{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Wright%2C+Frank+Lloyd%2C+1867-1959","last":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Wright%2C+Frank+Lloyd%2C+1867-1959\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":4,"first_page?":true,"last_page?":true}},"data":[{"id":"viblbv_repositories_2_resources_2251","type":"collection","attributes":{"title":"Eleanore Pettersen Architectural Collection,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2251#abstract_or_scope","type":"document_value","attributes":{"value":"Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2251#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2251","ead_ssi":"viblbv_repositories_2_resources_2251","_root_":"viblbv_repositories_2_resources_2251","_nest_parent_":"viblbv_repositories_2_resources_2251","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2251.xml","title_filing_ssi":"Pettersen, Eleanore Architectural Collection","title_ssm":["Eleanore Pettersen Architectural Collection,"],"title_tesim":["Eleanore Pettersen Architectural Collection,"],"unitdate_ssm":["1915-2003","1950-2000"],"unitdate_bulk_ssim":["1950-2000"],"unitdate_inclusive_ssm":["1915-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2003.018"],"text":["Ms.2003.018","Eleanore Pettersen Architectural Collection,","Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)","Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010.","Collection is open to research.","The accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material.","The Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name.","Ageless Perceptions IV: Senior Women in Architecture","1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.\n\n","Ageless Perceptions IV – Senior Women in Architecture","Eleanore Pettersen, FAIA/Four Decades","Taliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices","The guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007.","The  ImageBase  at Virginia Tech's Special Collections contains digital images of Pettersen's work.","Pettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.","The Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.","The subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.","The Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.","Pettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.","Professional and civic awards presented to Pettersen.","Pettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.","The General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).","The Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.","The Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.","The Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.","The Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.","The Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated","The Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.","Arrangement note:  The  Project Index  is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers. ","The Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida. ","Pettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47. ","The Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.","The Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.","The Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.","Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959","The materials in the collection are in English."],"unitid_tesim":["Ms.2003.018"],"normalized_title_ssm":["Eleanore Pettersen Architectural Collection,"],"collection_title_tesim":["Eleanore Pettersen Architectural Collection,"],"collection_ssim":["Eleanore Pettersen Architectural Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Eleanore Pettersen Architectural Collection was donated to Special Collections in September 2003. Additions were received in April 2010 and August 2011."],"access_subjects_ssim":["Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010."],"extent_ssm":["296 Cubic Feet 219 boxes; 7 map cases"],"extent_tesim":["296 Cubic Feet 219 boxes; 7 map cases"],"genreform_ssim":["Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e","\u003cp\u003eThe accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","The accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material."],"arrangement_html_tesm":["\u003cp\u003eThe Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name."],"bioghist_html_tesm":["\u003cemph render=\"italic\"\u003eAgeless Perceptions IV: Senior Women in Architecture\u003c/emph\u003e","\u003cblockquote\u003e1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.\n\n\u003c/blockquote\u003e","\u003cemph render=\"italic\"\u003eAgeless Perceptions IV – Senior Women in Architecture\u003c/emph\u003e","\u003cemph render=\"italic\"\u003eEleanore Pettersen, FAIA/Four Decades\u003c/emph\u003e","\u003cemph render=\"italic\"\u003eTaliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices\u003c/emph\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Ageless Perceptions IV: Senior Women in Architecture","1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.\n\n","Ageless Perceptions IV – Senior Women in Architecture","Eleanore Pettersen, FAIA/Four Decades","Taliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices"],"odd_html_tesm":["\u003cp\u003eThe guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Eleanore Pettersen Architectural Collection, Ms2003-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Eleanore Pettersen Architectural Collection, Ms2003-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007."],"relatedmaterial_html_tesm":["\u003cp\u003eThe \u003cextref href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/pedd\" title=\"ImageBase\"\u003eImageBase\u003c/extref\u003e at Virginia Tech's Special Collections contains digital images of Pettersen's work.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["The  ImageBase  at Virginia Tech's Special Collections contains digital images of Pettersen's work."],"scopecontent_html_tesm":["\u003cp\u003ePettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.\u003c/p\u003e","\u003cp\u003eThe Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.\u003c/p\u003e","\u003cp\u003eThe subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.\u003c/p\u003e","\u003cp\u003eThe Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.\u003c/p\u003e","\u003cp\u003ePettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.\u003c/p\u003e","\u003cp\u003eProfessional and civic awards presented to Pettersen.\u003c/p\u003e","\u003cp\u003ePettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.\u003c/p\u003e","\u003cp\u003eThe Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.\u003c/p\u003e","\u003cp\u003eThe General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).\u003c/p\u003e","\u003cp\u003eThe Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.\u003c/p\u003e","\u003cp\u003eThe Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.\u003c/p\u003e","\u003cp\u003eThe Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.