{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=2","prev":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=3","last":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026page=30792"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":30792,"limit_value":10,"offset_value":10,"total_count":307912,"first_page?":false,"last_page?":false}},"data":[{"id":"viw_repositories_2_resources_687_c03_c02_c11","type":"Item","attributes":{"title":"0011 - Glad Tidings, No. 1","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c11","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c11"],"id":"viw_repositories_2_resources_687_c03_c02_c11","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0011 - Glad Tidings, No. 1","Box 3","Folder 29"],"title_filing_ssi":"0011 - Glad Tidings, No. 1","title_ssm":["0011 - Glad Tidings, No. 1"],"title_tesim":["0011 - Glad Tidings, No. 1"],"unitdate_other_ssim":["1917-04-29"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0011 - Glad Tidings, No. 1"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":47,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#10","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c11"}},{"id":"viw_repositories_2_resources_687_c03_c02_c12","type":"Item","attributes":{"title":"0012 - Bringing in the Pudding - apple","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c12","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c12"],"id":"viw_repositories_2_resources_687_c03_c02_c12","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0012 - Bringing in the Pudding - apple","Box 3","Folder 29"],"title_filing_ssi":"0012 - Bringing in the Pudding - apple","title_ssm":["0012 - Bringing in the Pudding - apple"],"title_tesim":["0012 - Bringing in the Pudding - apple"],"unitdate_other_ssim":["1917-05-11"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0012 - Bringing in the Pudding - apple"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":48,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#11","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c12"}},{"id":"viw_repositories_2_resources_687_c03_c02_c13","type":"Item","attributes":{"title":"0013 - The Letters - Post Card","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c13","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c13"],"id":"viw_repositories_2_resources_687_c03_c02_c13","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0013 - The Letters - Post Card","Box 3","Folder 29"],"title_filing_ssi":"0013 - The Letters - Post Card","title_ssm":["0013 - The Letters - Post Card"],"title_tesim":["0013 - The Letters - Post Card"],"unitdate_other_ssim":["1917-06-01"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0013 - The Letters - Post Card"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":49,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#12","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c13"}},{"id":"viw_repositories_2_resources_687_c03_c02_c14","type":"Item","attributes":{"title":"0014 - In Excelsis Deo (Three Choir Boys) apple","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c14","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c14"],"id":"viw_repositories_2_resources_687_c03_c02_c14","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0014 - In Excelsis Deo (Three Choir Boys) apple","Box 3","Folder 29"],"title_filing_ssi":"0014 - In Excelsis Deo (Three Choir Boys) apple","title_ssm":["0014 - In Excelsis Deo (Three Choir Boys) apple"],"title_tesim":["0014 - In Excelsis Deo (Three Choir Boys) apple"],"unitdate_other_ssim":["1917-06-04"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0014 - In Excelsis Deo (Three Choir Boys) apple"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":50,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#13","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c14"}},{"id":"viw_repositories_2_resources_687_c03_c02_c15","type":"Item","attributes":{"title":"0015 - Three Ships - cherry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c15#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c15","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c15"],"id":"viw_repositories_2_resources_687_c03_c02_c15","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0015 - Three Ships - cherry","Box 3","Folder 29"],"title_filing_ssi":"0015 - Three Ships - cherry","title_ssm":["0015 - Three Ships - cherry"],"title_tesim":["0015 - Three Ships - cherry"],"unitdate_other_ssim":["1917-06-11"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0015 - Three Ships - cherry"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":51,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#14","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c15"}},{"id":"viw_repositories_2_resources_687_c03_c02_c16","type":"Item","attributes":{"title":"0016 - Glad Tidings, No. 2","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c16","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c16"],"id":"viw_repositories_2_resources_687_c03_c02_c16","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0016 - Glad Tidings, No. 2","Box 3","Folder 29"],"title_filing_ssi":"0016 - Glad Tidings, No. 2","title_ssm":["0016 - Glad Tidings, No. 2"],"title_tesim":["0016 - Glad Tidings, No. 2"],"unitdate_other_ssim":["1917-06-16"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0016 - Glad Tidings, No. 2"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":52,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#15","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c16"}},{"id":"viw_repositories_2_resources_687_c03_c02_c17","type":"Item","attributes":{"title":"0017 - Two Midieval Musicians","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c17#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c17","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c17"],"id":"viw_repositories_2_resources_687_c03_c02_c17","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0017 - Two Midieval Musicians","Box 3","Folder 29"],"title_filing_ssi":"0017 - Two Midieval Musicians","title_ssm":["0017 - Two Midieval Musicians"],"title_tesim":["0017 - Two Midieval Musicians"],"unitdate_other_ssim":["1917-06-21"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0017 - Two Midieval Musicians"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":53,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#16","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c17"}},{"id":"viw_repositories_2_resources_687_c03_c02_c18","type":"Item","attributes":{"title":"0018 - Fool with Horn","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c18#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c18","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c18"],"id":"viw_repositories_2_resources_687_c03_c02_c18","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0018 - Fool with Horn","Box 3","Folder 29"],"title_filing_ssi":"0018 - Fool with Horn","title_ssm":["0018 - Fool with Horn"],"title_tesim":["0018 - Fool with Horn"],"unitdate_other_ssim":["1917-06-23"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0018 - Fool with Horn"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":54,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#17","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c18"}},{"id":"viw_repositories_2_resources_687_c03_c02_c19","type":"Item","attributes":{"title":"0019 - Three Musicians - cherry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c19#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c19","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c19"],"id":"viw_repositories_2_resources_687_c03_c02_c19","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0019 - Three Musicians - cherry","Box 3","Folder 29"],"title_filing_ssi":"0019 - Three Musicians - cherry","title_ssm":["0019 - Three Musicians - cherry"],"title_tesim":["0019 - Three Musicians - cherry"],"unitdate_other_ssim":["1917-07"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0019 - Three Musicians - cherry"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":55,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#18","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c19"}},{"id":"viw_repositories_2_resources_687_c03_c02_c20","type":"Item","attributes":{"title":"0020 - Deserted House (Moonlighted House)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_687_c03_c02_c20","ref_ssm":["viw_repositories_2_resources_687_c03_c02_c20"],"id":"viw_repositories_2_resources_687_c03_c02_c20","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687_c03_c02","parent_ssi":"viw_repositories_2_resources_687_c03_c02","parent_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_ids_ssim":["viw_repositories_2_resources_687","viw_repositories_2_resources_687_c03","viw_repositories_2_resources_687_c03_c02"],"parent_unittitles_ssm":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"parent_unittitles_tesim":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50"],"text":["Julius J. Lankes Collection","Box 3","J. J. Lankes woodcuts Nos. 1-50","0020 - Deserted House (Moonlighted House)","Box 3","Folder 29"],"title_filing_ssi":"0020 - Deserted House (Moonlighted House)","title_ssm":["0020 - Deserted House (Moonlighted House)"],"title_tesim":["0020 - Deserted House (Moonlighted House)"],"unitdate_other_ssim":["1917-07-01"],"normalized_date_ssm":["1917"],"normalized_title_ssm":["0020 - Deserted House (Moonlighted House)"],"component_level_isim":[3],"repository_ssim":["College of William and Mary"],"collection_ssim":["Julius J. Lankes Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":56,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1917],"containers_ssim":["Box 3","Folder 29"],"_nest_path_":"/components#2/components#1/components#19","timestamp":"2026-05-21T05:31:27.489Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_687","ead_ssi":"viw_repositories_2_resources_687","_root_":"viw_repositories_2_resources_687","_nest_parent_":"viw_repositories_2_resources_687","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_687.xml","title_filing_ssi":"Lankes, Julius J. Collection","title_ssm":["Julius J. Lankes Collection"],"title_tesim":["Julius J. Lankes Collection"],"unitdate_ssm":["1917-1946"],"unitdate_inclusive_ssm":["1917-1946"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Mss. 65 L27","/repositories/2/resources/687"],"text":["Mss. 65 L27","/repositories/2/resources/687","Julius J. Lankes Collection","Virginia--Biography","Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.","See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record","Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Lankes, Julius J.,  1884-1960","English"],"unitid_tesim":["Mss. 65 L27","/repositories/2/resources/687"],"normalized_title_ssm":["Julius J. Lankes Collection"],"collection_title_tesim":["Julius J. Lankes Collection"],"collection_ssim":["Julius J. Lankes Collection"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Virginia--Biography"],"geogname_ssim":["Virginia--Biography"],"creator_ssm":["Lankes, Julius J.,  1884-1960"],"creator_ssim":["Lankes, Julius J.,  1884-1960"],"creator_persname_ssim":["Lankes, Julius J.,  1884-1960"],"creators_ssim":["Lankes, Julius J.,  1884-1960"],"places_ssim":["Virginia--Biography"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts between 1962 and 2000 of J. B. Lankes. Acc. 1997.14 gift of Emily L. Fournier."],"access_subjects_ssim":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"access_subjects_ssm":["Block printing -- 20th century","Wood-engraving -- 20th century","Wood-engraving -- Technique","Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"has_online_content_ssim":["false"],"extent_ssm":["6.50 