again","The Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!","Premierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise","Blanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds","The Fest March Sounds from Home","Gentle Lilly Bell Blue Eyes Scottisch","The Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow","L'heure Exquise Fetes-Galantes-cover art","cover art","Who'll buy my Pretty Flowers Pretty Pong Lillies","Darling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree","I Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett","Memories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus","cover Art","Ever Onward! Call me Pet Names","cover art","The Blue Bells of Scotland Let Me Rest in the Land of My Birth","No One to Love Etty Way Dilly Burn","Hassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance","The Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole","How Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!","Symphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+","Pat Malloy Six Popular Dances for the guitar","Mollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal","The Burial of Mrs. Judson The Grave of Bonaparte","Little Daises 30 Etudes Progressives op. 46 Oeuvres de Piano","Just Once More! A Summer Night, Waltz Champagne Gallop Coterie Polka Der Wildfang The Skaters Mazurka","Romance Sans Paroles Marguerite","Evening Song to the Virgin The Child's first Grief The Messenger Bird","La Manola Lola Polka Deux Languages Tais-Toi Mon Coeur - cover art","When Alll the World is Young, Lad Oh Hush Thee my Babies","If I were a Bird I'd Fly to thee Liebeslied","cover art","cover art","Madame Sontags Waltz Empress Henrietta's Waltz Theme D'Aline Linda Di Chamounix Rondo Tyrolian Waltz Stabat Mater We Have Lived and Loved Together The Last rose of Summer L'Orage Variations Brillantes","I Have Riches, Thou Hast Beauty We Have Lived and Loved Together The Bridal Star La Parisienne Fairy Bells Cavatina de la Violette Fifty National Melodies First Set of Quadrilles Melodies de Christy Military Polka Comic Polka","O'er the Lone Sea Marseilles March Grand Minuet Madelle Sontags We Have Lived and Loved Together","Cover Photo Mme.Cassier","La Victoire Polka Facile","We're Out Upon the Moonlight Wave Few Days I Knew Thou Would'st Return Away then to the Mountains Days of Childhood 'Tis Home Where'er the Heart is Sleeping I Dreamed Love The Mountain Bugle Where Shall the Lover Rest The Bridesmaid Do You Love Me? Mr. and Mrs. Snibbs My Mountain Kate My Childhood Happy Home She Knew Him Not The Ladies Man","The Snow Storm - cover art Webster's Quick Step","Der Kinderlied In Meiner Heimath Abschied der Vogel Der Spielmann","Fantasiestuck Zur Guitarre","Himan's Serenade Matthew's Grand March","I See them on their Winding Way Wilt Tho Meet Me there Love Something to Love Me The Beautiful Day Where as Dewy Twilight Lingers","Song of the Captive Greek Girl Bird of the Greenwood","Dreams Still o'er the Waters Ruse-Bush L'Amicizia Snowy Lilly of the Valley The Alp Horn","My Home My Happy Home - Cover Art Hark! 'Tis the signal of the Meeting Annot Lyle The Poachers The Midshipman's Farewell Tell Me Mary How to Woo Thee The Woodbine Bower Her Heart is not There He Never Said He Loved O'er the Mountain Wi' My Love I'll March Away My Pretty Rose Give Me Back My Arab steed When the Moonbeams tender light","The Mockingbird - cover art Caprice de Concert Grand Paraphase de Concerr Love Among the Rose The Nightingales Trill","Invigorator Schottisch The Katy Darling Scottisch","Galopp Souvenir de Trovatore Crepuscule La Gazelle","Unter'm Machandelbaum Donauweibchen und Eisner Mann","Allegro Marziale Another Year Wood Up","Young America Waltzes Dance of the Demon Cachucha","Angels Watching Oh! What is Life.","Ellen's Waltz The Soldiers Joy","Let us now go even unto Bethlehem The Sailor's Grave","Did I Try to Paint Temptaion Oh! Yes we often mention her The Deep Deep Sea The Dew Drop All Things Love Thee so do I Dark Eyed One Come! Come! Soldiers Come! Cherry Ripe Where Zephyr dwells Again, Again, Again I Know a Bank Come Buy My Roses O'Come to the West Through the Wood The Banks of the Allan Water Mother oh sing me to rest","O'er the Blue Sea O Give Me a Home By the Sea Ella Gray Ballad Hear the Wild Birds Song The Rover's Adieu","Little Barefoot Only a Pansy Blossom When the Robins Nest Again - cover art","Sliding Down the Cellar Door I Leave you to Decide You Never miss the Water until the Well Runs Dry","Scenes de la Csarda Poemes Hongrois","Wyoming Grand Waltz Franconia Waltz","Wake Lady Wake The Social Glass","color cover art","Three Fishers went sailing Autumn Leaves Turn Fortune, Turn Thy Wheel","Cover art","Scales and Exercises for the Piano Forte La Rose Trumpet March Malcolm's March Leipsig Waltz O Cara Memoria Le Charme Le Debut de La Jeunesse Gallopade Quadrille The Emerald The Sultana 'T were wain to tell thee","Non piu mesta in la Cenerentola Come to Me, Gentle Sleep Les Bords du Rhin Trois Sentimentales: L'eloge des Larmes Collection of Operatic Airs Le Petit Tambour Six Tyrolien Waltzes Duo de Belisario Air de Herold L'Alliance Melodies Gracieuses Le Retour au Chalet L'elisir D'amore Marche de la Norma","Mrs. Lofty and I Eight Dollars a day","Braille Notation","My Love, my last thoughts are of thee Helen May","Fourth Calisthenic Rondo Third Calisthenic Rondo Alpenlied The Rosy Morn Come Where the Violets Blow Birth-day Ball: Valse Birth-day Ball: Schottische - cover art The Hazel Dell The Arkansas Traveller Oft in the Stilly Night Wake from your Slumbers Galatea Mazurka","The Dew Drop Brothers raise the Cheerful Song Soft be the gently breathing notes","Saviour breathe an evening blessing Te Deum Laudamus","La Pastorale Provencale Berceuse Amoureuse","cover art \u0026 photo","Valse de l'Opera Faust de Gounod Third Meditation, Op. 17","Le coeur de ma mie L'oiseau bleu","Lulu is Our Darling Pride Little Chatter-box Polka The Orphan's Lament Rome! Thou art no more Love's Hours Home Ever Dear Make Me No Gaudy Chaplet Widow Malone","Prayer at Sea Juvenile Party Galop","Florence The Mariner's Bride The Wings of a Dove","Opus 32 - Heft 1 Opus 32 - Heft 2 Opus 32 - Heft 3 Classiche Violin Musik The Mill Oh Lay Thy Cheek on Mine, Dear Love Opus 38 Dolorosa Nachmittags-stille Morgengruss - Opus 17 Abendmusik","cover sheet only","Thoughts of Other Days Song Without Words My Mellow Horn","The Prima Donna Waltz La Sicilienne Katy-Did Polka The Moldavian Schottisch Royal Irish My Father's Coming Home Mother The Mont Blanc Polka - cover art Douro Polka Faust Quadrille Grand Quadrille Hail to the Chief","Roseate Polka Victoria Rifles Quadrilles","Heimweh Silver Bells The First Violet Feu Follet Farewell, We'll Meet Again Irrlicht","Knights Templar Mazurka Flower Mazurka","Der kleine Postillon Rheinlander Champagner Walzer","When Night's Dark Shades are Stealing Vienna Gallop","No. 2 Petite Valse No. 6 Impromptu","Primrose Polka My Soul in one Unbroken Sigh Cricket on the Hearth Little Mischief Polnaise Blosson Polka Ravel Polka You are all the World to Me","cover art","La Bohemienne Charming Mazurka Ploka mazurka - Faust Boute-en-Train Flick et Flock Galop Argentine Mazurka - cover art Defile Marche - cover art Caprice Hongrois La Norvegienne","Araby's Daughter The Maid of Athens Bright and best of the sond of the morning Kate Kearney","The Minute Gun at Sea Eve's Lamentation","The Watchword Souvenir de la Belle Poules","I Would not live Alway The Rainbow Schottisch - colored cover art","The Orphan's Prayer Mollie Darling","Whisperings of Love - cover art Angel's Serenade Mountain Belle - cover art Annie Laurie March Perle de L'Amerique - cover picture Red Bird Polka Love by Midnight - cover art torn Innocence Polka - cover art Charming Waltz - cover art Lotta's Favorites - cover picture Violet Waltz - cover art","The Coral Schottisch The Rainbow Schottisch - Color cover art The Pearl Polka Sontag Polka The Signal March How dear to me the hour","title and cover pages","Blue Eyed Soldier Boy Is the Sweet Dream Broken","Valse de Mignonette Jovial Waltz Fairy Waltz","Rocked in the Cradle of the Deep Oh! fly to the Prairie Land Ho! Rocked in the Cradle of the Deep-cover art I'm Queen of a Fairy Band Farewell to Summer She Wore a wreath of Roses Say, what shall my song be to-night Dear Land of My Birth!","Lone Galop Lancer's Quadrilles Dancing in the Moonlight Coronation Polka Kitty Clover Fire-Fly Polka Evening Dew Waltz La Blonde Polka Apple of My Eye The Grand Duchesse Laughing Water Polka Ivy Leaf Waltz Cherry Ripe Polka","title page only","cover art","Potpourri fur lustige Leut Feinsliebchen Polka - cover art Neues Leben Walzer Marchen-Lauschen","Salut a Pesth Marche Hongroise","The Flowers of the Forest John Anderson, My Jo","Bouquet de Melodies - Lucia Bouquet de Melodies - Lucrezia Borgia Bouquet de Melodies - Freischutz Bouquet de Melodies - Tanuhauser Bouquet de Melodies - La Fille du Regiment Bouquet de Melodies - Martha de Flotow Zampa Shepherd's Song Guillaume Tell Berceuse Mazourka Galante Turkish Reveille Marsch aus Faust von Ch. Gounod Arie Aus Stabat Mater Miserere und Romanze Volkslied A Mother's Prayer Lily of the Valley","Rosa de Vries Waltz Ella Polka","The Maid of Judah We Met by Chance Ave Maria Drift My Bark Trot Galop Gently Rest The Slumber Song","Duettino Scene Bohemienne Hilda Waltz Graziella","Three Favorite Songs - Lilly Salina Le Bijou Sonatine Rondo IV The New Kingdom","cover art","cover art","Thou Art Ever Nigh A Morning in the Woods","Russian Polka The Aurora Waltzes The Dublin Waltzes Les Clochettes Polka Salut a Prague","cover art","Thou hast wounded the spirit that lov'd thee Oh! Were I a Bird","Would I were with Thee The Wild Ash Deer","First Kiss Breeze of Night","colored cover art","Serenade Der Tyroler und sein Kind Abendlauten Heather Rose Minnelied Die Glockenblumen von Schottland","Steyrische Tanze Evening Star Waltz Hof-Ball-Tanze Busserl - Walzer","cover art","Highland Gems Pride Schottische - cover art","O Dolce Concento Panama Waltz The Bugle Call Tink a Tink The Nightinggale with Variations","The Joyful Summer's Come On the Banks of Guadalquiver My Dreams are now no more of thee","cover art","La Chatelaine Vaga Luna","Away, Away to the Mountains Brow The Soldier's Tear Come Dwell with Me By the Margin of Fair Zurich's Waters Day-light Love is Pass'd Away The Gypsey's Wild Chaunt I am Dreaming of Thee Oh! no never name her to me I'll Be No Submissive Wife Oh Bring Me Showers of Roses The Alpine Maid Love in a Cottage A Dream in the Past The Moon's on the Lake Napolitaine Sing Away, by Day \u0026 By Night","Write to Me, Love My Own One","Les Cloches du Monastere Titania","cover art","cover art","Lawrence Waltz Rondoletto","When Twilight woo's the silver Sea Ellsworth","Bachelors Polka Alice Polka","braille notation on cover","La Source Mazurka","Rock Me to Sleep, Mother Woodland Whispers - cover art Angels My Loved One will Rock thee to sleep Let me linger by thy side","O Memory Speed On My Bark","Home! Ever Loved Home Thy Will Be Done","Esmeralda Ka foozle-um Galop","cover art","Recreations caracteristiques - cvoer art Souvenir D'Enfance Chanson a Boire","Massarianta - cover photo Vieneme 'Nzuonne E Parleme","Devotion Camelia Wasser-Nixen","cover art","Cover Photo","The Bridge - colored cover art Too Late, too late - cover art","Yes! The Die is Cast Pestal, or, the Prison Song","It is better to Laugh than be Sighing Laddie Come Where the Foutains Play Thou Art Near Me Again I've left the Snow-Clad Hills - cover art Woods of Green Erin! Thou Art gone from My Gaze The Sister's Wedding Mornings Ruddy Beam Why do I Love Thee Yet It's Now the May Time Rosa May Only for Thee I Heard the Wee Bord Singing Bonnie New Moon Love me little, love me long Dreams of the Heart The Mountain Daisy","Kiss the Little Ones for Me Alone in the Lane","Etude de Concert Sonate Rhapsodie hongroise - Hungarian Rhapsody 6 Chants polonais Mazurka Brillante Ein Fichtenbaum steht Einsam - handwritten copy","Not for Joseph I've Something Sweet to Tell You Bonnie Bell The Soldier's Song","There's a Fresh little Mound near the willow Sweet Kitty Manee Down by the Sea Heaven Our Home","cover art","Come and Buy Each Summer Flower There's a Path by the river Blow Gentle Gales The Old House at Home Philip, the Falconer","The Serious Family Polka The Bride The Rose of Affection Bundle and Go","30 Melodische Etuden No. 7 In Der Dammerung","colored cover art","Fly Away Galop Uncle Sam What ails you?","Ecstasy Waltz Ladies Polka Redowa","cover art","cover photo","Dream Land Waltzes - Lenore Louis' Second Waltz Departed Days","Dawn Waltz Ev'ry Land My Home -cover art","The Fairy Boy Rory O'Moore The Low Back'd Car Yes, we must part Widow Ma Chree The Angels Whisper True Love Can Ne'er Forget My Mother Dear","Oh! Molly Bawn Why Leave Me Pining The May-Dew Bowld Sojer Boy The Lands of dreams Mother He's Going Away Norah McShane Molly Bawn Thou Art Away Girl I left behind me The Haunted Spring What will you do love The Fairy Tempter","cover art","Alice Gallopade The Moonbeams are Glancing Spring Flowers","Barbe-Bleue Galop La Belle Helene","cover photo","Flutina Waltz Fountain Waltz","Maryland My Home A Home By the Sea","Polonaise Marzwind The Eagle or Der Adler","Village Belle Polka Immortellen Waltzes National Beauties III Marches Heroiques Happy Waltz Cumberland March No One to Love On the Beach at Long Branch Galop Softly Tread my Nelly's Sleeping The Mother's Reply Memorial March Ninety Years Ago Beautiful River Captain Jinks No, ne'er can Thy Home Be Mine Cato's Qucikstep Geranium Polacca Lotta Galop","Fondly and Truly The Cinderella Grand March","Take Me to the Ball -Cover photo The Separation Christabel The Silent Farewell Erin is My Home I Have Something Sweet to Tell You The Clarion Now Sounds to the Field Home Sweet Home Am I to Blame Pas L'Espagnol","I Have Something Sweet to tell You Maryland Institute Schottisch The Lost Flower","cover art","cover art","Le Torrent Juana","Waltz of Love 20 Vocalises","Cover art","Sailing The King of the Main","I Love the Path of the Free The Mountaineer Would You","Maguerite - cover photo My God and Father, whilw I stray Lonely Across the Far Blue Hills MArie","Little Lula Let the Dead and Beautiful Rest","Quadrilles - cover art Come this way my Father","cover art","Rosebud Quickstep The Ring My Mother Wore","Twickenham Ferry Friendship","Aragonaise Elegie Leonore When the Heart is Young When a Child Roamed the Green Fields Through Le Roi de Lahore - cover photo","Sunset Ballad When the Moon on the Lake is Beaming - cover art Love's Rememberance Come Sing Again that Song","Lady Love Lake It is Not True","cover art","Ein Stern fallt vom Himmel Wo beim Wein ein Walzer klingt Juanita - cover art","Gluten Polka By and By","The Mascot Waltz - cover art Silver Threads Among the Gold","El Kohinoor The Humming Bird Fantasie","When a Little farm we Keep Ye Shepherds Tell Me","Comrades Belle Mahone - cover art Oh, Peter! Oh! Uncle John","The Faded Coat of Blue The Dying Minstrel When You and I Were Young Annie Darling","I'm O'er Young to Marry This Harp is Mute","Thought Cuoid One Day! I Love Forever! Bonnie Mary Haye The Bird at Sea","cover art","3 Caprices - cover art To Distant Lands I'll Rove Italy Over the Mountain P Wert Thou in the Cauld Blast I would that my Love Consolation Songs without words If with all your Hearts Capriccio Rondo Capriccioso Auf Flugeln des Gesanges Oh Rest in the Lord Overture-Midsummer-Nights Dream I Would that my Love The Sabbath Morn Zweites Konzert fur Pianoforte In His Hands are all Corners of the Earth","Mit mehreren 8 und 4 fuss. Stimmen Zwanzig Praeludien Zehn Vor-und Nachspiele Drei Tonbilder Sechs Degelstucke Drei Clavierstucke-Novellette","cover art","Those Evening Bells Deliciosa or Leonore Polka","Long, Long Weary Day I am dreaming I'm an Infant - cover art Do You Love Me? I am Thine I'd Mourn the hopes that Leave Me Smiles \u0026 Tears","The Blind Girl Ballad - cover art Woodland Waltz The Willow Song Mount Pleasant Waltz","The Celebrated Sack Waltz Absent - cover art","Le Carnaval de Venise Air Russes Chant Bohemien","The Village Band - cover art Golden Band March Waltz","Daisy Marche Militaire Where the Hills are Heaven Adoring Fairy Spell","Scope and Contents Melodies from \"Le Prophete\" - cover art Hours of Rapture The Vale of Rest Sadly and Drearily Come to Me Dearest Maiden!","cover art","Recompense Mother, watch the little feet","Absent from Thee Ballad The Bonnie Wee Wife","Under the Daisies Ballad - cover art Darling Little Gertie - cover photo The Love Bird Waltz Song I am Waiting for Him to Come Home I Hear a voice from Heaven Waiting Song Longing The Whip-Poor-Will's - cover art","Ah! Che la Morte Ognora Ave Maria - cover art After My Galloping Steed - cover photo When the Tide somes in The Flag of the Tree Picking Cherries Down the Lane Watching - cover art Meeting","Calotta - Walzer I am the Unfortunate Jonathan The Army Chaplain Fan Autographs","Return of Springs Chestnut Street Scottisch Sleigh - Ride Scottisch","Sonata Trio-Sonate","Best of All Only Once More","Little Tin Soldier The Kerry Dance Song Rose Marie My Love has gone a sailing Three Simple Words","cover art","The Poor Savoyard - cover art Bo Peep Polka","Song of the Olden Time Come Play Me That Simple Air Again They Tell Me Thou'rt the Favoured Guest Wilt Thou Say FArewell Love Believe Me if all those endearing young Charms Come rest in this Bosom Those Evening Bells Love's Young Dream Oft in the Stilly Night My Heart and Lute Origin of the Harp Come Rest in this Bosom Watchman Weeping for Thee the Feast of Roses 'Tis the Last Rose of Summer Come Sing me that Sweet air again The Romanika","The Swiss Waltz Kinlock of Kinlock The Watchman The Carrier Pigeon Favorite Swiss Waltz - Harp or Piano","Twilight My Darling Husband Lost Hope","On the Road to Brighton Peter Gray Dressed in a Dolly Varden","Op. 113 - Grand Duo pour piano Swiss BoyTthe Switzer's Long of Home Erin is now My Home","Grande Valse de Concert Op.72 - 15 Etudes de Virtuosite Gondoliera Guitarre Spanische Tanze No. 4 Spanische Tanze No. 1 Malaguena`","Idoneneus - Arie Arie aus Oper. Il re pastore fur Sopran - Braille notation Sonate No. 17 Sonata in G Major Violet Go, Forget Me, Why Should Sorrow Selection of Melodies from Don Giovanni Yet That Have Tasted La Ci Darem","Navy Yard Grand March Lancaster Gallop Waltz","The Coming Step The Brightest Eyes Memory's Dream The Break of Day Falling Leaves Bijou of the Opera No. 13","Boquet Schottisch Polka The Coquette Schottisch","The Child's Wish Ballad My Heart Would Seek a Home","Annie Laurie Thalberg Polka Where I'd Love to Live","cover art - collection of Songs","cover sheet only","cover art","Mary of Argyle The Bride When Night Comes O'er the Plain The Bonny English Rose Deep in My Soul Dear Native Land The Rose of Allandale We Soon Shall meet Again Hear me Norma O! For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! The Moment was Sad The Spanish Guitar The Pilot Hear Me Norma","My Life is Like a Summer Rose Annie of the Vale","The Sea 4th Symphonie de Mozart","Gigue-Favorite Gavotte Favorite","cover only","Golden Moments Darling Little Lizzie fairest of the Fair","Mighty lak'a rose Serenade","handwritten","'O Viaggio 'E nozze Canto per te!","cover art","I Do Not Love Thee The Fairy Bells Oh Take Me Back to Switzerland Juanita Would I were with Thee Fanny Grey Maraquita The Officer's Funeral Love Not We are the Wandering Breezes","Ladies Reception Grand March But Where Art Thou","We Were Girls together Last Words of Emmet","Lights and Shadows Long and weary Day Perles de L'Opera Die Elfen, Valse de Labitzky Liebesschmerz Alpine Bells Auf der Schaukel Bonbonniere Musicale Book 4 Bonbonniere Musicale Book 5 Perles Allemandes Gondolied Ernani Maienliebe Snowbell's Spring Carol Staendchen Diavolina Minnesang","La Belle Helene Advance in Maiden Beauty Pot Pourri Orphee Aux Enfers A Poor Girl's Letter","Cover art","cover sheet only","The Lone Starry Hours Home Again The Galloping Sleigh Ride Going Home! Sam Brown Jenny Lane Silver Moonlight Winds The Indian Warrior's Grave Let Me Kiss Him for his Mother Dreaming of Home \u0026 Mother-cover art Twinkling stars are laughing, Love","Home Delights - cover art Root, Hog, or Die Oh! Emma was a Darling - cover art Wake! Dinah Wake! Home beloved, I miss thee then Moss Grown Dell","cover art","La Pluie de Perles O Sing to Me - cover art Who's at my Window","Down the Shadowed Lane she goes Shadow","cover art","Cover Photo","3 Volslieder Un Ballo in Maschere Loves of the Angels - cover art","cover art","colored cover art","La Violetera - cover art Ca...C'est Paris!","Sweet Evelina Starlight Waltz I'm Willing to Wait Sunlight","2 page cover art","My Ain Fire Side Sweet Home The Land of the Stranger Wanted a Governess Smile again my bonny Lassie Dost Thou Love Me Sister Ruth Vilikins \u0026 His Dinah Sleep My Darling Lullaby Slumber lie soft on Thy Beautiful Eye The Tyrolese Fortune Teller Comin' Thro' the Rye O! Merry row the bonnie Bark","cover art","Le Lever du Soleil Guide Me, O thou Great Jehovah","colored cover art","Melodienkranz Volksklange","cover art","Cover art","My Hearts in the Highlands When Wilt Thou Think of Me Love","Colored cover art","Stabat Mater Nina - braille on cover","Beware! The Polish Maiden's Song Marguerite Darling Little Minnie","Speak, only Speak! Little Robin Tell Kitty I'm Coming Barney Take Me Home Again Slumber not Darling","Mam'zelle Carabin - cover art Bonjour Suzon!","I Love Thee Dear Erin Old Rosin, the Bow Mothe Dear Ballad Sweet Memories of Thee The Greek March Shall we meet again Mary O! Doubt Not Natille, Maid of the Mill Louisville Gallopade The Ben Bolt Polka The Sailor Boy Oh! I am in Love Silken Bands The Only Daughter","Terpsichore Polka How Can I Leave Thee!","My Soul is Dark Be Kind to Each Other","Thou Art Lovelier Far I Love Wild \u0026 Mute","Young Ellen The Rock of the Pilgrims","Concerto per Violoncello Tarantella per Violoncello Fantasia romantica","May Flower Scottische We May Roam Round the World Spangle Polka","Little White Cottage The Medley Song","I Love My Love The Golden Lesson When Life is Brightest The Swallow The Raft There is Music..By the River","Here Awa' there awa' Wandering Willie La Recreation des Demoiselles Six Petits Duos","Mandoline Dansons La Gigue","colored cover art","Braille on cover","cover art - Annie Louise Cary","Mazurkai Op.11 No.3 Mazurkai Op.51 No.6 Mazurkai Op.32 No.2 Mazurkai Op.3 No.2 Ave Maria Ellentanz Polanaise de Concert Drei Stucke Op. 11","Tarantelle Chanson sans Paroles Spanische Tanze-cover art Zwei Transcriptionene-Schlummerlied Spanischer Carneval Ballet Scene Romanze Menuetto Serenade Orientale Trauermarsch","Noche y Dia Justamente una de esas Cosas Volver a Empezar Eso Que Llaman Amor","Serious Family Polka My Home is Nigh Ballad","Let Me Dream of Home Sweet Home - colored cover art First Rose of Summer Ballad","Mediation Waltz Mazourka Institute Polka Only Just a Year Ago Ballad Linwood Waltz","My Home's on the boundless sea Just Beyond the Pearly Gates Walking Down Broadway - cover art of Wm. Lingard As Through the Park I Go - cover art of Wm. Lingard Is My Darling True to Me?","cover art","cover art","The Sailor's Dream - cover art The Harvest Queen - cover art","My Heart Returns to Thee Again Switzer's Longing for Home Tyrolese-Song","A Grecian Air Here's a Health to all Good Lasses","Strike the Cymbal Sweet Breathing, Tranquil Peace","cover photo","The Lay of the Minstrel Knights On Wi the Tartan","cover art","Fenesta Enfamita! - cover photos Russulella Mia - cover photos","La Polka de la Reine La Fileuse Tarantella","The Mountain Maid's Invitation The Miller's Maid","Joyous Life Marinella - cover art","Dinah is the Girl for Me Die Musicanten","Braille notation on cover","Isle of Beauty, Fare Thee Well Oh! Come to Me","cover art","cover art","Robin Adair When the Green Leaves of Youth Turn Yellow","braille notation on cover","Thou art so near and yet so far Love's Request","Concert fur das Violoncell Clavier-Concerte Concert Op. 254 Cadenzen Spring Flowers Variationen Op. 84 In Memoriam","Typed copy","cover art","Cover art picture of the Mount Vernon Hotel, Cape May, NJ","cover art","cover art","cover art","Tone Pictures Blumen am Weg","Hungarian","Pastoral-Sonate Op.88 Zehn Trios","Kissing Song We are Off to Seek for Eva Dutch Song","Warblings at Eve Janet's Choice The Puritan's Daughter Rosalie Floating on the Wind What are the Wild Waves Saying God bless the Prince of Wales The Danube River St. Patrick's Day The Dream of the Wanderer The Monastery The Bells of Aberdovey Where the warbling waters flow The Flowers of Friendship Les Vepres Siciliennes Christmas Chimes Her Birght Smile Haunts Me Still Marie En Absence","cover drawing - Dessin de Vigne \u0026 Junka","Gentle Words Wait for the Waggon Vi Ravviso","Happy Land Bonnie Dundee Quadrille","O Dolce Concento Sacred Melodies - cover art","I have learned to love thee fondly You, Ballad Sentimentale","braille notation on cover","I'll Be There O Charming May! - cover art The Banks of the Blue Moselle Draw the Sword Scotland The Flower of Ellerslie Beautiful blue Violets From distant climes a Troubadour O'Steal to Thy Lattice - cover art A Tear Shall Tell Him All","A Bird in Hand The Skippers of St. Ives No, Thank You, Tom So far away","Cantilena Thou'lt yet be Mine in Heaven Fishermen's Evening Serenade","Oh, Sing Me No new song to night Philena Schottisch The Ausgusta Gallop","Hours There were The Melody","Konzertstucke Opus 51,50,61 Concerto Op 7 Konzert fur das Violoncell Violoncello Principale Violoncell solo Op.66 Le Troubadour","The One We Love May Guardian Angels Hover Near Thee O Would I were a Boy Again You Say We Part Forever","Two Brown Heads with Tossing Curls O! Mio Fernando Di Che M'ami!","My Boyhood's Home Under the Tree","Departed Days Touch the Keys Softly Sing Me to Sleep Father! Only Waiting The Crimson Glow of Summer Fades","Pictures of Memory - cover art Oh are ye sleeping Maggie The Vacant Chair- cover art Just Before the Battle, Mother - cover art On, On On, the Boys Came Marching - cover art Dearest Spot of Earth to Me is Home","Overature Guillaume Tell Fantasie Brillamte L'Iris Le Tremolo","Schottische de Concert All is Quiet","cover art","Hagar The Blind Girl's Lament Lo Here the Gentle Lark Oh Well I Know He Loves Me I'm with you in My Dreams Think of Me Ballad","Overature of Cinderella Dark Day of Horror Grand March Un Segretto D'Importanza Recitativo e Cavatina - braille Il Barbierre de Sevilla I Ne'er Could Leave Thee Una Voce Poco Pa Di tanti palpati O Calm Forgetful Slumber! - cover art Cujus Animam The Separation La Carita Gulliaume Tell","Colored cover art","Melodie Polka Boheme The Wanderer's Night Song 2 Melodies dediees Berceuse Pecheur Napolitain et Nepolitaine","Frederick William Polka Summit Polka","Elfin Waltz Varsovienna Elizabeth Polka Mazurka Assembly Gallop Spring Sparrow Polka Rural Felicity Silver Lake Waltz Rochester Scottisch","Some Love to Roam o'er the Dark Sea Foam The Braye Old Oak A Life on the Ocean Wave Woodman! Spare That Tree! - cover art The Old English Gentleman Our Way Across the Mountain, Ho! Russian march Robin Ruff Oh Lonely is the Forest Shade where oft in Days of Old The Wife's dream Come Brother Arouse The Ivy Green The Old Sexton I'm Afloat, I'm Afloat The Sabbath Eve","The Friar of Olden Time Believe not the Tales they have told thee of Me My Mother's Bible - cover art The Old Arm Chair - cover art Cheer, Boys Cheer I Love, I Love the Free When I rov'd a Young Highlander If I had but a Thousand a year","Darling, Take Me to Your Heart Dear to Day as Ever Save the Sweetest Kiss for Me","Lida Polka Redowa Bird Songs - cover art Fond thoughts of thee Bonnie Sweet Bessie Whispering Zephyrs Moonlight Dance","The Celebrated Linda Polka Susanna Polka","Allegro appassionato Theme Varie Menuet et Gavotte du Septuor Everie du Soir Danse Macabre Variations","I'm Sweeping through the Gates Absence - cover art","Lulu is Our Darling Pride Philadelphia Serenading","Photo - Moody \u0026 Sankey","Hand typed material","Speed Away! Music from Afar Anna is the One I Love O'er the Wildly Heaving Sea Jingle, Jingle clear the way The Lonely Tear Juliette Waltz","Peeking Thro' the Bars Swinging in the Lane - cover art Lu LuDee Who will care for Mother Now? When the Boys Come Home Mother would comfort me","cover art","cover art","La Favorita La Revel Polka Silver Lake Waltz","The echo O sweet Mother of Sorrow!","cover art","cove art","When Other Friends Are Round Thee The Musical Wife","Liebesgefluster Herz von an echten Weana","Ausgewahlte Lieder Phantasie Impromptu I Rest Me Oh My Saviour Cradle Song Trois Marches Heroiques La Pastorella - cover art Das Lied im Grunen Variationen in Asdur uber ein Original-Thema Sammtliche Tanze Wanderer Adieu Der Hirt auf dem Felsen Tanze","Arabeske Op. 18 Fantasiestucke Op. 12 Theme varie sur le nom Abegg Traumerei Drei Romanzen Op.28","Valse mignonne Op. 16 A la bien-aimee Reverie Op.31","Orchesterstudien Kontrabass: das Rheingold Orchesterstudien Kontrabass: Siegfried Orchesterstudien Contrabass: Fidelio Orchesterstudien Contrabass: Symphonie von Franz Schubert","colored cover art","cover art","I Love thee mine own one Jenny Rose","The Beggar Girl Poor Bessie's Song The Firemans Death Keemo Kimo - cover art","Cover photo","Souvenir de Spa Fantasie Fantasie et Variations Trombe en Utka Grande Fantasie Concerto Militaire Fantasie et Variations: Corni Fantasie et Variations: Flanto Fantasie et Variations: Viola","multiple languages","cover art","The Tide Comes in and the Tide Goes Out Don't always depend on your friend Come while the morning Blushes","colored cover art","The Rain-Drop and Minstrel The Happy Bride All Things Fair \u0026 Brigh tare Thine The Eagle on His Mountain Height The Mercy Seat Bristol March Bring Roses","La Bacchanale des Gnomes Amid Bright Blooms Mazurka I'll Think of Thee Waltz","Meet Me By Moonlight Hark! I Hear an Angel Sing","Cover art","Konig Kristian-Suite Erster Teil Madchen kam vom Stelldichein","Elementar-Vocalisen Die Alpenrose","cover art","cover art","cover photo","Come sit Thee Doen - signed copy Dumbarton's Bonnie Dell Johnny Sands Comic Ballad - cover art Hey the Bonnie Breast-Knots","Fantaisie Stabat Mater Op. 134","Cover photo/art","cover art","Zweite Polonaise a dur fur Violine Op. 49 Romance, Nocturne, Scherzo-Tarantelle Concert Op. 34","Why did They Dig Ma's Grave So Deep? Don't Bury Me Deep Papa - cover art Little Darling Dream of Me Serenade - cover art","cover art","Thou hast learned to love another - cover art Lament of the Exile","cover art","By the Blue Sea The Sailor's Story","A Place in Thy Memory, my Love Tis sweet to Look Back Sometimes","cover art","Lord Lovel and Nancy Bell Oh! Ne'er can I the Joys forget","Cover art","I Have Come from a Happy Land Let us haste to Kelvin grove","The Mountain Stream Queen of the Faires La Dame Blanche For You - cover art","Danse des Fantomes Oo. 200 - colored cover art Fete Champetre Marche des Tambours la Reine des Fees Feu de Joie - cover art Torrent de la Montagne Maritana Der Freischutz Lilly of the Valley Mazurka - cover art Tarantelle Brillante in E Minor","When the Leaves Begin to Fade - cover art Blossom Waltzes - cover art Old Oaken Bucket - cover art Massa's in the Cold ground - cover art","Our Hut on the Old Plantation Rosa Lane","Cover photo","Incline Thine Ear to Me I Will Love Thee I Will be Glad Blessed be the Lord","Scottisch de Concert Grande Scottische Brillliant","Leonora Flow Gently Sweet Afton Speed thee Pearlina Fair","Waldvoglein Valse Gracieuse Nosegay of Violets Anna Bolena Gazelle Musicalische Gedenkblatter","My Dream is Over Children Pray this Love to Cherish","In the Days When we went Gypsying List! Tis the Lay of the Gondolier Dream on Young Hearts","In the Days when we went Gipsying Do you ever think of Me","My King--cover art Mary Anderson Waltz--cover art It Never Comes Again--cover art","I am Waiting for Somebody I am Lonely no More","cover art","cover art","Lo Obscuro de Las Escaleras--cover art Gracias Te Doy--cover art Verdes Anos--cover art","Reiffarth Polka Lexington Galop Rejoui Polka Mazurka Halloo, Halloo Galop Le Bon-Vivant Galop Sans Pareil Polka Cupid Scottisch Brillante","Colored cover art","The Yankee Quilting Party She Sweetly Sleeps","Oh Tell Me Mary Dear I'll Watch for Thee from my lonely bow'r The Romaika Oft in the Stilly Night A Temple to Friendship All that's Bright Must Fade Flow on thou Shining River Sound the Loud Timbrel The Twilight Dews Tis the Last Rose of Summer","cover art","The Brightest Eyes The Dream of Home Die Thraene","New England New England Evergreen Waltz","handwritten note","cover art","Tell Tale Polka Carnaval A Paris Dear mother was it right? I turn to Thee The Fountain Love Chase Polka","Overature to the Operetta Genevieve Overature to the Operetta Laila","Love's Charm Girofle-Girofla Walzer Trois Etudes de Jazz","Gruss aus Osterreich MorgenBlatter--cover art The Ladies Waltzes Duke of Reichstadt's Waltz--cover art Far Away Sans Souci Polka The Real Russian Polka Queen Victoria's Waltz Dichterliebe Walzer Potpourri Csardas Kompositionen Altdeutscher Walzer The Ostrich feather Waltz Ruk-Walzer --cover art Annen Polka Redowa de Vienne On the Beautiful Blue Danube --cover art","Margherita-Polka Le Pensee Four Children of Haimon Blue Danube Waltzes - cover art Dorfschwalben aus Oesterreich","Wiegenlied--braille on cover Nachtgang","Anderschonen blauen Donau Oiseaux de Paradis--cover art Mountain Echoes Les Etoiles D'or","Madrienne--cover art When Lillies Bloom","The Letter that never came--cover art Looking Back","Jolly Hearts March Tripping thro' the Daises","Orpheus with his lute If Doughty Deeds My Ladys Please Birds in the Night Once Again Looking Back Were I Thy Bride--cover art Little Darling, Sleep Again","The Blue Juanita The Field of Monterey Mary Lindsey","cover art","Concert Op.7 Romanze Op. 26","cover art","Etude Mazurka Musidora Polka Mazurka Camille Polka","Der Vogel im Walde Sleep in Sweet repose Slumber Gently Falls","Sparkling \u0026 Bright Oh! No, we never mention Her Bring Flowers","Lart du Chant - cover art Home! Sweet Home! Serenade de Don Pasquale La Sonnambula","cover art","John Brown's Legacy Tis said that Absence Conquers Love The Dew is on the Blossom","cover art","cover art","Oh! Pity the heart that has suffered Bonny Eloise Voice of the Western Wind Beautiful Isle of the Sea As Pants the Hart Let Us Speak of a Man as we find Him Mother Kissed Me in my Dream In the Glade Annie of the Vale Thou Art With Me When the Light Waves 'Tis but a Little Faded Flower Down By the River Side I Stray The Stream in the Valley","Oh! Gently Breathe Jolly Good Laugh Evangeline - cover art The Leaves that Fall in Spring Janette - colored cover art Must we then Meet as Strangers? - cover art Far Away Voice of the Western Wind Happy Be Thy Dreams Some One to Love Pleasant Memories Down By the River I stray The Cottage By the Sea - cover art Cross and Crown - cover art Apart! - cover art","Dreaming of Thee Thou, thou, reign'st in this bosom Hymns of the Church - cover art Angel Voices - cover art No Crown without the Cross - colored cover art Must I leave Thee? Blue-eyed Jeannie In the Moonlight long Ago Ettie May Some One to Love The Birds Welcome Again - colored cover art","Happy Be Thy Dreams Down By the Gate - cover art Jenny who lives in the Dell - cover art Linger Not Darling Eilleen Allanna - colored cover art Fond Hearts at Home The Gates Ajar - cover art","Who will care for Mother now? Little Mary's Triumph","Marion Lee Annie Lisle Lilly Dale -cover art Ida May Willie's on the Dark Blue Sea I'm lonely since my Mother died","Don't go out to-night Come where the Lillies bloom - cover art","cover art","cover art","cover art braille notation on cover","Queen of the Night Take Back the Ring La Primavera","Vorrei Morir The Love That Came too Late Forever and Forever Chanson de Fortunio","Little Bird's Story Willie's Ship Song - cover art Only Come! - cover art","Colored cover art","Bird of the Wilderness Agathe","The Sleigh Ride- cover art Rail Road Galop - cover art Cute Schottische - cover art","cover art","Yarico's Lament The Blue Bird Scottisch","Sinfonie Nr. 4 f-Moll Souvenir de Hapsal Serenade fur Streichorchester Jahreszeiten No. 11 Sleigh Ride Chanson Triste","Come Maiden with Me Call me not back from the Echoless Shore Lost Star of My Home Dear Mother I have Come Home to Die Star of the Evening Weeping, Sad and Lonely Do Not Heed Her Warning 'Tis Evening Brings My Heart to Thee Violets Under the Snow Come from Afar Come Willie dear I'm Weeping Now Home, Home, I Love Thee Sweet Genevieve Memory Bells Darling Bessie of the Lea","Love Launched a Fairy Boat Summer Hours Ballad - cover art Where the Weary are at Rest I'd marry him tomorrow","Christmas Carol The Nation's Honored Dead Sweet Memory Ever of Thee Bouquet de Roses - cover art A Grand American Overture Tread Softly the Angels Are Coming - cover art Mossy Dell Waltz - cover art Mary of the Wild Moor Silver Moon - cover art Mrs. Malone Come sing to me again Fairy Wedding","Emblem of Constancy Scenes of My Youth Sweet Girl May I Be There!","I Love to Gaze on Beauty's Cheek Love's Gentle Whisper I Dreamed of Thee My Heart is Thine Speak Kindly","Handwritten music sheet inside score cover art","cover art","Aria Alla Scozzese Sicilian Air of Home Sweet Home The White Cockade Langolee an Irish Melody Beethoven's Admired Waltz She Wore a Wreath of Roses","The Morning Glory Waltz The May Queen Polka","Cover art - map of Japan and Korean Pennisula","Colored drawing on cover","cover art","cover art","Colored cover art","Home to Our Mountains ( Si la Stanchezza) Prison Song Over the Summer Sea Ah! I Have Sigh'd to Rest Me Ernani We'll Laugh and Sing All Cares Away Melodies from the Trovatore T'was no Vision In Tears I Pine for Thee Tempest of the Heart La Forza del Destino - cover art","Teutonia Quick Step Rose Waltz I Wish I was in Dixie - cover art Edinburgh Polka Seconfd Review Quick Step Les Graces","Caprice Menuet Les Pecheurs de Perles","cover art","cover art","cover art","Hungarian -cover art","cover art","cover art","cover art - internal cover","God of the Fatherless Love \u0026 Sorrow Footsteps of Angels The Hunters Chorus Echo Waltz Three Celebrated Pieces Last Waltz","6 Amusements Elegants-La Polka Le Carnevale de Venise Ernani Un Soir au Chateau Rouge Rosalie Redowa Elegantes When the Swallows Homeward Fly The Long, long weary Day Rose et Blanche","Patorale pour Grand Organ Nadia - cover art","Meet Me By Moonlight Hours there were Float Down the Tide Fair Rose I've Wander'd in Dreams O Do You Remember","cover art","cover art","cover art","cover art","Dolores Walzer Trictrac Polka La Plus Belle Walzer Bien Aimes Well Beloved Waltzes Sirenes Waltzes Bella Polka-Mazurka - cover art","Ever be Happy Chant des Oiseaux When Thou art near Parlor Cottillions No.2 I Fondly Think of Thee - cover art","Good Night and Pleasant Dreams Tis the Last Rose of Summer Why do I weep for Thee - cover photo Lucis di Lammermoor I Mourn Thee But I Love no More Tell Me some fond name Holy Mother Guide His Footsteps Adieu Dear Native Land Say my heart can this be Love? The Spring and Summer both are past Softly Ye Night Winds Speak Gently Sweet Evening Star","Sweet Spirit, Hear My Prayer! In Happy Moments Le Reve Softly Ye Night Winds The Hundreth Psalm The Star of Love The Midnight Waltz The Night Winds Wait for the Wagons Polka The Leaves are Turning Red Good Night and Pleasant Dreams The Midnight Serenade It is the Happy Summer Time","The Blue Bells of Scotland The Hundreth Psalm Grande Polka de Concert First Love I Have waited for Thy Coming Sleeping I Dreamed, Love Alas Thomes Chimes so Sweetly Stealing Melodie Peruvienne Bird of the greenwood The Winds that waft my sighs to thee","Tis the Harp in the Air Scenes That are Brightest Annie Laurie The Low Backed Car The Night-Winds The Spell If Lov'd by Thee Annie Dear, Good Bye - cover art Old Friendship's Smile Lotus Leaf La Mexicana The Lost Star Ballad The Celebrated Witches' Dance Adieu Grande Polka - cover art Scenes","Jenny Lind Polka First Love Redowa Brigand Polka The Storm Polka Fruhlings Landler First Love Pen and Ink - cover art Fleur des Champs Coquette Polka La Romantique - cover art","Kind Friends are Near Her Patch-work Polka Where are ye now Bright Dreams of My Childhood Sounds from the Ringing Rocks","Brother's fainting at the door - cover art Come sit by My Side Little Darling - cover art","Cover Photo","Inman Line March - cover art An Eine Aeolsharfe Nearer My God to Thee - cover art Come Holy Spirit - cover art Old Folks at Home Transcription Schottische Brilliant On the Track Galop Jessamine Polka Redowa Rippling Rill Mazurka","Old Haunts Ballad Rock of Ages Moss a Ballad Love's Twilight Star - cover art Christ the Lord is risen to day Rock of Ages The Reveille Come Holy Spirit Bobolink Polka Marche Militaire Tam O'Shanter - cover art The Song of the Brook As Pants the Hart Harum Scarum Polka","Recuerdame - cover art Solo Tengo Ojos Para Ti - cover art","The Morning Star Polka Jenny Forrester","Ah Do Not Forget Love - cover art Mondamin","The Mother's Vow What will you do Love","John Anderson My Jo.- cover art Beautiful Dream Waltz Tis sweet to take the bonnie Lake Come, come to me, my Rover","cover art","Come to the Sunset Tree Good Bye! a ballad","Gondoliers Song Home, Sweet Home","Wake Lady Wake The Plain Gold Ring The Magic Spell Jubel-Ouverture Mouvement Perpetuel Aufforderung zum Tanze Rondo Brillant","cover art","Lorena Zula Zong Softly, Lightly, Sweetly Sing Paul Vane Under the Beautiful Stars The Old Man Dreams Where the little feet are waiting - cover art Lorena Oh How I Love My Mountain Home They Buried Her Under the Old Elm Tree Dont Be Sorrowful Spare the Old Homestead Tap on the Window Pane It will be summer by and by Sweet By and By - cover art Over the River","cover art","The Nupital Quick Step Home Sweet Home Ever of thee Waltz Spanish Fandango","Harvest of Flowers ( Blumenlese) Praktische Violinschule- Blumenlese fur angehende Violinisten","cover art","Fleur des Alpes - cover art Serenade de Ruy-Blas","Dreaming Weaving","What Nora Said - cover art Beautiful Bells - cover art Watch and Pay - cover art Little Fanchon - cover art","cover art","La Grande Duchesse -- cover art Qui Vive Galop -- cover art","cover art","cover art","cover art","How Merrily We Live that Shepherds Be The Footstep on the Stair","In a Fairy Grot Thou hast Learn'd to Love Another Keep to the Right Love's Golden Chain","Stick to Your Father, Dick - cover art Pretty as a Pink - cover art","cover art","Darby Kelly Oh! Rest thee Babe","Put Me in my Litle Bed - - cover art Come Birdie Come -- cover art Poor Little Johnny -- cover art A bird from o'er the sea -- cover art Little Emily -- cover art Little Clo Baby Fingers on my Cheek -- cover art Far From Home -- cover art The Old Turnkey-- cover art Marguerite -- cover art The Widow in the Cottage by the Sea-Side He was Crucified -- cover art","The Watcher Quick Step When Voices Breathe a Music Sweet Wrecker's Daughter Oh Susanna! Joys that were Crowning Love Not Verdi's Quick Step Sachems Daughter -- cover art Rosa Lee The Birde of Sighs The Farmer's Boy Sister, Swift the Hours Have Fled In the Lonely Grove I Linger Rose of Allandale French Republic March","cover art","cover art","The Welcome Wild roses","Contes D'Avril Six Duos pour Pianoo et Harmonium","Variations on Hadyn's Austrian National Hymn -- cover art Rochester Scottisch and Affection Waltz May Queen Polka -- cover art Bouquet of Melodies -- cover art","Fading the still fading the last beam is shining Ingleside Triumph March -- cover art Away away we bound o'er the deep The Harpers Song","cover art","cover art","The Soldiers Grave The Brides Farewell Larboard Watch","Heliotrope Polka Geranium Waltz Coming Out Waltz -- cover art","cover art","Glen Mary Waltzes Day is Departing","Sleep the Kind Angel is Near me Christmas Carol","Sehnsucht am Meere Flieg' Vogel, Fliege! Freundvoll und Leidvoll","cover art","The Chapel in the Mountains -- cover art The Sky-Lark The Shepherd Boy -- cover art Highlands Echoes -- cover art Tripping thro' the Meadows -- cover art Les Voix du Matin","Five Favorite Chants Hark! The Herald Angels sing","cover art","cover art","Farewell Song of Enoch Arden First Love Redowa Martha Loves Chiding's Waltz -- cover art La Fille du Regiment Trab-Trab Galop La Belle Helene Nothing to Wear -- cover art The Sunshine Schottisch -- cover art Bells of Corneville","Cover art","cover art","cover art","cover art","Evening By the Sea Sweet Cecile Leslie","Cover art","Orgelvorspiele Sonate in B moll fur Orgel","cover art","Grand March de Concert Galop di Bravura L'Hirondelle Grande Marche Militaire Le Dernier Sourire Marrie Polka-Mazurka The Whispering Wind","cover photo","I've brought Thee an Ivy Leaf--cover art Clara May","cover art","The Indian's Prayer Home of the Penitent Be Kind to the Loved Ones at Home Mother Dear O Pray for Me Gentle Words and Loving Smiles The Sailor Boy's Last Dream He Doeth All Things Well--cover art","Speed Away! Speed Away! Take Me Home to Die Strike the Harp Gently Oh for a Home Beside the Hills Take Me Home to Die--cover art Give Me a loving Heart Uncle John is Sweetly Sleeping Katy's Cry Ella Dear He Doeth all things Well --cover art","Mary McNeil Bell Brandon","Come Home, Father Brave Boys Kingdon Coming--cover art Grandmother Told Me So--cover art Now Moses--cover art","cover art","The Belle of the Forest The Buccanier's Bride","Shylie Bawn Her Bright Smile Haunts Me Still Dearest Spot of Earth to Me is Home Gentle ray of sunlight Smiles and tears Sing me an English Song Let my care be no man's sorrow","The Hazel Dell--cover art The Church within the wood Rosalie the Prarie flower Departed Days Old Folks are Gone Annie Lowe Fair Thee Well Kitty Dear Bright Eyed Little Nell of Narragansett Bay","Shepherd Boy--cover art Silvery Waves Gaily our Boat glides o'er the Sea--cover art Dashing Spray The Last Rose of Summer Home Reveries--cover art Song of the Sky Lark Fishers Hornpipe Medley Little Maggie May When You and I were Young","Sister Come! Come Away. Fly Pretty Butterfly","The Dearer Name New Year Polka","cover art","Herculean Quick Step The Giraffe Waltz","cover art","Wecker Polka-cover art Ypsilanti-cover art","Schoenfeld - Marsch Wiener Buerger Natursanger Walzer Marsch-Evoluntionen Leipziger CoupletGluckliche Tage Die Tanzerin Unanfechtbar Marsch Marsch der Burgwache Diplomaten-Gavotte","The Fashionables 6 Celebrated PolkasCome Sing Me That Sweet Air Again Luna Waltz Azalia Polka The Dawn Waltz","White Rose Polka Scraps from Martha","Dearest Old Mansion","The Musical Repository","Dix Pieces pour Orgue Douze Pieces pour Orgue","Filippo Capocci","Coppella Ballet","Aida","Auld Lang Syne","Pleasant Recreations for Young Pianists","Mozart con fan tutte","Daily Exercises and Scales Sousa's Favorite March Book-Flute Sousa's Favorite March Book-Oboe Sousa's Favorite March Book-Drums Sousa's Favorite March Book-Coronet Fox Favorite Orchestra Folio","Sousa's Favorite March Book- 1st Violin A (2) Sousa's Favorite March Book- 1st Violin Sousa's Favorite March Book- 2nd Violin Sousa's Favorite March Book-Alto Saxophone Sousa's Favorite March Book-Trombone Sousa's Favorite March Book-Bass Sousa's Favorite March Book-Piano","Fosterlandsk Musik","Polkas, Waltzes and Quadrilles","Les Hirondelles","Le Pianiste Virtuose","It Will not do to Tell","Dancers Delight","Five Finger Exercises","Cottage Music","Im Walde Suite","Carlos Gomez Barrera","La Melancolie La Volette Mazonrka","Comedy Capers","Heures Mystiques Grands Succes Du Piano","Overture z.Op Figaros Hochzeit","Music for the Sanctuary Lays of Sweden and Findland Songs and Duets composed by Ciro Pinsuti","Music and Her Sister Song Duet","Four Rondos","The Angels Whisper","Tam O'Shanter Young Americas Schottisch Musical Bazaar: A Collection of Songs and Ballads for the Guitar La Senora Waltz The Boudoir Polkas The Champagne Galop Rosebud Quick Step The Faires Danse Gentle Annie Ballad","Collection de Morceaux choisis par Otto Schick","Ask Not My Love","La Lyre Ganloise Select Collection of Classic Piano Music Si Tu Savais","Chants de France Dance Music","Bingen on the Rhine When the Swallos Homeward Fly Le Tremolo pour le Piano Il Desiderio O Charming May","L'Art du Chant","Agathe Queen of My Soul The Rose of Allandale The Bride","No. 30 Bach","Six Petits Duos pour Deux Violins de I. Pleyel Album Classique our Violin et Orgue  par G. Zanger","Aurora! de Peigeian Oft in the Stilly Night by Wilhel, Iucho","6 Pieces d'Orgue Pieces Recreatives pour Violin et Piano Pelleas et Melisande by Claude Debussy Album de six Morceaux Choisis","Cling to the Rock","Love Not! by Blockley The Sea by Phillips Rory O'More by Carl Muller Galop de Piquillo by Francois Hunten","Pleasures of Home","Thy Spirit of Love Keeps a Watch Over Me by G. Linley","Montechi e Capuletti by J. Blumtal","Peters' Musical Monthly - Novembe 1871 Peters Musical Monthly - March 1872 Don't Be Sorrowful","Klavierwerke-Preludio con Fuga by J.S. Bach No. 1 Toccata con Fuga by J.S. Bach Dmoll-Konzert fur Pianoforte by Adolf Ruthardt Bach Capriccio, Fantasie Bach Toccata con Fuga Mendelssohn Lieder Onhe Worte Brahams Duette Bach -Album fur Orgel","Chorus - Down Went McGinty","Gaily the Troubadour","Die Dollarprinzessin","What Joy to Listen","Robert Volksmann Musikalisches Bilderbuch","The Echo of the Italian Opera","Paisley Schottisch March from Lucia De Lamermoor- Charles Gobe Norma de Bellini Primrose Polka","The Ceebrated Sophie Waltz by Charles Grobe The Tip Toe Polka Galop by J.C. Meininger Etudes de la Velocite by Charles Czerny Der Freischutz by Sydney Smith Thoughts of Home by J. Ascher","Le Poilu by H. Maurice Jacquet","Bossi Six Morceaux pour Orgue Hellmesberger Exercises en forme de gammes","L'Art du Chant","Hazel's New Ideal Orchetra Book-First Violin Hazel's New Ideal Orchetra Book-Alto Saxophone","General Yeoman's Grand March -E.B. Spencer","Take Them, I Implore Thee","Smith's March by J. T. Martin Have Faith in One Another by James Perring The Long, long Weary Day","Harold and Mildred by Herman Finck","Premiere Symphonie pour grand Orchestre by S. Taneiew Overture, Danses et Marche by A. Borodine","Blessed are they thta consider the Poor","Symphonie No. 5 by Anton Dvorak","Come Home, Father by Henry Clay Work I Wonder why he comes Not","Fritz Spindler's Piano Compositions: Convent Bells","Horse Radish Fox Favorite Orchestra Folio Vol. 5 - 2nd Coronet Fox Favorite Orchestra Folio Vol. 5 - Bass Fox Favorite Orchestra Folio Vol. 5 - 1st Violin Fox Favorite Orchestra Folio Vol. 5 - Drums","Evangeline by A.P. Wyman The Little Ones at Home by C.J. Lockwood","Piano Classics by the Best Composers","The May Queen by William Dempster Rakeman's Pas Redouble Gipsey Schottisch Guillaume Tell by F. Beyer White Mountain Serenade Do They Miss Me at Home? In Dreams of Peace The Dismal Swamp Where are the Friends of My Youth Farewell","The May Queen Le lever du Soleil Do They Miss Me at Home? Sally, Come Up Love's Hidings Place Prison Waltz I Love the Merry Sunshine The Pirates Chorus","Pokcaha March Wont you tell me why, Robin? The Pianist's Best Companion Why Not Be Happy Now The Vocal Beauties of Lucia di Lammermoor","Morceau de Concert par F. Servais Violoncelle Opus 14 (2) Concert fur das Violoncell von Carl Reinecke O Cara Memoria F. Servais Op 17. (2) Fantaisie Burlesque pour Violoncelle par F. Servais Op.9","Fantasie Burlesque (ou le Carnaval de Venise) pour Violoncelle par F. Servais Op.9 Grande Fantaisie polonaise sur des Airs du Ballet par F. Servais Op. 19 Grande Fantaisie polonaise pour Violoncelle par F. Servais Op. 19 Faust ( Margarethe) oper in Funf akten von Gound No. 2 Polnischer National-Gesang Chant National Polonais; Vaterlands-Lieder von Ferd. Beyer; Albert Sowinski ( includes National Hymns/Songs from Poland, France, the Netherlands, Belgium, Norway, Scotland, Chile, Serbia, Java)","25 Etudes pour Piano par Francois Hunten Opus 114 Jugend Bande, Leichtes Vierhandiges Album, Band 1: Aletter, Kleines Menuett; Franke, Fruhlingszauber; Gurlitt, Valse noble; Parlow, Polonaise; Reinecke, Primula veria; Sartorio, Mit Lingendem Spiel; Spindler, Landisches Fest; Morley, Teerose; Zilcher, Wasserfahrt, Barcolle; Mendelssohn, LUD, Zigeunertanz; Ziegler, Goldene Sterne, Abenlied; Schytte, Allegro moderato; D'Ourville, Fruhling; Wil, Tanz im Dorfe First Flights in Music (melodius piano Studies for Beginners) by Martin Frey 25 Etudes pour le Piano par Fredic. Burgmuller, Op.100","Rebecca at the Well by Septimus Winner Linked with many bitter Tears by Alice Hawthorne Ideas from the Opera, No. 1 Flower Song \u0026 Chorus from Faust","Capricious Annette bu Gaston Borch","Symphonies pour Orgue par Charles Marie Widor","Return of Spring Polka Brilliant par Theo. Moelling The Wreath-A collection of favorite Waltzes-Jour de Naissance, Op. 89, Burgmuller","Marceline Polka for Piano Forte by John A. Janke, Jr.","Birds of All Feathers, a musical sketch by Mildred Adair","La Traviata par Charles Voss","Lovey-Dovey Intermezzo by Robert A. Hellard","O Let me Die in spring-time by W. Cumming","Zampa Gallopades by Herold","The Lost Fairy Cavatina by C.AE.Horn (cover only)","Pique Dame Galop by C. Denstedt","The Celebrated Anvil Chorus by Francis H. Brown Oh Summer Night by Wm. Dressler, Op.41 Happy Home of My Childhood by George Croal A Voice from the Waves Duett by Stephen Grover Louise Polka Brilliante by Joseph Ascher Pepita Polka by Joseph Ascher","The Whispering Wind Mazurka Caprice pour le Piano par  Hermann A. Wollenhaupt, Op. 38 Nellie Darling by H. Millard Sleeping I Dreamed Love by W.V. Wallace","As You Like it by Wiliam Shakespeare; music Kiss me and Say Goodnight by Johnston \u0026 Wiedoft","Etudes de la Velocite pour le Piano forte par Charles Czerny","Sweet Smile Polka by Charles Kinkel","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"collection_title_tesim":["Sheet Music Collection, 1827/1974"],"collection_ssim":["Sheet Music Collection, 1827/1974"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 1.07","/repositories/2/resources/8982"],"unitid_tesim":["Mss. 1.07","/repositories/2/resources/8982"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_corpname_ssim":["Special Collections Research Center"],"creators_ssim":["Special Collections Research Center"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 1997.054 was a gift received on 9/25/1997; Acc. 2007.87 was a gift from Mrs. Edmun C. Glover, III via Jim Deffenbaugh, Music Librarian. Acc. 2009.061 was purchased on 2/26/2009. Acc. 2009.070 was purchased on 2/21/2009. Acc. 2009.069 was purchased on 2/23/2009. Acquisition information for accessions received after February 2009 is not displayed for technical reasons. Consult a staff member for details."],"access_subjects_ssim":["African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music"],"access_subjects_ssm":["African Americans--Music","Music--19th century.","Music--Virginia--19th century.","United States--History--World War, 1914-1918--Songs and music","World War, 1939-1945--United States--Songs and music","Scores","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["55.80 Linear Feet"],"extent_tesim":["55.80 Linear Feet"],"genreform_ssim":["Scores","Sheet music"],"date_range_isim":[1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"accruals_html_tesm":["\u003cp\u003eAdditions are being made to this collection on an ongoing basis.\u003c/p\u003e  "],"accruals_heading_ssm":["Accruals:"],"accruals_tesim":["Additions are being made to this collection on an ongoing basis."],"arrangement_html_tesm":["\u003cp\u003eThe collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point.\u003c/p\u003e","\u003cp\u003e Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos.\u003c/p\u003e","\u003cp\u003e Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received.\u003c/p\u003e","\u003cp\u003e Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is currently being processed and new items will be added on an ongoing basis. For this reason the indicated extent and date range are approximate at this point.","Series 1 (box 1-47) contains sheet music acquired prior to 2007.  Subseries 1 (box 1-38)  is arranged alphabetically by composer; Subseries  2 (box 39-40) are filed by arrangers and unknown composers; Subseries 3  (box 41-43) contains exercise books; Subseries 4 (box 44-45) contains portions of collections; Subseries 5 (boxe46) iscollections; and Subseries 6 (box 47) is librettos.","Series 2 (from box 48 onward) consists of acquisitons made 2007 and later, filed in the order in which they are received.","Series 3 is is not yet fully arranged and described. Researchers should consult with a staff member for further information in advance of using this series."],"prefercite_html_tesm":["\u003cp\u003eSheet Music Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Sheet Music Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eMaterial received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Material received from 2009 to 2010 were accessioned and minimally processed by Ute Schechter. The portion of the collection received prior to 2007 was keyed in by student assistants including Lauren Chapman, Alex Dodd beginning in September 2009. Acc. 2012.050 accessioned and minimally described by Steven Bookman, Univeristy Archives Specialist, in February 2012. Series 3 added in April 2012 by Benjamin Bromley. Acc. 2012.272 and Acc. 2012.360 accessioned and minimally described by Steven Bookman, University Archives Specialist, in November 2012. Acc. 2013.247 accessioned and minimally described by Steven Bookman, University Archives Specialist, in October 2013."],"scopecontent_html_tesm":["\u003cp\u003eThe Sheet Music Collection includes sheet music collected by the Special Collections Research Center.\u003c/p\u003e  ","\u003cp\u003eThis series includes sheet music collected by the Special Collections Research Center prior to 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Latest and Best\" - undated\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;\u003c/p\u003e","\u003cp\u003eScope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maid of Athens\" - undated, Allen ?, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Minnesota March\"- undated, George N. Allen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Soko\" - 1903, John Arnold, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice\" - undated, Joseph Asher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Task\"- undated, E.L. Ashford.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.\u003c/p\u003e","\u003cp\u003e\"Marching Through Georgia, Rudolf Thaler, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss Helyett\"- undated, E. Audran, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Virginia\" - 1904, D. A. Barrackman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.\u003c/p\u003e","\u003cp\u003e\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Parlor Concert\" - undated, Carl J. Berger.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maybe\" - undated, Bertrand Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blackmar\u0026amp;Bro's selection of Favorite Songs\" - undated, Blockley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Remember Me\" - undated, M. Brinkman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Salut a La France\" - undated, Brunner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Evening\" - 1899, Dudley Buck, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar\u003c/p\u003e","\u003cp\u003eScope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana\u003c/p\u003e","\u003cp\u003eScope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning\u003c/p\u003e","\u003cp\u003eScope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence\u003c/p\u003e","\u003cp\u003eScope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael\u003c/p\u003e","\u003cp\u003eScope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola\u003c/p\u003e","\u003cp\u003eScope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll\u003c/p\u003e","\u003cp\u003eScope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi\u003c/p\u003e","\u003cp\u003eScope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar\u003c/p\u003e","\u003cp\u003eScope and Contents \"Martha\" - undated, composed by Cavatine\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway\u003c/p\u003e","\u003cp\u003eScope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry\u003c/p\u003e","\u003cp\u003eScope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy\u003c/p\u003e","\u003cp\u003eScope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft\u003c/p\u003e","\u003cp\u003eScope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Reverie\" - 1938, by Larry Clinton\u003c/p\u003e","\u003cp\u003e\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse\u003c/p\u003e","\u003cp\u003eScope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots\u003c/p\u003e","\u003cp\u003eScope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin\u003c/p\u003e","\u003cp\u003eScope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper\u003c/p\u003e","\u003cp\u003e\"How Can I Leave Thee?\" - 1851, by C. Cramer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn\u003c/p\u003e","\u003cp\u003e\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford\u003c/p\u003e","\u003cp\u003eScope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Pelican\" - undated, composed by W.J. Crerar\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny\u003c/p\u003e","\u003cp\u003eScope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg\u003c/p\u003e","\u003cp\u003eScope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson\u003c/p\u003e","\u003cp\u003eScope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson\u003c/p\u003e","\u003cp\u003eScope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter\u003c/p\u003e","\u003cp\u003e\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz\u003c/p\u003e","\u003cp\u003eScope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro\u003c/p\u003e","\u003cp\u003eScope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth\u003c/p\u003e","\u003cp\u003eScope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson\u003c/p\u003e","\u003cp\u003e\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.\u003c/p\u003e","\u003cp\u003e\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.\u003c/p\u003e","\u003cp\u003e\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger\u003c/p\u003e","\u003cp\u003eScope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes\u003c/p\u003e","\u003cp\u003eScope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay\u003c/p\u003e","\u003cp\u003eScope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips\u003c/p\u003e","\u003cp\u003eScope and Contents \"Calcutta\" - 1958, Heino Gaze\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze\u003c/p\u003e","\u003cp\u003eScope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte\" - undated, by C.W. Gluck\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts\u003c/p\u003e","\u003cp\u003eScope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Guards Waltz\" - undated, by D. Godfrey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent\u003c/p\u003e","\u003cp\u003eScope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold\u003c/p\u003e","\u003cp\u003eScope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz\u003c/p\u003e","\u003cp\u003eScope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria\u003c/p\u003e","\u003cp\u003eScope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare\u003c/p\u003e","\u003cp\u003e\"Do You Really Think He Did?\" - 1855, by J.T. Gosden\u003c/p\u003e","\u003cp\u003eScope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk\u003c/p\u003e","\u003cp\u003eScope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley\u003c/p\u003e","\u003cp\u003eScope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle\u003c/p\u003e","\u003cp\u003eScope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David\u003c/p\u003e","\u003cp\u003e\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman\u003c/p\u003e","\u003cp\u003e\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour\u003c/p\u003e","\u003cp\u003e\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anona\" - 1903, by Vivian Grey\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose\u003c/p\u003e","\u003cp\u003eScope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman\u003c/p\u003e","\u003cp\u003eScope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams\u003c/p\u003e","\u003cp\u003eScope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith\u003c/p\u003e","\u003cp\u003eScope and Contents \"Clareene\" - 1905, by Max L. Herman\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz\u003c/p\u003e","\u003cp\u003eScope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman\u003c/p\u003e","\u003cp\u003eScope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs\u003c/p\u003e","\u003cp\u003eScope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence\u003c/p\u003e","\u003cp\u003eScope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed\u003c/p\u003e","\u003cp\u003eScope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman\u003c/p\u003e","\u003cp\u003e\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Gift Polka\" - 1855, by Albert Holland\u003c/p\u003e","\u003cp\u003eScope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smoky Mokes\" - undated, by A. Holzmann\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Toast\" - 1931, by Francis Hopkinson\u003c/p\u003e","\u003cp\u003eScope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard\u003c/p\u003e","\u003cp\u003eScope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard\u003c/p\u003e","\u003cp\u003e\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks\u003c/p\u003e","\u003cp\u003eScope and Contents \"Winsome Grace\" - 1890, by T.H. Howe\u003c/p\u003e","\u003cp\u003eScope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck\u003c/p\u003e","\u003cp\u003e\"Holiday Waltz - 1878, J.A. Ide, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026amp; Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Eva's Parting\" - 1852, F. James, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston\u003c/p\u003e","\u003cp\u003eScope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"Variations sur Lestoco\" - undated, by H. Karr\u003c/p\u003e","\u003cp\u003eScope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun\u003c/p\u003e","\u003cp\u003eScope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters\u003c/p\u003e","\u003cp\u003eScope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser\u003c/p\u003e","\u003cp\u003e\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly\u003c/p\u003e","\u003cp\u003eScope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley\u003c/p\u003e","\u003cp\u003e\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II\u003c/p\u003e","\u003cp\u003eScope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rondeaux\" - undated, by Ferd. Kessler\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby\u003c/p\u003e","\u003cp\u003eScope and Contents \"Gipsies\" - undated, by Ella Ketterer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, by Friedrich Kiel\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder\u003c/p\u003e","\u003cp\u003eScope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Star Spangled Banner\" - 1835, W.A. King\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Bohemian Walzer\" - undated, by Kirmair\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein\u003c/p\u003e","\u003cp\u003e\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley\u003c/p\u003e","\u003cp\u003e\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler\u003c/p\u003e","\u003cp\u003e\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Union March\" - undated, Hans Krummacher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memories\" - 1901, Albert Kussner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Crescendo\" - 1896, Per Lasson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona\u003c/p\u003e","\u003cp\u003eScope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles\u003c/p\u003e","\u003cp\u003eScope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee\u003c/p\u003e","\u003cp\u003eScope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély\u003c/p\u003e","\u003cp\u003eScope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare\u003c/p\u003e","\u003cp\u003eScope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow\u003c/p\u003e","\u003cp\u003eScope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky\u003c/p\u003e","\u003cp\u003eScope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg\u003c/p\u003e","\u003cp\u003eScope and Contents \"All-American Girl\" - 1932, by Al Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais\u003c/p\u003e","\u003cp\u003eScope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird\" - 1903, by Fred Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis\u003c/p\u003e","\u003cp\u003eScope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach\u003c/p\u003e","\u003cp\u003eScope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tired\" - undated, M. Lindsay, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Too Tired\" - 1924, George A. Little, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw\u003c/p\u003e","\u003cp\u003e\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Rest\" - 1915, by Katherine E. Lucke\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Memoriam\" - 1872, by A. Lutz\u003c/p\u003e","\u003cp\u003e\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire\u003c/p\u003e","\u003cp\u003eScope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg\u003c/p\u003e","\u003cp\u003eScope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack\u003c/p\u003e","\u003cp\u003e\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.\u003c/p\u003e","\u003cp\u003e\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smith's March\" - 1848, J.T. March - composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Longing\" - undated, Charles Mayor, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Butterfly\" - undated, G. Merkel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer\u003c/p\u003e","\u003cp\u003e\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Retour du Printemps\" - undated, Moelling, composer\u003c/p\u003e","\u003cp\u003e\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer\u003c/p\u003e","\u003cp\u003e\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Beauregard\" - 1861, A. Noir, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Èlègie\" - 1895, E. Nollet, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer\u003c/p\u003e","\u003cp\u003e\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Polka\" - undated, Offenbach, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.\u003c/p\u003e","\u003cp\u003e\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pensees\" - undated, Ernst Perabo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer\u003c/p\u003e","\u003cp\u003e\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer\u003c/p\u003e","\u003cp\u003e\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trumpet March\" - undated, Rossini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Quintett\" - undated, Robert Shunmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott\u003c/p\u003e","\u003cp\u003eScope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Autumn\" - 1931, Lee Sims, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka\" - undated, L. Streabbog, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Florodora\" - 1900, Stuart Leslie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hence Discontent\" - undated, Tolbecque, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tarantelle\" - undated, Berthold Tours, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer\u003c/p\u003e","\u003cp\u003e\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist\u003c/p\u003e","\u003cp\u003e\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist\u003c/p\u003e","\u003cp\u003e\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists\u003c/p\u003e","\u003cp\u003eScope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don Juan\" - undated, Charles Voss, composer\u003c/p\u003e","\u003cp\u003eScope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Polka\" - 1859, Julius Weel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .\u003c/p\u003e","\u003cp\u003eScope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in F\" - 1896, John A. West, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Postlude in B\" - undated, John E. West, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Black Apollo\" - undated, Charles White, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026amp; Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.\u003c/p\u003e","\u003cp\u003eScope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.\u003c/p\u003e","\u003cp\u003eThree items present.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026amp; Claribel, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026amp; F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled exercise book, undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents Untitled exercise book, undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers\u003c/p\u003e","\u003cp\u003eScope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026amp;words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;\u003c/p\u003e","\u003cp\u003eScope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.\u003c/p\u003e","\u003cp\u003eThis series includes sheet music collected by the Special Collections Research Center beginning 2007.\u003c/p\u003e","\u003cp\u003e\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.\u003c/p\u003e","\u003cp\u003e\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;\u003c/p\u003e","\u003cp\u003e10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026amp; Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.\u003c/p\u003e","\u003cp\u003eScope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.\u003c/p\u003e","\u003cp\u003eScope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.\u003c/p\u003e","\u003cp\u003eScope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.\u003c/p\u003e","\u003cp\u003eWilliam's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026amp;Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.\u003c/p\u003e","\u003cp\u003eScope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .\u003c/p\u003e","\u003cp\u003eSongster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026amp; Co.  Copyright date of 1851.  Hand sewn binding.\u003c/p\u003e","\u003cp\u003eContains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs\u003c/p\u003e","\u003cp\u003eIncludes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.\u003c/p\u003e","\u003cp\u003eIncludes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.\u003c/p\u003e","\u003cp\u003eIncludes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.\u003c/p\u003e","\u003cp\u003eFrom the musical comedy \"Three Little Lambs.\"\u003c/p\u003e","\u003cp\u003eContains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026amp; Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026amp; Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026amp; Dresser, New York, 1903.\u003c/p\u003e","\u003cp\u003eContains songs for use in \"Special Services Activites by Armed Forces personnel only.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.\u003c/p\u003e","\u003cp\u003eScope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.\u003c/p\u003e","\u003cp\u003eContains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.\u003c/p\u003e","\u003cp\u003eFive Salted Peanuts\u003c/p\u003e","\u003cp\u003eCapt. May's Quick Step\u003c/p\u003e","\u003cp\u003eVirginia\u003c/p\u003e","\u003cp\u003eSweet Virginia Rose\u003c/p\u003e","\u003cp\u003eHe's A Rag Picker\u003c/p\u003e","\u003cp\u003eCarry Me Back to Old Virginia (two copies)\u003c/p\u003e","\u003cp\u003ePeanuts And Diamonds\u003c/p\u003e","\u003cp\u003eThe Teddy Bears' Picnic\u003c/p\u003e","\u003cp\u003eHot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)\u003c/p\u003e","\u003cp\u003eWait Till The War, Love, Is Over\u003c/p\u003e","\u003cp\u003eRose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)\u003c/p\u003e","\u003cp\u003eVirginia Lullaby\u003c/p\u003e","\u003cp\u003eScope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"\u003c/p\u003e","\u003cp\u003eHeart-Sickness Blues\u003c/p\u003e","\u003cp\u003eBud Rag\u003c/p\u003e","\u003cp\u003eMoonlight on the Melonpatch\u003c/p\u003e","\u003cp\u003eHow's Your Folks and My Folks Down in Norfolk Town\u003c/p\u003e","\u003cp\u003eVirginia Blues (two copies)\u003c/p\u003e","\u003cp\u003eVirginia Belle\u003c/p\u003e","\u003cp\u003eVirginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)\u003c/p\u003e","\u003cp\u003eThere's a Girl in Old New Hampshire Whose Heart is Apart of Me\u003c/p\u003e","\u003cp\u003ePeanuts (La Cacahuata)\u003c/p\u003e","\u003cp\u003eTell Them You're From Virginia\u003c/p\u003e","\u003cp\u003e'Mid Tthe Green Fields of Virginia\u003c/p\u003e","\u003cp\u003eThrowing Peanuts to the Moon\u003c/p\u003e","\u003cp\u003eScope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"\u003c/p\u003e","\u003cp\u003eTexas\u003c/p\u003e","\u003cp\u003eOld Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)\u003c/p\u003e","\u003cp\u003ePray, Maiden , Pray!\u003c/p\u003e","\u003cp\u003eThe U. Va. Two-Step\u003c/p\u003e","\u003cp\u003eWatermelon Club\u003c/p\u003e","\u003cp\u003eVirginia Lou\u003c/p\u003e","\u003cp\u003eI'm Going to Climb the Blue Ridge Mountains Back to You\u003c/p\u003e","\u003cp\u003eTemptation Rag\u003c/p\u003e","\u003cp\u003eWatermelon Man\u003c/p\u003e","\u003cp\u003eShe is the Sunshine of Virginia\u003c/p\u003e","\u003cp\u003eBilly\u003c/p\u003e","\u003cp\u003eBilly Boy\u003c/p\u003e","\u003cp\u003eWhen It's Harvest Time in Peaceful Valley\u003c/p\u003e","\u003cp\u003eMelinda's Wedding Day\u003c/p\u003e","\u003cp\u003eThe Lord Made a Peanut\u003c/p\u003e","\u003cp\u003eAt a Georgia Campmeeting\u003c/p\u003e","\u003cp\u003eShenandoah\u003c/p\u003e","\u003cp\u003eWatermelon and Friends\u003c/p\u003e","\u003cp\u003eChariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)\u003c/p\u003e","\u003cp\u003eMelon Time in Dixieland\u003c/p\u003e","\u003cp\u003eI'm Gonna Bring a Watermelon to my Girl To-Night\u003c/p\u003e","\u003cp\u003eHeart of Virginia\u003c/p\u003e","\u003cp\u003eVirginia Moon (Waltz-song)\u003c/p\u003e","\u003cp\u003eAn Old Fashioned Garden in Virginia\u003c/p\u003e","\u003cp\u003eThe Peanut Vendor (El Manisero)\u003c/p\u003e","\u003cp\u003eA Tale of Old Virginia\u003c/p\u003e","\u003cp\u003eUnder the Anheuser Bush (two copies)\u003c/p\u003e","\u003cp\u003eWatermelons- Songs for Living\u003c/p\u003e","\u003cp\u003eWhen it's Springtime in Virginia\u003c/p\u003e","\u003cp\u003eWatermelon Weather\u003c/p\u003e","\u003cp\u003ePeanuts! 5 a Bag\u003c/p\u003e","\u003cp\u003eCarbalick Acid Rag\u003c/p\u003e","\u003cp\u003eMemories of Virginia (Two copies)\u003c/p\u003e","\u003cp\u003eDown Old Virginia Way (Operatic Edition)\u003c/p\u003e","\u003cp\u003eCover Me Up with the Sunshine of Virginia\u003c/p\u003e","\u003cp\u003eContains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"\u003c/p\u003e","\u003cp\u003eLa Belle Virginienne Valse (Binding hand-stitched)\u003c/p\u003e","\u003cp\u003eThe Ashland Memories\u003c/p\u003e","\u003cp\u003ePrincess Pocahontas (March and Two Step)\u003c/p\u003e","\u003cp\u003eResearchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.\u003c/p\u003e","\u003cp\u003eOrganist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz\u003c/p\u003e","\u003cp\u003eGems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?\u003c/p\u003e","\u003cp\u003eChristmas Song O Christmas Night Le Diable-A-Quatre Polka\u003c/p\u003e","\u003cp\u003eDon't Be Angry Mother Scotch Air\u003c/p\u003e","\u003cp\u003eA Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy\u003c/p\u003e","\u003cp\u003ePicture of Comm. Enrico Caruso\u003c/p\u003e","\u003cp\u003eknown also as The Prima Donna Song; arranged and adapted by Chas.Jarvis\u003c/p\u003e","\u003cp\u003efrom Bellini's Admired Opera of Il Pirata\u003c/p\u003e","\u003cp\u003eLa Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ephoto on cover\u003c/p\u003e","\u003cp\u003ehand written music sheets included\u003c/p\u003e","\u003cp\u003ephoto of Allen on cover\u003c/p\u003e","\u003cp\u003eSouvenir edition for Army Air Forces Leave Hotels on French Riviera\u003c/p\u003e","\u003cp\u003eHand written music sheets with hand designed cover art\u003c/p\u003e","\u003cp\u003eTis Midnight Hour with cover art Constancy\u003c/p\u003e","\u003cp\u003eLarmes of Joie Katie's Secret\u003c/p\u003e","\u003cp\u003eCover Art\u003c/p\u003e","\u003cp\u003ecover only\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eSomebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eEcstasy The Meeting - cover art L' Arditia\u003c/p\u003e","\u003cp\u003eTreasures of the Deep One Struggle More\u003c/p\u003e","\u003cp\u003eMexico\u003c/p\u003e","\u003cp\u003eCover Art Madrid ,Spain\u003c/p\u003e","\u003cp\u003eCover Art\u003c/p\u003e","\u003cp\u003ecover art: photo of Julio Martinez Arteaga Bolivia - Spanish\u003c/p\u003e","\u003cp\u003eMarie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure\u003c/p\u003e","\u003cp\u003eBolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)\u003c/p\u003e","\u003cp\u003eMexico - Spanish\u003c/p\u003e","\u003cp\u003eItalian Photos on cover\u003c/p\u003e","\u003cp\u003eSweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast\u003c/p\u003e","\u003cp\u003eMexico - Spanish\u003c/p\u003e","\u003cp\u003eSpanish - Barcelona, Spain Cover art by J. Casals\u003c/p\u003e","\u003cp\u003eChristine - cover art My home by the mountain side The Cot by the Hill - cover art\u003c/p\u003e","\u003cp\u003eDrei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken\u003c/p\u003e","\u003cp\u003eLondon\u003c/p\u003e","\u003cp\u003eOrphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany\u003c/p\u003e","\u003cp\u003eCentennial March - cover art I'd be a Butterfly\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee\u003c/p\u003e","\u003cp\u003eOnce a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits\u003c/p\u003e","\u003cp\u003eThen You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!\u003c/p\u003e","\u003cp\u003eI Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eDas Konigsballet\u003c/p\u003e","\u003cp\u003eGerman and English\u003c/p\u003e","\u003cp\u003eDear  Love, Be True Darling \"Tis You\u003c/p\u003e","\u003cp\u003eMary Gray The Gypsie's Festival\u003c/p\u003e","\u003cp\u003eDer Herr is Mein Hirt - German Marcia Fantastica Albumblatt\u003c/p\u003e","\u003cp\u003eI am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? 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The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day\u003c/p\u003e","\u003cp\u003eBilder in TonenGerman with cover art Rondo Mignon\u003c/p\u003e","\u003cp\u003eLong Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife\u003c/p\u003e","\u003cp\u003eFrench cover art and photos\u003c/p\u003e","\u003cp\u003eAh! Yes I Remember How Sweet are the Roses\u003c/p\u003e","\u003cp\u003eLe Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale\u003c/p\u003e","\u003cp\u003eThe Whispering Trees The Image in the Heart\u003c/p\u003e","\u003cp\u003eSonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz\u003c/p\u003e","\u003cp\u003eRondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! 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Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band\u003c/p\u003e","\u003cp\u003ePretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells\u003c/p\u003e","\u003cp\u003e\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle\u003c/p\u003e","\u003cp\u003eOn the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March\u003c/p\u003e","\u003cp\u003eOh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube\u003c/p\u003e","\u003cp\u003eRemember Me - cover art 48 Etudes\u003c/p\u003e","\u003cp\u003eTrue Love Lives Forever Wery Pekoollar\u003c/p\u003e","\u003cp\u003eGerman; cover art\u003c/p\u003e","\u003cp\u003eLora vale Remembered\u003c/p\u003e","\u003cp\u003eThe Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words\u003c/p\u003e","\u003cp\u003eA Favourite French Air Michelson's Celebrated Waltz\u003c/p\u003e","\u003cp\u003eThe Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eThe Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop\u003c/p\u003e","\u003cp\u003eSilhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German\u003c/p\u003e","\u003cp\u003eGoodbye Douglas, Tender and True the Sea has its Pearls\u003c/p\u003e","\u003cp\u003eFrench and English\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ephoto on cover\u003c/p\u003e","\u003cp\u003eThe Lament of the Blind Orphan Girl Victory at Last\u003c/p\u003e","\u003cp\u003eItalian, German, English\u003c/p\u003e","\u003cp\u003eTake My Arm the Other Side Quadrille\u003c/p\u003e","\u003cp\u003eSerenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76\u003c/p\u003e","\u003cp\u003eOriental Waltz Carmac Polka\u003c/p\u003e","\u003cp\u003ephoto cover\u003c/p\u003e","\u003cp\u003eGolden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn\u003c/p\u003e","\u003cp\u003eBring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling\u003c/p\u003e","\u003cp\u003eGerman and English\u003c/p\u003e","\u003cp\u003eFantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61\u003c/p\u003e","\u003cp\u003eWoodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille\u003c/p\u003e","\u003cp\u003eTyrolese Evening Hymn Come to the Sunset Tree\u003c/p\u003e","\u003cp\u003eRondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano\u003c/p\u003e","\u003cp\u003eFrench- colored cover with photo\u003c/p\u003e","\u003cp\u003eTe Deum in B Minor Down by the Mill\u003c/p\u003e","\u003cp\u003eThe Diana Waltz The Ocean Wave Waltz\u003c/p\u003e","\u003cp\u003eThe Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene\u003c/p\u003e","\u003cp\u003eJolly Brothers L'Avant Coureur Galop\u003c/p\u003e","\u003cp\u003ecover art photo\u003c/p\u003e","\u003cp\u003eMarching Along Quick Step Rory O'Moore Quick Step\u003c/p\u003e","\u003cp\u003eFee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse\u003c/p\u003e","\u003cp\u003eColored cover art\u003c/p\u003e","\u003cp\u003eCinderella Waltz Oh Welcome the Hour from Catherine Grey\u003c/p\u003e","\u003cp\u003eZaZa - French - covert art Elle Avait des Soquettes - cover art\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eWeep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eLove Moon J'aime Mon Amour - cover art\u003c/p\u003e","\u003cp\u003eMexico\u003c/p\u003e","\u003cp\u003eRing the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling\u003c/p\u003e","\u003cp\u003eItalian\u003c/p\u003e","\u003cp\u003eEspana Tabasco March Habanera\u003c/p\u003e","\u003cp\u003eMiller's Daughter - cover art Three Little Songs\u003c/p\u003e","\u003cp\u003eNancy Till The Black Quadrilles\u003c/p\u003e","\u003cp\u003eAutomne Les Noces D'Argent\u003c/p\u003e","\u003cp\u003eI Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? 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Sechs Sonatinen Sonata Nr. 18\u003c/p\u003e","\u003cp\u003eSweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more\u003c/p\u003e","\u003cp\u003eThe captain Grand March\u003c/p\u003e","\u003cp\u003eJudith The May Queen The Holiday The Valley of Roses\u003c/p\u003e","\u003cp\u003eFarewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha\u003c/p\u003e","\u003cp\u003eSpring Season Polka Three Bells Polka\u003c/p\u003e","\u003cp\u003eDear Violetta Loves Ritornella Gustavus the Third\u003c/p\u003e","\u003cp\u003eThe Chatsworth Quadrilles Mugby Junction Galop\u003c/p\u003e","\u003cp\u003eBeautiful Air The Harp That I Strung\u003c/p\u003e","\u003cp\u003eEcco Quel Fiero La Stella D'Amore\u003c/p\u003e","\u003cp\u003eI Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch\u003c/p\u003e","\u003cp\u003eTarantelle Celluloid Polka-cover art\u003c/p\u003e","\u003cp\u003eShe is Sleeping, Sweetly Sleeping The Dismal Swamp\u003c/p\u003e","\u003cp\u003eSweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie\u003c/p\u003e","\u003cp\u003eThou Still Art Near to Me Meet Me at the Lane\u003c/p\u003e","\u003cp\u003eLast Idea of Weber The Lat Rose of Summer Le Desir\u003c/p\u003e","\u003cp\u003eFrederick Polka Il Desiderio Lucrezia Borgia De Donizetti\u003c/p\u003e","\u003cp\u003eMarche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch\u003c/p\u003e","\u003cp\u003eL'Hirondelle et le Prisonnier Une Voix Dans La Nuit\u003c/p\u003e","\u003cp\u003eLovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae\u003c/p\u003e","\u003cp\u003ePray Child then Pray - cover art Ernani\u003c/p\u003e","\u003cp\u003eKathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie\u003c/p\u003e","\u003cp\u003eSee Saw Waltz Little, Saucy Kate -cover art\u003c/p\u003e","\u003cp\u003eJohnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles\u003c/p\u003e","\u003cp\u003eHad I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore\u003c/p\u003e","\u003cp\u003eTrust to Luck Juney at the Gate\u003c/p\u003e","\u003cp\u003eSweet Alice in Heaven the Sunshine in You The Sylphide Polka\u003c/p\u003e","\u003cp\u003eOft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl\u003c/p\u003e","\u003cp\u003eFour Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno\u003c/p\u003e","\u003cp\u003eVorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme\u003c/p\u003e","\u003cp\u003eSchule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs\u003c/p\u003e","\u003cp\u003eStephanie-Gavotte En Avant Lover's Dream after the Ball\u003c/p\u003e","\u003cp\u003eThe Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille\u003c/p\u003e","\u003cp\u003eGood Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop\u003c/p\u003e","\u003cp\u003eDas Madchen und der Schmetterling Mittelalterliche Venushymne\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eFlee as a Bird The Past! The Past!