\u003c/p\u003e","\u003cp\u003eThe Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.\u003c/p\u003e","\u003cp\u003eThe Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated\u003c/p\u003e","\u003cp\u003eThe Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eArrangement note:\u003c/emph\u003e The \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2003-018pi.xls\" show=\"new\" title=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2003-018pi.xls\"\u003eProject Index\u003c/extref\u003e is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers. \u003c/p\u003e","\u003cp\u003eThe Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida. \u003c/p\u003e\n","\u003cp\u003ePettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47. \u003c/p\u003e","\u003cp\u003eThe Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.\u003c/p\u003e","\u003cp\u003eThe Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.\u003c/p\u003e","\u003cp\u003eThe Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Pettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.","The Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.","The subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.","The Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.","Pettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.","Professional and civic awards presented to Pettersen.","Pettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.","The General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).","The Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.","The Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.","The Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.","The Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.","The Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated","The Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.","Arrangement note:  The  Project Index  is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers. ","The Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida. ","Pettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47. ","The Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.","The Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.","The Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_962b3c36991e920d77cf488eb8cd9c4d\" label=\"Abstract\"\u003eEleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.\u003c/abstract\u003e"],"abstract_tesim":["Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000."],"names_coll_ssim":["Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates"],"persname_ssim":["Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":641,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:36:54.397Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2251","ead_ssi":"viblbv_repositories_2_resources_2251","_root_":"viblbv_repositories_2_resources_2251","_nest_parent_":"viblbv_repositories_2_resources_2251","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2251.xml","title_filing_ssi":"Pettersen, Eleanore Architectural Collection","title_ssm":["Eleanore Pettersen Architectural Collection,"],"title_tesim":["Eleanore Pettersen Architectural Collection,"],"unitdate_ssm":["1915-2003","1950-2000"],"unitdate_bulk_ssim":["1950-2000"],"unitdate_inclusive_ssm":["1915-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2003.018"],"text":["Ms.2003.018","Eleanore Pettersen Architectural Collection,","Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)","Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010.","Collection is open to research.","The accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material.","The Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name.","Ageless Perceptions IV: Senior Women in Architecture","1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.\n\n","Ageless Perceptions IV – Senior Women in Architecture","Eleanore Pettersen, FAIA/Four Decades","Taliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices","The guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007.","The  ImageBase  at Virginia Tech's Special Collections contains digital images of Pettersen's work.","Pettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.","The Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.","The subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.","The Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.","Pettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.","Professional and civic awards presented to Pettersen.","Pettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.","The General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).","The Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.","The Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.","The Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.","The Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.","The Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated","The Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.","Arrangement note:  The  Project Index  is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers. ","The Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida. ","Pettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47. ","The Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.","The Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.","The Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.","Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959","The materials in the collection are in English."],"unitid_tesim":["Ms.2003.018"],"normalized_title_ssm":["Eleanore Pettersen Architectural Collection,"],"collection_title_tesim":["Eleanore Pettersen Architectural Collection,"],"collection_ssim":["Eleanore Pettersen Architectural Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Eleanore Pettersen Architectural Collection was donated to Special Collections in September 2003. Additions were received in April 2010 and August 2011."],"access_subjects_ssim":["Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"access_subjects_ssm":["Architects","Buildings -- Specifications","International Archive of Women in Architecture (IAWA)","Women architects -- New Jersey","Women -- History","Women-owned architectural firms","Architectural drawing -- 20th century","Architects -- New Jersey","Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010."],"extent_ssm":["296 Cubic Feet 219 boxes; 7 map cases"],"extent_tesim":["296 Cubic Feet 219 boxes; 7 map cases"],"genreform_ssim":["Photographs","Models (representations)","Blueprints (reprographic copies)","Architectural drawings (visual works)"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e","\u003cp\u003eThe accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research.","The accessible information has been transferred to Special Collections server space, please contact Special Collections Staff for assistance in accessing this material."],"arrangement_html_tesm":["\u003cp\u003eThe Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The Eleanore Pettersen Architecture Collection is divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Art, Artifacts, Models. The series are arranged alphabetically by subject except for the Project Records. They are arranged in a project index alphabetically by client's name."],"bioghist_html_tesm":["\u003cemph render=\"italic\"\u003eAgeless Perceptions IV: Senior Women in Architecture\u003c/emph\u003e","\u003cblockquote\u003e1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.