Linear Feet"],"extent_tesim":["6.50 Linear Feet"],"genreform_ssim":["Correspondence","Engravings (Prints)","Publications","Wood engravings (prints)"],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"bioghist_html_tesm":["\u003cp\u003eJulius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Julius John Lankes was born in Buffalo, New York, 31 August 1884. He married Edee Maria Bartlett and had four children. He worked as a draftsman and took art courses. Lankes moved to Virginia in 1925. He was a visiting lecturer in art at Wells College and head of the section of technical illustration at Langley Field. Lankes was the author of several works and illustrated books. He died in Durham, N. C."],"prefercite_html_tesm":["\u003cp\u003eJulius John Lankes Collection, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Julius John Lankes Collection, Special Collections Research Center, William \u0026 Mary Libraries."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also oil painting by Lankes, Muscarelle Museum at William \u0026amp; Mary.\u003c/p\u003e\n","\u003cp\u003e Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.\u003c/p\u003e","\u003cp\u003esee #711 on Lankes Woodcut Record\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:","Related Materials"],"relatedmaterial_tesim":["See also oil painting by Lankes, Muscarelle Museum at William \u0026 Mary."," Related collections are at Dartmouth College, the Virginia State Library, and the Buffalo and Erie County (N. Y.) Library.","see #711 on Lankes Woodcut Record"],"scopecontent_html_tesm":["\u003cp\u003ePapers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eScope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost\u003c/p\u003e","\u003cp\u003e(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eXerox copies. Originals owned by J. B. Lankes and made available by him, 1972\u003c/p\u003e","\u003cp\u003eMss. Acc. 1982.26 Addition\u003c/p\u003e","\u003cp\u003eOwned by Buffalo and Erie County Library, New York.\u003c/p\u003e","\u003cp\u003eSeveral designs were used as the magazine's cover.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.\u003c/p\u003e","\u003cp\u003eJ. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.\u003c/p\u003e\n","\u003cp\u003eJ.J. Lankes Block #108, WILBUR MACEY \u003cstrike\u003eBOOKPLATE\u003c/strike\u003e STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. \u003c/p\u003e\n","\u003cp\u003e2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 2 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.\u003c/p\u003e\n","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph. \u003cu\u003eCORRECTION\u003c/u\u003e10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.\u003c/p\u003e\n","\u003cp\u003e1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)\u003c/p\u003e\n","\u003cp\u003e1 print.\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.\u003c/p\u003e","\u003cp\u003ePrinted October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.\u003c/p\u003e","\u003cp\u003eRochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003ePreliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eInstructions for \"switching\" procedures on the back. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003e6 prints (including at least 1 photoengraving)\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e4 prints, at least 2 of which are photoengravings\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #189 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print\u003c/p\u003e","\u003cp\u003e1 photocopy\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see #172 for another print of #189\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u0026gt;see entry #193 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003e1 print --\u0026gt; see entry #192 for another print of #193 (TWO PRINTS TOTAL)\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eVillage Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eJ.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003eFirst page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 photoengraving\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 print\u003c/p\u003e","\u003cp\u003e1 piece\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.\u003c/p\u003e","\u003cp\u003eChiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts\u003c/p\u003e","\u003cp\u003eList of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College\u003c/p\u003e","\u003cp\u003eScope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.\u003c/p\u003e\n","\u003cp\u003eMss. Sm. Coll. Add. 12\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1988.12 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.46 Addition\u003c/p\u003e","\u003cp\u003ePhotocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1996.55 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.13 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eThe Doremus Prints\u003c/p\u003e\n","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eDesigned by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.\u003c/p\u003e\n","\u003cp\u003e0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary\u003c/p\u003e\n","\u003cp\u003eReproduction rights reserved.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.31 Addition\u003c/p\u003e","\u003cp\u003eFive letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 2000.39 Addition\u003c/p\u003e","\u003cp\u003ePaper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).