\u003c/p\u003e","\u003cp\u003eRomance Berceuse\u003c/p\u003e","\u003cp\u003eGo Where the Mists are Sleeping Maiden! awake from thy slumbers\u003c/p\u003e","\u003cp\u003eSilver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eBabina Innamorta - cover art non dimenticar le mie parole - cover art\u003c/p\u003e","\u003cp\u003e7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes\u003c/p\u003e","\u003cp\u003eBrindisi Octoroon Galopp\u003c/p\u003e","\u003cp\u003eLa Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eLet Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day\u003c/p\u003e","\u003cp\u003eWhen the Swallows Homeward Fly La Prima Donna Valse\u003c/p\u003e","\u003cp\u003eLes Adieux Spanische Tanze\u003c/p\u003e","\u003cp\u003ecover art; Russian/Cyrillic\u003c/p\u003e","\u003cp\u003eSongs of the Gondola Wings of a Dove\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003e28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum\u003c/p\u003e","\u003cp\u003e'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art\u003c/p\u003e","\u003cp\u003eOssian's Serenade The Whitw Mountain Serenade\u003c/p\u003e","\u003cp\u003eElizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March\u003c/p\u003e","\u003cp\u003eElizabeth Scottisch Bell Polka - cover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eMarjorie's Almana - ccover art He Thinks I do not Love Him\u003c/p\u003e","\u003cp\u003eThe Old Clock on the Stairs The Bridge - cover art The Brook\u003c/p\u003e","\u003cp\u003eMotivo d'Amore - cover photo io che non vivo - cover photo\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eChild of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France\u003c/p\u003e","\u003cp\u003eRayon du Soleil Martha\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eI Can-not Live Without Thee I Live, Love! But for Thee\u003c/p\u003e","\u003cp\u003eThe Silken Bands Pensez a moi ma Chere a mie\u003c/p\u003e","\u003cp\u003eWe were Happy Then The Old Thatched Cot I went to Gather Flowers\u003c/p\u003e","\u003cp\u003eMary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around\u003c/p\u003e","\u003cp\u003eO Salutaris Ave Verum\u003c/p\u003e","\u003cp\u003eAnnie Laurie Will Ye Come Back Again\u003c/p\u003e","\u003cp\u003e1re Valse 6eme Valse\u003c/p\u003e","\u003cp\u003eCanzonetta Sonte in B dur\u003c/p\u003e","\u003cp\u003ePleasures of Home Speed the Plough\u003c/p\u003e","\u003cp\u003eAttila Gustave\u003c/p\u003e","\u003cp\u003e12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder\u003c/p\u003e","\u003cp\u003eMr. Tambourine Man (French) With God on Our Side (French)\u003c/p\u003e","\u003cp\u003eThe Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss\u003c/p\u003e","\u003cp\u003eCousin et Cousin Du Plus Belle! Perce-Neige La Blondine\u003c/p\u003e","\u003cp\u003eLa Gaiete The Ethiopian\u003c/p\u003e","\u003cp\u003eButton-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo\u003c/p\u003e","\u003cp\u003eI Hear the Angels Calling My Idol Home When the Hues of Daylight fade\u003c/p\u003e","\u003cp\u003eBurst, ye Apple Buds! At the Sea-shore\u003c/p\u003e","\u003cp\u003eSweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eBoscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eBolero La Carnaval de Venise\u003c/p\u003e","\u003cp\u003eD'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch\u003c/p\u003e","\u003cp\u003eDear Heart Sweet Long Ago\u003c/p\u003e","\u003cp\u003eAngel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love\u003c/p\u003e","\u003cp\u003eOne copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)\u003c/p\u003e","\u003cp\u003eForget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast\u003c/p\u003e","\u003cp\u003eLe Donne Comm'e' Bella 'a Stagione\u003c/p\u003e","\u003cp\u003ededicated to the Harvard Class of 1837\u003c/p\u003e","\u003cp\u003ePanis Angelicus Ecce Panis Les Rameaux\u003c/p\u003e","\u003cp\u003eUp and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art\u003c/p\u003e","\u003cp\u003eincludes some handwritten notes in Italian\u003c/p\u003e","\u003cp\u003eIm Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung\u003c/p\u003e","\u003cp\u003eHaydn's Gypsy Rondo Grecian Rondo\u003c/p\u003e","\u003cp\u003eWhen I saw Sweet Nellie Home Liberty and Union\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eLizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music\u003c/p\u003e","\u003cp\u003eWillie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray\u003c/p\u003e","\u003cp\u003eFire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse\u003c/p\u003e","\u003cp\u003eOver the Garden Wall - cover art Guild Polka Militaire - cover art\u003c/p\u003e","\u003cp\u003eLittle Annie Polka Mireille - Galop Polka Ideale\u003c/p\u003e","\u003cp\u003eThe Lanciers The Fishermaiden - cover art\u003c/p\u003e","\u003cp\u003eColored cover art\u003c/p\u003e","\u003cp\u003eThe Deep, Deep Sea Little Snow White Hands\u003c/p\u003e","\u003cp\u003eAcross the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night\u003c/p\u003e","\u003cp\u003ecovert art\u003c/p\u003e","\u003cp\u003eSing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eO Fair Dove, O Fond Dove True Till Death\u003c/p\u003e","\u003cp\u003eRitmo Facinante Liza Alguien Me Ama Hazio Otra Vez\u003c/p\u003e","\u003cp\u003eThe Virginia Rose Bud Shells of the Ocean We are coming Father Abraham\u003c/p\u003e","\u003cp\u003eAlice I'll Come to Thee Little Tottie's Prayer - cover art\u003c/p\u003e","\u003cp\u003eI left Thee Where I Found Thee Love Allen Adale\u003c/p\u003e","\u003cp\u003eKathleen O Moore Kate Kearney\u003c/p\u003e","\u003cp\u003eGood News From Home Academy Polka Oh let me dream of former years\u003c/p\u003e","\u003cp\u003ecover photo\u003c/p\u003e","\u003cp\u003eI Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen\u003c/p\u003e","\u003cp\u003eChe Faro Senza Euridice Iphigenie in Aulis\u003c/p\u003e","\u003cp\u003eAll Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026amp; Charity Floating on the Wind\u003c/p\u003e","\u003cp\u003eGently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?\u003c/p\u003e","\u003cp\u003eI Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026amp; Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree\u003c/p\u003e","\u003cp\u003eThe Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026amp; Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art\u003c/p\u003e","\u003cp\u003eL'Aimable Cavorre\u003c/p\u003e","\u003cp\u003eAu Matin Danse d'Almees Pan's Flute\u003c/p\u003e","\u003cp\u003eDanse des Gnomes Scaramouche\u003c/p\u003e","\u003cp\u003eThe Usurious Lover A Woman's Love Deep in the Heart\u003c/p\u003e","\u003cp\u003eMarche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear\u003c/p\u003e","\u003cp\u003eAve Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms\u003c/p\u003e","\u003cp\u003eThe Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains\u003c/p\u003e","\u003cp\u003eGrand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird\u003c/p\u003e","\u003cp\u003eMaggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea\u003c/p\u003e","\u003cp\u003eSaint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home\u003c/p\u003e","\u003cp\u003eFarewell Ask if I Love Thee Goodnight Goodnight Beloved\u003c/p\u003e","\u003cp\u003eAlethea Little Wide Awake\u003c/p\u003e","\u003cp\u003ecover Art\u003c/p\u003e","\u003cp\u003eKlavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke\u003c/p\u003e","\u003cp\u003ePleasant dreams of long ago I am lonely to=night\u003c/p\u003e","\u003cp\u003eNelly wants to Marry Young Folks from Home\u003c/p\u003e","\u003cp\u003eI'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again\u003c/p\u003e","\u003cp\u003eThe Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!\u003c/p\u003e","\u003cp\u003ePremierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise\u003c/p\u003e","\u003cp\u003eBlanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds\u003c/p\u003e","\u003cp\u003eThe Fest March Sounds from Home\u003c/p\u003e","\u003cp\u003eGentle Lilly Bell Blue Eyes Scottisch\u003c/p\u003e","\u003cp\u003eThe Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow\u003c/p\u003e","\u003cp\u003eL'heure Exquise Fetes-Galantes-cover art\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eWho'll buy my Pretty Flowers Pretty Pong Lillies\u003c/p\u003e","\u003cp\u003eDarling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree\u003c/p\u003e","\u003cp\u003eI Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett\u003c/p\u003e","\u003cp\u003eMemories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus\u003c/p\u003e","\u003cp\u003ecover Art\u003c/p\u003e","\u003cp\u003eEver Onward! Call me Pet Names\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eThe Blue Bells of Scotland Let Me Rest in the Land of My Birth\u003c/p\u003e","\u003cp\u003eNo One to Love Etty Way Dilly Burn\u003c/p\u003e","\u003cp\u003eHassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance\u003c/p\u003e","\u003cp\u003eThe Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole\u003c/p\u003e","\u003cp\u003eHow Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!\u003c/p\u003e","\u003cp\u003eSymphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+\u003c/p\u003e","\u003cp\u003ePat Malloy Six Popular Dances for the guitar\u003c/p\u003e","\u003cp\u003eMollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal\u003c/p\u003e","\u003cp\u003eThe Burial of Mrs. Judson The Grave of Bonaparte\u003c/p\u003e","\u003cp\u003eLittle Daises 30 Etudes Progressives op. 46 Oeuvres de Piano\u003c/p\u003e","\u003cp\u003eJust Once More! 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Ever Loved Home Thy Will Be Done\u003c/p\u003e","\u003cp\u003eEsmeralda Ka foozle-um Galop\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eRecreations caracteristiques - cvoer art Souvenir D'Enfance Chanson a Boire\u003c/p\u003e","\u003cp\u003eMassarianta - cover photo Vieneme 'Nzuonne E Parleme\u003c/p\u003e","\u003cp\u003eDevotion Camelia Wasser-Nixen\u003c/p\u003e","\u003cp\u003ecover art\u003c/p\u003e","\u003cp\u003eCover Photo\u003c/p\u003e","\u003cp\u003eThe Bridge - colored cover art Too Late, too late - cover art\u003c/p\u003e","\u003cp\u003eYes! The Die is Cast Pestal, or, the Prison Song\u003c/p\u003e","\u003cp\u003eIt is better to Laugh than be Sighing Laddie Come Where the Foutains Play Thou Art Near Me Again I've left the Snow-Clad Hills - cover art Woods of Green Erin! 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For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! 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Servais Op. 19 Faust ( Margarethe) oper in Funf akten von Gound No. 2 Polnischer National-Gesang Chant National Polonais; Vaterlands-Lieder von Ferd. Beyer; Albert Sowinski ( includes National Hymns/Songs from Poland, France, the Netherlands, Belgium, Norway, Scotland, Chile, Serbia, Java)\u003c/p\u003e","\u003cp\u003e25 Etudes pour Piano par Francois Hunten Opus 114 Jugend Bande, Leichtes Vierhandiges Album, Band 1: Aletter, Kleines Menuett; Franke, Fruhlingszauber; Gurlitt, Valse noble; Parlow, Polonaise; Reinecke, Primula veria; Sartorio, Mit Lingendem Spiel; Spindler, Landisches Fest; Morley, Teerose; Zilcher, Wasserfahrt, Barcolle; Mendelssohn, LUD, Zigeunertanz; Ziegler, Goldene Sterne, Abenlied; Schytte, Allegro moderato; D'Ourville, Fruhling; Wil, Tanz im Dorfe First Flights in Music (melodius piano Studies for Beginners) by Martin Frey 25 Etudes pour le Piano par Fredic. 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Sheet Music Collection includes sheet music collected by the Special Collections Research Center.","This series includes sheet music collected by the Special Collections Research Center prior to 2007.","Scope and Contents \"High-High-High-Up in the Hills\" - 1926, Sam Lewis and Joe Young, librettists; \"Is there Still Room for Me Neath the Old Apple Tree\" - 1915, Edgar Leslie and Lew Brown, librettists; \"Pullman Porters Parade\" - 1913, Ren. g. May, librettists.","Scope and Contents \"Beautiful German Songs for Mezzo Soprano\"- undated., Franz Abt; \"Peter's Standard Series of German Songs\", second series- undated., Frantz Abt; \"New Series of Sems of German Songs\", undated, - Kate Blackeship \"Schirmer's Octavo choruses for Women's Voices\", undated- Kate Blackeship \"When the Swallows Homeward Fly\",- undated, Frantz Abt \"Songs of All Nations\",- undated, Frantz Abt.","Scope and Contents \"Milange Pour le Piano sur les motifs de l'Opera de Bellini I puritani\",- undated, A. Adam.","Scope and Contents \"I am going there\" or the \"Death of little Eva\"- undated, John S. Adams.","Scope and Contents \"The Holy City,\" - undated, Stephen Adams; \"Blue Alsatian Mountains\", undated, Stephen Adams; \"Popular Contralto or Baritone Songs\", undated, Stephen Adams; \"The Blue Alsatian Mountains\", undated, Stephen Adams, Georges Lamothe; \"The Holy City\" - undated, F.E. Weatherly, librettists.","Scope and Contents \"The Joys of the Table\"- undated, J. Addison; \"Our Sweet Dancing Days\" - Mrs. Mountain and Mifs Decamp, librettists.","Scope and Contents \"Ain't She Sweet\", 1927, Jack Yellon, librettists; \"Are You Sorry\", - 1925, Benny Davis librettists; \"Crazy Words Crazy Tune Vo-Do-De-O\", 1927, Jack Yellon, librettists; \"Forgive Me\", 1927, Jack Yellon, librettists; \"I Wonder What's Become of Sally\", 1924, Jack Yellon, librettists; \"Songs of the Dawn\", 1930, Jack Yellon, librettists.","Scope and Contents \"Slow But Sure,\" - undated, Charles Newman, librettists.","Scope and Contents \"Life is A Song\" - 1935, Joe Young, librettists; \"Ain't that the Way it Goes\" - 1931, Roy Turk, librettists; \"And I Still Do\" - 1934, Edgar Leslie, librettists; \"I Don't Know Why\"- 1931, Guy Turk, librettists; \"I'll Get By\" - 1928, Roy Turk, librettists; \"The Moon was Yellow\" - Edgar Leslie, librettists.","Scope and Contents \"Latest and Best\" - undated","Scope and Contents \"It Happened when your Eyes Met Mine\" - 1934, Roy Turk, librettists; \"Nobody Cares if I'm Blue\" - undated, Grant Clarke, librettists; \"There's a Little White House on a Little Green Hill,\" - undated, Billy Rose, librettists;","Scope and Contents My Rosalie Sweet Rosalie\", undated, Edward G. Allanson, composer and librettists.","Scope and Contents \"Maid of Athens\" - undated, Allen ?, composer.","Scope and Contents \"Over the Hill\"- n.d., Edgar Allen, composer, Lou Klein, librettists.","Scope and Contents \"Minnesota March\"- undated, George N. Allen, composer.","Scope and Contents \"Earl Carroll Vanities\"- 7th Edition\" -1928, Louis Alter, composer, Raymond Klages, librettists; \"Hugs and Kisses\" - n.d., Lou Alter, composer, Raymond Klages, librettists; \"Manhattan Serenade\" - 1928, Louis Alter, composer; \"That Wonderful Something\" - 1929; Louis Alter, composer, Joe Goodwin, librettists.","Scope and Contents \" I'll Pray for You\" - undated, Arthur Altman, composer, Kim Gannon, librettists.","Scope and Contents \"All or Nothing at All\" - undated, Jack Lawrence and Arthur Altman, composers and librettists.","Scope and Contents \"Suppose I had Never Met You\" - undated, Harry Archer, composer, Harlan Thompson, librettists.","Scope and Contents \"II Bacio- the Kiss\" - undated, L. Arditi, composer.","Scope and Contents \"Music Music Everywhere, but Not A Song in My Heart\" - 1932, Harold Arlen, composer, Ted Koehler, librettists; \"First You Have me High then You Have Me Low\"- undated, Harold Arlen, composer, Lew Brown, librettists; \"Between the Devil and the Deep Blue Sea\" - 1931, Harold Arlen, composer, Ted Koehler, librettists; \"Life Begins at 8:40\" - undated, Harold Arlen, composer, Ira Gershwin and E.Y. Harburg.","Scope and Contents \"I am Dying, Egypt Dying\" - 1865, ? Armand.","Scope and Contents \"I Love You Just the Same Sweet Adeline\" - undated, Clarence Gaskill and Harry Armstrong, composers.","Scope and Contents \"Blue Eyes\"- undated, Ettienne Arnaud.","Scope and Contents \"Mandalay\"- undated, Earl Burtnett, Abe Lyman, and Gus Arnheim.","Scope and Contents \"Soko\" - 1903, John Arnold, composer.","Scope and Contents \"To-day\" - undated, Gerald Arthur, composer, Harold Robe,librettists.","Scope and Contents \"Alice\" - undated, Joseph Asher, composer.","Scope and Contents \"My Task\"- undated, E.L. Ashford.","Scope and Contents \"Just Because Its You\" - undated, Barbee Ashley, Charles Farrell and Wakefield Potts.","Scope and Contents \"Sonate\" - undated, Bonifacius Asioli, composer.","Scope and Contents \"I'm Building Up an Awful Let-Down\" - 1935, Fred Astaire, composer, Johnny Mercer, librettists.","\"Marching Through Georgia, Rudolf Thaler, composer","Scope and Contents \"O Wherefore Weep My Sister Dear\" - undated, D.F.E., Auber, composer. \"Overture to the Favorite Opera of Masaniello\" - undated, F. Mockwitz.","Scope and Contents \"The Famous Gobble Song\" - undated, ? Audran, composer.","Scope and Contents \"Miss Helyett\"- undated, E. Audran, composer.","Scope and Contents \"You're the Only Star\" - undated, Gene Autry, composer and librettists.","Scope and Contents \"If You were the Only Girl\" - undated, Nat D. Ayers, composer, Clifford Grey, librettists; \"Oh, You Beautiful Doll\"- undated, Nat D. Turner, composer, A. Seymour Brown, librettists.","Scope and Contents \"Gavotte in B Minor\" - undated, John Bach, composer; \"Four Pieces from Triakontameron\" - 1912, Leopold Godowsky, composer; \"Bach's Lighter Compositions\"- 1887, John Bach, composer; \"Saint Cecilia Series\" - 1941, John S. Bach, composer.","Scope and Contents \"La priere dune Vierge' - undated, Thekla Badarewska, composer.","Scope and Contents \"You'll Never Get Up to Heaven That Way.\" - 1933, Abel Baer, composer, Sammy Lerner, librettists; \"High Up on a Hill-Top\" - undated, Abel Baer, composer, Ian Campbell and George Whiting, librettists; \"I'm Happy When You're Happy\" Abel Baer, composer, Benny Daivs, librettists; \"June Night\" - undated, Abel Baer, composer, Cliff Friend, librettists. \"Me Minus You\" - 1932, Abel Baer and John Loeb, composers, Paul Webster, librettists.","Scope and Contents \"Auf Wiedersehn\" - 1882, E.H. Bailey, composer.","Scope and Contents \"Racquet Waltz\" - 1879, F.H. Baker, composer.","Scope and Contents \"I hear a Rhapsody\" - 1940, George Fragos, Jack Baker, and Dick Gasparre, composers.","Scope and Contents \"Pretty Little Baby\" - 1932, Phil Baker and Ben Bernie, composers, Sid Silvers, librettists; \"Strange Interlude\" - 1932, Phil Baker, composer, Ben Bernie and Walter Hirsch, librettists.","Scope and Contents \"How Bright was the Star\" - 1854, Thomas Baker, composer, H.D. Stuart, librettists; \"The Rachel Schottisch\" - undated, Thomas Baker, composer.","Scope and Contents \"Come Into the Garden Maud\" - undated, M.W. Balfe, composer.","Scope and Contents 'Daughters of Pocahontas\" - 1909, Charles W.A. Ball, composer.","Scope and Contents \"I'll Forget You\" - undated, Ernest R. Ball, composer, Annelu Burns, librettists; \"When Irish Eyes are Smiling\" - undated, Ernest R. Ball, composer, Chauncey Olcott and Geo. Graff Jr., librettists; \"A Little Bit of Heaven\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists. \"In the Garden of My Heart\" - undated, Ernest R. Ball, composer, Caro Roma, librettists. \"Love Me and the World is Mine\" - undated, Ernest R. Ball, composer, Dave Reed Jr., librettists; \"I'm Going Back to California\" - undated, Ernest R. Ball, composer, J. Keirn Brennan, librettists.","Scope and Contents \"The Shepherd's Gift\" - undated, William Ball, composer.","Scope and Contents \"Gotta Get Home\" - 1939, James F. Hanley and Par Ballard, composers and librettists.","Scope and Contents \"So Beats My Heart for You\" - 1930, Pat Ballard, Charles Henderson, and Tom Waring, composers and librettists.","Scope and Contents \" Come, Oh! Come with Me the Moon is Beaming\" - undated, B.S. Barclay, composer.","Scope and Contents \"Symphonie in C\" - undated, Woldemar Bargiel, composer; \"Ouverture zu Medea\" - undated, Woldemar Bargiel, composer.","Scope and Contents \"Why Do Summer Roses Fade\" - undated, George Barker, composer, J.E. Carpenter, librettists.","Scope and Contents \"Sweet and Low\" - 1935, Joseph Barnby, composer, Alfred Tennyson, librettists.","Scope and Contents \"Good-Bye Dolly Gray\" - undated, Paul Barnes, composer, Will D. Cobb, librettists.","Scope and Contents \"Virginia\" - 1904, D. A. Barrackman","Scope and Contents \"Wrap Your Troubles in Dreams (And Dream Your Troubles Away)\" - undated, Harry Barris, composer, Ted Koehler and Billy Moll, librettists; \"It Was So Beautiful (And You Were Mine)\" - undated, Harry Barris, composer, Arthur Freed, librettists; \"It Must Be True\"- undated, Harry Barris, composer, Gus Arnheim and Gordon Clifford, librettists;","Scope and Contents \"Songs by J.C. Bartlett\", - 1914, J.C. Bartlett, composer; \"A Dream\", undated, J.C. Bartlett, composer.","Scope and Contents \"Talking to the Moon,\" - undated, Billy Baskette, composer, George A. Little, librettists; \"Talking to the Moon\", - undated, Billy Baskette, composer, George Little, librettists; \"Good-bye Broadway, Hello France\", - undated, Billy Baskette, composer, C. Francis Reisner and Benny Davis, librettists.","Scope and Contents \"I'm Getting Sentimental Over You\" - 1933, George Bassman, composer, Ned Washington, librettists.","Scope and Contents \" Songe D'enfant\", - undated, Alexandre Batta, composer.","Scope and Contents \"12 Favorite Melodies\", - 1886, Adolph Baumbach, composer; \"Home Sweet Home\", 1859, Adolph Baumbach, composer","Scope and Contents \"Going Going Gone\", - 1933, Phil Baxter, composer.","Scope and Contents \"I Cannot Dance To Night\" - undated, T.H. Bayly, composer.","Scope and Contents \"Fairies Fire\", - undated, Amelie T. Beauregard, composer.","\"An Old Fashioned Tree,\" 1944, Becker Williams, composer.","Scope and Contents \"Musik Fuer Cello\" - undated, L. Van Beethoven, composer; \"Classische Stuecke\" - undated, C. Kissner, composer; \"Klassische Studienwerke Fur Die Violine\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van. Beethoven, composer; \"Klavier Bibliothek\"- undated, L. Van. Beethoven, composer; \"Trio from Fidelio\" - 1891, L. Van. Beethoven, composer; \"Fidelio\" - 1890, L. Van Beethoven, composer \"Grande Symphonie\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Beethoven Konzert\" - 1806, L. Van Beethoven, composer, \"Classische Stucke\" - undated, L. Van Beethoven, composer; \"Neun Tonstucke\" - undated, L. Van. Beethoven, composer; \"Organ Voluntary\" - undated, L. Van Beethoven, composer; \"The Accompagnement with the Concerto in Rondo\" - undated, L. Van Beethoven, composer.","Scope and Contents \"Dritte Sinfonie\" - undated, L. Van Beethoven, composer; \"Oeuvres\" - undated, L. Van Beethoven, composer; \"Sonates\" - undated, L. Van Beethoven, compsoer; \"Sonatina in F\" - 1887, L. Van Beethoven, composer; \"Tonstucke\"- undated, L. Van Beethoven, composer; \"Zwei Sonaten\" - undated, L. Van Beethoven, composer.","Scope and Contents \"The Musical Box\" - 1892, Francois Behr, composer; \"Choice Collections of Piano-Forte Duets\" - undated, Francois Behr, composer.","Scope and Contents \"Rosenknospen\" - undated, Franz Behr, composer.","Scope and Contents \"In A Mist\" - 1928, Bix Beiderbecke, composer.","Scope and Contents \"Spring Blossoms\" - 1862, James Bellak, composer. \"Jewels\" - undated, Jas. Bellak, composer.","Scope and Contents \"Hear Me, Norma\" - undated, Bellini, composer.","Scope and Contents \"You Didn't Want Me When You Had Me\" - undated, George J. Bennett, composer.","Scope and Contents \"Eight Selections for the Pianoforte\" - undated, W. Bennett.","Scope and Contents \"La Traviata\" - undated, Albert W. Berg, composer.","Scope and Contents \"Parlor Concert\" - undated, Carl J. Berger.","Scope and Contents \"Oh, How I Hate to Get up in the Morning\" - undated, Irving Berlin, composer; \"At Peace with the World\" - undated, Irving Berlin, composer; \"My Bird of Paradise\" - undated, Irving Berlin, composer; \"Call Me Up Some Rainy Afternoon\" - 1910, Irving Berlin, librettists and composer; \"This is the Life\" - 1914, Irving Berlin, composer; \"White Christmas\" - 1942, Irving Berlin, composer; \"All Alone\" - undated, Irving Berlin, librettists and composer; \"How Deep is the Ocean\" - 1942 Irving Berlin, composer; \"Always\" - undated, Irving Berlin, composer; \"The Girl that I Marry\" - 1946, Irving Berlin, librettists and composer; \"Get Thee Behind me Satan\" - 1936, Irving Berlin, librettists and composer; \"Roses of Yesterday\" - undated, Irving Berlin, composer; \"He's a Devil in His Own Home\" - undated, Irving Berlin, composer; \"In My Harem\" - 1913, Irving Berlin, composer; \"I Never Had a chance\" 1934, Irving Berlin, composer; \"Cheek to Cheek\" - 1935, Irving Berlin, composer; \"Because I Love You\" - 1926, Irving Berlin, composer; \"How Many Times\" - 1926, Irving Berlin, composer; \"Isn't This a Lovely Day\" - 1935, Irving Berlin, librettists and composer; \"I Want to Go Back to Michigan\" - undated, Irving Berlin, composer; \"Just a Little While\" - 1930, Irving Berlin, composer; \"No Strings\" - 1935, Irving Berlin, librettists and composer; \"Remember\" - undated, Irving Berlin, composer; \"Russian Lulliaby\" - 1927, Irving Berlin, composer; \"Say It Isn't So\" - 1932, Irving Berlin, composer; \"The Little Things in Life\" - 1930, Irving Berlin, composer; \"What Does It Matter\" -1927, Irving Berlin, composer; \"What'll I Do\" - undated; Irving Berlin, composer; \"When My Dream Come True\" - 1929, Irving Berlin, composer; \"With You\" - 1929, Irving Berlin, composer.","Scope and Contents \"The King of Thule\" - undated, Hector Berlioz, composer.","Scope and Contents \"When Dixie Stars Are Playing Peek-A-Boo\" - undated, Al. Bernard and \"Jo\" Henning, composers.","Scope and Contents \"Maybe\" - undated, Bertrand Brown, composer.","Scope and Contents \"Fleurs Italiennes\" - undated, Ferd. Beyer, composer; \"Boquet De Melodies\" - undated, Ferd. Beyer, composer; \"Beyer's Repertoire\" - undated, Par F. Beyer, composer; \"Morceaux\" - undated, Ferd. Beyer, composer; \"Morning Star Waltz\" - undated, Ferd. Beyer, composer; \"Ricci\" - undated, Ferd. Beyer, composer; \"Four Hand Arrangement\" - undated, Ferd. Beyer, composer; \"An Alexis Air Allemand\" - undated, Ferd. Beyer, composer.","Scope and Contents \"Six Song-Stories for First Grade Pianists\" - 1920, Mathilde Bilbro, composer; \"Merry Hours\" - undated, Mathilde Bilbro, composer.","Scope and Contents \"In My Hide-Away\" - 1932, K.L. Binford, composer.","Scope and Contents \"Mocking Bird Song\" - undated, Henry R. Bishop, composer.","Scope and Contents \"Blue Prelude\" - 1933, Joe Bishop, composer.","Scope and Contents \"Serenade in the Night\" - 1937, C.A. Bixio and B. Cherubini, composers, Jimmy Kennedy, librettists.","Scope and Contents \"Oh No, Not Sad\" - undated, Bringham Bishop, composer.","Scope and Contents \"The Southrons Chaunt of Defiance\" - undated, A.E. Blackmar, composer.","Scope and Contents \"I'll Meet Thee in the Lane\" - undated, Charles Blamphin, composer.","Scope and Contents \"Carry Me Back to Old Virginny\" - undated, James A Bland, composer.","Scope and Contents \"My Wigwam Queen\" - undated, James O'Dea, librettists, H.B. Blake, composer.","Scope and Contents \"Lew Leslie's Blackbirds of 1930\" - undated, Andy Razaf, librettists, Eubie Blake, composer.","Scope and Contents \"My Isle of Golden Dreams\" - undated, Gus Kahn, librettists, Walter Blaufuss, composer.","Scope and Contents \"Take Me\" - 1942, Mack David, librettists, Rube Bloom, composer.","Scope and Contents \"We're Going Home\" - 1875, P.P. Bliss, composer.","Scope and Contents \"Blackmar\u0026Bro's selection of Favorite Songs\" - undated, Blockley, composer.","Scope and Contents \"A Monsieur Wilhelm Kuhe\" - undated, Jacques Blumenthal, composer; \"Les Deux Anges\" - undated, Jacques Blumenthal, composer; \"My Queen\" - undated, Stella, librettists, Jacques Blumenthal, composer; \"My Queen\" - undated, Sims Reeves, librettists, Jacques Blumenthal, composer; \"My True Love Has My Heart\" - undated, Sir Phillip Sidney, librettists, Jacques Blumenthal, composer.","Scope and Contents \"Charge of the Uhlans\" - undated, Carl Bohm, composer.","Scope and Contents \"Ah Quel Plaisir D'etre Soldat\" - undated, Doieldiru, composer.","Scope and Contents \"Dreary Weather\" - undated, Clay Boland and Frank Winegar, composers.","Scope and Contents \"Way Down in the Dixie Where the Sugar Cane Grows\" - 1905, Ernest L. Bolling, composer.","Scope and Contents \"Moonlight on the James\" - 1904, Ernest L. Bolling, composer.","Scope and Contents \"Polka Di Bravura\" - undated, Edward Boulanger, composer.","Scope and Contents \"Flavier-Werke\" - undated, Ch. Bovy-Lysberg, composer.","Scope and Contents \"Chinese Lullaby\" - 1919, Robert Hood Bowers, librettists and composer.","Scope and Contents \"East of the Sun and West of the Moon\" - 1935, Brook Bowman, librettists and composer.","Scope and Contents \"Just a Little Found Affection\" - undated, Elton Box, Desmond Cox, and Lewis Ilda, composers.","Scope and Contents \"Don't Tell the World, Tell the Girl\" - 1921, Edward L. Boyle.","Scope and Contents \"Le Souvenir\" - 1886, Loren Bragdon, composer.","Scope and Contents \"Beneath the Willow Tree\" - undated, T. Dibdin, librettists, J. Braham, composer; \"By One by Two by Three\" - undated, T. Dibdin, librettists, J. Braham, composer; \"Death of General Sir Ralph Abercrombie\" - undated, T. Dibdin, librettists, J. Brahman, composer.","Scope and Contents \"Eleven Chorale Preludes for the Organ\" - 1939, Johannes Brahms, composer; \"Symphonie\" - undated, 1877, Johannes Brahms, composer; \"Wiegenlied\" - undated, Johannes Brahms; composer.","Scope and Contents \"Then I'll Come Back to You\" - undated, John W. Bratton, composer.","Scope and Contents \" La Belle Amazone\" - undated, A.R. Breiter, composer.","Scope and Contents \"Standard Series of Organ Composition\" - undated, Frank Bridge, composer.","Scope and Contents \"Remember Me\" - undated, M. Brinkman, composer.","Scope and Contents \"A Life in the Woods\" - undated, Francis H. Brown, composer; \"Miss Mary A. Westcott\" - undated, Francis H. Brown, composer.","Scope and Contents \"Sunny Side Up\" - 1929, B.G. Desylva, Lew Brown and Ray Henderson, composers.","Scope and Contents \"You are My Lucky Star\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Love Songs of the Nile\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \" After Sundown\" - 1933, Arthur Reed, librettists, Nacio Herb Brown, composer; \"All I Do is Dream of You\" - 1934, Arthur Freed, librettists, Nacio Herb Brown, composer; \"Alone\" - 1935, Arthur Freed, librettists, Nacio Herb Brown, composer; \" A New Moon is Over my Shoulder\" - 1934, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Broadway Melody\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"I've Got a Feeling You're Fooling\" - 1935, Arthur Herb, librettists, Nacio Herb Brown, composer; \"Pagan Love Song\" - 1929, Arthur Reed, librettists, Nacio Herb Brown, composer; \"Moon is Low\" - 1930, Arthur Reed, librettists, Nacio Herb Brown, composer; \" The Wedding of the Pained Doll\" - undated, Arther Reed, librettists, Nacio Herb Brown, composer; \" Would You\" - 1936, Arthur Reed, librettists, Nacio Herb Brown, composer.","Scope and Contents \"The Falls of Paris\" - undated, Miss Aucusta Browne, composer.","Scope and Contents \"The Girl of the Year is a Spar\" - 1943, Vida G. Brunner, composer.","Scope and Contents \"Salut a La France\" - undated, Brunner, composer.","Scope and Contents \"Red Lips Kiss My Blues Away\" - 1927, Alfred Bryan, James V. Monaco, and Pete Wendling, composers.","Scope and Contents \"Come Mirth and Mend a Broken Heart\" - undated, Bryan Mr. F, composer.","Scope and Contents \"Down in Sunny Alabama\" -1901, James Burrell, librettists, James T. Byan, composer; \"There's a Big Cry-Baby in the Moon\" - undated, James Burris, librettists, Chris Smith, composer.","Scope and Contents \"At Evening\" - 1899, Dudley Buck, composer.","Scope and Contents \"Oleander Waltz\" - undated, Francis Buck, composer; \"Castle Waltz\" - 1848, Francis Buck, composer; \" Greenwood Waltz\" - undated, Francis Buck, composer; \"Mediterranean Waltz\" - undated, Francis Buck, composer; \"Sophronia Waltz\" - undated, Francis Buck, composer; \"Yes, We Miss Thee\" - undated, Francis Buck, composer.","Scope and Contents \"Songs and Ballads\" - 1848, Fred. K. Buckley, composer.","Scope and Contents \"Thousand Island River\" - 1878, George C. Bragdon, librettists, Mary F. Bunnell, composer.","Scope and Contents \"Galop\" - undated, Fred Burgmuller, composer; \"Peratir Selections\" - undated, Fred Burgmuller, composer.","Scope and Contents \"Andante\" -undated, Norbert Burgmuller, composer.","Scope and Contents \"Carolina Moon\" - undated, Benny Davis, Joe Burke, composers; \"A Darn Fool Woman Like Me\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Cling to Me\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Paradise\" - 1931, Nacio Herb Brown and Gordon Clifford, librettists, Naco Herb Brown, composer; \"On Treasure Island\" - 1935, Edggar Leslie and Joe Burke, composer; \"By the River of the Roses\" - undated, Marty Symes, librettists, Joe Burke, composer; \"Just Another Dream of You\" - undated, Benny Davis and Joe Burke, composers; \"A Little Bit Independent\" - Edgar Leslie, librettists, Joe Burke, composer; \"For You\" - undated, Al Dubin and Joe Burke, composer; \"How can You Say No\" - undated, Al Dubin, librettists, Joe Burke, composer; \"In a Little Gypsy Tea Room\" - undated, Edgar Leslie, librettists, Joe Burke, composer; \"Just Another Dream of You\" - 1932, Denny Davis and Joe Burke; composers; \"Dancing Sweeties\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Many Happy Return of the Day\" - undated, Al Dubin, librettists, Joe Burke, composer; \"Moon over Miami\" - 1935, Edgar Leslie, librettists, Joe Burke, composer; \"A Sailor's Sweetheart\" - undated, Joe Burke, librettists and composer; \"The Bridal Waltz\" - 1935, Ira Schuster and Milton Drake, librettists, Joe Burke, composer.","Scope and Contents \"Dream Valley\" - 1940, Nick Kenny, Charles Kenny, Joe Burke, composers.","Scope and Contents \"Yours and Mine\" - 1930, Steve Nelson, librettists, Johnny Burke, composer.","Scope and Contents \"If I Had a Son for Each Star in Old Glory\" - undated, J.E. Dempsey, librettists, Joseph A. Burke, composer.","Scope and Contents \"Collections of Scotch Songs\" - undated, R. Burn, composer; \"Evening Melodies\" - undated, R. Burn, composer.","Scope and Contents \"Leven Thirty Saturday Night\" - undated, Earl Burtnett, Bill Grantham, Jess Kirkpatrick, composers.","Scope and Contents \"Crystal Schottisch\" - 1853, William Byerly, composer.","Scope and Contents \"Les Trois Gosses\" - undated, Byrec, composer.","Scope and Contents \"Minnie the Moocher\" - 1931, Cab Calloway and Irving Mills, composer.","Scope and Contents \"Standard Songs- Amarilli\" - 1909, Giuli Caccini, composer.","Scope and Contents \"At Dawning\" - 1906, Charles Wakefield Cadman, composer. \"Lilacs\" - 1905, words by, Nellie Richard Eberhart, music by, Chas Wakefield Cadman","Scope and Contents \"Crooning\" - 1921, lyrics by Al Dubin and Herbert W. Weise, music by, William F. Caesar","Scope and Contents \"W. Hamilton's Celebrated Songs\" - undated, words by, H.B. Farnie, music by, Fabio Campana \"Speak to Me\" - undated, words by, H.B. Farnie, composed by, Fabio Campana","Scope and Contents \"When a Yankee Got His Eye Down The Barrel of A Gun\" - 1918, words and music by, Fred S. Campbell","Scope and Contents \"My Little Sweetheart, Mine\" - March 23, 1902, words by, Andrew B. Sterling, music by, Jessie H. Campbell","Scope and Contents \"Just Been Wond'ring All Day Long\" - 1921, lyrics and music by Irene Ackerley Canning","Scope and Contents \"That Tumble Down Shack In Athlone\" - 1918, words by, richard W. Pascoe, music by, Monte Carlo and Alma M. Sanders","Scope and Contents \"The Bridge\" - undated, words by, Longfellow, music by, Lady Carew","Scope and Contents \"Sunrise Serenade\" - 1937, music by, Rankie Carle, lyrics by, Jack Lawrence","Scope and Contents \"\"Spirited Ballad; Brandy and Water\" - 1853, composed by, Julien Carle","Scope and Contents \"Little Old Lady\" - 1936, words and music by Hoagy Carmichael and Stanley Adams","Scope and Contents \"The Lamplighter's Serenade\" - 1942, lyrics by, Paul Francis Webster, music by, Hoagy Carmichael","Scope and Contents \"Hommage A Mon Amie, Valse Sentimentale\" - 1850, by J. Allan Carmichael","Scope and Contents \"We Don't Want the Bacon, What We Want is a Piece of the Rhine\" - 1918, by \"Kid\" Howard Carr, Harry Russell, and Jimmie Havens","Scope and Contents \"The Girl With the Dreamy Eyes\" - 1935, by Michael Carr and Eddie Pola","Scope and Contents \"She is the Sunshine of Virginia\" - 1915, words by, Ballard MacDonald, music by, Harry Carroll","Scope and Contents \"By the Beautiful Sea\" - 1914, words by, Harold R. Atteridge, music by, Harry Carroll \"I'm Always Chasing Rainbows\" - 1918, lyrics by, Joseph McCarthy, music by, Harry Carroll","Scope and Contents \"The Jolson Story\" - 1946, by Al Johnson and Saul Chaplin","Scope and Contents \"A Favourite Spanish Dance\" - undated, by N. Carusi","Scope and Contents \"Allaballa goo-goo\" - 1912, words by CMS Mclellan, music by Ivan Caryll","Scope and Contents \"Just a Gigolo\" - 1929, music by Leonello Casucci, German text by Julius Brammer, English text by Irving Caesar","Scope and Contents \"Martha\" - undated, composed by Cavatine","Scope and Contents \"Chaminade-Album for Piano, Volume I\" - 1899, composed by Cecile Chaminade","Scope and Contents \"I've Grown So Used to You\" - 1901, words and music by Thurland Chattaway","Scope and Contents W. Hamilton's Celebrated Songs, \"Dear Little Shamrock\" - undated, composed by Cherry","Scope and Contents \"Henry Wadsworth Longfellow's Funeral March\" - 1882, by F. Chopin, song and chorus by Charles H. Gabriel \"Nocturnes\" - undated, by F. Chopin \"Standard Gems\" - 1884, \"Nocturne\" by F. Chopin \"Works of F. Chopin for Piano\" - 1877, composed by F. Chopin \"Chopin, Nocturnes\" - undated, composed by F. Chopin \"Polonaise\" - undated, composed by F. Chopin","Scope and Contents \"Old Folks at Home\" - 1857, words and music by E.P. Christy","Scope and Contents \"Children's Voices\" - 1869, words and music by Claribel \"Come Back to Erin\" - undated, by, Claribel \"Strangers Yet\" - undated, music by, Claribel","Scope and Contents \"Swanee River Moon\" - 1922, words and music by H. Pitman Clarke \"Swanee River Moon\" - 1921, words and music by H. Pitman Clarke","Scope and Contents \"Roamin' Around\" - 1925, words and music by Sonny Clay and Herbert Wiedoeft","Scope and Contents \"Clementi, Gradus ad Parnassum\" - undated, by Clementi \"Sonatinas for the Piano\" - undated, by Muzio Clementi and Friedrich Kuhlau","Scope and Contents \"The Dream is Past\" - undated, written by Edward Fitzaubyn, composed by, Stephen Clover","Scope and Contents \"My Reverie\" - 1938, by Larry Clinton","\"I'm Ridin' Straight to Heaven (On A One-Way Street)\" - 1931, words by Carroll Loveday, music by Wac Clifford","Scope and Contents \"There's Nothing Succeeds Like Success\" - undated, composed by Harry Clifton","Scope and Contents \"I'm Longing for Old Virginia and You\" - 1915, words by Joe Lyons, music by E. Clinton Keithley","Scope and Contents \"I'm Sorry I Made You Cry\" - 1918, by N.J. Clesi, arranged by Theodore Morse","Scope and Contents \"Our National Confederate Anthem, God Save the South\" - undated, composed by C.T. De Coeniel","Scope and Contents \"Composition for the Piano\" - undated, Louis Adolphe Coerne, composer.","Scope and Contents \"We Three\" - 1940, Dick Robertson, Nelson Cogane and Sammy Mysels, composers.","Scope and Contents \"My Little Grass Shack in Kealakekua\" - 1933, Bill Harrison and Johnny Noble, composers.","Scope and Contents \"Over There\" - undated, Nora Bayes and George M. Cohan, composers; \"You're a Grand Old Flag\" - 1906, George M. Cohan, composer and librettists; \"Father of the Land We Love\" - undated, George M. Cohan, composer; \"Popularity\" - 1906, George M. Cohan, composer.","Scope and Contents \"Living in Doubt\" - 1933, Chester Cohn, librettists and composer.","Scope and Contents \"Knights of the Cross Waltzes\" - 1900, Paul Cohn, composer.","Scope and Contents \"Benedictus\" - undated, Charles W. Coleman Jr., composer; \"From Man to Ms.\" - undated Charles W. Coleman Jr., composer; \"Gloria Patri\" - undated, Charles W. Coleman Jr., composer; \"Tete.A.Tete\" - undated, Charles W. Coleman Jr., composer.","Scope and Contents \"Night Shall Be Filled with Music\" - 1932, Will Collins, Buddy Fields and Gerald Marks, composers.","Scope and Contents \"Let's Pretend There's a Moon\" - 1934, Russ Columbo, Bernie Grossman, Nancy Hamilton and Jack Stern, composers.","Scope and Contents \"Compositions for Pianoforte\" - 1923, Zez Confrey, composer.","Scope and Contents \"Cryin for the Moon\" -1936, Larry Conley, Jack Stern, and Jules Roos, composers and librettists.","Scope and Contents \"A Needle in a Haystack\" - 1934, Herb Magidon, librettists, Con Conrad, composer; \"The Continental\" - 1934, Con Conrad, composer and Herbert Magidson, librettists; \"Don't Forget Me in Your Dreams\"- 1930, Edgar Leslie, librettists, and Con Conrad, composer; \"I'm Gonna Bring a Watermelon to My Girl Tonight\" - 1934, Billy Rose, librettists, Con Conrad, composer; \"Margie\" - 1920, Benny Davis, librettists and Con Conrad and J. Russel Robinson, composers; \"Singin the Blues\" - 1920, Sam M. Lewis and Joe Young, Con Conrad and J.R. Robinson, composers; \"Talkin to Myself\" -1924, Herb Magidson, librettists, Con Conrad, composer.","Scope and Contents \"North Carolina\" - undated, Charlie E., Converse, composer; \"Three Bells Polka\" - undated, T.J. Hook, composer; \"The Rock Beside the Sea\" - undated, Charlie C. Converse, composer.","Scope and Contents \"I've Got the Blue Ridge Blues\" - 1918, Charles A. Mason, librettists,Charles S. Cooke and Richard A. Whiting, composers.","Scope and Contents \"Credulity\" - undated, W.B. Kingston, librettists, George F. Cooke, composer.","Scope and Contents \"Love, My Heart Is Calling You\" - 1923, Joe Young and Sam M. Lewis, librettists, Joe Cooper, composer","Scope and Contents \"Always in My Heart (Forever on My Mind)\" - 1930, music by, J. Fred Coots, lyrics by, Roy Turk \"I Still Get a Thrill (Thinking of You)\" - 1930, music by, J. Fred Coots, words by, Benny Davis \"I Wonder Who's Under The Moon With You, To-Night\" - 1931, music by, J. Fred Coots, words by, Benny Davis","Scope and Contents \"Collegiate Sam\" - 1929, by Benny Davis and J. Fred Coots","Scope and Contents \"Your Country Needs You Now\" - 1917, music by Rennie Cormack and Geo. B. McConnell, lyrics by Al. Dubin","Scope and Contents \"In The Middle of a Kiss\" - 1935, words and music by Sam Coslow \"Hot Voo-Doo\" - 1932, words and music by Sam Coslow and Ralph Rainger \"You Little So-And-So\" - 1931, words and music by, Sam Coslow and Leo Robin \"You Took My Breath Away\" - 1935, words and music by Sam Coslow and Richard A Whiting \"Keep Your Fingers Crossed\" - 1935, words and music by, Sam Coslow and Richard A. Whiting \"You Didn't Know the Music (I Didn't Know the Words)\" - 1931, words and music by Sam Coslow","Scope and Contents \"Dream House\" - 1926, music by, Lynn Cowan, lyrics by, Earle Foxe","Scope and Contents \"Forgotten\" - 1894, by Eugene Cowles and Flora Wulschner","Scope and Contents \"The Ella Waltz\" - 1847, by Roswell Cowper","\"How Can I Leave Thee?\" - 1851, by C. Cramer","Scope and Contents \"Potpourris sur des motifs d'Operas favoris pour le Piano\" - undated, by Henri Cramer","Scope and Contents \"Old Virginia Moon\" - 1924, music by, Jesse Crawford, words by, Gus Kahn","\"We Parted by the River, Grace and I.\" - 1905, by Stanley Crawford","Scope and Contents \"After You've Gone\" - 1917, by Creamer and Layton \"If I Could Be With You (One Hour To-Night)\" - 1926, by Henry Creamer and Jimmy Johnson \"I Need Lovin'\" - 1926, by Henry Creamer and Jimmy Johnson","Scope and Contents \"The Pelican\" - undated, composed by W.J. Crerar","Scope and Contents \"Thou Art Gone From My Gaze\" - undated, composed by E. N. Crouch","Scope and Contents \"Melodies Populaires\" - undated, composed by Charles Czenry \"The Linden Waltz\" - undated, by Charles Czenry \"C. Czerny's Studies for Piano\" - undated, by C. Czerny \"Variations Elegantes\" - undated, by Ch. Czerny","Scope and Contents \"Amelia Waltz\" - undated, W.C.D, composer.","Scope and Contents \"Sultan's Polka\" - undated, Charles D'Albert, composer.","Scope and Contents \"Sweetheart Days\" - 1907, J. Anton Dailey, composer, L.W. Heiser, librettist.","Scope and Contents \"The Birth of a Nation\" - 1915, Joseph M. Daly, composer, Thos. S. Allen.","Scope and Contents \"Where the Shenandoah Flows\" - 1913, Chas. N. Daniels, composer, Earle C. Jones, librettist.","Scope and Contents \"Silver Threads Among the Gold\" - 1930, H.P. Danks, composer, original poem, Eben E. Rexford, writer, revised, Edith Stanford Tillotson, writer. \"Silver Threads Among The Gold\" - 1873, H.P. Danks, composer, Eben E. Rexford, librettist.","Scope and Contents \"Lonely I Wander\" - undated, English words by G. Danskin, librettist.","Scope and Contents \"Rock Me to Sleep With My Virginia Melody\" - 1923, Joe Darcey, Bud Green, and Ray Henderson, composers; \"Tell Them You're From Virginia\" - 1924, Clyde Hager and Tom Bashaw, composers, Jerry Sullivan, composer.","Scope and Contents \"If You Could Care\" - 1920, Herman Darewski, composer, Arthur Wimperis, librettist.","Scope and Contents \"In The Blue of Evening\" - 1942, D'Artega, composer, Tom Adair, librettist.","Scope and Contents \"Confessin' That I Love You\" - 1930, music by, Doc Daugherty and Ellis Reynolds, lyric by Al. J. Neiburg","Scope and Contents \"To-Night You Belong To Me\" - 1926, David Lee, composer, Billy Rose, librettist.","Scope and Contents \"The Singing Hills\" - 1940, Mack David, Dick Sanford, and Sammy Mysels, composers.","Scope and Contents \"Wistful and Blue\" - 1926, Julian Davidson, composer, Ruth Etting, librettist.","Scope and Contents \"Baby Face\" - 1926, Benny Davis and Harry Akst, composers, H.C. Redfield, arranger; \"Ev'ry Time My Heart Beats\" - 1932, Benny Davis and Gerald Marks, composers; \"Oh How I Miss You To-Night\" - 1924, Benny Davis, Mark Fisher, and Joe Burke, composers; \"Yearning Just For You\" - 1925, Benny Davis and Joe Burke, composer and librettists; \"What Price Love\" - 1931, Benny Davis and Harry Akst, composers and librettists.","Scope and Contents \"Ellen's Waltz\" - undated, composed by Rich[ar]d Davis.","Scope and Contents \"Melody\" - 1921, Charles G. Dawes, composer.","Scope and Contents \"In the Silence of the Dawn\" - 1940, Leon de Costa, composer, Samuel O. Johnson and Leon de Costa, librettist.","Scope and Contents \"Oh Promise Me\" - 1889, Reginald DeKoven, composer, Clement Scott, composer.","Scope and Contents \"Little Bunch of Roses\" - 1871, W.H. Delehanty, composer and librettist.","Scope and Contents \"Thank God for a Garden\" - 1915, Teresa Del Riego, composer and librettist.","Scope and Contents \"The Imprisoned\" - 1848, William R. Dempster, composer, Alfred Wheeler, arranger; \"When the Night Wind Bewaileth\" - 1845, William R. Dempster, composer, Epes Sargent Esq., writer; \"The Blind Boy\" - undated, W.R. Dempster, composer, Mis H.F. Gould, writer.","Scope and Contents \"Keep Me Awake Mother\" - 1863, Jos. Hart Denck, composer, Mrs. M.W. Stratton, librettist.","Scope and Contents \"The Mystery of the Night\" - 1920, Lucien Denni, composer, Gwynne Denni, writer; \"You're Just a Flower From an Old Bouquet\" - 1924, Lucien Denni, composer; Gwynne Denni, librettist. \"Keep Me Awake Mother\" - undated, J.K., composer.","Scope and Contents \"Perhaps\" - 1929, Paul Denniker, composer, Andy Razaf, librettist; \"S'posin'\" - 1929, Paul Denniker, composer, Andy Razaf, librettist.","Scope and Contents \"The Song of the Seabees\" - 1942, Peter De Rose, composer, Sam M. Lewis, librettist; \"Have You Ever Been Lonely (Have You Ever Been Blue)\" - 1933, music by Peter De rose, words by, George Brown. \"Are You Sure You Love Me\" - 1933, Peter De Rose, composer, George Brown, librettist; \"Muddy Water (A Mississippi Moan)\" - 1926, Peter De Rose and Marry Richman, composer, \"Jo\" Trent, librettist; \"When Your Hair Has Turned to Silver (I Will Love You the Same)\" - 1930, Peter De Rose, composer, Charlie Tobias, librettist.","Scope and Contents \"Here am I - Broken Hearted\" - 1927, by B.G. De Sylva, Lew Brown, and Ray Henderson \"Come to Me\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson \"If You Knew Susie Like I Know Susie\" - 1925, by B.G. De Sylva \"It All Depends on You\" - 1926, by B.G. De Sylva, Lew Brown, and Ray Henderson \"My Sin\" - 1929, by B.G. De Sylva, Lew Brown, and Ray Henderson \"I Am Only the Words You Are the Melody\" - 1930, by B.G. De Sylva, Lew Brown, and Ray Henderson, ukulele arrangement by, May Singhi Breen \"You're An Old Smoothie\" - 1932, by B.G. De Sylva, Richard A. Whiting, and Herb Brown Nacio \"You Try Somebody Else (We'll Be Back Together Again)\" - 1931, by B.G. De Sylva, Lew Brown, and Ray Henderson","Scope and Contents \"'N' Everything\" - 1918, lyric and music by Bud DeSylvia, Gus Kahn, and Al. Jolson","Scope and Contents \"When A Gypsy Makes His Violin Cry\" - 1935, music by, Emery Deutsch, words by, Dick Smith, Frank Wine-Gar, and Jimmy Rogan","Scope and Contents \"My Gypsy Rhapsody\" - 1933, music by, Emery Deutsch and Arthur Altman, lyric by, Jack Lawrence \"Play, Fiddle, Play\" - 1932, music by, Emery Deutsch and Arthur Altman, lyric by Jack Lawrence","Scope and Contents \"Pistol Packin' Mama\" - 1943, by Al Dexter","\"Sunshine Good-bye!\" - 1906, words and music by John H. Devlin","Scope and Contents \"Because\" - 1902, music by Guy D'Hardelot, words by Edward Teschemacher","Scope and Contents \"My Heart is Thine\" - 1905, music by E. di Capua, English words by Frank Sheridan, Italian words by G. Capurro","Scope and Contents \"Mrs. O' Leary\" - undated, written and composed by Mr. Dibdin","Scope and Contents \"A Shine on Your Shoes\" - 1932, words and music by Howard Dietz and Arthur Schwartz","Scope and Contents \"Di Lazzaro Melodien\" - 1939, music by E. Di Lazzaro, German lyric by Klaus S. Richter, Italian lyric by C. Bruno-Di Lazzaro","Scope and Contents \"Absence Makes the Heart Grow Fonder\" - 1900, music by Herbert Dillea, words by Arthur Gillespie","Scope and Contents \"Pink Elephants\" - 1932, by Mort Dixon and Harry Woods","Scope and Contents \"Ossian's Serenade\" - undated, by Ossian E. Dodge","Scope and Contents \"Ferris' Quick Step\" - 1824, composed by Allen Dodworth","Scope and Contents \"Adieu\" - undated, by Theodore Dohler \"Nocturne\" - undated, by Theodore Dohler","Scope and Contents \"I'm Dreaming While We're Dancing\" - 1935, music by Gerald Dolin and Ed J. Lambert, lyrics by Ed J. Lambert","Scope and Contents \"Hush!\" - undated, by Dolores \"The Brook\" - undated, music by Dolores, words by Tennyson","\"Where in the World (But in America)\" - 1948, words and music by Glenn Rowell, Fred Waring, and Jack Dolph","Scope and Contents \"Perfidia\" - 1939, music and Spanish lyrics by Alberto Dominguez, English lyrics by Milton Leeds","Scope and Contents \"Don't Cross You Fingers, Cross Your Heart\" - 1938, by Al Donahue, Larry Shay, and Johnny Marks","Scope and Contents \"It's Been So Long\" - 1935, music by Walter Donaldson, lyric by Harold Adamson \"My Mammy\" - 1920, music by Walter Donaldson, words by Sam Lewis and Joe Young \"Out of the Dawn\" - 1928, by Walter Donaldson \"You\" - 1936, melody by Walter Donaldson, lyric by Harold Adamson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Sleepy Head\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"What Can I Say, After I Say I'm Sorry? - 1926, by Walter Donaldson and Abe Lyman \"At Sundown (When Love is Calling me Home)\" - 1927, words and music by Walter Donaldson \"Did I Remember\" - 1936, music by Walter Donaldson, lyric by Harold Adamson \"Don't Do Anything I Wouldn't Do\" - 1933, by Walter Donaldson \"For My Sweetheart\" - 1926, melody by Walter Donaldson, lyric by Gus Kahn \"It Made You Happy When You Made Me Cry\" - 1926, words and music by Walter Donaldson \"I've Had My Moments\" - 1934, melody by Walter Donaldson, lyric by Gus Kahn \"Just Like A Melody Out of the Sky\" - 1928, by Walter Donaldson \"Little Hunka Love\" - 1931, by Walter Donaldson \"Little White Lies\" - 1930, by Walter Donaldson \"Sam the Old Accordion Man\" - 1927, words and music by Walter Donaldson \"Someday You'll Say 'O.K!'\" - 1927, words and music by Walter Donaldson \"Swanee Butterfly\" - 1925, music by Walter Donaldson, lyric by Billy Rose, arranged by J.E. Andino \"That Certain Party\" - 1925, music by Walter Donaldson, words by Gus Kahn \" I've Grown So Lonesome, Thinking of You\" - 1926, words and music by Walter Donaldson and Paul Ash \"Yes Sir, That's My Baby\" - 1925, music by Walter Donaldson, words by Gus Kahn \"You're Driving Me Crazy (What Did I Do?)\" - 1930, by Walter Donaldson \"You're Telling Me\" - 1932, music by Walter Donaldson, Words by Gus Kahn","Scope and Contents \"Lucia di Lammermoor\" - undated, music by Donizetti \"Overture zur oper Belisar\" - undated, by C. Donizetti","Scope and Contents \"Il Trovatore\" - undated, by Edouard Dorn \"Ernani\" - undated, by Dorn \"Il Trovatore\" - 1883, composed by Edouard Dorn","Scope and Contents \"Just for the Sake of Days Gone By\" - undated, music by Lillian Doreen, words by Felix F. Feist","Scope and Contents \"Her Boy in Blue\" - 1904, words and music by Chas W. Doty","Scope and Contents \"There's No Depression In Love\" - 1931, music by Dan Dougherty, words by Jack Yellen","Scope and Contents \"The Little White House (At the End of Honeymoon Lane)\" - 1926, lyrics and music by Eddie Dowling and James F. Hanley \"Sleepy Valley\" - 1929, music by James F. Hanley, words by Andrew B. Sterling.","Scope and Contents \"Songs of Miss Annie Louise Cary\" - 1871, M.S. Downs, composer, Miss Anne Louis Cary, librettists.","Scope and Contents \"Mairzy Doats\" - 1943, Milton Drake, Al Hoffman, Jerry Livingston, composers and librettists.","Scope and Contents \"On the Banks of the Wabash Far Away\" - 1940, Paul Dresser, librettists and composer; \"My Gal Sal\" - 1905, Paul Dresser, composer.","Scope and Contents \"Cecilia\" - 1925, Herman Ruby, librettists, Dave Dreyer, composer; \"Songs For Sale\" - 1932, Joe Young, librettists, Dave Dreyer, composer; \"I Just Wanna Be Known as Susie's Feller\" - 1926, Lew Brown, librettists, Dave Dreyer","Scope and Contents \"Beatiful Star\" - 1906, Louis A. Drumheller, composer.","Scope and Contents \"Pagan Moon\" - 1931, Al Bryan, Al Dubin, Joe Burke, composers.","Scope and Contents \"Schirmer's Library\" - 1904, TH. Bubois, composer.","Scope and Contents \"I Am Only Human After All\" - 1930, Vernon Duke, composer; \"I Like the Likes of You\" - 1933, Vernon Duke, composer.","Scope and Contents \"A Laddie in France is Dreaming\" - 1918, William E. Dulmage, composer","Scope and Contents \"The Spirit of Aggieland\" - 1925, Richard J. Dunn, composer.","Scope and Contents \"La Rosita\" - 1923, Allan Stuart, librettists, Paul Dupont, composer.","Scope and Contents \"Duex Themes Varies\" - undated, J.B. Duvernoy, composer.","Scope and Contents \"Humoresque\" - 1912, Anton Dvorak, composer; \"Compositions and Arrangements for the Organ\" - 1925, Anton Dvorak, composer; \"Transcriptions for the Organ\" - 1936, Edwin Arthur Kraft, composer.","Scope and Contents \"Maryland, My Maryland\" - undated, C.E., composer.","Scope and Contents \"Lafayette, We Hear You Calling\" - 1918, Mary Earl, composer and librettists.","Scope and Contents \"How the Gates Came Ajar\" - undated, Eastburn, composer.","Scope and Contents \"Come to me Darling, I'm lonely without Thee\" - undated, E.A. Eaton, composer; \"Three Beautiful Fantasias\" -1865, E.A. Eaton, composer.","\"An Evening at Coney Isle (march-two step)\" - 1904, J.C. Eaton, composer.","Scope and Contents \"In My Merry Oldsmobile\" - 1905, Gus Edwards, composer, Vincent Bryan, librettists.","Scope and Contents \"Be Still, My Heart\" - 1934, Allan Flynn, Jack Egan, librettists and composers.","Scope and Contents \"What a Fool I've Been\" - 1930, Al Eldridge, librettists and composer.","Scope and Contents \"Pomp and Circumstance\" - 1902, Edward Elgar, composer.","Scope and Contents \"Solitude\" - 1934, Duke Ellington, music, Eddie De Lange and Irving Mills, librettists; \"The Creole Love Call\" - 1928, Duke Ellington, composer.","Scope and Contents \"There's a Long, Long Trail\" - 1930, Zo Elliot, composer.","Scope and Contents \"Carelessly\" - 1936, Charles and Nick Kenny, librettists, Norman Ellis, composer.","Scope and Contents \"I'm on a See-Saw\" - 1934, Desmond Carter, librettists, Vivian Ellis, composer.","Scope and Contents \"Hold my Hand\" - 1931, Maurice Elwin, Harry Graham, and Noel Gay, composers.","Scope and Contents \"Emmet's Lullaby\" - 1876, J.K. Emmet, composer and librettists.","Scope and Contents \"Little Eva; Uncle Tom's Guardian Angel\" - 1852, Manuel Emilio, composer.","Scope and Contents \"All Aboard\" - undated, J.C. Engelbrecht, composer; \"Wandering Sprite\" - 1859, J.C. Engelbrecht, composer.","Scope and Contents \"Melody of Love\" - 1903, H. Engelmann, composer.","Scope and Contents \"Come Forth Ye Heralds\" - 1880, Past Grand Rep. B.C. TRUE, librettists, T.B. ESTEP and R.S. Crandall, composers.","Scope and Contents \"No One to Love\" - 1861, WM. B. Harvey, composers.","Scope and Contents \"Women's Love Waltzes\" - undated, Philipp Fahrbach, composer.","Scope and Contents \"Who Blew Out the Flame\" - 1938, Mitchell Parish, librettists, Sammy Fain, composer; \"Ah! The Moon is Here\" - 1932, Irving Kahal, librettists, Sammy Fain, composer; \"Beauty Must Be Loved\" - 1934, Irving Kahal, librettists, Sammy Fain, composer; \"By a Waterfall\" - 1933, Irving Kahal, librettists, Sammy Fain, composer; \"Hummin to Myself\" - 1932, Herb Magidson and Monty Siegel, librettists, Sammy Fain, composer; \"Sittin on a Backyard Fence\" - 1933, Irving Kahal, librettists, Sammy Fain, composer.","Scope and Contents \"You'll Wish Me Back Some Day\" - 1901, Fairfield and Leslie, composers.","Scope and Contents \"Time Its Veil is Weaving\" - undated, E. Falk, composer.","Scope and Contents \"Dances and Marches by Carl Faust\" - undated, Carl Faust, composer.","Scope and Contents \"I Promise You\" - 1938, Ben Oakland, Samuel Lerner, Alice Faye, composers.","Scope and Contents \"Organ Music\" - 1912, Gottfried H. Federlein, composer.","Scope and Contents \"Monogram Waltz\" - 1877, Emma Henry Ferguson, composer.","Scope and Contents \"Beautiful Heaven\" - 1924, C. Fernandez, composer.","Scope and Contents \"Kashmiri Song\" - 1902, Amy Woodforde Finden, composer.","Scope and Contents \"German Song with English Words\" - 1689, A. Fesca, composer.","Scope and Contents \"A Favorite French Air- Harp\" - undated, Cardon Fils, composer.","Scope and Contents \"I'm Sorry Sally\" -1928, Gus Kahn, librettists, Ted Fiorito, composer.","Scope and Contents \"When Lights are Low\" - 1923, Gus Kahn, Ted Koehler, and Ted Fiorito, composers.","Scope and Contents \"Driftwood\" - 1950, Frank Fischbach, composer.","Scope and Contents \"I Want to Go to Tokio\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \"Billy-Billy Bounce Your Baby Doll\" - 1922, Fred Fischer and Al. Bryan, composers, Joe McCarthy, librettists; \"There's a Little Spark of Love Still Burning\" - 1914, Fred Fischer, composer, Joe McCarthy, librettists; \" Blue is the Light\" - 1930, Fred Fischer, composer and librettists.","Scope and Contents \"Pego'my heart\" - 1913, Alfred Bryan, librettists, Fred Fisher, composer; \" Happy Days and Lonely Nights\" - 1928, Billy Rose, librettists, Fred Fisher, composer; \"That Stolen Melody\" - 1928, Fred Fisher, composer and librettists; \"The Red Lantern\" - 1919, Fred Fisher, composer.","Scope and Contents \"New Piano Duets\" - undated, J. Fletcher, composer.","Scope and Contents \"Perles de Salon\" - undated, H. Fliege, composer.","Scope and Contents \"Popular Gems\" - undated, Flotow, composer; \"Popular Selections\" - 1860, Flowtow, composer.","Scope and Contents \"Happy Fours\" - undated, C.H. Fontaine, composer.","Scope and Contents \"Serenade for a Wealthy Widow\" - 1934, Reginald Foresythe, composer.","Scope and Contents \"Music in my Heart\" - 1939, Bob Wright and Chet Forrest, composers and librettists.","Scope and Contents \"Love's First Kiss\" - 1914, Edward Lockton, librettists, Dorothy Forster, composer.","Scope and Contents \"Blue Waters Piano Solo\" - 1934, Clarke Fortner, composer.","Scope and Contents \"Sheet Music\" - 1853, Stephen C. Foster, composer; \"Massa's in the Cold Ground\" - 1853, Stephen C. Foster, composer; \"My Old Kentucky Home, Good Night\" - 1892, Stephen C. Foster, composer; \"Nelly Bly\" - undated, Stephen C. Foster, composer; \" Oh Boys, Carry Me Long Plantation Melody\" - 1851, Stephen C. Foster, composer; \"Songs by Best American Composers\" - undated, Stephen C. Foster, composer.","Scope and Contents \"Fire Fly Polka\" - undated, J.A. Fowler, composer.","Scope and Contents \"French Horn and Trumpet\" - undated, C.P. Francis, composer.","Scope and Contents \"Girl of Mine\" - 1919, Harold Freeman, composer.","Scope and Contents \"Meet Me Tonight in Dreamland\" - undated, Leo Friedman, composer; \"When I Dream of Old Erin\" - 1912, Marvin Lee, librettists, Leo Friedman, composer.","Scope and Contents \"After Tonight\" - 1932, Cliff Friend and Carment Lombardo, composers; \"Freckle Face, You're Beautiful\" - 1934, Cliff Friend and Carmen Lombardo, composers; \"Neath the Silv'ry Moon\" - 1932, Cliff Friend, composers and librettists.","Scope and Contents \"The Lights are Low\" - 1934, Cliff Friend and Carmen Lombardo, composers and librettists.","Scope and Contents \"Trade Winds\" - 1940, Cliff Friend and Charlie Tobias, composers.","Scope and Contents \"Woodland Echoes\" - 1918 Rudolf Friml, composer; \"Some Day\" - 1925, Rudolf Friml, composer, W.H. Post, librettists; \"Organ\" - 1917, Rudolf Friml, composer; \"High Jinks\" - 1913, Otto Hauerbach, librettists, Rudolf Friml, composer.","\"Bom-Bom-Bom-Bhe (The Melody Blues)\" - 1918, music by Bill Frisch, lyrics by Bobby Jones","Scope and Contents \"At Twilight\" - 1911, by J. Frank Frysinger \"Supplication\" - 1911, by J. Frank Frysinger \"Herbstnacht\" - 1914, by J. Frank Frysinger","Scope and Contents \"Has Another Won Your Heart\" - 1899, music by Seymour Furth, words by E. Nattes","Scope and Contents \"Coming, Coming Bye-And-Bye\" - 1866, music by Virginia Gabriel, words by J. H. Mc. Naughton \"The Forsaken\" - undated, music by Virginia Gabriel, words by H. Aide \"The Garden of Roses\" - undated, music by Virginia Gabriel, words by William Story \"Only\" - undated, by Virginia Gabriel","Scope and Contents \"The Children's Christmas Eve\" - 1898, music by Niels W. Gade \"Erlkonigs Tochter (Elverskud)\" - undated, composed by Niels W. Gade \"Nachklange von Ossian. Overture\" - undated, by Niels W. Gade \"Symphonir\" - undated, by Niels W. Gade \"Sinfonie\" - undated, by Niels W. Gade","Scope and Contents \"Love Hail'd A Little Maid\" - undated, music by Wilhelm Ganz, words by Wellington Guernsey","Scope and Contents \"Rezo, The Planting of the Vine\" - undated, music by Garcia, words by W.B.","Scope and Contents \"Fair Virginia Waltzes\" - 1895, by R.C. Garland","Scope and Contents \"The Little Ford Rambled Right Along\" - 1914, music by Byron Gay, words by C.R. Foster and Byron Gay \"The Vamp\" - 1919, by Byron Gay \"Fate, It Was Fate When I First Met You\" - 1923, by Byron Gay","Scope and Contents \"There's Something About A Soldier\" - 1933, by Noel Gay","Scope and Contents \"Loyalty\" - 1909, music by Adam Geibel, words by Anna M. Laise Phillips","Scope and Contents \"Calcutta\" - 1958, Heino Gaze","Scope and Contents \"Les Charmes De L'Opera\" - 1853, arranged by J.A. Getze","Scope and Contents \"Runnin' Wild\" - 1922, music by A. Harrington Gibbs, words by Joe Grey and Leo Wood","Scope and Contents \"Bonnie Sweet Bessie, The Maid O' Dundee\" - 1877, by J.L. Gilbert","Scope and Contents \"So Sweet\" - 1930, words and music by Haven Gillespie, Ben Kanter, and Nelson Shawn","Scope and Contents \"Plantation Lullaby\" - 1921, by Gladys Gillette, Albert Holmer, and Vernon Stevens","Scope and Contents \"The Squirrels' Frolic\" - 1890s, by Frank R. Gillis","Scope and Contents \"Fluffy Ruffles\" - 1928, by Jack Glogau and Joe Zimmerman","Scope and Contents \"The Dream is Past\" - undated, composed by Stephen Glover \"In The Starlight\" - undated, music by Stephen Glover, words by J.E. Carpenter","Scope and Contents \"Gavotte\" - undated, by C.W. Gluck","Scope and Contents \"Tramway Galop\" - undated, by L. Gobbaerts","Scope and Contents \"Venitienne\" - 1892, by Benjamin Godard, revised and fingered by Wm. Scharfenberg \"Florian's Song\" - 1884, music by Benjamin Godard, English version by Laura M. Underwood","Scope and Contents \"The Guards Waltz\" - undated, by D. Godfrey","Scope and Contents \"Wonder When My Baby's Coming Home\" - 1942, words and music by Kermit Goell and Arthur Kent","Scope and Contents \"Virginia Exposition March\" - 1888, by Richard Goerdeler \"Alone\" - 1901, by Richard Goerdeler","Scope and Contents \"Mazie\" - 1921, words and music by Sidney Caine, Eli Dawson, and Lew Gold","Scope and Contents \"Venetian Moon\" - 1919, music by Phil Goldberg and Frank Magine, lyrics by Gus Kahn","Scope and Contents \"All Thru the Night\" - 1933, words and music by Michael Gollatz","Scope and Contents \"Two Buck Tim From Timbuctoo\" - 1933, music by Al Goodhart and Al Hoffman, words by Edward Heyman","Scope and Contents \"Cherie, I Love You\" - 1926, words and music by Lillian Rosedale Goodman","Scope and Contents \"I'd Love To Call You My Sweetheart\" - 1926, by Joe Goodwin, Larry Shay, and Paul Ash","Scope and Contents \"A Star Fell Out of Heaven\" - 1936, words and music by Mack Gordon and Harry Revel \"College Rhythm\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Don't Let It Bother You\" - 1934, words and music by Mack Gordon and Harry Revel \"From the Top of Your Head To the Tip of Your Toes\" - 1935, lyric and music by Mack Gordon and Harry Revel \"I Wish I Were Aladdin\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Let's Give Three Cheers for Love\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Let's Knock Knees\" - 1931, lyric and music by Mack Gordon and Harry Revel \"Straight From The Shoulder Right From The Heart\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Take A Number From One To Ten\" - 1934, lyric and music by Mack Gordon and Harry Revel \"Takes Two to Make a Bargain (What's The Answer-What's The Verdict-How's About It, Baby)\" - 1935, lyric and music by Mack Gordon and Harry Revel \"Two For Tonight\" - 1935, lyric and music by Mack Gordon and Harry Revel","Scope and Contents \"Belisario\" - undated, by A. Goria \"Mazurka\" - undated, by A. Goria","Scope and Contents \"I've Got You On The Top of My List\" - 1934, music by Jay Gorney, words by Sidney Clare","\"Do You Really Think He Did?\" - 1855, by J.T. Gosden","Scope and Contents \"America, I Love You\" - 1915, music by Archie Gottler, words by Edgar Leslie \"I Hate To Lose You\" - 1918, music by Archie Gottler, words by Grant Clarke","Scope and Contents \"Miserere Du Trovatore\" - 1864, by L.M. Gottschalk","Scope and Contents \"Faust\" - 1859, composed by Charles Gounod \"Faust March\" - 1882, by Gounod, arranged by H. Richards \"Le Parlate D'Amore\" - undated, music by Ch. Gounod \"O Sing to God\" - undated, composed by Ch. Gounod","Scope and Contents \"I Arise From Dreams of Thee\" - undated, music by W.H.J. Graham, words by Percy B. Shelley","Scope and Contents \"That's My Weakness Now\" - 1928, words and music by Bud Green and Sam H. Stept","Scope and Contents \"Dawn of To-Morrow\" - 1927, music by Joe Green, words by Jeanne Gravelle","Scope and Contents \"Body and Soul\" - 1930, music by John W. Green, words by Edward Hayman, Robert Sour, and Frank Eyton \"I'm Yours\" - 1930, music by John W. Green, words by E.Y. Harburg \"Living In Dreams\" - 1932, words and music by John W. Green \"Out of Nowhere\" - 1931, music by John W. Green, lyrics by Edward Heyman \"Rain, Rain, Go Away\" - 1932, music by John W. Green, words by Edward Heyman and Mack David","\"C'est Vous (It's You)\" - 1927, by Abner Greenberg, Abner Silver, and Harry Richman","\"Sing Me To Sleep (Sing mir dein Lied)\" - 1902, music by Edwin Greene, words by Clifton Bingham","Scope and Contents \"I'm Makin' Hay In The Moonlight In My Baby's Arms\" - 1932, music by Jesse Greer, lyrics by Tot Seymour \"On The Beach With You\" - 1931, music by Jesse Greer, words by Tot Seymour","\"What A Difference A Day Made (Cuando Vuelva A Tu Lado)\" - 1934, music and Spanish lyrics by Maria Grever, English lyrics by Stanley Adams, arrangement by Paul Hill","Scope and Contents \"Anona\" - 1903, by Vivian Grey","Scope and Contents \"Elfentanz (Elfin-dance)\" - 1902, by Edvard Grieg \"An den Frühling (To Spring)\" - 1898, by Edvard Grieg, edited and fingered by Luis Oesterle \"In the Morning\" - 1890, by Edvard Grieg, arranged for organ by Francis L. York","Scope and Contents \"Ireland Is Heaven To Me\" - 1923, words and music by Gerald Griffin, Charles Harrison, and Fred Rose","Scope and Contents \"Palto Alto the 8th of May 1846\" - 1846, by Charles Grobe \"Court Ball Waltz\" - 1858, arranged by Charles Grobe \"Hohnstock's Polka\" - 1850, arranged by Charles Grobe \"Love is Life's Wealth Rondo\" - 1855, by Charles Grobe \"Orange Rondo\" - 1855, by Charles Grobe \"The Tolling Bell\" - 1859, by Charles Grobe \"United States Grand Waltz\" - 1845, by Charles Grobe","Scope and Contents \"Three Shades of Blue\" - 1927, by Ferde Grofé","Scope and Contents \"Just a Little Dance\" - 1926, by Bernie Grossman, Paul Ash, and Abe Olman","Scope and Contents \"We're Going Over\" - 1917, by Bernie Grossman, Andrew B. Sterling, and Arthur Lange","Scope and Contents \"Tampico Waltz\" - 1851, by J.A. G'Schwend","Scope and Contents \"The Pictue I Painted of You\" - 1924, words and music by Tom Guarini, Vic King, Fred Korf and Ted Johnson","Scope and Contents \"Il Primo Sorriso (The First Smile)\" - 1867, by P.D. Guglielmo, English words by Mrs. C.R. Corson \"The Lover And The Bird\" - 1873, by P.D. Guglielmo","Scope and Contents \"Gazellen Polka\" - undated, by Josef Gung'l","Scope and Contents \"Mariar\"- 1904, music by Mose Gumble, words by Harry Williams","Scope and Contents \"Der tapfere Soldat (The little Hero)\" - 1893, by Cornelius Gurlitt \"Merry Hour March\" - 1897, by Cornelius Gurlitt","Scope and Contents \"Tarantelle\" - undated, arranged by A. Gyrowez","Scope and Contents \"Gems of Vocal Melody\" - undated, Foley Hall, composer.","Scope and Contents \"Mellow Moon\" - 1922, Wendell W. Hall, composer; \"In Old Beidelberg, Waltz Song\" - 1933, Charles Kallen, librettists, Wendell Hall, composer; \"It Ain't Gonna Rain No Mo\" - 1923, Wendell Hall, composer.","Scope and Contents \"Iowa Corn Song\" - 1921, Ray W. Lockhard, George Hamilton, and Edward Riley, composers.","Scope and Contents \"Little Fairy Waltz\" - 1892, Steabbog, librettists, R.J. Hamilton, composer.","Scope and Contents \"Bye Bye Blues\" - 1925, Fred F. Hamm, Dave Bennett, composers.","Scope and Contents \"Because of You\" - 1940, Arthur Hammerstein, Dudley Wilkinson, composers.","Scope and Contents \"Darling Nelly Gray\" - 1856, B.R. Hanby, composer.","Scope and Contents \"I know that my Redeemer liveth Sacred Song\" - undated, W.D. Wallace, composer; \"Choice Organ Selections\" - undated; \"Overture to the Occasional Oratorio\" - 1948, Garth Edmundson, composer.","Scope and Contents \"Tanz-Album fur kleine Leute\" - undated, M. Hanisch, composer.","Scope and Contents \"At the End of the Road\" - 1924, Ballard Macdonald, librettists, James F. Hanley, composer; \"Indiana\" - 1917, Ballard Macdonald, librettists, James F. Hanley, composer; \"Ziegfeld's American Revue\"- 1926, Gene Buck and Irving Caesar, librettists, Rudolf Friml and James F. Hanley, composer; \" Oh I Miss Hannah\" - 1924, Thekla Hollingsworth, librettists, Jessie L. Deppen, composer; \"Sing Song Girl\" - 1930, Joseph McCarthy, librettists, James F. Hanley, composer; \"24 Hours a Day\" - 1935, Arthur Swanstrom, librettists, James F. Hanley, composer.","Scope and Contents \"At the End of the Sunset Trail\" 1924, Ralph Waldo Emerson, librettists, Ethwell Eddie Hanson, composer.","Scope and Contents \"Because Song\" - Edward Teschemacher, librettists, Guy D'Hardelot, composer.","Scope and Contents \"Tonight is Mine\" - 1934, Gus Kahn, librettists, Frank Harling, composer.","Scope and Contents \"Somewhere\" - 1906 Chase K. Harris, composer; \"I'm Wearing My Heart Away for You\" - undated, Charles K. Harris, composer; \"Voice of the Night\" - 1904, Charles K. Harris, composer; \"Songs of Yesterday\" - 1916, Charles K. Harris, composer.","Scope and Contents \"Meet Me at Twilight\" - Sydney Harris, composer.","Scope and Contents \"A Lovely Lady\" - 1934, Franklin Hauser, composer.","Scope and Contents \"Marche Triomphale\" - 1851, M. Hauser, composer.","Scope and Contents \"Snmphonien\" - undated, Joseph Hayden, composer.","Scope and Contents \"Lost and Cast Away\" - undated, William S. Hayes, composer.","Scope and Contents \"In the Sweet Long Ago\" - 1916, Bobby Heath and Arthur Lange, librettists, Alfred Solman, composer.","Scope and Contents \"The Snow Strom\" - undated, Seba Smith, poetry, L. Heath, composer.","Scope and Contents \"Die Forelle\" - undated, Stephen Heller, composer; \"Heller, Nuits Blanches\" - undated, Stephen Heller, composer.","Scope and Contents \"Deep Night\" - 1929, Rudy Vallee, undated, Charlie Henderson, composer.","Scope and Contents \"The Birth of the Blues\" - 1926, B.G. Sylva and Lew Brown, undated, Ray Henderson, composer; \"Bye Bye Blackbird\" - 1926, Mort Dixon, librettists, Ray Henderson, composer; \"The Old Gang of Mine\" - 1922, Billy Rose and MOrt Dixon, Ray Henderson, composer.","Scope and Contents \"Andante Et Etude Concertante\" - undated, by Adolphe Henselt \"Number 6. Si oiseau j'etais, A toi je volerai\" - undated, composed by Adolphe Henselt","Scope and Contents \"I'm Falling In Love With Someone\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Ah! Sweet Mystery of Life\" - 1910, music by Victor Herbert, lyrics by Rida Johnson Young \"Gypsy Love Song\" - 1898, music by Victor Herbert, words by Harry B. Smith \"Kiss Me Again\" - 1915, music by Victor Herbert, lyrics by Henry Blossom \"Give your Heart In June-Time\" - 1925, music by Victor Herbert, words by Clifford Grey and Harold Atteridge \"I Might Be Your 'Once-In-A-While'\" - 1919, music by Victor Herbert, lyrics by Robert B. Smith","Scope and Contents \"Clareene\" - 1905, by Max L. Herman","Scope and Contents \"La Rosalia\" - 1864, composed by Don Pedro de Herrera, arranged by Theodore de La Hache","Scope and Contents \"Dream Daddy\" - 1923, by Louis Herscher and George Keefer","Scope and Contents \"Favourite March in William Tell\" - undated, varied by Herz \"La Belle Bohemienne\" - undated, by Henri Herz \"La Parisienne\" - undated, by Henri Herz","Scope and Contents \"For Sentimental Reasons\" - 1936, by Edward Heyman, Abner Silver, and Al Sherman","Scope and Contents \"Live, Laugh, and Love\" - 1931, music by Werner R. Heymann, words by Rowland Leigh","Scope and Contents \"Lights Out\" - 1935, by Billy Hill \"Put On An Old Pair of Shoes\" - 1935, by Mr. and Mrs. Billy Hill \"There's a Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"All Ashore\" - 1938, by Billy Hill \"Lights Out (Close Your Eyes And Dream Of Me)\" - 1935, by Billy Hill \"There's A Cabin in the Pines\" - 1933, words and music by Billy Hill","Scope and Contents \"Leichte Lieder n. Tänze\" - undated, by Ferdenand Hiller","Scope and Contents \"My Devotion\" - 1942, words and music by Roc Hillman and Johnny Napton","Scope and Contents \"It Isn't Fair\" - 1933, music by Richard Himber, Frank Warshauer, and Sylvester Sprigato, words by Richard Himber","Scope and Contents \"I Love to Sing\" - undated, music by E.L. Hime, words by J.E. Carpenter","Scope and Contents \"Sing of the Captive Greek Girl\" - undated, music by J.W. Hobbs","Scope and Contents \"For You\" - 1925, music by George L. Hodge, words by Frank G. Woodruff \"If You Would Say 'I Love You'\" - 1926, music by George L. Hodge, words by Frank Woodruff, ukulele arrangement by Mary Florence","Scope and Contents \"Auf Wiedersehen, My Dear\" - 1932, by Al Hoffman, Ed Nelson, Al Goodhart, and Milton Ager, German text by Herr Fred Fisher \"Masquerading in the Name of Love\" - 1933, by Al Hoffman, Al Goodhart, and Geo. Waggner \"Who Walks in When I Walk Out\" - 1933, words and music by Al Hoffman, Al Goodhart, and Ralph Freed \"Why Don't You Practice What You Preach\" - 1934, words and music by Maurice Sigler, Al Goodhart, and Al Hoffman \"Fit as a Fiddle\" - 1932, music by Al Hoffman and Al Goodhart, lyric by Arthur Freed","Scope and Contents \"Barcarole\" - 1884, by Heinrich Hoffman, arranged by Rob. Thallon","Scope and Contents \"Pajama Polly\" - 1902, words and music by Max Hoffman","\"Good Night (I'll See You In The Morning)\" - 1926, by Carl Hohengarten, Wm. Roettger, and Paul Smith","Scope and Contents \"A Midsummer Fantasy\" - 1925, by Karl Holer","Scope and Contents \"It Will Have to Do Until the Real Thing Comes Along\" - 1936, words and music by Mann Holiner, Alberta Nichols, Sammy Cahn, Saul Chaplin, and L.E. Freeman","Scope and Contents \"The Gift Polka\" - 1855, by Albert Holland","Scope and Contents \"Strange Enchantment\" - 1939, music by Frederick Hollander, words by Frank Loesser","Scope and Contents \"Smoky Mokes\" - undated, by A. Holzmann","Scope and Contents \"A Little Coon's Prayer\" - 1921, music by Barbara Hope, words by De Burgh D'Arcy","Scope and Contents \"The Toast\" - 1931, by Francis Hopkinson","Scope and Contents \"Every Little Movement\" - 1910, music by Karl Hoschna, lyric by O.A. Hauerbach","Scope and Contents \"My Last Goodbye\" - 1939, words and music by Eddy Howard","Scope and Contents \"After You've Had Your Way\" - 1916, by Richard Howard","\"I Love Everything Beautiful (That's Why I'm in Love with You)\" - 1932, by Bert Howe and Ernie Brooks","Scope and Contents \"Winsome Grace\" - 1890, by T.H. Howe","Scope and Contents \"Poor Butterfly\" - 1916, music by Raymond Hubbell, words by John L. Golden","Scope and Contents \"Moonglow\" - 1934, by Will Hudson, Eddie De Lange and Irving Mills \"You're Not the Kind\" - 1936, by Will Hudson and Irving Mills","Scope and Contents \"Come, with Thy Lute, to the Fountain\" - undated, by T.P. Hullah","Scope and Contents \"The Bubbling Spring\" - 1902, by Johann E. Hummel, arranged by Ferd. Meyer.","Scope and Contents \"Hänsel and Gretel\" - 1894, by Egelbert Humperdinck","\"Holiday Waltz - 1878, J.A. Ide, composer.","Scope and Contents \"Because I'm Married Now\" - 1907, Herbert Ingraham, librettists and composer.","Scope and Contents \"In a Little Garden\" - 1926, Felice S. Ivla, composer, Earl Whittemore, librettists.","Scope and Contents \"Encompass'd in an Angel's Frame\" - undated, Jackson, composer, General Burguyne, librettists.","Scope and Contents \"On Miami Shore Waltz\" - 1919, Victor Jacobi, composer.","Scope and Contents \"I Love You Truly\" - 1906, Carrie Jacobs-Bond \u0026 Son, composer; \"A Little Bit O'Honey\" - 1917, Carrie Jacobs-Bond, composer.","Scope and Contents \"Bridal Song from Lohengrin\" - 1892, S. Jadassohn, composer.","Scope and Contents \"Collegiate\" - 1925, Moe Jaffe and Nat Bonx, composers and librettists'.","Scope and Contents \"Eva's Parting\" - 1852, F. James, composer.","Scope and Contents \"Fire Fly- Galop in the White Fawn\" - 1868, A. Jannotta, composer.","Scope and Contents \"Lawrence of Arabia\" - 1962, Maurice Jarrf, composer.","Scope and Contents \"The Barley Break\" - 1886, Iredell Jenkins, composer.","Scope and Contents \"Berceuse\" - undated, Fritz Schuberth, Leipzig and Hamburg, composers; \"Kochzritsmusik\" - undated, Adolphe Jensen, composer.","Scope and Contents \"Birds Complaint Song\" - 1856, Benjamin Jepson, composer;","Scope and Contents \"Impulsive Incident\" - 1932, Joan Jasmyn, composer, M.K. Jerome, composers; \"Just a Baby's Prayer at Twilight\" - 1913, Sam M. Lewis and Joe Young, librettists, M.K. Jerome, composer.","Scope and Contents \"Sweet and Low\" 1919. J. Stanley Royce, librettist, Charles L. Johnson, composer.","Scope and Contents \"Face to Face\" - 1897, Herbert Johnson, composer.","Scope and Contents \"Save the Last Waltz for Me\" - 1922, Howard Johnson and Jack Austin, composers and librettists.","Scope and Contents \"Don't Let Your Love Go Wrong\" - 1934, George Whiting and Nat Schwartz, librettists, J.C Johnson, composer; \"That's How Rhythm Was Born\" - 1933, George Whiting, and Nat Schwartz, librettists, J.C. Johnson, composer; \"Without a Shadow of a Doubt\" - 1936, George Whiting and Nat Schwartz, J.C. Johnson, composer.","Scope and Contents \"The Girlfriend\" - 1935, Gus Kahn, librettists, Arthur Johnston, composer; \"Just One More Chance\" - 1931, Sam Coslow, librettists, Arthur Johnston, composer; \"Learn to Croon\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer; \"Moonstruck\" - 1933, Sam Coslow, librettists, Arthur Johnston, composer.","Scope and Contents \"Gavotte\" - 1881, Walter R. Johnston, composer.","Scope and Contents \"Me and My Shadow\" - 1927, Al Jolson, Billy Rose, and Dave Dreyer, composers; \"Sonny Boy\" - 1928, Al Jolson, composer.","Scope and Contents \"I'll See You in My Dreams\" - 1924, Gus Kahn, librettists, Isham Jones, composer; \"If You Were Only Mine\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"I Only Found You for Somebody Else\" - 1932, Charles Newman, librettists, Isham Jones, composer; \"One Little Word Led to Another\" - 1932, Charles Newmn, librettists, Isham Jones, composer; \"Spain\" - 1934, Isham Jones and Gus Kahn, composer; \"What's the Use\" - 1930, Isham Jones and Charles Newman, composers.","Scope and Contents \"It's a Long Way to Tipperary\" - 1912, written and composed by, Jack Judge and Harry Williams","Scope and Contents \"Rough on Rats\" - 1882, music by Jules Juniper, words by W.A. Boston","Scope and Contents \"Guilty\" - 1931, words and music by Gus Kahn, Harry Akst, and Richard A. Whiting","Scope and Contents \"Beloved\" - 1928, by Gus Kahn and Joe Sanders","Scope and Contents \"Chatter\" - 1926, by Herman Kahn, arranged by John W. Lang","Scope and Contents \"I'm So Afraid of You\" - 1930, by Bert Kalmar and Harry Ruby \"Nevertheless (I'm in Love With You)\" - 1931, words and music by Bert Kalmar and Harry Ruby \"So Long! Oo-long (How Long You Gonna Be Gone)\" - 1920, by Bert Kalmar and Harry ruby","Scope and Contents \"You're All I Need\" - 1935, melody by Bronislaw Kaper and Walter Jurman, lyrics by Gus Kahn","Scope and Contents \"Variations sur Lestoco\" - undated, by H. Karr","Scope and Contents \"Im Stillen Grunde (In Peaceful Vale)\" - 1890, by Hugo Kaun \"Waltz\" - 1890, by Hugo Kaun","Scope and Contents \"This Is a Night Made for Love\" - 1930, words and music by Herbie Kay and Ros. Metzger, arranged by Bert Peters","Scope and Contents \"Has Your Mother Any More Like You\" - 1902, by Robert a Keiser","\"Alice of Old Vincennes (I Love You)\" - 1914, by Keithley and Thompson","Scope and Contents \"When the Moon Shines Down in Old Alaska Then I'll Ask Her to be Mine\" - 1916, music by E. Clinton Keithley, lyric by Jack Frost \"Your Voice Came Back to Me\" - 1917, music by E. Clinton Keithley, words by Harold G. Frost \"Garland of Old Fashioned Roses\" - 1911, music by E. Clinton Keithley, words by C.H. Musgrove","Scope and Contents \"Ah! Little Blind Boy!\" - undated, composed by M. Kelly \"Happy the Day\" - undated, composed by M. Kelly \"Last Week I Took A Wife\" - undated, composed by M. Kelly","Scope and Contents \"Just at Twilight\" - 1926, words and music by Mae Younger Kelly","Scope and Contents \"Seventh Ward School March\" - 1884, by Mary C. Kelly","Scope and Contents \"Feather Your Nest\" - 1920, by James Kanis and Brockman and Howard Johnson \"Let It Rain\" - 1924, words and music by James Kendis and Hall Dyson \"Sympathy (Don't Worry Bill)\" - 1905, words and music by James Kendis and Paley","\"The Chestnut Tree ('neath The Spreading Chestnut Tree)\" - 1938, by Jimmy Kennedy, Tommie Connor, and Hamilton Kennedy.","Scope and Contents \"Who?\" -1925, music by Jerome Kern, words by Otto Harbach and Oscar Hammerstein II \"She Didn't Say Yes\" - 1931, music by Jerome Kern, words by Otto Harbach \"Ol' Man River\" - 1927, music by Jerome Kern, words by Oscar Hammerstein II","Scope and Contents \"Whisperings of Love\" - undated, composed by C. Kinkel \"Mountain Belle Schottische\" - undated, by C. Kinkel","Scope and Contents \"Rondeaux\" - undated, by Ferd. Kessler","Scope and Contents \"In a Chinese Temple-Garden\" - 1923, by Albert W. Ketèlby \"In a Persian Market\" - 1929, Albert W. Ketèlby","Scope and Contents \"Gipsies\" - undated, by Ella Ketterer","Scope and Contents \"Il Bacio\" - undated, by Eugène Ketterer \"La Marseillaise\" - undated, by Eugène Ketterer","Scope and Contents \"Sonate\" - undated, by Friedrich Kiel","Scope and Contents \"Berceuse\" - 1904, by Ralph Kinder \"Berceuse No. 2\" - 1911, by Ralph Kinder \"Festival March\" - 1904, by Ralph Kinder \"Meditation\" - 1910, by Ralph Kinder","Scope and Contents \"Show Me The Way To Go Home\" - 1925, Irving King","Scope and Contents \"I Love You In The Same Sweet Way\" - 1931, music by Robert A. King, words by Billy Moll \"Tell Me You Love Me\" - 1926, music by Robert King, words by Leslie Hare","Scope and Contents \"The Waltz You Saved for Me\" - 1930, music by Wayne King and Emil Flindt, lyric by Gus Kahn","Scope and Contents \"The Star Spangled Banner\" - 1835, W.A. King","Scope and Contents \"Fantaisie from Oberon\" - 1866, by Charles Kinkel \"The Banjo\" - 1866, by Charles Kinkel","Scope and Contents \"A Bohemian Walzer\" - undated, by Kirmair","Scope and Contents \"The Coral Schottisch\" - 1852, by Henry Kleber","Scope and Contents \"Andante Soave\" - 1886, by Bruno Oscar Klein","\"I Had to Lose You (To Learn You Were Meant For Me)\" - 1930, by Saul Klein, Jack Le Soir, and Ray Doll","Scope and Contents \"Just Friends\" - 1931, music by John Klenner, lyric by Sam M. Lewis","Scope and Contents \"I'm Still Caring\" - 1929, words and music by John Klenner and Rudy Vallee, arranged by A.J. Franchini","Scope and Contents \"My Virginia Rose\" - 1923, music by F. Henri Klickmann, lyric by E. Clinton Keithley","\"Sweet Hawaiian Moonlight (Tell Her of My Love)\" - 1918, music by F. Henri Klickmann, lyric by Harold G. Frost","Scope and Contents \"Scotch Hir with an Introduction\" - undated, composed by P. Knapton","Scope and Contents \"Ben Bolt or Oh! Don't You Remember\" - 1848, music by Nelson Kneass","Scope and Contents \"Rocked in the Cradle of the Deep\" - 1853, music by J.P. Knight, words by Mrs. Willard, of Troy","Scope and Contents \"In Your Eyes - In You Arms - In Your Heart\" - 1926, by Ted Koehler and Jay Mills \"Stormy Weather (Keeps Rainin' all the Time)\" - 1933, music by Harold Arlen, words by Ted Koehler","\"Mia Bella Rosa (My Beautiful Rose)\" - 1928, by Ted Koehler and Frank Magine","Scope and Contents \"Dreamy Melody\" - 1922, words and music by Ted Koehler, Frank Magine, and C. Naset","Scope and Contents \"Moonlight Down in Lovers' Lane\" - 1933, music by Max Kortlander, words by George Pitman and Bartley Costello \"Tell Me\" - 1919, music by Max D. Kortlander, lyric by J. Will Callahan","Scope and Contents \"The Battle of Prague\" - undated, F. Kotzwara, composer.","Scope and Contents \"Arois Sonates\" - undated, L. Kozeluch, composer.","Scope and Contents \"High on a Windy Hill\" - 1940, Joan Whitney and Alex Kramer, composers.","Scope and Contents \"That's My Desire\" - 1931, Carroll Loveday, librettist, Helmy Kresa, composer.","Scope and Contents \"Go Joe Go\" - 1927, Steve Kretzmer, Phil Napoleon and Frank Signorelli, composers.","Scope and Contents \"Union March\" - undated, Hans Krummacher, composer.","Scope and Contents \"Good Night, Farewell\" - undated, Freidrich Kucken, composer; \"Deux Duos\" - undated, Freidrich Kucken, composer; \"Grosse Sonate\" - undated, Freidrich Kucken, composer; \"Zwei Duetten\" - undated, Freidrich Kucken, composer.","Scope and Contents \"Marrhr Bohemirnor\" - undated, Wilhelm Kuhe, composer.","Scope and Contents \"Six Sonatines\" - undated, F. Kuhlau, composer.","Scope and Contents \"Dearie\" - 1905, Clare Kummer, composer; \"A Wonderful Thing\" - 1914, Clare Kummer, composer.","Scope and Contents \"Alpine Storm\" - 1888, Charles Kunkel, composer.","Scope and Contents \"Miss Caroline Richings\" - 1860, George Kunkel, composer.","Scope and Contents \"Memories\" - 1901, Albert Kussner, composer.","Scope and Contents \"Beauties of the Waltz\" - undated, Joseph Labitzky, composer.","Scope and Contents \"Everything I Have Is Yours\" - 1933, Harold Adamson, librettists, Burton Lane, composer.","Scope and Contents \"Crescendo\" - 1896, Per Lasson, composer.","Scope and Contents \"The Conquered Banner\" - 1866, Theodore von Lahache, composer.","Scope and Contents \"First Kiss Waltz\" - undated, Lamothe, composer.","Scope and Contents \"Why Don't You Name the Day\" - undated, W.J. Landram, composer.","Scope and Contents \"Little Did I Dream\" - 1934, Harold Adamson, librettist, Burton Lane, composer.","Scope and Contents \"America, here's my Boy\" - 1917, Andrew B. Sterling, librettist, Arthur Lange, composer.","Scope and Contents \"Annie Laurie\" - 1917, G. Lange, composer.","Scope and Contents 'Flower Song\" - 1884, Gustav Lange, composer; \"Sonatine V\" - 1884, Gustav Lange, composer.","Scope and Contents \"Happy Return\" - 1874, Pierre Latour, composer.","Scope and Contents \"Accent on Youth\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer; \"And Then Some\" - 1935,Tot Seymour, librettist, Vee Lawnhurst, composer; \"When the Leaves Bid the Trees Goodbye\" - 1935, Tot Seymour, librettist, Vee lawnhurst, composer.","Scope and Contents \"So Red the Rose\" - 1935, Jack Lawrence, librettist, Arthur Alman, composer.","Scope and Contents \"My Son, My Only Son\" - undated, composed by Geo. Le Brunn, written by E.W. Rogers","Scope and Contents \"Malagueña\" - 1928, by Ernesto Lecuona \"Dust on the Moon\" - 1934, music by Ernesto Lecuona, arrangement by Paul Hill, English lyric by Stanley Adams, Spanish lyric by Ernesto Lecuona","Scope and Contents \"Out of the Dusk to You\" - 1922, , music by Dorothy Lee, words by Arthur J. Lamb \"One Fleeting Hour\" - undated, by Dorothy Lee, poem by Karl Fuhrmann \"My Dreams\" - 1916, music by Dorothy Lee, words by Fred G. Bowles","Scope and Contents \"How Do I Know It's Real\" - 1941, words and music by Dan Shapiro, Jerry Seelen, and Lester Lee","Scope and Contents \"Napolitaine, I Am Dreaming of Thee\" - undated, composed by Alexander Lef","Scope and Contents \"Les Cloches Du Monastere (The Monastery Bells)\" - undated, by Lefébure-Wély","Scope and Contents \"Merry Widow Waltz\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart \"Vilia\" - 1934, music by Franz Lehar, new lyrics by Lorenz Hart","Scope and Contents \"Pastorale\" - 1892, composed by Edwin H. Lemare \"Berceuse\" - 1901, composed by Edwin H. Lemare","Scope and Contents \"When It's Sleepy Time Down South\" - 1931, words and music by Leon, Otis René, and Clarence Muse","Scope and Contents \"Bachelor's Polka Four Hands\" - 1849, by Professor C. Lenschow","Scope and Contents \"Danse À La Russe\" - undated, composed by Th. Leschetizky \"Two Larks\" - undated, composed by Th. Leschetizky","Scope and Contents \"It Looks Like Rain in Cherry Blossom Lane\" - 1937, by Edgar Leslie and Joe Burke","Scope and Contents \"Somewhere in Old Wyoming\" - 1930, by S. Lesser and Will Havlin","Scope and Contents \"Don't Mention Love to Me\" - 1935, music by Oscar Levant, lyrics by Dorothy Fields \"Keep Sweeping the Cobwebs off the Moon\" - 1927, music by Oscar Levant, lyrics by Lewis and Young \"Out of Sight, Out of Mind\" - 1935, music by Oscar Levant, words by Dorothy Fields","Scope and Contents \"It's Sunday Down in Caroline\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"(When It's) Darkness on the Delta\" - 1932, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"It's the Talk of the Town\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg \"Under a Blanket of Blue\" - 1933, music by Jerry Levinson, words by Marty Symes and Al. J. Neiburg","Scope and Contents \"All-American Girl\" - 1932, by Al Lewis","Scope and Contents \"If That's The Way You Want It, Baby\" - 1943, by Charles Tobais, Al Lewis, and Harry Tobais","Scope and Contents \"One Night in Monte Carlo\" - 1935, words and music by Abner Silver, Al Sherman, and Al Lewis","Scope and Contents \"Quit Cryin' The Blues\" - 1931, by Felix Lewis, arranged by Helmy Kresa","Scope and Contents \"Mocking Bird\" - 1903, by Fred Lewis","Scope and Contents \"My Rose\" - 1922, written and composed by Harry Lewis","Scope and Contents \"Too Late\" - 1931, by Sam Lewis and Victor Young","Scope and Contents \"Cinquième Nocturne\" - undated, by J. Leybach","Scope and Contents \"Heart's Wishes\" - undated, H. Lichner, composer; \"Froher Sinn\" - undated, H. Lichner, composer.","Scope and Contents \"Bright Flowers\" - undated, Heinrich, Lichner, composer.","Scope and Contents \"Tired\" - undated, M. Lindsay, composer.","Scope and Contents \"Kiss the Little Ones for Me\" - 1867, E. Linwood, composer.","Scope and Contents \"Compositions for the Organ\" - 1916, F. Liszt, composer; \"Lisztonia\" - 1928, Calvin Grooms, composer; \" Phapsodie Hongroise\" - undated, F. Liszt, composer.","Scope and Contents \"Rhapsodie Hongroise\" - 1903, Franz Liszt, composer; \"Liebestraum\" - 1935, Franz Liszt, composer; \"Consolations\" - undated, Franz Liszt, composer.","Scope and Contents \"Too Tired\" - 1924, George A. Little, composer.","Scope and Contents \"Jimminy Gee\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer; \"Jealous\" - 1924, Tommy Malie and Dick Finch, librettists, Jack Little, composer.","Scope and Contents \"I Wouldn't Trade the Silver in My Mother's Hair\" - 1932, Jack Little and J. Fred Coots, composers.","Scope and Contents \"I'm Learning Now\" - 1927, Little Jack Little and Te Meyn, composers; \"I'm Needin You\" - 19030, Joe Young, librettist, Little Jack Little, composer; \"Let's Make Up\" - 1933, Little Jack Little, Dave Oppenheim, Iba Schuster, composers; \"My Own\" - 1933, Little Jack Little, Dave Oppenheim, Ira Schuster, composers.","Scope and Contents \"Belle of the South\" - undated, Carl Lobe, composer.","Scope and Contents \"Sweetie Pie\" - 1934, John Jacob Loeb, composer.","Scope and Contents \" In Questo Sinplice\" - undated, G.M. Loening, composer.","Scope and Contents \"Blue Rose Waltz\" - undated, Frederick L. Logan, composer.","Scope and Contents \"Little Grey Home in the West\" - 1911, D. Eardley- Wilmot, librettist, Lohr Hermann, composer.","Scope and Contents \"As Long as Love Lives On\" - 1932, Joe Young, librettist, Carmen Lombardo, composer; \"Sweethearts on Parade\" - 1928, Charles Newman, librettist, Carmen Lombardo, composer.","Scope and Contents \"Dawn Waltz\" - undated, H. Louel, composer.","Scope and Contents \"Will You Love Me Then as Now\" - undated, Lover, composer.","Scope and Contents \"Collection Litolff. No. 1189. Josef Löw\" - undated, composed by Josef Löw","\"The Secluded (Die Abgeschiedenen)\" - 1872, composed by Dr. Carl Löwe, transcribed by Ernst Perabo","Scope and Contents \"At Rest\" - 1915, by Katherine E. Lucke","Scope and Contents \"The Tale of the Kangaroo\" -1900, by Gustav Luders, arranged by Karl Hoschna","Scope and Contents \"In Memoriam\" - 1872, by A. Lutz","\"The One Rose (That's Left In My Heart)\" - 1936, by Del Lyon and Lani McIntire","Scope and Contents \"March of the Archers (Le Pas Des Archers)\" - undated, by Ch[arles] B. Lysberg","Scope and Contents \"Your Lips Are No Man's Land But Mine\" - 1918, music by Cha[rle]s R. McCarron and Carey Morgan, Arthur Guy Empey, librettists.","Scope and Contents \"Honky Tonky\" - 1916, Chas McCarron and Chris Smith, composers.","Scope and Contents \"What Do You Want to Make Those Eyes at Me For\" - 1916, Joe McCarthy, Howard Johnson, and Jimmy V. Monaco, composers and librettists'.","Scope and Contents \"Lazy Silv'ry Moon\" - 1931, George B. McConnell, Billy Hays, and Morty Berk, composers and librettists'.","Scope and Contents \"If I had a Girl Like You\" - 1930, Louis W. McDermott, librettist and composer.","Scope and Contents \"Give Me Music\" - 1940, by Don McGray, Robert Sour, and Malcolm Reid","Scope and Contents \"Blue Again\" - 1930, Jimmy McHugh, composer lyric by Dorothy Fields; \"Dinner at Eight\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Don't Blame Me\" - 1933, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Ev'rything Is Hotsy Totsy Now\" - 1925, Jimmy McHugh, composer, Irving Mills, librettist; \"Go Home and Tell Your Mother\" - 1930, Jimmy McHugh, composer, Dorothy Fields, librettist; \"Good-Bye Blues\" - 1932, Jimmy McHugh, Dorothy Fields, and Arnold Johnson, composers and librettists'; \"I Feel A Song Comin' On\" - 1935, Jimmy McHugh, Dorothy Fields, and George Oppenheim, composers; \"I'm Doin' That Thing (Falling In Love)\" - 1930, Jimmy McHugh, comp lyric by Dorothy Fields \"I'm in the Mood for Love\" - 1935, lyric and melody by Jimmy McHugh and Dorothy Fields \"One More Waltz\" - 1930, music by Jimmy McHugh, lyrics by Dorothy Fields \"Speaking Confidentially\" - 1935, Jimmy McHugh and Dorothy Fields, composers and librettists; \"You're An Angel\" - 1935, Jimmy McHugh and Dorothy Fields, composers.","Scope and Contents \"Combination Waltzes\" - undated, composed by A.T. Macdonald;","Scope and Contents \"Czardas\" - 1896, Edward A. MacDowell, composer; \"12 Etudes for the Development of Technic and Style\" - 1890, Edward A. MacDowell, composer; \"Fireside Tales\" - 1902, Edward A. MacDowell, composer; \"Compositions by Edward MacDowell\" - 1898, Edward McDowell, composer;","Scope and Contents \"Les Orientales\" - 1889, by Edward MacDowell; \"12 Modern Compositions for the Pianoforte\" - 1895, selected, revised, and edited by Edward MacDowell; \"New England Idyls\" - 1902, composed by Edward MacDowell","Scope and Contents \"Sea Pieces\" - 1898, by Edward MacDowell \"Six Poems After Heine\" - 1901, composed by Edward MacDowell \"Woodland Sketches\"- 1898, by Edward MacDowell","Scope and Contents \"No. 2 in F min\" - 1898, by Edward MacDowell \"Hexentanz (Witches Dance)\" - undated, by Edward MacDowell","Scope and Contents \"The Sleigh Drive Polka\" - 1849, by Mrs. John MacFarren","Scope and Contents \"Bonnie's Galop\" - 1873, by E. Mack \"Her Bright Smile\" - 1880, arranged by E. Mack \"The Jockey Hat Schottische\" - 1874, by E. Mack \"Spanish Dance\" - 1869, by E. Mack","\"Très Moutarde (Too much Mustard)\" - 1911, Cecil Macklin, composer.","Scope and Contents \"Adoration Waltz\" - 1924, music by Frank Magine, lyric by A.F. Otis and C. Romano","Scope and Contents \"The Happy Couple Schottisch\" - 1860, James E. Magruder; \"When Shall We Meet Again\" - 1855, James E. Magruder, composer; \"The Greenwood Schottisch\" - 1855, James E. Magruder, composer. 