\u003c/p\u003e","\u003cp\u003efive prints matted together\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eBlock originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSubject was a few hundred feet westerly of Post Secret and River Road in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject was near Brandon and River Roads, north of Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eOne of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003ewhich was prior to the Williamsburg Restoration\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eScene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eLocation was near Briarfield Road and West Queen Street, Hampton\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eSubject is Massey's House. \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene is probably North Newport News\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eView is from Louis Jaffe's summer cottage\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eModel was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eAgain, Massey's house. Split repaired by J. B. L.\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eDamaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eFor Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eProbably not used.\nMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eSplit repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.48 Addition\u003c/p\u003e","\u003cp\u003eScene was at the river, end of Post Street in Hilton Village\u003c/p\u003e\n","\u003cp\u003eMss. Acc. 1987.15 Addition\u003c/p\u003e","\u003cp\u003eMss. Acc. 1997.14 Addition\u003c/p\u003e","\u003cp\u003ePainting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers and artifacts, 1917-1946, of Julius John Lankes, artist, who lived many years of his life in Newport News, Va. Includes biographical data, notes concerning a Lankes exhibition at the College of William and Mary; printed books by Lankes; correspondence and documents concerning the publication of Virginia Woodcuts by Lankes; photocopies of letters concerning a visit to Robert Frost; photocopies of prints from Lankes woodcuts; and woodcut blocks. Additions (Sm Coll Add 12, 1996.42, 1996.55, 1997.13 and 1997.14) include copies of twelve letters from Sherwood Anderson to Lankes (mostly concerning Lankes' woodcuts), photocopies of woodcut designs and correspondence, as well as a reproduction of a Lankes self-portrait. The additions also include two checklists: Burl N. Osborn, \" A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes (Millersville, Pa., 1937) and \"The Descriptive List of J. B. Lankes' Christmas Cards, 1959-1983 as well as four original signed woodcuts.","Mss. Acc. 1982.26 Addition","Scope and Contents Used by J. J. Lankes in making his woodcuts (1928) for West Running Brook by Robert Frost","(mostly letters from Caski-Dillard Co., Inc. and L. H. Jenkings, Inc.)","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Xerox copies. Originals owned by J. B. Lankes and made available by him, 1972","Mss. Acc. 1982.26 Addition","Owned by Buffalo and Erie County Library, New York.","Several designs were used as the magazine's cover.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J. J. Lankes woodcut design #2, PEANUT MAN I, dated February 18, 1917. Block destroyed about 1920. Offest by CopyCat September 1977 fro the hand-burnished second impression by artist.","J. J. Lankes woodcut design #3 HORSE IN RAIN, cut 023017. block destroyed prior to 1922. Offset by CopyCat October 1977 from a print by the artist.","J. J. Lankes woodcut design #5, BOOKS, cut 031117. Forerunner of Moore Bookplate, #25 (First bookplate). Offset from a print by the artist.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","J.J. Lankes Block #104, WILBUR MACY STONE'S LITTLE BOOK, cut 7-23-21.","J.J. Lankes Block #108, WILBUR MACEY  BOOKPLATE  STONE (spelling corrected), cut 8-1-21- both reproduced from original prints. ","2 photocopies","J.J.Lankes woodcut design # 107, OCTOBER, cut 7/26/21. Believed to have been inspired by RObert Frost's poem, \"After Apple Picking\". Undated sketch is labelled, \"Apple Picking\". Offset by Copycat July 1976 from a signed print by the artist.","1 print and 2 photocopies","J.J.Lankes woodcut design #107M, modified from the cut OCTOBER, 1926, Osborn bookplate catalog #45. Offset from signed print #3 by the artist, March 1978.","1 photocopy","1 photoengraving","J.J.Lankes woodcut design # 111, WINTER ( 2nd state ), cut 9-15-21, worked over to 2nd state 1925 ( roof of house lightened, border lightened, \"1921\" out. Edition of 46 in 1st state. This is the design that attracted Robert Frost to JJL's work. Offset from signed print #10.\nSee reverse of print for floorplan(?).\n1 print and 4 photocopies","J.J.Lankes woodcut design #112, DIGGER, cut October 10, 1921. Offset from an original print by the artist. / J.J.Lanke's design #360, The End II, offset from a photograph.  CORRECTION 10-24-1975 This is actually J.J.Lankes woodcut design #112, DIGGER T/P, cut 101021, sold to Century magazine for $20. Print previously furnished was from the block. Above is offset from an offset.....\n1 print and 1 photocopy","1 photocopy","J.J. Lankes woodcut design #114, TWO TREES AND COTTAGE, cut January 10, 1922. F.J.Lankes wrote July 3, 1963, \" I believe the house was on Clinton Street a little beyond the village limit. The view would be from the north bank of Buffalo Creek\". Offset March 1978 from a print by the artist.","1 print and 1 photocopy","J.J.Lankes Block #115, MODERN MINSTREL, used as a two-color personal greeting in 1921. Reproduced by offset from an original print. (\"Back door\" to Ellicott building? Buffalo)","1 print.","J.J. Lankes Block #116, CAROLINA PLAYERS, cut 3-6-1922. Reproduced by offset from preliminary sketch and from reduced heading on a program. / \"Folk Plays\" / Block to Prof. F.M. Koch. Offset reduced from the first trial proof in the Edward Ludsmith(?) Collection, 1977.\n3 photocopies","J.J.Lankes woodcut design #117, CHURCH AND APPLE TREE, cut March 7, 1922. Offset from an IBM copy of a print hand-rubbed by the artist.\n3 photocopies","J.J.Lankes Block #118, WINTER LANDSCAPE, cut 3-8-22. Reproduced by offset from an original print.\n2 photocopies.","J.J.Lankes Block #119, CARL L. BREDEMEIER BOOKPLATE cut 3-9-22. ( not used). Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lnakes Block #120, CARL L. BREDEMEIER BOOKPLATE, cut 3-10-1922. Both reproduced by offset from original prints.\nOsbourn, in the definitive work, says three designs; 15, 16 and 17 in 1922. Stone writes of five states in his portfolio.\n2 photocopies.","J.J.Lankes woodcut design #121, BOY PIPING, cut March 11, 1922. Cut for and rejected by Bryne Hackett. Offset from an original print by the artist.\n1 print.","Printed October 1962 by Dard Hunter from Lankes Blocks in the Hunter Collections.\n1 print.","Rochester - The Old North Gate into High Street / Drawn by Louis C. Rosenberg / Engraved by J. J. Lankes\nBlock # 123, cut 4-24-22. Reproduced by offset from magazine.\n1 print.","1 print","1 print","J.J.Lankes Block # 125, CLUMP OF TREES, cut 4-26-22. Reproduced by offset from an original print.","J.J.Lankes woodcut design #126, SELF PORTRAIT, cut April 27, 1922. Offset from a print by the artist in the Edward Hudspith Collection. Dated 1923 in lower left.\n1 print","J.J.Lankes woodcut design # 127, SWAN , cut April 28, 1922. Offset from a cull print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 130, PEEPING GIRL, cut May 2, 1922. Offset from a cull print by the artist. Also offset of original sketch marked \"Tying shoe\" and \"Done 5/3/1922.\" Used in New Yorker, 7/20/30. 2 prints","J.J.Lankes woodcut design #131, TORTURED MAN, cut May 5, 1922. Offset from a cull print by the artist. 1 print","J.J.Lankes block #132, CLOUD AND TREES, cut 5-4-22. Offset from a reference print. / Offset from a print formerly owned by W. Stone and marked by him \"May 1922\", now in the Edward Hudspith Collection. The size in the \"record\" is given as 1.9 x 4.9, but this seems to be in error. Appeared in \"Century\" magazine. There may be confusion with #169, which appeared in the September 1923 \"Century\". 2 prints","J.J.Lankes woodcut design # 175, CAROLINA PLAYMAKERS MASK, cut July 26, 1922. Block to Professor Koch. Offset 1977 from a print in the Edward Hudspith Collection. 1 print","1 print","Preliminary sketch for J.J.Lankes woodcut #135, NORSE TITLE PAGE. Offset from the sketch. \"Dreams\" by Knut Hamsun. / A part of J.J.Lankes woodcut design #135, NORSE TITLE PAGE, cut 050722. Offset by CopyCat from a print by the artist. 4 prints","J.J.Lankes Block #136, DAVID EDWARD HAND B/P, offset from an original print. Cut 5-8-22. / J.J.Lankes pencil sketch. Offset from the original sketch and a commercial reproduction. 2 prints","J.J. Lankes Block #137, PLACE HENRI-QUATRE, ROUEN, from drawing by L.C.Rosenberg for the Journal of the American Institute of Architects. Reproduced by off-set from an original print. / Reproduced by offset March 1978 from a print signed by the artist. 2 prints","1 print","1 print","1 print","Instructions for \"switching\" procedures on the back. 1 print","1 print","1 print","J.J.Lankes Block # 145, AUTUMN, cut 6-7-22. Offset from an original print by the artist. 1 print","J.J.LANKES Blockk # 146, DOUBT, cut 6-8-22 (unfinished). Second state has been filled and re-lettered. Offset from original prints by the artist. 1 print","6 prints (including at least 1 photoengraving)","1 photoengraving","1 print","1 print","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","1 print","J.J.Lankes woodcut design #152, HAPPY NEW YEAR, cut June 17, 1922. Tint block cut later. Offset 1977 with IBM copy of original sketch from material in the Edward Hudspith Collection.\n3 print","1 print","J.J.Lankes woodcut design #154, N INITIAL, cut June 20, 1922. Intended for use wiht Xmas card #147. Offset from a poor print in green ink, by JBL. The \"T\" is cataloged as X28. 2 prints","1 print","1 print","1 print","J.J.Lankes woodcut design #162, BOARS HEAD, cut July 4, 1922. OFfset from an illustration in Golden Book Magazine, before 1933. 1 print","1 print","[NOTE: #163 CONTAINS TWO DIFFERENT WOODCUT DESIGNS UNDER THE SAME NUMBER] Probably 163, 3rd state / Final state? March 31, 1958 - copy of page 3.1 of \"Distribution Clearance Manual\", distributed January 2, 1957. J.J.Lankes woodcut design, believed to be #163, which was originally cut 7-5-22. Offset from an original print by the artist, marked 1st imp. oct 4, 1927\". Attached are offsets from print made by JBL from the unidentified block about 1961. It is thought that the 1922 design, the print above and the attached print are three stages of the same design. 4 print of DESIGN #1, 1 print of DESIGN #2.","J.J.LANKES Design #164, WEST WIND, cut 7-6-22. Linoleum (L.) and Cherry(Lankes). Offset from original prints by the artist. 1 print","J. J. Lankes Block #165 THE END, cut 7/7/22. Reproduced from an original print by the artist. 1 print","1 print","1 print","1 photoengraving","1 print","4 prints, at least 2 of which are photoengravings","J.J.Lankes Block #171, TWO POPLARS IN WINTER, cut 7-13-22. Probably unfinished. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #189 for another print of #189","J.J.Lankes woodcut design Number 173, SKY, SEA, SHORE, cut July 16, 1922. Used in FORUM, October 1926. The scene is not the James River as might be supposed, but is more likely a Lake Erie shore scene. 1 print","1 photocopy","1 photoengraving","1 print","J.J.LANKES Block #177, JEHOVAH, cut 8-1-22. Block destroyed. Offset from an original print by the artist. 1 print","2 prints","J.J.Lankes woodcut design #179, on which at least five editions of Christmas cards were based. JJL card 108 (\"Chimes from the belfry sound...