23.75/50  10/10  221/300","Scope and Contents \"Rose Colored Glasses\" - 1926, Tommy Malie and Jimmy Steiger, composer.","Scope and Contents \"If I Had a Million Dollars\" - 1934,Johnny Mercer, librettist, Matt Malneck, composer; \"I'll Never Be the Same\" - 1932, Gus Kahn, librettist, Matt Malneck and Frank Signorelli, composers; \"I'm Thru with Love\" - 1931, Gus Kahn, librettist, Matt Malneck and Fud Livingston, composer; \"Pardon My Southernn Accent\" - 1934, Johnny Mercer, librettist, Matt Malneck, composer; \"What Did I Get in Return\" - 1932, Joe Young, librettist, Matt Malneck, composer.","\"I'm Good for Nothing but Love: - 1931, Pat Ballard, librettist, Bernard Maltin, composer.","Scope and Contents \"Always Remember Your Mother\" - 1904, Cecil Mann, librettist and composer.","Scope and Contents \"Volga Boatman Song\" - 1935, Nick Manoloff, composer; \"The Man on the Flying Trapeze\" - 1935, Nick Manoloff, composer.","Scope and Contents \"Vert Vert\" - undated, G. Marcailhou - composer.","Scope and Contents \"Down the Trail of Our Old Sweetheart Days\" - undated, Kerty Renner and Joe Marcheck, composers.","Scope and Contents \"In Dreams with You\" - 1914, Andrew B. Sterling, librettist, Alfred Margis, composer.","Scope and Contents \"I Can't Write the Words\" - 1931, Gerald Marks and Buddy Fields, librettists and composers.","Scope and Contents \"Hawaiian Dreams\" - 1916, Herbert B. Marple, composer.","Scope and Contents \"Ole Virginny\" - 1919, Ben Black, librettist, Herbert Marple and Earl Burtnett, composers.","Scope and Contents \"And Still I Care\" - 1932, Edward Heyman, libberrisist, Jack Mason, composer.","Scope and Contents \"Smith's March\" - 1848, J.T. March - composer.","Scope and Contents \"Twickenham Ferry\" - undated, Theodore Marzials, composer.","Scope and Contents \"Come Over the Moonlight Sea\" - undated, Massaniello, composer.","Scope and Contents \"Piano Compositions by French Composers\" - 1987, Jules Massenet, composer.","Scope and Contents \"The Prisoner's Song\" -1924, Guy Massey, composer.","Scope and Contents \"It is Not True\" - 1882, Tito Mattei, composer.","Scope and Contents \"Longing\" - undated, Charles Mayor, composer.","Scope and Contents \"Pianolettes\" - 1925, Eskimo Shivers, composer.","Scope and Contents \"Its a Sin to Tell a Lie\" - 1936, Billy Mayhew, composer.","Scope and Contents \"Happy Dreams\" - 1885, J.C. Meares, composer.","Scope and Contents \"Souvenir De Castle Hill\" - 1849, F.M. Meerbach, composer.","Scope and Contents \"The Bird At Sea\" - undated, C. Meineke, composer.","Scope and Contents \"I'm Yours\" - 1952, Robert Mellin, librettist and composer.","Scope and Contents \"Ro-Ro-Rollin' Along\" - 1930, Billy Moll, Harry Richman, librettists, Murray Mencher, composer.","Scope and Contents \"Popular Classics for Pianoforte\" - undated, Felix Mendelssohn, composer; \"Antigone\" - undated, Felix Mendelssohn, composer.","Scope and Contents \"Spirit Song\" - Felix Mendelssohn, composer; \"Lieder ohne Worte\" - undated, Felix Mendelssohn, composer; \"On Wings of Song\" - 1908, Felix Mendelssohn, composer; \" Sommernachtstraum\" - undated, Felix Mendelssohn, composer; \"Venetianisches Gondellied\" - undated, Felix, Mendelssohn, composer.","Scope and Contents \"If You Were Mine\" - 1935, Johnny Mercer, composer; \"Lazybones\" - 1933, Johnny Mercer, composer; \"Santa Claus Came in the Spring\" - 1935, Johnny Mercer, composer.","Scope and Contents \"Lost\" - 1936, Phil Ohman, Johnny Mercer, and Macy O. Teetor, composers.","Scope and Contents \"Butterfly\" - undated, G. Merkel, composer.","Scope and Contents \"Leonore Polka\" - undated, Carl Merz, composer.","Scope and Contents \"Through Flowery Fields\" - undated, Frederick Messick, composer.","Scope and Contents \"Te Deum\" - 1876, I.N. Metcalf, composer","Scope and Contents \"A Hot Time in the Old Town\" - 1896, Theo A. Metz, composer, Joe Hayden, librettist","Scope and Contents \"What'll You Do? (When Someone Get's the Kiss Belonging to You)\" - 1915, George W. Meyer, composer, Sam M. Lewis and Ed Rose, librettists \"Tuck Me to Sleep in My Old ' Tucky Home\" - 1921, George W. Meyer, composer, Sam m. Lewis and Joe Young, librettists \"The High Cost of Loving\" - 1914, George W. Meyer, composer, Alfred Bryan, librettist \"Brown Eyes- Why Are You Blue?\" - 1925, George Meyer, composer, Alfred Bryan, librettist \"It's an Old Spanish Custom in the Moonlight\" - 1930, George W. Meyer, composer, Edgar Leslie, librettist","Scope and Contents \"Falling In Love With You\" - 1926, Joseph Meyer, composer, Benny Davis, librettist \"Isn't It Heavenly\" - 1933, Joseph Meyer, composer, E.Y. Harburg, librettist \"It's An Old Southern Custom\" - 1935, Joseph Meyer, composer, Jack Yellen, librettist \"Just A Little Closer\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist \"Singing a Song to the Stars\" - 1930, Joseph Meyer, composer, Howard Johnson, librettist","Scope and Contents \"Cavatina From Robert Le Diable\" - undated, Meyerbeer, composer \"Il Profeta (The Prophet)\" - undated, Meyerbeer, composer","\"Wonnetraum (Blissful Dream)\" - 1891, Erik Meyer-Helmund","Scope and Contents \"My Love! My Own!\" - 1869, H. Millard, composer, George Cooper, librettist \"O Salutaris\" - 1866, H. Millard, composer \"Under the Daisies\" - 1865, H. Millard, composer \"Waiting! (Aspettando)\" - 1871, H. Millard, composer, Ellen H. Flagg (English) and R. Prati (Italian), librettists","Scope and Contents \"Alabama Camp Meeting\" - undated, F. Albert Miller, composer","Scope and Contents \"Sunday\" - 1936, Ned Miller, Chester Cohn, Jules Stein, and Bennie Krueger, composers and librettists","Scope and Contents \"When Dewey Comes Sailing Home\" - 1899, Kerry Mills, composer, John Lagdon Heaton, librettist","Scope and Contents \"Lying In The Hay\" - 1932, Mireille, composer, Jean Franc Nohan (original) and Henry Roberts (English), librettists","Scope and Contents \"Slumber Song\" - Harriet Grace Mitchell, composer and librettist","Scope and Contents \"Maybe It's Love\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists \"To Whom it May Concern\" - 1930, Sidney d. Mitchell, Archie Gottler, and George W. Meyer, composers and librettists","Scope and Contents \"Retour du Printemps\" - undated, Moelling, composer","\"Loves Old Sweet Song (Just a Song At Twilight)\" - 1924, J.L. Molloy, composer, G. Clifton Bingham, librettist","Scope and Contents \"Through! ( How Can You Say We're Through?)\" - 1929, Jimmie Monaco, composer, Joe McCarthy, librettist \"Ev'ry Night About This Time\" - 1942, James V. Monaco, composer, Ted Koehler, librettist \"If I Had Some One Like You At Home (I Wouldn't Want to Go Out)\" - 1914, James V. Monaco, composer, Joe McCarthy, librettist \"You Made Me Love You (I Didn't Want to Do It)\" - 1913, James V. Monaco, composer, Joe McCarthy, librettist \"The Honolulu Blues\" - 1916, Jimmie V. Monaco, composer,Grant Clarke, librettist \"I'll Sit Right on the Moon (And Keep My Eyes On You)\" - 1912, Jimmie V. Monaco, composer and librettist \"It Might have Been A Diff'rent Story\" - 1933, James V. Monaco, composer, Ray Klages and Jack Meskill, librettists \"Lonesome Lover\" - 1930, Jimmie Monaco, composer, Al Bryan , librettist \"Me and the Bay Friend\" - 1924, Jimmie Monaco, composer, Sidney Clare, librettist","Scope and Contents \"Fal Lal La\" - undated, P.K. Moran, composer \"Moran's Favorite Variations to the Subian Hir\" - undated, P.K. Moran, composer","Scope and Contents \"Chlo-e (Song of the Swamp)\" - 1927, Neil Morét, composer, Gus Kahn, librettist \"I Got A Woman, Crazy for Me: She's Funny That Way\" - 1928, Neil Morét, composer, Richard A. Whiting, librettist","Scope and Contents \"Then How Can I Forget\" - 1857, Wm. Edgar Morgan, composer and librettist","Scope and Contents \"Sonny O' Mine\" - 1923, Marion Moore, composer and librettist","Scope and Contents \"Thinking\" - 1926, Mac Ohman and Lou Morgans, composers and librettists","Scope and Contents \"Love's Ship\" - 1920, Alice Nadine Morrison, composer, Nellie Morrison, librettist","Scope and Contents \"She's the Fairest Little Flower Dear Old Dixie Ever Grew\" - 1907, Theodore Morse, composer, Ashley S. Johnson, librettist \"I Left My Heart in Dear Old Ireland\" - 1912, Theodore Morse, composer, J. Mahoney, librettist \"Blue Bell\" - 1904, Theodore F. Morse, composer, Edward Madden, librettist \"When We Were Two Little Boys\" - 1903, Theodore F. Morse, composer, Edward Madden, librettist","Scope and Contents \"Berceuse\" - 1906, Mortiz Moszkowski, composer","\"Chanson du coeur brisé (The Song of Songs)\" - 1914, Moya, composer, Maurice Vaucaire (original) and Clarence Lucas (English), librettists","Scope and Contents \"Entführung aus dem serail\" - undated, W.A. Mozart, composer \"Go Forget Me\" - undated, W.A. Mozart, composer \"The Manly Heart\" - undated, Mozart, composer \"Selection of Melodies from Don Giovanni\" - undated, Mozart, composer \"Quartetten\" - undated, w.A. Mozart, composer \"Ausgewählte\" - 1882, W.A. Mozart, composer \"Lullaby\" - 1891, W.A. Mozart, composer, John P. Jackson (English), librettist","Scope and Contents \"Take Me to that Swanee Shee\" - 1912, Lewis F. Muir, composer, L. Wolfe Gilbert, librettist","Scope and Contents \"Love Not\" - undated, Julius E. Müller, composer \"The Polka\" - 1844, Julius E. Müller, composer","Scope and Contents \"When My Baby Smiles at Me\" - 1920, Bill Munro, composer, Andrew B. Sterling and Ted Lewis, librettists","Scope and Contents \"It'll Take A Little Time\" - 1932, Jack Murray, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"Little Sunshine\" - 1867, James R. Murray, composer and librettist","Scope and Contents \"The Alpine Quadrilles\" - undated, R. Murray, composer","Scope and Contents \"My Darling\" - 1932, Richard Myers, composer, Edward Heyman, librettist \"Niagara Moon\" - 1933, Richard Myers, composer, Edward Heyman, librettist","Scope and Contents \"Moonlight on the Ganges\" - 1926, Sherman Myers, composer, Chester Wallace, librettist","Scope and Contents \"The Tyrolesian Air\" - undated, F.J. Naderman, composer","Scope and Contents \"Ol' Pappy\" - 1934, Al. J. Neiburg, Marty Symes, and Jerry Levinson, composers and librettists","Scope and Contents \"What Are You Thinkin' About, Baby\" - 1931, Ed G. Nelson, Al Goodhart, and Steve Nelson, composers and librettists \"When Yankee Doodle Learns to Parlez Vous Francais\" - 1917, Ed Nelson, composer, Will Hart, librettist","Scope and Contents \"Mighty Lak' A Rose\" - 1901, Ethelbert Nevin, composer, Frank L. Stanton, librettist \"The Rosary\" - 1900, Ethelbert Nevin, composer, Robert Cameron Rogers (English), Isadae Martines (French), and Dr. Th. Baker (German), librettist \"The Rosary\" - 1898, Ethelbert Nevin, composer, arranged for piano solo by Benjamin Whelpley \"Water Scenes: 5 Pieces for the Pianoforte\" - 1891, Ethelbert Nevin, composer","Scope and Contents \"I Can't Believe Its True\" - 1932, Charles Newman, Ben Bernie, and Isham Jones, composers and librettists","Scope and Contents \"Say A Little Prayer for Me\" - 1930, Horatio Nicholls, composer, Joseph George Gilbert, librettist \"Among My Souvenirs\" - 1927, Horatio Nicholls, composer, Edgar Leslie, librettist","Scope and Contents \"I Just Couldn't Take It Baby\" - 1933, Alberta Nichols, composer, Mann Holiner, librettist \"Till the Real Thing Comes Along\" -1931, Alberta Nichols, composer, Mann Holiner, librettist \"You Can't Stop Me From Lovin' You\" - 1931, Alberta Nichols, composer, Mann Holiner, librettist","Scope and Contents \"Oh. Lust W. of W.\" - undated, Otto Nicolai, composer","Scope and Contents \"Love Is the Sweetest Thing\" - 1932, Ray Noble, composer and librettist \"The Very Thought of You\" - 1934, Ray Noble, composer and librettist","Scope and Contents \"The Beauregard\" - 1861, A. Noir, composer","Scope and Contents \"Little Annie Rooney\" - 1929, Michael Nolan, composer and librettist","Scope and Contents \"Èlègie\" - 1895, E. Nollet, composer","Scope and Contents \"Fanny Grey\" - undated, Mrs. Norton, composer and librettist","Scope and Contents \"At Play\" - 1892, Lèon Novara, composer \"Little Lay\" - 1892, Lèon Novara, composer","\"Keep the Home-Fires Burning ('Till the Boys Come Home)\" - 1915, Ivor Novello, composer, Lena Guilbert Ford, librettist","Scope and Contents \"Lillian Lee\" - 1859, C.H. Oakes, composer","Scope and Contents \"Remember Me\" - 1932, Jack O'Brien, composer, Gus Kahn, librettist","Scope and Contents \"When the Swallows Homeward Fly\" - undated, T. Oesten, composer","Scope and Contents \"Alpine Glow\" - undated, Theodore Oesten, composer","Scope and Contents \"La Polka\" - undated, Offenbach, composer","Scope and Contents \"I'm Sure of Everything But You\" - 1932, Charles O'Flynn, George W. Meyer, and Pete Wendling, composers and librettists \"Three of Us\" - 1933, Charles O'Flynn, Lee David, and Pete Wendling, composers and librettists","Scope and Contents \"I Love A Little Cottage\" - undated, Geoffry O'Hara, composer, Roscoe Gilmore Stott, librettist","Scope and Contents \"My Wild Irish Rose\" - 1899, Chauncey Olcott, composer and librettist","Scope and Contents \"Mother Machree\" - 1910, Chauncey Olcott and Ernest R. Ball, composers, Rida Johnson Young, librettist","Scope and Contents \"You, You, You\" - 1952, Lotar Olias, composer, Robert Mellin, librettist","Scope and Contents \"I Love You Much Too Much\" - 1940, Alex Olshey, Don Raye, and C. Towber, composers and librettists","Scope and Contents \"Love Sends A Little Gift of Roses\" - 1919, John Openshaw, composer, Leslie Cooke, librettist","Scope and Contents \"Washin' The Blues From My Soul\" - 1930, Willard Robison and Dave Oppenheim, composers and librettists","Scope and Contents \"The Heart of Virginia\" - 1924, Nathan Oppleman, composer, Ben Scheer, librettist","Scope and Contents \"The Galloping Sleigh-Ride Polka\" - 1845, J.P. Ordway, composer \"Home Again\" - 1850, arranged by J.P. Ordway, composer and librettist, M.S. Pike \"Let Me Kiss Him for His Mother\" - undated, John P. Ordway, composer and librettist","Scope and Contents \"Waiting\" - 1918, Harold Orlob, composer, Harry L. Court and George E. Stoddard, librettists","Scope and Contents \"Fairylight\" - 1923, Otto Ortmann, composer","Scope and Contents \"Our Naval Heroes\" - undated, Ernst Otto, composer, Agnes S. Haase, librettist","Scope and Contents \"Daisies Won't Tell\" - 1908, Anita Owens, composer and librettist","Scope and Contents \"Elegar\" - undated, Ignace J. Paderewski, composer.","Scope and Contents \"Valencia\" - 1926, Lucien Boyer, Librettist, Jacques Charles, composer.","Scope and Contents \"Witches Dance\" - 1852, Vincent Wallace, composer.","Scope and Contents \"I Wished on the Moon\" - 1935, Dorothy Parker and Ralph Rainger, composers and librettists.","Scope and Contents \"Chariot Race\" - 1896, Ben Hur, E.T. Paull, composer; \"America Forever! March\" - undated, E.T. Paull, composer.","Scope and Contents \"Blue Pacific Moonlight\" - 1930, Jack Payne and Walace Herbert, composer.","Scope and Contents \"Is There Room in Angel Land\" - 1874, W.U. Pearne, composer.","Scope and Contents \"Peggy O'Neil\" - 1921, Harry Pease, Ed. G. Nelson and Gilbert Dodge, composers.","Scope and Contents \"Smilin Through\" - 1914, Arthur A. Penn, composer and librettist.","\"Don't Tell a Soul - 1921, Stanley Brightman and Arthur Illingworth, composer.","Scope and Contents \"Pensees\" - undated, Ernst Perabo, composer.","Scope and Contents \"The Scat Song\" - 1932, Mitchell Paris, librettist, Frank Perkins and Cab Calloway, composers; \"Stars Fell on Alabama\" - 1934, Mitchel Parish, librettist, Frank Perkins, composer; \"Emaline\" - 1934, Mitchell Parish, librettist, Frank Perkins, composer.","Scope and Contents \"Lady Luck\" - 1924, Ray Perkins, composer.","Scope and Contents \"The Southern Cross\" - St. George Tucker, librettist, C.L. Peticolas, composer.","Scope and Contents \"The Lady I Love\" - 1932, Joe Young, librettist, Bernice Petkere, composer; \"Lullaby of the Leaves\" - 1932, Joe Young, librettist, Bernice Petkere, composer.","Scope and Contents \"Rose-Bud Waltz\" - 1852, Sally E. Keyser and J.F. Petri, composers.","Scope and Contents \"When the Sunset Turns the Ocean's Blue to God\" - 1902, Eva Fern Buckner, librettist, H.W. Petrie, composer.","Scope and Contents \"Out Where the West Begins\" - 1917, Arthur Chapman, librettist, Estelle Phileo, composer.","Scope and Contents \"Son of Heaven\" - 1866, Phillip Phillips, composer.","Scope and Contents \"King Tut\" - 1924, Billy Pierce, composer and librettist.","Scope and Contents \"Land of Rest\" - undated, Ciro Pinsuti, composer; \"If\" - undated, Ciro Pinsuti, composer; \"In Shadowland, undated, Ciro Pinsuti, composer.","Scope and Contents \"Dear Heart\" - 1929, W.C. Polla and Willard Goldsmith, composers.","Scope and Contents \"Melancholy Moments\" - undated, Gilbert K. Pollock, composer.","Scope and Contents \"Midnight Rose\" - 1923, Sidney Mitchell, librettist, Lew Pollack, composer; \"I've Found My Sweetheart Sally\" - 1925, jack Yellen and Lew Pollack, composers; \"Love is in Command\" - 1934, Lew Pollack and Joe Young, composers.","Scope and Contents \"Holiday\" - 1933, Ethel Ponce, composer.","Scope and Contents \"Night and Day\" - 1922, Cole Porter, composer; \"In the Still of the Night\" - 1937, Cole Porter, composer; \"Me and Marie\" - 1935, Cole Porter, composer and librettist; \"What is this Thing Called Love\" - 1924, Cole Porter, composer and librettist; \"I Get a Kick Out of You\" - 1934, Cole Porter, librettist; \"Rosalie\" - 1927, Cole Porter, composer; \"You're the Top\" - 1934, Cole Porter, composer; \"Night and Day\" - 1932, Cole Porter, composer; \"I've Got You Under My Skin\" - 1936, Cole Porter, composer.","Scope and Contents \"Cockade Grand March\" - undated, Arnaud, Preot', composer.","Scope and Contents \"Ciribiribin\" - 1935, A. Prestalozza, composer, Jerry Castillo, librettist.","Scope and Contents \"Angel Child\" - 1922, George Price, Abner Silver, and Benny Davis, composers.","Scope and Contents \"Invitation to the Dance\" - 1910, J.A. Pridman, composer.","Scope and Contents \"Do You Care\" - 1941, Jack Elliott, librettist, Lew Quadling, composer.","Scope and Contents \"Album of Compositions for the Pianoforte\" - 1920, S. Rachmaninoff, composer","Scope and Contents \"Sonate\" - undated, Joachim Raff, composer \"Parting\" - 1890, Joachim Raff, composer \"Les Pècheuses de Procida (The Fishermaidens of Procida)\" - 1899, Joachim Raff, composer \"Lenore\" - undated, Joachim Raff, composer \"Leonore- Grand March\" - undated, Joachim Raff, composer \"Tarantella\" - 1885, Joachim Raff, composer","Scope and Contents \"The Wind At My Window\" - 1939, Ralph Rainger, composer, Leo Robin, librettist \"Give Me Liberty or Give Me Love\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Here Lies Love\" - 1932, Ralph Rainger, composer, Leo Robin, librettist \"I'll Take An Option On You\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"In the Park in Paree\" - 1933, Ralph Rainger, composer, Leo Robin, librettist \"Please\" - 1932, Ralph Rainger, composer, Leo Robin, librettist","Scope and Contents \"I'm in Heaven When I See You Smile, Diane\" - 1927, Erno Rapee and Lew Pollack, composers and librettists \"Charmaine!\" - 1926, Erno Rapee and Lew Pollack, composers and librettists","Scope and Contents \"Trees\" - 1922, Oscar Rasbach, composer, Joyce Kilmer, librettist","Scope and Contents \"The Sunshine of Your Smile\" - 1915, Lilian Ray, composer, Leonard Cooke, librettist","Scope and Contents \"Postlude in G\" - 1906, Edward M. Read, composer","Scope and Contents \"Dido\" - undated, W. Reeve, composer, M.T. Dibdin, librettist","Scope and Contents \"What Did I Get By Loving You\" - 1924, Ewing Reid, composer, Herbert B. Collier, librettist","Scope and Contents \"Mollie's Dream Waltz\" - undated, F.A. Reisinger, composer","Scope and Contents \"Weeping Willows\"- 1899, Lillian Reisky, composer","Scope and Contents \"Memories of Childhood\" - 1887, L. Rengers, composer","Scope and Contents \"Dixie Night\" - 1921, Charles Repper, composer and librettist","Scope and Contents \"Did You Ever See a Dream Walking?\" - 1933, Harry Revel, composer, Mack Gordon, librettist \"-And So To Bed\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"Underneath the Harlem Moon\" - 1932, Harry Revel, composer, Mack Gordon, librettist \"When You Were the Girl on the Scooter\" - 1933, Harry Revel, composer, Mack Gordon, librettist","Scope and Contents \"The Aviator\" - 1926, Ethel F. Reynolds, composer and librettist \"Evolution\" - 1925, Ethel F. Reynolds, composer and librettist","Scope and Contents \"Fuge\" - undated, Jos[ef] Rheinberger, composer \"Pastoral - Sonata\" - 1909, Josef Rheinberger, composer","\"I'm Just Wild About Animal Crackers!\" - 1926, Fred Rich, Sam Coslow, Harry Link, composers and librettists","Scope and Contents \"My Blue Bird Was Caught in the Rain\" - 1930, Max Rich, composer, Henry Creamer, librettist","Scope and Contents \"Tired\" - 1873, Brinley Richards, arranger \"Kathleen Mavourneen\" - undated, Brinley Richards, composer","Scope and Contents \"C.M. Webster's Last Idea\" - 1882, H. Richards, arranger","Scope and Contents \"Sweet Brier Waltz\" - 1892, T.Richards, composer","\"Will You Remember Me?\" - 1924, Harry Richman and Henry Santly, composers, Lou Davis, librettist","Scope and Contents \"Berceuse\" - 1904, Alfred Rieger, composer","Scope and Contents \"Pal of My Dreams\" - 1923, Cha[rle]s E. Roat, composer","Scope and Contents \"You Don't Know\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist \"Mammy's Lullaby\" - 1918, Lee S. Roberts,composer, J. Will Callahan, librettist \"Smiles\" - 1917, Lee S. Roberts, composer, J. Will Callahan, librettist \"A Little Birch Canoe And You\" - 1918, Lee S. Roberts, composer, J. Will Callahan, librettist","Scope and Contents \"Double Trouble\" - 1935, Leo Robin, Richard A. Whiting and Ralph Rainger, composers and librettists \"Little Rose of the Rancho\" - 1935, Leo Robin and Ralph Rainger, composers and librettists \"Why Dream\" - 1935, Leo Robin, Richard A. Whiting, and Ralph Rainger, composers and librettists","Scope and Contents \"Blue Hawaii\" - 1937, Leo Robin and Ralph Rainger, composers and librettists","Scope and Contents \"Is I In Love? Is I\" - 1932, J. Russel Robinson, composer, Mercer Cook, librettist","Scope and Contents \"My Blue Ridge Mountain Home\" - 1927, Carson J. Robison, composer and librettist","Scope and Contents \"Wake Up! Chill'un, Wake Up!\" - 1929, Willard Robison, composer, \"Jo\" Trent, librettist","Scope and Contents \"Three o'Clock in the Morning\" - 1922, Julian Robledo, composer, Dorothy Terriss, librettist","Scope and Contents \"Some Enchanted Evening\" - 1949, Richard Rodgers, composer, Oscar Hammerstein II, librettist \"Isn't It Romantic?\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist \"Love Me To-night\" - 1932, Richard Rodgers, composer, Lorenz Hart, librettist","Scope and Contents \"Little Huntsmen Waltzes\" - undated, Otto Roeder, composer","Scope and Contents \"The Silver Shenandoah\" - 1949, Dick Rogers, W.A. Timm, and Whitey Bernard, composers and librettists","Scope and Contents \"Andante quasi Fantasia\" - 1907, James H. Rogers, composer \"At Break of Day\" - 1911, James H. Rogers, composer","Scope and Contents \"The Desert Song\" - 1927, Otto Harbach, Oscar Hammerstein, Frank Mandel, librettists', Sigmund Romberg, composer; \"My Maryland\" - 1927, Dorothy Donnelly, librettists, Sigmund Romberg, composer; \"Will You Remember\" - 1917, Rida Jonson Young, librettists, Sigmund Romber, composer; \"One Kiss\" - 1928, Lyric Manel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer; \" When I Grow Too Old to Dream\" - 1935, Oscar Hammerstein II, librettists, Sigmund Romberg, composer; \"Auf Wiedersehn\" - 1915, Sigmund Romber, composer; \" The New Moon\" - 1928, Frank Mandel, Oscar Hammerstein II, librettists', Sigmund Romberg, composer.","Scope and Contents \"Famous Compositions\" - 1891, George F. Root, composer.","Scope and Contents \"She Was Happy Until She Met You\" -1899, Chas. Graham and Monroe H. Rosenfield, composers.","Scope and Contents \"Deep Henderson\" - 1926, Fred Rose, composer; \"Honest and Truly\" - 1924, Fred Rose, librettist and composer.","Scope and Contents \"Pardon Me Pretty Baby\" - 1931, Ray Klages and Jack Meskill, librettist, Vincent Rose, composer.","Scope and Contents \"Whose Little Girl Are You\" - 1894, George Rosey, composer.","Scope and Contents \"Decameron des jeunes pianistes\" - undated, Henri Roseilen, composer.","Scope and Contents \"The Broken Ring\" - 1878, A.H. Rosewig, composer; \"Gay Feathers\" - undated, A.H. Rosewig, composer.","Scope and Contents \"My Wife and Child Song\" - undated, F.W. Rosier, composer.","Scope and Contents \"When You and I Were Seventeen\" - 1924,Gus Kahn, librettist, Chas Rosoff, composer.","Scope and Contents \"Trumpet March\" - undated, Rossini, composer.","Scope and Contents \"Barber of Seville- biography\" - 1854; \" Adelaide Phillips\" - undated; \"Semiramide\" - undated.","Scope and Contents \"Compositions for the Organ\" - 1868, Dudley Buck, G. Rossini composer; \"Ouverture\" - undated, G. Rossini, composer; \"Overture of Tancred\" - undated, G. Rossini, composer.","Scope and Contents \"Humoreske Song\" - 1914, G.M. Koockogey, Chas H. Ruth, composer.","Scope and Contents \"Did She Ask for Me\" - 1934, Bob Rothberg and Alan Grey, librettists' and composers.","Scope and Contents \" Kamennoi Ostrow\" 1776, A. Rubinstein, composer; \"Marche a la lurque\" - undated, A. Rubinstein, composer; \"Violoncello\" - 1855, A. Rubinstein, composer; \"Sonate\" - undated, A. Rubinstein, composer.","Scope and Contents \"Good Time Schottisch\" - 1855, William H. Rulison, composer.","Scope and Contents \"Did My Heart Beat, Did I Fall in Love\" - 1933, Benee Russell, composer; \"Love Is Like That\" - 1931, Benee Russell, composer.","Scope and Contents \"A Life on the Oceanwave\" - undated, Henry Russell, composer; \"The Newfoundland Dog\" - undated, Henry Russell, composer; \"Woodman, Spare that Tree\" - undated, Henry Russell, composer.","Scope and Contents \"The Greatest Battle Song of All\" - 1916, Al Friend and Sam Downing, librettists', Harry Ruby, composer.","Scope and Contents \"The Breeze\" - 1934, Tony Sacco, Dick Smith, and Al Lewis, composers and librettist.","Scope and Contents \"I'm Drifting Back to Dreamland\" - 1922, Jack Sadler, composer.","Scope and Contents \"Nightingale and the Rose\" - 1914, Camille Saens-Saint, transcriber.","Scope and Contents \"Dark Eyes-Russian folk song\" - 1930, A. Salama, composer.","Scope and Contents \"Laces and Traces\" - 1903, Gustave Salzer, composer.","Scope and Contents \"Tears in My Heart\" - 1937, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers; \"I Couldn't Believe My Eyes\" - 1935, Walter G. Samuels, Leonard Whitcup, and Teddy Powell, composers.","Scope and Contents \"There's Yes Yes in Your Eyes\" - 1924, Joseph H. Santly, composer, Cliff Friend, librettist.","Scope and Contents \"Awakening of the Birds\" - 1906, Henry S. Sawyer, composer.","Scope and Contents \"Polish Dance\" - undated, X. Scharwenka, composer.","Scope and Contents \"Marcheta\" - 1924, Victor Schertzinger, composer' \"Love Me Forever\" - 1935, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist; \"One Night of Love\" - 1934, Gus Kahn and Victor Schertzinger, composers, Grace Moore, librettist.","Scope and Contents \"King Klondike Step\" - 1692, George Schleiffafth, composer.","Scope and Contents \"The Vale of Dreams\" - 1910, Johann C. Schuid, composer.","Scope and Contents \"Labitzky's First Polka\" - undated, M. Schmied, composer.","Scope and Contents \"I Will Not Quite Forget\" - undated, Henry Schoeler, composer.","Scope and Contents \"Daisy\" - 1866, Hermann L. Schreiner, composer; \"Stonewall Jackson's\" - undated, Hermann L. Schreiner, composer.","Scope and Contents \"Les Colombes\" - undated, Camille Schubert, composer.","Scope and Contents Allegro Moderato from Unfinished Symphony\" - undated, Franz Schubert, composer; \"Andante con Moto\" - undated, Franz Schubert, composer; \"Lieder\" - undated, Franz Schubert, composer; \"Quatre Impromptus\" - undated, Franz Schubert, composer.","Scope and Contents \" Serenade\" - 1924,Franz Schuber, composer, Ludwig Rellstab, composer; \"Last Greeting\" - undated, Franz Schuber, composer; \"Schubert- H Moll- Symphonie zu 4 Handen\" - Franz Schubert, composer; \"Wander\" - undated, Franz Schubert, composer.","Scope and Contents \"Trois Nocturnes\" - undated, Jules Schulhoff, composer; \"Minuet De Mozart\" - undated, Jules Schulhoff, composer.","Scope and Contents \"Arabeske\" - undated, Robert Schumann, composer; \"Curious Story\" - undated, Robert Schumann, composer; \"Epilogue\" - 1906, Robert Shumann, composer; \"First Album for Young Performers\" - undated, Robert Shumann, composer; \"Fur Pianoforte zu zqwi Handen\" - undated, Robert Shumann, composer; \"Bunte Blatter\" - undated, Robert Schumann, composer. \"Papillons\" - undated, Robert Schumann, composer.","Scope and Contents \"Quintett\" - undated, Robert Shunmann, composer.","Scope and Contents \"Friendship\" - 1923, Ruby Hooton Schwab, composer and librettist \"If I Should Have to Say Goodbye to Thee\" - 1924, Ruby Hooton Schwab, composer and librettist","Scope and Contents \"Dream a Little Dream of Me\" - 1931, W. Schwandt and F. Andree, composers, Gus Kahn, librettist","Scope and Contents \"Born to Be Kissed\" - 1934, Arthur Schwartz, composer, Howard Dietz, librettist \"Then I'll Be Tired of You\" - 1934, Arthur Schwartz, composer, E.Y. Harburg, librettist","Scope and Contents \"Bedelia\" - 1903, Jean Schwartz, composer, William Jerome, librettist","Scope and Contents \"I'm All Bound 'Round With the Mason Dixon Line\" - 1917, Jean Schwartz, composer, Sam M. Lewis and Joe Young, librettists","Scope and Contents \"Über die Steppe hin\" - 1904, L. Schytte, composer \"Hide and Seek\" - 1890, Ludvig Schytte, composer","Scope and Contents \"Comin' Thro the Rye\" - undated, Scotch, composer","Scope and Contents \"By the Side of the Zuyder Zee\" - 1906, Bennett Scott, composer, A.J. Mills, librettist","Scope and Contents \"Amaryllis\" - 1898, arranged by C.P. Scott","Scope and Contents \"The World Is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist","Scope and Contents \"Jack-In-The-Box\" - 1932, Terry Shand, composer, Milton Drake, librettist","Scope and Contents \"If I Had You\" - 1928, Ted Shapiro, Jimmy Campbell, and Reg. Connelly, composers and librettists","Scope and Contents \"Get Out And Get Under The Moon\" - 1928, Larry Shay, composer, Cha[rle]s Tobais, and William Jerome, librettists \"I Can't Find A Substitute For You\" - 1933, Larry Shay, composer, Haven Gillespie, librettist","Scope and Contents \"Havin' You Around is Heaven\" - 1930, Al Sherman and Al Lewis, composers and librettists \"Promises\" - 1930, Al Sherman and Al Lewis, composers and librettists \"(Why Did You Kiss Me Last Night?) Ya Comin' Up To-Night, Huh?\" - 1928, Al Sherman, Al Lewis, and Abe Lyman, composers and librettists","Scope and Contents \"Grand Polka De Concert\" - 1910, Edgar, H. Sherwood, composer","Scope and Contents \"The Friar of Orders Grey\" - undated, Shield, composer","Scope and Contents \"The Lonesome Road\" - 1928, Nathaniel Shilkret, composer, Gene Austin, librettist","Scope and Contents \"In Bluebird Land\" - 1921, Albert E. Short, composer, W.R. Williams, librettist","Scope and Contents \"Sweet Home Sett\" - 1857, Shuster, composer","Scope and Contents \"I Saw Stars\" - 1934, Maurice Sigler, Al Goodhart, and Al Hoffman, composers and librettists","Scope and Contents \"One Night in Monte Carlo\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Ain't I Got Nobody to Love\" - 1924, Sam Coslow and Abner Silver, composers and librettists \"Every Now And Then\" - 1935, Abner Silver, Al Sherman, and Al Lewis, composers and librettists \"Say It While Dancing\" - 1932, Abner Silver, composer, Benny Davis, librettist \"Farewell to Arms\" - 1933, Abner Silver and Allie Wrubel, composers and librettists","Scope and Contents \"Violino Secondo\" - undated, F.M. Simonet, composer","Scope and Contents \"The Peanut Vendor\" - 1930, Moises Simons, composer, Marion Sunshine (Popular) librettist, and L. Wolfe Gilbert (Novelty) librettist","Scope and Contents \"Honey\" - 1928, Seymour Simons, Haven Gillespie, and Richard A. Whiting, composers and librettists","Scope and Contents \"Autumn\" - 1931, Lee Sims, composer","Scope and Contents \"Rustle of Spring\" - 1905, Christian Sinding, composer","Scope and Contents \"Six Feet of Papa\" - 1926, Arthur Sizemore, composer, Billy Moll, librettist","Scope and Contents \"When the Pretty Blue Bird Sings\" - undated, J.R. Skelly, composer, George Cooper, librettist","Scope and Contents \"Colonial Guards\" - 1902, Harry P. Small, composer","Scope and Contents \"O Softly Sleep My Baby Boy\" - undated, C. Smith, composer","Scope and Contents \"The Irish Were Egyptians Long Ago\" - 1920, Chris Smith, composer, Alfred Bryan, librettist","Scope and Contents \"'Mid The Sunny Fields of Dixie\" - 1911, Emily Smith, composer and librettist","Scope and Contents \"If You Love Me Darling, Tell Me With Your Eyes\" - 1887, Hubbard T. Smith, composer, Samuel Minturn Peck, librettist","Scope and Contents \"La Reine Des Fees\" - undated, Sidney Smith, composer","Scope and Contents \"The Star Spangled Banner. Concert Variations\" - 1896","Scope and Contents \"Swedish Wedding March\" - undated, Aug. Söderman, composer","Scope and Contents \"Just As I Am\" - 1868, H.D. Sofge, composer","Scope and Contents \"By The Old Cathedral Door\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"When the Old Folks Were Young Folks\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"The Ocean Never Sleeps\" - 1912, Alfred Solman, composer, Arthur J. Lamb, librettist \"There's a Quaker Down In Quaker Town\" - 1916, Alfred Solman, composer, David Berg, librettist","Scope and Contents \"Just A Little Sunshine\" - 1889, Fred'k Solomon, composer, Smedley Norton, librettist","Scope and Contents \"Hurt\" - 1930, Harold Solomon, composer, Al Piantadosi, librettist","Scope and Contents \"King Cotton March\" - undated, John Phillip Sousa, composer \"H.M.S. Pinafore\" - undated, J.P. Sousa, composer \"Medley Quadrille\" - 1879, J.P. Sousa, composer \"The Sorcerer\" - 1879, J.P. Sousa, composer","Scope and Contents \"Shoo the Hoodoo Away\" - 1930, Ted Snyder, composer, Mort Harris, librettist \"Who's Sorry Now?\" - 1923, Ted Snyder, composer, Bert Kalmar and Harry Ruby, librettists","Scope and Contents \"When Song Is Sweet\" - 1902, Gertrude Sana-Souci, composer","Scope and Contents \"Norwegian Romance\" - 1916, Florence Atherton Spalding, composer","Scope and Contents 'Love's Consolation\" - 1906, Geo. L. Spaulding, composer","Scope and Contents \"Broadway Rose\" - 1920, Otis Spencee and Martin Fried, composers, Eugene West, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Memory Lane\" - 1924, Larry Spier and Con Conrad, composers, B.G. De Sylva, librettist","Scope and Contents \"Ain't You Coming Back to Old Virginia\" - 1913, Will Spillard, composer and librettist","Scope and Contents \"The Beat o' My Heart\" - 1934, Harold Spina, composer, Johnny Burke, librettist","Scope and Contents \"Frisches Grün\" - undated, Fritz Spindler, composer \"Mandolinata\" - undated, Fritz Spindler, composer \"Volkslieder\" - undated, Fritz Spindler, composer \"Husrenritt\" - 1869, Fritz Spindler, composer","Scope and Contents \"The Little Red Lark\" - undated, C.V. Stanford, composer and librettist","Scope and Contents \"When My Golden Hair Has Turned to Silver and Gray\" - undated, Edward Stanley, composer and librettists","Scope and Contents \"A Memory\" - 1911, G. Waring Stebbins, composer","Scope and Contents \"Girard House Polka\" - 1852, C. F. Stein, composer.","Scope and Contents \"I Can't Waltz Alone\" -1935,Max Steiner, composer, Dorothy Fields, librettist.","Scope and Contents \"The Prager Perfect Song\" - 1916, James Whitcomb Riley, librettist, Ervine J. Stenson, composer.","Scope and Contents \"Symphonic Raps\" - 1927, Bert Stevens, composer, Irvin Abrams, librettist.","Scope and Contents \"German Air\" - undated, Sir J.A. Stevenson, composer.","Scope and Contents \"Ben Bolt\" - undated, James M. Stewart, composer.","Scope and Contents \"Tennessee Waltz\" - 1948, Redd Stewart and Pee Wee King, composers.","Scope and Contents \"The Brightest Eyes\" - undated, Stigelli, composer.","Scope and Contents \"No Day Ever Brings the Same Pleasure Again\" - 1881, John P. Stockton, composer.","Scope and Contents \"I Get the Blues When It Rains\" - 1929, Harry Stoddard, composer.","Scope and Contents \"Evergreen Waltz\" - 1849, I.T. Stoddard, composer.","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, Dudleigh F. Stokes, composer.","Scope and Contents \"Songs of the Copeland\" - 1856, Robert Stopel, composer.","Scope and Contents \"Rose of Virginia\" - 1920, \"Chick\" Storey, composer, Jack Caddigan, librettist.","Scope and Contents \"Dance of the Raindrops\" - 1913, Pauline B. Story, composer.","Scope and Contents \"Sweet Hearts\" - 1851, Maurice Strakosch, composer; \" Reverie\" - 1848, Maurice Strakosch, composer.","Scope and Contents \"Empress Anne's\" - 1914, Johann Strauss, composer; \"Waltzes by Strauss\" - undated, Johann Strauss, composer; \"On the Banks of the Blue Danube Waltz\" - undated, Johann Strauss, composer.","Scope and Contents \"Polka\" - undated, L. Streabbog, composer.","Scope and Contents \"I Don't Want to Walk Without You\" - 1952, Jule Styne, composer.","Scope and Contents Florodora\" - 1900, Stuart Leslie, composer.","Scope and Contents \"Free\" - 1933, Dana Suesse, composer; \"Have You Forgotten\" - 1931, Dana Suesse, composer, Leo Robin, librettist,.","Scope and Contents \"Potpourri\" - undated, M. Milford, Arthur S. Sullivan composer; \"Local Compositions\" - undated, Arthur S. Sullivan, composer; \"The Lass That Loved a Sailor\" - undated, M. Milford, Arthur S. Sullivan composer; \"A Maiden Fair to See\" - undated, Arthur S. Sullivan, composer.","Scope and Contents \"When Your Lover Has Gone\" - 1931, E.A. Swan, composer.","Scope and Contents \"Can This Be Love\" - 1930, Kay Swift, composer, Paul James, librettist.","Scope and Contents \"Don't Let It Happen Again\" - 1934, Marty Symes, Al J. Neiburg, and Jerry Levinson, composer.","Scope and Contents \"Diamond Polka\" - undated, E. Szemelenyi, composer.","Scope and Contents \"Somewhere a Voice Is Calling\" - 1911, Arthur F. Tate, composer, Eileen Newton, librettist","Scope and Contents \"I Tarry Here\" - undated, Wilhelm Taubert, composer","Scope and Contents \"La Campanella\" - 1868, Guillaume Taubert, composer \"Sonate I\" - undated, Wilh. Taubert","Scope and Contents \"Flowers of Love\" - 1909, Tell Taylor, composer, Earl K. Smith, librettist \"I Love You Best of All\" - 1915, Tell Taylor, composer and librettist","Scope and Contents \"Mexicali Rose\" - 1923, Jack B. Tenney, composer, Helen Stone, librettist","Scope and Contents \"O Take Me to the Woods Dear Mother\" - 1858, C.B. Thayer, composer, J.R. Smith, librettist","Scope and Contents \"Sioux City Sue\" - 1945, Dick Thomas, composer, Ray Freedman, librettist","Scope and Contents \"The Dew Is on the Blossom\" - 1850, E. Thomas, composer, Amelia, librettist","Scope and Contents \"Friendship\" - 1859, J.R. Thomas, composer, W.D. Evans, librettist \"No Crown Without the Cross\" - undated, J.R. Thomas, composer, George Cooper, librettist \"Eilleen Allanna\" - 1876, J.R. Thomas, composer, E.S. Marble, librettist \"Fishes in the Sea\" - 1863, J.R. Thomas, composer, Geo[rge] Cooper, librettist \"Janette\" - 1867, J.R. Thomas, composer, Miles O'Rielly, librettist","Scope and Contents \"Who Will Care for Mother Now\" - 1863, C.F. Thompson, composer, C.C. Sawyer, librettist","Scope and Contents \"When the Sun Sets in Ireland\" - 1917, Blanche M. Tice, composer, J. Will Callahan, librettist","Scope and Contents \"Alice Blue Gown\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Irene\" - 1919, Harry Tierney, composer, Joseph McCarthy, librettist \"Sweetheart, We Need Each Other\" - 1929, Harry Tierney, composer, Joseph McCarthy, librettist \"You're Always in My Arms\" - 1929, Harry Tierney, composer, Joseph McCathy \"If You're in Love, You'll Waltz\" - 1926, Harry Tierney, composer, Joseph McCarthy, librettist","Scope and Contents \"Sacramento\" - 1907, Harry Von Tilzer, composer, Andrew B. Sterling, librettist","Scope and Contents \"Alleluia, Pascha Nostra\" - 1938, Everett Titcomp, composer \"Suite in E Major\" - 1955, Everett Titcomb, composer \"Vexilla Regis\" - 1940, Everett Titcomb, composer","Scope and Contents \"Good Night Little Girl of My Dreams\" - 1933, Charles Tobias and Joe Burke, composers and librettists","Scope and Contents \"Miss You\" - 1929, Henry H. Tobias, composer, Charles Tobais and Harry Tobias, librettists \"I'm on Pins and Needles ('Cause I'm Dead Stuck on You)\" - 1932, Henry H. Tobias, composer, Joe Young, librettist","Scope and Contents \"Hence Discontent\" - undated, Tolbecque, composer","Scope and Contents \"Oliver Gallop\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer \"Virginia Polka\" - 1860, Tom (The Blind Negro boy Pianist only Ten years old), composer","Scope and Contents \"Olivette Lancers\" - 1881, Prince Tom, composer","Scope and Contents \"The Object of My Affection\" - 1934, Pinky Tomlin, Coy Poe, and Jimmie Grier","Scope and Contents \"The Magic Flame\" - 1927, adapted from the famous \"Serenade\" of Toselli by Sigmund Spaeth, Sigmund Spaeth, also the librettist","Scope and Contents \"Serenade\" - 1923, Enrico Toselli, composer, Sigmund Spaeth (English) and Alfredo Silvestri (Italian), librettists","Scope and Contents \"For Ever and Ever\" - undated, F. Paolo Tosti, composer, and Violet Fane, librettist","Scope and Contents \"Tarantelle\" - undated, Berthold Tours, composer","Scope and Contents \"Here You Come With Love\" - 1933, Jo Trent, Harry Tobias, and Neil Moret, composers and librettists","Scope and Contents \"On the Road to Mandalay\" - 1898, Henry Trevannion, composer, Rudyard Kipling, librettist","Scope and Contents \"Give Me a Kiss by the Numbers\" - 1918, Lieutenant Joseph F. Trounstine, composer and librettist","Scope and Contents \"None But the Lonely Heart\" - 1935, Peter Tschaikowsky, composer, Jerry Castillo (English), librettist \"Andante Cantabile\" - 1911, Peter Tschaikowsky, composer \"Dance of the Candy Fairy\" - 1924, Peter Tschaikowsky, composer \"Dance of the Reed-Flutes\" - 1924, Peter Tschaikowsky, composer \"Schirmer's Library: Tschaikowsky Pianoforte Album, Volume I\" - 1896, Peter Tschaikowsky, composer \"Schirmer's Library of Musical Classics: Peter Tschaikowsky, Selected Pieces for Pianoforte\" - 1896, Peter Tschaikowsky, composer \"Romance\" - 1907, Peter Tschaikowsky, composer","Scope and Contents \"Dear Mother I've Come Home to Die\" - undated, Henry Tucker, composer, E. Bowers, librettist \"When This Cruel War is Over\" - undated, Henry Tucker, composer, Charles C. Sawyer, librettist","Scope and Contents \"Pray, Maiden, Pray!\" - 1864, A.J. Turner, composer, A.W. Kercheval, librettist \"Bessie Bell\" - 1864, A.J. Turner, composer","Scope and Contents \"Under the Lilac He Sleepeth\" - 1879, J.W. Turner, composer, G.M. Dowe, librettist","Scope and Contents \"La Paloma\" - undated, H.A. Twitchell, composer","\"Play to Me, Gipsy!\" - 1932, Karel Vacek, composer, Jimmy Kennedy (English) and Beda (Original), librettists","Scope and Contents \"I'm Just a Vagabond Lover\" - 1929, Rudy Vallèe and Leon Zimmerman, composers and librettists","Scope and Contents \"Don't Try to Steal the Sweetheart of a Soldier\" - 1917, Van and Schenck, composers, Alfred Bryan, librettist \"That Bran' New Gal O' Mine\" - 1923, Van and Schenck, Benny Davis, and Harry Akst, composers and librettists","Scope and Contents \"When I Was a Dreamer\" - 1914, Egbert Van Alstyne, composer, Roger Lewis and Geo[rge] A. Little, librettists \"Old Pal\" - 1924, Egbert Van Alstyne, composer, Gus Kahn, libretist \"Memories\" - 1915, Egbert Van Alstyne, composer, Gus Kahn, librettist \"On the Road to Home Sweet Home\" - undated, Egbert Van Alstyne, composer, Gus Kahn, librettist \"In the Shade of the Old Apple Tree\" - 1905, Egbert Van Alstyne, composer, Harry H. Williams, librettist","Scope and Contents \"Menuet In G\" - 1909, Ludwig van Beethoven, composer","Scope and Contents \"It's Always You\" - 1941, Jimmy Van Heusen, composer, Johnny Burke, librettist \"Oh! You Crazy Moon\" - 1939, Jimmy Van Heusen, composer, Johnny Burke, librettist","\"Are We Almost There?\" - 1845, Florence Vane, composer and librettist","Scope and Contents \"Mousquetaires au Couvent\" - 1880, Louis Varney, composer","Scope and Contents \"The Sweetheart of Sigma Chi\" - 1912, F. Dudleigh Vernor, composer, Byron D. Stokes, librettist","Scope and Contents \"Ah! I Have Sigh'd to Rest Me\" - undated, G. Verdi, composer, Charles Jefferys (English) and Il Trovatore (Italian), librettists","Scope and Contents \"24 Pièces en style libre\" - 1914, Louis Verne, composer","Scope and Contents \"El Choclo\" - 1935, Villoldo, composer, Jerry Castillo, librettist","\"Bèsame Mucho (Kiss Me Much)\" - 1941, Consuelo Velàzquez, composer, Sunny Skylar (English) and Consuelo Velàzquez (Spanish), librettists","Scope and Contents \"Light Cavalry\" - undated, Franz von Suppe, composer \"Overture zu 'Dichter und Bauer'\" - undated, Franz von Suppe, composer \"Boccaccio\" - undated, Franz von Suppe, composer","Scope and Contents \"Put Your Arms Around Me, Honey (I Never Knew Any Girl Like You)\" - 1910, Albert Von Tilzer, composer, Junie McCree, librettist \"I May Be Gone for A Long, Long Time\" - 1917, Albert Von Tilzer, composer, Lew Brown, librettist \"I'll Be With You in Apple Blossom Time\" - 1920, Albert Von Tilzer, composer, Neville Fleeson, librettist \"Au Revoir, But Not Good Bye, Soldier Boy\" - 1917, Albert von Tilzer, composer, Lew Brown, librettist \"Honey Boy\" - 1907, Albert Von Tilzer, composer, Jack Norworth, librettist \"My Little Girl\" - 1915, Albert Von Tilzer, composer, Sam M. Lewis and Will Dillon, librettist \"Please Don't Take My Lovin' Man Away\" - 1912, Albert Von Tilzer, composer, Lew Brown, librettist","Scope and Contents \"Love Me While the Lovin' Is Good\" - 1913, Harry Von Tilzer, composer, Stanley Murphy, librettist","Scope and Contents \"The Hunter's Chorus\" - undated, C.M. Von Weber, composer","Scope and Contents \"Don Juan\" - undated, Charles Voss, composer","Scope and Contents \"Meet Me by Moonlight\" - undated, J. A. Wade, composer; \"The Vesper Bell\" - undated, J.A. Wade, composer.","Scope and Contents \"Der Ring des Eibelungen\" - undated, Richard Wagner, composer; \"Overture to Lohengrin\" -1896, Richard Wagner, Homer N. Bartlett, composer; \"Grand March for Wedding Procession\" - undated, Richard Wagner and Westbrook, composer; \"Wagner\" - undated, Richard Wagner, composer.","Scope and Contents \"Always or Never Waltz\" - undated, Emile Waldteufel, composer; \"The Most Admired and Favorite Waltzes for the Piano Solo\" - undated, Emile Waldteufel, composer; \"Dolores\" - undated, Emile Waldteufel, composer; \"Charming (Tres Jolie) Waltz\" - undated, Emile Waldteufel, composer.","Scope and Contents \"Long Boy\" - 1907, Barclay Walker, composer, William Herschell, librettist.","Scope and Contents \"Dream Boat\" - 1923, Mildred White Wallace, composer and librettist.","Scope and Contents \"Cradle Song\" - 1851, William Vincent Wallace, composer; \"La Chilena\" - 1844, William Vincent Wallace, composer; \"Le Reve\" - 1875, William Vincent Wallace, composer; \"Marittana\" - 1882, William Vincent Wallace, composer; \"Scenes That Are Brightest\" - undated, William Vincent Wallace, composer; \"La Simania\" - undated, William Vincent Wallace, composer; \"Lurline\" - undated, William Vincent Wallace, composer; \"Tis the Harp in the Air\" - undated, William Vincent Wallace, composer.","Scope and Contents \"Coquette Polka\" - undated, A. Wallerstein, composer; \"Jenny Dind\" - undated, A. Wallerstein, composer.","Scope and Contents \"Black Hawk Waltz\" - 1879, Mary E. Walsh, composer.","Scope and Contents \"The Band Played In\" - 1936, Charles B. Ward, composer, John F. Palmer, librettist.","Scope and Contents \"Conquered Flag\" - 1886, Charlie L. Ward, composer.","Scope and Contents \"Golden Slippers\" - 1880, Alfred E. Warren, composer.","Scope and Contents \"Bobolink Polka\" - 1856, George W. Warren, composer.","Scope and Contents \"In a Little Spanish Town\" - 1936, Mabel Wayne, composer; \"Ramona\" - 1937, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"Chiquita\" - 1928, Mabel Wayne, composer, L. Wolfe Gilbert, librettist. \"It Happened in Monterey\" - 1930, Mabel Wayne, composer, Billy Rose, librettist.","Scope and Contents \"Cryin for the Carolines\" - 1930, Harry Warren, composer. \"Cheerful Little Earful\" - 1930, Harry Warren, composer Billy Rose, librettist. \"Dames\" - 1934, Harry Warren, composer, Al Dubin, librettist. \" Honeymoon Hotel\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"I Found a Million Dollar Baby\" - 1931, Harry Warren, composer, Billy Rose and Mort Dixon, librettists. \"I'll String Along with You\" - 1934, Harry Warren, composer, Al Dubin, librettist. \"One Sweet Letter from You\" - 1937, Harry Warren, composer, Lew Brown and Sidney Clare, librettist. \"Shadow Waltz\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Footlight Parade\" - 1933, Harry Warren, composer, Al Dubin, librettist. \"Sweet and Slow\" - 1935, Harry Warren, composer. \"Where Am I\" - 1935, Harry Warren, composer, Al Dubin, librettist. \"You're My Everything\" - 1931, Harry Warren, composer, Mort Dixon and Joe Dixon, librettists.","Scope and Contents \"My Heart Tells Me\" - 1943, Harry Warren, composer, Mack Gordon, librettist. \"I'll Sing a Thousand Love Songs\" - 1936, Harry Warren and Al Dubin, composers and librettists; \"Garden of the Moon\" - 1938, Harry Warren, composer, Al Dubin and Johnny Mercer, librettists; \"You Let Me Down\" - 1935, Harry Warren, composer, Al Dubin, librettist; \"I Know Now\" - 1937, Harry Warren, composer, Al Dubin, librettist.","Scope and Contents She's a Thoroughbred\" - 1898, Ned Jayburn, composer.","Scope and Contents 'You Walk By\" - 1940, Wayne Bernie, composer.","Scope and Contents \"Don't Be a Sorrowful\" - undated, J.P. Webster, composer; \"Sweet By and By\" - 1808, J.P. Webster, composer, S. Fillmore Bennet, librettist.","Scope and Contents \"To Linger Near Then\" - undated, C.M. Von Weber.","Scope and Contents \"Polka\" - 1859, Julius Weel, composer.","Scope and Contents \"Tripoli\" - 1920, Irving Well, composer, Paul Cunningham and Al Dubin, librettist .","Scope and Contents \"Something in the Night\" - 1932, Paul Weirick and Helmy Kresa, composers, Joe Young, librettist.","Scope and Contents \"At the Ferry\" - undated, Milton Wellings, composer.","Scope and Contents \"Sadie Green\" - 1926, Gilbert Wells and Johnny Dunn, composers.","Scope and Contents \"Swingin in a Hammock\" - 1930, Pete Wendling, composer, Tot Seymour and Chas. O Flynn, librettists.","Scope and Contents \"Maid in Blue\" - 1907, Fred J. Hamill, librettists, Percy Wenrich, composer; \"Wenonah\" - 1903, James O'dea, librettist, Percy Wenrich, composer; \"I Ain't Got Weary Yet\" - 1918, Howard Johnson, librettist, Percy Wenrich, composer; \"Moonlight Bay\" - 1912, Percy Wenrich, composer.","Scope and Contents \"Choral Song\" - undated, S.S. Wesley, composer.","Scope and Contents \"Postlude in F\" - 1896, John A. West, composer.","Scope and Contents \"Postlude in B\" - undated, John E. West, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1954, Thomas P. Westendorff, composer.","Scope and Contents \"I'll Take You Home Again Kathleen\" - 1935, Thomas P. Westendorf, composer.","Scope and Contents \"Lonely Heart\" - 1936, Irene Wicker, composer and librettist.","Scope and Contents \"The Ingle Side\" - undated, F.V. Wiesenthal, composer.","Scope and Contents \"Got the South in My Soul\" - 1932, Victor Young and Lee Wiley, composers, Ned Washington, librettist.","Scope and Contents \"You'll Soon Forget Kathleen\" - undated, Langton W. Williams, composer.","Scope and Contents \"Love to Live in Loveland with a Girl Like You\" - 1910, W.R. Williams, composer.","Scope and Contents \"The Shepherd Boy\" - undated, G.D. Wilson, composer.","Scope and Contents \"Recollections Memphis\" - Charles Ph. Winkler, composer.","Scope and Contents \"Shenandoah Waltz\" - 1947, Chubby Wise, composer, Clyde Moody, librettist.","Scope and Contents \"Have I Told You Lately That I Love You\" - 1955, Scott Wiseman, composer and librettist.","Scope and Contents \"My Little Georgia Rose\" - 1898, Max S. Witl, composer, Rob't F. Rode, librettist.","Scope and Contents \"March Brillante\" - 1888, J.W. Wheeler, composer.","Scope and Contents \"Grandpa's Birthday\" - 1881, C.A. White, composer.","Scope and Contents \"Black Apollo\" - undated, Charles White, composer.","Scope and Contents \"Play That Song of India Again\" - 1921, Paul Whiteman and Irving Bibo, composers, Leo Wood, libretttist.","Scope and Contents \"Some Sunday Morning\" - 1917, Richard A. Whiting, composer, Gus Kahn and Raymond Egan, librettist. \"When Did You Leave Heaven\" - 1936, Richard A. Whiting, composer, Walter Bullock, librettist. \"Ain't We Got Fun\" - 1921, Richard A. Whiting, Raymond B. Egan, and Gus Kahn, composers; \"Take a Chance\" - 1932, Ricahrd A. Whiting, and Herb Brown Nacio, composers, B.G. de Sylva, librettist. \"Lets Go Native\" - 1930, Richard A. Whiting, composer; \"Till We Meet Again\" - 1918, Richard A. Whiting, composer, Raymond B. Egan, librettist.","Scope and Contents \"Grand March De Concert\" - 1853, H.A. Wollenhaupt, composer.","Scope and Contents \"Roses of Picardy\" - 1916, Haydn Wood, composer.","Scope and Contents \"Mother Dear O Pray for Me\" - undated, I.B. Woodbury, composer.","Scope and Contents \"Hope's Whisper\" - 1869, Miss Nelly Marshall, composer.","Scope and Contents \"All of a Sudden\" - 1932, Harry Woods, composer and librettist; \"Be Careful with those Eyes\" - 1930, Harry Woods, composer; \"If I Have to Go On Without You\" - 1931, Harry Woods and Al Dubin, composer; \"Me Too\" - 1936, Harry Woods, Charles Tobias, and Al. Sherman, composers; \"River, Stay' Way from My Door\" - 1931, Harry Woods, composer, Mort Dixon, librettist. \"Take In the Sun Hang Out the Moon\" - 1936, Harry Woods, composer, Lewis \u0026 Young, librettist. \"When the New Moon Shines on the New Mown Hay\" - 1934, Harry Woods, Jimmy Campbell, and Reg Connelly, composers; \"When the Red, Red, Robin Comes Bob, Bob Bobbin Along\" - 1926, Harry Woods, librettist and composer. Thorton Sisters featured; \"You Darlin'\" - 1930, Harry Woods, composer.","Scope and Contents \"Oh! Boy, What a Girl\" - 1925, Wright and Bessinger, composers, Bud Green, librettist.","Scope and Contents \"Musical Boquet\" - undated,W.T. Wrighton, composer.","Scope and Contents \"To Be or Not to Be in Love\" - 1933, Allie Wrubel and Elliott Grennard, composers; \"Gone with the Wind\" - 1937, Allie Wrubel, composer, Herb Magidson, librettist. \"Music, Maestro, Please!\" - 1938, , Allie Wrubel, composer, Herb Magidson, librettist \"As You desire Me\" - 1932, Allie Wrubel, composer and librettist; \"Flirtation Walk\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Happiness Ahead\" - 1934, Allie Wrubel, composer, Mort Dixon, librettist. \"Now You're in My Arms\" - 1931, Allie Wrubel and Morton Downey, composers. \"Pop Goes Your Heart\" - 1934, Allie Wrubel and Mort Dixon, composers. \"You'll Do It Some Day\" - 1929, Allie Wrubel, composer.","Scope and Contents \"Fare Thee Well Kitty Dear\" - undated, G. Friedrich Murzel, composer.","Scope and Contents \"Talian Modern Anthology\" - undated, Pietro A. Yon, composer; \"Coccata\" - 1912, Pietro A. Yon, composer.","Scope and Contents \"You're Tired of Me\" - 1931, Don York, Jack Sadler and Pauline Brown, composers.","Scope and Contents \"No No Nanette\" - 1934, Vincent Youmans, composer, Otto Harbach and Irving Caesar, librettists. \"Flying Down the Rio\" - 1933, Vincent Youmans, composer, Gus Kahn and Edward Eliscu, librettist. \"Hit the Deck\" - Vincent Youman, composer, Leo Robin and Clifford Grey, librettists. \"Adelai\" - 1921, Vincent Youman and Joseph Spurin Calleja, composers. \"Time on My Hands\" - 1930, Vincent Youmans, composer, Harold Adamson and Mack Gordon, librettist. \"Wildflower\" - 1923, Vincent Youmans and Herbert Stothart, composers, Otto Harbach and Oscar Hammerstein, librettists.","Scope and Contents \"Just for Remembrance\" - 1923, Eleanor Young and Harry D. Squires, composer; \"Mean Mean Mama\" -1923, Eleanor Young and Harry D. Souires, composers, Mitchell Parish, librettist.","Scope and Contents \"Heart are Trumps\" - 1900, L.W. Young, composer.","Scope and Contents \"Street of Dreams\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Lawd, You Made the Night Too Long\" - 1932, Victor Young, composer, Sam M. Lewis, librettist. \"Love Is the Thing\" - 1933, Victor Young, composer, Ned Washinton, librettist. \"Love Me To-Night\" - 1932, Victor Young, composer, Bing Crosby and Ned Washington, librettist.","Scope and Contents \"Spirit of America\" - 1907, J.S. Zamednik, composer.","Scope and Contents \"Anchors Aweigh\" - 1907, Chas A. Zimmermann, composer.","Scope and Contents \"Preludes and Interludes for the Organ\" - undated, John Zundel, composer.","Scope and Contents \"Cotillion Girl O'mine\" - 1927, Clifford Zug, composer and librettist.","Scope and Contents \"Boccaccio March\" - 1879, W.A. Cramer, composer.","Scope and Contents Eoccaccio March\" - 1880, W.A. Fallman, composer.","Scope and Contents \"Ah! for Wings\" - 1853, Charles Jarvis, composer.","Scope and Contents \"Wearing of the Green\" - 1935, Henri F. Klickmann, composer.","Scope and Contents \"Arois Quintetti\" - undated, Mr. Lachnith, arranger;\"Trios\" - undated, De Mr. Pleyel, composer.","Scope and Contents \"L'etoile\" - undated, H.E. Lehmann, composer.","Scope and Contents \"Since First I saw your Face\" - undated, Barbra Allen, composer.","Scope and Contents \"Cootage Duetts- popular collection of Melodies\" - undated, J.E. Muller, composer.","Scope and Contents \"Jenny Linds\" - 1851, Samuel Owen, composer.","Scope and Contents \"Mocking Bird\" - undated, J.A. Rosenberger, composer.","Scope and Contents \"Cascade of Roses\" - 1882, Albert J. Snow, composer.","Scope and Contents \"Songs of the Pyrenees\" - 1889, M.H. Strugis, composer.","Scope and Contents \"Alice Gray\" - undated;\"Bye Bye Blackbird\" - undated, Mort Orfoin and Ray Clendaon, composers;\"Coventry Carol\" - undated;\"Dorez Doric mes Cheres Amours\" - undated;\"Air from Masaniello\" - undated;\"God Save the Emporor\" - undated;\"March from Masaniello\" - undated;\"Erster Spieler\" - undated;\"Flauto O Violino\" - undated.","Scope and Contents \"Kitty Tyrrell\" - undated; \"La Grotte des Fees\" - undated; \"La Noce de Le'nore\" - undated; \"Le lac Bleu\" - undated; \"Life's Happy Moments\" - undated; \"Lord Mocdonald's Reel\" - undated; \"Sir Archibald Grants Reel\" - undated; \"Last Rose of Summer\" - undated.","Scope and Contents \"Mant III-3 double\" - undated; \"Goodbye Sweetheart\" - undated; \"Marseilles March\" - undated; \"Monastery Bell\" - 1858; \"My Mother\" - undated; \"Nobody Coming to Marry Me\" - undated; \"Betsy Bell and Mary Gray\" - undated; \"Logan Sweetly\" - undated; \"Oh! Say Not a Woman's Love is Bought\" - undated; \"Overture, Caliph of Bagdad\" - undated; \"The Dying Soldier\" - 1864, undated.","Scope and Contents \" Robin Adair\" -1865; \"Russian March\" - undated; \"Silver Lake Waltz\" - undated; \"Sounds from Home\" - undated; \"Southern Soldier Boy\" - undated; \"Styrian Waltz of Weber\" - undated; \"Take Me Back to Old Virginny\" - undated; \" The Blind Girl to Her Banjo\" - undated; \" The Mocking Bird\" - undated; \" Theme de L'orgie de Caraffa\" - undated; \" Though Lingring Stan\" - undated; \" Too Late\" undated; \"Tu Vedrai chem amore in Terra\" - undated; \" Twas at the hour\" - undated; \"Twilight\" - undated; \"The Wave Sweeps My Breast\" - undated; \"The Weary Pund O Tow\" - undated; \"Well, I Agree\" - undated; \"When the Sheep Are in the Fauld\" - undated.","Three items present.","Scope and Contents \"Daily Practice for the Piano Forte\" - undated, Clementi, composer.","Scope and Contents \"Preludes and Exercises\" - 1886, Clementi and Hummel, composers.","Scope and Contents \"15 Exercises\" -undated, J.B. Duvernoy, composer.","Scope and Contents \"First Pedal Studies for the Piano\" - 1906, Jessie L. Gaynor, composer.","Scope and Contents \"The First Studies for Piano, Die Erlten Etuden\" - undated, Louis Kohler, composer.","Scope and Contents \"Guide to Rapid Fingering- Series of Instructive Exercises within the Octave\" - undated, Theodore Oesten, composer.","Scope and Contents \"Progressive lessor for Beginners - undated, Rausch, composers.","Scope and Contents \"Exercises Pre'paratives\" - 1878, Aloise Schmitt, composer.","Scope and Contents \"Forty pedal-Studies\" - 1914, Ludvig Schytte', composer.","Scope and Contents \"Juvenile Album\" - undated, J.A. Wade, Sullivan \u0026 Claribel, composers.","Scope and Contents \"Thackray for the Guitar\" - undated, Thomas Thackray, composer.","Scope and Contents \"Cuban Patrol\" - undated, E.J. Rutsky, composer; \"The Minstrel Boy\" - undated, unknown composer.","Scope and Contents \"Elfin Waltz\" - undated, unknown composer; \"Swiss Air\" - undated, Czerny, composer; \" On Yonder Rock Reclining\" - undated, unknown composer; \" Hungarian National, undated, unknown composer; \"La Belle Walt\" - undated, unknown composer; \"Home, sweet Home\" - undated, unknown composer; \"Cottage Waltz\" - undated, unknown composer; \"Thirty-six exercises\" - undated, Aloise Schmiti, composer; \"Chromatic Scale in Triplets, sixes and c.\" - undated, unknown composer; \"Six progressive exercises on popular Melodies\" - undated, unknown composer; \" Twenty-four exercises to give flexibility to the Fingers\" - undated, unknown composer; \"Eight exercises on the scale of C in one Octave\" - undated, unknown composers; \"Duetts for four Hands\" - undated, unknown composers; \"Various effects of the arpeggio , and mode of Performance\" - undated, unknown composer; \"Twelve scales in thirds and sixths, Fingered\" - undated, unknown composer; \"The Acciaccatura\" - undated, unknown composer; \"Practical Exercise on the Turn\" - undated, unknown composer; \"Fingering of the common Chords, and their Inversions\" - undated, unknown composer; \"Exercises on the chord of the seventh in all its Positions\" - undated, unknown composer; \" I'm a Pilgrim\" - undated, unknown composer; \"Lilly Dale\" - undated, H.S. Thompson, composer and librettist; \"Do they miss me at Home\" - undated, S.M. Grannis, composer; \"Melodious Excercises for Teacher and Pupil\" - undated, Diabelli, composer; \"Favorite French Air\" - undated, A. Rondo, composer; \"Grande Calse Brillante\" - undated, unknown composer; \" Grande Valse Briliante\" - undated, par F. Hunten, composer; \"Exercises in Velocity\" - undated, unknown composer.","Scope and Contents \"The Master\" - undated, unknown composer; \"The Scholar\" - undated, unknown composer; \"1er repos de L'e'tude\" - undated, unknown composer\" - undated, unknown composer; \"Variations in 4 mains\" - undated, unknown composer; \"Rondino\" - undated, unknown composer; \" Serenade\" - undated, unknown composer; \"Grand March\" - undated, unknown composer; \"Andante Grazioso\" - undated, unknown composer; \"Calse Brillante\" - undated, unknown composer; \"Air Varie A 4 Mains\" - undated, unknown composer; \"Major Scales in Thirds\" - undated, unknown composer.","Scope and Contents \"Prelude in the key of C Major\" - undated, unknown composer; \"Prelude in the key of B flat Major\" - undated, unknown composer; \" Exercises on the chomatic scale in triplets. sixes and C\" - undated, unknown composer; \"Preliminary exercise in common Time\" - undated, unknown composer; \" Scale of fingering in the key of C\" - undated, unknown composer; \"Air\" - undated, unknown composer; \"Broken sixths and Octaves in moving Figures\" - undated, unknown composers; \"Recreation from Study\" - undated, Le Garco Volage, composer; \"Two Duets- introducing the key signatures of G \u0026 F\" - undated, C. Altmann, composer; \"May Time\" - undated, unknown composer; \"Contentment\" - undated, unknown composers; \"Study in broken Chords\" - undated, unknown composer; \"Chord Study\" - undated, unknown composer; \"Etude for elasticity of the wrist\" - undated, unknown composer.","Scope and Contents \"Six Progressively exercises on popular melodies\" - undated, unknown composer; \"Exercises on Chromatic Scale\" - undated, unknown composer; \"Howe's instructor for the Guitar; 1850, unknown composer; \" Etude\" - undated, unknown composer; \" Prie're du Matin de lEnfant- child's morning Prayer\" - undated, unknown composer; \"la Guaracha\" - undated, unknown composer; \"Exercises pour une main\" - undated, unknown composer; \"The Master\" - undated, unknown composer; \"For the Syncopations\" - undated, unknown composers; \"To cross the Hands\" - pour croiser les Mains\" - undated, unknown composer; \"For the Staccato\" - undated, unknown composer; \"For the Double Notes\" - undated, unknown composer; \"Waltz from der Freischutz\" - undated, unknown composer; \"Old uncle Ned\" - undated, unknown composer; \"Camp town Hornpipe\" - undated, unknown composer; \"Le Bal d'Enfants- the Children's Ball\" - undated, Auf dem Kinderball, composer; \" Variations on German Air\" - undated, unknown composer.","Scope and Contents Untitled exercise book, undated, various composers.","Scope and Contents Untitled exercise book, undated, unknown composer.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 2\" - 1895, various composers.","Scope and Contents \"Mathews' Graded Materials for the Piano Forte: Volume 3\" - 1895, various composers.","Scope and Contents \"National Graded Courses for the Piano Forte: Grade 1\" - 1899, various composers.","Scope and Contents \"Oesterle's Instructive Course of Piano Pieces: Book II\" - 1908, various composers.","Scope and Contents \"John M. Williams' Graded Sight-Reading Books: Volume 2\" - 1928, various composers.","Scope and Contents \"The Boston Music School\" - 1871, B.F. Baker, author; \"The Euterpeiad of Musical Intelligencer; and Select Repository of classical and Polite Literature\" - 1823, Charles Dingley, author. \"Address Before the Boston Academy of Music on the Opening of the Odeon\" - 1835, Samuel A. Eliot, author. \"Second Annual Report of the Boston Academy of Music, Read at the Anniversary Meeting\" - 1834, writer, unknown; \"Third Annual Report of the Boston Academy of Music\" - 1835; \"Ninth Annual Report of the Boston Academy of Music\" - 1841; \"Catalogue and Circular of the Musical Institute, Providence, RI\" - 1865.","Scope and Contents \"Balls' Musical Cabinet, or Compleat Pocket Library for the Flute, Flageolet, Volin\" - undated, unknown composers \"Happy Voices\" - undated, various composers \"The Apollo: No. 15\" - undated, various composers \"The Apollo: No. 16\" - undated, various composers \"The Apollo: No. 17\" - undated, various composers \"The Apollo: No. 29\" - undated, various composers","Scope and Contents \"Twinkling Stars\" - undated, G. Lezzi S. and various composers; \"Holy Communion\" - undated, Beethoven and various composers; \"Clarke's New Reed Organ Companion\" - undated, Lysberg and various composers; \"The Soldiers Joy\" - undated, unknown composers; \"Rip Van Winkle\" - undated, various composers; \"Spanish Dances\" - undated, Moszkowski and various composers; \"Album Leaf\" - undated, Dacobe and various composers; \"The First Kiss Waltz\" - undated, Lamothe and various composers; \"Anitra's Tanz\" - undated, various composers; \"A Goblin\" - undated, unknown composers; \"Nineteenth Century (the) Pianoforte: Pieces by representative Composers of the 19th Century, Volume II\" - undated, various composers; \"Valse Hongroise\" - undated, composers unknown; \"Star of the Sea\" - 1883, A. Kennedy and various composers.","Scope and Contents \"Nearer, My god, To Thee!\" - 1882, Richards and various composers; \"Gondoliera\" - undated, Fritz Spindler and various composers; \"Biographical Sketches of Popular Composers and Singers\" - undated, various composers.","Scope and Contents \"Song of the Rose\" - undated, various composers; \"Praeludium\" - undated, composers unknown; \"Elva's Farewell Polka\" - 1851, J.A.G'schwend and various composers; \"La Regata Veneziana\" - undated, Delmar and various composers.","Scope and Contents \"Slumber Song\" - undated, Harriet Grace Mitchell, composer and librettist; \"Somewhere a Voice is Calling\" - undated, Arthur F. Tate, composer, Eileen Newton, librettist; \"The World is Waiting for the Sunrise\" - 1919, Ernest Seitz, composer, Eugene Lockhart, librettist; \"Smith's All Star Mandolin Folio Number 1\" - undated, various composers; \"The Whitmark Black and White Series\" - undated, Arthur A. Penn, composer; Amsco Music Sales Co. - 1933, various composers; \"Dreamy Melody\" - 1920s, unknkown composer; \"Sing and Dance for New Century in America 45 Years Ago Today\" - 1944, Chicago Sunday Tribune; \"The Convict and the Rose\" - 1925, Betty Chapin, composer and librettist.","Scope and Contents \"Chèrie, I Love You\" - 1926, Lillian Rosedale Goodman, composer and librettist; \"Illuftrirten Allgemeinen Familien-Spielbuche\" - undated, various composers; \"Old Favorite Songs\" - 1903, various composers; Letter from Walter A. Montgomery, September 14 of unknown year; \"There was a Sheep of Darby\" - undated, unknown composer; \"Peter's Selected Catalogue of New and Popular Music\" - 1872, various composers; G. Schirmer music book starting with \"Gavotte\" - 1888, various composers; \"Pianoforte Pieces Representative Composers of the 19th Century\" - undated, various composers; \"A Select Collection of Original Scottish Airs for the Voice, Volume One\" - undated, various composers.","Scope and Contents \"Vocal Duett Album\" - 1883, various composers \"Musical Album Presented by C.D. Kenny\" - undated, various composers \"The Musical Album No. 2\" - 1881, various composers \"The Organ, Volume VII, No. 40\" - 1896, various composers","Scope and Contents \"Community and Patriotic Songs\" - 1917, various composers; \"Christmastide\" - 1925, various composers; \"First Year classics for the Pianoforte\" - 1914, J.S. Bach, composers; \"When All the World was Young\" - 1921, various and unknown composers.","Scope and Contents \"The Vocal Music to Shakespeare's Plays: As You Like It\" - undated, Dr.Arne, composer; Handwritten song book with \"To\" and \"Over the Water to Charley\" - undated, unknown composer; Handwritten sheet of music with \"I Cannot Sing the Old Songs\" - undated, unknown composer.","Scope and Contents \"The Song Folio\" - 1883, various composers; \"that Traitor, Love\" - undated, Joseph L. Roeckel, composer; \"Anthology of American Song\" - 1911, various composers; \"Classic Gems\" - undated, various composers","Scope and Contents \"The One Hundred and One Best Songs\" - 1915, The Cable Company, publishers; \"100 Songs of Scotland (music\u0026words)\" - undated, various composers; \"Songs of the Glenwood Mission Inn\" - 1910, various composers; \"Boosey's Musical Cabinet: A Collection of Standard and Popular Vocal and Pianoforte Music\" - undated, various composers.","Scope and Contents Pocketbook starting with \"Old Hundred\" - undated, various composers; \"The Young Convert's Pocket Companion. Being a Collection of Hymns, with Tunes, Adapted to Each Hymn\" - 1822, unknown composer; \"Booth-Clibborn Dictory Songs\" - 1918, Victoria Booth-Clibborn Demarest, compiler and editor; \"Willing's Pocket Companion, Volume 1\" - undated, various composers; \"Willing's Pocket Companion, 6\" - undated, various composers; \"Willings Pocket Companion, 7\" - undated, various composers.","Scope and Contents \"Munro's 10 Cent Musical Library, Volume 1\" - 1878, various composers; \"A Health to the Outward Bound\" -1843, Alexander Ball and various composers; \"Recreations Pour La Jeunesse\" - undated, various composers; \"Endless Amusement: A Collection of Four Hand Music\" - 1898, various composers.","Scope and Contents \"Vaughn Monroe's Favorite Songs\" - 1942, various composers; \"Tex Ritter: All Star Song Folio\" - 1947, various composers; \"Triangle Song Folio No. 1\" - 1945, various composers; \"Popular Song Hits\" - 1934, various composers;","Scope and Contents \"Italian Opera\" - undated, Don Giovanni, composer; \"Isabeav\" - 1910, Luigi Illica, composer, pietro Mascagni, librettist; \"Christmas Songs\" - 1916, Frederick Niven, composer; \"French's Opera Libretti\" - undated, Linda Di Chamounix, composer; \"Blind Tom\" - 1866, The Negro Boy Pianist, composer; \"La Somnabula\" - 1867, Bellini, composer; \"La Tosca\" - 1890, Mr. Henry E. Abbey and Mr. Maurice Grau, composers; \"The Heard-Bells\" - undated, unknown composer; \"In the Starlight\" - undated, unknown composer; \"I cannot sing the old songs\" - undated, unknown composer; \"The Old Log Cabin\" - undated, unknown composer.","Scope and Contents \"The Army Songster\" - 1864, Geo. L. Bidgood, composer; \"Italian Opera\" - undated, unknown composer; \"Buens Fireside Library\" - undated, Northern Dinsteelsy, unknown composer; \"The Solder's Return\" - undated, unknown composer; \"Scottish Songs\" - undated, unknown composer; \"Scottish Poems\" - undated, unknown composer; \"Burns' Fireside Library\" - undated, unknown composer; \"Popular Confederate War Songs\" - 1907, Whittet and Shepperson, publishers; \"H.M.S. Pinafore\" - 1879, written by W.S. Gilbert, composed by Arthur Sullivan; \"Light Opera Librettos\" - undated, Nanki-Pooh, composer.","Scope and Contents \"The Mikado- and other comic Operas\" - 1885, W.S. Gilbert, librettist, Arthur Sullivan, composer; \"The Mascot\" - 1881, I.W. Norcross, Jr., dialogue and stage Director; \"The Awakened Rameses\" - 1911, Joseph Hudnut, writer, Julius Wuerthner, composer; \"Vie De Boheme'\" - 1898, M. Albert Carre, writer. \"The Awakened Rameses\" - undated, Joseph Hudnut, writer, Julius Wuerthner, composer; \"The Mascot\" - undated, Edmond Audran, composer; translation and adaptation of words to music by, Theodore T. Barker; \"The Mikado and other comic Operas\" - undated, W.S. Gilbert, writer, Arthur Sullivan, composer; \" La Vie De Boheme'\" - 1896, unknown composer.","This series includes sheet music collected by the Special Collections Research Center beginning 2007.","\"I'm sorry I made you Cry\" - 1918, N.J. Clesi, composer and librettist;\"Good Night, Germany\" - 1913, Grant Clarke and Howard E. Rogers, librettists, Geo W. Meyer, composer;\"Three Little Sisters\" - 1942, Irving Taylor, librettist, Vic Mizzy, composer;\"Remember Pearl Harbor\" - 1942, Don Reid and Sammy Kaye, composers;\"Good Night\" - 1944, Dicker Robertson, Al Hoffman, and Frank Weldon, composers;\"Wait for me Mary\" - 1941, Charlie Tobias, Nat Simon, and Harry Tobias, composer;\"This is worth Fighting For\" - 1941, Edgar De Lange and Sam H. Stept, composers and librettist;\"Goodnight Soldier\" - 1943,  Harry Johnson, composer;\"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer;\"G.I. Jive\" - 1943, Johnny Mercer, composer;\"The Bells of Normandy are ringing again\" - 1944, Don Reid and Irving Miller, composer and librettists;\"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer;\"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer;\"Comin' in on a wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy HcHugh, composer;\"Praise the Lord and ass the Ammunition\" - 1942, Frank Loesser, composer;\"Laddie in Khaki\" - 1910, Irvor Novello, composer.","\"If he can fight-like He can Love Good Night, Germeny\" - 1938,Grant Clarke and Howard E. Rogers, librettist, Geo. W. Meyer, composer; \"I'm sorry I made you Cry\" - 1938, N.J Clesi, composer and librettist; \"Prise the Lord and Pass the Ammunition!!\" - 1942, Frank Loesser, composer and librettist; \"Comin in on a Wing and a Prayer\" - 1943, Harold Adamson, librettist, Jimmy McHugh, composer; \"Johnny Zero\" - 1943, Mack David, librettist, Vee Lawnhurst, composer; \"American Patrol\" - 1942, Earl Haubrich, librettist, F.W. Meacham, composer; \"The Bells of Normandy are rising again\" - 1944, Don Reid and Irving Miller, composer and librettist; \"G.I. Jive\" - 1943, Johnny Mercer, composer; \"The Caissons Go Rolling Along\" - 1921, Edmund L. Gruber, composer; \"He wears a pair of silver Wings\" - 1941, Eric Maschwitz, composer; \"Goodnight Soldier\" - 1943, Harry Johnson, composer; \"This is Worth Fighting For\" - 1942, Edgar De Lange, composer and librettist; \"Wait for me Mary\" - 1942, Charlie Tobias, Nat Simon, Harry Tobias, composers; \"Good Night, wherever you Are\" - 1944, Dick Robertson, Al Hoffman, and Frank Weldon, composers; \"Pictoria Review\" - 1942, Don Reid, librettist, Don Reid and Sammy Kaye, composers; \"Three Little Sisters\" -1942, Irving Taylor, librettist, Vic Mizzy, composer; \"Laddie in Khaki the girl who waits at home\" - 1915, Ivor Novello, composer.","Scope and Contents \"I got plenty O' Nuttin\" - 1924, George Gershwin, composer, Dubose Heyward, librettist;\" Ma Little Yalla Daisy\" - joe Goodwin and Raymond thunder mat, 1910\"Time after time is left\" - 1952, Mitchell Parish, Eleanor Young, melody, Harry D. Squires, composer and librettist composer; \"Carly Headed Babby\" -1926 G.H. Clutsam, composer;\"Negro Spirituals\" - 1922, H.T. Burleigh, composer;\"Little Bunch O' Honeyness\" - 1920, Carl Hahn, composer;\"Cottonfield Dance\" - 1904, Al. W. Brown, composer;\"Mammy's little coal Black Rose\" - 1929, Raymond Egan, librettist, Richard A. Whiting, composer;\"Aint You coming back to Dixieland\" - 1912, Al Jolson, composer;\" Come Back Dixie\" - 1915, Jack Mahoney, librettist, Percy Wenrich, composer;\"Leap Frog\" - 1908, Edwin F. Kendall, composer;\"I'm missin Mammy's Kissin\" - 1921, Sidney Clare, librettist, Lew Pollack, composer;\"Carolina Rolling Stone\" - 1921, Mitchell Parish, librettist, Eleanor Young and Harry D. Squires, composers;\"My Croony Melody\" - 1924, Joe Goodwin and Ray Goetz, composers;\"Creole Swing-Song\" - 1908, Frederick E. Weatherly and Luigi Denza, composers;\"Ma Little Yalla Daisy\" - 1899, Hattie Starr, composer;\"The Black Cat Rag\" - 1910, Frank Wooster and Ethyl B.Smith, composers.\"My old home in the South Land\" - 1904, Mary F. Britton, I.M. Jackson, composers;\"Mighty lak'a Rose\" - 1901, Frank L. Stanton, librettist;\"The Ragtime Violin\" - 1911, Irving Berlin, composer;\"Sweet and Low\" - undated, J. Stanley Royce; composer;","10 pieces: 1 WILL YOU SAY TO MY DEAR MAMMY 1918 – by M. C. Thornton. This is a rare World War I sheet published by the composer in New Albany, Indiana. It shows a mother and a younger women named Cory waiting on a farm in front of a picture of the soldier overseas. 2- GOOD-BYE SAL PATRIOTIC MARCH SONG 1917 – by Ervin R. Miller. Cover art by WALTER SPOUSE. Cover photo of ANGELO MINETTI, THE GREAT CONCERT PIANO-ACCORDIANIST. 3- THE HOME COMING MARCH 1908 – E. T. Paull. Cver art by A Hoen \u0026 Co. of Richmond, Virginia. Images deal with family reunion, sailors homecoming, soldiers homecoming, and father coming home from work! There is also a Pax or Peace Parade as the main image ending a war. 4- I HAVE YOU AND YOU HAVE ME THOUGH YOU'RE THOUSANDS OF MILES AWAY / SOLDIER SONG 1918 – Tell Taylor, Earl K. Smith. Published by Tell Taylor. 5- FAREWELL, MOTHER, I HATE TO SAY GOOD-BYE TO YOU 1918 – Thomas J. Flanagan, Ray Gibbins. Published by the composer in Syracuse, New York. One of the more rare STARMER art covers. The figure of a soldier calling a young soldier away from his mother. The 2 blue star flag flying from mother's house suggests she has a boy in the service. 6- WAKE UP, AMERICA 1916 – George Graff, Jr., Jack Glogau. Cover shows a giant Uncle Sam holding a battleship as the statue of liberty, a dirigible and airplanes appear.. 7- IT'S A LONG, LONG WAY TO TIPPERARY 1912 – Jack Judge, Harry Williams. Cover TOMMY ATKINS. 8- GOOD-BYE MY SOLDIER BOY 1917 – Calla Gowdy Gregg. Self published by this female composer at 6 North Penn in Indianapolis, Indiana, this one is pretty rare. 9-THEY WERE ALL OUT OF STEP BUT JIM 1918 – Irving Berlin. Cover photo BLANCHE RING. Art by BARBELLE. 10-OVER THERE by George M. Cohan. Cover WILLIAM J. REILLY U.S.N. OF THE U.S.S. MICHIGAN.","Scope and Contents \"We are Americans Too\" -1935, Andy Razaf, Eubie Blake, and Charles L. Cooke, composers and librettist.","Scope and Contents \"Anything is nice if it comes from Dixieland\" - 1919, Grant Clarke, Geo. W. Meyer, and Milton Ager, composers.","Scope and Contents \"It takes a long tall brown-skin gal to make a preacher lay his Bible down\" - 1917, Marshall Walker, librettist, Will. E. Skidmore, composer.","Scope and Contents \"Negro Spirituals\" - 1927, Chas. H. Pace, arranger.","Scope and Contents \"On the Gin Gin Ginny Shore\" - 1921, Edgar Leslie, librettist, Walter Donaldson, composer.","William's Colored Singers, The World's Greatest Harmonizing Octette. William \u0026Johnson Proprietors, Cas. P. Williams, Mgr., Chicago. Contains American Folk Songs as Sung by Williams' Jubilee Singers. Biography of the Williams' Jubilee Singers in back.","Scope and Contents E. L. Gamble and Karl C. Kraft: Gamble's Minstrel Song Book. First edition. East Liverpool, Ohio: E. L. Gamble, 1925. Printed softcover with retailer's label, 9 x 12 in., 12 pages. Collection of songs intended for use in minstrel shows, employing typical racial stereotypes. Among the titles included are \"Opening\" (\"Our jokes they are new so those who feel blue we will keep on the go...\"), \"How I'se Got the Ku Klux Klan Blues\" (\"As dey grow stronger mah legs grow longer.... I shiver and shake I quiver and quake when at me they make goo goos....\"), \"Where de Water Melons Grow,\" \"Gibe Me Chicken Foh Ebery Meal,\" and \"Finale\" .","Songster: \"Latest Coon Hit; I Don't Want to Be Your Lady Friend No More.\" Henry Weiman Publisher, New York.","Scope and Contents \"By Sam Coslow and Leon Friedman, Writers of Grieving for You, etc.\" Published in new York, by Robert Norton Co.Other title included is \"Try this over on your piano Gypsie Rose\" by Henry Lodge and Evelyn Rose.","Scope and Contents \"Farewell My Lilly Dear\" a Plantation Melody as sung by Christy's Minstrels written and composed by S.C.F.  Published by Firth, Pond \u0026 Co.  Copyright date of 1851.  Hand sewn binding.","Contains the following pieces of sheet music, most of which feature cover art that stereotypes African Americans. Paper Doll by the Mills Bros I aint bliged to stan no nigger foolin (Cover Only) Honey You'se May Lady Love (Cover Only) At a Darktown Cake Walk Everybody Twostep Rag Lucy (Cover Only) Smoky Mokes Hella Ma Baby Pray for the Lights to Go Out: A Negro Shouting Song Hypnotized Coons (Cover Only) Massa's in the Cold Cold Ground (2 different covers) Darktown Belle Mandy Lane The Sunny South Mid The Fields of Snowy Cotton Memories of the South Carry Me Back to Old Virginny Whistling Rufus Peaceful Henry Old Black Joe Mammy's Lullaby Pullman Porters Parade A Plantation Medley of Southern Airs","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes sheet music relating to wars, such as the Spanish-American War and World War I; nationalism; and depictions of life in the United States. Some of the pieces include racial caricatures of African-Americans.","Includes Tramp, Tramp, Tramp; Dixie Land; The Battle Cry of Freedom; Marching Through Georgia; and The Star Spangled Banner.","From the musical comedy \"Three Little Lambs.\"","Contains the following pieces, some with cover art that stereotypes African Americans: St. Patrick's Day is a Bad Day for Coons, composed by Irving Jones, sung by Lew Dockstader, published by Sol Bloom, music supplement of Hearst's Chicago American, Sunday, September 8, 1901. The American Song King Edward Asked For, written by Arthur Pryor, the Assistant Director of Sousa's band, pubished by The Sell Music Co., New York, music supplement of Hearst's Chicago American, Sunday, April 19, 1903. Wing Lee's Rag-Time Clock, written and composed by Al Trahern, sung by Mathews \u0026 Bulgerin by the Sad Sea Waves, published by Shapiro, Bernstein \u0026 Vontilzer, New York, music supplement of Hearst's Chicago American, Sunday, September 2, 1900. A Rich Coon's Babe, written by Clare Kummer, published by Howley, Haviland \u0026 Dresser, New York, 1903.","Contains songs for use in \"Special Services Activites by Armed Forces personnel only.\"","Scope and Contents Sheet music about the memories of Greek independence in 1821 by Severin Leoni. The music is subtitled in French \"Souvenirs de la Liberte de la Grece 1821\" or \"Memories Souvenirs of the Freedom of Greece.