\") in black on white (red \"C\") printed Baker-Jones-Hansauer 1922; JJL card 108A (\"Happy New Year\") in black on white printed Baker-Jones-Hansauer 1925 (above offset from commercial card and first impression of lettering dated 3/17/25); Medici Society of America #105 (\"Greetings\", same as design 198) in blue and black on white printed 1928; American Artists Group #10168 (\"All Good Wishes...\") in brick-red(?) on gold (?) printed 1940; and JBL 1963 card (\"Christmas Greetings\", same as design 384) in blue on light blue. 3 prints","1 print","J.J.Lankes Block #181, PAUL DEBRY BENE B/P, designed by Paul Cret, cut 8-20-22. Offset from original print by the artist. 1 print","J.J.Lankes woodcut design # 183, LAMENTATIONS-SORROW (Weeping figure against wall, unfinished), record date August 22, 1922, print dated 9/1/22 by W.M.Stone. Offset from a print in the Edward Hudspith Collection. 1 print","1 print","1 print","J.J.LANKES Block #187, TRACTOR for \"Soviet Russia\", cut 8-30-22. Offset from original print by the artist. 1 print","1 print","1 print --\u003e see #172 for another print of #189","J.J.Lankes woodcut design #190, ROAD OVER HILL, cut 091722. Offset by the Little Print Shop from a print by the artist, with corrections in white ink. 2 prints","1 print","J.J.Lankes woodcut design # 192, LANKES, HIS BOOKPLATE BOOK, cut 092522. Offset from a print by JBL from the block. 1 print","J.J.Lankes woodcut design # 193, BITTERSWEET, cut 092622. Edition - 10 signed and numbered. Used in modified form in CENTURY MAGAZINE. Offset from a print by JBL from the block. 1 print --\u003esee entry #193 for another print of #193 (TWO PRINTS TOTAL)","1 print --\u003e see entry #192 for another print of #193 (TWO PRINTS TOTAL)","J.J.LANKES Blcok # 194A, COOPER I, cut @ early October 1922. Reproduced by offset from an original print by the artist. 1 print","J.J.LANKES Block # 194B, AUTUMN IDYLL (COOPER II), cut 10-8-22. Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","2 prints","1 print","J.J.LANKES BLOCK # 200, JULIEN BRYAN B/P, cut 12-2-22. Offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes Woodcut Design # 203, FLERSHEM XMAS GREETING, cut 12-14-22. Unfinished, block destroyed. Offset 1977 from a print by the artist from the unfinished block in the Edward Hudspith Collection. 2 prints","1 print","Village Church I, a poor print by JBL from the original block. Believed to be geographically reversed. \"14 Holy Helpers Church\" at Union Road and Indian Church Road, Gardenville, NY. Frequently used by J.J. Lankes. 1 print","1 print","J.J.Lankes woodcut design #207, VILLAGE CHURCH II (DAWN), cut 012823. Mrs. ?.H.Fournier has black(?). Offset from the \"1st trial proof\" hand-burnished by the artist. This church was used many times, including #205, 209, 468, and 1075. It is shown in the correct physical layout with School Street between the tree and ???ter foreground building and Union Road at the bottom of the print. Sketch was probably made while leaning against the bridge over Buffalo Creek.\n1 print and 1 photocopy","1 print","2 prints","J.J.Lankes woodcut design # 209, A HAPPY NEW YEAR (CHURCH), cut 020423. Mrs. E.L.Howard has electrotype. Offset from a print by JBL from the electrotype. Several states exist showing changes in the tower and in the sky. Used by JBL with different lettering for his 1975 Christmas card printing (to be sent 1976). 3 prints","J.J.Lankes woodcut design #210, MAPLE TREE I, cut 3-1-23, for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. This was the first of three cuts, each successively with the tree structure less open, perhaps to suggest that the heart of Florella was still active in governing the appearance of the tree. \"The church members wouldn't let Florella's be put back in hers, - So you won't find that, - only an open space with a maple in the middle of it, - They planted the tree so's no one would ever be buried in that spot ag'in.\" Offset from an original print by the artist. 1 print","1 print","J.J.Lankes woodcut #212, MAPLE TREE III, cut 3-3-23, used for A Dracula of the Hills by Amy Lowell, Century Magazine, June 1923. Illustration as used was cut down. Offset from a print from the block by F.J.Lankes. 1 print","J.J.Lankes woodcut designs #214 and #213, WASHING AND SILO and TWO ROTTING TREES, cut 3-5-23 and 3-4-23, for A DRACULA OF THE HILLS. Offset from cull prints by the artist. 1 print","J.J.Lankes woodcut design # 215, HEADING, HORSE SHED ON RIGHT ( for A Dracula of the Hills), cut 3-12-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design # 216, HEADING, STONES ( for A Dracula of the Hills. ), cut 3-13-23. Offset from a signed print by the artist. 2 prints","J.J.Lankes woodcut design 217, DRACULA TITLE PAGE, cut 031423, for Amy Lowell's \"A Dracula of the Hills\". (Century Magazine). Offset from a signed print by the artist. 1 print","J. J. Lankes Woodcut #218, Uprooted Tree, cut 3-16-23. Design by Charles Burchfield. Offset from a photostat. 1 print","1 print","1 print","1 print","J.J.Lankes woodcut design #222, FRAME HOUSE IN GEORGETOWN, cut April 4, 1923. Offset from a signed print by the artist. / Offset April 1978 from a print by the artist. Photo of this house was made about 1965. 2 prints","J.J.Lankes woodcut design #223, IVY HOUSE ( from church front), cut April 5, 1923. Offset from a cull print by the artist. / Offset from a print by the artist, marked for reduction to 6.5\" wide. This house could not be found by JBL about 1965. 2 prints","1 print","J.J.Lankes woodcut design #225, WASHINGTON MONUMENT, cut April 13, 1923. Offset from a print pulled from the block by JBL. 2 prints","J. J. Lankes Block #226, cut 4-23-23, Eleanore Holmes B/P. Reproduced by offset from an original print by the artist. 1 print","J. J. Lankes Block #227, cut 4-24-23, Holbrook B/P. Reproduced by offset from an original print by the artist. 1 print","J.J.Lankes woodcut design #229, GALLEON - I BRING YOU GLAD TIDINGS, cut 042623. Believe that the listing of \"three colors\" is in error and that this catalog item was actually monochrome. Offset June 1976 from a print by the artist. 1 print","1 print","J. J. Lankes Block #231, cut 5-2-23, Bridge. (See Mt. Olive Bridge earlier) Reproduced by offset from an original print by the artist. 1 print","1 print","1 print","J.J.Lankes woodcut design # 234. STAR SPLITTER TITLE PAGE (Whitaker's Farm), cut 5-2-23. Appeared in September 1923 Century magazine with Robert Frost's poem. Offset from an early impression by the artist. 2 prints","1 print","First page of THE STAR-SPLITTER, offset from the September 1923 issue of CENTURY MAGAZINE. The sky part of the illustration is J.J. Lankes woodcut design #239, cut 060123. The other part is the lower part of design #237, cut 052523. The upper part of design #237 was perhaps too \"dawnish\" to be used with the poem. Original headpiece was #236, 1.87\" x 11.5\", for which a print cannot be found. All three parts are on one block, about 6.4 x 5.6 inches. Offset April 1978 from the first impression by the artist, probably hand-burnished. 2 prints for a combined #237 and #239, and 1 print for a \"complete\" #237.","1 print","1 print","1 print","1 print","1 photoengraving","1 photoengraving","1 print","1 print","1 print","1 print","1 print","1 piece","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b.","Chiefly photo-engravings. Arranged by woodcut number. See also oversize box a and oversize folder b. Other works by Lankes ie. pen and ink sketches, pencil sketches. Also, unnumbered woodcuts","List of letters in the collection of the Burchfield Penney Art Center, SUNY Buffalo State College","Scope and Contents Copies of 12 letters from Sherwood Anderson of Marian, Virginia to J. J. Lankes, mostly about Lankes' woodcuts. Cys of TLS.","Mss. Sm. Coll. Add. 12","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Mss. Acc. 1988.12 Addition","Photocopies of woodcuts by woodcut artist J. J. Lankes. 38 pieces.","Mss. Acc. 1996.46 Addition","Photocopies (25) of J. J. Lankes woodcuts, descriptions of J. J. Lankes woodcuts, J. J. Lankes correspondence, and article about J. J. Lankes (July 1922).  Included is the Definitive Completion of \"A Descriptive Checklist of the Woodcut Bookplates of J. J. Lankes\" by Burl N. Osburn, Millersville, Pa., 1937.  J.B. Lankes, March 1984. Also, the Definitive List of J.B. Lankes Christmas Cards, 1959 - 1983.","Mss. Acc. 1996.55 Addition","Mss. Acc. 1997.13 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0603 - Man / 0611B - Steel Plant / 0612B - Elevator / 0613B - Tunnel","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","The Doremus Prints","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0615 - Woodchoppers / 0616 - Freight Handlers / 0617 - Negro / 669 - Concrete Bridge","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Designed by Rockwell Kent, engraved by J. J. Lankes and printed by J. J. Lankes. Doremus and Company commissioned these for use in advertising in various magazines and newspapers.","0670 - Dynamoes / 0671 - Two Locomotives / 0680 - Storm / 0695 - Two Ships / 0696 - Foundary","Reproduction rights reserved.","Mss. Acc. 2000.31 Addition","Five letters from Earl Gregg Swem Librarian, College of William and Mary, to J. J. Lankes about an exhibit of Lankes bookplates at William and Mary, 25 May 1940-20 March 1941. 2000 Christmas card created by Lankes. Copy of woodcut, The Meeting House [1885], dated 1926. 1972 letter from Peter Mollman of Harper and Row Publishers to J. B. Lankes about woodblock project. Slides of restoration work of an Lankes's oil painting, \"Sawmill and Dam,\" with a written summary of the work performed.","Mss. Acc. 2000.39 Addition","Paper made from recycled jeans in a Dutch windmill ca. 1986. (In Oversize Box a).","five prints matted together","Mss. Acc. 1987.15 Addition","Block originally had the word \"LIBERATOR (for magazine cover) and \"1819\" in lower right corner. Letters were cut off, probably 1919.","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Subject was a few hundred feet westerly of Post Secret and River Road in Hilton Village","Mss. Acc. 1987.15 Addition","Subject was near Brandon and River Roads, north of Hilton Village","Mss. Acc. 1987.15 Addition","One of \"Fifty Prints of the Year.\" Subject is Massey's House, in what is now Brandon Heights. A line separation is on the left of the block.","Mss. Acc. 1987.48 Addition","which was prior to the Williamsburg Restoration","Mss. Acc. 1987.15 Addition","Scene took place next to the artist's residence at 306 River Road, Hilton Village. Background is \"created.\"","Mss. Acc. 1987.15 Addition","Mss. Acc. 1987.15 Addition","Location was near Briarfield Road and West Queen Street, Hampton","Mss. Acc. 1987.15 Addition","Subject is Massey's House. \nMss. Acc. 1987.48 Addition","Scene is probably North Newport News","Mss. Acc. 1987.15 Addition","View is from Louis Jaffe's summer cottage","Mss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Model was a photo in a Virginia Quarterly Review brochure \nMss. Acc. 1987.48 Addition","Mss. Acc. 1987.48 Addition","Again, Massey's house. Split repaired by J. B. L.","Mss. Acc. 1987.48 Addition","For PROGRESSIVE FARMER from a photo. Split repaired by JJL.\nMss. Acc. 1987.48 Addition","Damaged by water. Glued with Elmer's Glue by J. B. L. September, 1987.\nMss. Acc. 1987.48 Addition","For Elbert McKinney (\"Tiny\") Hutton. Probably not used.\nMss. Acc. 1987.48 Addition","Probably not used.\nMss. Acc. 1987.48 Addition","Split repaired by J. B. L. Post Office is in the background. Catalog notes \"Pennell show.