\" The inscription at the top of the cover translates to \"Dedicated to the great patriot and benefactor of Greece G. Averof. The heroes listed clockwise on the cover include G. Averof, philanthropist; Patriarch Gregory V; Markos Botsaris, general; Konstantinos Kanaris, admiral; Theodoros Kolokotronis, general; and Rigas Feraios, writer, poet, and intellectual. 10 p. of music ; 36 cm.","Scope and Contents Sheet music for the song \"We are Americans Too\" with depictions of an African American Revolutionary War, Civil War, and World War I soldiers. Words and music by Andy Razaf, Eubie Blake, and Charles L. Cooke and published by Handy Brothers Music Company, Inc.","Contains sheet music related to the South, including some specifically about Virginia. There are a few pieces from the Civil War era. Music is arranged alphabetically by composer's last name.","Five Salted Peanuts","Capt. May's Quick Step","Virginia","Sweet Virginia Rose","He's A Rag Picker","Carry Me Back to Old Virginia (two copies)","Peanuts And Diamonds","The Teddy Bears' Picnic","Hot Roasted Peanuts (A Nutty Song with a Crackin' Good Tune)","Wait Till The War, Love, Is Over","Rose of Virginia (Operatic Edition) Rose of Virginia (Fine Art Edition)","Virginia Lullaby","Scope and Contents Henry George Theme Song, \"Smoke All Your Troubles Away\"","Heart-Sickness Blues","Bud Rag","Moonlight on the Melonpatch","How's Your Folks and My Folks Down in Norfolk Town","Virginia Blues (two copies)","Virginia Belle","Virginia Moonlight (woman on cover) Virginia Moonlight (Companion Song to the World Famous Lullaby Time)","There's a Girl in Old New Hampshire Whose Heart is Apart of Me","Peanuts (La Cacahuata)","Tell Them You're From Virginia","'Mid Tthe Green Fields of Virginia","Throwing Peanuts to the Moon","Scope and Contents Songs of the Old Dominion No. 1: The Moon is Dancing on the Sea Yes, I Will Leave the Throng With Thee, Answer to \"Oh, Share my Cottage, Gentle Maid\"","Texas","Old Virginia Moon (with ukulele arrangement, blue cover) Old Virginia Moon (green cover, two copies)","Pray, Maiden , Pray!","The U. Va. Two-Step","Watermelon Club","Virginia Lou","I'm Going to Climb the Blue Ridge Mountains Back to You","Temptation Rag","Watermelon Man","She is the Sunshine of Virginia","Billy","Billy Boy","When It's Harvest Time in Peaceful Valley","Melinda's Wedding Day","The Lord Made a Peanut","At a Georgia Campmeeting","Shenandoah","Watermelon and Friends","Chariot Race, or Ben Hur March (Tears in music stitched and note from composer's friend on inside of cover)","Melon Time in Dixieland","I'm Gonna Bring a Watermelon to my Girl To-Night","Heart of Virginia","Virginia Moon (Waltz-song)","An Old Fashioned Garden in Virginia","The Peanut Vendor (El Manisero)","A Tale of Old Virginia","Under the Anheuser Bush (two copies)","Watermelons- Songs for Living","When it's Springtime in Virginia","Watermelon Weather","Peanuts! 5 a Bag","Carbalick Acid Rag","Memories of Virginia (Two copies)","Down Old Virginia Way (Operatic Edition)","Cover Me Up with the Sunshine of Virginia","Contains sheet musicrelated to Virginia and love songs. Some of the songs featured are \"And Wilt Though Weep?,\" 'Princess Pocahontas,\" \"Here's to you Henry Clay,\" and \"La Belle Virginienne: Composed and Dedicated to Mademoiselle Sally E. Taylor of Norfolk, VA.\"","La Belle Virginienne Valse (Binding hand-stitched)","The Ashland Memories","Princess Pocahontas (March and Two Step)","Researchers should consult with a staff member for further information in advance of using this series. Some of the sheet music in this series has pieces of paper with braille glued to the front page. Boxes 1-111 contain single song music by composer; boxes 112+ hold sheet music from music books and are filed by Publisher.","Organist of Pierpoint Baptist Church, Brooklyn, New York Hear Our Prayer Le Reve D'Amour with cover art La Coralie Polka Scottisch The Princess Waltz","Gems of German Songs Sing Tutor Oh, Ye Tears When the Swallows Homeward Fly Thou Art the World to Me Embarrassment with cover art of Minnie Palmer Fly Away Birdling Dear Angels Sleep thee Well Sweet-Heart, Good-Night Agatha Sleep Well Thou Sweet Angel Wanderer's Song Ask Me How much I Love Thee Il Sogno Stay with Me Good Night My Child Maiden Arise! Not a Sparrow Falleth She Whispers Softly Goodnight Der Fragft: was fingen die Voeglein all?","Christmas Song O Christmas Night Le Diable-A-Quatre Polka","Don't Be Angry Mother Scotch Air","A Warrior Bold - cover art The Mid Shipmite with ads from R.H. Macy","Picture of Comm. Enrico Caruso","known also as The Prima Donna Song; arranged and adapted by Chas.Jarvis","from Bellini's Admired Opera of Il Pirata","La Flute Magique Rondinos Bouquets de Melodies des Operas Il Trovatore","cover art","cover art","photo on cover","hand written music sheets included","photo of Allen on cover","Souvenir edition for Army Air Forces Leave Hotels on French Riviera","Hand written music sheets with hand designed cover art","Tis Midnight Hour with cover art Constancy","Larmes of Joie Katie's Secret","Cover Art","cover only","covert art","Somebody's Coming Oh Give Me the Hills My Gentle Isabel Oh! the enchanting delight","cover art","Ecstasy The Meeting - cover art L' Arditia","Treasures of the Deep One Struggle More","Mexico","Cover Art Madrid ,Spain","Cover Art","cover art: photo of Julio Martinez Arteaga Bolivia - Spanish","Marie Martha Happy Greetings Pepita Polka Snow Castles Marche De La Reine Mazurka des Traineaux, Chanson a Boire de La Promise La Cascadde de Roses Les Fifres de La Garde Sans Souci Galop De Bravoure","Bolero Waltz Come o'er the Moonlit Sea Dark Eyed One Dinna Forget You Say We Part Forever Come and Wander With Me Oh Yonder Rock Reclining March (Masaniello)","Mexico - Spanish","Italian Photos on cover","Sweet Lucy May My Dear Old Home Whom will the Shoe fit (The Maiden's Vow) I'll do as Much for You Eva Clair Dispel Those Clouds That Sorrow's Cast","Mexico - Spanish","Spanish - Barcelona, Spain Cover art by J. Casals","Christine - cover art My home by the mountain side The Cot by the Hill - cover art","Drei Lieder ernsten Inhalts - German Kirchenkantaten Meditation Dir ersten Bach-Studien Klavierkompositionen Bourree Das Wohltemperite Klavier Gavottee Willst du dein Herz mir schenken","London","Orphan's Prayer The Maiden's Prayer - cover art La Priere Dune Vierge - French version of the Maiden's Prayer Gebet einer Jungfrau - Germany","Centennial March - cover art I'd be a Butterfly","cover art","The Sailor's Grave The Little Sailor Boy's Lament The Happiest Time is Now My Home in the Greenwood The Barber's Shop The Mountaineer's Farewell My Trundle Bed Moonlight Boat Glee","Once a Dear Blue Eyes or Black Prima Donna Waltz Vilikins and his Dinah Laura's Linnet Jeannie Marsh of Cherry Walley The Sparkling Polka Lucrezia Borgia Quadrille Marseilles Hymm - cover art Guardian Spirits","Then You'll Remeber Me I Dreamt I Dewlt in Marble Halls - Cover Art The Light of Other Days is Faded The Sailor Sighs Pity for the One in Childhood Torn Come into the Garden, Maud The Day is Done Heart Bowed Down Oh Shall we go a Sailing Oh, Take Me to Thy Heart Again Don't let the Roses Listen Good Night, Good Night Beloved Excelsior Come into the Garden Maud Hark! I Hear the Organ's Peal!","I Dream of All Things Free When Stars are in the Quiet Skies Tell Him I Love Him Yet Oh, I come Not to Upbraid Thee","Italian","Das Konigsballet","German and English","Dear  Love, Be True Darling \"Tis You","Mary Gray The Gypsie's Festival","Der Herr is Mein Hirt - German Marcia Fantastica Albumblatt","I am Returning to Thee, Annie Snow White Blossoms I'm Leaving Thee in Sorrow, Annie The White Squall The Haunted Stream Where are the Friends of My Youth? Why do Summer Roses Fade Would you Leave me to Mourn","O bury me by the river's side Silently, tenderly, mournfully home","O That I Had Wings Love Not Waltz Give Me another Flower I Love Thee Still","I Spring-Tine When the Tide Comes In My Golden Ship","The Days of Old Romance Le Matin (Polka)","The Highland Minstrel Boy Moonlight, Music, Love \u0026 Flowers My Father Land Guard Her as a Treasure The Light Guitar Why Do I Weep - cover art Galopade from Gustavus By the Flowing Guadilquiver I wish I had a Little Bird Why Say Farewell!","Don't Stay away so Long Little Footsteps - cover art","I Oftern Sigh in Sadness Love's Regret","The Dying Girl's Farewell Novelette Quickstep","I Would That My Love - German and English Lieder Ohne Worte The Wedding March Trois Fantasies","Sing to Me Nightingale The Village Quick Step","Sweet and Low There is a fountain fill'd with blood Don't Care Tarantella","Silvery Shower Biscaccianti Waltz Breakfast Bell Polka Salut a La France Ever Be Happy! The Dearest Spot on Earth to Me Is Star of the East Garnet I Will Care for Mother Now Martha Rendezvous Mazurka Long Long Weary Day","Bilder in TonenGerman with cover art Rondo Mignon","Long Long Ago I'd Be a Butterfly We Met No Ne'er Can Thy Home Be Mine The Self Devoted Nun The Musical Wife","French cover art and photos","Ah! Yes I Remember How Sweet are the Roses","Le Me Be Free Melodeon Hall Schottische Paddy Carey Polka Knight Templar March Speak Not that name so Lightly Lilly Dale","The Whispering Trees The Image in the Heart","Sonaten Sinfonies Grand Landler Waltz Beethoven's dream Cactus Waltzes Les Audieux Azalia, or Almacks Waltz","Rondo Sonate Symphonie Nr. 2 Symphonie Nr. 8 Beethovens Last Waltz Funeral March with cover art Oh! God Thy Goodness Vienne March Minuet in G Grand Waltz Sonatine Sonaten Op. 10","Irrlichter The Jolly Trumpeter Galop","German","Italian","Take Them I implore Thee Hear me Norma Wher eare Now the Hopes I Cherished Sunbeam of Summer Oh Love for Me Thy Power Ah Bello a Me Ritorna Still so Gently o'er Me Stealing La Sonnambula Ah! non giunge Grand March in Norma","Linda Dumbarton's March 20 Joys (collection for Piano Fairy Dances Highland Fling Lilly Dale Starlight is Beaming I've not a thought but what is Thine Starlight Waltz","Night Fall Schottisch Hyazinth Schottisch The Young Recruit Quickstep La Favorita Domino Gallop Starlight Waltz Sleeping I Dream Love Blanche Alpen Waltz The Snowflake Schottisch The Dearest Spot of Earth Friendships Polka","Rocking Chair Polka 'Tis Midnight Hour Les Bords du Rhin A Good Old Fashion Polka St. Patricks Day Waltz Il Travatore Yankee Doodle The Wizard's Polka Schottisch Quickstep Lily Dale March di Bravura Poliuto","Bridal March La Fille du regiment Gentle Annie Friendship Waltz Bon Ton Polka Clara Polka Le Torrent Waltz Martha Potpouri Polka Joyful Waltz Little Darling Sack Waltz Chit Chat Plain Cotillion","cover photo","Wait for the Wagon Hope Be Thy Guide","The Atlantic Polka By the Sad Sea Waves Take this Lute - cover art The Cruiskeen Lawn","cover art","English and French","The Sands of dee Octave Galop The Tremolo Waltz Linda di Chamounix Les vespres Siciliennes La Traviata","covert art","Italian and English","Italian","German and English versions","Ernani Rondeau Polacca Rondeau La Muette de Portici Teufel's Polka Balisario The Evening Star Waltz Parade March Martha de Flotow Lucia di Lammermoor","La Fille du Regimment Salut a la France The Evening Star Waltz O Wert Thou But Mine Own Love Fleurs Italiennes Elfen Waltz Second March Martha Norma Ernani","Lucrezia Borgia Maniac or Pestal Waltzes Le Prophete Evening Star Waltz Last Waltzes of a Madman Azalea Polka I Puritani Faust de Spohr","Bouquets de Melodies OP. 42 - Cover art Belisario Post Horn Polka Evening Star Waltz La Sonnambula Opera Guillaume Tell de Rossini - cover art Fleurs Italiennes","Toujours Mobile Galop Faust","Marguerite - cover art Take Me Jamie dear","Home! Sweet Home - cover art I'm Saddest When I Sing Sweetly O'er My Senses Stealing! Teach, oh teach me to forget! Isabel Oh! My Bravest and Best I Resign Thee The Mistletoe Bough The Bloom is on the Rye Friendship Polka I Never lamed Him Never Go My Love Hark! 'tis the Indian Drum Bonaprate's Coronation Drum Oh! no I'll never mention Him Should He Upbraid Low wav'd the Summer Woods Tell Me My Heart Sounds so Joyful Ne'er can the Rose Dashing White Sergeant Myn-Heer Van Dunce Tho' tis all but a dream I'm Saddest when I sing If I speak to thee in Friendship's Name My Pretty Jane As it Fell upon a Day As the Robin When Once Fondly Cherished You Think I have a Merry Heart Sweettly O'er my Senses Stealing I'm Queen of A Fairy Band","Pretty as a Picture - cover art The Moon Behind the Hill leaf By Leaf the Roses fall Kittie Wells","\"Tis Sad to Think Upon the Joyous Days of Old By-Gone Hours Miss Myrtle","On the Bright Shores of Gold A Dream of Love - Cover Art Waves of the Ocean - cover art Sweet Dora Dare - cover art Watching By the Golden Gate - cover art While the Siver Tints the Gold - cover art Song of the Fisher Maiden - cover art Clayton's Grand March","Oh would I were a Bird I'm Glad Father's Come! Blue Eyed nelly","cover art","cover art","The Keepsake - Cover art Dagobert Alpine Morning Nannetta Polka les Bords Du Danube","Remember Me - cover art 48 Etudes","True Love Lives Forever Wery Pekoollar","German; cover art","Lora vale Remembered","The Blind Flower-girl's Song List, to the Convent Bells Love Not! Hearts and Homes Yesterday Household Words","A Favourite French Air Michelson's Celebrated Waltz","The Bend of the River Chant du Cigne My Queen Marche Militarie My True Love has My Heart The Message","covert art","The Triumph of the Waltzes Heaven to You May Grant Pardon Porter Sons Ah! Would that Happy Day Were Near - cover art photo of Anna Bishop","Silhouetten La Fontaine Heimweh At even-prayer ; remember me - English and German","Goodbye Douglas, Tender and True the Sea has its Pearls","French and English","Italian","cover art","photo on cover","The Lament of the Blind Orphan Girl Victory at Last","Italian, German, English","Take My Arm the Other Side Quadrille","Serenade-OP.11 Fruhlingstrost - Comfort in Spring Op. 63 german and English Vergebliches Standchen Mein Madel hat einen Rosenmund When thy Bosom heaves the Sigh Sextett Op.18 Ungarische Tanze Capriccio Op.76","Oriental Waltz Carmac Polka","photo cover","Golden Light Polka Oh!home of my boyhood Mountain Horn Waltz Pleyel's German Hymn","Bring Back Our Darling - cover art Jockey Hat and Feather - cover art Nellie Ray Answer of Molly Darling","German and English","Fantasie Op.55 Funf tonstucke verschiedenen Charakters nebst drei Postludien Op.61","Woodlawn March Dream Life Schottish Midnight Scottisch - covert art The Rival Scottisch May Party Waltz -cover art Will You Come to My Mountain Home? cover art Oh Come Maidens Come Oh No I'll N'eer Forget thee The Sultan's Band March Love Not Bonny Eloise Polka Midnight Rhymes - covert art Happy family Polka - covert art Pride Polka - covert art Minnehaha or Laughing Water Polka - cover art Early Dawn Polka -cover art Hullabaloo Quadrille","Tyrolese Evening Hymn Come to the Sunset Tree","Rondo from la Sonnambula Der Froliche Tanzer 30 Petites Etudes pour Piano","French- colored cover with photo","Te Deum in B Minor Down by the Mill","The Diana Waltz The Ocean Wave Waltz","The Great Hen Convention Dixey's Land Darling Little Blue eyed Nell Little blue eyed boy Yes, we miss thee First Rose of Summer Kiss Me Quick and Go Ella Leene","Jolly Brothers L'Avant Coureur Galop","cover art photo","Marching Along Quick Step Rory O'Moore Quick Step","Fee Aux Roses Valse de L'Aurore Rondino Rondo Irlandais Rondinetto Marche de la Norma Le Juif Errant Pharsalia Waltz Bolero sur le Domino Noir La Fete au Couvent - cover art Fantaisie Sur la Romance The Linden Waltz La Fontaine auz Perles - cover art Cujus Animam March Crociato Bouquet de L'infante Angel of Night Cantarile et Rondo Valse","Colored cover art","Cinderella Waltz Oh Welcome the Hour from Catherine Grey","ZaZa - French - covert art Elle Avait des Soquettes - cover art","Italian","Italian","Weep Not O Rose See the Pale Moon Come Where the Sunlight Sleepeth Vieni Meco Tell me Thou Lovest Me","Italian","covert art","Love Moon J'aime Mon Amour - cover art","Mexico","Ring the Bell Softly Darling Minnie Lee I'd Offer Thee this Hand of Mine When the Whippoorwill is calling","Italian","Espana Tabasco March Habanera","Miller's Daughter - cover art Three Little Songs","Nancy Till The Black Quadrilles","Automne Les Noces D'Argent","I Wandered on the sea-beat shore (Shells of Ocean) Moonlight on the Ocean Will You Leave the Land, Jessie? Trees of the Forest How beautiful is the Sea When the Autumn leaves are falling","Chanson Pour Jean Le Cantique De Justice John's Lullaby","Old Folks at Home Susan Rayne","Deux Polonaises Op. 26 XXI Op. 25 Mazurka No. 1 Vier Impromptus Trois Valses Op. 64 Fantaisie-Impromptu Op. 66","Cover Photo","I cannot Sing the Old songs My Heart is over the Sea Five O'Clock in the Morning Faithful to Thee Maggie's Secret Maggie's Welcome - cover art Strangers Yet Take back the Heart We'd Better to Bide a Wee Won't You Tell Me Why Robin All Along the Valley","Poor Juna Rock of Liberty Meet Me By the Running Brook Minnie Minton Under the Ice Do not Sing that Song Again The Rover's Grave Jenny June The Sword of Bunker Hill I Live for Those Who Love Me The Old Mountain Tree Lament of the Sailor Boy's Mother","Sonate Op.36 Sonate No. 3 C. Sechs Sonatinen Sonata Nr. 18","Sweet Peace The Old Arm Chair The Bowery Gals The Last Link is Broken Slumber Sweetly Slumber De Louisiana Belle Stars of the Summer Night Rose Atherton The Last Link is Broken","cover art","covert art","cover art","cover art","cover photo","cover photo","cover art","The Grave of Uncle True The Grave of Lily Dale Dearly Do I Love Thee Dream of Other Days Lizzie Moore Why Don't He Come Thou Wilt never meet me more","The captain Grand March","Judith The May Queen The Holiday The Valley of Roses","Farewell The Rock Beside the Sea - Cover art Ever Speak in Tones of Kindness Northern Grand March Aileen Aroon Deal Gently with the Strangers Heart A World of Love at Home We Miss Thee at Home Susy Dear The Death of Minnehaha","Spring Season Polka Three Bells Polka","Dear Violetta Loves Ritornella Gustavus the Third","The Chatsworth Quadrilles Mugby Junction Galop","Beautiful Air The Harp That I Strung","Ecco Quel Fiero La Stella D'Amore","I Have Something Sweet to Tell You I Hear Thy Words So Tender Beck's Very Best Schottisch","Tarantelle Celluloid Polka-cover art","She is Sleeping, Sweetly Sleeping The Dismal Swamp","Sweet Love of Mine - cover art It Was a Dream Alas! The Old and Young Marie","Thou Still Art Near to Me Meet Me at the Lane","Last Idea of Weber The Lat Rose of Summer Le Desir","Frederick Polka Il Desiderio Lucrezia Borgia De Donizetti","Marche Turque Rousseau's Dream Etudes for Piano The Celebrated Studies","cover art","The Orange Blossom Waltz The Talpahok Waltz The Good Hope MArch","L'Hirondelle et le Prisonnier Une Voix Dans La Nuit","Lovely Nell I Forget the Gay World Dreams of Thee The Grave of Washington Dearest Mae","Pray Child then Pray - cover art Ernani","Kathleen Mavourneen - one hand written copy; cover art Dermot Astore! The Fountain of the Glen The Church Porch Sing to Me Norah The Three Caskets Her I Love I feel I'm Growing Old Lizzie","See Saw Waltz Little, Saucy Kate -cover art","Johnny's so Bashful The Angels Told Me So Captain Jinks Quadrilles","Had I Never, Never Known Thee The Arkansas Traveller Thou wouldst call me Back from the Echoless shore","Trust to Luck Juney at the Gate","Sweet Alice in Heaven the Sunshine in You The Sylphide Polka","Oft in the Silly Night The Carol of ther Mocking Bird Schottisch Hindoo Slave Girl","Four Operatic Quadrilles Theme of Mozart Petits Rondeaux et Variations Marche de Couronnement Air from Puritani Variations Elegantes; #3,#4,#6, #9,#11,#14,#15, #17,#19,#22, #23 Fantasia The Poor Blind Boy Theme de Ricci; Voi Mirate in Si Bel Giorno","Vorschule zur Fingerfertigkeit Six Operatic Overatures Six Popular Airs Two Quadrilles Royales Elfen Waltz March from Moses in Egypt Les Plaisirs du Salon Quadrilles Air in Mozart's Zauberflote The Swiss Drover Boy Le Pre aux Clercs Galop 30 Etudes Mecanisme","Schule der Gelaufigkeit Exercises in Velocity Souvenir de Jenny Lind Long Time Ago Dix Petits Rondeaux A Selection of Popular Airs","Stephanie-Gavotte En Avant Lover's Dream after the Ball","The Coquette Polka Home Sweet Home The Sontag Polka - Color cover art The National Schottisch Palermo Quadrille","Good Luck Polka The Flying Cloud Como Quadrilles The Bridal or Wedding Polka The King Pippin Polka The Rainy Day Song The Princess Royal Polka The Circassian Polka The Lute Waltz Bonnie Dundee The Edinburg Quadrille The Queens Galop Paul and Virginia Galop","Das Madchen und der Schmetterling Mittelalterliche Venushymne","cover art","Flee as a Bird The Past! The Past!","Romance Berceuse","Go Where the Mists are Sleeping Maiden! awake from thy slumbers","Silver Threads among the Gold When Silve Threads are Gold Again Little Face You Are Always Young to Me What were all the World Without thee? Half a Heart We deck their graves alike to day Christ is Risen-He is the Lord Hail the Lord Our Savior - cover art As thou Wilt Angel of Beauty Have I Not Been Kind to Thee? cover art Scatter Sweet Flowers o'er the Dead Heart Longings Don'r Be Angry with Me Darling","cover art","Babina Innamorta - cover art non dimenticar le mie parole - cover art","7eme Air Varie Airs Varies pour Violon Second Concerto Le Tremolo Douze Melodies Italiennes","Brindisi Octoroon Galopp","La Fille aux cheveux de Lin Jardins sous la Pluie Deux Arabesques Golliwogg's Cake-Walk Ministrels","cover art","Let Us Love One Another The May Queen The Blind Boy - cover art When the Night Wind Bewaileth The Lament of the Irish Emigrant-cover art I'm Alone, All Alone The Rainy Day Annie Laurie The May Sun Sheds an Amber LightThe Rainy Day","When the Swallows Homeward Fly La Prima Donna Valse","Les Adieux Spanische Tanze","cover art; Russian/Cyrillic","Songs of the Gondola Wings of a Dove","cover art","cover art","28 Melodious Exercises Sonatinen, Op. 151. 168 Largo al Factotum","'A Sciurara Duorme Mari - photo art Enrico Caruso - photo art","Ossian's Serenade The Whitw Mountain Serenade","Elizabeth Schottisch The Lancers Quadrilles Ferris' Quick Step - cover art The Cally Polka - cover art Ocean Wave Quick Step - cover art The Young Bachelor's March","Elizabeth Scottisch Bell Polka - cover art","cover art","Marjorie's Almana - ccover art He Thinks I do not Love Him","The Old Clock on the Stairs The Bridge - cover art The Brook","Motivo d'Amore - cover photo io che non vivo - cover photo","cover art","Child of the Regiment I Saw Her on the Vessel's Deck Lucrezia Borgia O Mio Fernando My Sighs Shall on the Balmy Breeze Nuits d'ete a Pausillippe Figlia Del  Reggimento It's Better to Laugh Make Me no Gaudy Chaplet Life Has no Power While Thus Around Joy Hovers Lucia di Lammermoor Life Has no Power Would you know my Worshipped Idol Spirit of Light The World is Full of Beauty Il Canta Italiana Search thro' the Wide World O to the Field of Glory I'll Pray for Thee Salut a la France","Rayon du Soleil Martha","cover art","I Can-not Live Without Thee I Live, Love! But for Thee","The Silken Bands Pensez a moi ma Chere a mie","We were Happy Then The Old Thatched Cot I went to Gather Flowers","Mary Blane Summer Evenings Come Where My Love Lies Dreaming \"Tis the Last Rose of Summer Swiss Cottage Post Boy Polka Winter Evenings Red Rover Quick Step Cruiskeen Lawn I was Poor but I was Happy Swiss Cottage Twas Night and All Around","O Salutaris Ave Verum","Annie Laurie Will Ye Come Back Again","1re Valse 6eme Valse","Canzonetta Sonte in B dur","Pleasures of Home Speed the Plough","Attila Gustave","12 Clavierstucke Silhouellen Bible Song No. 4 (handwritten) Slavische Tanze Biblische Lieder","Mr. Tambourine Man (French) With God on Our Side (French)","The Mellow Horn The Kettle and the Clock We Have met, Loved, and Parted Home is not Home without thee The Brown Jug Hoe the Gates Came Ajar Meet Me with a Kiss","Cousin et Cousin Du Plus Belle! Perce-Neige La Blondine","La Gaiete The Ethiopian","Button-Hole Boquet - cover art photo Hush A Baby Bye - cover art photo Sunshine will Come Again - cover art photo Santa Clause - announcement and song with photo","I Hear the Angels Calling My Idol Home When the Hues of Daylight fade","Burst, ye Apple Buds! At the Sea-shore","Sweet Violets Flee as a Bird Brothers Lullaby Fritz, Our Cousin-German","cover art","Boscobel Waltz Lattice Quick Step Good-Bye Wandering Sprite - Cover art The Separation The Ianthe Waltz A Twilight Thought Emniskillen Polka Oh! Come to the South","covert art","Bolero La Carnaval de Venise","D'Rauf Los! Goldfaden! Kaiser-Jubilaums-Marsch","Dear Heart Sweet Long Ago","Angel of Light, Favorita Annie Lisle La Mandala - cover sheet only The Gypsy Boy Welcome Soldiers! Thou Art so Near The Reaper's Polka Good Night Fair Maiden Carena No One to Love","One copy has hand written notes that appear to be poetry dated Sept. 19th, 1919(?)","Forget Thee, Dear Susie A Young Maidens Thoughts There's a Cot in the Valley Our Paths were once together Cast","Le Donne Comm'e' Bella 'a Stagione","dedicated to the Harvard Class of 1837","Panis Angelicus Ecce Panis Les Rameaux","Up and Away Wildfang Blattlein im Winde Walzer Rothkappchen-Polka -cover art","includes some handwritten notes in Italian","Im Fruhling Abschied In der Nacht Andre Liebe The Wanderer Gegegnung","Haydn's Gypsy Rondo Grecian Rondo","When I saw Sweet Nellie Home Liberty and Union","cover art","cover art","Lizzie Dies To-night Suffer Little Children to Come unto Me Little Ella's an Angel Nelly Bly Old Folks at Home My Old Kentucky Home, good night Fairy Belle Maggie by my side Massa's in the Cold Cold Ground - cover art Hard Times Come Again no More Beautiful Child of Song Nelly was a Lady File includes some posters without music","Willie I have Missed You - cover art Partenia to Ingomar Old Black Joe - cover art Beautiful Dreamer Under the Willow she's Sleeping Why Have My Loved Ones Gone? Gentle Annie Eulalie Come Where My Love Lies Dreaming Old Dog Tray","Fire Fly Polka Cottage Polka Syracuse Polka My native Land Good Night Mountain Zephyr Sounds from the Valley Syracuse","Over the Garden Wall - cover art Guild Polka Militaire - cover art","Little Annie Polka Mireille - Galop Polka Ideale","The Lanciers The Fishermaiden - cover art","Colored cover art","The Deep, Deep Sea Little Snow White Hands","Across the SeaBye and Bye Only Weary Oh Willie Boy Come Home The Old Journal Song When Sparrows Build When the Pale Moon arose last night","covert art","Sing Birdie Sing Nightingales Trill By Rippling Brook or stilly pond-Forget Me Not","cover art","O Fair Dove, O Fond Dove True Till Death","Ritmo Facinante Liza Alguien Me Ama Hazio Otra Vez","The Virginia Rose Bud Shells of the Ocean We are coming Father Abraham","Alice I'll Come to Thee Little Tottie's Prayer - cover art","I left Thee Where I Found Thee Love Allen Adale","Kathleen O Moore Kate Kearney","Good News From Home Academy Polka Oh let me dream of former years","cover photo","I Love Thee Yet The Orange Blosson Bridal Song - cover art Home: Where changes never come Be Watchful and Beware The Rose of Tralee Do They Think of Me at home Jeannette and Jeannot - cover art Under the Mistletoe Matrimony When we are Married My Own gentle Mother The Monks of Old Wandering in the May-time Fierce Flames ar Raging Sunshine and Cloud From Our Merry Swiss Home Kitty Tyrrell - cover art The Cavalier - cover art The Merry Merry Vintage Maid The Flower Queen","Che Faro Senza Euridice Iphigenie in Aulis","All Things are Beautiful Annie O'The Banks O'Dee Beautiful Erin Beautiful Moonlight Beautiful Star Blanche Alpen Blind Girl to Her Harp The Christian Graces - Cover Art Come to the Woods The Depths of the Ocean The Dove Down Among the Lillies The Dream is Past Faith Hope \u0026 Charity Floating on the Wind","Gently Signs the Breeze - covert Art Gipsy Countess The Gipsy's Dream The Gipsy Girl Give Me a Cot in the Valley I Love A Home that I Love Hope and the Rose A Home that I Love How Can I Leave Thee?","I Love thee Merry Sunshine I would Not die in Winter In the Starlight Lassie with the Hazel Eye Lays of the Night - cover art Mary Astorr Mother Can this Glory Be Murmuring Sea Music \u0026 Her Sister Song My Heart is Sad To Day Neath the Greenwood Tree","The Old Tune Our Beautiful Mountain Home O'er the Hill, o'er the Dale Ruth and Naomi Song of the Skylark's The Song of the Zephyr Stars of the Summer Night Susette \u0026 Beau Joe Tell Me Where Do Faires Dwell There a Sweet Wild Rose The Two Forest Nymphs Two Merry Alpine Maids Valley of Chamouni Voices of the Night What are The Wild Waves Saying Why do you Watch the Lone, Lone Deep? The Wind and the Harp The Young Vocalist - cover art","L'Aimable Cavorre","Au Matin Danse d'Almees Pan's Flute","Danse des Gnomes Scaramouche","The Usurious Lover A Woman's Love Deep in the Heart","Marche de Nuit - cover art Pastorella e Cavalliere Slumber on Baby Dear","Ave Maria Celebrate March from Faust Dodelinette Evening Faust Fantaisie brillante Faust Waltz Song Jesus of Nazareth Le Parlate D'Amour The Maiden's Prayer The Marionettes' Funeral March Medje Nouvelle Meditation Parlate D'Amour Pilgrim Reine de Saba Rome o e Giulietta Saltarello Salve DiMora Casta e Pura (Fausto) Sing, Smile, Slumber Soldier's Chorus Tell Me Beautiful Maiden Why Fade so soon sweet blossoms","The Austrian Retreat Bold Soldier Boy Les Bords du Delaware Bright Dreams of the Past Campbells are Coming Charity Departed Days Dearest Spot of earth to me is Home Elysian Dreams Evening Song to the Virgin From Greenland's Icy Mountains","Grand Russian March Henrietta Polka Home Sweet Home - cover art Hopeless not Heartless The Hour for Thee and Me How Sweet are the Roses Jenny Linds Favorite Polka Ladies Pets La Donne e Mobile Lindiana Linden Waltz Listen to the Mockingbird","Maggie By My Side The Marvelous Work Mazeppa La Nottee Bella Oft in the Stilly Night Old Folks at Home One Parting Song and then Farewell Over the Summer Sea","Saint Patrick's Day Sebastopol Shells of the Ocean Signs of Love Sounds from the Catskills Sound the Loud Timbrel Sources of Joy The Stars and Stripes forever The Sunshine of Love Spirit of Love, Spirit of Bliss The Watcher Wings of a Dove Wearing of  the Green Whip-poor-will's Write Me a Letter from Home","Farewell Ask if I Love Thee Goodnight Goodnight Beloved","Alethea Little Wide Awake","cover Art","Klavierstucke - Opus 41 Lauf der Welt Sonate Op.7 Holberg Suite Opus 40 Klaviersonaten Hochzeitstag auf Troldhaugen Berceuse The Shepard Boy Arabischer Tanz Holbery Suite Schmetterling Opus 43 Zweite Orchestersuite Lyrische Stucke","Pleasant dreams of long ago I am lonely to=night","Nelly wants to Marry Young Folks from Home","I'll Hang My Harp on a Willow Tree Oh! Would I were a Girl Again","The Lover and the Bird Look on the Shining Sea La Notte e Bella Il Cielo e Te!","Premierre Mediation The Practical Organist Noels Choral Scherzettino Marche Hongroise","Blanche I do Love Thee The Tear Tell Me! Tell Me! Birdie Wild Ye merry birds song Cheerfulness The Angels The Little Mendicant Ye Pretty Birds","The Fest March Sounds from Home","Gentle Lilly Bell Blue Eyes Scottisch","The Cracovian Maid Love On Come Hither with Me, O'er the Moon-Lit Sea - cover art The Rose will cease to blow","L'heure Exquise Fetes-Galantes-cover art","cover art","Who'll buy my Pretty Flowers Pretty Pong Lillies","Darling Nelly Gray Little Tillie's Grave Angel Nellie or Waiting at the Old Linden Tree","I Know that my Redeemer Liveth - cover art Lord Remember David Concert fur Violine und Pianoforte bearbeitet Ombra mai fu Angel's ever bright and fair The Harmonious Blacksmith Menuett","Memories of Mother Calling Can the Lord Depend on You? Some Day Sonn I'm a Poor sinner Who could it Be? Only Jesus","cover Art","Ever Onward! Call me Pet Names","cover art","The Blue Bells of Scotland Let Me Rest in the Land of My Birth","No One to Love Etty Way Dilly Burn","Hassler's Polka Royal Horse Guards Chinese Galop Society Schottish Shadow Dance","The Sailors Return Goodbye Sweetheart, Goodbye The Beacon that Lights Me Home Simon the Cellarer Old King Cole","How Sweet are the Roses - cover art Whispering Hope What is Home without a Mother? The Chimes of the Monastery Listen to the Mocking Bird Pray Tell me the wish of thy Heart I am Dreaming of the lov'd ones Mercy's Dream - cover art Dreams that charm'd me when a child I set My Heart upon a Flower What Care I!","Symphonien Largo de la 16e Symphonie Sonates Messiah Spirit Song Thou Lingering Star with Less'ning Ray Menuet from Symphonie no 11. Alegretto Pleasing Pain Rondo+","Pat Malloy Six Popular Dances for the guitar","Mollie Darling -cover art Evangeline - cover art Write Me a Letter from Home - cover art Darling Weep no More - cover art Kiss Me good bye darling - cover art Shamus O'Brien We parted by the River side Down by the Deep Sad Sea You've beena Friend to Me Yes, we think of thee at Home Katy McFerran My dear Old Sunny Home- cover art Take Me Back Home - cover art Nobody's Darling - cover art Nora O'Neal","The Burial of Mrs. Judson The Grave of Bonaparte","Little Daises 30 Etudes Progressives op. 46 Oeuvres de Piano","Just Once More! A Summer Night, Waltz Champagne Gallop Coterie Polka Der Wildfang The Skaters Mazurka","Romance Sans Paroles Marguerite","Evening Song to the Virgin The Child's first Grief The Messenger Bird","La Manola Lola Polka Deux Languages Tais-Toi Mon Coeur - cover art","When Alll the World is Young, Lad Oh Hush Thee my Babies","If I were a Bird I'd Fly to thee Liebeslied","cover art","cover art","Madame Sontags Waltz Empress Henrietta's Waltz Theme D'Aline Linda Di Chamounix Rondo Tyrolian Waltz Stabat Mater We Have Lived and Loved Together The Last rose of Summer L'Orage Variations Brillantes","I Have Riches, Thou Hast Beauty We Have Lived and Loved Together The Bridal Star La Parisienne Fairy Bells Cavatina de la Violette Fifty National Melodies First Set of Quadrilles Melodies de Christy Military Polka Comic Polka","O'er the Lone Sea Marseilles March Grand Minuet Madelle Sontags We Have Lived and Loved Together","Cover Photo Mme.Cassier","La Victoire Polka Facile","We're Out Upon the Moonlight Wave Few Days I Knew Thou Would'st Return Away then to the Mountains Days of Childhood 'Tis Home Where'er the Heart is Sleeping I Dreamed Love The Mountain Bugle Where Shall the Lover Rest The Bridesmaid Do You Love Me? Mr. and Mrs. Snibbs My Mountain Kate My Childhood Happy Home She Knew Him Not The Ladies Man","The Snow Storm - cover art Webster's Quick Step","Der Kinderlied In Meiner Heimath Abschied der Vogel Der Spielmann","Fantasiestuck Zur Guitarre","Himan's Serenade Matthew's Grand March","I See them on their Winding Way Wilt Tho Meet Me there Love Something to Love Me The Beautiful Day Where as Dewy Twilight Lingers","Song of the Captive Greek Girl Bird of the Greenwood","Dreams Still o'er the Waters Ruse-Bush L'Amicizia Snowy Lilly of the Valley The Alp Horn","My Home My Happy Home - Cover Art Hark! 'Tis the signal of the Meeting Annot Lyle The Poachers The Midshipman's Farewell Tell Me Mary How to Woo Thee The Woodbine Bower Her Heart is not There He Never Said He Loved O'er the Mountain Wi' My Love I'll March Away My Pretty Rose Give Me Back My Arab steed When the Moonbeams tender light","The Mockingbird - cover art Caprice de Concert Grand Paraphase de Concerr Love Among the Rose The Nightingales Trill","Invigorator Schottisch The Katy Darling Scottisch","Galopp Souvenir de Trovatore Crepuscule La Gazelle","Unter'm Machandelbaum Donauweibchen und Eisner Mann","Allegro Marziale Another Year Wood Up","Young America Waltzes Dance of the Demon Cachucha","Angels Watching Oh! What is Life.","Ellen's Waltz The Soldiers Joy","Let us now go even unto Bethlehem The Sailor's Grave","Did I Try to Paint Temptaion Oh! Yes we often mention her The Deep Deep Sea The Dew Drop All Things Love Thee so do I Dark Eyed One Come! Come! Soldiers Come! Cherry Ripe Where Zephyr dwells Again, Again, Again I Know a Bank Come Buy My Roses O'Come to the West Through the Wood The Banks of the Allan Water Mother oh sing me to rest","O'er the Blue Sea O Give Me a Home By the Sea Ella Gray Ballad Hear the Wild Birds Song The Rover's Adieu","Little Barefoot Only a Pansy Blossom When the Robins Nest Again - cover art","Sliding Down the Cellar Door I Leave you to Decide You Never miss the Water until the Well Runs Dry","Scenes de la Csarda Poemes Hongrois","Wyoming Grand Waltz Franconia Waltz","Wake Lady Wake The Social Glass","color cover art","Three Fishers went sailing Autumn Leaves Turn Fortune, Turn Thy Wheel","Cover art","Scales and Exercises for the Piano Forte La Rose Trumpet March Malcolm's March Leipsig Waltz O Cara Memoria Le Charme Le Debut de La Jeunesse Gallopade Quadrille The Emerald The Sultana 'T were wain to tell thee","Non piu mesta in la Cenerentola Come to Me, Gentle Sleep Les Bords du Rhin Trois Sentimentales: L'eloge des Larmes Collection of Operatic Airs Le Petit Tambour Six Tyrolien Waltzes Duo de Belisario Air de Herold L'Alliance Melodies Gracieuses Le Retour au Chalet L'elisir D'amore Marche de la Norma","Mrs. Lofty and I Eight Dollars a day","Braille Notation","My Love, my last thoughts are of thee Helen May","Fourth Calisthenic Rondo Third Calisthenic Rondo Alpenlied The Rosy Morn Come Where the Violets Blow Birth-day Ball: Valse Birth-day Ball: Schottische - cover art The Hazel Dell The Arkansas Traveller Oft in the Stilly Night Wake from your Slumbers Galatea Mazurka","The Dew Drop Brothers raise the Cheerful Song Soft be the gently breathing notes","Saviour breathe an evening blessing Te Deum Laudamus","La Pastorale Provencale Berceuse Amoureuse","cover art \u0026 photo","Valse de l'Opera Faust de Gounod Third Meditation, Op. 17","Le coeur de ma mie L'oiseau bleu","Lulu is Our Darling Pride Little Chatter-box Polka The Orphan's Lament Rome! Thou art no more Love's Hours Home Ever Dear Make Me No Gaudy Chaplet Widow Malone","Prayer at Sea Juvenile Party Galop","Florence The Mariner's Bride The Wings of a Dove","Opus 32 - Heft 1 Opus 32 - Heft 2 Opus 32 - Heft 3 Classiche Violin Musik The Mill Oh Lay Thy Cheek on Mine, Dear Love Opus 38 Dolorosa Nachmittags-stille Morgengruss - Opus 17 Abendmusik","cover sheet only","Thoughts of Other Days Song Without Words My Mellow Horn","The Prima Donna Waltz La Sicilienne Katy-Did Polka The Moldavian Schottisch Royal Irish My Father's Coming Home Mother The Mont Blanc Polka - cover art Douro Polka Faust Quadrille Grand Quadrille Hail to the Chief","Roseate Polka Victoria Rifles Quadrilles","Heimweh Silver Bells The First Violet Feu Follet Farewell, We'll Meet Again Irrlicht","Knights Templar Mazurka Flower Mazurka","Der kleine Postillon Rheinlander Champagner Walzer","When Night's Dark Shades are Stealing Vienna Gallop","No. 2 Petite Valse No. 6 Impromptu","Primrose Polka My Soul in one Unbroken Sigh Cricket on the Hearth Little Mischief Polnaise Blosson Polka Ravel Polka You are all the World to Me","cover art","La Bohemienne Charming Mazurka Ploka mazurka - Faust Boute-en-Train Flick et Flock Galop Argentine Mazurka - cover art Defile Marche - cover art Caprice Hongrois La Norvegienne","Araby's Daughter The Maid of Athens Bright and best of the sond of the morning Kate Kearney","The Minute Gun at Sea Eve's Lamentation","The Watchword Souvenir de la Belle Poules","I Would not live Alway The Rainbow Schottisch - colored cover art","The Orphan's Prayer Mollie Darling","Whisperings of Love - cover art Angel's Serenade Mountain Belle - cover art Annie Laurie March Perle de L'Amerique - cover picture Red Bird Polka Love by Midnight - cover art torn Innocence Polka - cover art Charming Waltz - cover art Lotta's Favorites - cover picture Violet Waltz - cover art","The Coral Schottisch The Rainbow Schottisch - Color cover art The Pearl Polka Sontag Polka The Signal March How dear to me the hour","title and cover pages","Blue Eyed Soldier Boy Is the Sweet Dream Broken","Valse de Mignonette Jovial Waltz Fairy Waltz","Rocked in the Cradle of the Deep Oh! fly to the Prairie Land Ho! Rocked in the Cradle of the Deep-cover art I'm Queen of a Fairy Band Farewell to Summer She Wore a wreath of Roses Say, what shall my song be to-night Dear Land of My Birth!","Lone Galop Lancer's Quadrilles Dancing in the Moonlight Coronation Polka Kitty Clover Fire-Fly Polka Evening Dew Waltz La Blonde Polka Apple of My Eye The Grand Duchesse Laughing Water Polka Ivy Leaf Waltz Cherry Ripe Polka","title page only","cover art","Potpourri fur lustige Leut Feinsliebchen Polka - cover art Neues Leben Walzer Marchen-Lauschen","Salut a Pesth Marche Hongroise","The Flowers of the Forest John Anderson, My Jo","Bouquet de Melodies - Lucia Bouquet de Melodies - Lucrezia Borgia Bouquet de Melodies - Freischutz Bouquet de Melodies - Tanuhauser Bouquet de Melodies - La Fille du Regiment Bouquet de Melodies - Martha de Flotow Zampa Shepherd's Song Guillaume Tell Berceuse Mazourka Galante Turkish Reveille Marsch aus Faust von Ch. Gounod Arie Aus Stabat Mater Miserere und Romanze Volkslied A Mother's Prayer Lily of the Valley","Rosa de Vries Waltz Ella Polka","The Maid of Judah We Met by Chance Ave Maria Drift My Bark Trot Galop Gently Rest The Slumber Song","Duettino Scene Bohemienne Hilda Waltz Graziella","Three Favorite Songs - Lilly Salina Le Bijou Sonatine Rondo IV The New Kingdom","cover art","cover art","Thou Art Ever Nigh A Morning in the Woods","Russian Polka The Aurora Waltzes The Dublin Waltzes Les Clochettes Polka Salut a Prague","cover art","Thou hast wounded the spirit that lov'd thee Oh! Were I a Bird","Would I were with Thee The Wild Ash Deer","First Kiss Breeze of Night","colored cover art","Serenade Der Tyroler und sein Kind Abendlauten Heather Rose Minnelied Die Glockenblumen von Schottland","Steyrische Tanze Evening Star Waltz Hof-Ball-Tanze Busserl - Walzer","cover art","Highland Gems Pride Schottische - cover art","O Dolce Concento Panama Waltz The Bugle Call Tink a Tink The Nightinggale with Variations","The Joyful Summer's Come On the Banks of Guadalquiver My Dreams are now no more of thee","cover art","La Chatelaine Vaga Luna","Away, Away to the Mountains Brow The Soldier's Tear Come Dwell with Me By the Margin of Fair Zurich's Waters Day-light Love is Pass'd Away The Gypsey's Wild Chaunt I am Dreaming of Thee Oh! no never name her to me I'll Be No Submissive Wife Oh Bring Me Showers of Roses The Alpine Maid Love in a Cottage A Dream in the Past The Moon's on the Lake Napolitaine Sing Away, by Day \u0026 By Night","Write to Me, Love My Own One","Les Cloches du Monastere Titania","cover art","cover art","Lawrence Waltz Rondoletto","When Twilight woo's the silver Sea Ellsworth","Bachelors Polka Alice Polka","braille notation on cover","La Source Mazurka","Rock Me to Sleep, Mother Woodland Whispers - cover art Angels My Loved One will Rock thee to sleep Let me linger by thy side","O Memory Speed On My Bark","Home! Ever Loved Home Thy Will Be Done","Esmeralda Ka foozle-um Galop","cover art","Recreations caracteristiques - cvoer art Souvenir D'Enfance Chanson a Boire","Massarianta - cover photo Vieneme 'Nzuonne E Parleme","Devotion Camelia Wasser-Nixen","cover art","Cover Photo","The Bridge - colored cover art Too Late, too late - cover art","Yes! The Die is Cast Pestal, or, the Prison Song","It is better to Laugh than be Sighing Laddie Come Where the Foutains Play Thou Art Near Me Again I've left the Snow-Clad Hills - cover art Woods of Green Erin! Thou Art gone from My Gaze The Sister's Wedding Mornings Ruddy Beam Why do I Love Thee Yet It's Now the May Time Rosa May Only for Thee I Heard the Wee Bord Singing Bonnie New Moon Love me little, love me long Dreams of the Heart The Mountain Daisy","Kiss the Little Ones for Me Alone in the Lane","Etude de Concert Sonate Rhapsodie hongroise - Hungarian Rhapsody 6 Chants polonais Mazurka Brillante Ein Fichtenbaum steht Einsam - handwritten copy","Not for Joseph I've Something Sweet to Tell You Bonnie Bell The Soldier's Song","There's a Fresh little Mound near the willow Sweet Kitty Manee Down by the Sea Heaven Our Home","cover art","Come and Buy Each Summer Flower There's a Path by the river Blow Gentle Gales The Old House at Home Philip, the Falconer","The Serious Family Polka The Bride The Rose of Affection Bundle and Go","30 Melodische Etuden No. 7 In Der Dammerung","colored cover art","Fly Away Galop Uncle Sam What ails you?","Ecstasy Waltz Ladies Polka Redowa","cover art","cover photo","Dream Land Waltzes - Lenore Louis' Second Waltz Departed Days","Dawn Waltz Ev'ry Land My Home -cover art","The Fairy Boy Rory O'Moore The Low Back'd Car Yes, we must part Widow Ma Chree The Angels Whisper True Love Can Ne'er Forget My Mother Dear","Oh! Molly Bawn Why Leave Me Pining The May-Dew Bowld Sojer Boy The Lands of dreams Mother He's Going Away Norah McShane Molly Bawn Thou Art Away Girl I left behind me The Haunted Spring What will you do love The Fairy Tempter","cover art","Alice Gallopade The Moonbeams are Glancing Spring Flowers","Barbe-Bleue Galop La Belle Helene","cover photo","Flutina Waltz Fountain Waltz","Maryland My Home A Home By the Sea","Polonaise Marzwind The Eagle or Der Adler","Village Belle Polka Immortellen Waltzes National Beauties III Marches Heroiques Happy Waltz Cumberland March No One to Love On the Beach at Long Branch Galop Softly Tread my Nelly's Sleeping The Mother's Reply Memorial March Ninety Years Ago Beautiful River Captain Jinks No, ne'er can Thy Home Be Mine Cato's Qucikstep Geranium Polacca Lotta Galop","Fondly and Truly The Cinderella Grand March","Take Me to the Ball -Cover photo The Separation Christabel The Silent Farewell Erin is My Home I Have Something Sweet to Tell You The Clarion Now Sounds to the Field Home Sweet Home Am I to Blame Pas L'Espagnol","I Have Something Sweet to tell You Maryland Institute Schottisch The Lost Flower","cover art","cover art","Le Torrent Juana","Waltz of Love 20 Vocalises","Cover art","Sailing The King of the Main","I Love the Path of the Free The Mountaineer Would You","Maguerite - cover photo My God and Father, whilw I stray Lonely Across the Far Blue Hills MArie","Little Lula Let the Dead and Beautiful Rest","Quadrilles - cover art Come this way my Father","cover art","Rosebud Quickstep The Ring My Mother Wore","Twickenham Ferry Friendship","Aragonaise Elegie Leonore When the Heart is Young When a Child Roamed the Green Fields Through Le Roi de Lahore - cover photo","Sunset Ballad When the Moon on the Lake is Beaming - cover art Love's Rememberance Come Sing Again that Song","Lady Love Lake It is Not True","cover art","Ein Stern fallt vom Himmel Wo beim Wein ein Walzer klingt Juanita - cover art","Gluten Polka By and By","The Mascot Waltz - cover art Silver Threads Among the Gold","El Kohinoor The Humming Bird Fantasie","When a Little farm we Keep Ye Shepherds Tell Me","Comrades Belle Mahone - cover art Oh, Peter! Oh! Uncle John","The Faded Coat of Blue The Dying Minstrel When You and I Were Young Annie Darling","I'm O'er Young to Marry This Harp is Mute","Thought Cuoid One Day! I Love Forever! Bonnie Mary Haye The Bird at Sea","cover art","3 Caprices - cover art To Distant Lands I'll Rove Italy Over the Mountain P Wert Thou in the Cauld Blast I would that my Love Consolation Songs without words If with all your Hearts Capriccio Rondo Capriccioso Auf Flugeln des Gesanges Oh Rest in the Lord Overture-Midsummer-Nights Dream I Would that my Love The Sabbath Morn Zweites Konzert fur Pianoforte In His Hands are all Corners of the Earth","Mit mehreren 8 und 4 fuss. Stimmen Zwanzig Praeludien Zehn Vor-und Nachspiele Drei Tonbilder Sechs Degelstucke Drei Clavierstucke-Novellette","cover art","Those Evening Bells Deliciosa or Leonore Polka","Long, Long Weary Day I am dreaming I'm an Infant - cover art Do You Love Me? I am Thine I'd Mourn the hopes that Leave Me Smiles \u0026 Tears","The Blind Girl Ballad - cover art Woodland Waltz The Willow Song Mount Pleasant Waltz","The Celebrated Sack Waltz Absent - cover art","Le Carnaval de Venise Air Russes Chant Bohemien","The Village Band - cover art Golden Band March Waltz","Daisy Marche Militaire Where the Hills are Heaven Adoring Fairy Spell","Scope and Contents Melodies from \"Le Prophete\" - cover art Hours of Rapture The Vale of Rest Sadly and Drearily Come to Me Dearest Maiden!","cover art","Recompense Mother, watch the little feet","Absent from Thee Ballad The Bonnie Wee Wife","Under the Daisies Ballad - cover art Darling Little Gertie - cover photo The Love Bird Waltz Song I am Waiting for Him to Come Home I Hear a voice from Heaven Waiting Song Longing The Whip-Poor-Will's - cover art","Ah! Che la Morte Ognora Ave Maria - cover art After My Galloping Steed - cover photo When the Tide somes in The Flag of the Tree Picking Cherries Down the Lane Watching - cover art Meeting","Calotta - Walzer I am the Unfortunate Jonathan The Army Chaplain Fan Autographs","Return of Springs Chestnut Street Scottisch Sleigh - Ride Scottisch","Sonata Trio-Sonate","Best of All Only Once More","Little Tin Soldier The Kerry Dance Song Rose Marie My Love has gone a sailing Three Simple Words","cover art","The Poor Savoyard - cover art Bo Peep Polka","Song of the Olden Time Come Play Me That Simple Air Again They Tell Me Thou'rt the Favoured Guest Wilt Thou Say FArewell Love Believe Me if all those endearing young Charms Come rest in this Bosom Those Evening Bells Love's Young Dream Oft in the Stilly Night My Heart and Lute Origin of the Harp Come Rest in this Bosom Watchman Weeping for Thee the Feast of Roses 'Tis the Last Rose of Summer Come Sing me that Sweet air again The Romanika","The Swiss Waltz Kinlock of Kinlock The Watchman The Carrier Pigeon Favorite Swiss Waltz - Harp or Piano","Twilight My Darling Husband Lost Hope","On the Road to Brighton Peter Gray Dressed in a Dolly Varden","Op. 113 - Grand Duo pour piano Swiss BoyTthe Switzer's Long of Home Erin is now My Home","Grande Valse de Concert Op.72 - 15 Etudes de Virtuosite Gondoliera Guitarre Spanische Tanze No. 4 Spanische Tanze No. 1 Malaguena`","Idoneneus - Arie Arie aus Oper. Il re pastore fur Sopran - Braille notation Sonate No. 17 Sonata in G Major Violet Go, Forget Me, Why Should Sorrow Selection of Melodies from Don Giovanni Yet That Have Tasted La Ci Darem","Navy Yard Grand March Lancaster Gallop Waltz","The Coming Step The Brightest Eyes Memory's Dream The Break of Day Falling Leaves Bijou of the Opera No. 13","Boquet Schottisch Polka The Coquette Schottisch","The Child's Wish Ballad My Heart Would Seek a Home","Annie Laurie Thalberg Polka Where I'd Love to Live","cover art - collection of Songs","cover sheet only","cover art","Mary of Argyle The Bride When Night Comes O'er the Plain The Bonny English Rose Deep in My Soul Dear Native Land The Rose of Allandale We Soon Shall meet Again Hear me Norma O! For One Seraphic Strain! The Rose of England - cover art/photo The Forest Queen Oh! The Moment was Sad The Spanish Guitar The Pilot Hear Me Norma","My Life is Like a Summer Rose Annie of the Vale","The Sea 4th Symphonie de Mozart","Gigue-Favorite Gavotte Favorite","cover only","Golden Moments Darling Little Lizzie fairest of the Fair","Mighty lak'a rose Serenade","handwritten","'O Viaggio 'E nozze Canto per te!","cover art","I Do Not Love Thee The Fairy Bells Oh Take Me Back to Switzerland Juanita Would I were with Thee Fanny Grey Maraquita The Officer's Funeral Love Not We are the Wandering Breezes","Ladies Reception Grand March But Where Art Thou","We Were Girls together Last Words of Emmet","Lights and Shadows Long and weary Day Perles de L'Opera Die Elfen, Valse de Labitzky Liebesschmerz Alpine Bells Auf der Schaukel Bonbonniere Musicale Book 4 Bonbonniere Musicale Book 5 Perles Allemandes Gondolied Ernani Maienliebe Snowbell's Spring Carol Staendchen Diavolina Minnesang","La Belle Helene Advance in Maiden Beauty Pot Pourri Orphee Aux Enfers A Poor Girl's Letter","Cover art","cover sheet only","The Lone Starry Hours Home Again The Galloping Sleigh Ride Going Home! Sam Brown Jenny Lane Silver Moonlight Winds The Indian Warrior's Grave Let Me Kiss Him for his Mother Dreaming of Home \u0026 Mother-cover art Twinkling stars are laughing, Love","Home Delights - cover art Root, Hog, or Die Oh! Emma was a Darling - cover art Wake! Dinah Wake! Home beloved, I miss thee then Moss Grown Dell","cover art","La Pluie de Perles O Sing to Me - cover art Who's at my Window","Down the Shadowed Lane she goes Shadow","cover art","Cover Photo","3 Volslieder Un Ballo in Maschere Loves of the Angels - cover art","cover art","colored cover art","La Violetera - cover art Ca...C'est Paris!","Sweet Evelina Starlight Waltz I'm Willing to Wait Sunlight","2 page cover art","My Ain Fire Side Sweet Home The Land of the Stranger Wanted a Governess Smile again my bonny Lassie Dost Thou Love Me Sister Ruth Vilikins \u0026 His Dinah Sleep My Darling Lullaby Slumber lie soft on Thy Beautiful Eye The Tyrolese Fortune Teller Comin' Thro' the Rye O! Merry row the bonnie Bark","cover art","Le Lever du Soleil Guide Me, O thou Great Jehovah","colored cover art","Melodienkranz Volksklange","cover art","Cover art","My Hearts in the Highlands When Wilt Thou Think of Me Love","Colored cover art","Stabat Mater Nina - braille on cover","Beware! The Polish Maiden's Song Marguerite Darling Little Minnie","Speak, only Speak! Little Robin Tell Kitty I'm Coming Barney Take Me Home Again Slumber not Darling","Mam'zelle Carabin - cover art Bonjour Suzon!","I Love Thee Dear Erin Old Rosin, the Bow Mothe Dear Ballad Sweet Memories of Thee The Greek March Shall we meet again Mary O! Doubt Not Natille, Maid of the Mill Louisville Gallopade The Ben Bolt Polka The Sailor Boy Oh! I am in Love Silken Bands The Only Daughter","Terpsichore Polka How Can I Leave Thee!","My Soul is Dark Be Kind to Each Other","Thou Art Lovelier Far I Love Wild \u0026 Mute","Young Ellen The Rock of the Pilgrims","Concerto per Violoncello Tarantella per Violoncello Fantasia romantica","May Flower Scottische We May Roam Round the World Spangle Polka","Little White Cottage The Medley Song","I Love My Love The Golden Lesson When Life is Brightest The Swallow The Raft There is Music..By the River","Here Awa' there awa' Wandering Willie La Recreation des Demoiselles Six Petits Duos","Mandoline Dansons La Gigue","colored cover art","Braille on cover","cover art - Annie Louise Cary","Mazurkai Op.11 No.3 Mazurkai Op.51 No.6 Mazurkai Op.32 No.2 Mazurkai Op.3 No.2 Ave Maria Ellentanz Polanaise de Concert Drei Stucke Op. 11","Tarantelle Chanson sans Paroles Spanische Tanze-cover art Zwei Transcriptionene-Schlummerlied Spanischer Carneval Ballet Scene Romanze Menuetto Serenade Orientale Trauermarsch","Noche y Dia Justamente una de esas Cosas Volver a Empezar Eso Que Llaman Amor","Serious Family Polka My Home is Nigh Ballad","Let Me Dream of Home Sweet Home - colored cover art First Rose of Summer Ballad","Mediation Waltz Mazourka Institute Polka Only Just a Year Ago Ballad Linwood Waltz","My Home's on the boundless sea Just Beyond the Pearly Gates Walking Down Broadway - cover art of Wm. Lingard As Through the Park I Go - cover art of Wm. Lingard Is My Darling True to Me?","cover art","cover art","The Sailor's Dream - cover art The Harvest Queen - cover art","My Heart Returns to Thee Again Switzer's Longing for Home Tyrolese-Song","A Grecian Air Here's a Health to all Good Lasses","Strike the Cymbal Sweet Breathing, Tranquil Peace","cover photo","The Lay of the Minstrel Knights On Wi the Tartan","cover art","Fenesta Enfamita! - cover photos Russulella Mia - cover photos","La Polka de la Reine La Fileuse Tarantella","The Mountain Maid's Invitation The Miller's Maid","Joyous Life Marinella - cover art","Dinah is the Girl for Me Die Musicanten","Braille notation on cover","Isle of Beauty, Fare Thee Well Oh! Come to Me","cover art","cover art","Robin Adair When the Green Leaves of Youth Turn Yellow","braille notation on cover","Thou art so near and yet so far Love's Request","Concert fur das Violoncell Clavier-Concerte Concert Op. 254 Cadenzen Spring Flowers Variationen Op. 84 In Memoriam","Typed copy","cover art","Cover art picture of the Mount Vernon Hotel, Cape May, NJ","cover art","cover art","cover art","Tone Pictures Blumen am Weg","Hungarian","Pastoral-Sonate Op.88 Zehn Trios","Kissing Song We are Off to Seek for Eva Dutch Song","Warblings at Eve Janet's Choice The Puritan's Daughter Rosalie Floating on the Wind What are the Wild Waves Saying God bless the Prince of Wales The Danube River St. Patrick's Day The Dream of the Wanderer The Monastery The Bells of Aberdovey Where the warbling waters flow The Flowers of Friendship Les Vepres Siciliennes Christmas Chimes Her Birght Smile Haunts Me Still Marie En Absence","cover drawing - Dessin de Vigne \u0026 Junka","Gentle Words Wait for the Waggon Vi Ravviso","Happy Land Bonnie Dundee Quadrille","O Dolce Concento Sacred Melodies - cover art","I have learned to love thee fondly You, Ballad Sentimentale","braille notation on cover","I'll Be There O Charming May! - cover art The Banks of the Blue Moselle Draw the Sword Scotland The Flower of Ellerslie Beautiful blue Violets From distant climes a Troubadour O'Steal to Thy Lattice - cover art A Tear Shall Tell Him All","A Bird in Hand The Skippers of St. Ives No, Thank You, Tom So far away","Cantilena Thou'lt yet be Mine in Heaven Fishermen's Evening Serenade","Oh, Sing Me No new song to night Philena Schottisch The Ausgusta Gallop","Hours There were The Melody","Konzertstucke Opus 51,50,61 Concerto Op 7 Konzert fur das Violoncell Violoncello Principale Violoncell solo Op.66 Le Troubadour","The One We Love May Guardian Angels Hover Near Thee O Would I were a Boy Again You Say We Part Forever","Two Brown Heads with Tossing Curls O! Mio Fernando Di Che M'ami!","My Boyhood's Home Under the Tree","Departed Days Touch the Keys Softly Sing Me to Sleep Father! Only Waiting The Crimson Glow of Summer Fades","Pictures of Memory - cover art Oh are ye sleeping Maggie The Vacant Chair- cover art Just Before the Battle, Mother - cover art On, On On, the Boys Came Marching - cover art Dearest Spot of Earth to Me is Home","Overature Guillaume Tell Fantasie Brillamte L'Iris Le Tremolo","Schottische de Concert All is Quiet","cover art","Hagar The Blind Girl's Lament Lo Here the Gentle Lark Oh Well I Know He Loves Me I'm with you in My Dreams Think of Me Ballad","Overature of Cinderella Dark Day of Horror Grand March Un Segretto D'Importanza Recitativo e Cavatina - braille Il Barbierre de Sevilla I Ne'er Could Leave Thee Una Voce Poco Pa Di tanti palpati O Calm Forgetful Slumber! - cover art Cujus Animam The Separation La Carita Gulliaume Tell","Colored cover art","Melodie Polka Boheme The Wanderer's Night Song 2 Melodies dediees Berceuse Pecheur Napolitain et Nepolitaine","Frederick William Polka Summit Polka","Elfin Waltz Varsovienna Elizabeth Polka Mazurka Assembly Gallop Spring Sparrow Polka Rural Felicity Silver Lake Waltz Rochester Scottisch","Some Love to Roam o'er the Dark Sea Foam The Braye Old Oak A Life on the Ocean Wave Woodman! Spare That Tree! - cover art The Old English Gentleman Our Way Across the Mountain, Ho! Russian march Robin Ruff Oh Lonely is the Forest Shade where oft in Days of Old The Wife's dream Come Brother Arouse The Ivy Green The Old Sexton I'm Afloat, I'm Afloat The Sabbath Eve","The Friar of Olden Time Believe not the Tales they have told thee of Me My Mother's Bible - cover art The Old Arm Chair - cover art Cheer, Boys Cheer I Love, I Love the Free When I rov'd a Young Highlander If I had but a Thousand a year","Darling, Take Me to Your Heart Dear to Day as Ever Save the Sweetest Kiss for Me","Lida Polka Redowa Bird Songs - cover art Fond thoughts of thee Bonnie Sweet Bessie Whispering Zephyrs Moonlight Dance","The Celebrated Linda Polka Susanna Polka","Allegro appassionato Theme Varie Menuet et Gavotte du Septuor Everie du Soir Danse Macabre Variations","I'm Sweeping through the Gates Absence - cover art","Lulu is Our Darling Pride Philadelphia Serenading","Photo - Moody \u0026 Sankey","Hand typed material","Speed Away! Music from Afar Anna is the One I Love O'er the Wildly Heaving Sea Jingle, Jingle clear the way The Lonely Tear Juliette Waltz","Peeking Thro' the Bars Swinging in the Lane - cover art Lu LuDee Who will care for Mother Now? When the Boys Come Home Mother would comfort me","cover art","cover art","La Favorita La Revel Polka Silver Lake Waltz","The echo O sweet Mother of Sorrow!","cover art","cove art","When Other Friends Are Round Thee The Musical Wife","Liebesgefluster Herz von an echten Weana","Ausgewahlte Lieder Phantasie Impromptu I Rest Me Oh My Saviour Cradle Song Trois Marches Heroiques La Pastorella - cover art Das Lied im Grunen Variationen in Asdur uber ein Original-Thema Sammtliche Tanze Wanderer Adieu Der Hirt auf dem Felsen Tanze","Arabeske Op. 18 Fantasiestucke Op. 12 Theme varie sur le nom Abegg Traumerei Drei Romanzen Op.28","Valse mignonne Op. 16 A la bien-aimee Reverie Op.31","Orchesterstudien Kontrabass: das Rheingold Orchesterstudien Kontrabass: Siegfried Orchesterstudien Contrabass: Fidelio Orchesterstudien Contrabass: Symphonie von Franz Schubert","colored cover art","cover art","I Love thee mine own one Jenny Rose","The Beggar Girl Poor Bessie's Song The Firemans Death Keemo Kimo - cover art","Cover photo","Souvenir de Spa Fantasie Fantasie et Variations Trombe en Utka Grande Fantasie Concerto Militaire Fantasie et Variations: Corni Fantasie et Variations: Flanto Fantasie et Variations: Viola","multiple languages","cover art","The Tide Comes in and the Tide Goes Out Don't always depend on your friend Come while the morning Blushes","colored cover art","The Rain-Drop and Minstrel The Happy Bride All Things Fair \u0026 Brigh tare Thine The Eagle on His Mountain Height The Mercy Seat Bristol March Bring Roses","La Bacchanale des Gnomes Amid Bright Blooms Mazurka I'll Think of Thee Waltz","Meet Me By Moonlight Hark! I Hear an Angel Sing","Cover art","Konig Kristian-Suite Erster Teil Madchen kam vom Stelldichein","Elementar-Vocalisen Die Alpenrose","cover art","cover art","cover photo","Come sit Thee Doen - signed copy Dumbarton's Bonnie Dell Johnny Sands Comic Ballad - cover art Hey the Bonnie Breast-Knots","Fantaisie Stabat Mater Op. 134","Cover photo/art","cover art","Zweite Polonaise a dur fur Violine Op. 49 Romance, Nocturne, Scherzo-Tarantelle Concert Op. 34","Why did They Dig Ma's Grave So Deep? Don't Bury Me Deep Papa - cover art Little Darling Dream of Me Serenade - cover art","cover art","Thou hast learned to love another - cover art Lament of the Exile","cover art","By the Blue Sea The Sailor's Story","A Place in Thy Memory, my Love Tis sweet to Look Back Sometimes","cover art","Lord Lovel and Nancy Bell Oh! Ne'er can I the Joys forget","Cover art","I Have Come from a Happy Land Let us haste to Kelvin grove","The Mountain Stream Queen of the Faires La Dame Blanche For You - cover art","Danse des Fantomes Oo. 200 - colored cover art Fete Champetre Marche des Tambours la Reine des Fees Feu de Joie - cover art Torrent de la Montagne Maritana Der Freischutz Lilly of the Valley Mazurka - cover art Tarantelle Brillante in E Minor","When the Leaves Begin to Fade - cover art Blossom Waltzes - cover art Old Oaken Bucket - cover art Massa's in the Cold ground - cover art","Our Hut on the Old Plantation Rosa Lane","Cover photo","Incline Thine Ear to Me I Will Love Thee I Will be Glad Blessed be the Lord","Scottisch de Concert Grande Scottische Brillliant","Leonora Flow Gently Sweet Afton Speed thee Pearlina Fair","Waldvoglein Valse Gracieuse Nosegay of Violets Anna Bolena Gazelle Musicalische Gedenkblatter","My Dream is Over Children Pray this Love to Cherish","In the Days When we went Gypsying List! Tis the Lay of the Gondolier Dream on Young Hearts","In the Days when we went Gipsying Do you ever think of Me","My King--cover art Mary Anderson Waltz--cover art It Never Comes Again--cover art","I am Waiting for Somebody I am Lonely no More","cover art","cover art","Lo Obscuro de Las Escaleras--cover art Gracias Te Doy--cover art Verdes Anos--cover art","Reiffarth Polka Lexington Galop Rejoui Polka Mazurka Halloo, Halloo Galop Le Bon-Vivant Galop Sans Pareil Polka Cupid Scottisch Brillante","Colored cover art","The Yankee Quilting Party She Sweetly Sleeps","Oh Tell Me Mary Dear I'll Watch for Thee from my lonely bow'r The Romaika Oft in the Stilly Night A Temple to Friendship All that's Bright Must Fade Flow on thou Shining River Sound the Loud Timbrel The Twilight Dews Tis the Last Rose of Summer","cover art","The Brightest Eyes The Dream of Home Die Thraene","New England New England Evergreen Waltz","handwritten note","cover art","Tell Tale Polka Carnaval A Paris Dear mother was it right? I turn to Thee The Fountain Love Chase Polka","Overature to the Operetta Genevieve Overature to the Operetta Laila","Love's Charm Girofle-Girofla Walzer Trois Etudes de Jazz","Gruss aus Osterreich MorgenBlatter--cover art The Ladies Waltzes Duke of Reichstadt's Waltz--cover art Far Away Sans Souci Polka The Real Russian Polka Queen Victoria's Waltz Dichterliebe Walzer Potpourri Csardas Kompositionen Altdeutscher Walzer The Ostrich feather Waltz Ruk-Walzer --cover art Annen Polka Redowa de Vienne On the Beautiful Blue Danube --cover art","Margherita-Polka Le Pensee Four Children of Haimon Blue Danube Waltzes - cover art Dorfschwalben aus Oesterreich","Wiegenlied--braille on cover Nachtgang","Anderschonen blauen Donau Oiseaux de Paradis--cover art Mountain Echoes Les Etoiles D'or","Madrienne--cover art When Lillies Bloom","The Letter that never came--cover art Looking Back","Jolly Hearts March Tripping thro' the Daises","Orpheus with his lute If Doughty Deeds My Ladys Please Birds in the Night Once Again Looking Back Were I Thy Bride--cover art Little Darling, Sleep Again","The Blue Juanita The Field of Monterey Mary Lindsey","cover art","Concert Op.7 Romanze Op. 26","cover art","Etude Mazurka Musidora Polka Mazurka Camille Polka","Der Vogel im Walde Sleep in Sweet repose Slumber Gently Falls","Sparkling \u0026 Bright Oh! No, we never mention Her Bring Flowers","Lart du Chant - cover art Home! Sweet Home! Serenade de Don Pasquale La Sonnambula","cover art","John Brown's Legacy Tis said that Absence Conquers Love The Dew is on the Blossom","cover art","cover art","Oh! Pity the heart that has suffered Bonny Eloise Voice of the Western Wind Beautiful Isle of the Sea As Pants the Hart Let Us Speak of a Man as we find Him Mother Kissed Me in my Dream In the Glade Annie of the Vale Thou Art With Me When the Light Waves 'Tis but a Little Faded Flower Down By the River Side I Stray The Stream in the Valley","Oh! Gently Breathe Jolly Good Laugh Evangeline - cover art The Leaves that Fall in Spring Janette - colored cover art Must we then Meet as Strangers? - cover art Far Away Voice of the Western Wind Happy Be Thy Dreams Some One to Love Pleasant Memories Down By the River I stray The Cottage By the Sea - cover art Cross and Crown - cover art Apart! - cover art","Dreaming of Thee Thou, thou, reign'st in this bosom Hymns of the Church - cover art Angel Voices - cover art No Crown without the Cross - colored cover art Must I leave Thee? Blue-eyed Jeannie In the Moonlight long Ago Ettie May Some One to Love The Birds Welcome Again - colored cover art","Happy Be Thy Dreams Down By the Gate - cover art Jenny who lives in the Dell - cover art Linger Not Darling Eilleen Allanna - colored cover art Fond Hearts at Home The Gates Ajar - cover art","Who will care for Mother now? Little Mary's Triumph","Marion Lee Annie Lisle Lilly Dale -cover art Ida May Willie's on the Dark Blue Sea I'm lonely since my Mother died","Don't go out to-night Come where the Lillies bloom - cover art","cover art","cover art","cover art braille notation on cover","Queen of the Night Take Back the Ring La Primavera","Vorrei Morir The Love That Came too Late Forever and Forever Chanson de Fortunio","Little Bird's Story Willie's Ship Song - cover art Only Come! - cover art","Colored cover art","Bird of the Wilderness Agathe","The Sleigh Ride- cover art Rail Road Galop - cover art Cute Schottische - cover art","cover art","Yarico's Lament The Blue Bird Scottisch","Sinfonie Nr. 4 f-Moll Souvenir de Hapsal Serenade fur Streichorchester Jahreszeiten No. 11 Sleigh Ride Chanson Triste","Come Maiden with Me Call me not back from the Echoless Shore Lost Star of My Home Dear Mother I have Come Home to Die Star of the Evening Weeping, Sad and Lonely Do Not Heed Her Warning 'Tis Evening Brings My Heart to Thee Violets Under the Snow Come from Afar Come Willie dear I'm Weeping Now Home, Home, I Love Thee Sweet Genevieve Memory Bells Darling Bessie of the Lea","Love Launched a Fairy Boat Summer Hours Ballad - cover art Where the Weary are at Rest I'd marry him tomorrow","Christmas Carol The Nation's Honored Dead Sweet Memory Ever of Thee Bouquet de Roses - cover art A Grand American Overture Tread Softly the Angels Are Coming - cover art Mossy Dell Waltz - cover art Mary of the Wild Moor Silver Moon - cover art Mrs. Malone Come sing to me again Fairy Wedding","Emblem of Constancy Scenes of My Youth Sweet Girl May I Be There!","I Love to Gaze on Beauty's Cheek Love's Gentle Whisper I Dreamed of Thee My Heart is Thine Speak Kindly","Handwritten music sheet inside score cover art","cover art","Aria Alla Scozzese Sicilian Air of Home Sweet Home The White Cockade Langolee an Irish Melody Beethoven's Admired Waltz She Wore a Wreath of Roses","The Morning Glory Waltz The May Queen Polka","Cover art - map of Japan and Korean Pennisula","Colored drawing on cover","cover art","cover art","Colored cover art","Home to Our Mountains ( Si la Stanchezza) Prison Song Over the Summer Sea Ah! I Have Sigh'd to Rest Me Ernani We'll Laugh and Sing All Cares Away Melodies from the Trovatore T'was no Vision In Tears I Pine for Thee Tempest of the Heart La Forza del Destino - cover art","Teutonia Quick Step Rose Waltz I Wish I was in Dixie - cover art Edinburgh Polka Seconfd Review Quick Step Les Graces","Caprice Menuet Les Pecheurs de Perles","cover art","cover art","cover art","Hungarian -cover art","cover art","cover art","cover art - internal cover","God of the Fatherless Love \u0026 Sorrow Footsteps of Angels The Hunters Chorus Echo Waltz Three Celebrated Pieces Last Waltz","6 Amusements Elegants-La Polka Le Carnevale de Venise Ernani Un Soir au Chateau Rouge Rosalie Redowa Elegantes When the Swallows Homeward Fly The Long, long weary Day Rose et Blanche","Patorale pour Grand Organ Nadia - cover art","Meet Me By Moonlight Hours there were Float Down the Tide Fair Rose I've Wander'd in Dreams O Do You Remember","cover art","cover art","cover art","cover art","Dolores Walzer Trictrac Polka La Plus Belle Walzer Bien Aimes Well Beloved Waltzes Sirenes Waltzes Bella Polka-Mazurka - cover art","Ever be Happy Chant des Oiseaux When Thou art near Parlor Cottillions No.2 I Fondly Think of Thee - cover art","Good Night and Pleasant Dreams Tis the Last Rose of Summer Why do I weep for Thee - cover photo Lucis di Lammermoor I Mourn Thee But I Love no More Tell Me some fond name Holy Mother Guide His Footsteps Adieu Dear Native Land Say my heart can this be Love? The Spring and Summer both are past Softly Ye Night Winds Speak Gently Sweet Evening Star","Sweet Spirit, Hear My Prayer! In Happy Moments Le Reve Softly Ye Night Winds The Hundreth Psalm The Star of Love The Midnight Waltz The Night Winds Wait for the Wagons Polka The Leaves are Turning Red Good Night and Pleasant Dreams The Midnight Serenade It is the Happy Summer Time","The Blue Bells of Scotland The Hundreth Psalm Grande Polka de Concert First Love I Have waited for Thy Coming Sleeping I Dreamed, Love Alas Thomes Chimes so Sweetly Stealing Melodie Peruvienne Bird of the greenwood The Winds that waft my sighs to thee","Tis the Harp in the Air Scenes That are Brightest Annie Laurie The Low Backed Car The Night-Winds The Spell If Lov'd by Thee Annie Dear, Good Bye - cover art Old Friendship's Smile Lotus Leaf La Mexicana The Lost Star Ballad The Celebrated Witches' Dance Adieu Grande Polka - cover art Scenes","Jenny Lind Polka First Love Redowa Brigand Polka The Storm Polka Fruhlings Landler First Love Pen and Ink - cover art Fleur des Champs Coquette Polka La Romantique - cover art","Kind Friends are Near Her Patch-work Polka Where are ye now Bright Dreams of My Childhood Sounds from the Ringing Rocks","Brother's fainting at the door - cover art Come sit by My Side Little Darling - cover art","Cover Photo","Inman Line March - cover art An Eine Aeolsharfe Nearer My God to Thee - cover art Come Holy Spirit - cover art Old Folks at Home Transcription Schottische Brilliant On the Track Galop Jessamine Polka Redowa Rippling Rill Mazurka","Old Haunts Ballad Rock of Ages Moss a Ballad Love's Twilight Star - cover art Christ the Lord is risen to day Rock of Ages The Reveille Come Holy Spirit Bobolink Polka Marche Militaire Tam O'Shanter - cover art The Song of the Brook As Pants the Hart Harum Scarum Polka","Recuerdame - cover art Solo Tengo Ojos Para Ti - cover art","The Morning Star Polka Jenny Forrester","Ah Do Not Forget Love - cover art Mondamin","The Mother's Vow What will you do Love","John Anderson My Jo.- cover art Beautiful Dream Waltz Tis sweet to take the bonnie Lake Come, come to me, my Rover","cover art","Come to the Sunset Tree Good Bye! a ballad","Gondoliers Song Home, Sweet Home","Wake Lady Wake The Plain Gold Ring The Magic Spell Jubel-Ouverture Mouvement Perpetuel Aufforderung zum Tanze Rondo Brillant","cover art","Lorena Zula Zong Softly, Lightly, Sweetly Sing Paul Vane Under the Beautiful Stars The Old Man Dreams Where the little feet are waiting - cover art Lorena Oh How I Love My Mountain Home They Buried Her Under the Old Elm Tree Dont Be Sorrowful Spare the Old Homestead Tap on the Window Pane It will be summer by and by Sweet By and By - cover art Over the River","cover art","The Nupital Quick Step Home Sweet Home Ever of thee Waltz Spanish Fandango","Harvest of Flowers ( Blumenlese) Praktische Violinschule- Blumenlese fur angehende Violinisten","cover art","Fleur des Alpes - cover art Serenade de Ruy-Blas","Dreaming Weaving","What Nora Said - cover art Beautiful Bells - cover art Watch and Pay - cover art Little Fanchon - cover art","cover art","La Grande Duchesse -- cover art Qui Vive Galop -- cover art","cover art","cover art","cover art","How Merrily We Live that Shepherds Be The Footstep on the Stair","In a Fairy Grot Thou hast Learn'd to Love Another Keep to the Right Love's Golden Chain","Stick to Your Father, Dick - cover art Pretty as a Pink - cover art","cover art","Darby Kelly Oh! Rest thee Babe","Put Me in my Litle Bed - - cover art Come Birdie Come -- cover art Poor Little Johnny -- cover art A bird from o'er the sea -- cover art Little Emily -- cover art Little Clo Baby Fingers on my Cheek -- cover art Far From Home -- cover art The Old Turnkey-- cover art Marguerite -- cover art The Widow in the Cottage by the Sea-Side He was Crucified -- cover art","The Watcher Quick Step When Voices Breathe a Music Sweet Wrecker's Daughter Oh Susanna! Joys that were Crowning Love Not Verdi's Quick Step Sachems Daughter -- cover art Rosa Lee The Birde of Sighs The Farmer's Boy Sister, Swift the Hours Have Fled In the Lonely Grove I Linger Rose of Allandale French Republic March","cover art","cover art","The Welcome Wild roses","Contes D'Avril Six Duos pour Pianoo et Harmonium","Variations on Hadyn's Austrian National Hymn -- cover art Rochester Scottisch and Affection Waltz May Queen Polka -- cover art Bouquet of Melodies -- cover art","Fading the still fading the last beam is shining Ingleside Triumph March -- cover art Away away we bound o'er the deep The Harpers Song","cover art","cover art","The Soldiers Grave The Brides Farewell Larboard Watch","Heliotrope Polka Geranium Waltz Coming Out Waltz -- cover art","cover art","Glen Mary Waltzes Day is Departing","Sleep the Kind Angel is Near me Christmas Carol","Sehnsucht am Meere Flieg' Vogel, Fliege! Freundvoll und Leidvoll","cover art","The Chapel in the Mountains -- cover art The Sky-Lark The Shepherd Boy -- cover art Highlands Echoes -- cover art Tripping thro' the Meadows -- cover art Les Voix du Matin","Five Favorite Chants Hark! The Herald Angels sing","cover art","cover art","Farewell Song of Enoch Arden First Love Redowa Martha Loves Chiding's Waltz -- cover art La Fille du Regiment Trab-Trab Galop La Belle Helene Nothing to Wear -- cover art The Sunshine Schottisch -- cover art Bells of Corneville","Cover art","cover art","cover art","cover art","Evening By the Sea Sweet Cecile Leslie","Cover art","Orgelvorspiele Sonate in B moll fur Orgel","cover art","Grand March de Concert Galop di Bravura L'Hirondelle Grande Marche Militaire Le Dernier Sourire Marrie Polka-Mazurka The Whispering Wind","cover photo","I've brought Thee an Ivy Leaf--cover art Clara May","cover art","The Indian's Prayer Home of the Penitent Be Kind to the Loved Ones at Home Mother Dear O Pray for Me Gentle Words and Loving Smiles The Sailor Boy's Last Dream He Doeth All Things Well--cover art","Speed Away! Speed Away! Take Me Home to Die Strike the Harp Gently Oh for a Home Beside the Hills Take Me Home to Die--cover art Give Me a loving Heart Uncle John is Sweetly Sleeping Katy's Cry Ella Dear He Doeth all things Well --cover art","Mary McNeil Bell Brandon","Come Home, Father Brave Boys Kingdon Coming--cover art Grandmother Told Me So--cover art Now Moses--cover art","cover art","The Belle of the Forest The Buccanier's Bride","Shylie Bawn Her Bright Smile Haunts Me Still Dearest Spot of Earth to Me is Home Gentle ray of sunlight Smiles and tears Sing me an English Song Let my care be no man's sorrow","The Hazel Dell--cover art The Church within the wood Rosalie the Prarie flower Departed Days Old Folks are Gone Annie Lowe Fair Thee Well Kitty Dear Bright Eyed Little Nell of Narragansett Bay","Shepherd Boy--cover art Silvery Waves Gaily our Boat glides o'er the Sea--cover art Dashing Spray The Last Rose of Summer Home Reveries--cover art Song of the Sky Lark Fishers Hornpipe Medley Little Maggie May When You and I were Young","Sister Come! Come Away. Fly Pretty Butterfly","The Dearer Name New Year Polka","cover art","Herculean Quick Step The Giraffe Waltz","cover art","Wecker Polka-cover art Ypsilanti-cover art","Schoenfeld - Marsch Wiener Buerger Natursanger Walzer Marsch-Evoluntionen Leipziger CoupletGluckliche Tage Die Tanzerin Unanfechtbar Marsch Marsch der Burgwache Diplomaten-Gavotte","The Fashionables 6 Celebrated PolkasCome Sing Me That Sweet Air Again Luna Waltz Azalia Polka The Dawn Waltz","White Rose Polka Scraps from Martha","Dearest Old Mansion","The Musical Repository","Dix Pieces pour Orgue Douze Pieces pour Orgue","Filippo Capocci","Coppella Ballet","Aida","Auld Lang Syne","Pleasant Recreations for Young Pianists","Mozart con fan tutte","Daily Exercises and Scales Sousa's Favorite March Book-Flute Sousa's Favorite March Book-Oboe Sousa's Favorite March Book-Drums Sousa's Favorite March Book-Coronet Fox Favorite Orchestra Folio","Sousa's Favorite March Book- 1st Violin A (2) Sousa's Favorite March Book- 1st Violin Sousa's Favorite March Book- 2nd Violin Sousa's Favorite March Book-Alto Saxophone Sousa's Favorite March Book-Trombone Sousa's Favorite March Book-Bass Sousa's Favorite March Book-Piano","Fosterlandsk Musik","Polkas, Waltzes and Quadrilles","Les Hirondelles","Le Pianiste Virtuose","It Will not do to Tell","Dancers Delight","Five Finger Exercises","Cottage Music","Im Walde Suite","Carlos Gomez Barrera","La Melancolie La Volette Mazonrka","Comedy Capers","Heures Mystiques Grands Succes Du Piano","Overture z.Op Figaros Hochzeit","Music for the Sanctuary Lays of Sweden and Findland Songs and Duets composed by Ciro Pinsuti","Music and Her Sister Song Duet","Four Rondos","The Angels Whisper","Tam O'Shanter Young Americas Schottisch Musical Bazaar: A Collection of Songs and Ballads for the Guitar La Senora Waltz The Boudoir Polkas The Champagne Galop Rosebud Quick Step The Faires Danse Gentle Annie Ballad","Collection de Morceaux choisis par Otto Schick","Ask Not My Love","La Lyre Ganloise Select Collection of Classic Piano Music Si Tu Savais","Chants de France Dance Music","Bingen on the Rhine When the Swallos Homeward Fly Le Tremolo pour le Piano Il Desiderio O Charming May","L'Art du Chant","Agathe Queen of My Soul The Rose of Allandale The Bride","No. 30 Bach","Six Petits Duos pour Deux Violins de I. Pleyel Album Classique our Violin et Orgue  par G. Zanger","Aurora! de Peigeian Oft in the Stilly Night by Wilhel, Iucho","6 Pieces d'Orgue Pieces Recreatives pour Violin et Piano Pelleas et Melisande by Claude Debussy Album de six Morceaux Choisis","Cling to the Rock","Love Not! by Blockley The Sea by Phillips Rory O'More by Carl Muller Galop de Piquillo by Francois Hunten","Pleasures of Home","Thy Spirit of Love Keeps a Watch Over Me by G. Linley","Montechi e Capuletti by J. Blumtal","Peters' Musical Monthly - Novembe 1871 Peters Musical Monthly - March 1872 Don't Be Sorrowful","Klavierwerke-Preludio con Fuga by J.S. Bach No. 1 Toccata con Fuga by J.S. Bach Dmoll-Konzert fur Pianoforte by Adolf Ruthardt Bach Capriccio, Fantasie Bach Toccata con Fuga Mendelssohn Lieder Onhe Worte Brahams Duette Bach -Album fur Orgel","Chorus - Down Went McGinty","Gaily the Troubadour","Die Dollarprinzessin","What Joy to Listen","Robert Volksmann Musikalisches Bilderbuch","The Echo of the Italian Opera","Paisley Schottisch March from Lucia De Lamermoor- Charles Gobe Norma de Bellini Primrose Polka","The Ceebrated Sophie Waltz by Charles Grobe The Tip Toe Polka Galop by J.C. Meininger Etudes de la Velocite by Charles Czerny Der Freischutz by Sydney Smith Thoughts of Home by J. Ascher","Le Poilu by H. Maurice Jacquet","Bossi Six Morceaux pour Orgue Hellmesberger Exercises en forme de gammes","L'Art du Chant","Hazel's New Ideal Orchetra Book-First Violin Hazel's New Ideal Orchetra Book-Alto Saxophone","General Yeoman's Grand March -E.B. Spencer","Take Them, I Implore Thee","Smith's March by J. T. Martin Have Faith in One Another by James Perring The Long, long Weary Day","Harold and Mildred by Herman Finck","Premiere Symphonie pour grand Orchestre by S. Taneiew Overture, Danses et Marche by A. Borodine","Blessed are they thta consider the Poor","Symphonie No. 5 by Anton Dvorak","Come Home, Father by Henry Clay Work I Wonder why he comes Not","Fritz Spindler's Piano Compositions: Convent Bells","Horse Radish Fox Favorite Orchestra Folio Vol. 5 - 2nd Coronet Fox Favorite Orchestra Folio Vol. 5 - Bass Fox Favorite Orchestra Folio Vol. 5 - 1st Violin Fox Favorite Orchestra Folio Vol. 5 - Drums","Evangeline by A.P. Wyman The Little Ones at Home by C.J. Lockwood","Piano Classics by the Best Composers","The May Queen by William Dempster Rakeman's Pas Redouble Gipsey Schottisch Guillaume Tell by F. Beyer White Mountain Serenade Do They Miss Me at Home? In Dreams of Peace The Dismal Swamp Where are the Friends of My Youth Farewell","The May Queen Le lever du Soleil Do They Miss Me at Home? Sally, Come Up Love's Hidings Place Prison Waltz I Love the Merry Sunshine The Pirates Chorus","Pokcaha March Wont you tell me why, Robin? The Pianist's Best Companion Why Not Be Happy Now The Vocal Beauties of Lucia di Lammermoor","Morceau de Concert par F. Servais Violoncelle Opus 14 (2) Concert fur das Violoncell von Carl Reinecke O Cara Memoria F. Servais Op 17. (2) Fantaisie Burlesque pour Violoncelle par F. Servais Op.9","Fantasie Burlesque (ou le Carnaval de Venise) pour Violoncelle par F. Servais Op.9 Grande Fantaisie polonaise sur des Airs du Ballet par F. Servais Op. 19 Grande Fantaisie polonaise pour Violoncelle par F. Servais Op. 19 Faust ( Margarethe) oper in Funf akten von Gound No. 2 Polnischer National-Gesang Chant National Polonais; Vaterlands-Lieder von Ferd. Beyer; Albert Sowinski ( includes National Hymns/Songs from Poland, France, the Netherlands, Belgium, Norway, Scotland, Chile, Serbia, Java)","25 Etudes pour Piano par Francois Hunten Opus 114 Jugend Bande, Leichtes Vierhandiges Album, Band 1: Aletter, Kleines Menuett; Franke, Fruhlingszauber; Gurlitt, Valse noble; Parlow, Polonaise; Reinecke, Primula veria; Sartorio, Mit Lingendem Spiel; Spindler, Landisches Fest; Morley, Teerose; Zilcher, Wasserfahrt, Barcolle; Mendelssohn, LUD, Zigeunertanz; Ziegler, Goldene Sterne, Abenlied; Schytte, Allegro moderato; D'Ourville, Fruhling; Wil, Tanz im Dorfe First Flights in Music (melodius piano Studies for Beginners) by Martin Frey 25 Etudes pour le Piano par Fredic. Burgmuller, Op.100","Rebecca at the Well by Septimus Winner Linked with many bitter Tears by Alice Hawthorne Ideas from the Opera, No. 1 Flower Song \u0026 Chorus from Faust","Capricious Annette bu Gaston Borch","Symphonies pour Orgue par Charles Marie Widor","Return of Spring Polka Brilliant par Theo. Moelling The Wreath-A collection of favorite Waltzes-Jour de Naissance, Op. 89, Burgmuller","Marceline Polka for Piano Forte by John A. Janke, Jr.","Birds of All Feathers, a musical sketch by Mildred Adair","La Traviata par Charles Voss","Lovey-Dovey Intermezzo by Robert A. Hellard","O Let me Die in spring-time by W. Cumming","Zampa Gallopades by Herold","The Lost Fairy Cavatina by C.AE.Horn (cover only)","Pique Dame Galop by C. Denstedt","The Celebrated Anvil Chorus by Francis H. Brown Oh Summer Night by Wm. Dressler, Op.41 Happy Home of My Childhood by George Croal A Voice from the Waves Duett by Stephen Grover Louise Polka Brilliante by Joseph Ascher Pepita Polka by Joseph Ascher","The Whispering Wind Mazurka Caprice pour le Piano par  Hermann A. Wollenhaupt, Op. 38 Nellie Darling by H. Millard Sleeping I Dreamed Love by W.V. Wallace","As You Like it by Wiliam Shakespeare; music Kiss me and Say Goodnight by Johnston \u0026 Wiedoft","Etudes de la Velocite pour le Piano forte par Charles Czerny","Sweet Smile Polka by Charles Kinkel"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center"],"names_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3666,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:00.651Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8982_c03_c2333"}},{"id":"viw_repositories_2_resources_9022_c08_c02_c16","type":"File","attributes":{"title":"Zhang, Benny Interview, 2019","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c08_c02_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9022_c08_c02_c16","ref_ssm":["viw_repositories_2_resources_9022_c08_c02_c16"],"id":"viw_repositories_2_resources_9022_c08_c02_c16","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022_c08_c02","parent_ssi":"viw_repositories_2_resources_9022_c08_c02","parent_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 8: Acc. 2019.134","WDP 2019 Interviews, 2019"],"parent_ids_ssim":["viw_repositories_2_resources_9022","viw_repositories_2_resources_9022_c08","viw_repositories_2_resources_9022_c08_c02"],"title_filing_ssi":"Zhang, Benny Interview","title_ssm":["Zhang, Benny Interview"],"title_tesim":["Zhang, Benny Interview"],"normalized_title_ssm":["Zhang, Benny Interview, 2019"],"text":["Zhang, Benny Interview, 2019","Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 8: Acc. 2019.134","WDP 2019 Interviews, 2019","Zhang, Benny, 1994- (Benming)"],"parent_unittitles_ssm":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 8: Acc. 2019.134","WDP 2019 Interviews, 2019"],"parent_unittitles_tesim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 8: Acc. 2019.134","WDP 2019 Interviews, 2019"],"normalized_date_ssm":["2019"],"unitdate_other_ssim":["2019 April 11"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":961,"repository_ssim":["College of William and Mary"],"collection_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"persname_ssim":["Zhang, Benny, 1994- (Benming)"],"names_ssim":["Zhang, Benny, 1994- (Benming)"],"date_range_isim":[2019],"_nest_path_":"/components#7/components#1/components#15","timestamp":"2026-06-23T07:48:07.814Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9022","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9022.xml","title_filing_ssi":"Williamsburg Documentary Project","title_ssm":["Williamsburg Documentary Project"],"title_tesim":["Williamsburg Documentary Project"],"unitdate_ssm":["Circa 1930-2015","2008-2015"],"unitdate_inclusive_ssm":["Circa 1930-2015"],"unitdate_bulk_ssim":["2008-2015"],"normalized_date_ssm":["1930/2015, bulk 2008/2015"],"normalized_title_ssm":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"text":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","UA 351","/repositories/2/resources/9022","Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers","College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters","Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Box 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.","Swem library use only","Materials are accessible to researchers at Swem Library only.","Materials accessible to researchers at Swem Library only.","Material accessible to researchers in Swem Library only.","Swem library use only","Material access restricted to researchers at Swem Library only.","Swem library use only","Deed of Gift is missing.","Interview is restricted pending a removal of certain content from the transcript and digital file.","The American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century.","VERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.","Davis does not wanted monetary publications to use her interview.","An edited version of this oral history is being made available to researchers at the request of the interviewee.","Acc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015.","Digital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026 Mary Libraries Digital Collections .","This collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.","The collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026 Mary Wren Building at the direction of College President Gene R. Nichol.","This sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026 Mary students, William \u0026 Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026 Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.","File contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.","This sub- series contains oral history deeds, transcripts and notes from 1995-2012.","Final papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026 Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.","Please note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance.","This series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.","Williamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026 White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004","Al Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.","Douglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.","Dr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Dr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Lauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.","Sarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.","Linda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","John Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.","Mrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.","Mr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.","Jane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.","Mayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.","Sister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.","Mrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.","Ms. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.","Judy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.","Jake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.","Professor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.","Kalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.","Mr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.","Hannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.","Lance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.","Mrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.","Mr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.","Mr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.","Rachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.","Mr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.","Mr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.","Willie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.","Lauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.","Lisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.","Jacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.","Mr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.","The four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.","Lynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.","Timothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.","Kris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.","Folder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.","WDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.","The folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.","Folder contains a research paper on Big Brothers Big Sisters of Williamsburg.","The folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.","The folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.","The folder contains a research paper about Walsingham Academy.","The folder contains a research paper about youth athletics in Williamsburg","The folder contains a research paper about William and Mary alumni retiring in Williamsburg.","Folder contains a research paper on the evolution of the Williamsburg-James City County School System.","The folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.","The folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.","Folder contains several maps and a reflective essay.","Folder contains maps and relfective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a map and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.","The folder contains maps and reflective essays.","Folder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.","The folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.","The folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.","Folder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.","Mr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.","Chris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.","Mrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.","Mr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.","Bruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.","Mr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.","Tyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.","Amanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.","Samuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.","Caroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.","Folder contains maps and written reports.","The folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.","The folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.","The folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.","The folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.","The folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.","The folder contains a research paper on the influence of bus drivers on their students.","The folder contains a research paper on food security in Grove, Virginia.","Mr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.","Ms. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.","Lamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.","Ms. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.","Terry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.","Dorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.","Fred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.","Grace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.","Reed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.","Robert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.","Sam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.","Brenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.","Rich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.","Mary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.","Mrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.","Corinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team.","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team.","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team.","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college.","The content of this note was taken from the headnote created by the interview team.","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council.","The content of this note was taken from the headnote created by the interview team.","I interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.","The content of this note was taken from the headnote created by the interview team.","Samantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.","The content of this note is taken from the headnote created by the interview team.","I, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future.","The content of this note comes from the headnote created by the interview team.","I interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026 Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.","The content of this note comes from the headnote created by the interview team.","We interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.","The content of this note was taken from the headnote created by the interview team.","I interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur.","The content of this note was taken from the headnote created by the interview team.","I interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.","The content of this note comes from the headnote created by the interview team.","I interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.","The content of this note was taken from the headnote created by the interview team.","I interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026 Mary specifically, among other things.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.","Description was taken from the headnote created by the interview team.","This interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women.","Description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026 Mary.","Description comes from the headnote created by the interview team.","This interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health.","Description taken from headnote created by the interview team.","This interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.","Description was taken from the headnote created by the interview team.","In this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.","Description was taken from the headnote created by the interview team.","This interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.","Description was taken from the headnote created by the interview team.","This interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.","This description was taken from the headnote created by the interview team.","I interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.","This description was taken from the headnote created by the interview team.","I interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.","The description is taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media.","Description taken from headnote created by interview team.","This interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.","This description is taken from the headnote created by the interview team.","I interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.","The description was taken from the headnote created by the interview team.","This interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.","This description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.","This interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services.","This description was taken from the headnote created by the interview team.","In this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.","This description is taken from the headnote created by the interview team.","In this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.","This description is taken from the headnote created by the interview team.","This interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.","This description was taken from the headnote created by the interview team.","In this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.","This description was taken from a headnote created by the interview team.","This interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work.","This description was taken from the headnote created by the interview team.","In this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.","This description was taken from the headnote created by the interview team.","In this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.","This description was taken from the headnote created by the interview team.","In this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026 Mary, her passions for dance and history,\nand significant influences on her life.","This description was taken from the headnote created by the interview team.","This interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation.","This description was taken from the headnote created by the interview team.","In this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.","This description was taken from the headnote created by the interview team.","This interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg.","This description was taken from the headnote created by the interview team.","In this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026 Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","Within this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form.","This description was taken from the headnote created by the interview team.","In this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.","This description was taken from the headnote created by the interview team.","In this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026 Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.","This description was taken from the headnote created by the interview team.","In this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.","This interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.","In this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.","In the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026 Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.","This interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026 Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.","In this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.","Maureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.","This interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026 Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026 Mary, walking arts, leadership, Ohio, and advocacy work.","In this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026 Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.","In this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026 Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".","In this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026 Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.","In this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.","This Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.","This oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.","In the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026 Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026 Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.","In this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.","This description is taken from the headnote for the oral history.","In this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026 Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by Molly Robinson and Tijuana Reeve.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","American Studies Program","Economic Development","Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)","English"],"collection_title_tesim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"collection_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 351","/repositories/2/resources/9022"],"unitid_tesim":["UA 351","/repositories/2/resources/9022"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"geogname_ssim":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"places_ssim":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"creator_ssm":["American Studies Program"],"creator_ssim":["American Studies Program"],"creator_persname_ssim":["Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)"],"creator_corpname_ssim":["Special Collections Research Center","American Studies Program","Economic Development"],"creators_ssim":["Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)","Special Collections Research Center","American Studies Program","Economic Development"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2009.030 received 2/16/2009 from the Williamsburg Documentary Project via Jenna Simpson. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"access_subjects_ssm":["College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["9.45 Linear Feet"],"extent_tesim":["9.45 Linear Feet"],"genreform_ssim":["Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  ","\u003cp\u003eBox 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eMaterials are accessible to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eMaterials accessible to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eMaterial accessible to researchers in Swem Library only.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eMaterial access restricted to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eDeed of Gift is missing.\u003c/p\u003e","\u003cp\u003eInterview is restricted pending a removal of certain content from the transcript and digital file.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Box 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.","Swem library use only","Materials are accessible to researchers at Swem Library only.","Materials accessible to researchers at Swem Library only.","Material accessible to researchers in Swem Library only.","Swem library use only","Material access restricted to researchers at Swem Library only.","Swem library use only","Deed of Gift is missing.","Interview is restricted pending a removal of certain content from the transcript and digital file."],"bioghist_html_tesm":["\u003cp\u003eThe American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century."],"odd_html_tesm":["\u003cp\u003eVERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.\u003c/p\u003e","\u003cp\u003eDavis does not wanted monetary publications to use her interview.\u003c/p\u003e","\u003cp\u003eAn edited version of this oral history is being made available to researchers at the request of the interviewee.\u003c/p\u003e"],"odd_heading_ssm":["Scope and Contents","General","General"],"odd_tesim":["VERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.","Davis does not wanted monetary publications to use her interview.","An edited version of this oral history is being made available to researchers at the request of the interviewee."],"prefercite_html_tesm":["\u003cp\u003eWilliamsburg Documentary Project Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Williamsburg Documentary Project Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eDigital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026amp; Mary Libraries Digital Collections \u003cextref href=\"https://digital.libraries.wm.edu/williamsburg-documentary-project\" title=\"453\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Digital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026 Mary Libraries Digital Collections ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eThe collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026amp; Mary Wren Building at the direction of College President Gene R. Nichol. \u003c/p\u003e  ","\u003cp\u003eThis sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026amp; Mary students, William \u0026amp; Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026amp; Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.\u003c/p\u003e","\u003cp\u003eFile contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.\u003c/p\u003e","\u003cp\u003eThis sub- series contains oral history deeds, transcripts and notes from 1995-2012.\u003c/p\u003e","\u003cp\u003eFinal papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026amp; Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.\u003c/p\u003e","\u003cp\u003ePlease note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance. \u003c/p\u003e","\u003cp\u003eThis series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.\u003c/p\u003e","\u003cp\u003eWilliamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026amp; White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004\u003c/p\u003e","\u003cp\u003eAl Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eDouglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eDr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eDr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eLauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.\u003c/p\u003e","\u003cp\u003eSarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLinda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eJohn Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eJane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eMayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eSister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.\u003c/p\u003e","\u003cp\u003eMrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMs. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eJudy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.\u003c/p\u003e","\u003cp\u003eJake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eProfessor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eKalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.\u003c/p\u003e","\u003cp\u003eHannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eRachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.\u003c/p\u003e","\u003cp\u003eMr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eWillie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eLisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.\u003c/p\u003e","\u003cp\u003eJacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eThe four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.\u003c/p\u003e","\u003cp\u003eLynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eTimothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eKris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eFolder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.\u003c/p\u003e","\u003cp\u003eWDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on Big Brothers Big Sisters of Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.\u003c/p\u003e","\u003cp\u003eThe folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about Walsingham Academy.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about youth athletics in Williamsburg\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about William and Mary alumni retiring in Williamsburg.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on the evolution of the Williamsburg-James City County School System.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.\u003c/p\u003e","\u003cp\u003eFolder contains several maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and relfective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains a map and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.\u003c/p\u003e","\u003cp\u003eThe folder contains maps and reflective essays.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.\u003c/p\u003e","\u003cp\u003eFolder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.\u003c/p\u003e","\u003cp\u003eMr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eChris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.\u003c/p\u003e","\u003cp\u003eMr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eBruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.\u003c/p\u003e","\u003cp\u003eMr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eTyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eAmanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eSamuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eCaroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.\u003c/p\u003e","\u003cp\u003eFolder contains maps and written reports.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the influence of bus drivers on their students.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on food security in Grove, Virginia.\u003c/p\u003e","\u003cp\u003eMr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMs. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.\u003c/p\u003e","\u003cp\u003eMs. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eTerry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eDorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.\u003c/p\u003e","\u003cp\u003eFred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eGrace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.\u003c/p\u003e","\u003cp\u003eReed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.\u003c/p\u003e","\u003cp\u003eRobert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eSam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eBrenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.\u003c/p\u003e","\u003cp\u003eRich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.\u003c/p\u003e","\u003cp\u003eCorinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eWe interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWe interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.\u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.\u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026amp; Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026amp; Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026amp; Mary's\nTrack \u0026amp; Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026amp; Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026amp; Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026amp; Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026amp; Mary's\nTrack \u0026amp; Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026amp; Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eSamantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.\u003c/p\u003e","\u003cp\u003eThe content of this note is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future. \u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026amp; Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.\u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWe interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.  \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eI interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.\u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026amp; Mary specifically, among other things.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women. \u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eDescription comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health. \u003c/p\u003e","\u003cp\u003eDescription taken from headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eIn this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.\u003c/p\u003e","\u003cp\u003eThe description is taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media. \u003c/p\u003e","\u003cp\u003eDescription taken from headnote created by interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.\u003c/p\u003e","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.\u003c/p\u003e","\u003cp\u003eThe description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.\u003c/p\u003e","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.\u003c/p\u003e","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.\u003c/p\u003e","\u003cp\u003eThis description was taken from a headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026amp; Mary, her passions for dance and history,\nand significant influences on her life.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026amp;M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026amp; Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003e\nThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWithin this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eIn this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026amp; Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.\u003c/p\u003e","\u003cp\u003eThis interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.\u003c/p\u003e","\u003cp\u003eIn this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.\u003c/p\u003e","\u003cp\u003eIn the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026amp; Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026amp; Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.\u003c/p\u003e","\u003cp\u003eIn this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.\u003c/p\u003e","\u003cp\u003eMaureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026amp; Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026amp; Mary, walking arts, leadership, Ohio, and advocacy work.\u003c/p\u003e","\u003cp\u003eIn this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026amp; Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.\u003c/p\u003e","\u003cp\u003eIn this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026amp; Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".\u003c/p\u003e","\u003cp\u003eIn this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026amp; Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.\u003c/p\u003e","\u003cp\u003eIn this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.\u003c/p\u003e","\u003cp\u003eThis Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.\u003c/p\u003e","\u003cp\u003eThis oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.\u003c/p\u003e","\u003cp\u003eIn the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026amp; Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026amp; Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.\u003c/p\u003e","\u003cp\u003eIn this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.\u003c/p\u003e","\u003cp\u003eThis description is taken from the headnote for the oral history. \u003c/p\u003e","\u003cp\u003eIn this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026amp;M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026amp; Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by Molly Robinson and Tijuana Reeve.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.","The collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026 Mary Wren Building at the direction of College President Gene R. Nichol.","This sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026 Mary students, William \u0026 Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026 Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.","File contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.","This sub- series contains oral history deeds, transcripts and notes from 1995-2012.","Final papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026 Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.","Please note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance.","This series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.","Williamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026 White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004","Al Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.","Douglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.","Dr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Dr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Lauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.","Sarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.","Linda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","John Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.","Mrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.","Mr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.","Jane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.","Mayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.","Sister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.","Mrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.","Ms. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.","Judy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.","Jake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.","Professor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.","Kalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.","Mr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.","Hannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.","Lance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.","Mrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.","Mr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.","Mr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.","Rachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.","Mr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.","Mr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.","Willie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.","Lauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.","Lisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.","Jacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.","Mr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.","The four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.","Lynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.","Timothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.","Kris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.","Folder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.","WDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.","The folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.","Folder contains a research paper on Big Brothers Big Sisters of Williamsburg.","The folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.","The folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.","The folder contains a research paper about Walsingham Academy.","The folder contains a research paper about youth athletics in Williamsburg","The folder contains a research paper about William and Mary alumni retiring in Williamsburg.","Folder contains a research paper on the evolution of the Williamsburg-James City County School System.","The folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.","The folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.","Folder contains several maps and a reflective essay.","Folder contains maps and relfective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a map and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.","The folder contains maps and reflective essays.","Folder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.","The folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.","The folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.","Folder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.","Mr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.","Chris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.","Mrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.","Mr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.","Bruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.","Mr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.","Tyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.","Amanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.","Samuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.","Caroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.","Folder contains maps and written reports.","The folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.","The folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.","The folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.","The folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.","The folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.","The folder contains a research paper on the influence of bus drivers on their students.","The folder contains a research paper on food security in Grove, Virginia.","Mr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.","Ms. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.","Lamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.","Ms. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.","Terry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.","Dorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.","Fred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.","Grace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.","Reed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.","Robert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.","Sam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.","Brenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.","Rich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.","Mary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.","Mrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.","Corinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team.","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team.","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team.","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college.","The content of this note was taken from the headnote created by the interview team.","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council.","The content of this note was taken from the headnote created by the interview team.","I interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.","The content of this note was taken from the headnote created by the interview team.","Samantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.","The content of this note is taken from the headnote created by the interview team.","I, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future.","The content of this note comes from the headnote created by the interview team.","I interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026 Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.","The content of this note comes from the headnote created by the interview team.","We interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.","The content of this note was taken from the headnote created by the interview team.","I interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur.","The content of this note was taken from the headnote created by the interview team.","I interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.","The content of this note comes from the headnote created by the interview team.","I interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.","The content of this note was taken from the headnote created by the interview team.","I interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026 Mary specifically, among other things.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.","Description was taken from the headnote created by the interview team.","This interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women.","Description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026 Mary.","Description comes from the headnote created by the interview team.","This interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health.","Description taken from headnote created by the interview team.","This interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.","Description was taken from the headnote created by the interview team.","In this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.","Description was taken from the headnote created by the interview team.","This interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.","Description was taken from the headnote created by the interview team.","This interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.","This description was taken from the headnote created by the interview team.","I interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.","This description was taken from the headnote created by the interview team.","I interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.","The description is taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media.","Description taken from headnote created by interview team.","This interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.","This description is taken from the headnote created by the interview team.","I interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.","The description was taken from the headnote created by the interview team.","This interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.","This description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.","This interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services.","This description was taken from the headnote created by the interview team.","In this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.","This description is taken from the headnote created by the interview team.","In this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.","This description is taken from the headnote created by the interview team.","This interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.","This description was taken from the headnote created by the interview team.","In this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.","This description was taken from a headnote created by the interview team.","This interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work.","This description was taken from the headnote created by the interview team.","In this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.","This description was taken from the headnote created by the interview team.","In this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.","This description was taken from the headnote created by the interview team.","In this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026 Mary, her passions for dance and history,\nand significant influences on her life.","This description was taken from the headnote created by the interview team.","This interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation.","This description was taken from the headnote created by the interview team.","In this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.","This description was taken from the headnote created by the interview team.","This interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg.","This description was taken from the headnote created by the interview team.","In this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026 Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","Within this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form.","This description was taken from the headnote created by the interview team.","In this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.","This description was taken from the headnote created by the interview team.","In this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026 Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.","This description was taken from the headnote created by the interview team.","In this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.","This interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.","In this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.","In the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026 Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.","This interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026 Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.","In this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.","Maureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.","This interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026 Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026 Mary, walking arts, leadership, Ohio, and advocacy work.","In this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026 Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.","In this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026 Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".","In this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026 Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.","In this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.","This Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.","This oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.","In the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026 Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026 Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.","In this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.","This description is taken from the headnote for the oral history.","In this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026 Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by Molly Robinson and Tijuana Reeve."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","American Studies Program","Economic Development"],"names_coll_ssim":["Economic Development"],"persname_ssim":["Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)"],"names_ssim":["Special Collections Research Center","American Studies Program","Economic Development","Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1146,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:48:07.814Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c08_c02_c16"}},{"id":"viw_repositories_2_resources_9698_c01_c160","type":"File","attributes":{"title":"Z. H. Clark, at Lexington, to Col. Thomas W. Thomas., 1855","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9698_c01_c160#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9698_c01_c160","ref_ssm":["viw_repositories_2_resources_9698_c01_c160"],"id":"viw_repositories_2_resources_9698_c01_c160","ead_ssi":"viw_repositories_2_resources_9698","_root_":"viw_repositories_2_resources_9698","_nest_parent_":"viw_repositories_2_resources_9698_c01","parent_ssi":"viw_repositories_2_resources_9698_c01","parent_ssim":["Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863","Letters, 1809/1915"],"parent_ids_ssim":["viw_repositories_2_resources_9698","viw_repositories_2_resources_9698_c01"],"title_filing_ssi":"Z. H. Clark, at Lexington, to Col. Thomas W. Thomas.","title_ssm":["Z. H. Clark, at Lexington, to Col. Thomas W. Thomas."],"title_tesim":["Z. H. Clark, at Lexington, to Col. Thomas W. Thomas."],"normalized_title_ssm":["Z. H. Clark, at Lexington, to Col. Thomas W. Thomas., 1855"],"text":["Z. H. Clark, at Lexington, to Col. Thomas W. Thomas., 1855","Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863","Letters, 1809/1915","box 2","folder 4"],"parent_unittitles_ssm":["Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863","Letters, 1809/1915"],"parent_unittitles_tesim":["Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863","Letters, 1809/1915"],"normalized_date_ssm":["1855"],"unitdate_inclusive_ssm":["25 January 1855"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":161,"repository_ssim":["College of William and Mary"],"collection_ssim":["Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863"],"containers_ssim":["box 2","folder 4"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1855],"_nest_path_":"/components#0/components#159","timestamp":"2026-06-23T07:50:04.651Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9698","ead_ssi":"viw_repositories_2_resources_9698","_root_":"viw_repositories_2_resources_9698","_nest_parent_":"viw_repositories_2_resources_9698","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9698.xml","title_filing_ssi":"Thomas, Thomas W. Papers","title_ssm":["Thomas W. Thomas Papers"],"title_tesim":["Thomas W. Thomas Papers"],"unitdate_ssm":["1809-1915","1834-1863"],"unitdate_inclusive_ssm":["1809-1915"],"unitdate_bulk_ssim":["1834-1863"],"normalized_date_ssm":["1809/1915, bulk 1834/1863"],"normalized_title_ssm":["Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863"],"text":["Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863","Mss. 39.1 T36","/repositories/2/resources/9698","Savannah River (Ga. and S.C.)","Legal documents","United States--Antebellum South--History","United States--Economic history","United States--Georgia--History","United States--History--Civil War, 1861-1865","United States--History--Mexican War, 1845-1848","United States--Judges","United States--Politics and Government","United States--Lawyers","Correspondence","Financial records","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Thomas W. Thomas was a soldier, lawyer, and judge at Elberton, Georgia.","Box and Folder list compiled by Emily Eklund, SCRC staff, in September 2011.","Papers, chiefly 1834-1863, of Thomas W. Thomas, soldier, lawyer, and judge of Elberton, GA concerning his law practice and  his friendship with US Senator Robert Toombs. His papers primarily concern his various legal cases, but also discuss politics, the Civil War, and other topics sporadically. Included in the collection are papers, 1834-1864, of Drury B. Cade who operated a canal boat on the Savannah River. Items of special interest include letter, 3 April 1842, from John Reeves Jones Daniel attacking the Whigs; letter, 1849, to Zachary Taylor concerning liquor seized during the Mexican War; letter, 1857, concerning a suit to secure title to land originally granted to Eli Whitney; and there are a number of Civil War letters in the collection.","Attacking the financial irresponsibility of the Whigs and their program.","On same sheet as Item 14.","On same sheet as Item 20.","This letter contains a list of cotton shipped.","This letter includes an account.","This letter includes a receipt for money paid Davy Butler by D. B. Cade.","Postmarked Waltonsford, Ga.","Concerns the estate of Sarah Fleming.","This letter includes statements of accounts for collection by Thomas W. Thomas.","Mutilated.","This letter includes an account of Jones \u0026 Carrington with Allen Goolsby.","This letter includes an account.","Letter not signed.","Letter not signed.","This letter includes a receipt for money paid McCord, Hard \u0026 Co., by Thomas W. Thomas.","This letter includes an account.","Mutilated.","This letter is written on a printed circular letter of H. \u0026 J. Moore dated 1855 July 2.","This letter includes an account of D. H. \u0026 J. F. White with C. A. Williams \u0026 Son.","This letter includes a receipt for money paid B. R. Manufacturing Co. by Job Russell.","This letter includes an account.","Mutilated.","This letter includes an account.","This letter includes an account.","This letter includes an account.","Mutilated.","Printed circular letter.","This letter includes an account.","This letter includes an account.","Mutilated.","This note is an acceptance to an invitation.","The battle 1862 November 27.","An invitation to a social function.","2 letters.","Mutilated.","Sallie Cade is mentioned.","This letter includes an account.","On the same sheet at item 41.","On the same sheet as item 40.","Incomplete.","2 letters.","7 letters.","Mutilated.","1 piece.","1 piece.","1 piece.","1 piece.","1 piece.","1 piece.","1 piece.","19 pieces.","6 pieces.","10 pieces.","1 piece.","1 piece. 1 envelope.","Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","United States Senate","Whig Party (U.S.)","Thomas, Thomas W.","Taylor, Zachary, 1784-1850","English"],"collection_title_tesim":["Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863"],"collection_ssim":["Thomas W. Thomas Papers, 1809/1915, bulk 1834/1863"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 39.1 T36","/repositories/2/resources/9698"],"unitid_tesim":["Mss. 39.1 T36","/repositories/2/resources/9698"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Savannah River (Ga. and S.C.)"],"geogname_ssim":["Savannah River (Ga. and S.C.)"],"places_ssim":["Savannah River (Ga. and S.C.)"],"creator_ssm":["Thomas, Thomas W."],"creator_ssim":["Thomas, Thomas W."],"creator_persname_ssim":["Thomas, Thomas W.","Taylor, Zachary, 1784-1850"],"creator_corpname_ssim":["Special Collections Research Center","United States Senate","Whig Party (U.S.)"],"creators_ssim":["Thomas, Thomas W.","Taylor, Zachary, 1784-1850","Special Collections Research Center","United States Senate","Whig Party (U.S.)"],"access_terms_ssm":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Purchase"],"access_subjects_ssim":["Legal documents","United States--Antebellum South--History","United States--Economic history","United States--Georgia--History","United States--History--Civil War, 1861-1865","United States--History--Mexican War, 1845-1848","United States--Judges","United States--Politics and Government","United States--Lawyers","Correspondence","Financial records"],"access_subjects_ssm":["Legal documents","United States--Antebellum South--History","United States--Economic history","United States--Georgia--History","United States--History--Civil War, 1861-1865","United States--History--Mexican War, 1845-1848","United States--Judges","United States--Politics and Government","United States--Lawyers","Correspondence","Financial records"],"has_online_content_ssim":["false"],"extent_ssm":["513.00 Linear Feet"],"extent_tesim":["513.00 Linear Feet"],"genreform_ssim":["Correspondence","Financial records"],"date_range_isim":[1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eThomas W. Thomas was a soldier, lawyer, and judge at Elberton, Georgia.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Thomas W. Thomas was a soldier, lawyer, and judge at Elberton, Georgia."],"prefercite_html_tesm":["\u003cp\u003eThomas W. Thomas Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Thomas W. Thomas Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eBox and Folder list compiled by Emily Eklund, SCRC staff, in September 2011.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Box and Folder list compiled by Emily Eklund, SCRC staff, in September 2011."],"scopecontent_html_tesm":["\u003cp\u003ePapers, chiefly 1834-1863, of Thomas W. Thomas, soldier, lawyer, and judge of Elberton, GA concerning his law practice and  his friendship with US Senator Robert Toombs. His papers primarily concern his various legal cases, but also discuss politics, the Civil War, and other topics sporadically. Included in the collection are papers, 1834-1864, of Drury B. Cade who operated a canal boat on the Savannah River. Items of special interest include letter, 3 April 1842, from John Reeves Jones Daniel attacking the Whigs; letter, 1849, to Zachary Taylor concerning liquor seized during the Mexican War; letter, 1857, concerning a suit to secure title to land originally granted to Eli Whitney; and there are a number of Civil War letters in the collection.\u003c/p\u003e  ","\u003cp\u003eAttacking the financial irresponsibility of the Whigs and their program.\u003c/p\u003e","\u003cp\u003eOn same sheet as Item 14.\u003c/p\u003e","\u003cp\u003eOn same sheet as Item 20.\u003c/p\u003e","\u003cp\u003eThis letter contains a list of cotton shipped.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eThis letter includes a receipt for money paid Davy Butler by D. B. Cade.\u003c/p\u003e","\u003cp\u003ePostmarked Waltonsford, Ga.\u003c/p\u003e","\u003cp\u003eConcerns the estate of Sarah Fleming.\u003c/p\u003e","\u003cp\u003eThis letter includes statements of accounts for collection by Thomas W. Thomas.\u003c/p\u003e","\u003cp\u003eMutilated.\u003c/p\u003e","\u003cp\u003eThis letter includes an account of Jones \u0026amp; Carrington with Allen Goolsby.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eLetter not signed.\u003c/p\u003e","\u003cp\u003eLetter not signed.\u003c/p\u003e","\u003cp\u003eThis letter includes a receipt for money paid McCord, Hard \u0026amp; Co., by Thomas W. Thomas.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eMutilated.\u003c/p\u003e","\u003cp\u003eThis letter is written on a printed circular letter of H. \u0026amp; J. Moore dated 1855 July 2.\u003c/p\u003e","\u003cp\u003eThis letter includes an account of D. H. \u0026amp; J. F. White with C. A. Williams \u0026amp; Son.\u003c/p\u003e","\u003cp\u003eThis letter includes a receipt for money paid B. R. Manufacturing Co. by Job Russell.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eMutilated.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eMutilated.\u003c/p\u003e","\u003cp\u003ePrinted circular letter.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eMutilated.\u003c/p\u003e","\u003cp\u003eThis note is an acceptance to an invitation.\u003c/p\u003e","\u003cp\u003eThe battle 1862 November 27.\u003c/p\u003e","\u003cp\u003eAn invitation to a social function.\u003c/p\u003e","\u003cp\u003e2 letters.\u003c/p\u003e","\u003cp\u003eMutilated.\u003c/p\u003e","\u003cp\u003eSallie Cade is mentioned.\u003c/p\u003e","\u003cp\u003eThis letter includes an account.\u003c/p\u003e","\u003cp\u003eOn the same sheet at item 41.\u003c/p\u003e","\u003cp\u003eOn the same sheet as item 40.\u003c/p\u003e","\u003cp\u003eIncomplete.\u003c/p\u003e","\u003cp\u003e2 letters.\u003c/p\u003e","\u003cp\u003e7 letters.\u003c/p\u003e","\u003cp\u003eMutilated.\u003c/p\u003e","\u003cp\u003e1 piece.\u003c/p\u003e","\u003cp\u003e1 piece.\u003c/p\u003e","\u003cp\u003e1 piece.\u003c/p\u003e","\u003cp\u003e1 piece.\u003c/p\u003e","\u003cp\u003e1 piece.\u003c/p\u003e","\u003cp\u003e1 piece.\u003c/p\u003e","\u003cp\u003e1 piece.\u003c/p\u003e","\u003cp\u003e19 pieces.\u003c/p\u003e","\u003cp\u003e6 pieces.\u003c/p\u003e","\u003cp\u003e10 pieces.\u003c/p\u003e","\u003cp\u003e1 piece.\u003c/p\u003e","\u003cp\u003e1 piece. 1 envelope.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers, chiefly 1834-1863, of Thomas W. Thomas, soldier, lawyer, and judge of Elberton, GA concerning his law practice and  his friendship with US Senator Robert Toombs. His papers primarily concern his various legal cases, but also discuss politics, the Civil War, and other topics sporadically. Included in the collection are papers, 1834-1864, of Drury B. Cade who operated a canal boat on the Savannah River. Items of special interest include letter, 3 April 1842, from John Reeves Jones Daniel attacking the Whigs; letter, 1849, to Zachary Taylor concerning liquor seized during the Mexican War; letter, 1857, concerning a suit to secure title to land originally granted to Eli Whitney; and there are a number of Civil War letters in the collection.","Attacking the financial irresponsibility of the Whigs and their program.","On same sheet as Item 14.","On same sheet as Item 20.","This letter contains a list of cotton shipped.","This letter includes an account.","This letter includes a receipt for money paid Davy Butler by D. B. Cade.","Postmarked Waltonsford, Ga.","Concerns the estate of Sarah Fleming.","This letter includes statements of accounts for collection by Thomas W. Thomas.","Mutilated.","This letter includes an account of Jones \u0026 Carrington with Allen Goolsby.","This letter includes an account.","Letter not signed.","Letter not signed.","This letter includes a receipt for money paid McCord, Hard \u0026 Co., by Thomas W. Thomas.","This letter includes an account.","Mutilated.","This letter is written on a printed circular letter of H. \u0026 J. Moore dated 1855 July 2.","This letter includes an account of D. H. \u0026 J. F. White with C. A. Williams \u0026 Son.","This letter includes a receipt for money paid B. R. Manufacturing Co. by Job Russell.","This letter includes an account.","Mutilated.","This letter includes an account.","This letter includes an account.","This letter includes an account.","Mutilated.","Printed circular letter.","This letter includes an account.","This letter includes an account.","Mutilated.","This note is an acceptance to an invitation.","The battle 1862 November 27.","An invitation to a social function.","2 letters.","Mutilated.","Sallie Cade is mentioned.","This letter includes an account.","On the same sheet at item 41.","On the same sheet as item 40.","Incomplete.","2 letters.","7 letters.","Mutilated.","1 piece.","1 piece.","1 piece.","1 piece.","1 piece.","1 piece.","1 piece.","19 pieces.","6 pieces.","10 pieces.","1 piece.","1 piece. 1 envelope."],"userestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Collection is open to all researchers. Before publishing quotations or excerpts from any materials, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"corpname_ssim":["Special Collections Research Center","United States Senate","Whig Party (U.S.)"],"names_coll_ssim":["United States Senate","Whig Party (U.S.)","Taylor, Zachary, 1784-1850"],"persname_ssim":["Thomas, Thomas W.","Taylor, Zachary, 1784-1850"],"names_ssim":["Special Collections Research Center","United States Senate","Whig Party (U.S.)","Thomas, Thomas W.","Taylor, Zachary, 1784-1850"],"language_ssim":["English"],"total_component_count_is":478,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:50:04.651Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9698_c01_c160"}},{"id":"viw_repositories_2_resources_9365_c07_c24_c17","type":"File","attributes":{"title":"Zichterman- Zydron","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9365_c07_c24_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9365_c07_c24_c17","ref_ssm":["viw_repositories_2_resources_9365_c07_c24_c17"],"id":"viw_repositories_2_resources_9365_c07_c24_c17","ead_ssi":"viw_repositories_2_resources_9365","_root_":"viw_repositories_2_resources_9365","_nest_parent_":"viw_repositories_2_resources_9365_c07_c24","parent_ssi":"viw_repositories_2_resources_9365_c07_c24","parent_ssim":["A. Willis Robertson Papers, 1921/1988, bulk 1946/1966","Series 7: Addressee Copies [Available only on microfilm], 1944/1966","300, Drawer 197"],"parent_ids_ssim":["viw_repositories_2_resources_9365","viw_repositories_2_resources_9365_c07","viw_repositories_2_resources_9365_c07_c24"],"title_filing_ssi":"Zichterman- Zydron","title_ssm":["Zichterman- Zydron"],"title_tesim":["Zichterman- Zydron"],"normalized_title_ssm":["Zichterman- Zydron"],"text":["Zichterman- Zydron","A. Willis Robertson Papers, 1921/1988, bulk 1946/1966","Series 7: Addressee Copies [Available only on microfilm], 1944/1966","300, Drawer 197"],"parent_unittitles_ssm":["A. Willis Robertson Papers, 1921/1988, bulk 1946/1966","Series 7: Addressee Copies [Available only on microfilm], 1944/1966","300, Drawer 197"],"parent_unittitles_tesim":["A. Willis Robertson Papers, 1921/1988, bulk 1946/1966","Series 7: Addressee Copies [Available only on microfilm], 1944/1966","300, Drawer 197"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":11666,"repository_ssim":["College of William and Mary"],"collection_ssim":["A. Willis Robertson Papers, 1921/1988, bulk 1946/1966"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Series VII: Addressee Copies, 1944-1966, available only on microfilm."],"_nest_path_":"/components#6/components#23/components#16","timestamp":"2026-06-23T07:49:07.507Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9365","ead_ssi":"viw_repositories_2_resources_9365","_root_":"viw_repositories_2_resources_9365","_nest_parent_":"viw_repositories_2_resources_9365","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9365.xml","title_filing_ssi":"Robertson, A. Willis Papers","title_ssm":["A. Willis Robertson Papers"],"title_tesim":["A. Willis Robertson Papers"],"unitdate_ssm":["1921-1971, 1988","1946-1966"],"unitdate_inclusive_ssm":["1921-1971, 1988"],"unitdate_bulk_ssim":["1946-1966"],"normalized_date_ssm":["1921/1988, bulk 1946/1966"],"normalized_title_ssm":["A. Willis Robertson Papers, 1921/1988, bulk 1946/1966"],"text":["A. Willis Robertson Papers, 1921/1988, bulk 1946/1966","Mss. 66 R54","/repositories/2/resources/9365","Virginia--Politics and Government","Agriculture--United States","Agriculture--Virginia--History--18th century","Animal welfare--United States","Banks and banking--United States--History","Civil service--United States","Communism--Post 1945","National parks and reserves--Law and legislation","National parks and reserves--United States","National parks and reserves--Virginia","Taxation--United States","United States--Politics and Government","Vietnam War, 1961-1975","Wildlife conservation--United States","World War, 1914-1918","Agendas (administrative records)","Correspondence","Financial records","Reports","Resolutions (administrative records)","Sound Recordings","Speeches","Vertical Files","Video recordings","200,000 Items","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into 15 series.","Absalom Willis Robertson was born in Martinsburg, Berkeley County, W. Va. 27 May 1887. He graduated from the University of Richmond where he also received his law degree. He practiced law in Rockbridge County, Va. He served in the Virginia State Senate, 1916-1922 and as an officer in the U. S. Army during World War I. He was the Commonwealth's Attorney for Rockbridge County and was named as Chairman of the Virginia Commission of Game and Inland Fisheries. Robertson was a Congressman from 1933 to 1946. He served in the United States Senate from 1946 to 1966. He was defeated in the Democratic primary of 1966 and died in 1971.","Part or all of this collection is stored offsite. Consult a staff member for assistance.","See; William Harris Gaines, III, \"611 Votes: The 1966 Virginia Democratic Senatorial Primary (Honors Thesis, College of William and Mary, 1974).","This collection is housed off-site. At least 72 hours advanced notice is required for retrieval.","Papers, 1921-1967, of A. Willis Robertson, U. S. Congressman and Senator from Virginia. Chiefly his senatorial office files, 1946-1966. Robertson was a conservative Democrat, serving at the same time as Harry F. Byrd, Sr.","Subjects in the collection include national defense, agriculture, taxation, banking, government employees, the Moral Rearmament movement,anti-Communism, Vietnam, segregation, wildlife conservation, national parks, the humane slaughter of animals and the humane treatment of research animals. The papers were kept in the same order as they were in Robertson's office files. The legislative files consist of correspondence arranged by Congressional session. The miscellaneous subject files are arranged by year as are the invitations. The addressee copies which are Robertson's copies of letters sent to correspondents are indexed to the legislative files. They are arranged alphabetically by groups of years. The speech material is arranged by subject and contains background information on cities, counties and individuals within the commonwealth. The speech files are in chronological order. There are news releases in both the news release files and in the speech files.","A People magazine article about Pat Robertson, son of A. Willis Robertson, and a lawsuit over Pat Robertson's war record, dated March 14, 1988 is filed at the beginning of box 1.","Scope and Contents","Includes Democratic Committees-County, City-10th District","Scope and Contents","The papers in this Folder were in an envelope filed next to \"J\" in the 1963 files and bearing the words \"Put in File-Grace Johnson.\" There seems to be no connection.","Scope and Contents","Note: Letter of September 9, 1939 from Secretary of Agriculture has a signiture cut out-probably Henry A. Wallace","Requests Congressional Quarterly","--Not Requested","August 12-14","April 24, 1950","This box needs the folder listing. It contains Drawer 171, Folders 1-20.","This series is available only on microfilm.","F","G","Scope and Contents","Ge-Gi","Scope and Contents","Gla-Glo","Scope and Contents","Goc-Goz","Gra","Scope and Contents","Gre-Gri","Scope and Contents","Gro-Gwy","Scope and Contents","Ha-Ham","Scope and Contents","Hancock-Harriman","Scope and Contents","Harris-Haz","Scope and Contents","Hea-Hez","Scope and Contents","Hib-Hiz","Scope and Contents","Hoa-Hol","Scope and Contents","Hom-Hoz","Scope and Contents","Hub-Huz","J","La","Scope and Contents","Le-Li","Scope and Contents","Ll-Lz","Scope and Contents","McA-McC","Scope and Contents","McD-McW","Scope and Contents","Macatee-Marsh","Marshall","Scope and Contents","Marston-Maxwell","Scope and Contents","May-Maz","Scope and Contents","Me-Millar","Millei","Scope and Contents","Milligan-Mitchell","Scope and Contents","Moa-Moo","Scope and Contents","Mor-Mz","Scope and Contents","Mu-Mz","Scope and Contents","Na-Nev","Scope and Contents","Na-Nev","Scope and Contents","Oa-Oz","Scope and Contents","Poa-Par","Scope and Contents","Pas-Paz","Scope and Contents","Pea-Pez","Scope and Contents","Pf-Porter","Scope and Contents","Porterfield-Pz","Scope and Contents","Qa-Qz","Scope and Contents","Raa-Raz","Scope and Contents","Rea-Rho","Scope and Contents","Ric-Rix","Scope and Contents","Roa-Rob","Scope and Contents","Roc-Roz","Scope and Contents","Ru-Rz","Scope and Contents","Sa-Saz","Scope and Contents","Sc-Sez","Scope and Contents","Sha-Shz","Scope and Contents","Si-Sl","Scope and Contents","Sma-Smz","Sn -So","Scope and Contents","Sp-Sq","Sta","Scope and Contents","Ste-Sti","Scope and Contents","Sto-Stu","Su","Scope and Contents","Sw-Sy","Scope and Contents","Ta-Te","Scope and Contents","Tha-Tiz","Scope and Contents","To-Tr","Scope and Contents","Tu-Tz","Scope and Contents","U-V","Scope and Contents","Wa-Wal","Scope and Contents","Wam-Waz","Scope and Contents","Wea-Wez","Scope and Contents","Wha-Wig","Scope and Contents","Wilburn-Williamson","Scope and Contents","Willingham-Wiltshire","Scope and Contents","Wine-Witt","Scope and Contents","Wolcott-Wysar","Scope and Contents","Y-Z","Scope and Contents","Miscellaneous-Non-Personal","Scope and Contents","Aa-Ada-Adz","Scope and Contents","Af-All-Alle","Scope and Contents","Alli-Aro-As","Scope and Contents","At-Baa-Bak","Scope and Contents","Bai-Bal","Scope and Contents","Bam-Barnard-Barrett","Scope and Contents","Barrick-Batson-Batts","Scope and Contents","Bau-Bea","Scope and Contents","Beb-Bell-Bellwood-Belvin","Scope and Contents","Bemiss-Berr-Bez","Scope and Contents","Bia-Blackly-Blackwell","Scope and Contents","Bladen-Bleakley-Blythe","Scope and Contents","Boa-Bom-Boos","Scope and Contents","Boot-Bow-Bowles","Scope and Contents","Bowlin-Brau-Bram","Scope and Contents","Bran-Bre","Scope and Contents","Briant-Brim-Briz","Scope and Contents","Broa-Broome-Brown (A through G)","Scope and Contents","Brown, H.-Brownell-Broz-Bryant","Scope and Contents","Bub-Burb-Burg","Scope and Contents","Burk-Burrough-Burrus","Scope and Contents","Burthass-Bulton-Byrd, Grant","Scope and Contents","Byrd, Harry F.-Byrd, James-Byrnes","Scope and Contents","Cab-Camb-Camp","Scope and Contents","Cambell-Cara-Carl","Scope and Contents","Carm-Carter","Scope and Contents","Cartmer-Ce-Chan","Scope and Contents","Chap-Chic-Chou","Scope and Contents","Chr-Clarke-Clay","Scope and Contents","Clea-Coa-Coch","Scope and Contents","Cocke-Coa-Coch","Scope and Contents","Col-Coller-Collger","Scope and Contents","Colm-Conner-Conway","Scope and Contents","Cook-Cool-Cop","Scope and Contents","Cor-Cov-Cow","Scope and Contents","Cox-Crabhill-Crayton","Scope and Contents","Crea-Cro","Scope and Contents","Cruett-Dabney-Daly","Scope and Contents","Dambach-Daub-Davidman","Scope and Contents","Davidson-Davis-Davison","Scope and Contents","Dawes-Def-Del","Scope and Contents","Dem-Dia-Die","Scope and Contents","Dig-Doa-Dol","Scope and Contents","Dom-Doy","Scope and Contents","Dov-Dra-Dry","Scope and Contents","Dub-Dun","Eason- Eff- Err","Elam- Ema- Eng","Enman- Faber- Farley","Farmer- Fearing- Fenwick","Fer- Fin- Fir","Fis- Fla","Fle- Fob- Foo","Foran- Fou- Foy","Frad- Frear- Frey","Fri- Fun- Fyo","Gab- Garb- Garn","Garr- Gen- Gey","Ghe- Gilliam- Gilmore","Gilpin- Goad- Goin","Golay- Goodman- Goolrick","Gordon- Gore- Gowl","Grab- Grau","Gray, Aileen- Gray, William","Graybial- Lyons","Marshall- Moore","Noland- Roberts","Sel- Shag- Shaz","Sa- Scribener- Seitz","Shea- Shi","Shn- Sin- Siz","Ska- Smith, B.- Smith, G.","Smith, H.- Smith, L.- Smith, S.","Smith, T.- Sno- Som","Son- Spi","Splawn- Stan- Stap","Sta- Stei- Sten (Includes: John Stennis)","Stephan- Steward- Stipes","Stir- Stos- Stou","Strad- Stre- Stru","Stuart- Sub- Sul","Sum- Suri- Swis","Switzer- Swo- Sz","Tab- Taylor, A.- Taylor, K.","Taylor, L.- Thacker- Thoma","Thomas- Thomason- Thompson, H.L.","Thompson, H.M.- Ti","Tob- Tro- Tru- Ts","Tubbs- Tudor- Turner","Turnes- Vac- Van","Var- Via- Vivian","Vochis- Wahl- Walke","Walker- Waln- Walz","Wamb- Wartham- Wassum","Water- Watt- Way","Wea- Wed- Wei","Wel- Wha- Whe","Whic- Whited- Whitehurst","Whiteman- Wic- Wig","Wila- William- Williams, A through D","Williams, E.G-- Williams, P through Z","Williamson- Willis- Wilmer- Wilson","Wilson, H.- Wir- Wis","Wit- Wood","Woodall- Woodside- Woody","Wool- Wright","Wul- Young, A.- Young, G.","Young, H.- Zin- Zwy","1952- Miscellaneous","1953- Miscellaneous","1954- Miscellaneous","Aan- Adcock- Aldrich","Aleshire- Alley- Aly","Ambler- Angel- Armstrong","Scope and Contents","Arnall-Baals-Baird","Scope and Contents","Baker-Barker-Baron","Scope and Contents","Barr-Bau-Baz","Scope and Contents","Beach-Bem-Ben","Scope and Contents","Ber-Big-Bix","Scope and Contents","Bla-Boh-Boo","Scope and Contents","Bor-Box-Boz","Scope and Contents","Bra-Bri","Scope and Contents","Broaddus-Brown","Scope and Contents","Browne-Bura-Burl","Scope and Contents","Burm-Byrd, Harry F.-Byron","Scope and Contents","Cab-Cara-Carn","Scope and Contents","Caro-Cart-Cern","Scope and Contents","Chad-Chi-Chu","Scope and Contents","Cie-Coa-Cof","Scope and Contents","Cog-Conant-Conway","Scope and Contents","Cook-Cote-Cowperthwaite","Scope and Contents","Cox-Creasy-Critzer","Scope and Contents","Cro-Daane-Dabney","Scope and Contents","Dade-Dashiell-Davis, G.","Scope and Contents","Davis, H.-Dem-Dey","Scope and Contents","Dia-Dob-Doo","Scope and Contents","Dor-Duer-Dunlap","Scope and Contents","Dunn-Eades-Edith","Scope and Contents","Edm-Egan-Ellison","Scope and Contents","Ellmore-Evelyn-Exley","Scope and Contents","Faber-Fer-Fil","Scope and Contents","Fin-Fockler-Foster","Scope and Contents","Fou-Fudge-Fyock","Scope and Contents","Gaba-Gear-George, T.","Scope and Contents","George, W. Brooks-Gillette-Givens","Scope and Contents","Gla-Gor -Gou","Scope and Contents","Graal-Green-Grey","Scope and Contents","Gri-Gurber-Gwyn","Scope and Contents","Haag-Ham-Hamrick","Scope and Contents","Hanbury-Hardvay-Harness","Scope and Contents","Harold-Harris, H.","Scope and Contents","Harrison-Hay-Haz","Scope and Contents","Hea-Hering-Heywood","Scope and Contents","Hibb-Hock-Hoke","Scope and Contents","Holb-Honaman-Horne","Scope and Contents","Horner-Hie-Hue","Scope and Contents","Hum-The-Izz","Scope and Contents","Jar-Jernigan-Johnson","Scope and Contents","Johnson-Johnston-Jones, G.","Scope and Contents","Jones, H.-Kablle-Keithly","Scope and Contents","Kell-Kess-Kilp","Scope and Contents","Kimball-Kite-Knox","Scope and Contents","Koch-Lanahan-Lantzy","Scope and Contents","Lapp-Lea-Lerner","Scope and Contents","Les-Liang-Livy","Scope and Contents","Lloyd-Louden-Lozier","Scope and Contents","Lub-McAdams-McClure","Scope and Contents","McComb-Mcg-McL","Scope and Contents","McM-Mac-Mam","Scope and Contents","Man-Mar","Scope and Contents","Mas-Mea-Mez","Scope and Contents","Michael-Millican-Mistr","Scope and Contents","Mit-Moore-Moose","Scope and Contents","Mora-Mosby-Mumma","Scope and Contents","Munday-Nabors-Nelson","Scope and Contents","Nem-Nim-Nyr (Includes: Richard Nixon)","Scope and Contents","O\"brien-Opie [sic]","Scope and Contents","Orange-Pab-Pan","Scope and Contents","Par-Pas-Pay","Scope and Contents","Peach-Perr-Pezz","Scope and Contents","Pfeiffer-Pitt-Pop","Scope and Contents","Por-Pransky-Pryer","Scope and Contents","Puck-Rabb-Ranson","Scope and Contents","Rap-Rem-Rib","Scope and Contents","Rice-Rizely","Scope and Contents","Roach-Roberts-Robertson, Willis Mr. And Mrs. Junior (Tad)","Scope and Contents","A. W. Robertson relatives-Frank W. Harold G. Pat (Marion G.)","Scope and Contents","Robertson-Misc. A-Z Robeson-Robson","Scope and Contents","Roc-Ros","Scope and Contents","Rot-Ryl","Scope and Contents","Sab-Sca-Scu","Scope and Contents","Sea-Shac-Shep","Scope and Contents","Shen-Sib-Siz","Scope and Contents","Ska-Smiley-Smith, K","Scope and Contents","Snyder-Soc-Spl","Scope and Contents","Spo-Stearns-Stennis","Scope and Contents","Stephan-Stock-Stoy","Scope and Contents","Strachan-Stump-Sutton","Scope and Contents","Swa-Tab","Scope and Contents","Taylor-Teagle-Thompkins","Scope and Contents","Thompson-Tib-Tow","Scope and Contents","Tracer-Tuo-Tyus","Scope and Contents","Uhler-Vaughn-Voorhis","Scope and Contents","Waddell-Walker-Wardeau","Scope and Contents","Ware-Weade-Weitzer","Scope and Contents","Welch-Whalen-Whitaker","Scope and Contents","White-Wick-William","Scope and Contents","Williams-Williamson-Wilson","Scope and Contents","Wilton-Wood-Wozniak","Scope and Contents","Wkanek-Yowell-Zwick","Scope and Contents","1955-Miscellaneous","Scope and Contents","1956-Miscellaneous","Scope and Contents","1957-Miscellaneous","1958-1959 Miscellaneous","Scope and Contents","1960-Miscellaneous","Scope and Contents","1961-Miscellaneous","Scope and Contents","1962-Miscellaneous","Scope and Contents","1963-Miscellaneous","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","(Folders 18-46: General Topics- Advertising- Anti-Trust)","1965- Annual Report","See also Speech Material Virginia, \"Indians in Virginia\"","[Folder 1-79: General Topics- App.-- Cities and Towns (Boydton, Va.)]","(Background Material)","(Background Material)","(Background Material)","(Background Information Regarding)","(Background Material)","[Folders 1-75: General Topics- Cities and Towns (Roanoke)-- Conservation]","(Military Installation)","(Articles in the Richmond Newsletter)","Johnston, Felton M. (Skecter) 1964-1965; Johnston, Senator Olin D. (S.C.) 1962-1965; Jones, Judge Marvin 1957-1960","Jones, Roger Warren, Civil Service 1959; Jordan, Senator Len-- Idaho 1963; Judd, Walter-- Representative Minnesota 1966; Katzenbach, Nicholas de Belleville 1965; Kefauver, Senator Ester and Wife 1963-1965","Keller, Helen 1960; Kelly, Mrs. Virginia 1961-1964; Kelly, Wm. F (ABA) 1962-1965; kennedy, Senator. Edw. M. 1964-1965","Kennedy, Robert F. 1963-1965; Kerr, Senator Robert S. 1962-1964; Key, Francis Scott 1964; Kilburn, Clarence E. 1962-1964","Kistiakowsky, Dr. Geo. B. 1959; Knight, Frances G. (Passports) 1958-1966; Knowland, Wm. F. 1959-1963; Korth, Fred-- Secretary of Navy 1963; Kuchel, Senator Thomas, California 1965","Lasker, Mrs. Albert D. (Mary) New York 1960-1965; Latrobe, Benjamin H.-- Architect 1964; Lattimore, Professor Owen, Balitmore 1964; Lawrence, Hon. and Mrs. David L., Pgh. 1960; Layton, Police Chief John B., D.C. 1965","Lazarus, Emma 1964; Lejeune, Lt. General John A. 1964; LeMay, General Curtis E. 1961-1965; Lemnitzer, General Lyman L. 1959-1962","Lennartson, Hon. Nils A. 1965; Lewis, John L. (Coal) 1959-1965","Long, Senator Oren E. 1964; Long, Senator Russell B., Louisiana 1965-1966; Lovelace, Dr. W. Randolph, N.M. 1959-1965; Lowe, Otto, Sr. 1964; Lusk, Hall 1960","McCarthy, Senator Eugene J. 1964; McCarthy, Senator Joseph R. 1954; McClellan, Senator John Little 1963-1966; McCloy, John J. 1961-1964","McConnell, General John Paul 1964-1965; McDonald, David J. 1959; McGovern, Senator George (S.D.) 1963; McElroy, Hon. and Mrs. Neil H. 1957","McKinney, Frank E. 1966; McKneally, Martin B. (Am. Leg) 1960; McMurray, Jos. P 1961-1964; McNamara, Robert. S. (Defence Secretary) 1961-1966; McNeil, Warren A. \u0026 Family 1958-1965","Macy, John W., Jr. 1965; Mahan, John W. (V.F.W.) 1959; Mahon, Hon. and Mrs. George H., Texas 1964; Mahoney, Mrs. Florence Stephenson 1964","Maisel, Sherman J. (Federal Reserve) 1965; Mansfield, Senator Mike 1961-1965; Martin, Jr. Rep. Jos. W. 1942-1966; Martin, Wm. McChesney 1965-1966","Meloy, Thomas (President- Melpar, Inc.) 1960; Metcalf, Senator Lee (Montana) 1965; Miller, Wm. E. (M.C.- N.Y.) 1964; Mink, Hon. Patsy (M.C.- Hawai) 1965; Mitchell, Jas. Paul (Secretary Labor) 1960; Mondale, Senator Walter F. (Minn.) 1965; Moore, George S. 1964; Morgan, Gerald D. 1958; Morse, Senator Wayne 1962; Moyers, Bill D. (President News Secretary) 1966","Munford, Walter F. (President U.S. Steel) 1959; Mussolini, Benito 1964; Muto, Frank and Al (Photog. for Demos.) 1963; Nehru, Jawajarlal (India) 1963-1965; Neilan, E.P. (President U.S. Chamber of Commerce) 1963; Neuberger, Senator Maurine B. (Oregon) 1960-1965; Nimitz, Admiral Chester W. 1960-1966","Nixon, Richard M. and Family 1958-1966; Northern, Mary Moody (Texas) 1965; O'Brien, Lawrence F. 1965;","O'Leary, Jerry A and Family 1942-1964; O'Mahoney, Jos. C. 1960; Olmstead, Major General George H. 1964-1966; Oppenheimer, Dr. J. Robert 1959-1963; Oxnam, Bishop G. Bromley( Meth.) 1963","Paderewski, Ignace Jan 1960; Page, Dr. Thomas Nelson 1919; Parker, John J., Judge 1958-1964; Pastore, Senator John O., R.I. 1964; Pate, General Randolph McC., Marines 1958","Patton, General George, U.S. Army 1963; Pendergast, Tom 1965; Perkins, Frances, Secretary Labor 1965; Pershing, General John J. 1960-1965; Peterson, Mrs. Esther 1965; Pike, Bishop James A. 1958-1966;","Proxmire, Senator. and Mrs. William 1964-1966; Pulaski, Casimmir 1962-1965; Raborn, Vice-Adm. Wm. F. 1965; Raphael 1961","Reagan, Ronald 1965-1966; Reichelderfer, Dr. F.W. 1963; Reid, Ogden R. 1959; Resor, Stanley R. (Secretary Army) 1965; Rhodes, John D. 1963; Rickenbacker, Captian Edward V. 1963","Rickover, Vice Adm. Hyman G. 1959-1965; Redel, Richard L. 1965; Ripley, Dr. Sidney D (Smithsonian) 1964-1965","Rockefeller, Nelson 1958-1964; Rodes, Judge, John B. (Ky.) 1965; Rogers, Att'y General WM. P. 1957-1959; Romney, George W. (Mich.) 1963-1964","Russell, Donald S. of S.C. 1965; Russell, Senator Richard 1959-1966; Salinger, Pierre 1964-1966","Salk, Dr. Jones E. 1958-1959; Saltonstall, Senator Leverett, Mass. 1965-1966","Schrotel, Chief Stanley R. 1963; Schultze, Charles L.-- Budget Director 1965; Scott, Senator Wm, Kerr 1958","Seamans, Dr. Robert. C., Jr.-- NASA 1965; Sharp, Dudley C.-- Secretary Air Force 1959; Shoemaker, Dr. Samuel-- Pgh. 1960-1964; Shott, Hugh Ike 1952-1964","Smathers, Senator and Mrs. George A. 1961-1966; Smith, H. Alexander, Senator 1957-1962; Smith, Senator Margaret Chase 1960-1965; Smythe, Hon. Robert A 1962-1963; Socrates (and Athens) 1963; Sparkman, Senator John J. 1964-1966","Spence, Hon. Brent-- Kentucky 1962; Sporn, Philip-- AM. El. Power 1965; Stans, Maurice H.-- Budget Director 1960; Stassen, harold E. 1964; Stennis, Senator John 1963-1965; Stevenson, Adlai 1960-1965","Stewart, Dr. Wm. H.-- Surgeon General 1965; Strauss, Hon. Lewis L. 1955-1966","Stringfellow, George E. Potentate 1958-1963; Sullivan, Anne-- Teacher Helen Keller 1966; Swartz, Bill, Ed and Jerry 1959; Symington, Stuart 1958-1966","Taft, Hon. Robert A. 1959-1965; Talmadge, Senator Herman 1962-1966; Taylor, General Maxwell D. 1961-1966","Teller, Dr. Edward 1959-1966; Terry, Dr. Luther L. 1963; Thomson, J. Cameron 1965; Thurmond, Senator strom of S.C. 1966; Tower, Hon. John G.-- Texas 1961; Tracewell, Chas. E.-- Washington Star 1961","Trice, Mark 1965; Truman, Harry S. 1951-1965; Twain, Mark-- S. Clemens 1959-1966; Twining, General Nathan F. 1959-1966","Tytler, Alexander Fraser 1964; Valeo, Francis R.-- Secretary to Senate Majority 1963-1965; Vereide, Abraham 1961-1965; Vinson, Carl-- Georgia Representative 1962-1964; Vinson, Fred 1966; Wallace, George C.-- Alabama 1963; Wallace, Henry A. 1965","Walters, Senator Herbert S.-- Tenn. 1963; Watkins, Charles L. 1965-1966; Weaver, Dr. Robert C.-- H.U.D. 1966; Wheeler, General Earle O.-- Joint Chiefs 1964; White Byron R. 1962","Wilson, Jr., Lt. General Walter K. 1964; Wirth, Conrad L.-- Park Service 1963-1964; Woods, George D.-- International Bank 1962; Wirtz, W. Willard-- 1962-1963","Wright, M.A.-- President U.S. C. of California 1966; yarborough, Senator and Mrs. Ralph 1965; Zuckert, Hon. Eugene-- Secretary of the Air Force 1965","Abbot, Earl L., Judge 1957; Adams, Dr. Theodore F. 1955-1965; Alexander, Dr. (Rev.) Archibald 1956; Alfriend, John S. 1953-1966; Allen, George E. 1965","Andrews, M. Carl-- Roanoke 1958-1966; Andrews, T. Coleman 1953-1957; Arnold, Remmie L. 1953-1969; Arthur, J. Pickney and Ruth B. 1966; Arundel, Arthur W. 1964-1966","Atkins, Presky Thornton 1965; Austin, Stephen Fuller 1955-1964; Bubb, Glenn 1957-1964; Bacon, Nathaniel 1957-1959; Bailey, The Jacob E. Family 1965; Ball, Frank and Family-- Arlington 1965-1966; Barksdale, Alrfred D. 1957","Bausermann, Homer-- Arlington 1959; Baylor, James Bowen 1953; Belk, Dr. J. Blanton 1958; Bemiss, Samuel M.,-- Richmond 1955-1966; Berberich, John I., III 1966","Beverley, Marshall 1959; Bird, Ben L. 1965; Bishop, Dr. Curtis 1966; Boatwright, Frederick William 1945; Boatwright, Mrs. Roy G. 1957-1966; Boothe, Armistead L. 1959-1966","Boushalls, Thomas C. 1957-1966; Bowles, George A. 1954; Bowman, Dr. Warren D. 1964; Beckinridge Family of Virginia 1964-1965; Broaddus, W. R., Jr. ?; Brooke, Col. John Mercer 1961-1962","Brown, J. Sinclair 1956; Brown, Dr. William Mosely 1966; Broyhill, Joel T. 1964-1966; Broyhill, M.T. and Family 1959-1965","Bruce, David K.E. 1949-1964; Bryan, John Stewart amd Bryan, D. Tennant 1944-1966; Bucholz, Mrs. Leone 1957; Burgess, Carter L. 1957-1966; Button, Robert Y.-- Attorney General of Virginia 1962-1965","Cabell, James Branch-- Virginia novelist 1950-1964; Campbell, Miss Dorcas D.-- Miss Virginia 1962-1964; Campbell, Stuart B.-- Wytheville 1957; Campbell, Volney-- Abingdon 1959; Camps, The, of Franklin, Virginia 1958-1966; Carper, G. Wallace 1957-1966; Carter, Hon. C.S. (Sam) 1959; Carter, Robert King 1953;","Carter, Stuart B.-- Fincastle 1964-1965; Carters, Walter H.-- Amherst, Virginia 1965; Caruthers, Dr. William A.-- novelist 1955; Cary, Archibald 1951; Caskie, James R.-- Lynchburg 1932; Caskie, Maxwell 1965; Caudhill, Dr. W.C.-- Pearisbury 1959-1964; Chandler, Dr. Alvin Duke-- President of William and Mary 1959-1962","Chandler, Dr. J.A.C 1960; Chichester, Dr. Peyton Moncure 1957; Chorley, Kenneth 1958; Chumney, Richard D.-- Commissioner of Agriculture 1962-1968; Cochran, hon. and Mrs. George M.- Staunton 1965-1966; Cocke, C. Francis 1951-1965; Cole, Dr. Fred C. 1959-1966","Collins, Hale-- Covington 1962-1965; Collins, Lewis Preston 1950-1952; Combs, E.R. 1954-1957; Counts Family 1953-1964","Cox, General Edwin \"Pete\" 1965; Coxe, Whitewell W.-- Roanoke 1963; Crawford, William Harris-- Virginia and Georgia 1959; Crozet, Claudius 1951; Crush, judge Charles W.-- Christiansburg 1964; Crutchfield, Sam, Jr. 1965; Cussons, Captian John 1955","Dabney, Virginius 1951-1957; Dalton, Ted and Family 1953-1965; Daniel, W.C. (\"Dan\") 1957-1964; Darden, Hon. Colgate 1947-1966","Davis, Francis Atwell 1957-1958; Davis, Dr. Hiram Witson 1957; Day, Sidney C., Jr. 1955; Dean, George Wilson-- Charlottesville 1965-1966; Deschler, Lewis-- House Parlimentarian 1963; Devin, J. Acree-- Wylliesburg 1964; Diehl, Dr. George W.-- Lexington 1962-1964; Dillard, benton O.-- Roanoke 1966","Dillon, Jesse W. 1955-1957; Dodson, E. Griffith 1954-1961; Dos Passos, John 1963-1965; Dowdey, Clifford S. 1950-1959; Downing, Col. Tom-- Lancaster; Downing, Thomas N.-- Member of Congress 1954-1966; Dudley, William M., Jr. 1966; Danton, Ammon G.-- White Stone 1964","Dysche, Harry D.-- Luray, Virginia 1964; Early, General Jubal 1963; Easley, James Stone-- Halifax 1957;Edmunds, Paul c., Sr.-- South Boston 1962; Edwards, Richard T., Judge 1964-1965; Eggleston, Justice John W. 1951-1959; Elmore, Ralph-- Richmond 1965-1966; Ernst, Frank A. 1955-1960","Faulklner, Wert 1958-1960; Fenwick, Charles R. 1953-1966; Field, James Gaven1904; Fields, Louis G., Jr. 1966; Fishburn, Junius Blair 1951-1956; Fishburn, Junius P. 1954-1966; Fisher, B.L.-- Martinsville 1954-1966; Fishwick, John P.-- Norfolk and Western 1958-1966","Fishwick, Dr. Marshall-- Livingston 1963-1964; Fitzpatrick, Earl A.-- Roanoke 1959-1965; Flannagan, John W. 1958-1959; Flood, Cong. Hal 1966; Flyod, John-- Governor of Virginia 1964; Flythe, S.S. 1965; Foster, William B., Jr. 1958-1966","Francisco, Peter 1963; Freeman, Dr. Douglas S. 1958; Freeman, General Paul L. 1950-1965; Fugate, Douglas B. 1964-1965; Fugate, Tom-- former Member of Congress 1958-1966; Fuller, Frank 1965; Funk, M.C. 1952; Gaines, Dr. Francis P. 1955-1965","Gammon, Dr. Edgar G. 1955; Gary, Hon. J. Vaughan 1962-1964; George, W. Brooks 1962-1963; German, Dr. Mentor P. 1962; Giammittoria, Judge George M. 1964; Gifford, Richard P.-- Lynchburg 1964; Gilliam, Dean Frank J.,-- Lexington 1963; Gillis, Richard S., Jr.-- State Chamber of Commerce 1964","Glass, Edward C. (Ned) 1957; Glass, Robert Camillus 1958; Glass, Miss (Dr.) Meta 1957; Godwin, Mills E. 1962-1966","Goodpastures, The 1965; Goolrick, C. O'Conner 1960; Gravely, Harry C.-- Ridgeway 1965; Gray, Frederick T.-- Attorney General 1961; Greenup, Christopher-- Governor of Kentucky (Virginia Born) 1960; Grizzard, Dr. R. Stuart 1965; Guest, Raymond R. 1962-1965","Gunn, Charles W., Jr. 1963-1964; Guy, Dr. William G. 1958; Hagan, John C., Jr. 1957; Hahn, Dr. Thomas Marshall-- President of V.P.I. 1961-1966","The Hanger Family of Virginia 1963; Hardy, Representative Porter, Jr. 1965-1966; The Harmans-- South--west Virginia 1965; Harris, Howard H.-- Virginia Highway Commission 1960-1964; Harrison, Albertis 1957-1966","Harrison, Burr P. 1946-1964; Harrison, William Henry 1959; Hedges, Dr. H. Shipman 1957-1961; Heller, George E.-- American Legion 1958; Henn, Mrs. Hannah 1961-1964; Henry, Patrick 1958-1966; Hester, Clinton M. 1960; Hickman, Milton T.-- Commissioner of Fisheries 1958","Hildreth, W.S. 1963-1964; Hill, General A.P. 1958; Hill, J. Eldred, Jr. 1959; Hirst, Julian F. 1957-1965; Holady, William M.-- Office of the Secretary of Defense 1959; Holden, Donald A.-- Newport News 1966; Holstein, Paul A. (Jerry) 1963-1964; Holton, A. Linwood, Jr. and Family-- Roanoke 1965-1966","Hooker, H. Lester 1953-1964; Hoover, Lawrence H. 1958-1965; Hope, James Barron-- Poet 1957; Hopkins, Dr. Robert S.-- Radford 1963; Hopkins, William B.-- Roanoke 1964; Houston, Sam 1955-1965; Howell, D.J. 1949-1957","Hudgins, Chief Justice Edward W. 1956-1964; Humelsine, Carlisle H. 1958-1966; Hunt, Robert-- First Chaplain, Jamestown 1963; Hutcheson, Dr. J. Morrison-- Richmond 1962; Hutcheson, Sterlijng-- Judge 1959-1964; Hutchinson, martin-- Giles Co. 1962","I'Anson, Judge Lawrence W. -- Virginia Supreme Court of Appeals, 1958; Ingalls, Fay 1956-1964; Ingram, John Littlepage 1954; Jackson, Lieutenant General Thomas Jonathan \"Stonewall\" 1955-1966","Scope and Contents","James, L. Eldon -- American Legion 1954-1966; Janney, John -- Loudon, County 1961; Jasper, John -- Negro Preacher, Richmond-\"De Sun Do Move\" 1966","Jennings, W. Pat 1958-1966; Jewel, Dr. William 1961; Johns, Jay 1962-1966; Johnston, Clem. D. -- Roanoke 1954-1962; Johnston, General Joseph E. 1957; Johnston, Zachariah 1958; Jordan, Donald L. -- N.A.M. 1965-1966; Jordan, Judge William Southall 1957; Joyner, C.F. 1951","Kellam, Richard B. 1960; Kellam, Sidney 1950-1966; Kelleher, Kenneth S. -- Alexandria 1965; Kelley, Norman W. 1951-1959; Kemp, Verbon E. 1960-1964; Kilbourne, James J. 1959-1966; Knowles, E. Lewis 1964-1965","Kraft, Christopher Columbus -- NASA 1965; Lacy, Dr. Ben R., Jr. 1955; Lamb, Chester H. 1957; Lambeth, Bolling and Family 1962; Lane, E.H., Sr. and Family 1957-1966; Lawrence, David 1952-1963; Lawrence, Frank D. -- Portsmouth 1964-1966","Leland, Rev. John, Date unknown; Lennon, Thomas J. -- Hot Springs 1965; The Letchers -- Lexington 1959-1965; Lewis, General Andrew 1956-1966; Lewis, Colonel Fielding -- \"Kenmore\" 1965; Lewis, J.M.B., Jr. 1965; Lewis, Meriwether 1964-1966","The Ligon Family 1939-1965; Locker, Baldwin G. 1959-1960; Long, M.M. and M.M., Jr. -- St. Paul 1958; Lowance, Carter Olin-- Richmond 1958-1966; Lowry, Philip Wager -- McLean 1965; McCausland, Brig. General John 1964; McCormick, Cyrus 1953-1964; McCue, Edward O., III 1966","McDowell, Dr. Ephriam 1959-1962; The McFarland Family -- Augusta Company 1957; McGuffey, Rev. William Holmes 1962; McKee, General William G. 1963-1966; McMurran, Lewis A., Jr. 1958-1968; McNeil, Robert B. 1957-1965; McRee, Fergus 1962; McWane, Fred W. -- Lynchburg 1959; McWane, Henry E. 1957","Madden, Carl H. 1963; Madison, James 1951-1965","Mahone, General William (Billy) 1957-1966; Maines, G.W. 1965; Mann, Harrison -- Arlington County 1957-1965; Marsh, John O., Jr. 1962-1965; Marsh, Robert T., Jr. -- Richmond, 1962-1966","Massenburg, G. Alvin 1951; Mathews, James T. 1966; Maury, Matthew Fontaine 1959-1966","May, James Harrison -- Staunton 1963-1964; May, Samuel D. -- Commissioner of Highways 1958-1960; Mays, David J. -- Richmond, 1958-1959; Meek, Joseph Henry 1955-1960; Miles, Dean C.P. 1965-1966; Miles, Waldo G. -- Bristol 1964-1965; Miller. Colonel Francis Pickens and brother, Reverend William M. Miller 1961-1965","Miller, Giles H., Jr. -- Culpeper 1958; Miller, J. Maurice 1966; Milton, Major General William H., Jr. 1959-1964; Mitchell, Dr. Samuel C. -- University of Richmond 1948; Moffatte; Dr. J.S. and Family 1956-1965; Mohler, J. Rupert 1966","Andrew Jakson Montague, 1960; Moomaw, Ben C. Jr. -- Covington 1964; Moore, E. Blackburn 1954; Moore, T. Justin 1953; Moreland, Dr. J. Earl -- R.M. Colonol 1959; Morrison, R. Bruce 1963-1966; Morrissett, Charlisle Havelock 1963-1965","Mosby, John Singleton -- CSA, 1955-1963; Muse, Leonard G. -- Roanoke 1960-1965; Muse, Dr. William T. -- University of Richmond 1961; Myers, Charles F., Jr. 1963; Myers, Dr. E.D. 1963-1964; Myers, F. Weaver -- McLean, Virginia","Nelson, Burgess E. 1962; Newman, Dr. Walter S. -- President of V.P.I. 1959-1964; Newton, Blake T., Jr. and Sr. 1954-1961; Nichols, Harry O. 1964; Noland, Thomas B. 1965; Norris, Senator Robert O., Jr. 1955-1960; Oberly, Dr. H. Sherman -- Roanoke 1957-1963; Olsson, Sture G. -- West Point, 1963","Opie, General E. Walton 1951-1966; Owens, Arthur S. 1965-1966; Palmer, James E., Sr. and Jr. 1958-1965; Paschall, Dr. Davis Y. 1957-1965; Paul, Judge John 1956-1964; Paxtons -- Rockbridge Company, 1960-1965; Pender, David 1953; Pendleton, Edmund 1962; Pendleton, E.B., Jr. 1960-1961; Penick, D. Allen and Family, 1966","Perrow, Mosby Garland, Jr. 1959; Peters, the Reverand J. Sidney Family 1965; Pevler, Herman S. -- President Norfolk and Western 1963-1966; Pick, Major General Lewis A. 1949-1956; Pickett, Major General George E. 1958; Pitts, Senator Benjamin Thomas -- Fredericksburg 1953; Pless, Glenn -- Galax 1957-1966; Pocahontas 1962-1964; Poe, Edgar Allen 1955-1965; Poff, Richard 1955-1966","Pollard, Fred G. 1965; Pollard, John Garland 1960; Powell, John 1963; Powell, Lewis F. Jr.. 1963-1966; Powers, Francis, Gary -- U2 Pilot 1962-1965; Puller, General Lewis B. \"Chesty\" 1953-1965; Putney, Lacey E. -- Bedford Quinn, I.T. 1958-1959; Randolph, Dr. Bessie 1950; Randolph, Edmund 1962","Reed, Dr. Walter 1961-1966; Reed, W.T., Jr. 1960; Regirer, Walter W. 1964; Reid, Judge Hugh 1963; Reid, Dr. Robert H. 1966; Reynolds, Richard S., Jr. and Family 1960-1966; Rice, W. Thomas 1957-1964; Rice, George Randolph -- Clerk of House 1962; Riddleburger, James W. 1962; Robert, Dr. James Clarke 1955-1960","Robertsons, The Relatives of Senator Robertson 1958-1965; Robertson, Donald -- School teacher 1963; Robertson, R.D. -- Staunton, Virginia 1964; Robertson, Honorary Walter S. 1958-1966; Robeson, Edward J., Jr. 1949-1966; Robeys, The -- Buena Vista 1963-1965; Robinson, Dr. Herbert W. -- C-E-I-R 1960-1965; Robinson, J. Kenneth -- Winchester, 1965-1966; Rogers, Frank W. -- Roanoke 1966; Rogers, John D. -- Lexington 1963","Rolfe, John 1964; Roller, Colonel and Mrs. Charles S., Jr. 1959-1961; Rouse, Mr. and Mrs. Parke S. 1958; Rowe, Maurice B. -- Commissioner of Agriculture 1966; Rubin, Louis D. and Son -- Richmond, 1963-1966; Rush, Orville F. -- Imperial Potentate, Shrine 1966; Said, Joe -- Lurray- Hero of World War I 1964; Sampson, Mrs. Emma Speed -- Author 1964; Sanders, Dr. Paul DeLeon -- Editor 1956-1966","Sangor, William T. -- Medical College of Virginia, 1956; Satterfield, David E. -- Richmond 1964-1966; Saunders, Stuart T. -- Norfolk and Western 1958-1966; Sease, Dr. C.I. 1956; Sebrell, Thomas E., III 1964","Shell, Brig. General George R.E. -- V.M.I. 1960-1963; Shepphard, Mrs. Eleanor P. 1962-1964; Short, Shelton H., Jr. 1957; Simmonds, James H. 1957-1958; Small, Sydney F., -- Roanoke 1958-1965; Smith, Dr. Charles J. -- Roanoke College 1957; Smith, Judge G.S. 1951","Smith, Captain John 1960-1961; Smith, Lemuel F. -- Virginia Supreme Court 1951; Smith, Dr. Robert B., Jr -- Member of Congress of Virginia 1956; Smith, Robert H. -- Norfolk and Western Railroad 1951-1966; Smith, W. Roy -- Petersburg 1965; Smythe, Robert A. 1963; Snead, Judge Harold F. 1957; Spencer, Dr. Samuel R., Jr. -- Mary Baldwin College 1951-1959; Spilman, Louis 1951-1965","Spotswood, Governor Alexander 1959-1966; Spratley, Justice C. Vernon 1966; Sproul, Major General Archibald A. -- Staunton 1961-1966; Stanley, Thomas B. 1953-1966","Scope and Contents","Stephens, A.E.S. 1953-1961; Story, William J., Jr. 1958-1966; Stratton, James Francis \"Boots\" 1962-1966; Stuart, Harry C.