\"","Mss. Acc. 1987.48 Addition","Scene was at the river, end of Post Street in Hilton Village","Mss. Acc. 1987.15 Addition","Mss. Acc. 1997.14 Addition","Painting of  \"Sawmill and Dam\" by J.J. Lankes; photograph of other \"Sawmill and Dam\" adhered to the back of the painting; labeled \"JJL Catalog #091810B\" on back"],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center","Lankes, Julius J.,  1884-1960"],"corpname_ssim":["Special Collections Research Center"],"persname_ssim":["Lankes, Julius J.,  1884-1960"],"language_ssim":["English"],"total_component_count_is":324,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:31:27.489Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_687_c03_c02_c20"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":307912},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"A Plea for Shylock.\" by Major Raleigh T. 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Halleck\" booklet","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22A+Short+History+of+H.+W.+Halleck%22+booklet\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\"An Account and History of the Tazewell Family\" [autobiography]","value":"\"An Account and History of the Tazewell Family\" [autobiography]","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22An+Account+and+History+of+the+Tazewell+Family%22+%5Bautobiography%5D\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\"CAFO Cuture\" Exhibit Materials","value":"\"CAFO Cuture\" Exhibit Materials","hits":15},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22CAFO+Cuture%22+Exhibit+Materials\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\"How Old is Old\" Children's Booklet","value":"\"How Old is Old\" Children's Booklet","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22How+Old+is+Old%22+Children%27s+Booklet\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\"Jennie\" letter","value":"\"Jennie\" letter","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Jennie%22+letter\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\"The Gospel As Preached in the South\"","value":"\"The Gospel As Preached in the South\"","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22The+Gospel+As+Preached+in+the+South%22\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\"The List\" Newsletters","value":"\"The List\" Newsletters","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22The+List%22+Newsletters\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"'Colorado River Relocation Center' Scrapbook","value":"'Colorado River Relocation Center' Scrapbook","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%27Colorado+River+Relocation+Center%27+Scrapbook\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"1693 Minecraft Club records","value":"1693 Minecraft Club records","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=1693+Minecraft+Club+records\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date 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Eliza Crane","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=A.+Eliza+Crane\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Abraham, Dana (Dana Abraham)","value":"Abraham, Dana (Dana Abraham)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Abraham%2C+Dana+%28Dana+Abraham%29\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Ace, Samuel","value":"Ace, Samuel","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Ace%2C+Samuel\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"","value":"","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n                     Alex[ander]","value":"\n                     Alex[ander]","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A+++++++++++++++++++++Alex%5Bander%5D\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n                     B[enjamin]","value":"\n                     B[enjamin]","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A+++++++++++++++++++++B%5Benjamin%5D\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n                     Nath[anie]l","value":"\n                     Nath[anie]l","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A+++++++++++++++++++++Nath%5Banie%5Dl\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n                     R[ichard]","value":"\n                     R[ichard]","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A+++++++++++++++++++++R%5Bichard%5D\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n                     W[illia]m","value":"\n                     W[illia]m","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A+++++++++++++++++++++W%5Billia%5Dm\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n                  Georege W[ashington] P[arke] Custis","value":"\n                  Georege W[ashington] P[arke] Custis","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A++++++++++++++++++Georege+W%5Bashington%5D+P%5Barke%5D+Custis\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n                  George W[ashington] P[arke] Custis","value":"\n                  George W[ashington] P[arke] Custis","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A++++++++++++++++++George+W%5Bashington%5D+P%5Barke%5D+Custis\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n               Wash[ington]","value":"\n               Wash[ington]","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A+++++++++++++++Wash%5Bington%5D\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"\n            Frémont, Jessie Benton, 1824-1902.","value":"\n            Frémont, Jessie Benton, 1824-1902.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=%0A++++++++++++Fr%C3%A9mont%2C+Jessie+Benton%2C+1824-1902.\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":" Union Pacific Railway, St. Joseph and Western Railroad Division ","value":" Union Pacific Railway, St. Joseph and Western Railroad Division ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=+Union+Pacific+Railway%2C+St.+Joseph+and+Western+Railroad+Division+\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":" Newport News (Va.) 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