-Elk Garden, 1963-1964; Stuart, J.E.B. 1956-1964; Sullivan, Roger C. -- Alexandria 1959-1964; Sutherland, Marvin M. 1960; Swanson, Claude A. 1961; Tabb, Father John B. 1953; Talbott, Philip M. 1957-1960","Tavenner, Frank S. 1959; Taylor, Henry J. and Henry N. 1961-1964; Taylor, Henry P. 1950; Taylor, Zachary -- President 1959-1964; Tazewell, John N. 1962; Thomas, General George H. -- Southampton County 1962-1965; Thompson, Roby C. 1957-1960; Thomson, James M. 1959-1965; Tolley, Colonol Benton C., Jr. and Family 1965; Trigg, William R., Sr. 1964; Trinkle, E. Lee -- Governor 1966","Tuck, William M. 1946-1966; Tucker, Harry St. George 1966; Tucker, Bishop Henry St. George 1953-1966; Tucker, Richard Blackburn 1956-1959; Tyler, Dr. Franklin A 1955; Tyler, John -- Tenth President 1956-1963; Vaden, Lewis Henry 1962; Vaughan, William Conway -- Lynchburg, 1964","Wake, Dr. Orville W. -- President of Lynchburg College 1960; Walker, Lewis M. (Meriwether), Jr. ?; Walker, Dr. Thomas -- Albemarle County, 1965; Wallace, William Alexander Anderson 1955; Walter, Jeff F. 1963; Washington, Booker T. 1956-1966","Webber, Charles E. \"Ted\" -- Salem 1959-1966; Webber, Roy L. -- Roanoke 1964; Weens, Samuel P. \"Sam\" -- Superintendent of Blue Ridge Parkway 1965; Whitehead, John L. -- Radford, 1957-1965; Whitehad, Robert -- died 6/5/60, 1951-1961; Whittle, Judge Kennon C. 1951-1965; Wicker, John J. 1946-1966","Wilkerson, Dr. Woodrow W. 1960-1965; Wilkinson, J. Harvie, Jr. 1964-1966; Will, Erwin H. 1959; Williams, Dean Clayton E. 1964; Williams, Joseph J., Jr. 1960-1962; Willis Family -- Senator Robertson's Relatives 1960-1966;","Winfree, Peyton B., Jr. -- Lynchburg 1958-1964;Witten, Dr. Jack -- Tazewell 1959-1960; Woods, Robert H. 1948; Wright, Mr. and Mrs. Harry Benton and Family -- Lexington 1965; Wright, Warren -- Marion and Richmond 1964; Wyatt, Harry Cassell 1964; Wythe, George 1950-1958","Homes and Home Ownership; Humorous; Acton, Lord; Adams, John; Adams, Samuel; Almond, J. Lindsay, Jr.; Amonette, Clarence O.; Anderson, Robert B. -- Secretary of the Treasury; Aristotle; Arnold, Matthew; Ashurst, Henry F. -- Former Senator","Bacon, Francis; Baldwin, Earl (British); Barr, Joseph W.; Barrie, Sir James; Baruch, Bernard; Battle, John S.; Beecher, Henry Ward; Bell, Dr. L. Nelson -- Billy Graham's father-in-law; Bemiss, Samuel M.; Benton, William; Bennett, Senator Wallace F.; Blackstone -- English legal authority; Blandy, Admiral; Branch, Harllee, Jr.; Brown, Dr. Charles R.; Brownell, Herbert, Jr.; Browning, Robert; Bryan, William Jennings; Bryant, William Cullen","Bryce, James; Bullock, Thomas M.; Burgess, W. Randolph; Burke, Admiral Arleigh; Burke, Edmund; Butler, Dr. Nicholas Murray; Butler, Paul -- Chariman Democratic National Committee","Byrd, Senator Harry F.; Byrnes, James F.","Calhoun, John C.; Caplin, Mortimer M.; Carlyle, Thomas; Carney, Admiral Robert B.","Chiang, Kai-Shek; Chillon, Prisoner of; Cicero, Marcus Tullius; Clement, Reverend R.R.; Cleveland, Grover; Cocke, C. Francis; Cocke, Erle; Conant, Dr. James B.; Cooley, Thomas; Coolidge, Calvin; Dabney, Virginius; Daniel, John W.; Darden, Colgate W., Jr.","Darling, Jay N. \"Ding\"; Davis, Justice Charles H.; Day, J. Edward -- Postmaster General; Dean, Sir Patrick Henry; Demosthenes; De Quincey, Thomas; de Severskey, Major Alexander P.; De Tocqueville; Dillon, Douglas -- Secretary of the Treasury; Disraeli; Dodd, Senator Thomas J.; Downing, Congressman Thomas N.; Dulles, John Foster; Durant, Will","Emerson, Ralph Waldo; Ervin, Samuel J., Jr -- Senator from N.C.; Everett, Edward; Farley, James A.; Fairless, Benjamin F.; Federalist Papers; Fenwick, Charles R.; Flanders, Ralph E.; Flavinius, Marcus; Forsyth, William; Franklin, Benjamin; Fulbright, Senator J.W.","Garcia, President Carlos P. -- Philippines; Gary, J. Vaughan; George, Dr. W.C. -- Professor at University of North Carolina; Gibbon, Edward -- \"Decline and Fall of Roman Empire\"; Glass, Carter; Goldsmith, Oliver; Gompers, Samuel; Graham, Reverand Billy","Graham, Thomas -- Louisville, Kentucky; Griswold, Dean Erwin N. -- Harvard Law School; Gruening, Ernest -- U.S. Senator; Gruenther, General Alfred M.; Hall, Wilbur C.; Hamilton, Alexander","Hammarskjold, Dag; Hand, Judge Learned; Harrison, Albertis S., Jr. Governor; Harrison, Burr P.; Henry, Patrick","Herkner, E.C. -- Bois, Idaho; Hill, Senator Benjamin Harvey; Hill, Senator Lister; Holmes, Justice Oliver Wendell; Holmquist, R.C. -- Richmond; Hoover, Herbert -- former President","Horace; Horsley, Dr. Guy W. -- President, Medical Society of Virginia; Hughes, Chief Justice Charles Evans; Hull, Cordell -- Secretary of State; Humphrey, Senator Hubert; Hunter, Thomas Lomax -- Poet; Hutcheson, Judge Sterling; Ingersoll, Robert; Isocrates; Jackson, Andrew; Jackson, \"Stonewall\"; James, William; Jay, John","Jones, S. Bruce -- Attorney, Bristol, Virginia; Jones, Judge Walter B.; Kennedy, President John F.; Khayyam, Omar; Kilpatrick, James Jackson -- Editor; Kipling, Rudyard; Lacy, William S.B.; Lamb, Judge Brockenbrough; Lanham, Fritz G. -- Former Congressman from Texas; Lawrence, David","Lee, General Henry; Lee, Robert E.; Lemley, Judge Harry J. -- Arkansas; Letcher, John -- Governor of Virginia 1860-1864","Lodge, Henry Cabot, Jr.; Longfellow, Henry Wadsworth; Lowell, James Russell; McAdam, John London -- Road Builder; MacArthur, General Douglas; McCloy, John J.","Macauley, Lord Thomas B.; Madden, Dr. C.H. -- Economist Banking and Currency Commission; Madison, James; Makins, Sir Roger; Malik, Dr. Charles -- former President of U.N. General Assembly","Manion, Dean Clarence; Marsh, Robert T., Jr. -- Richmond; Martin, William McChesney -- Federal Reserve Board; Mason, George; Meany, Judge Edward A.","Mencken, H.L.; Miers, Earl Schenck; Miller, Arjay -- President of Ford Motor Company; Milton, John; Minor, Raleigh C.; Monroe, James; Montesquieu; Moore, Thomas; Morris, Arthur J.; Muskie, Senator Edmund S.; Myrdal, Gunnar Karl","Neilan, Edwin P. -- President U.S. Chamber of Commerce; Newton, Willoughby -- Virginia; Nilsson, George W. -- Los Angeles, California; Nixon, Richard M. -- Vice-President; Paine, Thomas; Palmer, James E., Jr.; Paschall, Dr. Davis Y.; Pericles","Phillips, Lucas D.; Pirie, Vice Admiral R.E.; Pitt, William; Pittman, R. Carter; Plato; Poff, Richard; Polk, Trusten -- Senator of Missouri; Pope, Alexander; Pope Pius XII","Potter, Dr. Richard R. -- First Presbyterian Church, Staunton; Pound, Roscoe; Prochnow, Herbert V. -- V.P. of First National Bank, Chicago; Pruden, Dr. Edward H.; Pushkin -- Russian Poet; Putnam, Carleton","Randolph, John -- Roanoke; Rathbone, M.J.; Religious, Inspirational; Reuther, Walter and Victor; Reynolds, Richard S., Jr.; Rhyne, Charles S. -- President of the American Bar Association, 1958","Rickover, Vice Admiral H.G.; Riegel, Professor O.W. -- Washington and Lee University; Ritz, Dr. Wilfred J. -- Professor of Law, Washington and Lee University","Rivers, Congressman L. Mendel; Robertson, Senator A. Willis; Robertson, J.L.-- Board of Governors, Federal Reserve; Robertson, Marion Gordon; Robertson, Walter S.; Roosevelt, Franklin D.; Russell, Lord John; Russell; Richard B. -- U.S. Senator from Georgia","Saltonstall, Leverett-- Governor of Massachusetts; Saunders, Dr. Paul D.; Saunders, Stuart T.-- Roanoke; Schwarzschild, W. Harry, Jr.-- Richmond; Schweppe, Alfred J.","Scott, Senator W. Kerr; Shakespeare; Shoemaker, Dr. Samuel M.; Short, Dewey; Smith, Bradford B.-- United States Steel; Smith, H. Alexander; Smith, Howard W.-- Member of Congress; Smoot, Dan","Spellman, F. Cardinal; Spencer, Herbert; Stanley, Thomas B.-- Govenor of Virginia 1954-1958; Stennis, Dudley-- Uncle of Senator John Stennis; Stennis, Senator John C.","Stevenson, govenor Adlai; Stevenson, Robert Louis; Story, Mr. Justice; Summerfield, Arthur E.; Sunday, Billy; Swanson, Claude A; Szymczak, Matt S; Tacitus-- Roman Historian; Talmadge, Senator Herman E.","Taylor, Henry J.-- Amb. to Switerland; Taylor, General Maxwell D.; Taylor Robert (Bob)-- former Govenor of Tennessee; Teller, Edward; Tennyson, Alfred Lord; Thomas, Dr. Woodlief-- economist, Senate Banking and Currency Committee; Thoreau, Henry D","Toynbee, Arnold J.-- British Historian; Troutman, Robert B.; Truman, Harry S.-- President; Tuck, William M.; Tyler, Dr. Franklin A.-- Richmond; Tyler, Mattie Richards-Poet","Udall, Stewart L.-- Secretary of Interior 1964; Ulysses; van Buren, Martin; Virgil; Voltaire; Van Braun, Wernher; Walker, Charles E.-- Executive Vice-president of American Bankers Association; Warren, Cheif Justice Earl; Washington, Booker T.","Watts, Isaac; Weaver, James B.-- Member of Congress; Webster, Daniel","Wells, H.G.; White, Dr. Paul Dudley; Whittaker, Associate Justice Charles E; Whittaker, John Greenleaf; Wicker, John J.; Wilkinson, Harvie, Jr.; Williams, Dr. Robert F.-- Virginia Education Association; Wilson, Woodrow","Wolesley, Viscount; Wood, Colonel Robert E.; Wordsworth, William; Wyatt, Wilson W.; Zimmern, Sir Alfred","Prepared for Virginia Field Trial Association Magazine","Raliegh Springs","House of Representatives","Farm and Home Hour","Front Royal","Staunton, Virginia","Harrisonburg Club, B.P.O.E","Harrisonburg Kiwanis Club","Middletown Chapter of the National Grange","Congressional Record May 27, 1946","Scope and Contents","(Outline-no written speech)","(not made a/c wife's illness)","Daily Press, Newport News, Va. -- March 23, 1958","Second speech June 25, 1958.","Third speech opposing Alaskan statehood and letter from O. E. Darling, Seward, Alaska, June 30, 1958.","AP, Richmond Times Dispatch, Newport News Daily Press, Norfolk papers.","Reprinted Cong. Record Appendix by Sen. Lister Hill, January 23, 1959","(re:Comment in book for youth center in Jerusalem).","(editorial regarding: August 18)","Scope and Contents","Folders 1-21 Material gathered by Emmett Lucey, AWR staff member.","Scope and Contents","A-B","C","Scope and Contents","D-E","F","G","Scope and Contents","H-I-J","Scope and Contents","K-L","Scope and Contents","M-N","Scope and Contents","O-P-Q-R","S","Scope and Contents","T-U","Scope and Contents","V-Z","Roanoke, Harrisonburg, \u0026 Martinsville","Notices of","Accomack County Post Offices","Adams Grove, Adamsville, Afton","Albemarle County","Aldie, Alexandria, Alleghany, Altavista, Amelia County \u0026 Amherst County","Appomattox, Arcanum, Arlington, Arrington, Arvonia, Ashland, Augusta County","Bacons Castle, Bath County, Bayside, Bayview, Bedford County","Bells Cross Roads, Berea, Berton, Big Laurel, Bland CountyBlantens, Botetourt County, Bristol, Brunswick County","Buchanan County, Buckingham County, Buena Vista, Burkeville","Cambell County, Cape Charles, Carbo, Caroline County, Carroll County, Carterton, Carthage, Catawba \u0026 Catawba Sanatorium, Cauthornville","Cedon, Charles City, Charlotte County, Charlottesville, Chesapeake, Chesterfield County, Churchland, Clarke County","Clifton Forge, Clover, Coeburn, Colonial Heihts, Concord Wharf, Covington, Craig County, Culpeper City \u0026 County","Cumberland County, Danville, Deel, Denbigh, Deskins, Dickenson County","Dinwiddie County, Disputanta, Edwardsville, Emporia, Essex County, Exmore, Fairfax County","Falls Church, Fauquier County, Fentress, Fishersville, Floyd County, Fluvanna County, Folly","Fork Union, Fort Monroe, Franklin County, Fredrick County, Fredricksberg, Front Royal, Fries","Galts Mills, Gate City, Gaylord, Gera, Giles County, Gloucester County","Goochland County","Goodwins Ferry, Grayson County, Great Bridge, Greenbush, Greene County, Greenville, Griffensburg, Grimes, Grimsleyville, Grundy, Guesses Fork","Halifax County, Hampton, Handsom, Hanover County","Happy Creek, Hayfield, Hematite, Henrico County, Henry County, Highland County, Hockley, Holdcroft, Hopewell, Isle of Wight County, Ivanhoe","Lancaster County, Lee County, Lee Hall, Leesburg, Lexington, Loneash","James City County, Jamesville, Jennings Ordinary, Keoughtan, King George County, King William County, King \u0026 Queen County","Loudoun County, Louisa County, Lowesville, Lunenburg County","Lynchburg, Madison County","Mallow, Marion, Martinsville, Mathews County, Mecklenburg County, Middleburg","Middlesex County, Millwood, Mitchells, Montgomery County, Mount Holly, Mouth of Wilson","Nansemond, Natural Bridge, Nebo, Nelson County, New Castle, New Glasgow, New Kent County","New Martinsville, Newbern, Newport, Newport News, Newtown, Nickelsville, Nola, Norfolk, Norfolk County, Northampton County, Northumberland County, Nottoway, Nottoway County","Orange County, Ore Bank, Oyester Point, Page County, Painter, Patrick County, Paytes, Penhook, Petersburg","Pittsylvania County, Portsmouth, Powatan County","Preston, Prince Edward County, Prince George County, Prince William County, Princess Anne County, Pulaski County","Radford, Ransons, Redwood, Rexford, Richardson, Richmond City, Richmond County","Roanoke (City)","Roanoke County","Rockbridge County","Rockingham County, Rocky Mount, Roxbary, Ruark, Russell County","St. Brides, Saltville, Samos, Scott County, Scottsville, Shenandoah County, Smithfield, Smyth County","Snowden, South Boston, South Norfolk, Southamton County, Sperryville, Spotsylvania County, Stafford County","Stanardsville, Stauton, Suffolk, Surry County, Sussex County, Sweet Briar, Swift Run","Tabernacle, Tazewell County, Temperanceville, Tignor, Troutville, Tye River, Union Hall, Vinton, Virginia Beach.","Walker Ford, Wardtown, Warren County, Washington County","Waterlick, Waynesboro, Wellville, Westmoreland County","Whitetop, Whitmell, Williamsburg, Winchester, Winston, Wintergreen, Wise County","Woodberry Forest, Wythe County, York County","Districts 1-6","Districts 7-10","District 1","Districts 2-5 (Third Dist. folder empty)","District 6","District 7","Districts 8-10","Tear sheets from \"Record\"","Districts 1-4 (Folder empty, 2nd Dist.)","Districts 5-7","Districts 8-10 (Folder empty for 9th Dist.)","\"Tear\" Sheets from \"Record\"","Districts 1-4 (Folder empty for 2nd Dist.)","Districts 5-7","Districts 8-10","Tear Sheets from Cong. Record -- 1963","Districts 1-10 (Folders for Dists 2 \u0026 3 empty)","Tear Sheets from Cong. Record","Districts 1-5 (Dist. 3 folder empty)","Districts 6-10 (Dist. 10 folder empty)","Tear Sheets from Cong. Record","District 1 (Earlier years included)","Districts 2-5 (Dist. 2 folder found empty) (Earlier years included)","District 6 Folder 1 (except Salem) (Earlier years included)","District 6 Folder 2 (Salem only) (Earlier years included)","District 6 Folder 3 (Salem Only) (Earlier years included)","Districts 7-8 (Earlier years included)","Districts 9-10 (earlier years included)","Tear Sheets from Cong. Record","(Keiter file starts in 1948)","Cadet Russell M. Turner -- 1959-1963","Jas. L. Graham -- 1960-1964 Douglas C. Meador -- 1960-1964","James Lee Vick -- 1961-1965","James Henry Parsons -- 1962-1966","James R. Kreer -- 1963-1967 Donald R. Moore, Jr. -- 1963-1967 John C. Gonda. III -- 1964-1968 Kenneth G. brothers -- 1965-1969 Gillespie, Ritchie P. -- 1966-1970","Scope and Contents","Merchant Marine Academy Nominations 1960-Barba, William Leleand-Chivvis, J. C. Jr.-McEliece, Robert Devereax","Scope and Contents","Nomainations -- 1961-1965: Soresi, Carl D.-1961, MacQuarrie, Warren L.-1962, Waughan, Jr. \u0026 Joe French-1962, Nue, Robert D. Jr.-1963, Williams, Garland Leigh-1963 Parker, Terrence L.-1964, Folan, Terence B.-1965, Van Hoy, John W. III-1965, Wozniak, James J.-1965","Scope and Contents","1959 Appointees-Charles Frederick Helsper, Wesley Earl Jordan, Jr.","Scope and Contents","1960 Appointees-John W. Garber, Jr., Thomas M. Johnston, Robert L. Powers","Scope and Contents","1963 Appointees-Charles Herndon Jeffries, II, Robert Edward O'Hare, William A. Robey","Scope and Contents","1964 Appointees-Richard Downey Evert, Robert Scott Owendoff, William Winterton Owens, IV, James Julien Southerland","Naval Academy Courses -- 1968","Scope and Contents","Appointees-Charles H. Kinsey, Jr.-1959, Peter Wayne Martone","1961 Appointees- Kenneth Dixon McArthur, John Van Landingham Robertson","Scope and Contents","John Ralph Hayes, Jr.-1962, David Kennedy Hewett-1963, David E. Matheney, Jr.-1963, Glen Martin Hewitt-1964, David C. Eberhard, Jr.-1965","Scope and Contents","Robert Ernest Brunelli-1966, James Judson Lovelace, Jr.-1966, Robert Townsend Richardson-1966","Scope and Contents","Folders 7-10 Obituaries-Doctors, Bankers, Lawyers, Ministers Folers 11-32 Addressee copies -- Abbott-Hubbard","Scope and Contents","Folders 1-27 Addressee -- Hudgins-Zirkle","1st Session. Votes 1-110.","Scope and Contents","1st Session. Agriculture-Transportation","Scope and Contents","2nd Session. Agriculture-Transportation","Scope and Contents","2nd Session. Agriculture-Transportation","Scope and Contents","2nd Session. Agriculture-Transportation","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","2nd Session. Adjournment-Veterans","Scope and Contents","2nd Session. Adjournment-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","2nd Session. Votes 1-227","2nd Session. Votes 1-227","Scope and Contents","2nd Session. Agriculture-War Claims","Scope and Contents","2nd Session. Agriculture-War Claims","1st Session. Votes 1-229.","1st Session. Votes 1-229.","Scope and Contents","1st Session. Agriculture-War Risk Insurance.","Scope and Contents","1st Session. Agriculture-War Risk Insurance.","2nd Session. Votes 1-312.","2nd Session. Votes 1-312.","Scope and Contents","2nd Session. Admission Tax-Youth Programs","Scope and Contents","2nd Session. Admission Tax-Youth Programs","1st Session. Votes 1-259.","1st Session. Votes 1-259.","1st Session. Votes 1-259.","1st Session. Votes 1-259.","2nd Session. Votes 1-238.","2nd Session. Votes 1-238.","Miscellaneous.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Series VII: Addressee Copies, 1944-1966, available only on microfilm.","Special Collections Research Center","Democratic Party (U.S.)","United States Congress","Virginia State Senate","English"],"collection_title_tesim":["A. Willis Robertson Papers, 1921/1988, bulk 1946/1966"],"collection_ssim":["A. Willis Robertson Papers, 1921/1988, bulk 1946/1966"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 66 R54","/repositories/2/resources/9365"],"unitid_tesim":["Mss. 66 R54","/repositories/2/resources/9365"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Politics and Government"],"geogname_ssim":["Virginia--Politics and Government"],"places_ssim":["Virginia--Politics and Government"],"creator_corpname_ssim":["Special Collections Research Center","Democratic Party (U.S.)","United States Congress","Virginia State Senate"],"creators_ssim":["Special Collections Research Center","Democratic Party (U.S.)","United States Congress","Virginia State Senate"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Series VII: Addressee Copies, 1944-1966, available only on microfilm."],"acqinfo_ssim":["Gifts"],"access_subjects_ssim":["Agriculture--United States","Agriculture--Virginia--History--18th century","Animal welfare--United States","Banks and banking--United States--History","Civil service--United States","Communism--Post 1945","National parks and reserves--Law and legislation","National parks and reserves--United States","National parks and reserves--Virginia","Taxation--United States","United States--Politics and Government","Vietnam War, 1961-1975","Wildlife conservation--United States","World War, 1914-1918","Agendas (administrative records)","Correspondence","Financial records","Reports","Resolutions (administrative records)","Sound Recordings","Speeches","Vertical Files","Video recordings"],"access_subjects_ssm":["Agriculture--United States","Agriculture--Virginia--History--18th century","Animal welfare--United States","Banks and banking--United States--History","Civil service--United States","Communism--Post 1945","National parks and reserves--Law and legislation","National parks and reserves--United States","National parks and reserves--Virginia","Taxation--United States","United States--Politics and Government","Vietnam War, 1961-1975","Wildlife conservation--United States","World War, 1914-1918","Agendas (administrative records)","Correspondence","Financial records","Reports","Resolutions (administrative records)","Sound Recordings","Speeches","Vertical Files","Video recordings"],"has_online_content_ssim":["false"],"physdesc_tesim":["200,000 Items"],"extent_ssm":["380.00 Boxes"],"extent_tesim":["380.00 Boxes"],"genreform_ssim":["Agendas (administrative records)","Correspondence","Financial records","Reports","Resolutions (administrative records)","Sound Recordings","Speeches","Vertical Files","Video recordings"],"date_range_isim":[1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 15 series.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["The collection is arranged into 15 series."],"bioghist_html_tesm":["\u003cp\u003eAbsalom Willis Robertson was born in Martinsburg, Berkeley County, W. Va. 27 May 1887. He graduated from the University of Richmond where he also received his law degree. He practiced law in Rockbridge County, Va. He served in the Virginia State Senate, 1916-1922 and as an officer in the U. S. Army during World War I. He was the Commonwealth's Attorney for Rockbridge County and was named as Chairman of the Virginia Commission of Game and Inland Fisheries. Robertson was a Congressman from 1933 to 1946. He served in the United States Senate from 1946 to 1966. He was defeated in the Democratic primary of 1966 and died in 1971.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Absalom Willis Robertson was born in Martinsburg, Berkeley County, W. Va. 27 May 1887. He graduated from the University of Richmond where he also received his law degree. He practiced law in Rockbridge County, Va. He served in the Virginia State Senate, 1916-1922 and as an officer in the U. S. Army during World War I. He was the Commonwealth's Attorney for Rockbridge County and was named as Chairman of the Virginia Commission of Game and Inland Fisheries. Robertson was a Congressman from 1933 to 1946. He served in the United States Senate from 1946 to 1966. He was defeated in the Democratic primary of 1966 and died in 1971."],"phystech_html_tesm":["\u003cp\u003ePart or all of this collection is stored offsite. Consult a staff member for assistance.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics or Technical Requirements:"],"phystech_tesim":["Part or all of this collection is stored offsite. Consult a staff member for assistance."],"relatedmaterial_html_tesm":["\u003cp\u003eSee; William Harris Gaines, III, \"611 Votes: The 1966 Virginia Democratic Senatorial Primary (Honors Thesis, College of William and Mary, 1974).\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See; William Harris Gaines, III, \"611 Votes: The 1966 Virginia Democratic Senatorial Primary (Honors Thesis, College of William and Mary, 1974)."],"scopecontent_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eThis collection is housed off-site. At least 72 hours advanced notice is required for retrieval.\u003c/emph\u003e \u003c/p\u003e","\u003cp\u003e Papers, 1921-1967, of A. Willis Robertson, U. S. Congressman and Senator from Virginia. Chiefly his senatorial office files, 1946-1966. Robertson was a conservative Democrat, serving at the same time as Harry F. Byrd, Sr.\u003c/p\u003e","\u003cp\u003e Subjects in the collection include national defense, agriculture, taxation, banking, government employees, the Moral Rearmament movement,anti-Communism, Vietnam, segregation, wildlife conservation, national parks, the humane slaughter of animals and the humane treatment of research animals. The papers were kept in the same order as they were in Robertson's office files. The legislative files consist of correspondence arranged by Congressional session. The miscellaneous subject files are arranged by year as are the invitations. The addressee copies which are Robertson's copies of letters sent to correspondents are indexed to the legislative files. They are arranged alphabetically by groups of years. The speech material is arranged by subject and contains background information on cities, counties and individuals within the commonwealth. The speech files are in chronological order. There are news releases in both the news release files and in the speech files.\u003c/p\u003e","\u003cp\u003e A \u003cemph render=\"italic\"\u003ePeople \u003c/emph\u003emagazine article about Pat Robertson, son of A. Willis Robertson, and a lawsuit over Pat Robertson's war record, dated March 14, 1988 is filed at the beginning of box 1.\u003c/p\u003e  ","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eIncludes Democratic Committees-County, City-10th District\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eThe papers in this Folder were in an envelope filed next to \"J\" in the 1963 files and bearing the words \"Put in File-Grace Johnson.\" There seems to be no connection.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eNote: Letter of September 9, 1939 from Secretary of Agriculture has a signiture cut out-probably Henry A. Wallace\u003c/p\u003e","\u003cp\u003eRequests Congressional Quarterly\u003c/p\u003e","\u003cp\u003e--Not Requested\u003c/p\u003e","\u003cp\u003eAugust 12-14\u003c/p\u003e","\u003cp\u003eApril 24, 1950\u003c/p\u003e","\u003cp\u003eThis box needs the folder listing. It contains Drawer 171, Folders 1-20.\u003c/p\u003e","\u003cp\u003eThis series is available only on microfilm.\u003c/p\u003e","\u003cp\u003eF\u003c/p\u003e","\u003cp\u003eG\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGe-Gi\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGla-Glo\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGoc-Goz\u003c/p\u003e","\u003cp\u003eGra\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGre-Gri\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGro-Gwy\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHa-Ham\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHancock-Harriman\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHarris-Haz\u003c/p\u003e","\u003cp\u003eScope and 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Foo\u003c/p\u003e","\u003cp\u003eForan- Fou- Foy\u003c/p\u003e","\u003cp\u003eFrad- Frear- Frey\u003c/p\u003e","\u003cp\u003eFri- Fun- Fyo\u003c/p\u003e","\u003cp\u003eGab- Garb- Garn\u003c/p\u003e","\u003cp\u003eGarr- Gen- Gey\u003c/p\u003e","\u003cp\u003eGhe- Gilliam- Gilmore\u003c/p\u003e","\u003cp\u003eGilpin- Goad- Goin\u003c/p\u003e","\u003cp\u003eGolay- Goodman- Goolrick\u003c/p\u003e","\u003cp\u003eGordon- Gore- Gowl\u003c/p\u003e","\u003cp\u003eGrab- Grau\u003c/p\u003e","\u003cp\u003eGray, Aileen- Gray, William\u003c/p\u003e","\u003cp\u003eGraybial- Lyons\u003c/p\u003e","\u003cp\u003eMarshall- Moore\u003c/p\u003e","\u003cp\u003eNoland- Roberts\u003c/p\u003e","\u003cp\u003eSel- Shag- Shaz\u003c/p\u003e","\u003cp\u003eSa- Scribener- Seitz\u003c/p\u003e","\u003cp\u003eShea- Shi\u003c/p\u003e","\u003cp\u003eShn- Sin- Siz\u003c/p\u003e","\u003cp\u003eSka- Smith, B.- Smith, G.\u003c/p\u003e","\u003cp\u003eSmith, H.- Smith, L.- Smith, S.\u003c/p\u003e","\u003cp\u003eSmith, T.- Sno- Som\u003c/p\u003e","\u003cp\u003eSon- Spi\u003c/p\u003e","\u003cp\u003eSplawn- Stan- Stap\u003c/p\u003e","\u003cp\u003eSta- Stei- Sten (Includes: John Stennis)\u003c/p\u003e","\u003cp\u003eStephan- Steward- Stipes\u003c/p\u003e","\u003cp\u003eStir- Stos- Stou\u003c/p\u003e","\u003cp\u003eStrad- Stre- Stru\u003c/p\u003e","\u003cp\u003eStuart- Sub- Sul\u003c/p\u003e","\u003cp\u003eSum- Suri- Swis\u003c/p\u003e","\u003cp\u003eSwitzer- Swo- Sz\u003c/p\u003e","\u003cp\u003eTab- Taylor, A.- Taylor, K.\u003c/p\u003e","\u003cp\u003eTaylor, L.- Thacker- Thoma\u003c/p\u003e","\u003cp\u003eThomas- Thomason- Thompson, H.L.\u003c/p\u003e","\u003cp\u003eThompson, H.M.- Ti\u003c/p\u003e","\u003cp\u003eTob- Tro- Tru- Ts\u003c/p\u003e","\u003cp\u003eTubbs- Tudor- Turner\u003c/p\u003e","\u003cp\u003eTurnes- Vac- Van\u003c/p\u003e","\u003cp\u003eVar- Via- Vivian\u003c/p\u003e","\u003cp\u003eVochis- Wahl- Walke\u003c/p\u003e","\u003cp\u003eWalker- Waln- Walz\u003c/p\u003e","\u003cp\u003eWamb- Wartham- Wassum\u003c/p\u003e","\u003cp\u003eWater- Watt- Way\u003c/p\u003e","\u003cp\u003eWea- Wed- Wei\u003c/p\u003e","\u003cp\u003eWel- Wha- Whe\u003c/p\u003e","\u003cp\u003eWhic- Whited- Whitehurst\u003c/p\u003e","\u003cp\u003eWhiteman- Wic- Wig\u003c/p\u003e","\u003cp\u003eWila- William- Williams, A through D\u003c/p\u003e","\u003cp\u003eWilliams, E.G-- Williams, P through Z\u003c/p\u003e","\u003cp\u003eWilliamson- Willis- Wilmer- Wilson\u003c/p\u003e","\u003cp\u003eWilson, H.- Wir- Wis\u003c/p\u003e","\u003cp\u003eWit- Wood\u003c/p\u003e","\u003cp\u003eWoodall- Woodside- Woody\u003c/p\u003e","\u003cp\u003eWool- Wright\u003c/p\u003e","\u003cp\u003eWul- Young, A.- Young, G.\u003c/p\u003e","\u003cp\u003eYoung, H.- Zin- Zwy\u003c/p\u003e","\u003cp\u003e1952- Miscellaneous\u003c/p\u003e","\u003cp\u003e1953- Miscellaneous\u003c/p\u003e","\u003cp\u003e1954- Miscellaneous\u003c/p\u003e","\u003cp\u003eAan- Adcock- Aldrich\u003c/p\u003e","\u003cp\u003eAleshire- Alley- Aly\u003c/p\u003e","\u003cp\u003eAmbler- Angel- Armstrong\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eArnall-Baals-Baird\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBaker-Barker-Baron\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBarr-Bau-Baz\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBeach-Bem-Ben\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBer-Big-Bix\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBla-Boh-Boo\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBor-Box-Boz\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBra-Bri\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBroaddus-Brown\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBrowne-Bura-Burl\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eBurm-Byrd, Harry F.-Byron\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eCab-Cara-Carn\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eCaro-Cart-Cern\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eChad-Chi-Chu\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eCie-Coa-Cof\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eCog-Conant-Conway\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eCook-Cote-Cowperthwaite\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eCox-Creasy-Critzer\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eCro-Daane-Dabney\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eDade-Dashiell-Davis, G.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eDavis, H.-Dem-Dey\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eDia-Dob-Doo\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eDor-Duer-Dunlap\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eDunn-Eades-Edith\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eEdm-Egan-Ellison\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eEllmore-Evelyn-Exley\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eFaber-Fer-Fil\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eFin-Fockler-Foster\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eFou-Fudge-Fyock\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGaba-Gear-George, T.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGeorge, W. Brooks-Gillette-Givens\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGla-Gor -Gou\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGraal-Green-Grey\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eGri-Gurber-Gwyn\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHaag-Ham-Hamrick\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHanbury-Hardvay-Harness\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHarold-Harris, H.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHarrison-Hay-Haz\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHea-Hering-Heywood\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHibb-Hock-Hoke\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHolb-Honaman-Horne\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHorner-Hie-Hue\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eHum-The-Izz\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eJar-Jernigan-Johnson\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eJohnson-Johnston-Jones, G.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eJones, H.-Kablle-Keithly\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eKell-Kess-Kilp\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eKimball-Kite-Knox\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eKoch-Lanahan-Lantzy\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eLapp-Lea-Lerner\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eLes-Liang-Livy\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eLloyd-Louden-Lozier\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eLub-McAdams-McClure\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMcComb-Mcg-McL\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMcM-Mac-Mam\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMan-Mar\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMas-Mea-Mez\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMichael-Millican-Mistr\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMit-Moore-Moose\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMora-Mosby-Mumma\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMunday-Nabors-Nelson\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eNem-Nim-Nyr (Includes: Richard Nixon)\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eO\"brien-Opie [sic]\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eOrange-Pab-Pan\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003ePar-Pas-Pay\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003ePeach-Perr-Pezz\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003ePfeiffer-Pitt-Pop\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003ePor-Pransky-Pryer\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003ePuck-Rabb-Ranson\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eRap-Rem-Rib\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eRice-Rizely\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eRoach-Roberts-Robertson, Willis Mr. And Mrs. Junior (Tad)\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eA. W. Robertson relatives-Frank W. Harold G. Pat (Marion G.)\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eRobertson-Misc. A-Z Robeson-Robson\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eRoc-Ros\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eRot-Ryl\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eSab-Sca-Scu\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eSea-Shac-Shep\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eShen-Sib-Siz\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eSka-Smiley-Smith, K\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eSnyder-Soc-Spl\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eSpo-Stearns-Stennis\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eStephan-Stock-Stoy\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eStrachan-Stump-Sutton\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eSwa-Tab\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eTaylor-Teagle-Thompkins\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eThompson-Tib-Tow\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eTracer-Tuo-Tyus\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eUhler-Vaughn-Voorhis\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eWaddell-Walker-Wardeau\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eWare-Weade-Weitzer\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eWelch-Whalen-Whitaker\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eWhite-Wick-William\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eWilliams-Williamson-Wilson\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eWilton-Wood-Wozniak\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eWkanek-Yowell-Zwick\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1955-Miscellaneous\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1956-Miscellaneous\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1957-Miscellaneous\u003c/p\u003e","\u003cp\u003e1958-1959 Miscellaneous\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1960-Miscellaneous\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1961-Miscellaneous\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1962-Miscellaneous\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1963-Miscellaneous\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003eAddressee Copies\u003c/p\u003e","\u003cp\u003e(Folders 18-46: General Topics- Advertising- Anti-Trust)\u003c/p\u003e","\u003cp\u003e1965- Annual Report\u003c/p\u003e","\u003cp\u003eSee also Speech Material Virginia, \"Indians in Virginia\"\u003c/p\u003e","\u003cp\u003e[Folder 1-79: General Topics- App.-- Cities and Towns (Boydton, Va.)]\u003c/p\u003e","\u003cp\u003e(Background Material)\u003c/p\u003e","\u003cp\u003e(Background Material)\u003c/p\u003e","\u003cp\u003e(Background Material)\u003c/p\u003e","\u003cp\u003e(Background Information Regarding)\u003c/p\u003e","\u003cp\u003e(Background Material)\u003c/p\u003e","\u003cp\u003e[Folders 1-75: General Topics- Cities and Towns (Roanoke)-- Conservation]\u003c/p\u003e","\u003cp\u003e(Military Installation)\u003c/p\u003e","\u003cp\u003e(Articles in the Richmond Newsletter)\u003c/p\u003e","\u003cp\u003eJohnston, Felton M. (Skecter) 1964-1965; Johnston, Senator Olin D. (S.C.) 1962-1965; Jones, Judge Marvin 1957-1960\u003c/p\u003e","\u003cp\u003eJones, Roger Warren, Civil Service 1959; Jordan, Senator Len-- Idaho 1963; Judd, Walter-- Representative Minnesota 1966; Katzenbach, Nicholas de Belleville 1965; Kefauver, Senator Ester and Wife 1963-1965\u003c/p\u003e","\u003cp\u003eKeller, Helen 1960; Kelly, Mrs. Virginia 1961-1964; Kelly, Wm. F (ABA) 1962-1965; kennedy, Senator. Edw. M. 1964-1965\u003c/p\u003e","\u003cp\u003eKennedy, Robert F. 1963-1965; Kerr, Senator Robert S. 1962-1964; Key, Francis Scott 1964; Kilburn, Clarence E. 1962-1964\u003c/p\u003e","\u003cp\u003eKistiakowsky, Dr. Geo. B. 1959; Knight, Frances G. (Passports) 1958-1966; Knowland, Wm. F. 1959-1963; Korth, Fred-- Secretary of Navy 1963; Kuchel, Senator Thomas, California 1965\u003c/p\u003e","\u003cp\u003eLasker, Mrs. Albert D. (Mary) New York 1960-1965; Latrobe, Benjamin H.-- Architect 1964; Lattimore, Professor Owen, Balitmore 1964; Lawrence, Hon. and Mrs. David L., Pgh. 1960; Layton, Police Chief John B., D.C. 1965\u003c/p\u003e","\u003cp\u003eLazarus, Emma 1964; Lejeune, Lt. General John A. 1964; LeMay, General Curtis E. 1961-1965; Lemnitzer, General Lyman L. 1959-1962\u003c/p\u003e","\u003cp\u003eLennartson, Hon. Nils A. 1965; Lewis, John L. (Coal) 1959-1965\u003c/p\u003e","\u003cp\u003eLong, Senator Oren E. 1964; Long, Senator Russell B., Louisiana 1965-1966; Lovelace, Dr. W. 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McChesney 1965-1966\u003c/p\u003e","\u003cp\u003eMeloy, Thomas (President- Melpar, Inc.) 1960; Metcalf, Senator Lee (Montana) 1965; Miller, Wm. E. (M.C.- N.Y.) 1964; Mink, Hon. Patsy (M.C.- Hawai) 1965; Mitchell, Jas. Paul (Secretary Labor) 1960; Mondale, Senator Walter F. (Minn.) 1965; Moore, George S. 1964; Morgan, Gerald D. 1958; Morse, Senator Wayne 1962; Moyers, Bill D. (President News Secretary) 1966\u003c/p\u003e","\u003cp\u003eMunford, Walter F. (President U.S. Steel) 1959; Mussolini, Benito 1964; Muto, Frank and Al (Photog. for Demos.) 1963; Nehru, Jawajarlal (India) 1963-1965; Neilan, E.P. (President U.S. Chamber of Commerce) 1963; Neuberger, Senator Maurine B. (Oregon) 1960-1965; Nimitz, Admiral Chester W. 1960-1966\u003c/p\u003e","\u003cp\u003eNixon, Richard M. and Family 1958-1966; Northern, Mary Moody (Texas) 1965; O'Brien, Lawrence F. 1965;\u003c/p\u003e","\u003cp\u003eO'Leary, Jerry A and Family 1942-1964; O'Mahoney, Jos. C. 1960; Olmstead, Major General George H. 1964-1966; Oppenheimer, Dr. J. Robert 1959-1963; Oxnam, Bishop G. Bromley( Meth.) 1963\u003c/p\u003e","\u003cp\u003ePaderewski, Ignace Jan 1960; Page, Dr. Thomas Nelson 1919; Parker, John J., Judge 1958-1964; Pastore, Senator John O., R.I. 1964; Pate, General Randolph McC., Marines 1958\u003c/p\u003e","\u003cp\u003ePatton, General George, U.S. Army 1963; Pendergast, Tom 1965; Perkins, Frances, Secretary Labor 1965; Pershing, General John J. 1960-1965; Peterson, Mrs. Esther 1965; Pike, Bishop James A. 1958-1966;\u003c/p\u003e","\u003cp\u003eProxmire, Senator. and Mrs. William 1964-1966; Pulaski, Casimmir 1962-1965; Raborn, Vice-Adm. Wm. F. 1965; Raphael 1961\u003c/p\u003e","\u003cp\u003eReagan, Ronald 1965-1966; Reichelderfer, Dr. F.W. 1963; Reid, Ogden R. 1959; Resor, Stanley R. (Secretary Army) 1965; Rhodes, John D. 1963; Rickenbacker, Captian Edward V. 1963\u003c/p\u003e","\u003cp\u003eRickover, Vice Adm. Hyman G. 1959-1965; Redel, Richard L. 1965; Ripley, Dr. Sidney D (Smithsonian) 1964-1965\u003c/p\u003e","\u003cp\u003eRockefeller, Nelson 1958-1964; Rodes, Judge, John B. (Ky.) 1965; Rogers, Att'y General WM. P. 1957-1959; Romney, George W. (Mich.) 1963-1964\u003c/p\u003e","\u003cp\u003eRussell, Donald S. of S.C. 1965; Russell, Senator Richard 1959-1966; Salinger, Pierre 1964-1966\u003c/p\u003e","\u003cp\u003eSalk, Dr. Jones E. 1958-1959; Saltonstall, Senator Leverett, Mass. 1965-1966\u003c/p\u003e","\u003cp\u003eSchrotel, Chief Stanley R. 1963; Schultze, Charles L.-- Budget Director 1965; Scott, Senator Wm, Kerr 1958\u003c/p\u003e","\u003cp\u003eSeamans, Dr. Robert. C., Jr.-- NASA 1965; Sharp, Dudley C.-- Secretary Air Force 1959; Shoemaker, Dr. Samuel-- Pgh. 1960-1964; Shott, Hugh Ike 1952-1964\u003c/p\u003e","\u003cp\u003eSmathers, Senator and Mrs. George A. 1961-1966; Smith, H. Alexander, Senator 1957-1962; Smith, Senator Margaret Chase 1960-1965; Smythe, Hon. 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Eugene-- Secretary of the Air Force 1965\u003c/p\u003e","\u003cp\u003eAbbot, Earl L., Judge 1957; Adams, Dr. Theodore F. 1955-1965; Alexander, Dr. (Rev.) Archibald 1956; Alfriend, John S. 1953-1966; Allen, George E. 1965\u003c/p\u003e","\u003cp\u003eAndrews, M. Carl-- Roanoke 1958-1966; Andrews, T. Coleman 1953-1957; Arnold, Remmie L. 1953-1969; Arthur, J. Pickney and Ruth B. 1966; Arundel, Arthur W. 1964-1966\u003c/p\u003e","\u003cp\u003eAtkins, Presky Thornton 1965; Austin, Stephen Fuller 1955-1964; Bubb, Glenn 1957-1964; Bacon, Nathaniel 1957-1959; Bailey, The Jacob E. Family 1965; Ball, Frank and Family-- Arlington 1965-1966; Barksdale, Alrfred D. 1957\u003c/p\u003e","\u003cp\u003eBausermann, Homer-- Arlington 1959; Baylor, James Bowen 1953; Belk, Dr. J. Blanton 1958; Bemiss, Samuel M.,-- Richmond 1955-1966; Berberich, John I., III 1966\u003c/p\u003e","\u003cp\u003eBeverley, Marshall 1959; Bird, Ben L. 1965; Bishop, Dr. Curtis 1966; Boatwright, Frederick William 1945; Boatwright, Mrs. Roy G. 1957-1966; Boothe, Armistead L. 1959-1966\u003c/p\u003e","\u003cp\u003eBoushalls, Thomas C. 1957-1966; Bowles, George A. 1954; Bowman, Dr. Warren D. 1964; Beckinridge Family of Virginia 1964-1965; Broaddus, W. R., Jr. ?; Brooke, Col. John Mercer 1961-1962\u003c/p\u003e","\u003cp\u003eBrown, J. Sinclair 1956; Brown, Dr. William Mosely 1966; Broyhill, Joel T. 1964-1966; Broyhill, M.T. and Family 1959-1965\u003c/p\u003e","\u003cp\u003eBruce, David K.E. 1949-1964; Bryan, John Stewart amd Bryan, D. Tennant 1944-1966; Bucholz, Mrs. Leone 1957; Burgess, Carter L. 1957-1966; Button, Robert Y.-- Attorney General of Virginia 1962-1965\u003c/p\u003e","\u003cp\u003eCabell, James Branch-- Virginia novelist 1950-1964; Campbell, Miss Dorcas D.-- Miss Virginia 1962-1964; Campbell, Stuart B.-- Wytheville 1957; Campbell, Volney-- Abingdon 1959; Camps, The, of Franklin, Virginia 1958-1966; Carper, G. Wallace 1957-1966; Carter, Hon. C.S. (Sam) 1959; Carter, Robert King 1953;\u003c/p\u003e","\u003cp\u003eCarter, Stuart B.-- Fincastle 1964-1965; Carters, Walter H.-- Amherst, Virginia 1965; Caruthers, Dr. William A.-- novelist 1955; Cary, Archibald 1951; Caskie, James R.-- Lynchburg 1932; Caskie, Maxwell 1965; Caudhill, Dr. W.C.-- Pearisbury 1959-1964; Chandler, Dr. Alvin Duke-- President of William and Mary 1959-1962\u003c/p\u003e","\u003cp\u003eChandler, Dr. J.A.C 1960; Chichester, Dr. Peyton Moncure 1957; Chorley, Kenneth 1958; Chumney, Richard D.-- Commissioner of Agriculture 1962-1968; Cochran, hon. and Mrs. George M.- Staunton 1965-1966; Cocke, C. Francis 1951-1965; Cole, Dr. Fred C. 1959-1966\u003c/p\u003e","\u003cp\u003eCollins, Hale-- Covington 1962-1965; Collins, Lewis Preston 1950-1952; Combs, E.R. 1954-1957; Counts Family 1953-1964\u003c/p\u003e","\u003cp\u003eCox, General Edwin \"Pete\" 1965; Coxe, Whitewell W.-- Roanoke 1963; Crawford, William Harris-- Virginia and Georgia 1959; Crozet, Claudius 1951; Crush, judge Charles W.-- Christiansburg 1964; Crutchfield, Sam, Jr. 1965; Cussons, Captian John 1955\u003c/p\u003e","\u003cp\u003eDabney, Virginius 1951-1957; Dalton, Ted and Family 1953-1965; Daniel, W.C. (\"Dan\") 1957-1964; Darden, Hon. Colgate 1947-1966\u003c/p\u003e","\u003cp\u003eDavis, Francis Atwell 1957-1958; Davis, Dr. Hiram Witson 1957; Day, Sidney C., Jr. 1955; Dean, George Wilson-- Charlottesville 1965-1966; Deschler, Lewis-- House Parlimentarian 1963; Devin, J. Acree-- Wylliesburg 1964; Diehl, Dr. George W.-- Lexington 1962-1964; Dillard, benton O.-- Roanoke 1966\u003c/p\u003e","\u003cp\u003eDillon, Jesse W. 1955-1957; Dodson, E. Griffith 1954-1961; Dos Passos, John 1963-1965; Dowdey, Clifford S. 1950-1959; Downing, Col. Tom-- Lancaster; Downing, Thomas N.-- Member of Congress 1954-1966; Dudley, William M., Jr. 1966; Danton, Ammon G.-- White Stone 1964\u003c/p\u003e","\u003cp\u003eDysche, Harry D.-- Luray, Virginia 1964; Early, General Jubal 1963; Easley, James Stone-- Halifax 1957;Edmunds, Paul c., Sr.-- South Boston 1962; Edwards, Richard T., Judge 1964-1965; Eggleston, Justice John W. 1951-1959; Elmore, Ralph-- Richmond 1965-1966; Ernst, Frank A. 1955-1960\u003c/p\u003e","\u003cp\u003eFaulklner, Wert 1958-1960; Fenwick, Charles R. 1953-1966; Field, James Gaven1904; Fields, Louis G., Jr. 1966; Fishburn, Junius Blair 1951-1956; Fishburn, Junius P. 1954-1966; Fisher, B.L.-- Martinsville 1954-1966; Fishwick, John P.-- Norfolk and Western 1958-1966\u003c/p\u003e","\u003cp\u003eFishwick, Dr. Marshall-- Livingston 1963-1964; Fitzpatrick, Earl A.-- Roanoke 1959-1965; Flannagan, John W. 1958-1959; Flood, Cong. Hal 1966; Flyod, John-- Governor of Virginia 1964; Flythe, S.S. 1965; Foster, William B., Jr. 1958-1966\u003c/p\u003e","\u003cp\u003eFrancisco, Peter 1963; Freeman, Dr. Douglas S. 1958; Freeman, General Paul L. 1950-1965; Fugate, Douglas B. 1964-1965; Fugate, Tom-- former Member of Congress 1958-1966; Fuller, Frank 1965; Funk, M.C. 1952; Gaines, Dr. Francis P. 1955-1965\u003c/p\u003e","\u003cp\u003eGammon, Dr. Edgar G. 1955; Gary, Hon. J. Vaughan 1962-1964; George, W. Brooks 1962-1963; German, Dr. Mentor P. 1962; Giammittoria, Judge George M. 1964; Gifford, Richard P.-- Lynchburg 1964; Gilliam, Dean Frank J.,-- Lexington 1963; Gillis, Richard S., Jr.-- State Chamber of Commerce 1964\u003c/p\u003e","\u003cp\u003eGlass, Edward C. (Ned) 1957; Glass, Robert Camillus 1958; Glass, Miss (Dr.) Meta 1957; Godwin, Mills E. 1962-1966\u003c/p\u003e","\u003cp\u003eGoodpastures, The 1965; Goolrick, C. O'Conner 1960; Gravely, Harry C.-- Ridgeway 1965; Gray, Frederick T.-- Attorney General 1961; Greenup, Christopher-- Governor of Kentucky (Virginia Born) 1960; Grizzard, Dr. R. Stuart 1965; Guest, Raymond R. 1962-1965\u003c/p\u003e","\u003cp\u003eGunn, Charles W., Jr. 1963-1964; Guy, Dr. William G. 1958; Hagan, John C., Jr. 1957; Hahn, Dr. Thomas Marshall-- President of V.P.I. 1961-1966\u003c/p\u003e","\u003cp\u003eThe Hanger Family of Virginia 1963; Hardy, Representative Porter, Jr. 1965-1966; The Harmans-- South--west Virginia 1965; Harris, Howard H.-- Virginia Highway Commission 1960-1964; Harrison, Albertis 1957-1966\u003c/p\u003e","\u003cp\u003eHarrison, Burr P. 1946-1964; Harrison, William Henry 1959; Hedges, Dr. H. Shipman 1957-1961; Heller, George E.-- American Legion 1958; Henn, Mrs. Hannah 1961-1964; Henry, Patrick 1958-1966; Hester, Clinton M. 1960; Hickman, Milton T.-- Commissioner of Fisheries 1958\u003c/p\u003e","\u003cp\u003eHildreth, W.S. 1963-1964; Hill, General A.P. 1958; Hill, J. Eldred, Jr. 1959; Hirst, Julian F. 1957-1965; Holady, William M.-- Office of the Secretary of Defense 1959; Holden, Donald A.-- Newport News 1966; Holstein, Paul A. (Jerry) 1963-1964; Holton, A. Linwood, Jr. and Family-- Roanoke 1965-1966\u003c/p\u003e","\u003cp\u003eHooker, H. Lester 1953-1964; Hoover, Lawrence H. 1958-1965; Hope, James Barron-- Poet 1957; Hopkins, Dr. Robert S.-- Radford 1963; Hopkins, William B.-- Roanoke 1964; Houston, Sam 1955-1965; Howell, D.J. 1949-1957\u003c/p\u003e","\u003cp\u003eHudgins, Chief Justice Edward W. 1956-1964; Humelsine, Carlisle H. 1958-1966; Hunt, Robert-- First Chaplain, Jamestown 1963; Hutcheson, Dr. J. Morrison-- Richmond 1962; Hutcheson, Sterlijng-- Judge 1959-1964; Hutchinson, martin-- Giles Co. 1962\u003c/p\u003e","\u003cp\u003eI'Anson, Judge Lawrence W. -- Virginia Supreme Court of Appeals, 1958; Ingalls, Fay 1956-1964; Ingram, John Littlepage 1954; Jackson, Lieutenant General Thomas Jonathan \"Stonewall\" 1955-1966\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eJames, L. Eldon -- American Legion 1954-1966; Janney, John -- Loudon, County 1961; Jasper, John -- Negro Preacher, Richmond-\"De Sun Do Move\" 1966\u003c/p\u003e","\u003cp\u003eJennings, W. Pat 1958-1966; Jewel, Dr. William 1961; Johns, Jay 1962-1966; Johnston, Clem. D. -- Roanoke 1954-1962; Johnston, General Joseph E. 1957; Johnston, Zachariah 1958; Jordan, Donald L. -- N.A.M. 1965-1966; Jordan, Judge William Southall 1957; Joyner, C.F. 1951\u003c/p\u003e","\u003cp\u003eKellam, Richard B. 1960; Kellam, Sidney 1950-1966; Kelleher, Kenneth S. -- Alexandria 1965; Kelley, Norman W. 1951-1959; Kemp, Verbon E. 1960-1964; Kilbourne, James J. 1959-1966; Knowles, E. Lewis 1964-1965\u003c/p\u003e","\u003cp\u003eKraft, Christopher Columbus -- NASA 1965; Lacy, Dr. Ben R., Jr. 1955; Lamb, Chester H. 1957; Lambeth, Bolling and Family 1962; Lane, E.H., Sr. and Family 1957-1966; Lawrence, David 1952-1963; Lawrence, Frank D. -- Portsmouth 1964-1966\u003c/p\u003e","\u003cp\u003eLeland, Rev. John, Date unknown; Lennon, Thomas J. -- Hot Springs 1965; The Letchers -- Lexington 1959-1965; Lewis, General Andrew 1956-1966; Lewis, Colonel Fielding -- \"Kenmore\" 1965; Lewis, J.M.B., Jr. 1965; Lewis, Meriwether 1964-1966\u003c/p\u003e","\u003cp\u003eThe Ligon Family 1939-1965; Locker, Baldwin G. 1959-1960; Long, M.M. and M.M., Jr. -- St. Paul 1958; Lowance, Carter Olin-- Richmond 1958-1966; Lowry, Philip Wager -- McLean 1965; McCausland, Brig. General John 1964; McCormick, Cyrus 1953-1964; McCue, Edward O., III 1966\u003c/p\u003e","\u003cp\u003eMcDowell, Dr. Ephriam 1959-1962; The McFarland Family -- Augusta Company 1957; McGuffey, Rev. William Holmes 1962; McKee, General William G. 1963-1966; McMurran, Lewis A., Jr. 1958-1968; McNeil, Robert B. 1957-1965; McRee, Fergus 1962; McWane, Fred W. -- Lynchburg 1959; McWane, Henry E. 1957\u003c/p\u003e","\u003cp\u003eMadden, Carl H. 1963; Madison, James 1951-1965\u003c/p\u003e","\u003cp\u003eMahone, General William (Billy) 1957-1966; Maines, G.W. 1965; Mann, Harrison -- Arlington County 1957-1965; Marsh, John O., Jr. 1962-1965; Marsh, Robert T., Jr. -- Richmond, 1962-1966\u003c/p\u003e","\u003cp\u003eMassenburg, G. Alvin 1951; Mathews, James T. 1966; Maury, Matthew Fontaine 1959-1966\u003c/p\u003e","\u003cp\u003eMay, James Harrison -- Staunton 1963-1964; May, Samuel D. -- Commissioner of Highways 1958-1960; Mays, David J. -- Richmond, 1958-1959; Meek, Joseph Henry 1955-1960; Miles, Dean C.P. 1965-1966; Miles, Waldo G. -- Bristol 1964-1965; Miller. Colonel Francis Pickens and brother, Reverend William M. Miller 1961-1965\u003c/p\u003e","\u003cp\u003eMiller, Giles H., Jr. -- Culpeper 1958; Miller, J. Maurice 1966; Milton, Major General William H., Jr. 1959-1964; Mitchell, Dr. Samuel C. -- University of Richmond 1948; Moffatte; Dr. J.S. and Family 1956-1965; Mohler, J. Rupert 1966\u003c/p\u003e","\u003cp\u003eAndrew Jakson Montague, 1960; Moomaw, Ben C. Jr. -- Covington 1964; Moore, E. Blackburn 1954; Moore, T. Justin 1953; Moreland, Dr. J. Earl -- R.M. Colonol 1959; Morrison, R. Bruce 1963-1966; Morrissett, Charlisle Havelock 1963-1965\u003c/p\u003e","\u003cp\u003eMosby, John Singleton -- CSA, 1955-1963; Muse, Leonard G. -- Roanoke 1960-1965; Muse, Dr. William T. -- University of Richmond 1961; Myers, Charles F., Jr. 1963; Myers, Dr. E.D. 1963-1964; Myers, F. Weaver -- McLean, Virginia\u003c/p\u003e","\u003cp\u003eNelson, Burgess E. 1962; Newman, Dr. Walter S. -- President of V.P.I. 1959-1964; Newton, Blake T., Jr. and Sr. 1954-1961; Nichols, Harry O. 1964; Noland, Thomas B. 1965; Norris, Senator Robert O., Jr. 1955-1960; Oberly, Dr. H. Sherman -- Roanoke 1957-1963; Olsson, Sture G. -- West Point, 1963\u003c/p\u003e","\u003cp\u003eOpie, General E. Walton 1951-1966; Owens, Arthur S. 1965-1966; Palmer, James E., Sr. and Jr. 1958-1965; Paschall, Dr. Davis Y. 1957-1965; Paul, Judge John 1956-1964; Paxtons -- Rockbridge Company, 1960-1965; Pender, David 1953; Pendleton, Edmund 1962; Pendleton, E.B., Jr. 1960-1961; Penick, D. Allen and Family, 1966\u003c/p\u003e","\u003cp\u003ePerrow, Mosby Garland, Jr. 1959; Peters, the Reverand J. Sidney Family 1965; Pevler, Herman S. -- President Norfolk and Western 1963-1966; Pick, Major General Lewis A. 1949-1956; Pickett, Major General George E. 1958; Pitts, Senator Benjamin Thomas -- Fredericksburg 1953; Pless, Glenn -- Galax 1957-1966; Pocahontas 1962-1964; Poe, Edgar Allen 1955-1965; Poff, Richard 1955-1966\u003c/p\u003e","\u003cp\u003ePollard, Fred G. 1965; Pollard, John Garland 1960; Powell, John 1963; Powell, Lewis F. Jr.. 1963-1966; Powers, Francis, Gary -- U2 Pilot 1962-1965; Puller, General Lewis B. \"Chesty\" 1953-1965; Putney, Lacey E. -- Bedford Quinn, I.T. 1958-1959; Randolph, Dr. Bessie 1950; Randolph, Edmund 1962\u003c/p\u003e","\u003cp\u003eReed, Dr. Walter 1961-1966; Reed, W.T., Jr. 1960; Regirer, Walter W. 1964; Reid, Judge Hugh 1963; Reid, Dr. Robert H. 1966; Reynolds, Richard S., Jr. and Family 1960-1966; Rice, W. Thomas 1957-1964; Rice, George Randolph -- Clerk of House 1962; Riddleburger, James W. 1962; Robert, Dr. James Clarke 1955-1960\u003c/p\u003e","\u003cp\u003eRobertsons, The Relatives of Senator Robertson 1958-1965; Robertson, Donald -- School teacher 1963; Robertson, R.D. -- Staunton, Virginia 1964; Robertson, Honorary Walter S. 1958-1966; Robeson, Edward J., Jr. 1949-1966; Robeys, The -- Buena Vista 1963-1965; Robinson, Dr. Herbert W. -- C-E-I-R 1960-1965; Robinson, J. Kenneth -- Winchester, 1965-1966; Rogers, Frank W. -- Roanoke 1966; Rogers, John D. -- Lexington 1963\u003c/p\u003e","\u003cp\u003eRolfe, John 1964; Roller, Colonel and Mrs. Charles S., Jr. 1959-1961; Rouse, Mr. and Mrs. Parke S. 1958; Rowe, Maurice B. -- Commissioner of Agriculture 1966; Rubin, Louis D. and Son -- Richmond, 1963-1966; Rush, Orville F. -- Imperial Potentate, Shrine 1966; Said, Joe -- Lurray- Hero of World War I 1964; Sampson, Mrs. Emma Speed -- Author 1964; Sanders, Dr. Paul DeLeon -- Editor 1956-1966\u003c/p\u003e","\u003cp\u003eSangor, William T. -- Medical College of Virginia, 1956; Satterfield, David E. -- Richmond 1964-1966; Saunders, Stuart T. -- Norfolk and Western 1958-1966; Sease, Dr. C.I. 1956; Sebrell, Thomas E., III 1964\u003c/p\u003e","\u003cp\u003eShell, Brig. General George R.E. -- V.M.I. 1960-1963; Shepphard, Mrs. Eleanor P. 1962-1964; Short, Shelton H., Jr. 1957; Simmonds, James H. 1957-1958; Small, Sydney F., -- Roanoke 1958-1965; Smith, Dr. Charles J. -- Roanoke College 1957; Smith, Judge G.S. 1951\u003c/p\u003e","\u003cp\u003eSmith, Captain John 1960-1961; Smith, Lemuel F. -- Virginia Supreme Court 1951; Smith, Dr. Robert B., Jr -- Member of Congress of Virginia 1956; Smith, Robert H. -- Norfolk and Western Railroad 1951-1966; Smith, W. Roy -- Petersburg 1965; Smythe, Robert A. 1963; Snead, Judge Harold F. 1957; Spencer, Dr. Samuel R., Jr. -- Mary Baldwin College 1951-1959; Spilman, Louis 1951-1965\u003c/p\u003e","\u003cp\u003eSpotswood, Governor Alexander 1959-1966; Spratley, Justice C. Vernon 1966; Sproul, Major General Archibald A. -- Staunton 1961-1966; Stanley, Thomas B. 1953-1966\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eStephens, A.E.S. 1953-1961; Story, William J., Jr. 1958-1966; Stratton, James Francis \"Boots\" 1962-1966; Stuart, Harry C.-Elk Garden, 1963-1964; Stuart, J.E.B. 1956-1964; Sullivan, Roger C. -- Alexandria 1959-1964; Sutherland, Marvin M. 1960; Swanson, Claude A. 1961; Tabb, Father John B. 1953; Talbott, Philip M. 1957-1960\u003c/p\u003e","\u003cp\u003eTavenner, Frank S. 1959; Taylor, Henry J. and Henry N. 1961-1964; Taylor, Henry P. 1950; Taylor, Zachary -- President 1959-1964; Tazewell, John N. 1962; Thomas, General George H. -- Southampton County 1962-1965; Thompson, Roby C. 1957-1960; Thomson, James M. 1959-1965; Tolley, Colonol Benton C., Jr. and Family 1965; Trigg, William R., Sr. 1964; Trinkle, E. Lee -- Governor 1966\u003c/p\u003e","\u003cp\u003eTuck, William M. 1946-1966; Tucker, Harry St. George 1966; Tucker, Bishop Henry St. George 1953-1966; Tucker, Richard Blackburn 1956-1959; Tyler, Dr. Franklin A 1955; Tyler, John -- Tenth President 1956-1963; Vaden, Lewis Henry 1962; Vaughan, William Conway -- Lynchburg, 1964\u003c/p\u003e","\u003cp\u003eWake, Dr. Orville W. -- President of Lynchburg College 1960; Walker, Lewis M. (Meriwether), Jr. ?; Walker, Dr. Thomas -- Albemarle County, 1965; Wallace, William Alexander Anderson 1955; Walter, Jeff F. 1963; Washington, Booker T. 1956-1966\u003c/p\u003e","\u003cp\u003eWebber, Charles E. \"Ted\" -- Salem 1959-1966; Webber, Roy L. -- Roanoke 1964; Weens, Samuel P. \"Sam\" -- Superintendent of Blue Ridge Parkway 1965; Whitehead, John L. -- Radford, 1957-1965; Whitehad, Robert -- died 6/5/60, 1951-1961; Whittle, Judge Kennon C. 1951-1965; Wicker, John J. 1946-1966\u003c/p\u003e","\u003cp\u003eWilkerson, Dr. Woodrow W. 1960-1965; Wilkinson, J. Harvie, Jr. 1964-1966; Will, Erwin H. 1959; Williams, Dean Clayton E. 1964; Williams, Joseph J., Jr. 1960-1962; Willis Family -- Senator Robertson's Relatives 1960-1966;\u003c/p\u003e","\u003cp\u003eWinfree, Peyton B., Jr. -- Lynchburg 1958-1964;Witten, Dr. Jack -- Tazewell 1959-1960; Woods, Robert H. 1948; Wright, Mr. and Mrs. Harry Benton and Family -- Lexington 1965; Wright, Warren -- Marion and Richmond 1964; Wyatt, Harry Cassell 1964; Wythe, George 1950-1958\u003c/p\u003e","\u003cp\u003eHomes and Home Ownership; Humorous; Acton, Lord; Adams, John; Adams, Samuel; Almond, J. Lindsay, Jr.; Amonette, Clarence O.; Anderson, Robert B. -- Secretary of the Treasury; Aristotle; Arnold, Matthew; Ashurst, Henry F. -- Former Senator\u003c/p\u003e","\u003cp\u003eBacon, Francis; Baldwin, Earl (British); Barr, Joseph W.; Barrie, Sir James; Baruch, Bernard; Battle, John S.; Beecher, Henry Ward; Bell, Dr. L. Nelson -- Billy Graham's father-in-law; Bemiss, Samuel M.; Benton, William; Bennett, Senator Wallace F.; Blackstone -- English legal authority; Blandy, Admiral; Branch, Harllee, Jr.; Brown, Dr. Charles R.; Brownell, Herbert, Jr.; Browning, Robert; Bryan, William Jennings; Bryant, William Cullen\u003c/p\u003e","\u003cp\u003eBryce, James; Bullock, Thomas M.; Burgess, W. Randolph; Burke, Admiral Arleigh; Burke, Edmund; Butler, Dr. Nicholas Murray; Butler, Paul -- Chariman Democratic National Committee\u003c/p\u003e","\u003cp\u003eByrd, Senator Harry F.; Byrnes, James F.\u003c/p\u003e","\u003cp\u003eCalhoun, John C.; Caplin, Mortimer M.; Carlyle, Thomas; Carney, Admiral Robert B.\u003c/p\u003e","\u003cp\u003eChiang, Kai-Shek; Chillon, Prisoner of; Cicero, Marcus Tullius; Clement, Reverend R.R.; Cleveland, Grover; Cocke, C. Francis; Cocke, Erle; Conant, Dr. James B.; Cooley, Thomas; Coolidge, Calvin; Dabney, Virginius; Daniel, John W.; Darden, Colgate W., Jr.\u003c/p\u003e","\u003cp\u003eDarling, Jay N. \"Ding\"; Davis, Justice Charles H.; Day, J. Edward -- Postmaster General; Dean, Sir Patrick Henry; Demosthenes; De Quincey, Thomas; de Severskey, Major Alexander P.; De Tocqueville; Dillon, Douglas -- Secretary of the Treasury; Disraeli; Dodd, Senator Thomas J.; Downing, Congressman Thomas N.; Dulles, John Foster; Durant, Will\u003c/p\u003e","\u003cp\u003eEmerson, Ralph Waldo; Ervin, Samuel J., Jr -- Senator from N.C.; Everett, Edward; Farley, James A.; Fairless, Benjamin F.; Federalist Papers; Fenwick, Charles R.; Flanders, Ralph E.; Flavinius, Marcus; Forsyth, William; Franklin, Benjamin; Fulbright, Senator J.W.\u003c/p\u003e","\u003cp\u003eGarcia, President Carlos P. -- Philippines; Gary, J. Vaughan; George, Dr. W.C. -- Professor at University of North Carolina; Gibbon, Edward -- \"Decline and Fall of Roman Empire\"; Glass, Carter; Goldsmith, Oliver; Gompers, Samuel; Graham, Reverand Billy\u003c/p\u003e","\u003cp\u003eGraham, Thomas -- Louisville, Kentucky; Griswold, Dean Erwin N. -- Harvard Law School; Gruening, Ernest -- U.S. Senator; Gruenther, General Alfred M.; Hall, Wilbur C.; Hamilton, Alexander\u003c/p\u003e","\u003cp\u003eHammarskjold, Dag; Hand, Judge Learned; Harrison, Albertis S., Jr. Governor; Harrison, Burr P.; Henry, Patrick\u003c/p\u003e","\u003cp\u003eHerkner, E.C. -- Bois, Idaho; Hill, Senator Benjamin Harvey; Hill, Senator Lister; Holmes, Justice Oliver Wendell; Holmquist, R.C. -- Richmond; Hoover, Herbert -- former President\u003c/p\u003e","\u003cp\u003eHorace; Horsley, Dr. Guy W. -- President, Medical Society of Virginia; Hughes, Chief Justice Charles Evans; Hull, Cordell -- Secretary of State; Humphrey, Senator Hubert; Hunter, Thomas Lomax -- Poet; Hutcheson, Judge Sterling; Ingersoll, Robert; Isocrates; Jackson, Andrew; Jackson, \"Stonewall\"; James, William; Jay, John\u003c/p\u003e","\u003cp\u003eJones, S. Bruce -- Attorney, Bristol, Virginia; Jones, Judge Walter B.; Kennedy, President John F.; Khayyam, Omar; Kilpatrick, James Jackson -- Editor; Kipling, Rudyard; Lacy, William S.B.; Lamb, Judge Brockenbrough; Lanham, Fritz G. -- Former Congressman from Texas; Lawrence, David\u003c/p\u003e","\u003cp\u003eLee, General Henry; Lee, Robert E.; Lemley, Judge Harry J. -- Arkansas; Letcher, John -- Governor of Virginia 1860-1864\u003c/p\u003e","\u003cp\u003eLodge, Henry Cabot, Jr.; Longfellow, Henry Wadsworth; Lowell, James Russell; McAdam, John London -- Road Builder; MacArthur, General Douglas; McCloy, John J.\u003c/p\u003e","\u003cp\u003eMacauley, Lord Thomas B.; Madden, Dr. C.H. -- Economist Banking and Currency Commission; Madison, James; Makins, Sir Roger; Malik, Dr. Charles -- former President of U.N. General Assembly\u003c/p\u003e","\u003cp\u003eManion, Dean Clarence; Marsh, Robert T., Jr. -- Richmond; Martin, William McChesney -- Federal Reserve Board; Mason, George; Meany, Judge Edward A.\u003c/p\u003e","\u003cp\u003eMencken, H.L.; Miers, Earl Schenck; Miller, Arjay -- President of Ford Motor Company; Milton, John; Minor, Raleigh C.; Monroe, James; Montesquieu; Moore, Thomas; Morris, Arthur J.; Muskie, Senator Edmund S.; Myrdal, Gunnar Karl\u003c/p\u003e","\u003cp\u003eNeilan, Edwin P. -- President U.S. Chamber of Commerce; Newton, Willoughby -- Virginia; Nilsson, George W. -- Los Angeles, California; Nixon, Richard M. -- Vice-President; Paine, Thomas; Palmer, James E., Jr.; Paschall, Dr. Davis Y.; Pericles\u003c/p\u003e","\u003cp\u003ePhillips, Lucas D.; Pirie, Vice Admiral R.E.; Pitt, William; Pittman, R. Carter; Plato; Poff, Richard; Polk, Trusten -- Senator of Missouri; Pope, Alexander; Pope Pius XII\u003c/p\u003e","\u003cp\u003ePotter, Dr. Richard R. -- First Presbyterian Church, Staunton; Pound, Roscoe; Prochnow, Herbert V. -- V.P. of First National Bank, Chicago; Pruden, Dr. Edward H.; Pushkin -- Russian Poet; Putnam, Carleton\u003c/p\u003e","\u003cp\u003eRandolph, John -- Roanoke; Rathbone, M.J.; Religious, Inspirational; Reuther, Walter and Victor; Reynolds, Richard S., Jr.; Rhyne, Charles S. -- President of the American Bar Association, 1958\u003c/p\u003e","\u003cp\u003eRickover, Vice Admiral H.G.; Riegel, Professor O.W. -- Washington and Lee University; Ritz, Dr. Wilfred J. -- Professor of Law, Washington and Lee University\u003c/p\u003e","\u003cp\u003eRivers, Congressman L. Mendel; Robertson, Senator A. Willis; Robertson, J.L.-- Board of Governors, Federal Reserve; Robertson, Marion Gordon; Robertson, Walter S.; Roosevelt, Franklin D.; Russell, Lord John; Russell; Richard B. -- U.S. Senator from Georgia\u003c/p\u003e","\u003cp\u003eSaltonstall, Leverett-- Governor of Massachusetts; Saunders, Dr. Paul D.; Saunders, Stuart T.-- Roanoke; Schwarzschild, W. Harry, Jr.-- Richmond; Schweppe, Alfred J.\u003c/p\u003e","\u003cp\u003eScott, Senator W. Kerr; Shakespeare; Shoemaker, Dr. Samuel M.; Short, Dewey; Smith, Bradford B.-- United States Steel; Smith, H. Alexander; Smith, Howard W.-- Member of Congress; Smoot, Dan\u003c/p\u003e","\u003cp\u003eSpellman, F. Cardinal; Spencer, Herbert; Stanley, Thomas B.-- Govenor of Virginia 1954-1958; Stennis, Dudley-- Uncle of Senator John Stennis; Stennis, Senator John C.\u003c/p\u003e","\u003cp\u003eStevenson, govenor Adlai; Stevenson, Robert Louis; Story, Mr. Justice; Summerfield, Arthur E.; Sunday, Billy; Swanson, Claude A; Szymczak, Matt S; Tacitus-- Roman Historian; Talmadge, Senator Herman E.\u003c/p\u003e","\u003cp\u003eTaylor, Henry J.-- Amb. to Switerland; Taylor, General Maxwell D.; Taylor Robert (Bob)-- former Govenor of Tennessee; Teller, Edward; Tennyson, Alfred Lord; Thomas, Dr. Woodlief-- economist, Senate Banking and Currency Committee; Thoreau, Henry D\u003c/p\u003e","\u003cp\u003eToynbee, Arnold J.-- British Historian; Troutman, Robert B.; Truman, Harry S.-- President; Tuck, William M.; Tyler, Dr. Franklin A.-- Richmond; Tyler, Mattie Richards-Poet\u003c/p\u003e","\u003cp\u003eUdall, Stewart L.-- Secretary of Interior 1964; Ulysses; van Buren, Martin; Virgil; Voltaire; Van Braun, Wernher; Walker, Charles E.-- Executive Vice-president of American Bankers Association; Warren, Cheif Justice Earl; Washington, Booker T.\u003c/p\u003e","\u003cp\u003eWatts, Isaac; Weaver, James B.-- Member of Congress; Webster, Daniel\u003c/p\u003e","\u003cp\u003eWells, H.G.; White, Dr. Paul Dudley; Whittaker, Associate Justice Charles E; Whittaker, John Greenleaf; Wicker, John J.; Wilkinson, Harvie, Jr.; Williams, Dr. Robert F.-- Virginia Education Association; Wilson, Woodrow\u003c/p\u003e","\u003cp\u003eWolesley, Viscount; Wood, Colonel Robert E.; Wordsworth, William; Wyatt, Wilson W.; Zimmern, Sir Alfred\u003c/p\u003e","\u003cp\u003ePrepared for Virginia Field Trial Association Magazine\u003c/p\u003e","\u003cp\u003eRaliegh Springs\u003c/p\u003e","\u003cp\u003eHouse of Representatives\u003c/p\u003e","\u003cp\u003eFarm and Home Hour\u003c/p\u003e","\u003cp\u003eFront Royal\u003c/p\u003e","\u003cp\u003eStaunton, Virginia\u003c/p\u003e","\u003cp\u003eHarrisonburg Club, B.P.O.E\u003c/p\u003e","\u003cp\u003eHarrisonburg Kiwanis Club\u003c/p\u003e","\u003cp\u003eMiddletown Chapter of the National Grange\u003c/p\u003e","\u003cp\u003eCongressional Record May 27, 1946\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e(Outline-no written speech)\u003c/p\u003e","\u003cp\u003e(not made a/c wife's illness)\u003c/p\u003e","\u003cp\u003eDaily Press, Newport News, Va. -- March 23, 1958\u003c/p\u003e","\u003cp\u003eSecond speech June 25, 1958.\u003c/p\u003e","\u003cp\u003eThird speech opposing Alaskan statehood and letter from O. E. Darling, Seward, Alaska, June 30, 1958.\u003c/p\u003e","\u003cp\u003eAP, Richmond Times Dispatch, Newport News Daily Press, Norfolk papers.\u003c/p\u003e","\u003cp\u003eReprinted Cong. Record Appendix by Sen. Lister Hill, January 23, 1959\u003c/p\u003e","\u003cp\u003e(re:Comment in book for youth center in Jerusalem).\u003c/p\u003e","\u003cp\u003e(editorial regarding: August 18)\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eFolders 1-21 Material gathered by Emmett Lucey, AWR staff member.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eA-B\u003c/p\u003e","\u003cp\u003eC\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eD-E\u003c/p\u003e","\u003cp\u003eF\u003c/p\u003e","\u003cp\u003eG\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eH-I-J\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eK-L\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eM-N\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eO-P-Q-R\u003c/p\u003e","\u003cp\u003eS\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eT-U\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eV-Z\u003c/p\u003e","\u003cp\u003eRoanoke, Harrisonburg, \u0026amp; Martinsville\u003c/p\u003e","\u003cp\u003eNotices of\u003c/p\u003e","\u003cp\u003eAccomack County Post Offices\u003c/p\u003e","\u003cp\u003eAdams Grove, Adamsville, Afton\u003c/p\u003e","\u003cp\u003eAlbemarle County\u003c/p\u003e","\u003cp\u003eAldie, Alexandria, Alleghany, Altavista, Amelia County \u0026amp; Amherst County\u003c/p\u003e","\u003cp\u003eAppomattox, Arcanum, Arlington, Arrington, Arvonia, Ashland, Augusta County\u003c/p\u003e","\u003cp\u003eBacons Castle, Bath County, Bayside, Bayview, Bedford County\u003c/p\u003e","\u003cp\u003eBells Cross Roads, Berea, Berton, Big Laurel, Bland CountyBlantens, Botetourt County, Bristol, Brunswick County\u003c/p\u003e","\u003cp\u003eBuchanan County, Buckingham County, Buena Vista, Burkeville\u003c/p\u003e","\u003cp\u003eCambell County, Cape Charles, Carbo, Caroline County, Carroll County, Carterton, Carthage, Catawba \u0026amp; Catawba Sanatorium, Cauthornville\u003c/p\u003e","\u003cp\u003eCedon, Charles City, Charlotte County, Charlottesville, Chesapeake, Chesterfield County, Churchland, Clarke County\u003c/p\u003e","\u003cp\u003eClifton Forge, Clover, Coeburn, Colonial Heihts, Concord Wharf, Covington, Craig County, Culpeper City \u0026amp; County\u003c/p\u003e","\u003cp\u003eCumberland County, Danville, Deel, Denbigh, Deskins, Dickenson County\u003c/p\u003e","\u003cp\u003eDinwiddie County, Disputanta, Edwardsville, Emporia, Essex County, Exmore, Fairfax County\u003c/p\u003e","\u003cp\u003eFalls Church, Fauquier County, Fentress, Fishersville, Floyd County, Fluvanna County, Folly\u003c/p\u003e","\u003cp\u003eFork Union, Fort Monroe, Franklin County, Fredrick County, Fredricksberg, Front Royal, Fries\u003c/p\u003e","\u003cp\u003eGalts Mills, Gate City, Gaylord, Gera, Giles County, Gloucester County\u003c/p\u003e","\u003cp\u003eGoochland County\u003c/p\u003e","\u003cp\u003eGoodwins Ferry, Grayson County, Great Bridge, Greenbush, Greene County, Greenville, Griffensburg, Grimes, Grimsleyville, Grundy, Guesses Fork\u003c/p\u003e","\u003cp\u003eHalifax County, Hampton, Handsom, Hanover County\u003c/p\u003e","\u003cp\u003eHappy Creek, Hayfield, Hematite, Henrico County, Henry County, Highland County, Hockley, Holdcroft, Hopewell, Isle of Wight County, Ivanhoe\u003c/p\u003e","\u003cp\u003eLancaster County, Lee County, Lee Hall, Leesburg, Lexington, Loneash\u003c/p\u003e","\u003cp\u003eJames City County, Jamesville, Jennings Ordinary, Keoughtan, King George County, King William County, King \u0026amp; Queen County\u003c/p\u003e","\u003cp\u003eLoudoun County, Louisa County, Lowesville, Lunenburg County\u003c/p\u003e","\u003cp\u003eLynchburg, Madison County\u003c/p\u003e","\u003cp\u003eMallow, Marion, Martinsville, Mathews County, Mecklenburg County, Middleburg\u003c/p\u003e","\u003cp\u003eMiddlesex County, Millwood, Mitchells, Montgomery County, Mount Holly, Mouth of Wilson\u003c/p\u003e","\u003cp\u003eNansemond, Natural Bridge, Nebo, Nelson County, New Castle, New Glasgow, New Kent County\u003c/p\u003e","\u003cp\u003eNew Martinsville, Newbern, Newport, Newport News, Newtown, Nickelsville, Nola, Norfolk, Norfolk County, Northampton County, Northumberland County, Nottoway, Nottoway County\u003c/p\u003e","\u003cp\u003eOrange County, Ore Bank, Oyester Point, Page County, Painter, Patrick County, Paytes, Penhook, Petersburg\u003c/p\u003e","\u003cp\u003ePittsylvania County, Portsmouth, Powatan County\u003c/p\u003e","\u003cp\u003ePreston, Prince Edward County, Prince George County, Prince William County, Princess Anne County, Pulaski County\u003c/p\u003e","\u003cp\u003eRadford, Ransons, Redwood, Rexford, Richardson, Richmond City, Richmond County\u003c/p\u003e","\u003cp\u003eRoanoke (City)\u003c/p\u003e","\u003cp\u003eRoanoke County\u003c/p\u003e","\u003cp\u003eRockbridge County\u003c/p\u003e","\u003cp\u003eRockingham County, Rocky Mount, Roxbary, Ruark, Russell County\u003c/p\u003e","\u003cp\u003eSt. Brides, Saltville, Samos, Scott County, Scottsville, Shenandoah County, Smithfield, Smyth County\u003c/p\u003e","\u003cp\u003eSnowden, South Boston, South Norfolk, Southamton County, Sperryville, Spotsylvania County, Stafford County\u003c/p\u003e","\u003cp\u003eStanardsville, Stauton, Suffolk, Surry County, Sussex County, Sweet Briar, Swift Run\u003c/p\u003e","\u003cp\u003eTabernacle, Tazewell County, Temperanceville, Tignor, Troutville, Tye River, Union Hall, Vinton, Virginia Beach.\u003c/p\u003e","\u003cp\u003eWalker Ford, Wardtown, Warren County, Washington County\u003c/p\u003e","\u003cp\u003eWaterlick, Waynesboro, Wellville, Westmoreland County\u003c/p\u003e","\u003cp\u003eWhitetop, Whitmell, Williamsburg, Winchester, Winston, Wintergreen, Wise County\u003c/p\u003e","\u003cp\u003eWoodberry Forest, Wythe County, York County\u003c/p\u003e","\u003cp\u003eDistricts 1-6\u003c/p\u003e","\u003cp\u003eDistricts 7-10\u003c/p\u003e","\u003cp\u003eDistrict 1\u003c/p\u003e","\u003cp\u003eDistricts 2-5 (Third Dist. folder empty)\u003c/p\u003e","\u003cp\u003eDistrict 6\u003c/p\u003e","\u003cp\u003eDistrict 7\u003c/p\u003e","\u003cp\u003eDistricts 8-10\u003c/p\u003e","\u003cp\u003eTear sheets from \"Record\"\u003c/p\u003e","\u003cp\u003eDistricts 1-4 (Folder empty, 2nd Dist.)\u003c/p\u003e","\u003cp\u003eDistricts 5-7\u003c/p\u003e","\u003cp\u003eDistricts 8-10 (Folder empty for 9th Dist.)\u003c/p\u003e","\u003cp\u003e\"Tear\" Sheets from \"Record\"\u003c/p\u003e","\u003cp\u003eDistricts 1-4 (Folder empty for 2nd Dist.)\u003c/p\u003e","\u003cp\u003eDistricts 5-7\u003c/p\u003e","\u003cp\u003eDistricts 8-10\u003c/p\u003e","\u003cp\u003eTear Sheets from Cong. Record -- 1963\u003c/p\u003e","\u003cp\u003eDistricts 1-10 (Folders for Dists 2 \u0026amp; 3 empty)\u003c/p\u003e","\u003cp\u003eTear Sheets from Cong. Record\u003c/p\u003e","\u003cp\u003eDistricts 1-5 (Dist. 3 folder empty)\u003c/p\u003e","\u003cp\u003eDistricts 6-10 (Dist. 10 folder empty)\u003c/p\u003e","\u003cp\u003eTear Sheets from Cong. Record\u003c/p\u003e","\u003cp\u003eDistrict 1 (Earlier years included)\u003c/p\u003e","\u003cp\u003eDistricts 2-5 (Dist. 2 folder found empty) (Earlier years included)\u003c/p\u003e","\u003cp\u003eDistrict 6 Folder 1 (except Salem) (Earlier years included)\u003c/p\u003e","\u003cp\u003eDistrict 6 Folder 2 (Salem only) (Earlier years included)\u003c/p\u003e","\u003cp\u003eDistrict 6 Folder 3 (Salem Only) (Earlier years included)\u003c/p\u003e","\u003cp\u003eDistricts 7-8 (Earlier years included)\u003c/p\u003e","\u003cp\u003eDistricts 9-10 (earlier years included)\u003c/p\u003e","\u003cp\u003eTear Sheets from Cong. Record\u003c/p\u003e","\u003cp\u003e(Keiter file starts in 1948)\u003c/p\u003e","\u003cp\u003eCadet Russell M. Turner -- 1959-1963\u003c/p\u003e","\u003cp\u003eJas. L. Graham -- 1960-1964 Douglas C. Meador -- 1960-1964\u003c/p\u003e","\u003cp\u003eJames Lee Vick -- 1961-1965\u003c/p\u003e","\u003cp\u003eJames Henry Parsons -- 1962-1966\u003c/p\u003e","\u003cp\u003eJames R. Kreer -- 1963-1967 Donald R. Moore, Jr. -- 1963-1967 John C. Gonda. III -- 1964-1968 Kenneth G. brothers -- 1965-1969 Gillespie, Ritchie P. -- 1966-1970\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eMerchant Marine Academy Nominations 1960-Barba, William Leleand-Chivvis, J. C. Jr.-McEliece, Robert Devereax\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eNomainations -- 1961-1965: Soresi, Carl D.-1961, MacQuarrie, Warren L.-1962, Waughan, Jr. \u0026amp; Joe French-1962, Nue, Robert D. Jr.-1963, Williams, Garland Leigh-1963 Parker, Terrence L.-1964, Folan, Terence B.-1965, Van Hoy, John W. III-1965, Wozniak, James J.-1965\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1959 Appointees-Charles Frederick Helsper, Wesley Earl Jordan, Jr.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1960 Appointees-John W. Garber, Jr., Thomas M. Johnston, Robert L. Powers\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1963 Appointees-Charles Herndon Jeffries, II, Robert Edward O'Hare, William A. Robey\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1964 Appointees-Richard Downey Evert, Robert Scott Owendoff, William Winterton Owens, IV, James Julien Southerland\u003c/p\u003e","\u003cp\u003eNaval Academy Courses -- 1968\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eAppointees-Charles H. Kinsey, Jr.-1959, Peter Wayne Martone\u003c/p\u003e","\u003cp\u003e1961 Appointees- Kenneth Dixon McArthur, John Van Landingham Robertson\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eJohn Ralph Hayes, Jr.-1962, David Kennedy Hewett-1963, David E. Matheney, Jr.-1963, Glen Martin Hewitt-1964, David C. Eberhard, Jr.-1965\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eRobert Ernest Brunelli-1966, James Judson Lovelace, Jr.-1966, Robert Townsend Richardson-1966\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eFolders 7-10 Obituaries-Doctors, Bankers, Lawyers, Ministers Folers 11-32 Addressee copies -- Abbott-Hubbard\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003eFolders 1-27 Addressee -- Hudgins-Zirkle\u003c/p\u003e","\u003cp\u003e1st Session. Votes 1-110.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-Transportation\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Agriculture-Transportation\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Agriculture-Transportation\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Agriculture-Transportation\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-Veterans\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-Veterans\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-Veterans\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Adjournment-Veterans\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Adjournment-Veterans\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-Veterans\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-Veterans\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-Veterans\u003c/p\u003e","\u003cp\u003e2nd Session. Votes 1-227\u003c/p\u003e","\u003cp\u003e2nd Session. Votes 1-227\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Agriculture-War Claims\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Agriculture-War Claims\u003c/p\u003e","\u003cp\u003e1st Session. Votes 1-229.\u003c/p\u003e","\u003cp\u003e1st Session. Votes 1-229.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-War Risk Insurance.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e1st Session. Agriculture-War Risk Insurance.\u003c/p\u003e","\u003cp\u003e2nd Session. Votes 1-312.\u003c/p\u003e","\u003cp\u003e2nd Session. Votes 1-312.\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Admission Tax-Youth Programs\u003c/p\u003e","\u003cp\u003eScope and Contents\u003c/p\u003e","\u003cp\u003e2nd Session. Admission Tax-Youth Programs\u003c/p\u003e","\u003cp\u003e1st Session. Votes 1-259.\u003c/p\u003e","\u003cp\u003e1st Session. Votes 1-259.\u003c/p\u003e","\u003cp\u003e1st Session. Votes 1-259.\u003c/p\u003e","\u003cp\u003e1st Session. Votes 1-259.\u003c/p\u003e","\u003cp\u003e2nd Session. Votes 1-238.\u003c/p\u003e","\u003cp\u003e2nd Session. Votes 1-238.\u003c/p\u003e","\u003cp\u003eMiscellaneous.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is housed off-site. At least 72 hours advanced notice is required for retrieval.","Papers, 1921-1967, of A. Willis Robertson, U. S. Congressman and Senator from Virginia. Chiefly his senatorial office files, 1946-1966. Robertson was a conservative Democrat, serving at the same time as Harry F. Byrd, Sr.","Subjects in the collection include national defense, agriculture, taxation, banking, government employees, the Moral Rearmament movement,anti-Communism, Vietnam, segregation, wildlife conservation, national parks, the humane slaughter of animals and the humane treatment of research animals. The papers were kept in the same order as they were in Robertson's office files. The legislative files consist of correspondence arranged by Congressional session. The miscellaneous subject files are arranged by year as are the invitations. The addressee copies which are Robertson's copies of letters sent to correspondents are indexed to the legislative files. They are arranged alphabetically by groups of years. The speech material is arranged by subject and contains background information on cities, counties and individuals within the commonwealth. The speech files are in chronological order. There are news releases in both the news release files and in the speech files.","A People magazine article about Pat Robertson, son of A. Willis Robertson, and a lawsuit over Pat Robertson's war record, dated March 14, 1988 is filed at the beginning of box 1.","Scope and Contents","Includes Democratic Committees-County, City-10th District","Scope and Contents","The papers in this Folder were in an envelope filed next to \"J\" in the 1963 files and bearing the words \"Put in File-Grace Johnson.\" There seems to be no connection.","Scope and Contents","Note: Letter of September 9, 1939 from Secretary of Agriculture has a signiture cut out-probably Henry A. Wallace","Requests Congressional Quarterly","--Not Requested","August 12-14","April 24, 1950","This box needs the folder listing. It contains Drawer 171, Folders 1-20.","This series is available only on microfilm.","F","G","Scope and Contents","Ge-Gi","Scope and Contents","Gla-Glo","Scope and Contents","Goc-Goz","Gra","Scope and Contents","Gre-Gri","Scope and Contents","Gro-Gwy","Scope and Contents","Ha-Ham","Scope and Contents","Hancock-Harriman","Scope and Contents","Harris-Haz","Scope and Contents","Hea-Hez","Scope and Contents","Hib-Hiz","Scope and Contents","Hoa-Hol","Scope and Contents","Hom-Hoz","Scope and Contents","Hub-Huz","J","La","Scope and Contents","Le-Li","Scope and Contents","Ll-Lz","Scope and Contents","McA-McC","Scope and Contents","McD-McW","Scope and Contents","Macatee-Marsh","Marshall","Scope and Contents","Marston-Maxwell","Scope and Contents","May-Maz","Scope and Contents","Me-Millar","Millei","Scope and Contents","Milligan-Mitchell","Scope and Contents","Moa-Moo","Scope and Contents","Mor-Mz","Scope and Contents","Mu-Mz","Scope and Contents","Na-Nev","Scope and Contents","Na-Nev","Scope and Contents","Oa-Oz","Scope and Contents","Poa-Par","Scope and Contents","Pas-Paz","Scope and Contents","Pea-Pez","Scope and Contents","Pf-Porter","Scope and Contents","Porterfield-Pz","Scope and Contents","Qa-Qz","Scope and Contents","Raa-Raz","Scope and Contents","Rea-Rho","Scope and Contents","Ric-Rix","Scope and Contents","Roa-Rob","Scope and Contents","Roc-Roz","Scope and Contents","Ru-Rz","Scope and Contents","Sa-Saz","Scope and Contents","Sc-Sez","Scope and Contents","Sha-Shz","Scope and Contents","Si-Sl","Scope and Contents","Sma-Smz","Sn -So","Scope and Contents","Sp-Sq","Sta","Scope and Contents","Ste-Sti","Scope and Contents","Sto-Stu","Su","Scope and Contents","Sw-Sy","Scope and Contents","Ta-Te","Scope and Contents","Tha-Tiz","Scope and Contents","To-Tr","Scope and Contents","Tu-Tz","Scope and Contents","U-V","Scope and Contents","Wa-Wal","Scope and Contents","Wam-Waz","Scope and Contents","Wea-Wez","Scope and Contents","Wha-Wig","Scope and Contents","Wilburn-Williamson","Scope and Contents","Willingham-Wiltshire","Scope and Contents","Wine-Witt","Scope and Contents","Wolcott-Wysar","Scope and Contents","Y-Z","Scope and Contents","Miscellaneous-Non-Personal","Scope and Contents","Aa-Ada-Adz","Scope and Contents","Af-All-Alle","Scope and Contents","Alli-Aro-As","Scope and Contents","At-Baa-Bak","Scope and Contents","Bai-Bal","Scope and Contents","Bam-Barnard-Barrett","Scope and Contents","Barrick-Batson-Batts","Scope and Contents","Bau-Bea","Scope and Contents","Beb-Bell-Bellwood-Belvin","Scope and Contents","Bemiss-Berr-Bez","Scope and Contents","Bia-Blackly-Blackwell","Scope and Contents","Bladen-Bleakley-Blythe","Scope and Contents","Boa-Bom-Boos","Scope and Contents","Boot-Bow-Bowles","Scope and Contents","Bowlin-Brau-Bram","Scope and Contents","Bran-Bre","Scope and Contents","Briant-Brim-Briz","Scope and Contents","Broa-Broome-Brown (A through G)","Scope and Contents","Brown, H.-Brownell-Broz-Bryant","Scope and Contents","Bub-Burb-Burg","Scope and Contents","Burk-Burrough-Burrus","Scope and Contents","Burthass-Bulton-Byrd, Grant","Scope and Contents","Byrd, Harry F.-Byrd, James-Byrnes","Scope and Contents","Cab-Camb-Camp","Scope and Contents","Cambell-Cara-Carl","Scope and Contents","Carm-Carter","Scope and Contents","Cartmer-Ce-Chan","Scope and Contents","Chap-Chic-Chou","Scope and Contents","Chr-Clarke-Clay","Scope and Contents","Clea-Coa-Coch","Scope and Contents","Cocke-Coa-Coch","Scope and Contents","Col-Coller-Collger","Scope and Contents","Colm-Conner-Conway","Scope and Contents","Cook-Cool-Cop","Scope and Contents","Cor-Cov-Cow","Scope and Contents","Cox-Crabhill-Crayton","Scope and Contents","Crea-Cro","Scope and Contents","Cruett-Dabney-Daly","Scope and Contents","Dambach-Daub-Davidman","Scope and Contents","Davidson-Davis-Davison","Scope and Contents","Dawes-Def-Del","Scope and Contents","Dem-Dia-Die","Scope and Contents","Dig-Doa-Dol","Scope and Contents","Dom-Doy","Scope and Contents","Dov-Dra-Dry","Scope and Contents","Dub-Dun","Eason- Eff- Err","Elam- Ema- Eng","Enman- Faber- Farley","Farmer- Fearing- Fenwick","Fer- Fin- Fir","Fis- Fla","Fle- Fob- Foo","Foran- Fou- Foy","Frad- Frear- Frey","Fri- Fun- Fyo","Gab- Garb- Garn","Garr- Gen- Gey","Ghe- Gilliam- Gilmore","Gilpin- Goad- Goin","Golay- Goodman- Goolrick","Gordon- Gore- Gowl","Grab- Grau","Gray, Aileen- Gray, William","Graybial- Lyons","Marshall- Moore","Noland- Roberts","Sel- Shag- Shaz","Sa- Scribener- Seitz","Shea- Shi","Shn- Sin- Siz","Ska- Smith, B.- Smith, G.","Smith, H.- Smith, L.- Smith, S.","Smith, T.- Sno- Som","Son- Spi","Splawn- Stan- Stap","Sta- Stei- Sten (Includes: John Stennis)","Stephan- Steward- Stipes","Stir- Stos- Stou","Strad- Stre- Stru","Stuart- Sub- Sul","Sum- Suri- Swis","Switzer- Swo- Sz","Tab- Taylor, A.- Taylor, K.","Taylor, L.- Thacker- Thoma","Thomas- Thomason- Thompson, H.L.","Thompson, H.M.- Ti","Tob- Tro- Tru- Ts","Tubbs- Tudor- Turner","Turnes- Vac- Van","Var- Via- Vivian","Vochis- Wahl- Walke","Walker- Waln- Walz","Wamb- Wartham- Wassum","Water- Watt- Way","Wea- Wed- Wei","Wel- Wha- Whe","Whic- Whited- Whitehurst","Whiteman- Wic- Wig","Wila- William- Williams, A through D","Williams, E.G-- Williams, P through Z","Williamson- Willis- Wilmer- Wilson","Wilson, H.- Wir- Wis","Wit- Wood","Woodall- Woodside- Woody","Wool- Wright","Wul- Young, A.- Young, G.","Young, H.- Zin- Zwy","1952- Miscellaneous","1953- Miscellaneous","1954- Miscellaneous","Aan- Adcock- Aldrich","Aleshire- Alley- Aly","Ambler- Angel- Armstrong","Scope and Contents","Arnall-Baals-Baird","Scope and Contents","Baker-Barker-Baron","Scope and Contents","Barr-Bau-Baz","Scope and Contents","Beach-Bem-Ben","Scope and Contents","Ber-Big-Bix","Scope and Contents","Bla-Boh-Boo","Scope and Contents","Bor-Box-Boz","Scope and Contents","Bra-Bri","Scope and Contents","Broaddus-Brown","Scope and Contents","Browne-Bura-Burl","Scope and Contents","Burm-Byrd, Harry F.-Byron","Scope and Contents","Cab-Cara-Carn","Scope and Contents","Caro-Cart-Cern","Scope and Contents","Chad-Chi-Chu","Scope and Contents","Cie-Coa-Cof","Scope and Contents","Cog-Conant-Conway","Scope and Contents","Cook-Cote-Cowperthwaite","Scope and Contents","Cox-Creasy-Critzer","Scope and Contents","Cro-Daane-Dabney","Scope and Contents","Dade-Dashiell-Davis, G.","Scope and Contents","Davis, H.-Dem-Dey","Scope and Contents","Dia-Dob-Doo","Scope and Contents","Dor-Duer-Dunlap","Scope and Contents","Dunn-Eades-Edith","Scope and Contents","Edm-Egan-Ellison","Scope and Contents","Ellmore-Evelyn-Exley","Scope and Contents","Faber-Fer-Fil","Scope and Contents","Fin-Fockler-Foster","Scope and Contents","Fou-Fudge-Fyock","Scope and Contents","Gaba-Gear-George, T.","Scope and Contents","George, W. Brooks-Gillette-Givens","Scope and Contents","Gla-Gor -Gou","Scope and Contents","Graal-Green-Grey","Scope and Contents","Gri-Gurber-Gwyn","Scope and Contents","Haag-Ham-Hamrick","Scope and Contents","Hanbury-Hardvay-Harness","Scope and Contents","Harold-Harris, H.","Scope and Contents","Harrison-Hay-Haz","Scope and Contents","Hea-Hering-Heywood","Scope and Contents","Hibb-Hock-Hoke","Scope and Contents","Holb-Honaman-Horne","Scope and Contents","Horner-Hie-Hue","Scope and Contents","Hum-The-Izz","Scope and Contents","Jar-Jernigan-Johnson","Scope and Contents","Johnson-Johnston-Jones, G.","Scope and Contents","Jones, H.-Kablle-Keithly","Scope and Contents","Kell-Kess-Kilp","Scope and Contents","Kimball-Kite-Knox","Scope and Contents","Koch-Lanahan-Lantzy","Scope and Contents","Lapp-Lea-Lerner","Scope and Contents","Les-Liang-Livy","Scope and Contents","Lloyd-Louden-Lozier","Scope and Contents","Lub-McAdams-McClure","Scope and Contents","McComb-Mcg-McL","Scope and Contents","McM-Mac-Mam","Scope and Contents","Man-Mar","Scope and Contents","Mas-Mea-Mez","Scope and Contents","Michael-Millican-Mistr","Scope and Contents","Mit-Moore-Moose","Scope and Contents","Mora-Mosby-Mumma","Scope and Contents","Munday-Nabors-Nelson","Scope and Contents","Nem-Nim-Nyr (Includes: Richard Nixon)","Scope and Contents","O\"brien-Opie [sic]","Scope and Contents","Orange-Pab-Pan","Scope and Contents","Par-Pas-Pay","Scope and Contents","Peach-Perr-Pezz","Scope and Contents","Pfeiffer-Pitt-Pop","Scope and Contents","Por-Pransky-Pryer","Scope and Contents","Puck-Rabb-Ranson","Scope and Contents","Rap-Rem-Rib","Scope and Contents","Rice-Rizely","Scope and Contents","Roach-Roberts-Robertson, Willis Mr. And Mrs. Junior (Tad)","Scope and Contents","A. W. Robertson relatives-Frank W. Harold G. Pat (Marion G.)","Scope and Contents","Robertson-Misc. A-Z Robeson-Robson","Scope and Contents","Roc-Ros","Scope and Contents","Rot-Ryl","Scope and Contents","Sab-Sca-Scu","Scope and Contents","Sea-Shac-Shep","Scope and Contents","Shen-Sib-Siz","Scope and Contents","Ska-Smiley-Smith, K","Scope and Contents","Snyder-Soc-Spl","Scope and Contents","Spo-Stearns-Stennis","Scope and Contents","Stephan-Stock-Stoy","Scope and Contents","Strachan-Stump-Sutton","Scope and Contents","Swa-Tab","Scope and Contents","Taylor-Teagle-Thompkins","Scope and Contents","Thompson-Tib-Tow","Scope and Contents","Tracer-Tuo-Tyus","Scope and Contents","Uhler-Vaughn-Voorhis","Scope and Contents","Waddell-Walker-Wardeau","Scope and Contents","Ware-Weade-Weitzer","Scope and Contents","Welch-Whalen-Whitaker","Scope and Contents","White-Wick-William","Scope and Contents","Williams-Williamson-Wilson","Scope and Contents","Wilton-Wood-Wozniak","Scope and Contents","Wkanek-Yowell-Zwick","Scope and Contents","1955-Miscellaneous","Scope and Contents","1956-Miscellaneous","Scope and Contents","1957-Miscellaneous","1958-1959 Miscellaneous","Scope and Contents","1960-Miscellaneous","Scope and Contents","1961-Miscellaneous","Scope and Contents","1962-Miscellaneous","Scope and Contents","1963-Miscellaneous","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","Addressee Copies","(Folders 18-46: General Topics- Advertising- Anti-Trust)","1965- Annual Report","See also Speech Material Virginia, \"Indians in Virginia\"","[Folder 1-79: General Topics- App.-- Cities and Towns (Boydton, Va.)]","(Background Material)","(Background Material)","(Background Material)","(Background Information Regarding)","(Background Material)","[Folders 1-75: General Topics- Cities and Towns (Roanoke)-- Conservation]","(Military Installation)","(Articles in the Richmond Newsletter)","Johnston, Felton M. (Skecter) 1964-1965; Johnston, Senator Olin D. (S.C.) 1962-1965; Jones, Judge Marvin 1957-1960","Jones, Roger Warren, Civil Service 1959; Jordan, Senator Len-- Idaho 1963; Judd, Walter-- Representative Minnesota 1966; Katzenbach, Nicholas de Belleville 1965; Kefauver, Senator Ester and Wife 1963-1965","Keller, Helen 1960; Kelly, Mrs. Virginia 1961-1964; Kelly, Wm. F (ABA) 1962-1965; kennedy, Senator. Edw. M. 1964-1965","Kennedy, Robert F. 1963-1965; Kerr, Senator Robert S. 1962-1964; Key, Francis Scott 1964; Kilburn, Clarence E. 1962-1964","Kistiakowsky, Dr. Geo. B. 1959; Knight, Frances G. (Passports) 1958-1966; Knowland, Wm. F. 1959-1963; Korth, Fred-- Secretary of Navy 1963; Kuchel, Senator Thomas, California 1965","Lasker, Mrs. Albert D. (Mary) New York 1960-1965; Latrobe, Benjamin H.-- Architect 1964; Lattimore, Professor Owen, Balitmore 1964; Lawrence, Hon. and Mrs. David L., Pgh. 1960; Layton, Police Chief John B., D.C. 1965","Lazarus, Emma 1964; Lejeune, Lt. General John A. 1964; LeMay, General Curtis E. 1961-1965; Lemnitzer, General Lyman L. 1959-1962","Lennartson, Hon. Nils A. 1965; Lewis, John L. (Coal) 1959-1965","Long, Senator Oren E. 1964; Long, Senator Russell B., Louisiana 1965-1966; Lovelace, Dr. W. Randolph, N.M. 1959-1965; Lowe, Otto, Sr. 1964; Lusk, Hall 1960","McCarthy, Senator Eugene J. 1964; McCarthy, Senator Joseph R. 1954; McClellan, Senator John Little 1963-1966; McCloy, John J. 1961-1964","McConnell, General John Paul 1964-1965; McDonald, David J. 1959; McGovern, Senator George (S.D.) 1963; McElroy, Hon. and Mrs. Neil H. 1957","McKinney, Frank E. 1966; McKneally, Martin B. (Am. Leg) 1960; McMurray, Jos. P 1961-1964; McNamara, Robert. S. (Defence Secretary) 1961-1966; McNeil, Warren A. \u0026 Family 1958-1965","Macy, John W., Jr. 1965; Mahan, John W. (V.F.W.) 1959; Mahon, Hon. and Mrs. George H., Texas 1964; Mahoney, Mrs. Florence Stephenson 1964","Maisel, Sherman J. (Federal Reserve) 1965; Mansfield, Senator Mike 1961-1965; Martin, Jr. Rep. Jos. W. 1942-1966; Martin, Wm. McChesney 1965-1966","Meloy, Thomas (President- Melpar, Inc.) 1960; Metcalf, Senator Lee (Montana) 1965; Miller, Wm. E. (M.C.- N.Y.) 1964; Mink, Hon. Patsy (M.C.- Hawai) 1965; Mitchell, Jas. Paul (Secretary Labor) 1960; Mondale, Senator Walter F. (Minn.) 1965; Moore, George S. 1964; Morgan, Gerald D. 1958; Morse, Senator Wayne 1962; Moyers, Bill D. (President News Secretary) 1966","Munford, Walter F. (President U.S. Steel) 1959; Mussolini, Benito 1964; Muto, Frank and Al (Photog. for Demos.) 1963; Nehru, Jawajarlal (India) 1963-1965; Neilan, E.P. (President U.S. Chamber of Commerce) 1963; Neuberger, Senator Maurine B. (Oregon) 1960-1965; Nimitz, Admiral Chester W. 1960-1966","Nixon, Richard M. and Family 1958-1966; Northern, Mary Moody (Texas) 1965; O'Brien, Lawrence F. 1965;","O'Leary, Jerry A and Family 1942-1964; O'Mahoney, Jos. C. 1960; Olmstead, Major General George H. 1964-1966; Oppenheimer, Dr. J. Robert 1959-1963; Oxnam, Bishop G. Bromley( Meth.) 1963","Paderewski, Ignace Jan 1960; Page, Dr. Thomas Nelson 1919; Parker, John J., Judge 1958-1964; Pastore, Senator John O., R.I. 1964; Pate, General Randolph McC., Marines 1958","Patton, General George, U.S. Army 1963; Pendergast, Tom 1965; Perkins, Frances, Secretary Labor 1965; Pershing, General John J. 1960-1965; Peterson, Mrs. Esther 1965; Pike, Bishop James A. 1958-1966;","Proxmire, Senator. and Mrs. William 1964-1966; Pulaski, Casimmir 1962-1965; Raborn, Vice-Adm. Wm. F. 1965; Raphael 1961","Reagan, Ronald 1965-1966; Reichelderfer, Dr. F.W. 1963; Reid, Ogden R. 1959; Resor, Stanley R. (Secretary Army) 1965; Rhodes, John D. 1963; Rickenbacker, Captian Edward V. 1963","Rickover, Vice Adm. Hyman G. 1959-1965; Redel, Richard L. 1965; Ripley, Dr. Sidney D (Smithsonian) 1964-1965","Rockefeller, Nelson 1958-1964; Rodes, Judge, John B. (Ky.) 1965; Rogers, Att'y General WM. P. 1957-1959; Romney, George W. (Mich.) 1963-1964","Russell, Donald S. of S.C. 1965; Russell, Senator Richard 1959-1966; Salinger, Pierre 1964-1966","Salk, Dr. Jones E. 1958-1959; Saltonstall, Senator Leverett, Mass. 1965-1966","Schrotel, Chief Stanley R. 1963; Schultze, Charles L.-- Budget Director 1965; Scott, Senator Wm, Kerr 1958","Seamans, Dr. Robert. C., Jr.-- NASA 1965; Sharp, Dudley C.-- Secretary Air Force 1959; Shoemaker, Dr. Samuel-- Pgh. 1960-1964; Shott, Hugh Ike 1952-1964","Smathers, Senator and Mrs. George A. 1961-1966; Smith, H. Alexander, Senator 1957-1962; Smith, Senator Margaret Chase 1960-1965; Smythe, Hon. Robert A 1962-1963; Socrates (and Athens) 1963; Sparkman, Senator John J. 1964-1966","Spence, Hon. Brent-- Kentucky 1962; Sporn, Philip-- AM. El. Power 1965; Stans, Maurice H.-- Budget Director 1960; Stassen, harold E. 1964; Stennis, Senator John 1963-1965; Stevenson, Adlai 1960-1965","Stewart, Dr. Wm. H.-- Surgeon General 1965; Strauss, Hon. Lewis L. 1955-1966","Stringfellow, George E. Potentate 1958-1963; Sullivan, Anne-- Teacher Helen Keller 1966; Swartz, Bill, Ed and Jerry 1959; Symington, Stuart 1958-1966","Taft, Hon. Robert A. 1959-1965; Talmadge, Senator Herman 1962-1966; Taylor, General Maxwell D. 1961-1966","Teller, Dr. Edward 1959-1966; Terry, Dr. Luther L. 1963; Thomson, J. Cameron 1965; Thurmond, Senator strom of S.C. 1966; Tower, Hon. John G.-- Texas 1961; Tracewell, Chas. E.-- Washington Star 1961","Trice, Mark 1965; Truman, Harry S. 1951-1965; Twain, Mark-- S. Clemens 1959-1966; Twining, General Nathan F. 1959-1966","Tytler, Alexander Fraser 1964; Valeo, Francis R.-- Secretary to Senate Majority 1963-1965; Vereide, Abraham 1961-1965; Vinson, Carl-- Georgia Representative 1962-1964; Vinson, Fred 1966; Wallace, George C.-- Alabama 1963; Wallace, Henry A. 1965","Walters, Senator Herbert S.-- Tenn. 1963; Watkins, Charles L. 1965-1966; Weaver, Dr. Robert C.-- H.U.D. 1966; Wheeler, General Earle O.-- Joint Chiefs 1964; White Byron R. 1962","Wilson, Jr., Lt. General Walter K. 1964; Wirth, Conrad L.-- Park Service 1963-1964; Woods, George D.-- International Bank 1962; Wirtz, W. Willard-- 1962-1963","Wright, M.A.-- President U.S. C. of California 1966; yarborough, Senator and Mrs. Ralph 1965; Zuckert, Hon. Eugene-- Secretary of the Air Force 1965","Abbot, Earl L., Judge 1957; Adams, Dr. Theodore F. 1955-1965; Alexander, Dr. (Rev.) Archibald 1956; Alfriend, John S. 1953-1966; Allen, George E. 1965","Andrews, M. Carl-- Roanoke 1958-1966; Andrews, T. Coleman 1953-1957; Arnold, Remmie L. 1953-1969; Arthur, J. Pickney and Ruth B. 1966; Arundel, Arthur W. 1964-1966","Atkins, Presky Thornton 1965; Austin, Stephen Fuller 1955-1964; Bubb, Glenn 1957-1964; Bacon, Nathaniel 1957-1959; Bailey, The Jacob E. Family 1965; Ball, Frank and Family-- Arlington 1965-1966; Barksdale, Alrfred D. 1957","Bausermann, Homer-- Arlington 1959; Baylor, James Bowen 1953; Belk, Dr. J. Blanton 1958; Bemiss, Samuel M.,-- Richmond 1955-1966; Berberich, John I., III 1966","Beverley, Marshall 1959; Bird, Ben L. 1965; Bishop, Dr. Curtis 1966; Boatwright, Frederick William 1945; Boatwright, Mrs. Roy G. 1957-1966; Boothe, Armistead L. 1959-1966","Boushalls, Thomas C. 1957-1966; Bowles, George A. 1954; Bowman, Dr. Warren D. 1964; Beckinridge Family of Virginia 1964-1965; Broaddus, W. R., Jr. ?; Brooke, Col. John Mercer 1961-1962","Brown, J. Sinclair 1956; Brown, Dr. William Mosely 1966; Broyhill, Joel T. 1964-1966; Broyhill, M.T. and Family 1959-1965","Bruce, David K.E. 1949-1964; Bryan, John Stewart amd Bryan, D. Tennant 1944-1966; Bucholz, Mrs. Leone 1957; Burgess, Carter L. 1957-1966; Button, Robert Y.-- Attorney General of Virginia 1962-1965","Cabell, James Branch-- Virginia novelist 1950-1964; Campbell, Miss Dorcas D.-- Miss Virginia 1962-1964; Campbell, Stuart B.-- Wytheville 1957; Campbell, Volney-- Abingdon 1959; Camps, The, of Franklin, Virginia 1958-1966; Carper, G. Wallace 1957-1966; Carter, Hon. C.S. (Sam) 1959; Carter, Robert King 1953;","Carter, Stuart B.-- Fincastle 1964-1965; Carters, Walter H.-- Amherst, Virginia 1965; Caruthers, Dr. William A.-- novelist 1955; Cary, Archibald 1951; Caskie, James R.-- Lynchburg 1932; Caskie, Maxwell 1965; Caudhill, Dr. W.C.-- Pearisbury 1959-1964; Chandler, Dr. Alvin Duke-- President of William and Mary 1959-1962","Chandler, Dr. J.A.C 1960; Chichester, Dr. Peyton Moncure 1957; Chorley, Kenneth 1958; Chumney, Richard D.-- Commissioner of Agriculture 1962-1968; Cochran, hon. and Mrs. George M.- Staunton 1965-1966; Cocke, C. Francis 1951-1965; Cole, Dr. Fred C. 1959-1966","Collins, Hale-- Covington 1962-1965; Collins, Lewis Preston 1950-1952; Combs, E.R. 1954-1957; Counts Family 1953-1964","Cox, General Edwin \"Pete\" 1965; Coxe, Whitewell W.-- Roanoke 1963; Crawford, William Harris-- Virginia and Georgia 1959; Crozet, Claudius 1951; Crush, judge Charles W.-- Christiansburg 1964; Crutchfield, Sam, Jr. 1965; Cussons, Captian John 1955","Dabney, Virginius 1951-1957; Dalton, Ted and Family 1953-1965; Daniel, W.C. (\"Dan\") 1957-1964; Darden, Hon. Colgate 1947-1966","Davis, Francis Atwell 1957-1958; Davis, Dr. Hiram Witson 1957; Day, Sidney C., Jr. 1955; Dean, George Wilson-- Charlottesville 1965-1966; Deschler, Lewis-- House Parlimentarian 1963; Devin, J. Acree-- Wylliesburg 1964; Diehl, Dr. George W.-- Lexington 1962-1964; Dillard, benton O.-- Roanoke 1966","Dillon, Jesse W. 1955-1957; Dodson, E. Griffith 1954-1961; Dos Passos, John 1963-1965; Dowdey, Clifford S. 1950-1959; Downing, Col. Tom-- Lancaster; Downing, Thomas N.-- Member of Congress 1954-1966; Dudley, William M., Jr. 1966; Danton, Ammon G.-- White Stone 1964","Dysche, Harry D.-- Luray, Virginia 1964; Early, General Jubal 1963; Easley, James Stone-- Halifax 1957;Edmunds, Paul c., Sr.-- South Boston 1962; Edwards, Richard T., Judge 1964-1965; Eggleston, Justice John W. 1951-1959; Elmore, Ralph-- Richmond 1965-1966; Ernst, Frank A. 1955-1960","Faulklner, Wert 1958-1960; Fenwick, Charles R. 1953-1966; Field, James Gaven1904; Fields, Louis G., Jr. 1966; Fishburn, Junius Blair 1951-1956; Fishburn, Junius P. 1954-1966; Fisher, B.L.-- Martinsville 1954-1966; Fishwick, John P.-- Norfolk and Western 1958-1966","Fishwick, Dr. Marshall-- Livingston 1963-1964; Fitzpatrick, Earl A.-- Roanoke 1959-1965; Flannagan, John W. 1958-1959; Flood, Cong. Hal 1966; Flyod, John-- Governor of Virginia 1964; Flythe, S.S. 1965; Foster, William B., Jr. 1958-1966","Francisco, Peter 1963; Freeman, Dr. Douglas S. 1958; Freeman, General Paul L. 1950-1965; Fugate, Douglas B. 1964-1965; Fugate, Tom-- former Member of Congress 1958-1966; Fuller, Frank 1965; Funk, M.C. 1952; Gaines, Dr. Francis P. 1955-1965","Gammon, Dr. Edgar G. 1955; Gary, Hon. J. Vaughan 1962-1964; George, W. Brooks 1962-1963; German, Dr. Mentor P. 1962; Giammittoria, Judge George M. 1964; Gifford, Richard P.-- Lynchburg 1964; Gilliam, Dean Frank J.,-- Lexington 1963; Gillis, Richard S., Jr.-- State Chamber of Commerce 1964","Glass, Edward C. (Ned) 1957; Glass, Robert Camillus 1958; Glass, Miss (Dr.) Meta 1957; Godwin, Mills E. 1962-1966","Goodpastures, The 1965; Goolrick, C. O'Conner 1960; Gravely, Harry C.-- Ridgeway 1965; Gray, Frederick T.-- Attorney General 1961; Greenup, Christopher-- Governor of Kentucky (Virginia Born) 1960; Grizzard, Dr. R. Stuart 1965; Guest, Raymond R. 1962-1965","Gunn, Charles W., Jr. 1963-1964; Guy, Dr. William G. 1958; Hagan, John C., Jr. 1957; Hahn, Dr. Thomas Marshall-- President of V.P.I. 1961-1966","The Hanger Family of Virginia 1963; Hardy, Representative Porter, Jr. 1965-1966; The Harmans-- South--west Virginia 1965; Harris, Howard H.-- Virginia Highway Commission 1960-1964; Harrison, Albertis 1957-1966","Harrison, Burr P. 1946-1964; Harrison, William Henry 1959; Hedges, Dr. H. Shipman 1957-1961; Heller, George E.-- American Legion 1958; Henn, Mrs. Hannah 1961-1964; Henry, Patrick 1958-1966; Hester, Clinton M. 1960; Hickman, Milton T.-- Commissioner of Fisheries 1958","Hildreth, W.S. 1963-1964; Hill, General A.P. 1958; Hill, J. Eldred, Jr. 1959; Hirst, Julian F. 1957-1965; Holady, William M.-- Office of the Secretary of Defense 1959; Holden, Donald A.-- Newport News 1966; Holstein, Paul A. (Jerry) 1963-1964; Holton, A. Linwood, Jr. and Family-- Roanoke 1965-1966","Hooker, H. Lester 1953-1964; Hoover, Lawrence H. 1958-1965; Hope, James Barron-- Poet 1957; Hopkins, Dr. Robert S.-- Radford 1963; Hopkins, William B.-- Roanoke 1964; Houston, Sam 1955-1965; Howell, D.J. 1949-1957","Hudgins, Chief Justice Edward W. 1956-1964; Humelsine, Carlisle H. 1958-1966; Hunt, Robert-- First Chaplain, Jamestown 1963; Hutcheson, Dr. J. Morrison-- Richmond 1962; Hutcheson, Sterlijng-- Judge 1959-1964; Hutchinson, martin-- Giles Co. 1962","I'Anson, Judge Lawrence W. -- Virginia Supreme Court of Appeals, 1958; Ingalls, Fay 1956-1964; Ingram, John Littlepage 1954; Jackson, Lieutenant General Thomas Jonathan \"Stonewall\" 1955-1966","Scope and Contents","James, L. Eldon -- American Legion 1954-1966; Janney, John -- Loudon, County 1961; Jasper, John -- Negro Preacher, Richmond-\"De Sun Do Move\" 1966","Jennings, W. Pat 1958-1966; Jewel, Dr. William 1961; Johns, Jay 1962-1966; Johnston, Clem. D. -- Roanoke 1954-1962; Johnston, General Joseph E. 1957; Johnston, Zachariah 1958; Jordan, Donald L. -- N.A.M. 1965-1966; Jordan, Judge William Southall 1957; Joyner, C.F. 1951","Kellam, Richard B. 1960; Kellam, Sidney 1950-1966; Kelleher, Kenneth S. -- Alexandria 1965; Kelley, Norman W. 1951-1959; Kemp, Verbon E. 1960-1964; Kilbourne, James J. 1959-1966; Knowles, E. Lewis 1964-1965","Kraft, Christopher Columbus -- NASA 1965; Lacy, Dr. Ben R., Jr. 1955; Lamb, Chester H. 1957; Lambeth, Bolling and Family 1962; Lane, E.H., Sr. and Family 1957-1966; Lawrence, David 1952-1963; Lawrence, Frank D. -- Portsmouth 1964-1966","Leland, Rev. John, Date unknown; Lennon, Thomas J. -- Hot Springs 1965; The Letchers -- Lexington 1959-1965; Lewis, General Andrew 1956-1966; Lewis, Colonel Fielding -- \"Kenmore\" 1965; Lewis, J.M.B., Jr. 1965; Lewis, Meriwether 1964-1966","The Ligon Family 1939-1965; Locker, Baldwin G. 1959-1960; Long, M.M. and M.M., Jr. -- St. Paul 1958; Lowance, Carter Olin-- Richmond 1958-1966; Lowry, Philip Wager -- McLean 1965; McCausland, Brig. General John 1964; McCormick, Cyrus 1953-1964; McCue, Edward O., III 1966","McDowell, Dr. Ephriam 1959-1962; The McFarland Family -- Augusta Company 1957; McGuffey, Rev. William Holmes 1962; McKee, General William G. 1963-1966; McMurran, Lewis A., Jr. 1958-1968; McNeil, Robert B. 1957-1965; McRee, Fergus 1962; McWane, Fred W. -- Lynchburg 1959; McWane, Henry E. 1957","Madden, Carl H. 1963; Madison, James 1951-1965","Mahone, General William (Billy) 1957-1966; Maines, G.W. 1965; Mann, Harrison -- Arlington County 1957-1965; Marsh, John O., Jr. 1962-1965; Marsh, Robert T., Jr. -- Richmond, 1962-1966","Massenburg, G. Alvin 1951; Mathews, James T. 1966; Maury, Matthew Fontaine 1959-1966","May, James Harrison -- Staunton 1963-1964; May, Samuel D. -- Commissioner of Highways 1958-1960; Mays, David J. -- Richmond, 1958-1959; Meek, Joseph Henry 1955-1960; Miles, Dean C.P. 1965-1966; Miles, Waldo G. -- Bristol 1964-1965; Miller. Colonel Francis Pickens and brother, Reverend William M. Miller 1961-1965","Miller, Giles H., Jr. -- Culpeper 1958; Miller, J. Maurice 1966; Milton, Major General William H., Jr. 1959-1964; Mitchell, Dr. Samuel C. -- University of Richmond 1948; Moffatte; Dr. J.S. and Family 1956-1965; Mohler, J. Rupert 1966","Andrew Jakson Montague, 1960; Moomaw, Ben C. Jr. -- Covington 1964; Moore, E. Blackburn 1954; Moore, T. Justin 1953; Moreland, Dr. J. Earl -- R.M. Colonol 1959; Morrison, R. Bruce 1963-1966; Morrissett, Charlisle Havelock 1963-1965","Mosby, John Singleton -- CSA, 1955-1963; Muse, Leonard G. -- Roanoke 1960-1965; Muse, Dr. William T. -- University of Richmond 1961; Myers, Charles F., Jr. 1963; Myers, Dr. E.D. 1963-1964; Myers, F. Weaver -- McLean, Virginia","Nelson, Burgess E. 1962; Newman, Dr. Walter S. -- President of V.P.I. 1959-1964; Newton, Blake T., Jr. and Sr. 1954-1961; Nichols, Harry O. 1964; Noland, Thomas B. 1965; Norris, Senator Robert O., Jr. 1955-1960; Oberly, Dr. H. Sherman -- Roanoke 1957-1963; Olsson, Sture G. -- West Point, 1963","Opie, General E. Walton 1951-1966; Owens, Arthur S. 1965-1966; Palmer, James E., Sr. and Jr. 1958-1965; Paschall, Dr. Davis Y. 1957-1965; Paul, Judge John 1956-1964; Paxtons -- Rockbridge Company, 1960-1965; Pender, David 1953; Pendleton, Edmund 1962; Pendleton, E.B., Jr. 1960-1961; Penick, D. Allen and Family, 1966","Perrow, Mosby Garland, Jr. 1959; Peters, the Reverand J. Sidney Family 1965; Pevler, Herman S. -- President Norfolk and Western 1963-1966; Pick, Major General Lewis A. 1949-1956; Pickett, Major General George E. 1958; Pitts, Senator Benjamin Thomas -- Fredericksburg 1953; Pless, Glenn -- Galax 1957-1966; Pocahontas 1962-1964; Poe, Edgar Allen 1955-1965; Poff, Richard 1955-1966","Pollard, Fred G. 1965; Pollard, John Garland 1960; Powell, John 1963; Powell, Lewis F. Jr.. 1963-1966; Powers, Francis, Gary -- U2 Pilot 1962-1965; Puller, General Lewis B. \"Chesty\" 1953-1965; Putney, Lacey E. -- Bedford Quinn, I.T. 1958-1959; Randolph, Dr. Bessie 1950; Randolph, Edmund 1962","Reed, Dr. Walter 1961-1966; Reed, W.T., Jr. 1960; Regirer, Walter W. 1964; Reid, Judge Hugh 1963; Reid, Dr. Robert H. 1966; Reynolds, Richard S., Jr. and Family 1960-1966; Rice, W. Thomas 1957-1964; Rice, George Randolph -- Clerk of House 1962; Riddleburger, James W. 1962; Robert, Dr. James Clarke 1955-1960","Robertsons, The Relatives of Senator Robertson 1958-1965; Robertson, Donald -- School teacher 1963; Robertson, R.D. -- Staunton, Virginia 1964; Robertson, Honorary Walter S. 1958-1966; Robeson, Edward J., Jr. 1949-1966; Robeys, The -- Buena Vista 1963-1965; Robinson, Dr. Herbert W. -- C-E-I-R 1960-1965; Robinson, J. Kenneth -- Winchester, 1965-1966; Rogers, Frank W. -- Roanoke 1966; Rogers, John D. -- Lexington 1963","Rolfe, John 1964; Roller, Colonel and Mrs. Charles S., Jr. 1959-1961; Rouse, Mr. and Mrs. Parke S. 1958; Rowe, Maurice B. -- Commissioner of Agriculture 1966; Rubin, Louis D. and Son -- Richmond, 1963-1966; Rush, Orville F. -- Imperial Potentate, Shrine 1966; Said, Joe -- Lurray- Hero of World War I 1964; Sampson, Mrs. Emma Speed -- Author 1964; Sanders, Dr. Paul DeLeon -- Editor 1956-1966","Sangor, William T. -- Medical College of Virginia, 1956; Satterfield, David E. -- Richmond 1964-1966; Saunders, Stuart T. -- Norfolk and Western 1958-1966; Sease, Dr. C.I. 1956; Sebrell, Thomas E., III 1964","Shell, Brig. General George R.E. -- V.M.I. 1960-1963; Shepphard, Mrs. Eleanor P. 1962-1964; Short, Shelton H., Jr. 1957; Simmonds, James H. 1957-1958; Small, Sydney F., -- Roanoke 1958-1965; Smith, Dr. Charles J. -- Roanoke College 1957; Smith, Judge G.S. 1951","Smith, Captain John 1960-1961; Smith, Lemuel F. -- Virginia Supreme Court 1951; Smith, Dr. Robert B., Jr -- Member of Congress of Virginia 1956; Smith, Robert H. -- Norfolk and Western Railroad 1951-1966; Smith, W. Roy -- Petersburg 1965; Smythe, Robert A. 1963; Snead, Judge Harold F. 1957; Spencer, Dr. Samuel R., Jr. -- Mary Baldwin College 1951-1959; Spilman, Louis 1951-1965","Spotswood, Governor Alexander 1959-1966; Spratley, Justice C. Vernon 1966; Sproul, Major General Archibald A. -- Staunton 1961-1966; Stanley, Thomas B. 1953-1966","Scope and Contents","Stephens, A.E.S. 1953-1961; Story, William J., Jr. 1958-1966; Stratton, James Francis \"Boots\" 1962-1966; Stuart, Harry C.-Elk Garden, 1963-1964; Stuart, J.E.B. 1956-1964; Sullivan, Roger C. -- Alexandria 1959-1964; Sutherland, Marvin M. 1960; Swanson, Claude A. 1961; Tabb, Father John B. 1953; Talbott, Philip M. 1957-1960","Tavenner, Frank S. 1959; Taylor, Henry J. and Henry N. 1961-1964; Taylor, Henry P. 1950; Taylor, Zachary -- President 1959-1964; Tazewell, John N. 1962; Thomas, General George H. -- Southampton County 1962-1965; Thompson, Roby C. 1957-1960; Thomson, James M. 1959-1965; Tolley, Colonol Benton C., Jr. and Family 1965; Trigg, William R., Sr. 1964; Trinkle, E. Lee -- Governor 1966","Tuck, William M. 1946-1966; Tucker, Harry St. George 1966; Tucker, Bishop Henry St. George 1953-1966; Tucker, Richard Blackburn 1956-1959; Tyler, Dr. Franklin A 1955; Tyler, John -- Tenth President 1956-1963; Vaden, Lewis Henry 1962; Vaughan, William Conway -- Lynchburg, 1964","Wake, Dr. Orville W. -- President of Lynchburg College 1960; Walker, Lewis M. (Meriwether), Jr. ?; Walker, Dr. Thomas -- Albemarle County, 1965; Wallace, William Alexander Anderson 1955; Walter, Jeff F. 1963; Washington, Booker T. 1956-1966","Webber, Charles E. \"Ted\" -- Salem 1959-1966; Webber, Roy L. -- Roanoke 1964; Weens, Samuel P. \"Sam\" -- Superintendent of Blue Ridge Parkway 1965; Whitehead, John L. -- Radford, 1957-1965; Whitehad, Robert -- died 6/5/60, 1951-1961; Whittle, Judge Kennon C. 1951-1965; Wicker, John J. 1946-1966","Wilkerson, Dr. Woodrow W. 1960-1965; Wilkinson, J. Harvie, Jr. 1964-1966; Will, Erwin H. 1959; Williams, Dean Clayton E. 1964; Williams, Joseph J., Jr. 1960-1962; Willis Family -- Senator Robertson's Relatives 1960-1966;","Winfree, Peyton B., Jr. -- Lynchburg 1958-1964;Witten, Dr. Jack -- Tazewell 1959-1960; Woods, Robert H. 1948; Wright, Mr. and Mrs. Harry Benton and Family -- Lexington 1965; Wright, Warren -- Marion and Richmond 1964; Wyatt, Harry Cassell 1964; Wythe, George 1950-1958","Homes and Home Ownership; Humorous; Acton, Lord; Adams, John; Adams, Samuel; Almond, J. Lindsay, Jr.; Amonette, Clarence O.; Anderson, Robert B. -- Secretary of the Treasury; Aristotle; Arnold, Matthew; Ashurst, Henry F. -- Former Senator","Bacon, Francis; Baldwin, Earl (British); Barr, Joseph W.; Barrie, Sir James; Baruch, Bernard; Battle, John S.; Beecher, Henry Ward; Bell, Dr. L. Nelson -- Billy Graham's father-in-law; Bemiss, Samuel M.; Benton, William; Bennett, Senator Wallace F.; Blackstone -- English legal authority; Blandy, Admiral; Branch, Harllee, Jr.; Brown, Dr. Charles R.; Brownell, Herbert, Jr.; Browning, Robert; Bryan, William Jennings; Bryant, William Cullen","Bryce, James; Bullock, Thomas M.; Burgess, W. Randolph; Burke, Admiral Arleigh; Burke, Edmund; Butler, Dr. Nicholas Murray; Butler, Paul -- Chariman Democratic National Committee","Byrd, Senator Harry F.; Byrnes, James F.","Calhoun, John C.; Caplin, Mortimer M.; Carlyle, Thomas; Carney, Admiral Robert B.","Chiang, Kai-Shek; Chillon, Prisoner of; Cicero, Marcus Tullius; Clement, Reverend R.R.; Cleveland, Grover; Cocke, C. Francis; Cocke, Erle; Conant, Dr. James B.; Cooley, Thomas; Coolidge, Calvin; Dabney, Virginius; Daniel, John W.; Darden, Colgate W., Jr.","Darling, Jay N. \"Ding\"; Davis, Justice Charles H.; Day, J. Edward -- Postmaster General; Dean, Sir Patrick Henry; Demosthenes; De Quincey, Thomas; de Severskey, Major Alexander P.; De Tocqueville; Dillon, Douglas -- Secretary of the Treasury; Disraeli; Dodd, Senator Thomas J.; Downing, Congressman Thomas N.; Dulles, John Foster; Durant, Will","Emerson, Ralph Waldo; Ervin, Samuel J., Jr -- Senator from N.C.; Everett, Edward; Farley, James A.; Fairless, Benjamin F.; Federalist Papers; Fenwick, Charles R.; Flanders, Ralph E.; Flavinius, Marcus; Forsyth, William; Franklin, Benjamin; Fulbright, Senator J.W.","Garcia, President Carlos P. -- Philippines; Gary, J. Vaughan; George, Dr. W.C. -- Professor at University of North Carolina; Gibbon, Edward -- \"Decline and Fall of Roman Empire\"; Glass, Carter; Goldsmith, Oliver; Gompers, Samuel; Graham, Reverand Billy","Graham, Thomas -- Louisville, Kentucky; Griswold, Dean Erwin N. -- Harvard Law School; Gruening, Ernest -- U.S. Senator; Gruenther, General Alfred M.; Hall, Wilbur C.; Hamilton, Alexander","Hammarskjold, Dag; Hand, Judge Learned; Harrison, Albertis S., Jr. Governor; Harrison, Burr P.; Henry, Patrick","Herkner, E.C. -- Bois, Idaho; Hill, Senator Benjamin Harvey; Hill, Senator Lister; Holmes, Justice Oliver Wendell; Holmquist, R.C. -- Richmond; Hoover, Herbert -- former President","Horace; Horsley, Dr. Guy W. -- President, Medical Society of Virginia; Hughes, Chief Justice Charles Evans; Hull, Cordell -- Secretary of State; Humphrey, Senator Hubert; Hunter, Thomas Lomax -- Poet; Hutcheson, Judge Sterling; Ingersoll, Robert; Isocrates; Jackson, Andrew; Jackson, \"Stonewall\"; James, William; Jay, John","Jones, S. Bruce -- Attorney, Bristol, Virginia; Jones, Judge Walter B.; Kennedy, President John F.; Khayyam, Omar; Kilpatrick, James Jackson -- Editor; Kipling, Rudyard; Lacy, William S.B.; Lamb, Judge Brockenbrough; Lanham, Fritz G. -- Former Congressman from Texas; Lawrence, David","Lee, General Henry; Lee, Robert E.; Lemley, Judge Harry J. -- Arkansas; Letcher, John -- Governor of Virginia 1860-1864","Lodge, Henry Cabot, Jr.; Longfellow, Henry Wadsworth; Lowell, James Russell; McAdam, John London -- Road Builder; MacArthur, General Douglas; McCloy, John J.","Macauley, Lord Thomas B.; Madden, Dr. C.H. -- Economist Banking and Currency Commission; Madison, James; Makins, Sir Roger; Malik, Dr. Charles -- former President of U.N. General Assembly","Manion, Dean Clarence; Marsh, Robert T., Jr. -- Richmond; Martin, William McChesney -- Federal Reserve Board; Mason, George; Meany, Judge Edward A.","Mencken, H.L.; Miers, Earl Schenck; Miller, Arjay -- President of Ford Motor Company; Milton, John; Minor, Raleigh C.; Monroe, James; Montesquieu; Moore, Thomas; Morris, Arthur J.; Muskie, Senator Edmund S.; Myrdal, Gunnar Karl","Neilan, Edwin P. -- President U.S. Chamber of Commerce; Newton, Willoughby -- Virginia; Nilsson, George W. -- Los Angeles, California; Nixon, Richard M. -- Vice-President; Paine, Thomas; Palmer, James E., Jr.; Paschall, Dr. Davis Y.; Pericles","Phillips, Lucas D.; Pirie, Vice Admiral R.E.; Pitt, William; Pittman, R. Carter; Plato; Poff, Richard; Polk, Trusten -- Senator of Missouri; Pope, Alexander; Pope Pius XII","Potter, Dr. Richard R. -- First Presbyterian Church, Staunton; Pound, Roscoe; Prochnow, Herbert V. -- V.P. of First National Bank, Chicago; Pruden, Dr. Edward H.; Pushkin -- Russian Poet; Putnam, Carleton","Randolph, John -- Roanoke; Rathbone, M.J.; Religious, Inspirational; Reuther, Walter and Victor; Reynolds, Richard S., Jr.; Rhyne, Charles S. -- President of the American Bar Association, 1958","Rickover, Vice Admiral H.G.; Riegel, Professor O.W. -- Washington and Lee University; Ritz, Dr. Wilfred J. -- Professor of Law, Washington and Lee University","Rivers, Congressman L. Mendel; Robertson, Senator A. Willis; Robertson, J.L.-- Board of Governors, Federal Reserve; Robertson, Marion Gordon; Robertson, Walter S.; Roosevelt, Franklin D.; Russell, Lord John; Russell; Richard B. -- U.S. Senator from Georgia","Saltonstall, Leverett-- Governor of Massachusetts; Saunders, Dr. Paul D.; Saunders, Stuart T.-- Roanoke; Schwarzschild, W. Harry, Jr.-- Richmond; Schweppe, Alfred J.","Scott, Senator W. Kerr; Shakespeare; Shoemaker, Dr. Samuel M.; Short, Dewey; Smith, Bradford B.-- United States Steel; Smith, H. Alexander; Smith, Howard W.-- Member of Congress; Smoot, Dan","Spellman, F. Cardinal; Spencer, Herbert; Stanley, Thomas B.-- Govenor of Virginia 1954-1958; Stennis, Dudley-- Uncle of Senator John Stennis; Stennis, Senator John C.","Stevenson, govenor Adlai; Stevenson, Robert Louis; Story, Mr. Justice; Summerfield, Arthur E.; Sunday, Billy; Swanson, Claude A; Szymczak, Matt S; Tacitus-- Roman Historian; Talmadge, Senator Herman E.","Taylor, Henry J.-- Amb. to Switerland; Taylor, General Maxwell D.; Taylor Robert (Bob)-- former Govenor of Tennessee; Teller, Edward; Tennyson, Alfred Lord; Thomas, Dr. Woodlief-- economist, Senate Banking and Currency Committee; Thoreau, Henry D","Toynbee, Arnold J.-- British Historian; Troutman, Robert B.; Truman, Harry S.-- President; Tuck, William M.; Tyler, Dr. Franklin A.-- Richmond; Tyler, Mattie Richards-Poet","Udall, Stewart L.-- Secretary of Interior 1964; Ulysses; van Buren, Martin; Virgil; Voltaire; Van Braun, Wernher; Walker, Charles E.-- Executive Vice-president of American Bankers Association; Warren, Cheif Justice Earl; Washington, Booker T.","Watts, Isaac; Weaver, James B.-- Member of Congress; Webster, Daniel","Wells, H.G.; White, Dr. Paul Dudley; Whittaker, Associate Justice Charles E; Whittaker, John Greenleaf; Wicker, John J.; Wilkinson, Harvie, Jr.; Williams, Dr. Robert F.-- Virginia Education Association; Wilson, Woodrow","Wolesley, Viscount; Wood, Colonel Robert E.; Wordsworth, William; Wyatt, Wilson W.; Zimmern, Sir Alfred","Prepared for Virginia Field Trial Association Magazine","Raliegh Springs","House of Representatives","Farm and Home Hour","Front Royal","Staunton, Virginia","Harrisonburg Club, B.P.O.E","Harrisonburg Kiwanis Club","Middletown Chapter of the National Grange","Congressional Record May 27, 1946","Scope and Contents","(Outline-no written speech)","(not made a/c wife's illness)","Daily Press, Newport News, Va. -- March 23, 1958","Second speech June 25, 1958.","Third speech opposing Alaskan statehood and letter from O. E. Darling, Seward, Alaska, June 30, 1958.","AP, Richmond Times Dispatch, Newport News Daily Press, Norfolk papers.","Reprinted Cong. Record Appendix by Sen. Lister Hill, January 23, 1959","(re:Comment in book for youth center in Jerusalem).","(editorial regarding: August 18)","Scope and Contents","Folders 1-21 Material gathered by Emmett Lucey, AWR staff member.","Scope and Contents","A-B","C","Scope and Contents","D-E","F","G","Scope and Contents","H-I-J","Scope and Contents","K-L","Scope and Contents","M-N","Scope and Contents","O-P-Q-R","S","Scope and Contents","T-U","Scope and Contents","V-Z","Roanoke, Harrisonburg, \u0026 Martinsville","Notices of","Accomack County Post Offices","Adams Grove, Adamsville, Afton","Albemarle County","Aldie, Alexandria, Alleghany, Altavista, Amelia County \u0026 Amherst County","Appomattox, Arcanum, Arlington, Arrington, Arvonia, Ashland, Augusta County","Bacons Castle, Bath County, Bayside, Bayview, Bedford County","Bells Cross Roads, Berea, Berton, Big Laurel, Bland CountyBlantens, Botetourt County, Bristol, Brunswick County","Buchanan County, Buckingham County, Buena Vista, Burkeville","Cambell County, Cape Charles, Carbo, Caroline County, Carroll County, Carterton, Carthage, Catawba \u0026 Catawba Sanatorium, Cauthornville","Cedon, Charles City, Charlotte County, Charlottesville, Chesapeake, Chesterfield County, Churchland, Clarke County","Clifton Forge, Clover, Coeburn, Colonial Heihts, Concord Wharf, Covington, Craig County, Culpeper City \u0026 County","Cumberland County, Danville, Deel, Denbigh, Deskins, Dickenson County","Dinwiddie County, Disputanta, Edwardsville, Emporia, Essex County, Exmore, Fairfax County","Falls Church, Fauquier County, Fentress, Fishersville, Floyd County, Fluvanna County, Folly","Fork Union, Fort Monroe, Franklin County, Fredrick County, Fredricksberg, Front Royal, Fries","Galts Mills, Gate City, Gaylord, Gera, Giles County, Gloucester County","Goochland County","Goodwins Ferry, Grayson County, Great Bridge, Greenbush, Greene County, Greenville, Griffensburg, Grimes, Grimsleyville, Grundy, Guesses Fork","Halifax County, Hampton, Handsom, Hanover County","Happy Creek, Hayfield, Hematite, Henrico County, Henry County, Highland County, Hockley, Holdcroft, Hopewell, Isle of Wight County, Ivanhoe","Lancaster County, Lee County, Lee Hall, Leesburg, Lexington, Loneash","James City County, Jamesville, Jennings Ordinary, Keoughtan, King George County, King William County, King \u0026 Queen County","Loudoun County, Louisa County, Lowesville, Lunenburg County","Lynchburg, Madison County","Mallow, Marion, Martinsville, Mathews County, Mecklenburg County, Middleburg","Middlesex County, Millwood, Mitchells, Montgomery County, Mount Holly, Mouth of Wilson","Nansemond, Natural Bridge, Nebo, Nelson County, New Castle, New Glasgow, New Kent County","New Martinsville, Newbern, Newport, Newport News, Newtown, Nickelsville, Nola, Norfolk, Norfolk County, Northampton County, Northumberland County, Nottoway, Nottoway County","Orange County, Ore Bank, Oyester Point, Page County, Painter, Patrick County, Paytes, Penhook, Petersburg","Pittsylvania County, Portsmouth, Powatan County","Preston, Prince Edward County, Prince George County, Prince William County, Princess Anne County, Pulaski County","Radford, Ransons, Redwood, Rexford, Richardson, Richmond City, Richmond County","Roanoke (City)","Roanoke County","Rockbridge County","Rockingham County, Rocky Mount, Roxbary, Ruark, Russell County","St. Brides, Saltville, Samos, Scott County, Scottsville, Shenandoah County, Smithfield, Smyth County","Snowden, South Boston, South Norfolk, Southamton County, Sperryville, Spotsylvania County, Stafford County","Stanardsville, Stauton, Suffolk, Surry County, Sussex County, Sweet Briar, Swift Run","Tabernacle, Tazewell County, Temperanceville, Tignor, Troutville, Tye River, Union Hall, Vinton, Virginia Beach.","Walker Ford, Wardtown, Warren County, Washington County","Waterlick, Waynesboro, Wellville, Westmoreland County","Whitetop, Whitmell, Williamsburg, Winchester, Winston, Wintergreen, Wise County","Woodberry Forest, Wythe County, York County","Districts 1-6","Districts 7-10","District 1","Districts 2-5 (Third Dist. folder empty)","District 6","District 7","Districts 8-10","Tear sheets from \"Record\"","Districts 1-4 (Folder empty, 2nd Dist.)","Districts 5-7","Districts 8-10 (Folder empty for 9th Dist.)","\"Tear\" Sheets from \"Record\"","Districts 1-4 (Folder empty for 2nd Dist.)","Districts 5-7","Districts 8-10","Tear Sheets from Cong. Record -- 1963","Districts 1-10 (Folders for Dists 2 \u0026 3 empty)","Tear Sheets from Cong. Record","Districts 1-5 (Dist. 3 folder empty)","Districts 6-10 (Dist. 10 folder empty)","Tear Sheets from Cong. Record","District 1 (Earlier years included)","Districts 2-5 (Dist. 2 folder found empty) (Earlier years included)","District 6 Folder 1 (except Salem) (Earlier years included)","District 6 Folder 2 (Salem only) (Earlier years included)","District 6 Folder 3 (Salem Only) (Earlier years included)","Districts 7-8 (Earlier years included)","Districts 9-10 (earlier years included)","Tear Sheets from Cong. Record","(Keiter file starts in 1948)","Cadet Russell M. Turner -- 1959-1963","Jas. L. Graham -- 1960-1964 Douglas C. Meador -- 1960-1964","James Lee Vick -- 1961-1965","James Henry Parsons -- 1962-1966","James R. Kreer -- 1963-1967 Donald R. Moore, Jr. -- 1963-1967 John C. Gonda. III -- 1964-1968 Kenneth G. brothers -- 1965-1969 Gillespie, Ritchie P. -- 1966-1970","Scope and Contents","Merchant Marine Academy Nominations 1960-Barba, William Leleand-Chivvis, J. C. Jr.-McEliece, Robert Devereax","Scope and Contents","Nomainations -- 1961-1965: Soresi, Carl D.-1961, MacQuarrie, Warren L.-1962, Waughan, Jr. \u0026 Joe French-1962, Nue, Robert D. Jr.-1963, Williams, Garland Leigh-1963 Parker, Terrence L.-1964, Folan, Terence B.-1965, Van Hoy, John W. III-1965, Wozniak, James J.-1965","Scope and Contents","1959 Appointees-Charles Frederick Helsper, Wesley Earl Jordan, Jr.","Scope and Contents","1960 Appointees-John W. Garber, Jr., Thomas M. Johnston, Robert L. Powers","Scope and Contents","1963 Appointees-Charles Herndon Jeffries, II, Robert Edward O'Hare, William A. Robey","Scope and Contents","1964 Appointees-Richard Downey Evert, Robert Scott Owendoff, William Winterton Owens, IV, James Julien Southerland","Naval Academy Courses -- 1968","Scope and Contents","Appointees-Charles H. Kinsey, Jr.-1959, Peter Wayne Martone","1961 Appointees- Kenneth Dixon McArthur, John Van Landingham Robertson","Scope and Contents","John Ralph Hayes, Jr.-1962, David Kennedy Hewett-1963, David E. Matheney, Jr.-1963, Glen Martin Hewitt-1964, David C. Eberhard, Jr.-1965","Scope and Contents","Robert Ernest Brunelli-1966, James Judson Lovelace, Jr.-1966, Robert Townsend Richardson-1966","Scope and Contents","Folders 7-10 Obituaries-Doctors, Bankers, Lawyers, Ministers Folers 11-32 Addressee copies -- Abbott-Hubbard","Scope and Contents","Folders 1-27 Addressee -- Hudgins-Zirkle","1st Session. Votes 1-110.","Scope and Contents","1st Session. Agriculture-Transportation","Scope and Contents","2nd Session. Agriculture-Transportation","Scope and Contents","2nd Session. Agriculture-Transportation","Scope and Contents","2nd Session. Agriculture-Transportation","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","2nd Session. Adjournment-Veterans","Scope and Contents","2nd Session. Adjournment-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","Scope and Contents","1st Session. Agriculture-Veterans","2nd Session. Votes 1-227","2nd Session. Votes 1-227","Scope and Contents","2nd Session. Agriculture-War Claims","Scope and Contents","2nd Session. Agriculture-War Claims","1st Session. Votes 1-229.","1st Session. Votes 1-229.","Scope and Contents","1st Session. Agriculture-War Risk Insurance.","Scope and Contents","1st Session. Agriculture-War Risk Insurance.","2nd Session. Votes 1-312.","2nd Session. Votes 1-312.","Scope and Contents","2nd Session. Admission Tax-Youth Programs","Scope and Contents","2nd Session. Admission Tax-Youth Programs","1st Session. Votes 1-259.","1st Session. Votes 1-259.","1st Session. Votes 1-259.","1st Session. Votes 1-259.","2nd Session. Votes 1-238.","2nd Session. Votes 1-238.","Miscellaneous."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Series VII: Addressee Copies, 1944-1966, available only on microfilm.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Manuscripts and Rare Books Librarian, and the holder of the copyright, if not Swem Library. Series VII: Addressee Copies, 1944-1966, available only on microfilm."],"corpname_ssim":["Special Collections Research Center","Democratic Party (U.S.)","United States Congress","Virginia State Senate"],"names_coll_ssim":["Democratic Party (U.S.)","United States Congress","Virginia State Senate"],"names_ssim":["Special Collections Research Center","Democratic Party (U.S.)","United States Congress","Virginia State Senate"],"language_ssim":["English"],"total_component_count_is":16360,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:49:07.507Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9365_c07_c24_c17"}},{"id":"viw_repositories_2_resources_9022_c08_c02_c17_c08","type":"File","attributes":{"title":"Zidonis, Francie Interview, 2019","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c08_c02_c17_c08#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eI interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026amp; Mary specifically, among other things.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9022_c08_c02_c17_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_9022_c08_c02_c17_c08","ref_ssm":["viw_repositories_2_resources_9022_c08_c02_c17_c08"],"id":"viw_repositories_2_resources_9022_c08_c02_c17_c08","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022_c08_c02_c17","parent_ssi":"viw_repositories_2_resources_9022_c08_c02_c17","parent_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 8: Acc. 2019.134","WDP 2019 Interviews, 2019","WDP 2019 Peer Interviews, 2019"],"parent_ids_ssim":["viw_repositories_2_resources_9022","viw_repositories_2_resources_9022_c08","viw_repositories_2_resources_9022_c08_c02","viw_repositories_2_resources_9022_c08_c02_c17"],"title_filing_ssi":"Zidonis, Francie Interview","title_ssm":["Zidonis, Francie Interview"],"title_tesim":["Zidonis, Francie Interview"],"normalized_title_ssm":["Zidonis, Francie Interview, 2019"],"text":["Zidonis, Francie Interview, 2019","Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 8: Acc. 2019.134","WDP 2019 Interviews, 2019","WDP 2019 Peer Interviews, 2019","I interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026 Mary specifically, among other things.","The content of this note was taken from the headnote created by the interview team."],"parent_unittitles_ssm":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 8: Acc. 2019.134","WDP 2019 Interviews, 2019","WDP 2019 Peer Interviews, 2019"],"parent_unittitles_tesim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","Series 8: Acc. 2019.134","WDP 2019 Interviews, 2019","WDP 2019 Peer Interviews, 2019"],"normalized_date_ssm":["2019"],"unitdate_other_ssim":["2019 February 24"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[4],"sort_isi":970,"repository_ssim":["College of William and Mary"],"collection_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2019],"scopecontent_html_tesm":["\u003cp\u003eI interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026amp; Mary specifically, among other things.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["I interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026 Mary specifically, among other things.","The content of this note was taken from the headnote created by the interview team."],"_nest_path_":"/components#7/components#1/components#16/components#7","timestamp":"2026-06-23T07:48:07.814Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9022","ead_ssi":"viw_repositories_2_resources_9022","_root_":"viw_repositories_2_resources_9022","_nest_parent_":"viw_repositories_2_resources_9022","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9022.xml","title_filing_ssi":"Williamsburg Documentary Project","title_ssm":["Williamsburg Documentary Project"],"title_tesim":["Williamsburg Documentary Project"],"unitdate_ssm":["Circa 1930-2015","2008-2015"],"unitdate_inclusive_ssm":["Circa 1930-2015"],"unitdate_bulk_ssim":["2008-2015"],"normalized_date_ssm":["1930/2015, bulk 2008/2015"],"normalized_title_ssm":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"text":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015","UA 351","/repositories/2/resources/9022","Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers","College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters","Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Box 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.","Swem library use only","Materials are accessible to researchers at Swem Library only.","Materials accessible to researchers at Swem Library only.","Material accessible to researchers in Swem Library only.","Swem library use only","Material access restricted to researchers at Swem Library only.","Swem library use only","Deed of Gift is missing.","Interview is restricted pending a removal of certain content from the transcript and digital file.","The American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century.","VERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.","Davis does not wanted monetary publications to use her interview.","An edited version of this oral history is being made available to researchers at the request of the interviewee.","Acc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015.","Digital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026 Mary Libraries Digital Collections .","This collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.","The collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026 Mary Wren Building at the direction of College President Gene R. Nichol.","This sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026 Mary students, William \u0026 Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026 Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.","File contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.","This sub- series contains oral history deeds, transcripts and notes from 1995-2012.","Final papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026 Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.","Please note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance.","This series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.","Williamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026 White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004","Al Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.","Douglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.","Dr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Dr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Lauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.","Sarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.","Linda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","John Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.","Mrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.","Mr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.","Jane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.","Mayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.","Sister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.","Mrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.","Ms. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.","Judy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.","Jake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.","Professor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.","Kalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.","Mr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.","Hannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.","Lance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.","Mrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.","Mr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.","Mr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.","Rachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.","Mr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.","Mr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.","Willie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.","Lauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.","Lisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.","Jacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.","Mr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.","The four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.","Lynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.","Timothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.","Kris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.","Folder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.","WDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.","The folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.","Folder contains a research paper on Big Brothers Big Sisters of Williamsburg.","The folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.","The folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.","The folder contains a research paper about Walsingham Academy.","The folder contains a research paper about youth athletics in Williamsburg","The folder contains a research paper about William and Mary alumni retiring in Williamsburg.","Folder contains a research paper on the evolution of the Williamsburg-James City County School System.","The folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.","The folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.","Folder contains several maps and a reflective essay.","Folder contains maps and relfective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a map and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.","The folder contains maps and reflective essays.","Folder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.","The folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.","The folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.","Folder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.","Mr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.","Chris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.","Mrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.","Mr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.","Bruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.","Mr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.","Tyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.","Amanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.","Samuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.","Caroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.","Folder contains maps and written reports.","The folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.","The folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.","The folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.","The folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.","The folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.","The folder contains a research paper on the influence of bus drivers on their students.","The folder contains a research paper on food security in Grove, Virginia.","Mr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.","Ms. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.","Lamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.","Ms. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.","Terry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.","Dorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.","Fred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.","Grace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.","Reed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.","Robert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.","Sam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.","Brenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.","Rich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.","Mary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.","Mrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.","Corinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team.","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team.","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team.","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college.","The content of this note was taken from the headnote created by the interview team.","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council.","The content of this note was taken from the headnote created by the interview team.","I interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.","The content of this note was taken from the headnote created by the interview team.","Samantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.","The content of this note is taken from the headnote created by the interview team.","I, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future.","The content of this note comes from the headnote created by the interview team.","I interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026 Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.","The content of this note comes from the headnote created by the interview team.","We interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.","The content of this note was taken from the headnote created by the interview team.","I interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur.","The content of this note was taken from the headnote created by the interview team.","I interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.","The content of this note comes from the headnote created by the interview team.","I interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.","The content of this note was taken from the headnote created by the interview team.","I interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026 Mary specifically, among other things.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.","Description was taken from the headnote created by the interview team.","This interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women.","Description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026 Mary.","Description comes from the headnote created by the interview team.","This interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health.","Description taken from headnote created by the interview team.","This interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.","Description was taken from the headnote created by the interview team.","In this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.","Description was taken from the headnote created by the interview team.","This interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.","Description was taken from the headnote created by the interview team.","This interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.","This description was taken from the headnote created by the interview team.","I interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.","This description was taken from the headnote created by the interview team.","I interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.","The description is taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media.","Description taken from headnote created by interview team.","This interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.","This description is taken from the headnote created by the interview team.","I interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.","The description was taken from the headnote created by the interview team.","This interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.","This description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.","This interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services.","This description was taken from the headnote created by the interview team.","In this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.","This description is taken from the headnote created by the interview team.","In this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.","This description is taken from the headnote created by the interview team.","This interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.","This description was taken from the headnote created by the interview team.","In this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.","This description was taken from a headnote created by the interview team.","This interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work.","This description was taken from the headnote created by the interview team.","In this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.","This description was taken from the headnote created by the interview team.","In this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.","This description was taken from the headnote created by the interview team.","In this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026 Mary, her passions for dance and history,\nand significant influences on her life.","This description was taken from the headnote created by the interview team.","This interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation.","This description was taken from the headnote created by the interview team.","In this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.","This description was taken from the headnote created by the interview team.","This interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg.","This description was taken from the headnote created by the interview team.","In this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026 Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","Within this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form.","This description was taken from the headnote created by the interview team.","In this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.","This description was taken from the headnote created by the interview team.","In this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026 Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.","This description was taken from the headnote created by the interview team.","In this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.","This interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.","In this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.","In the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026 Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.","This interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026 Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.","In this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.","Maureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.","This interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026 Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026 Mary, walking arts, leadership, Ohio, and advocacy work.","In this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026 Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.","In this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026 Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".","In this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026 Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.","In this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.","This Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.","This oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.","In the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026 Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026 Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.","In this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.","This description is taken from the headnote for the oral history.","In this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026 Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by Molly Robinson and Tijuana Reeve.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","American Studies Program","Economic Development","Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)","English"],"collection_title_tesim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"collection_ssim":["Williamsburg Documentary Project, 1930/2015, bulk 2008/2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 351","/repositories/2/resources/9022"],"unitid_tesim":["UA 351","/repositories/2/resources/9022"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"geogname_ssim":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"places_ssim":["Williamsburg (Va.)--History","Williamsburg (Va.)--Maps","Williamsburg (Va.)--Newspapers"],"creator_ssm":["American Studies Program"],"creator_ssim":["American Studies Program"],"creator_persname_ssim":["Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)"],"creator_corpname_ssim":["Special Collections Research Center","American Studies Program","Economic Development"],"creators_ssim":["Blayton, James Blaine, Sr., (Dr.)","Casey, Carlton","Glosson, Sarah","Arthur Knight","Doyle, Margetta Hirsch (Margetta Hirsch Doyle)","Etheridge, Jeanne","Willard Gilley","George Greenia","Heacox, Thomas (Thomas Lee), 1943-2024","Lois Hornsby","Louise Lambert Kale","Langton, Helen","Ann Ward Little, Daughter of Archibald F. Ward, Jr.","McKnight, Joyce","Mendez, Jennifer Bickham","Nichol, Gene R., 1951-","Oxrieder, Julia W.","Frances Robb (Frances Robb)","Sternberg, Ethel (Ethel Sternberg)","Taylor, Rodney B. (Rodney B. Taylor)","Sullivan, Timothy J.","Sikk, Helis","Gift of Mary Geiger","Granger, Gil (Gilbert Lofton), 1935-2023","Zhang, Benny, 1994- (Benming)","Special Collections Research Center","American Studies Program","Economic Development"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2009.030 received 2/16/2009 from the Williamsburg Documentary Project via Jenna Simpson. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"access_subjects_ssm":["College of William and Mary--History--20th century","Colonial Williamsburg Foundation--History","Interviews","Williamsburg, Battle of, Williamsburg, Va., 1862","Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"has_online_content_ssim":["false"],"extent_ssm":["9.45 Linear Feet"],"extent_tesim":["9.45 Linear Feet"],"genreform_ssim":["Clippings (information artifacts)","Photographs","Transcripts","Newsletters"],"date_range_isim":[1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003ePortions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e  ","\u003cp\u003eBox 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eMaterials are accessible to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eMaterials accessible to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eMaterial accessible to researchers in Swem Library only.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eMaterial access restricted to researchers at Swem Library only.\u003c/p\u003e","\u003cp\u003eSwem library use only\u003c/p\u003e","\u003cp\u003eDeed of Gift is missing.\u003c/p\u003e","\u003cp\u003eInterview is restricted pending a removal of certain content from the transcript and digital file.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Portions of this collection may be restricted for privacy reasons. Consult a staff member for assistance. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Box 11 contains restricted material. Please consult a staff member for further assistance. This is a temporary series and will be deleted once it has been integrated with the existing collection. The series contains oral histories, final reports, and map diaries by students in the Williamsburg Documentary Project course at William and Mary. Box 9 is unrestricted.","Swem library use only","Materials are accessible to researchers at Swem Library only.","Materials accessible to researchers at Swem Library only.","Material accessible to researchers in Swem Library only.","Swem library use only","Material access restricted to researchers at Swem Library only.","Swem library use only","Deed of Gift is missing.","Interview is restricted pending a removal of certain content from the transcript and digital file."],"bioghist_html_tesm":["\u003cp\u003eThe American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century.\u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Note:"],"bioghist_tesim":["The American Studies Program offers students the opportunity to engage with the complex and diverse histories of cultural, racial, and national encounters that, like those of our local area, have come to shape the past and present of the United States, and the Americas. In a rigorous, yet flexible environment of intellectual inquiry, students develop the critical skills that allow them not only to pursue rewarding careers, but to serve as responsible citizens of the 21st Century."],"odd_html_tesm":["\u003cp\u003eVERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.\u003c/p\u003e","\u003cp\u003eDavis does not wanted monetary publications to use her interview.\u003c/p\u003e","\u003cp\u003eAn edited version of this oral history is being made available to researchers at the request of the interviewee.\u003c/p\u003e"],"odd_heading_ssm":["Scope and Contents","General","General"],"odd_tesim":["VERY IMPORTANT: Anyone quoting from or making substantial use of the oral histories collected here should consider THE SOUND RECORDINGS THE DEFINITIVE SOURCE. Transcripts, indexes, and key words are only tools meant to help guide users to the sound recordings. Most of these interviews were done by WDP student-interviewers. Most interviews combine a life history format with some questioning specific to a student-interviewer's research interests. As part of their training, WDP students do some group interviews and also interview one another, and the collection also contains these recordings. Additionally, the collection gathers some recordings that were done by other groups—for example, local volunteers helping commemorate Williamsburg's 300th anniversary. All oral history interviews conducted by the WDP are done following the Oral History Association's principles and best practices guidelines. Each record in the digital archive contains: a) a sound recording of an interview (WAV format; some MP3 format); a few recordings have been edited to reflect restrictions; some recordings are available for use only on-site in Swem Library's Special Collections b) an image of the Deed of Gift relevant to the interview (PDF or TIFF format) c) a \"live index\" to the recording (PDF format); these indexes were made by assistants to the main interviewer during the interview and, using time code, give a rough guide to major topics covered in the interview. d) a \"headnote\" (PDF format); written by the main interviewer, headnotes give some basic information on the circumstances in which the interview took place and highlight some key topics covered in the interview. Many records also contain: e) an interview transcript, which incorporates the headnote described above (PDF format); prepared by the main interviewer, transcripts attempt to render the dialogue of the interview in a way that is quickly searchable. SCHOLARS WISHING TO QUOTE, SYNOPSIZE, OR REFERENCE A WDP ORAL HISTORY SHOULD ALWAYS CHECK THE TRANSCRIPT AGAINST THE INTERVIEW RECORDING. Some records may also contain: f) scans of documents or photographs (TIFF files) related to the interviewee or topics covered in the interview.","Davis does not wanted monetary publications to use her interview.","An edited version of this oral history is being made available to researchers at the request of the interviewee."],"prefercite_html_tesm":["\u003cp\u003eWilliamsburg Documentary Project Collection, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e  "],"prefercite_tesim":["Williamsburg Documentary Project Collection, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2009.030 accessioned and minimally described by Amy C. Schindler, University Archivist, in 2/2009. Acc. 2010.311 accessioned and minimally described by Steven Bookman, University Archives Specialist, in 5/2010. All accessions were integrated and processed by David Ward, SCRC Graduate Apprentice, from October 2013-January 2014. Acc. 2015.148 accessioned and minimally described by Steven Bookman, University Archives Specialist, in June 2015."],"relatedmaterial_html_tesm":["\u003cp\u003eDigital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026amp; Mary Libraries Digital Collections \u003cextref href=\"https://digital.libraries.wm.edu/williamsburg-documentary-project\" title=\"453\"\u003e\u003c/extref\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["Digital content documents from the Williamsburg Documentary Project, including some interviews, are available at William \u0026 Mary Libraries Digital Collections ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eThe collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026amp; Mary Wren Building at the direction of College President Gene R. Nichol. \u003c/p\u003e  ","\u003cp\u003eThis sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026amp; Mary students, William \u0026amp; Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026amp; Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.\u003c/p\u003e","\u003cp\u003eFile contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.\u003c/p\u003e","\u003cp\u003eThis sub- series contains oral history deeds, transcripts and notes from 1995-2012.\u003c/p\u003e","\u003cp\u003eFinal papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026amp; Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.\u003c/p\u003e","\u003cp\u003ePlease note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance. \u003c/p\u003e","\u003cp\u003eThis series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.\u003c/p\u003e","\u003cp\u003eWilliamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026amp; White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026amp; white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004\u003c/p\u003e","\u003cp\u003eAl Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eDouglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eDr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eDr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eLauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.\u003c/p\u003e","\u003cp\u003eSarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLinda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eJohn Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eJane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eMayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eSister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.\u003c/p\u003e","\u003cp\u003eMrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMs. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eJudy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.\u003c/p\u003e","\u003cp\u003eJake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eProfessor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eKalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.\u003c/p\u003e","\u003cp\u003eHannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eRachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.\u003c/p\u003e","\u003cp\u003eMr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.\u003c/p\u003e","\u003cp\u003eWillie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eLisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.\u003c/p\u003e","\u003cp\u003eJacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.\u003c/p\u003e","\u003cp\u003eMr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eThe four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.\u003c/p\u003e","\u003cp\u003eLynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eTimothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eKris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eFolder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.\u003c/p\u003e","\u003cp\u003eWDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on Big Brothers Big Sisters of Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.\u003c/p\u003e","\u003cp\u003eThe folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about Walsingham Academy.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about youth athletics in Williamsburg\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about William and Mary alumni retiring in Williamsburg.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on the evolution of the Williamsburg-James City County School System.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.\u003c/p\u003e","\u003cp\u003eFolder contains several maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and relfective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains a map and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains maps and a reflective essay.\u003c/p\u003e","\u003cp\u003eFolder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.\u003c/p\u003e","\u003cp\u003eThe folder contains maps and reflective essays.\u003c/p\u003e","\u003cp\u003eFolder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.\u003c/p\u003e","\u003cp\u003eThe folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.\u003c/p\u003e","\u003cp\u003eFolder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.\u003c/p\u003e","\u003cp\u003eMr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eChris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.\u003c/p\u003e","\u003cp\u003eMr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eBruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.\u003c/p\u003e","\u003cp\u003eMr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eTyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eAmanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eSamuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eCaroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.\u003c/p\u003e","\u003cp\u003eFolder contains maps and written reports.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on the influence of bus drivers on their students.\u003c/p\u003e","\u003cp\u003eThe folder contains a research paper on food security in Grove, Virginia.\u003c/p\u003e","\u003cp\u003eMr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMs. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eLamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.\u003c/p\u003e","\u003cp\u003eMs. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eTerry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eDorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.\u003c/p\u003e","\u003cp\u003eFred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eGrace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.\u003c/p\u003e","\u003cp\u003eReed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.\u003c/p\u003e","\u003cp\u003eRobert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eSam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eBrenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.\u003c/p\u003e","\u003cp\u003eRich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.\u003c/p\u003e","\u003cp\u003eMrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.\u003c/p\u003e","\u003cp\u003eCorinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eWe interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWe interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.\u003c/p\u003e","\u003cp\u003eThe content of this note came from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.\u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.\u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026amp; Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026amp; Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026amp; Mary's\nTrack \u0026amp; Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026amp; Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026amp; Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026amp; Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026amp; Mary's\nTrack \u0026amp; Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026amp; Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note comes directly from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026amp; Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026amp; Mary. For clarity, I have eliminated every \"um\" and \"uh.\"\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThe interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026amp; Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eSamantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.\u003c/p\u003e","\u003cp\u003eThe content of this note is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future. \u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026amp; Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.\u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWe interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.  \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eI interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about. \u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.\u003c/p\u003e","\u003cp\u003eThe content of this note comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026amp; Mary specifically, among other things.\u003c/p\u003e","\u003cp\u003eThe content of this note was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women. \u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026amp; Mary.\u003c/p\u003e","\u003cp\u003eDescription comes from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health. \u003c/p\u003e","\u003cp\u003eDescription taken from headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eIn this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.\u003c/p\u003e","\u003cp\u003eDescription was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.\u003c/p\u003e","\u003cp\u003eThe description is taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media. \u003c/p\u003e","\u003cp\u003eDescription taken from headnote created by interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.\u003c/p\u003e","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eI interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.\u003c/p\u003e","\u003cp\u003eThe description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.\u003c/p\u003e","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.\u003c/p\u003e","\u003cp\u003eThis description is taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.\u003c/p\u003e","\u003cp\u003eThis description was taken from a headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026amp; Mary, her passions for dance and history,\nand significant influences on her life.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026amp;M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eThis interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026amp; Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003e\nThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eWithin this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form. \u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team.\u003c/p\u003e","\u003cp\u003eIn this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026amp; Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.\u003c/p\u003e","\u003cp\u003eThis description was taken from the headnote created by the interview team. \u003c/p\u003e","\u003cp\u003eIn this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.\u003c/p\u003e","\u003cp\u003eThis interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.\u003c/p\u003e","\u003cp\u003eIn this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.\u003c/p\u003e","\u003cp\u003eIn the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026amp; Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026amp; Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.\u003c/p\u003e","\u003cp\u003eIn this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.\u003c/p\u003e","\u003cp\u003eMaureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026amp; Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026amp; Mary, walking arts, leadership, Ohio, and advocacy work.\u003c/p\u003e","\u003cp\u003eIn this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026amp; Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.\u003c/p\u003e","\u003cp\u003eIn this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eIn the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026amp; Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".\u003c/p\u003e","\u003cp\u003eIn this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026amp; Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.\u003c/p\u003e","\u003cp\u003eIn this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.\u003c/p\u003e","\u003cp\u003eThis Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.\u003c/p\u003e","\u003cp\u003eThis oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.\u003c/p\u003e","\u003cp\u003eIn the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026amp; Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.\u003c/p\u003e","\u003cp\u003eThis interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026amp; Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.\u003c/p\u003e","\u003cp\u003eIn this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.\u003c/p\u003e","\u003cp\u003eThis description is taken from the headnote for the oral history. \u003c/p\u003e","\u003cp\u003eIn this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026amp;M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026amp; Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by Molly Robinson and Tijuana Reeve.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection is composed of material collected and created by the Williamsburg Documentary Project. The Williamsburg Documentary Project conducts oral history interviews and builds physical and digital archives, as well as other activities, through which it interprets the past of Williamsburg, Virginia.","The collection includes publications, news clippings, interviews, and planning documents about Merchant's Square, New Town, food, immigration, as well as events related to Williamsburg history. Events documented in this collection include the removal of a cross from the chapel in the William \u0026 Mary Wren Building at the direction of College President Gene R. Nichol.","This sub-series contains oral history interviews from 1995-2012. Interviewees consist primarily of William \u0026 Mary students, William \u0026 Mary Faculty, and Williamsburg and James City County residents. Interviews have related oral history materials in the William \u0026 Mary digital archive. The suberies is arranged in alphabetical order by last name of interviewee.","File contains deed of gift, detailed, time-stamped summary of interview, and written summary of oral history interview conducted by Graham DeZarn. Mr. Abbott speaks about his family history, the work his architectural firm does, and the importance of understanding the history of the area. He speaks about the progect at Polegreen Church in Hanover County, VA and the preservation of historic and agricultural land.","This sub- series contains oral history deeds, transcripts and notes from 1995-2012.","Final papers for student projects consist of a variety of subjects on the community life and culture within Williamsburg and surrounding environs. Some of these topics have related oral history and digital materials in the William \u0026 Mary digital archive. This series contains student project map diaries from 2008-2012. Students track their locations and movements for a 24 hour period to construct a map diary of their day. There is no prescribed format for the map diary. The bulk of the series is arranged by project title.","Please note that select student papers are restricted from viewing due to privacy. Please consult with a staff member for assistance.","This series contains research materials on the following subjects: : Old Town/New Town, Food and Poverty in Williamsburg and Wren Cross controversy, Battle of Williamsburg Commemoration, J1 Work Visas, Retirement in Williamsburg and Development of Quarterpath Road. There are also oral history materials from the Grass Roots Theater (1998-1999). Old Town/New Town: Merchants Square material, Merchants Square Real Estate Operations, The NewTowner magazines, Next Door Neighbor magazine, and newspaper clippings for 2007. Food and Poverty in Williamsburg: USDA Brochures (2007), Statistics, Information, Advertisements (2010), SHIP (2010), Food Bank Study (2004), Community Health Report (2005) Wren Cross controversy: Emails, Websites and notes used in compiling final report. Battle of Williamsburg Commemoration: Notes J1 Work Visas: Briefings, Regulations, Court Case, and notes used in compiling final report. All from 2010. Retirement in Williamsburg: Reports and Brochures, Journal Articles, Tourism directory, and newspaper clippings.","Williamsburg, Virginia, Traffic Lights, 35 x 21 cm, color Williamsburg, Virginia, Original City and Subsequent Annexation, 28 x 43cm, Color, ca 1984 Williamsburg, Virginia,, Williamsburg in the '20 and '30s, 21 x 28cm, Black \u0026 White James City County, 29.5 x 43cm, color, 2006 Williamsburg, Virginia, Comprehensive Plan, 42.5 x 54.5 cm, color, 2006 Williamsburg, Virginia, Zoning Districts, 1 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Architectual Review Distircts, 42.5 x 34 cm, 2 of 3, color, March 9, 2006 Williamsburg, Virginia, Zoning Districts, 3 of 3, 42.5 x 34 cm, color, February 13, 2003 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1, 1966, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, Res'C', March 26, 1981 Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, ' March 23, 1987, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, August,1972, January 1, 1975, 2 copies Williamsburg, Virginia, Zoning Map, 91 x 58 cm, black \u0026 white, July 1964 Williamsburg, Virginia, Real Property Grid Index, 91 x 58 cm, color, July 13, 2004","Al Albert is the a former soccer coach at William and Mary and is credited with founding the Tidewater Soccer camp. He speaks about his background and the founding of the camp. Folder contains a summary and index of the interview.","Douglas Austin speaks about his time growing up in the Williamsburg James City County School System and his time at Bruton Heights, previously and African American only school. Folder contains and index and transcript of the interview.","Dr. Bernacki is a general practitioner who has been practicing in Williamsburg since the 1980s. Dr. Bernacki speaks about his past as a medical student at Georgetown, his time as a physician in the Air Force, the growth he has seen in the Williamsburg medical community, and his belief in the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Dr. Brown speaks about the past medical community of Williamsburg and his disagreement with the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","Lauren Brown speaks about growing up in Williamsburg and the tourism industry. Folder contains an index of the interview.","Sarah Cate-Pizarro is a student at William and Mary and speaks about her life in Richmond, VA, he plans for the future, her travels, and her family. Folder contains an index and transcript of the interview.","Linda Chemlow has been in Williamsburg since 1989 and speaks about her work in the medical field including her personal and professional attitudes towards the Affordable Care Act (ACA). Folder contains a summary and index of the interview.","John Daly is the Head Women's Soccer Coach at William and Mary College. He speaks about how he got involved in soccer and his work at the Tidewater Soccer Camp as a coach. The file contains a transcript of the interview.","Mrs. Elston is the president of the Williamsburg chapter of the William and Mary Alumni Association. She speaks about the association, changes in Williamsburg since she was a student, her and her family's involvement in the community, and her relationship with the US Navy. The folder contains a summary and index of the interview.","Mr. Hamant is the former director of Evening and Special Programs at Colonial Williamsburg. He spoke about how he came to Williamsburg, his time as a Senior Archeologist for Colonial Williamsburg, and his development of popular ghost tours in Colonial Williamsburg. The folder contains a transcript of the interview.","Jane Hanson is the supervisor of the Governor's Musick Ensemble. She gives a comprehensive history of early music performance, the benefits and drawbacks of a resident ensemble, and the difficulties the ensemble face. The folder contains a summary of the interview.","Mayor Clyde Haulmand describes his previous involvement on the Board for the local chapter of Big Brothers Big Sisters. He also discusses how the city of Williamsburg addresses the problem of at-risk and disadvantaged youth. The folder contains a summary and index of the interview.","Sister Rose Morris is a teacher at Walsingham Academy, a Catholic school in Williamsburg. Mary Johnston was a student and teacher at Walsingham and at the time of the interview works as the vice principal of the lower school. Sister Rose speaks of the school's history and its religious diversity. Mary speaks about being a non-Catholic student and teacher at the school. Both speak about the schools relationship to the community. The folder contains an index and transcript of the inteview.","Mrs. Jowett is the Career and Technical Education Curriculum leader at Jamestown High. Mrs. Jowett speaks about her experiences with the supernatural at the high school as well as encounters at her home in Yorktown. The folder contains a summary and index of the interview.","Ms. King is the CEO at the Greater Virginia Peninsula branch of Big Brothers Big Sisters. Ms. King discusses the function and organization of this chapter as well as its fundraisers and events. This folder contains an index and transcript of the interview.","Judy Knudson is the executive director of Olde Towne Medical Center. She speaks about the growing number of retirees in the community, the growth of the medical field in Williamsburg, and the benefits of the Affordable Care Act (ACA). The folder contains a summary, index, and transcript of the interview.","Jake Lewitz is an senior at William and Mary College. He discusses his hometown of Marin, California and what it was like growing up there. He also discussed his busy schedule and many school activities. Jake Lewitz is interested in the Public Health sector. This folder contains an index and transcript of the interview.","Professor Marshall teaches at William and Mary and was member of the Governor's Musick ensemble. Prof. Marshall speaks of the benefits of playing in a small resident ensemble as well as the lack of support by the Colonial Williamsburg Foundation. The folder contains a summary and index of the interview.","Kalynn McLane is a student at William and Mary American Studies program. She speaks about her family, her love of William and Mary, her academics, and her summer study abroad in Cape Town. The folder contains an index and transcript of the interview.","Mr. Moss's speaks of his musical life prior to beginning to play withthe Governor's Musick ensemble, his musical travel, and teaching life. He also give a history of the music that would have been played in the colonial era in Williamsburg. In a follow up interview Mr. Moss discusses the role that the Governor's Musick has played within the living museum and the nature of their engagements while he has been a member. Mr. Moss also discussed the changing attitudes towards music in society todya and his uncertainty about the groups future. The folder contains summaries and indexes for both interviews.","Hannah Ostroff is a student at William and Mary. She speaks about her childhood and her decision to attend William and Mary as well as her time at the school. Ostroff speaks about her experiences with the William and Mary Choir and Sinfonicron. The folder contains an index and transcript of the interview.","Lance Pedigo speaks about his love of music growing up and how he now runs the Fife and Drum Corps in Williamsburg. The folder contains indices of the interview.","Mrs. Pedigo works in the Williamsburg-James City County public school system. She speaks about her time working at Matthew Whaley Elementary School and working in the media center at Rawls Byrd Elementary School. She discusses the changes to the city and the school system since she began working in Williamsburg in 1959. The folder contains a summary and index of the interview.","Mr. and Mrs. Perkins are both graduates of William and Mary and speak about their time as active participants in Greek life on campus. They discuss the changes to Williamsburg and William and Mary since their graduation as well as their current church life and as members of the Olde Guarde Council. The folder contains an index and transcript of the interview.","Mr. Carnifax is the Director of Parks and Recreation for James City County and Mr. Powell is the Assistant City Manager. They speak about athletics and local field use. They also speak about the Warhill Sports Complex, what it provides the community, and how youth athletics can economically benefit the community. This folder contains a summary of the interview.","Rachel Quinones is a student at William and Mary. She speaks about her childhood, religion, music, and her impending graduation. The folder contains an index and transcript of the interview.","Mr. Riley speaks about the Kimball theater and film in Williamsburg. The folder contains indices of the interview.","Mr. Scrofani speaks about the Williamsburg Indoor Sports Complex, how it was created and funded, and the impact the WISC has on the community. The folder contains a summary of the interview.","Willie Shaw is a student at William and Mary. He speaks about his childhood, his family, his passion for athletics, and his relationship with music. He also speaks about how he came to William and Mary and his plans for the future. The folder contains an index and transcript of the interview.","Lauren Stephenson is a student at William and Mary. She speaks about her childhood, growing up in suburban Chicago, her Jewish community, and her TV journalist experience. She also speaks about her experiences at William and Mary. The folder contains a transcript of the interview.","Lisa Thomas has been a Big Sister through the local chapter of Big Brothers Big Sisters since 1985. She discusses her role and responsiblities of a Big Sister and her personal experiences with her Little Sisters. In the follow up interview Lisa Thomas speaks about her experience at Eastern State Hospital, how her work for Child Development Resources (CDR) fits into the Williamsburg community assisting disabled children, at-risk children, and those that come from non-English speaking families, and how changing legislation and federal grant money alters the CDR's focus. The folder contains summaries and indices of the interviews.","Jacqueline Vasquez is a student at William and Mary. She discusses her childhood in Texas and her relationships with her family. She speaks about her middle and high school experiences such as participation in student government and sports. She also speaks about her decision to come to William and Mary and her involvement in Phi Beta Phi Sorority, the Club Lacross team, and her volunteer work at the Democratic National Convention in 2012. This folder contains a transcript of the interview.","Mr. Watson is the longest-working musician of the Governor's Musick Ensemble. He speaks about the historical musical performace practices and institutional knowledge. He discusses the transition in Colonial Williamsburg to historically accurate music practices, his own history with early music and the role of the Governor's Musick at the institution. The folder contains an index and transcript of the interview.","The four narrators are all William and Mary Alumni who reside in the Williamsburg Landing Retirement Community. The residents share stories from their time at William and Mary, speak about their love of the College, what has changed since they were students, why they decided to move to Williamsburg, why they remain involved in the College community, and why they think alumni retire to Williamsburg and other college towns. The folder contains a summary of the conversation as well as short biographies of the four narrators.","Lynn Wolfe works in administration at Child Development and speaks about the fundraising efforts of CDR as well as CDR's connection with insurance companies, public schools, and the community in general. She also speaks about her time at William and Mary and her reasons for living in Williamsburg. The folder contains a summary and index of the interview.","Timothy Wolfe work in the College of William and Mary Admissions Office. He previously worked at Walsingham Academy for two years in the early 2000s as their Director of College Counseling. He speaks about enjoying his time at Walsingham, his experiences as a non-Catholic staff member, and the perception of Walsingham in the community. The folder contains a summary and index of the interview.","Kris Yeager is a student at William and Mary. He speaks about his childhood and family as well as his gymnastics career as part of the Varsity gymnastics team at William and Mary. He discusses his struggles with gymnastics due to medical issues and his future as part of Teach for America in Las Vegas. The folder contains and index and transcript of the interview.","Folder contains brief biographies of the students taking part in the Williamsburg Documentary Project (WDP) in 2013.","WDP student Sarah Cate-Pizarro's final project on ghost lore and ghost tours in Williamsburg. The folder contains copy and description of a survey map of Williamsburg, several advertisements for various ghost tours, and a research paper.","The folder contains a research paper on responses to the Affordable Care Act (ACA) in Williamsburg and excerpts from the Virginia Gazette on national health care reform.","Folder contains a research paper on Big Brothers Big Sisters of Williamsburg.","The folder contains various articles, studies, and webpages about Big Brothers Big Sisters printed out as well as various documents from the organization.","The folder contains various program guides for Colonial Williamsburg, an article by Rohald Broude about music in Colonial Williamsburg in Early Music America, and a research paper about the Governor's Musick in Colonial Williamsburg.","The folder contains a research paper about Walsingham Academy.","The folder contains a research paper about youth athletics in Williamsburg","The folder contains a research paper about William and Mary alumni retiring in Williamsburg.","Folder contains a research paper on the evolution of the Williamsburg-James City County School System.","The folder contains a research paper about Child Developent Resources (CDR) in Williamsburg.","The folder contains a written description of student Rachel Quinones's map diary project which details a map of her day.","Folder contains several maps and a reflective essay.","Folder contains maps and relfective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a map and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains maps and a reflective essay.","Folder contains a variety of research papers on various topics in Williamsburg such as the LGBTQ community, downtown Williamsburg, the WCWM-FM which is William and Mary's radio station, alternative education, agriculture, local food, the Catholic community, Gene Nichol who is the 26th president of the College of William and Mary, racism inx the mid-20th century, and Meridian Coffeehouse.","The folder contains maps and reflective essays.","Folder contains a research paper on the Temple Beth El and Jewish community of Williamsburg.","The folder contains a research report on Williamsburg 2009 3-person rule zoning ordinance.","The folder contains a research paper on the Kingsmill gated community and overall perceptions of gated communities in Williamsburg.","Folder contains a research on the Magruder community which was displaced when Camp Peary was established. Additionally, the folder contains copies of relevant photographs and reports.","Mr. Boelt's family has a long history in Williamsburg and as a history buff he has a great deal of knowledge of the Williamsburg area, especially surrounding William and Mary. He speaks about how Williamsburg has changed, specifically in relation to the three person zoning rule and the transition of his childhood home on Richmond Ave. becoming a rental. The folder contains an index and transcript of the interview.","Chris Connolly serves on the City Planning Commission fot the city government and the branch that enforces the three-person rule. The folder contains a summary and index of the interview.","Mrs. Fleck speaks about her history as a military wife before coming to Williamsburg and running the Applewood Bed and Breakfast. She also discussed being a newcomer to the hospitality industry, the relationship between the Bed and Breakfast Network and the local government, and the importance of an internet prescence and marketing. The folder contains a summary, index, and transcrip of the interview.","Mr. Goddin is a vocal opponent of the three-person zoning rule and advocated for an expansion to four people. He speaks about the tension at the time (late 2000s), his arrival in Williamsburg, his neighborhood through the years, his thoughts on current compromises to the rule, his position as a homeowner, and his perspectives on how to move forward balancing student and resident concerns. The folder contains a summary and index of the interview.","Bruce Larson is a civilian working for the Department of Defense (Navy) as the Senior Archaeologist and Cultural Resources Branch Head for Naval Facilities Engineering Command (NAVFAC). Mr. Larson speaks about his education, career, the value of interdisciplinary methodology when working with cultural resources, and the 1966 National Historic Preservation Act. The folder contains an index and transcript of the interview as well as a copy of Mr. Larson's curriculum vitae.","Mr. McGurk is a media correspondent for Kingsmill United. He speaks on how he came to Williamsburg, his experience as a Kingsmill resident, and the history of Kingsmill. The folder contains an index and transcript of the interview.","Tyler Morris currently lives at Fred Boelt's childhood home and sheds some light on how the property is used today and what the surrounding neighborhood is like. Tyler discusses her experience with the property, the neighborhood, the three-person rule, and Williamsburg in general. The folder contains a summary and index of the interview.","Amanda Morrow currently lives at CityGreen Apartments on Richmond Rd. and currently violates the three-person rule. She discusses her previous housing in Williamsburg, her reasons for moving off-campus, her current living situation, and the three-person rule more broadly. The folder contains an index and transcript of the interview.","Samuel Powell is a retired judge who discusess his work witht he Powhatan statue outside the courthouse and the Atlantic community concept that should be completed with two additional statues in the newr future. He speaks of the history of James City County courthouses as well as his involvement with Anheuser-Busch when he worked in private practice as a lawyer in Williamsburg, VA. The folder contains an index and transcript of the interview.","Caroline Raschbaum speaks about her experiences being born and growing up in a household with two opposing religions, finding a passion for Judaism at a young age, Judaism in Williamsburg, the concept of diaspora, and safe spaces for Jews in Williamsburg. The folder contains an index and transcript for the interview.","Folder contains maps and written reports.","The folder contains a research paper on hispanic communities in Williamsburg as well as an adult student registration form and a document from William and Mary written in Spanish.","The folder contains a research paper on the exstence of homelessness in relation to Williamsburg, Virginia's tourist economy.","The folder contains a research paper on protesters in Williamsburg as well as an NAACP brochure, copies of posters for Black Lives Matter, a message on a task force on Preventing Sexual Assult and Harrassment, a program for the Lemon Project Spring Symposium titled \"Ghosts of Slavery: The Afterlives of Racial Bondage\", and a CD.","The folder contains a research paper on bicycling in Williamsburg, a series of printed emails on bicycling in Williamsburg, a pamphlet for the ride cycling club at the YMCA, a series of printed letters requesting interviews, The Williamsburg, James City, and York regional bicycle facilities plan from 1997, printed slides from March 26, 2015 WATA Transit Riders Advisory Committee, amap of James City County, a pamphlet for BikeBeat, the Flying Wheel newsletter from April 2015, several more pamphlets on where to ride bikes in the area, and a syllabus for a class on bicycling basics from William and Mary.","The folder contains a research paper on public housing in Williamsburg, a copy of an application for admission to the public housing system, and a copy of a residential lease agreement that all tenants of the WRHA musst sign.","The folder contains a research paper on the influence of bus drivers on their students.","The folder contains a research paper on food security in Grove, Virginia.","Mr. Briggs speaks about growing up in Williamsburg, his medical diagnosis that left him unable to work, and his residence in public housing, specifically the Katherine Circle Apartments. The folder contains a summary and index of the interview.","Ms. Burton works for the Williamsburg Redevelopment and Housing Authority (WRHA) and speaks on the mission of the WRHA, the process of applying to public housing with the WRHA, how the lease works, and her feelings on the structure of the public housing system. The folder contains an index and transcript of the interview.","Lamar Gray is a 21-year old man who grew up and currently resides in Grove. He speaks on how he ate when he was a wrestler, how he eats now, how he eats healthy, and how he thinks about food. The folder contains an index of the interview.","Ms. Heard speaks about her childhood in \"White City\", her various professions, her relationship with Colonial Williamsburg, and her experiences as a union organizer and protestor. The folder contains an index and transcript of the interview.","Terry Jones is a resident of a public housing complex managed by the Williamsburg Redevelopment and Housing Authority (WRHA). They speak about their life history and experiences with housing. The folder contains an index and transcript of the interview.","Dorcas Juarez discusses her life in Williamsburg at church, at work, and about the challenges and discrimination that comes from speaking little English. She also speaks about her family, the Latino community, and her journey from El Salvador to Williamsburg. The interview is primarily in Spanish. The folder contains a summary and index of the interview, both in English.","Fred Liggin is a pastor at the Williamsburg Christian Church and the founder and president of 3E Restoration which uses mutual relationships to equip and empower homeless individuals to transition to self-sufficiency in everyday life. Mr. Liggin speaks about poverty and homelessness in Williamsburg, his hope for creating systemic change, and his belief that college students can/ have a powerful voice in changing the conversation surrounding homelessness. The folder contains an index and transcript of the interview.","Grace Martien discusses riding the Williamsburg James City County school bus from when she began middle school in 2006  through her senior year of high school. She mainly speaks about her interactions and relationships with bus drivers and the social stratification evident on the bus itself. The folder contains an index and transcript of the summary.","Reed Nester is the director of City Planning and discusses how he has changed bicycling in Williamsburg over the last 20 years, his daily commute to and from work, and his involvement with planning out bicycle paths and lanes in Williamsburg. The folder contains a summary, index, and transcript of the interview.","Robert and Sharon own a bike shop called Red Barn Bikes in New Kent County. They discuss their time biking in Williamsburg, their beilief that James City County is not working with bicyclists, their belief that Capital Trail is essential to growing the biking community, and the reasons they opened up their bicycle shop. The folder contains a summary and index of the interview.","Sam Smith speaks about Williamsburg's Office of Real Estate Assessment, the city's property values, and how those values are assigned. The folder contains an index and transcript of the interview.","Brenda Tejada discusses her life in Williamsburg at work, with systems like social services, and the overall difficulties she faces from being Latino. She talks about her family the Latino community, and her journey from El Salvador to Williamsburg. The interview is in both English and Spanish. The folder contains an index (in English) and a transcript (in a mix of English and Spanish) of the interview.","Rich Thompson discusses his time bicycling in Williamsburg, his involvement with cyclists at the College of William and Mary. He also speaks about his personal reasons for commuting to and from work via bicycle each day. The folder contains a summary and index of the interview.","Mary Turnbull is a bicyclist in Williamsburg and a founding member of the Williamsburg Area Bicyclists. Miss. Turnbull speaks about her experiences commuting between her home in York County and her job as a librarian at Lafayette High School and the importance of bike safety. The folder contains a summary and index of the interview.","Mrs. Little is a historian and daughter of Reverend Archibald F. Ward, Jr. who advocated on behalf of the displaced citizens of Magruder.","Corinne Garland spoke about her work at Williamsburg Preschool for Special Children, her experiences at Child Development Resources, and educational legislation concerning children with disabilities in public schools. This folder contains an index and transcript of the interview.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Andrew Cotman and was indexed by Marriya Schwarz with audio management by Nicholas DeAtley. The interview was later transcribed by Nicholas DeAtley, Marriya Schwarz, and Andrew Cotman. The interview took place during the afternoon of 3/15/18 in the third floor 311 classroom of the College of William and Mary American Studies building, located on 114 North Boundary Street Apt Williamsburg, VA 23185, using a Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. There was a little interference due to an AC unit turning on and off which may have obstructed slightly the clearness and volume of Ms. Bell's voice. Also, there was an interference early on in the interview because Ms. Bell's microphone detached from her jacket. During the interview, Barbara Bell discussed her experiences in various school systems, like Richmond Public Schools, Fairfax County Public Schools, Department of Defense Schools, and the Medina City School District, during her 35 years of teaching. She reflected on her experiences teaching students with varying socioeconomic statuses. Throughout the interview, she made references to the power of having diversity throughout the classroom, and the joy that she has gained from teaching. Towards the end of the interview, she discussed her work with homeless student populations and a program that she created, called Diversity-In-Actions that promotes knowledge of African-American culture. For clarity, the transcribers have eliminated ever \"um\" and \"uh\" from the transcription.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team.","We interviewed Dr. Byrd-Poller on Tuesday, February 20th, 2018 in the upstairs classroom in the\ncollege apartments. Besides two brief distractions (one from a man hoping to print some papers\nand the other when we needed to get Dr. Byrd-Poller some water), the interview continued\nuninterrupted. We began by discussing her own experience growing up in the Williamsburg-\nJames City County school system and her children's experiences and how practices have\nchanged over time. We then began discussion of her twisting career path that eventually led her\nto her current position as Director of Human Resources at Thomas Nelson Community College.\nOne topic that was particularly relevant throughout the interview was the issue of diversity in her\nown schooling experience, her children's, and today as she plays a large role in hiring\nprospective staff.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","This interview was conducted by Shainir Bearfield and was indexed by Nicholas DeAtley with\naudio management done as well by Nicholas DeAtley. Nicholas DeAtley and Shainir Bearfield\nlater transcribed the interview together. The interview took place at 3:30 p.m. of March 23rd of\n2018, at the Land Tech Resources Inc. building located on 3925 Midlands road located in\nWilliamsburg, Virginia 23188 using a Zoom H-1 Handy Voice Recorder. Overall the quality of\nthe interview is very clear and all audio equipment worked extremely well. Interviewed was Lisa\nOwnby who serves as the Vice Chair of the Williainsburg James City County School board. She\nis also appointed as head of the special education advisory committee within the school board\nsystem. During the interview Lisa Ownby discusses how her relationship with her brother\nunfortunately suffering from numerous disabilities impacted her life choices and career path.\nThroughout the interview she discusses her early volunteering with Special Olympics eventually\nleading to her eventual work at Child Development Resources funded by the U.S. Department of\nEducation. Lisa Ownby in this interview offers her point of view on several facets of the\nWilliainsburg James City County Public school system. First and foremost she offers her\nperspective on funding of special education on a local, state and national level. This interview\nwas an excellent way to see how those working within the school board view the production of\nthe special education system and of what issues are taking place in the system in regards to\nfunding. Throughout this interview for clarity, the transcribers have eliminated \"um\" and \"uh\"\nfrom the transcription.","The content of this note came from the headnote created by the interview team.","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team.","I interviewed Jennifer Albarracin at the William and Mary Barnes and Noble on Saturday, April\n7. We were originally meeting to interview Elias Martinez, a father of English Language\nLearning students in WJCC schools. However, by some miscommunication, even though he\narrived at the bookstore, we were never able to find each other. I'm guessing it was an issue with\nparking. After waiting an hour, I interviewed Jennifer. We discussed her own experience\ngrowing up in Fairfax, Virginia with the label of\"ESL\" and how it drove her towards academic\nsuccess because she wanted to leave behind the term \"ESL\" as an identifier. We also touched on\nher parents' interactions with the school system and how her relationship with her parents was\nstrained by communication barriers. Today, Jennifer is a William and Mary student, minoring in\nLatin American studies in order to learn more about her own roots. The background noise is\nrelatively loud throughout the interview, but the recording is still understandable. Although she\ndoes state her name as Jennifer Albarracin Moya in the recording, most of the time she goes by\nsolely her first last name, Albarracin, and so I decided to refer to her as Jennifer Albarracin after\nconsulting her preferences.","The content of this note was taken from the headnote created by the interview team.","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team.","I interviewed Dr. Barko-Alva on Wednesday, March 21 in Swem library in a group study lounge\non the first floor (this gives reference for the occasional muffled voices in the background).\nEarlier in the day weren't sure if the interview was going to happen because it was snowy, but\nwe did end up completing the interview. We discussed Dr. Barko-Alava's educational\nbackground, beginning with her high school experience in Peru to finishing high school in the\nU.S. and going on to succeed at the University of Florida. She began teaching English her junior\nyear of college and once she graduated, she worked in the local public-school system. Dr. Barko-Alva\nwent back to UF to earn her Master's and Ph.D, and finally found herself at William and\nMary. We also discussed her involvement in educational activist work in Virginia and her\nexperiences 'in the Williamsburg-James City County school system. There were a few sections of\nthe narrative that were removed at the request of the narrator for various reasons including a\nconfidential conversation Dr. Barko-Alva is not at liberty to reveal. However, none of the deleted\nsections were crucial to the narrative being recounted.","The content of this note comes from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Laura Carver on Tuesday, March 20 at her office in Hornsby Middle School.\nUnfortunately, a small portion of the oral history was lost because the voice recorder's memory\ncard filled up, and I did not notice it until after she was done responding to my question.\nHowever, the unrecorded section could not have been much longer than two or three minutes.\nMs. Carver is an English as a Second Language teacher in the WJCC school system and has been\nsince 2015, so we began the interview with a brief overview of her day-to-day interactions with\nEnglish Language Leaners and their parents. We also discussed her educational background and\nher experience working as a missionary and how both impact her interpretation of her role as an\nESL teacher. We ended the interview discussing the challenges of ESL education, specifically in\nthe local area, faced by the ELL students, their teachers, their families and guardians, and WJCC\nschool system .and a few possible ways to better address those challenges in the future. There\nwere three separate sections that were removed at the request of the Ms. Carver and they are\nnoted in the transcript. Nothing crucial to the slory line of her narrative was lost by these\ndeletions.","The content of this note was taken from the headnote created by the interview team.","I sent these questions sent to Dr. Patricia Tilghman by email, which explains the odd formatting\nof this document. Her responses follow each bolded question. Dr. Tilghman gave me an\noverview of the ESL program in WJCC schools as well as information about her own\nbackground in ESL education. She also discussed a few of the largest challenges WJCC schools\nface in engaging parents of ESL students. Informed consent was received through email. I have\nprinted that out, along with a Deed of Gift.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted and later indexed by Marriya Schwarz. The interview took place \nduring the evening of 4.4.18 at the College of William \u0026 Mary's Swem Library in Group Study\nRoom 235, using a Zoom H-1 Handy Voice Recorder. Overall, the quality of the interview is\nfairly clear. There is some interference due to people talking and playing music loudly over in\nthe next room. During the interview, Alexis Brender A. Brandis discussed her experiences as an\nathlete. She has been involved with Track \u0026 Field, gymnastics, and Tae Kwon Do. She went on\nto discuss some of her experiences as a current member of the College of William \u0026 Mary's\nTrack \u0026 Field team. She reflected on her experiences with various Williamsburg-James City\nCounty Schools and discussed different experiences with teachers. Towards the end of the\ninterview, she discussed her relationship with her family, namely her unofficial \"adoptive\nbrother,\" Ramon, her experiences so far as a sophomore at the College of William \u0026 Mary, and\nher experiences with having a connection to both the Williamsburg community and the College.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz and indexed by Brenna Cowardin. The\ninterview was later transcribed by Marriya Schwarz. The interview took place during the evening\nof 4/12/18 in front of theater at the Williamsburg Regional Library on Scotland Street, using a\nZoom H-1 Handy Voice Recorder. Overall, the quality of the interview is fairly clear, but the\nvolume is somewhat low. There is some interference due to people filing in and out of the\nWilliamsburg Library, but the audio still can be heard. During the interview, Sylvia Shearin\nWillis discussed her experiences with education within Williamsburg-James City County\nSchools, primarily her experiences with Bruton Heights School and later James Blair High\nSchool after integration in 1966. She reflected on the differences between the two schools. She\nalso discussed her experiences with the different teaching at both schools and minority teaching.\nTowards the end of the interview, she also discussed her experiences with historically black\ncolleges, as well as the educational experiences of her two daughters. For clarity and as\nrequested by the narrator, the transcriber has eliminated every \"um,\" \"uh,\" and \"like\" from the\ntranscription.","The content of this note was taken from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","I interviewed Shamir Bearfield at Swem Library, located rather centrally on the William and Mary campus, in group study room 118. This room is located on the quieter side of the first floor of Swem, and we were therefore able converse without interruption throughout the interview. The interview focused on Shamir's educational experiences growing up, particularly his movement from public to private school and the influence of football on his academic career. We also discussed his transition from a public middle school to a private high school and how that better prepared him for college at William and Mary.","The content of this note comes directly from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Marriya Schwarz with Nicholas DeAtley indexing during the interview. Marriya Schwarz later transcribed the entire interview. The interview took place in the afternoon of 2/6/18 in the College Apartments where the American Studies Department is located at the College of William \u0026 Mary in Williamsburg, VA. During the interview, Andrew Cotman discussed his experiences growing up in Henrico, Virginia. He described his experience with education starting from elementary school to now, where he is currently a senior at the College of William \u0026 Mary. For clarity, I have eliminated every \"um\" and \"uh.\"","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","The interview with Brenna Cowardin was recorded on a Tuesday afternoon in a group study room in Earl Greg Swem Library on the William \u0026 Mary Campus. Other than our voices, the room was quiet because the door was closed. The room was lined with windows in Brenna's line of sight, which showed students walking around study tables and talking. The only other person in the room was the indexer, Shamir Bearfield. Brenna has a passion education, especially for students who are learning English as a Second Language (ESL). Brenna talks about her interest in education as she reflects on her own experience in the Harrisonburg city public schools in Virginia. Although she has no current plans for entering the educational field, she hopes to use her acquisition of the Spanish language to bridge the gaps for these students and their families in the American public education system.","The content of this note was taken from the headnote created by the interview team.","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college.","The content of this note was taken from the headnote created by the interview team.","I interviewed Nicholas DeAtley in a classroom on the third floor of the William and Mary College Apartments building. Nicholas provides a brief yet, enlightening account of his life history. Nicholas discusses a wonderful history of his upbringing from being born in Colombia and brought to the United States at a very young age, to his wonderful childhood with his adoptive family, and his aspirations to play sports in college.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Marriya Schwarz in the third floor 311 classroom of the William and Mary American Studies academic building, located on 114 North Boundary St. Williamsburg, VA 23185. This was my first time interviewing with the Zoom H-1 Handy Voice Recorder. Overall the quality of the interview is very clear, however the volume of the interview was a little low. This was Marriya's first time being interviewed so she was a little nervous despite some nerves, overall the interview went very well and was very natural. Marriya discusses in the interview where she is from and her upbringing. Detailed are her experiences growing up in Herndon, Virginia with her sister as well as her transition to high school where she excelled in many extracurricular activities. As a high school senior she also detailed many of her experiences transitioning from high school to college and the nerve wrecking college decision process that many seniors go through so often. Throughout my transcript I have decided to remove the majority of non-verbal utterances such as \"uh\" and \"um\" because it does not represent by my opinion an important aspect of Marriya's speaking style. I also felt it hindered the fluidity of the transcript as it occurred throughout the interview quite often. Marriya is a very academically focused person, who has garnered some very highly regarded awards from her scholastic work. Her ultimate goal is to become a screenwriter and intends to follow that passion after she graduates from the College of William and Mary.","The content of this note was taken from the headnote created by the interview team.","I interviewed Mr. Robert Braxton in the College Apartments, which is located on Boundary Street in Williamsburg, VA, in the office of the Williamsburg Documentary Project.  Mr. Braxton was very engaged with the topic and welcoming of any questions that we had for him.  He began his interview by drawing out a revised version of a map of the Triangle, which we drew a copy of.  Having grown up in the area surrounding the Triangle, Mr. Braxton had a valuable perspective on the area.  We covered topics regarding the businesses that were located on the Triangle, how the redevelopment project occurred, and the progress that Williamsburg is making today, in addition to Mr. Braxton's experience on City Council.","The content of this note was taken from the headnote created by the interview team.","I interviewed Steve Harris in College Apartments 5a, overlooking the businesses and traffic at the corner of Prince George Street and South Boundary Street. It was a nice day out and we were lucky that Mr. Harris, who was visiting from Michigan where he now spends much of his time, had lent of his limited time in Williamsburg to the WDP's research of the Triangle Block. The conversation spanned the pre-redevelopment, redevelopment, and post-redevelopment periods of the Triangle's history, starting from Mr. Harris's days at Marshall-Wythe Law School. Mr. Harris brought with him a series of printed-out aerial photographs of the Triangle which he refers to multiple times during the interview.","The content of this note was taken from the headnote created by the interview team.","Samantha and I interviewed Mr. Parker in one of the conference rooms on the first floor of College Apartments. He brought along a large binder full of documents that he allowed us to make copies of later, so there are times throughout the recording and transcript that he pauses to look at his materials or pull out a piece for our use. We discovered him through his association with the Society of Friends of African American History, the group responsible for the monument at the Triangle, so a lot of our focus was on that. He also shared his personal feelings about redevelopment and other issues surrounding the history of African Americans in Williamsburg. Early in the interview, there is some confusion over where Mr. Parker was to sign on the informed consent form, so there are pauses as we examined the form.","The content of this note is taken from the headnote created by the interview team.","I, Kandace Kimber, and Francie Zidonis interviewed Tony Conyers in Adriene's office in the College Apartments. Unfortunately, the room wasn't sound proof and there were renovations being done in the hallway so there is some background noise that can be heard in recording. Conyers is a native to Williamsburg and has spent majority of his career in both local and federal government. During the interview we discuss his upbringing and adulthood in Williamsburg, his experience developing new initiatives for the citizens in the city, and what he envisions for Williamsburg and James City County in the future.","The content of this note comes from the headnote created by the interview team.","I interviewed former City Councilman Scott Foster in one of the offices on the second floor of the college apartments. It was a very comfortable and casual atmosphere and I believe Mr. Foster had no trouble expressing himself in that environment. Scott Foster was a former student at the College of William \u0026 Mary ('10) and the first student to be elected to the Williamsburg City Council serving from 2010-2018. He has now retired from the City Council and resides in Skipwith Farms with his wife, working at a local law firm. We spoke a lot about Foster's time at the college (as well as, the law school), affordability in Williamsburg, and his overall passion for the city.","The content of this note comes from the headnote created by the interview team.","We interviewed Roy Gerardi and Tyrone Franklin in a small office in the Municipal Building, located at 401 Lafayette Street, on Friday, April 12. Mr. Gerardi could not stay for the duration of the interview, but before he was called out, he discussed his role in the Williamsburg Redevelopment and Housing Authority (WRHA), some of the programs available for low-income residents, and what he terms the \"five-fold reality\" of poverty. During his half of the interview, Mr. Franklin, the newly hired executive director for the WRHA, spoke about his experiences with affordable housing in his previous roles and his plans for Williamsburg moving forward.","The content of this note was taken from the headnote created by the interview team.","I interviewed Albert and Liz Johnson in the living room of their home in the BrookHaven neighborhood, which is located off of Ironbound road in James City County. While both Al and Liz participated in the interview, only Al wore a microphone so many of Liz's contributions are quiet or difficult to hear. I have done my best to transcribe them accurately, but some of her comments were indistinguishable due to the distance. The Johnsons seemed happy to welcome us into their home and to speak with us about Brookhaven. They have participated in the Williamsburg Documentary Project in the past and are experienced interviewees among American Studies students. During the interview the Johnsons showed us plans for the neighborhood, documents from Al's restaurant career, and photographs of their restaurant. We discussed the history and milieu of Brookhaven and Al's role as a founder of the neighborhood and a local entrepreneur.","The content of this note was taken from the headnote created by the interview team.","I interviewed Mr. Small in a conference room in the Public Works and Utilities department of the Williamsburg Municipal Building, located off of Lafayette Street in Williamsburg, Virginia. Mr. Small is a Williamsburg native and the current city engineer. His father worked in city planning in Williamsburg and James City County as well, helping to develop neighborhoods like Newtown and Fords Colony. As someone who has lived here for almost his entire life, Mr. Small has developed an extensive interest in the history of the development of Williamsburg. Our interview covers a number of topics, including why Williamsburg and the surrounding areas began to expand and develop in the eighties and nineties, moving into the history of various neighborhoods and areas, and finishing with a better understanding about how various aspects of the environment affect the way the city is developed. Throughout the course of the interview, there are various references to Google Maps, which Mr. Small was showing us on a projector, and to a smaller map in the room of Williamsburg with the understanding that it looks like a turkey.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Kandace Kimber in one of the Swem Library study rooms on the first floor (room 134C). The room was noticeably brighter than many of the surrounding rooms and areas and did somewhat disturb the individuals in the room. Kandace is a senior at the College and a Virginia native coming from Petersburg, VA. We spoke a lot about her living situation and went into great detail about her plans for the future. Kandace had a very relaxed demeanor and if she was nervous for the interview, one could not tell. A variety of topics were touched on during the interview concerning Kandace's personal life goals, about which she seemed very keen to talk about.","The content of this note was taken from the headnote created by the interview team.","I interviewed Ms. Resha in her office in the College Apartmnets, located on South Boundary Street in Williamsburg, VA. This is a practice interview for class, my second time every interviewing someone and my first time leading an interview on my own. Ms. Resha is 24 years old and a graduate student in the American Studies department, and the Teaching Assistant for our class. She studies Arab and Muslim representation in comic books. We discussed her research to some extent, but also focused a lot on her sense of what home has meant to her at varying points in her life. Ms. Resha considers herself to be \"from\" Florida, but has also lived in a number of places like Alabama, Charlottesville, VA, and Williamsburg.","The content of this note comes from the headnote created by the interview team.","I interviewed Brenna Thanner in a Swem library study room (134c), adjacent to the computer lab. We were the first in our group to interview. The room we were in was a comfortable size but the fluorescent overhead lights were extremely bright and hot. In the interview, I primarily ask Brenna about her family home in Jacksonville, Florida and her experiences in Williamsburg.","The content of this note was taken from the headnote created by the interview team.","I interviewed Francie Zidonis in College Apartments (114 N Boundary Street) room 224 the evening of Sunday, February 24th, 2019. By the time we had finished this interview, it was dark outside. The narrator, indexer, and myself had each already participated in two other practice interviews prior to conducting this interview. There is no remarkable outside noise; however, there are occasionally moments when laughter overwhelms the interview. We discussed Francie's hometown, Columbus, Ohio, and Williamsburg, often the College of William \u0026 Mary specifically, among other things.","The content of this note was taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman and indexed by Austin Curtis. The interview took place on the morning of 2/8/21 via Zoom. Ava Coles discussed her childhood growing up in rural Virginia and the changes that came when her family moved to Charlottesville. She talks about her relationship with her family and siblings as well as her community at large.  Special interest is paid to the impacts of her education and upbringing and the impacts they have had on her life as an adult.","Description was taken from the headnote created by the interview team.","This interview was conducted by Austin Curtis and indexed by Ava Coles. The interview took place on the afternoon of April 14, 2021 over Zoom. Janet Cummings describes the ways in which she has adjusted the efforts of the Relief Society of the Church of Jesus Christ of Latter-day Saints in Williamsburg to strengthen bonds of sisterhood among Latter-day Saint women.","Description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Hallie Feinman. The\ninterview took place on the morning of 2/8/21 via Zoom. Austin Curtis discussed his childhood\ngrowing up as the son of two diplomats. He talks about the various places he lived as well as his\nrelationship with his siblings and why he chose to attend William \u0026 Mary.","Description comes from the headnote created by the interview team.","This interview was conducted by Jasmine Geonzon and was indexed by Maeve Quigley. The\nentire interview was not transcribed. The interview took place on the morning of 4/26/2021 over\nZoom. Ms. Davis discussed her experiences as a patron and employee of the Williamsburg\nRegional Library, the library's role in the Williamsburg community, and the WRL's response to\nthe COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This oral history was conducted by Austin Curtis who later indexed and used happyscribe.com to transcribe the interview. This interview occurred at noon on February 8th, 2021 in Ava Cole's Personal Zoom Meeting Room. Hallie Feinman talks about her childhood and dissociative disorder. A condition which as she describes it as feeling like \"watching someone else pantomime through life [like] you,\" (03:40). Hallie Feinmen also addresses how COVID quarantines have affected her mental health.","Description taken from headnote created by the interview team.","This interview was conducted by Maeve Quigley and was indexed by Jasmine Geonzon. The\nentire interview was later transcribed using Otter.ai. The interview took place on the afternoon of\n4/12/2021 over Zoom. Ms. Fowler discussed her life and work history, her role as the director of\nthe Williamsburg Regional Library, the library's role in the Williamsburg community, and the\nWRL's response to the COVID-19 pandemic.","Description was taken from the headnote created by the interview team.","This interview was conducted by Amy Nadel and Johnette Weaver with Colleen Rodgers indexing. The interview took place virtually via Zoom video conferencing software in the afternoon of 4/30/21. All involved were sitting in their homes. Mrs. Weaver both helped interview her mother and served as another narrator by interjecting at times to provide helpful context to what Mrs. Gordon was saying. Mrs. Gordon discusses growing up in Magruder then moving to Highland Park, both Black neighborhoods. She shares her impressions of being a part of her Church community, going to segregated Bruton Heights School, being married to a Marine, and her desire to give her children as many educational opportunities as possible. Also, she shares her opinion of how Highland Park has changed over time and the impact of Covid 19 on her life.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Austin Curtis. The interview\ntook place on the morning of April 28, 2021 over Zoom. Tawanda Hammond describes the ways\nin which she started operating her own decorative cake shop at a young age and moved around\nlocations before ending up in Williamsburg. Hammond describes the ways her business was\nforced to adapt during the COVID-19 pandemic and the adversities that she faced. Hammond\nalso discusses the community of Williamsburg, and how it can improve on being more inclusive.","Description was taken from the headnote created by the interview team.","In this exercise, Jasmine Geonzon interviews Ron Littman with assistance from Sol Gallego-Garcia, who indexed the interview as it was taking place. The interview took place in the afternoon of 2/10/2021, as each Ron, Jasmine, and Sol were each in their respective homes, meeting over a recorded Zoom session. Here, Ron Littman discusses growing up in Williamsburg, having an unconventional school trajectory, and current college life. This transcription was created with the help of Otter.ai with necessary adjustments made for accuracy.","Description was taken from the headnote created by the interview team.","This interview was conducted by Lauren White and indexed by Ava Coles. The interview took\nplace on the afternoon of 2/25/21 over Zoom. Hatley Mason discussed his difficult decision to\nclose Mermaid Books, which he ran for over eleven years.","Description was taken from the headnote created by the interview team.","This interview of Amy Nadel was conducted by Colleen Rodgers and indexed by Maeve Quigley\non Sunday, February 7, 2021, at 3:40pm. The interview took place virtually due to the impact of\nthe COVID-19 pandemic and was done over Zoom, but Ms. Nadel was located in her room in an\noff-campus house. In the interview, Ms. Nadel discusses her experience of living abroad during\nthe onset of the pandemic in March of 2020.","Description was taken from the headnote created by the interview team.","This interview was conducted by Colleen Rodgers with Hallie Feinman indexing. The interview\ntook place virtually via Zoom at 5:00pm on Wednesday, May 5, 2021. In the interview, Macie\nOsborn, the mother of two sons currently enrolled in Williamsburg-James City County (WJCC)\nPublic Schools, discusses her experience with online learning during the Covid-19 pandemic.\nShe details the experiences of each of her sons, one in elementary school and one in middle\nschool, and expresses gratitude for WJCC's ability to adapt to an ever-changing pandemic-era\nworld.","This description was taken from the headnote created by the interview team.","I interviewed Maeve Quigley on Zoom. She was in her on-campus dorm room, while I was in\nmy off campus room. It was a cloudy, rainy day. Maeve seemed relaxed and ready to speak to us\nabout her experience moving to different places while growing up because she was smiling\nthroughout. She explained how living in three different regions within Virginia shaped her life.\nMaeve was 21 years old during the interview.","This description was taken from the headnote created by the interview team.","I interviewed Miss Rodgers over Zoom. Miss Rodgers was excited to describe how her family\nhistory shared interesting parallels with John Steinbeck's East of Eden . She gave some\nbackground on the book before delving into her own family's stories, including some funny\nstories passed down from her grandparents and older relatives.","The description is taken from the headnote created by the interview team.","This interview was conducted by Hallie Feinman with Colleen Rodgers indexing. This interview took place virtually over Zoom on Thursday, April 22nd, at 7 PM. The interview was roughly thirty minutes long. In the interview, local community college student Savannah Merriman talked about her time as a high school senior during the beginning of COVID-19 and her subsequent experiences with graduation, community college, and different communities in her life. Towards the latter half of the interview, Savannah spends time talking about her experiences with social media.","Description taken from headnote created by interview team.","This interview was conducted by Lauren White and indexed by Michelle Lelièvre. The interview\ntook place on the afternoon of April 21, 2021 over Zoom. Michelle Lelièvre was in Richmond.\nLauren White was in Williamsburg. Monique Sowell (MS1) and Michelle Seiling (MS2) were in\nthe office of the Hound's Tale in Williamsburg. Sowell and Seiling discuss their relationship with\nAromas Cafe, how they reacted to the early stages of the pandemic, and the adversities they\nfaced. They also discuss the different programs they received financial aid from, as well as\nbusiness plans for the upcoming future.","This description is taken from the headnote created by the interview team.","I interviewed Bishop David Trichler over Zoom. Bishop Trichler about becoming Bishop of the Church of Jesus Christ of Latter-day Saints (LDS) in Williamsburg, how his congregation adjusted to COVID health protocols, and his own personal relationship with the Mormon faith.","The description was taken from the headnote created by the interview team.","This interview was conducted by Colleen Rodgers with Amy Nadel indexing. The interview took\nplace virtually via Zoom at 8:00pm on Tuesday, April 13, 2021. In the interview, Bruton High\nSchool senior Cate Westenberger discusses her life in Williamsburg. She describes her public\nschool experience prior to and during the Covid-19 pandemic, as well as her experience with\nextracurricular activities such as sports and her job at Wythe Candy in Colonial Williamsburg.","This description was taken from the headnote created by the interview team.","This interview was conducted by Ava Coles and indexed by Lauren White. The interview took place on the afternoon of 4/16/21 over Zoom. Becki Wildenburger discussed her engagement with House of Mercy as a Housing Navigator, personal motivations, and House of Mercy's relationship with the Williamsburg community. Ms. Wildenburger detailed the landscape of affordable housing in Williamsburg and discussed how her role has changed during the COVID-19 pandemic.","This interview was conducted by Ava Coles on April 19th, 2021 over Zoom. Ms. Wolosynowski discussed the origins of the Williamsburg House of Mercy and her experience as the founder and executive director. During COVID-19, she forged critical community coalitions to further the mission of her organization and served the Williamsburg community through impressive food and housing services.","This description was taken from the headnote created by the interview team.","In this roundtable interview, Colonial Williamsburg Foundation employees Adam Canaday, Janice Canaday, and Paul Undra Jeter join the Director of Engagement at the Muscarelle Museum and visual artist Steve Prince and discuss the memorialization of African American history in Williamsburg, representation in the arts, local and national resistance to historical truth-telling, and visions for honoring African American ancestors. The Canadays discuss how being descendants of the first Black families of Williamsburg shaped both their careers as interpreters of African American history in CW. They also detail the legacy of Black labor in Williamsburg and express their frustrations with current obstacles to include African American representations in museums. Mr. Prince discusses his role as a visual artist, how he incorporates tragic histories within beautiful images, the power of visual representation, and how the lack of African American representation in public spaces harms the community. The narrators ask each other questions and relate their experiences throughout their discussion since this was the first time the CW employees met Steve Prince and the interviewers. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Jamie Carkenord on April 20, 2022, at the Colonial Williamsburg Interpreters Office located at 427 Franklin Street in Williamsburg, VA. In the roundtable, Zabinski references the conversations she previously had with other community members who share local history with the roundtable participants. The roundtable interview was completed for an oral history research project in AMST 410: The Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted by Jamie Carkenord and was indexed by Katherine Zabinski. The interview was transcribed. The interview took place on the morning of 1/28/2022 over Zoom. Ms. Clark discussed her life story moving across the country multiple times, what her childhood was like, and her college experience as an American Studies major.","This description is taken from the headnote created by the interview team.","In this interview, William and Mary student Jamie Carkenord discusses how and why she chose to pursue an undergraduate degree in American Studies and how the program has influenced her life. Carkenord describes how she chose American Studies because the interdisciplinary elements that allow her to study many topics and choose her own specialization of her interests. She explains how her mother also majored in American studies and how her mother's descriptions of history departments discouraged her from majoring in history. In American Studies, Carkenord found ease in both completing classes and scheduling new ones. Carkenord discusses how her major has increased her interest in Black American history and overall histories of minority groups in the United States, which have been the most rewarding features of her degree work. Carkenord's journey in American studies has changed the way she views social, political, legal, and economic factors of American society and she states that she continues to look for why historical events happen and who made them occur.","This description is taken from the headnote created by the interview team.","This interview was conducted and indexed by Teresa Clark. The interview took place on the afternoon of 04/22/2022 over Zoom. Ms. Cleveland discussed her journey as an artist in places like Chicago, Arizona, Williamsburg, and more. She discussed her artistic medium, the themes she draws on, and how her Williamsburg public art sculptures came to be. Ms. Cleveland also embeds her perspective on Williamsburg's public art scene in a story about coming back to the town herself and becoming a mother.","This description was taken from the headnote created by the interview team.","In this interview, Christopher Custalow (a citizen of the Oklahoma Cherokee Nation),\nKody Grant (a citizen of the Pueblo of Isleta and a descendant of the Eastern Band of Cherokee\nIndians), and Martin Saniga (a citizen of the Saponi Tribe out of Person County, North Carolina\nand Halifax County, Virginia) discuss their experiences working as American Indian interpreters\nin the tourism industry and the evolution of Indigenous representation in Colonial Williamsburg.\nThe narrators share information about their personal journeys with their cultural identities, the\ndifficulties and rewards about their career, and their hopes for the expansion of American Indian\nprogramming at Colonial Williamsburg.\nThis interview was conducted by Alison Walsh, and it was indexed by Alex Luck. The entire\ninterview was transcribed. The interview took place during the morning of 04/19/2022 on a\nZoom call.","This description was taken from a headnote created by the interview team.","This interview was conducted, transcribed and indexed by Teresa Clark, The interview took place on the afternoon of 02/18/2022 at the city Municipal Buildings. Williamsburg Public Art Council members and Tourism Development specialist and WPAC staff liaison Joanna Skrabala discussed their role on the council, their view of public art, and the WPAC's work.","This description was taken from the headnote created by the interview team.","In this interview, Rev. Dr. Julie Grace discusses how her involvement in the Historic First Baptist Church in Williamsburg, VA throughout her childhood led to her career as a minister and her dedication to preserving African American history. She details her family's history living in Williamsburg and working for the Colonial Williamsburg Foundation, her experiences going to segregated schools, and how many Black residents view the tourism districts differently with their ancestors' dispossessions in mind. Dr. Grace describes how her ancestors' 19th-century lives as successful Black business and landowners along Duke of Gloucester Street, like Alexander Dunlop, and the overall prosperity of the African American community in Williamsburg are neglected histories that need to be commemorated in the city's physical landscape. She also expresses her personal thoughts on memorialization of African American history in the Colonial Capital of Virginia. The interview was conducted by undergraduate student Katherine 'Kate' Zabinski and indexed by her classmate Karissa McDonald on April 25, 2022, using the Zoom video conferencing platform. In the interview, Zabinski references the roundtable discussion she previously conducted with other community members who share local history with Dr. Grace. The interview was completed for an oral history research project in AMST 410: the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted in-person at the Williamsburg Regional Library in\nWilliamsburg, Virginia during the afternoon of April 28th, 2022. This interview was conducted\nby Kirsten Knisely, and it was indexed by Alison Walsh. Robert Haas was the narrator. Mr. Haas\ndescribed his work as the Director of Program Services at the library. This job allows for him to\nplan and coordinate the live performing arts performances within the library theater. Mr. Haas\ndiscussed the history of performing arts at the library, the role of performing arts in\nWilliamsburg, funding and financial situation of the arts in Williamsburg, and his successes and\nfailures within his job. He also discusses the role of the college and tourism in the success of the\nlibrary. He also discusses the importance of increasing diversity. The interview was recorded\nusing a Zoom audio recording device. The interview was just under an hour.","This description was taken from the headnote created by the interview team.","In this interview, Williamsburg resident Neill Hollands describes his job as the president\nof the Board of Directors for the Williamsburg Players. Mr. Hollands has been working with the\nWilliamsburg Players for 10 years.. The Players are a non-profit community theater group that\nruns completely out of their theater on Hubbard Lane. The group typically puts on 12 shows a\nyear that are funded by donations, support from the city, and ticket sales. Hollands discusses the\nfinancial situation of the Players and how COVID-19 impacted in-person activities. The\ninterview continues on to discuss the community building aspect of community theater. He\ndescribes how the theater community is very well-loved among the older community within\nWilliamsburg. Hollands discusses the importance of diversity within the Performing arts world,\nand how the Williamsburg Players work to increase diversity, but ultimately sruggle. This\ninterview was completed as a part of Kirsten Knisely's research project on Performing arts in\nWilliamsburg, Virginia. Knisely conducted the interview in-person using zoom audio recording\ntools. The interview took place on April 24th, 2022 at the James-York Playhouse, where the\nWilliamsburg Players are based. This project is associated with the American Studies program,\nand will complete the AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelievre.","This description was taken from the headnote created by the interview team.","In this interview, Kirsten Knisely her early childhood and high school years. She\ndescribes her family life and speaks about people she admires. Kirsten grew up in Arlington,\nVirginia and in the interview, she speaks on her high school experience and friendships. Kirsten\ndetails some core memories as well as fandoms she was involved in high school and her beliefs\nin the tooth fairy and Santa. The interview was completed for an assignment in AMST 410:\nWilliamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted and indexed by Alison Walsh. The entire interview was\ntranscribed using Zoom Video Communications. The interview took place on the\nmorning of 1/30/2022 over Zoom. Ms. Luck describes her life history, including growing\nup in rural North Carolina, grappling with differing viewpoints from her family and\ncommunity, attending the College of William \u0026 Mary, her passions for dance and history,\nand significant influences on her life.","This description was taken from the headnote created by the interview team.","This interview was conducted by Alex Luck and was indexed by Alex Luck. The entire interview was transcribed using Word afterwards. The interview took place on the morning of 1/30/2022 over Zoom. Karissa McDonald discussed topics about different stages of her life, including International Schooling, her college experience, and her plans for graduation.","This description was taken from the headnote created by the interview team.","In this interview, former Williamsburg resident Jessika Weaver Miller (daughter of\nWilliamsburg activist Johnette Gordon Weaver and granddaughter of Highland Park resident\nMyrtle Gordon) describes her professional experiences in the U.S. Navy and in insurance work\nand education in Australia. She speaks about joining the Navy after attending the U.S. Naval\nAcademy and starting a family with her Australian husband in Australia. There, she developed\nan interest in local Indigenous cultures and decided to pursue teaching professionally. Miller\ndescribes her decision to teach in the Torres Strait, a remote northern island region populated by\nIndigenous communities. She talks about the challenges of cross-cultural teaching and working\nin a remote school with limited technological resources and low literacy rates, and her effort to\nstart a Navy Cadet program in the area. She then shifts to discuss her own educational experience\nin Williamsburg, Virginia, particularly at Jamestown High School, a majority-white school. She\nspeaks to her involvement with the First Baptist Church in Williamsburg and her relationship\nwith churches in Australia. The interview concludes with a discussion of her two elementary\nschool-aged children and her educational and social goals for them. This interview was\nconducted by undergraduate W\u0026M senior Jamie Carkenord on April 29, 2022 using the Zoom\nvideo conferencing platform. Jessika Miller was Zooming in from Thursday Island, Australia, so\nher local time was 9:00am on April 30th. This interview was completed as part of Carkenord's\nresearch project in AMST 410: Williamsburg Documentary Project, taught by Professor\nMichelle Lelièvre.","This description was taken from the headnote created by the interview team.","This interview was conducted in-person by Teresa Clark and indexed by Katherine Zabinski at the Culture Fix building located at 410 Francis St. in Williamsburg, VA on the morning of 4/27/2022. Mrs. Wendy Miller discussed her experiences as a long-time resident of Williamsburg who captures local experiences as the director and photographer of Culture Fix.","This description was taken from the headnote created by the interview team.","This interview was conducted by and indexed by Karissa McDonald. The entire interview was later transcribed using Otter.ai. The interview took place on the afternoon of 4/12/2021 over Zoom. Mr. Russell discussed his life and work history, his experiences with ghost stories, and the famous ghost stories of Williamsburg.","This description was taken from the headnote created by the interview team.","In this interview, Martin Saniga, who identifies as Saponi, Native, and American, discusses how growing up in Newport News, Virginia with his white mother and adoptive white father initially made him feel removed from his Saponi culture. He gradually reclaimed his culture by involving himself and making a difference within the Indigenous community of the greater Williamsburg area. On top of his career, he works with an Indigenous youth culture camp and is the president of a nonprofit language revitalization consortium. Mr. Saniga describes his career path: first joining the Coast Guard, later working as a site supervisor for Jamestown Settlement, and now working as an interpreter and head of the American Indian Initiative for Colonial Williamsburg. Mr. Saniga answers questions about the public reception of recent American Indian programming, museum ownership of Indigenous objects, the migration history of the Saponi people, William \u0026 Mary's complicated relationship with the local Indigenous community, and the effect of the COVID-19 pandemic on his work. \nThe interview was conducted by undergraduate students Alex Luck and Alison Walsh on February 24th, 2022 using the Zoom video conferencing platform. The interview was indexed by undergraduate students Kirsten Knisely and Karissa McDonald. The interview was completed for the Guest Interview assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This description was taken from the headnote created by the interview team.","Within this interview on January 30th, 2022 at 10:15am, Kirsten Knisely interviews her peer Alison Walsh. After Alison approves consent to conduct the interview, Kirsten begins her questions. Throughout the interview, Kirsten asks Alison questions concerning her youth and growing up, particularly what she was interested in as a kid and throughout high school. Alison describes her passions for sports and extracurriculars. She also describes her family and their importance to her. Kirsten continues to ask Alison about her time at William and Mary, what she is involved in, and who she spends her time with. Alison talks about her participation in a multitude of extracurricular activities and talks about her closest friends in college. The interview then moves to discussing the future, where Alison describes her plans to be an environmental lawyer and potentially starting a family one day. At the end of the interview, Alison signs the deed of gift form.","This description was taken from the headnote created by the interview team.","In this interview, Ms. Johnette Weaver discusses how her personal history and education in Williamsburg, VA shaped her work as an advocate for social justice. She describes her family's arrival in Virginia in the late 17th century, their dislocations, and eventual establishment in Highland Park. Ms. Weaver explains her complicated relationship with the Colonial Williamsburg Foundation alongside her pride in the work she has done as an interpreter there. She tells of her lifelong love of reading and of her choice to attend the historically Black college, Hampton University. Ms. Weaver discusses her social media manager position with Williamsburg Action, a social justice advocacy group that formed in 2020. The interview was conducted by undergraduate students Katherine Zabinski and Teresa Clark on February 15, 2022, using the Zoom video conferencing platform. In the interview, Clark and Zabinski reference the background knowledge they received about Johnette Weaver from assignments conducted in their undergraduate course AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre. Both the class assignment observations and interview were completed for an assignment in AMST 410.","This description was taken from the headnote created by the interview team.","In this interview, William and Mary student Katherine Zabinski describes her upbringing in a\nmilitary family, how it exposed her to other cultures and helped inform her passion for American\nhistory, and also describes her path to the college and the love of hip hop DJing she picked up\nhere. Zabinski narrates her family's moves from California to Washington State to Virginia,\nwhere she has lived since middle school. She explains that she does not consider uprooting\nmultiple times a downside, except that she finds it awkward trying to describe where she is from.\nOn the contrary, she describes how living in multiple places exposed her to more diverse\nAmerican cultures, growing familiar with Native and Chicano communities in California,\nIndigenous and Asian-American communities in Washington, and Black communities along with\nother diverse cultures in Virginia. She describes moving to Virginia and the South as a culture\nshock, but enjoyed the diverse geographies along with the diverse cultures: the California\ndeserts, Washington mountains, and Virginia cotton and cornfields. Zabinski describes the roots\nof her interest in history and the way attending predominantly Black middle and high schools\nand becoming friends with Black women inspired her to learn more about African-American\nhistory and American history that acknowledges white supremacy. She narrates how she came to\nbe interested in William \u0026 Mary. Initially having thought to join the military or attend\ncosmetology school, it was her teachers who encouraged her to take summer classes in the\nNIAHD program at the college, causing her to fall in love with the campus and with colonial to\nrevolutionary American history—with Richmond as one focus. Zabinski closes the interview by\ndescribing the extracurricular she has most enjoyed at William and Mary: the SOUL students of\nhip hop legacy club. She describes her involvement in the executive and social media branches\nof the club, and the DJing she had the opportunity to on a large and small scale during her time\nhere.","This description was taken from the headnote created by the interview team.","In this interview, American Studies and Gender, Sexuality and Women's Studies (GSWS)\nProfessor Leisa Meyer narrates their experience living in Williamsburg, Virginia, and the\nsurrounding areas as it pertains to the Queer community. Professor Meyer begins with detailing\ntheir life as a Professor at William and Mary, how much they care for their students and reform,\nand how they came to be a Professor and long-time resident of Williamsburg. They explain how\nthe surrounding areas of Williamsburg have a more lively Queer presence, and details some of\nthe history behind the notorious Gay/Lesbian bars in these more urbanized towns. Throughout\nthe interview, there are discussions of what qualifies as a Queer space, what Williamsburg and\nthe Queer community in the town can do to advance their presence in the Colonial city, and ends\nwith concluding remarks about Williamsburg as a whole.","This interview is conducted by Natalie Corsello and indexed by Emma Blackwood. The interview is transcribed by Abby Mendez (they/them). The interview took place in person in the Haven on April 16th at 11:00am. Liz Cascone discusses her background in terms of education and her journey leading up to their move to Williamsburg, as well as her thoughts on the difficulties of finding Queer community and spaces as a non-student, non-retiree in Williamsburg.","In this interview, Marcus Banks Jr. discusses his upbringing in the sports world and those who have positively influenced his journey as a basketball player. A native of the Williamsburg and Newport News areas, Banks begins by explaining who introduced him to the game of basketball and how he fell in love with it. He discusses his experience with basketball prior to college, transferring to different high schools, and the process by which he developed his skills on and off the court, as well as how he was able to overcome adversity. He speaks on what the game has meant to him throughout his life, the various coaches who have helped mold him into the young man he is today, and teammates he has had the pleasure of playing alongside. Finally, Marcus elaborates on the countless lessons, skills, and experiences that basketball has afforded him, and how these things can be applied to other areas of his life.","In the following oral history, John McGlennon, a Professor in Government at the College of\nWilliam \u0026 Mary and member of the Board of Supervisors of James City County, Virginia, discusses his\ninterest in politics as a youth, his education and activities at Fordham University and Johns Hopkins\nUniversity, and his participation in the Democratic Party in Williamsburg, Virginia. McGlennon explains\nhow his New York childhood and background as a first-generation college student sparked his initial\ninterest in politics, particularly in the Kennedy presidency. His increasing dissatisfaction with the Johnson\npresidency led McGlennon to become involved in the high school and college newspapers, which instilled\na belief in the consequence of journalism and academia as avenues for influencing politics. McGlennon\ndescribes his impressions of the First Congressional District of Virginia upon arriving in Williamsburg in\n1974, detailing his rise through the local Democratic Party from 1978 to 1981. Finally, he outlines his\n1982 strategy to campaign against then-State Senator Herb Bateman in the general election for the First\nCongressional District of Virginia, including how he solicited PAC funds, participated in\ncandidate-on-candidate debates, and the role of abortion in determining the final vote outcome.\nWilliamsburg Documentary Project student Caleb Fulford conducted the interview on April 2, 2024, at\n9:00 am with an Amcrest USB Microphone. Fulford and indexer Seth Novak reference the class\nassignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by\nProfessor Michelle Lelièvre.","This interview was conducted by Natalie Lopez and was indexed by Abigail Swanberg. This interview was transcribed by Natalie Lopez. It took place on April 17, 2024 in Swem Room 168. Cecilia Weaver discusses her internship experience at Colonial National Historical Park, her other internships and jobs, and her time at William \u0026 Mary. Topics of this interview include interning, archaeology, Geographic Information System (GIS), public history, museum work, and interpretation.","In this interview, Sam Beavin discusses the culture of music in Williamsburg and how people participate in it. He begins with his background of growing up in Parkland, Florida, and what music is common to that area. He then speaks about his involvement in a student band, Halcyon Lane, and their interactions with other bands on campus. He mentions his influences and genre tastes, and how those compare to the music he plays for Halcyon Lane. He then goes on to describe the locations he has played at, such as the Meridian, the Amphitheater, Sadler Center, Merchants' Square, and on a float during the 2023 Homecoming Parade. He elaborates on the people who listen to him play and how they identify, specifically whether there are students or otherwise. Sam concludes that he is more connected to the William and Mary music community, though enjoys those connections and is content with them. The interview was conducted by undergraduate student Seth Novak on April 7th, 2024, using Zoom H8 Digital Recorders in Earl Gregg Swem Library for the American Studies department Williamsburg Documentary Project.","Maureen Anderson was interviewed was by Abigail Swanberg. The interview was indexed by Joey Houska and Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 4/12/2024 in person at 3312 N Riverside Drive Lanexa 23089. The interview contains topics including family, stating a business, creating and running a farmer's market, self-sufficiency, farming, living in a historic house, and COVID-19.","This interview was conducted by Abigail Swanberg and indexed by Caleb Fulford and Gabe Dorsey. The interview occurred on April 26th, 2024, at 1:00 pm in Swem Library Room 118. This interview was conducted as part of the Williamsburg Documentary Project. Joey Houska is a senior at the College of William \u0026 Mary. They started and currently lead the Toano Walking Tour Project. This interview contains topics including revitalization efforts, community, William \u0026 Mary, walking arts, leadership, Ohio, and advocacy work.","In this interview, Abigail Swanberg discusses a condensed \"life history\", beginning with her life and family in Appomattox, Virginia, and continuing on to other topics such as her interest in football and participation in the marching band. She describes her high school experience under Covid-19 and how it differed from her introduction to college. Finally, she ponders her life goals and ultimate aspirations. The interview was conducted by undergraduate student Seth Novak on January 28th, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Caleb Fulford discusses his upbringing and how his parents' relative youth and complex relationship impacted him as a child, as well as his relationship with his younger sisters. He also discusses the impact of his friendship with his current roommate Georgia, who he has been friends with since middle school. He describes how his learning difficulties in school encouraged him to join the debate team and, later, pursue a legal career. He also speaks about how his family's religious differences impacted his ideas about politics. The interview was conducted by undergraduate student Natalie Lopez on January 30, 2024 using the Zoom video conferencing platform. This interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In this interview, Deja Williams discusses her upbringing and college experience. She describes where she is from, schools attended, the decision to come to William \u0026 Mary, and college extracurriculars, including improv comedy and the desire to play an intramural sport.","In this interview, Emma Blackwood discusses her upbringing in Richmond, VA and her experiences through private school preparing her for college. She describes how quarantine impacted her family, as well as her transition to William and Mary. Soon to be graduating, Emma Blackwood outlines her post-college plans for law school, especially in environmental justice advocacy. The interview was conducted by undergraduate student Anika Ahammad on January 29, 2024 using the Zoom video conferencing platform. The interview was completed for an assignment in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","In the following interview, Gabe Dorsey discusses his early childhood and how his parents instilled an unwavering dedication to work, discipline, and spirituality. Gabe recalls deriving his name from the biblical archangel Gabriel, who declared to the Virgin Mary that she had been selected to bear the Son of God and served as a touchstone throughout his upbringing. He describes attending church every Sunday with his immediate family—his mother, father, two older brothers, and grandparents—and values the faith he observed between his parents as a marital unit. Gabe also reflects on how family, early education, and recreational athletics led him to pursue and compete in collegiate basketball at the College of William \u0026 Mary. He credits his father, a former college basketball player, with inspiring him and emphasizing the academic benefits of such a sport. I completed the interview for an assignment in the Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Gabe Dorsey and was indexed by Caleb Fulford. The entire interview was transcribed. The interview took place on the evening of 1/30/2024 over Zoom. Ms. Lopez gives a brief background on her hometown, upbringing, family life, and her ambitions as a motivated William and Mary student. She gives insight regarding her experiences being a kid from the west coast studying on the east coast, a young girl growing up in a Mexican household and a young woman discovering more and more about herself as she travels and grows through life. \"In the words of Walt Whitman, 'we all contain multitudes'\".","In this interview, Seth Novak discusses his experiences moving around Arlington, Virginia. He also talks about his family and the pets that his family has owned over the years, mostly cats. He talks about his experience volunteering at the Heritage Humane Society. Seth Novak also mentioned how he ended up at William \u0026 Mary, his current thoughts on being a senior who is graduating early, and his post-graduation plans.","In this interview, Laura Gonzalez Castro discusses her personal and professional life, their interaction, and what her work means to her. She describes her youth in Havana, Cuba, and how her experiences were similar and different from other citizens. She also discusses her immigration to the United States and the efforts that went into finding work here, bringing her family members, and how she ended up in Virginia. Gonzalez Castro then goes on to talk about her professional life in the Center for Child and Family Services, and how terminology can have a large impact on the clients she takes in, especially those considered \"undocumented\". Interest is also paid to her education in Cuba, as well as personal life, such as travels across Europe and domestically. The interview was conducted by undergraduate students Abby Mendez and Seth Novak on March 5th, 2024, using DGI microphones.","This Williamsburg Documentary Project guest interview was conducted in the dining area in the basement of First Baptist Church in Williamsburg, Virginia. Molly Robinson conducted the interview and Michelle Lelièvre indexed. Students enrolled in the WDP also attended and interacted with Mrs. Montgomery during the interview. Prior to sitting down with us, Mrs. Montgomery gave the class a tour of the historic First Baptist Church. This enriching tour took up much of our class period, so Mrs. Montgomery scheduled a follow-up oral history that took place on April 4, 2024. In this first interview, she discusses growing up in Winter Park, Florida, attending Hungerford High School in Eatonville, FL, traveling and performing with musician Bill Doggett, raising her daughter during her career as a musician, getting married and moving to Williamsburg, starting credit unions in the town, and entering various leadership positions, including Chairperson of the History Ministry at First Baptist Church. The recording is punctuated with sounds of a phone ringing (@ 7:20 and 9:18). Mrs. Montgomery can also be heard speaking to other members of First Baptist who were in the church during the interview (@ 19:27, 36:19, and 49:10). Around 49:00, several students had to excuse themselves to attend another class.","This oral history was a follow-up to the oral history interview conducted with Mrs. Liz Montgomery by the Williamsburg Documentary Project on February 22, 2024. Both interviews were conducted by Molly Robinson, with questions developed by Molly Robinson and Michelle Lelièvre. Given the expansive nature of Mrs. Montgomery's first interview, the WDP invited her to conduct a second interview where we could explore in greater depth some of the many fascinating topics she introduced, including her experience as a jazz vocalist touring with Bill Doggett in the 1960's, her work to establish credit unions at Colonial Williamsburg and Busch Gardens, her work as a mother raising children in Williamsburg, and her leadership at the First Baptist Church. Mrs. Montgomery was very generous with her responses and shared details of her life that she had not previously disclosed publicly. She ended her interview by singing (unrehearsed!) a few bars from \"Sometimes I Feel Like a Motherless Child.\" The Williamsburg Documentary Project was honored to welcome Mrs. Montgomery and receive the gift of her stories.","In the following oral history, Meredith Poole, a Staff Archaeologist with the Colonial Williamsburg Foundation, discusses how discovering a fossil in her backyard at an early age sparked her passion for archaeology. She also cites numerous educators, from her elementary school teacher to a professor with whom Poole traveled to Belize for a semester abroad, as inspiratory figures in the initial development of her almost 39-year career. Poole explains how working on the 1985 excavation of the Shields Tavern site while completing her Master's Thesis for her MA in Anthropology from William \u0026 Mary helped to both ground her roots in the Williamsburg community and provide her with invaluable on-the-ground skills, such as appreciating the value of minute details and archeological storytelling, that would become central in her later work. She discusses her contributions to the 2022 excavation of the First Baptist Church Cite as among her proudest projects, describing the uncovering of such a personal history for the descendant community as a fulfilling process that exemplifies the value of archaeology. Poole also explains how she balanced her dual interests in fieldwork and obligations as a public-facing archaeologist with the Colonial Williamsburg Foundation, recalling as paramount her skills in creative writing and community development. She advises future archaeologists to focus on a specialized field of research that interests them and communicate the relevant knowledge in ways that the general public can understand and appreciate. Williamsburg Documentary Project students Caleb Fulford and Abigail Swanberg conducted the interview on February 20, 2024, at 2:00 pm with a Zoom H4N and DGI microphones provided by graduate student Molly Robinson. Fulford, Swanberg, and indexer Natalie Lopez reference the class assignment involving the interview in AMST 410: Williamsburg Documentary Project, taught by Professor Michelle Lelièvre.","This interview was conducted by Natalie Corsello and Emma Blackwood and was indexed by Anika Ahammad. The entire interview was transcribed. The interview took place on the afternoon of 2/13/2024 in person at Boswell Hall Room# 40 on 100 Ukrop Way, Williamsburg, VA. Tijuana Reeve discussed her journey to William \u0026 Mary, her advocacy in the Cape Henry Project, and also her personal experiences with pregnancy, stillbirth, and motherhood.","In this interview, Diane Langhorst discusses her experience of belonging and community as a student at the College of William and Mary in the class of 1968, detailing her life in chapters. She discusses the impact of being the middle child and the oldest daughter growing up in the church and transitioning to becoming a student. Further, she recalls the cultural changes of living in Williamsburg, as her parents didn't visit and there were no black students on campus,\nstating that the campus was isolated and segregated. She recounts how her religion fostered community, enabling a closer connection between her and her friends. She discusses how William and Mary felt insulated, how she felt little connection to the community outside of campus, and comments on the lack of news and political discussion. Diane cites the liberal arts education at the college as the inspiration for her study of sociology and subsequent career in social work. This interview was conducted by undergraduate students Caroline Cromwell and Leah Schrum and was indexed by Sarah Kinlaw. The interview took place in the Samuel E. Jones building on the William and Mary campus on the afternoon of 3/6/2025. This interview was conducted for research purposes by the Williamsburg Documentary Project, taught by\nMolly Robinson and Tijuana Reeve.","This description is taken from the headnote for the oral history.","In this interview, Zach Meredith discusses how his experience as a student at William and Mary shaped his understanding of community and belonging. He discusses how he was drawn to W\u0026M for its intellectual community, and subsequently found his community through the American Studies department and the Williamsburg Documentary Project course. Further, Zach details how the WDP exposed him to new ways of approaching history through archive work and understanding of his positionality. He recounts how his research on the Triangle Block during the WDP developed into his senior thesis project, \"Urban Renewal in the Colonial Capital: Contextualizing the Williamsburg Redevelopment \u0026 Housing Authority\"(2019). Now teaching at the same high school in Durham, North Carolina that he attended as a student, Zach\nhopes to develop a Durham History elective, incorporating aspects from the WDP. This interview was conducted by undergraduate students Sarah Kinlaw and Leah Schrum and was indexed by Caroline Cromwell. The interview took place in the Samuel E. Jones building on the William and Mary campus and on Zoom on the afternoon of 3/4/2025. 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