\n\n\u003c/blockquote\u003e","\u003cemph render=\"italic\"\u003eAgeless Perceptions IV – Senior Women in Architecture\u003c/emph\u003e","\u003cemph render=\"italic\"\u003eEleanore Pettersen, FAIA/Four Decades\u003c/emph\u003e","\u003cemph render=\"italic\"\u003eTaliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices\u003c/emph\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Ageless Perceptions IV: Senior Women in Architecture","1991 will be my fortieth year as an architectural principal with my own office. Architecture has been a total commitment. If I were to make a choice all over again, the choice would be the same. Architecture has imbued me with a sense of self worth and has given me the privilege of contributing a new sense of life and meaning to my clients and their families.\n\n","Ageless Perceptions IV – Senior Women in Architecture","Eleanore Pettersen, FAIA/Four Decades","Taliesin Legacy: The Independent Work of Frank Lloyd Wright Apprentices"],"odd_html_tesm":["\u003cp\u003eThe guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Eleanore Pettersen Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Eleanore Pettersen Architectural Collection, Ms2003-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Eleanore Pettersen Architectural Collection, Ms2003-018, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Eleanore Pettersen Architectural Collection commenced in February, 2009 and was completed in February, 2010. Preliminary processing was untaken by Amy Vilelle in 2007."],"relatedmaterial_html_tesm":["\u003cp\u003eThe \u003cextref href=\"http://imagebase.lib.vt.edu/browse.php?folio_ID=/iawa/pedd\" title=\"ImageBase\"\u003eImageBase\u003c/extref\u003e at Virginia Tech's Special Collections contains digital images of Pettersen's work.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["The  ImageBase  at Virginia Tech's Special Collections contains digital images of Pettersen's work."],"scopecontent_html_tesm":["\u003cp\u003ePettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.\u003c/p\u003e","\u003cp\u003eThe Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.\u003c/p\u003e","\u003cp\u003eThe subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.\u003c/p\u003e","\u003cp\u003eThe Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.\u003c/p\u003e","\u003cp\u003ePettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.\u003c/p\u003e","\u003cp\u003eProfessional and civic awards presented to Pettersen.\u003c/p\u003e","\u003cp\u003ePettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.\u003c/p\u003e","\u003cp\u003eThe Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.\u003c/p\u003e","\u003cp\u003eThe General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).\u003c/p\u003e","\u003cp\u003eThe Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.\u003c/p\u003e","\u003cp\u003eThe Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.\u003c/p\u003e","\u003cp\u003eThe Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.\u003c/p\u003e","\u003cp\u003eThe Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.\u003c/p\u003e","\u003cp\u003eThe Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated\u003c/p\u003e","\u003cp\u003eThe Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eArrangement note:\u003c/emph\u003e The \u003cextref actuate=\"onRequest\" href=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2003-018pi.xls\" show=\"new\" title=\"http://spec.lib.vt.edu/assets/documents/iawa/Ms2003-018pi.xls\"\u003eProject Index\u003c/extref\u003e is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers. \u003c/p\u003e","\u003cp\u003eThe Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida. \u003c/p\u003e\n","\u003cp\u003ePettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47. \u003c/p\u003e","\u003cp\u003eThe Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.\u003c/p\u003e","\u003cp\u003eThe Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.\u003c/p\u003e","\u003cp\u003eThe Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note"],"scopecontent_tesim":["Pettersen's collection encompasses over fifty years of architectural practice including project files, sketches, drawings, blueprints, models, slides and photographs representing approximately 600 designs. The collection also contains Pettersen's personal papers including biographical information, family papers, and photographs. The materials range in date from 1915-2003 (bulk 1950-2000) and are divided into five series: Personal Papers, Professional Papers, Office Records, Project Records, and Artifacts and Models. See the contents list below for more detail about the individual series.","The Personal Papers series contains Pettersen's family papers, biographical information, and personal correspondence (1963-1999). The series also contains a subseries of photographs and slides.","The subseries photographs/slides are divided further into Family Portraits and Photographs, Miscellaneous. The miscellaneous photographs are mostly unidentified snapshots. Major subjects present include: Altrusa meetings; Pettersen's barn/studio and pets; Pettersen's travels to visit friends; parties/gatherings; house models; Taliesin West Half Century celebration; and a visit to Frank Lloyd Wright's Grand Waikapu Country Club in Maui, Hawaii.","The Professional Papers series consists of material relating to Pettersen's participation in various professional and civic organizations, material (collected by Pettersen) documenting Frank Lloyd Wright and Taliesin, various awards received by Pettersen, correspondence, and general reference files.","Pettersen was active locally and nationally in professional organizations, as a member of the New Jersey Society of Architects and the American Institute of Architects, and in civic organizations, as a member of the Altrusa Club, YWCA, and the New Jersey State Council on the Arts. She was also involved in various local groups/projects, such as the Housing Development Corporation of Bergen County, Bergen Community College Women's Institute Advisory Council, and the Uniform Construction Code Advisory Board. Materials relating to these activities primarily include minutes, correspondence, agendas, reports, notes, and printed material.","Professional and civic awards presented to Pettersen.","Pettersen served as an apprentice to Frank Lloyd Wright as part of the Taliesin Fellowship from 1941 to 1943. Over the years, she collected material, such as newspaper and magazine clippings, newsletters (Frank Lloyd Wright Building Conservancy and FLLW Update), documenting Frank Lloyd Wright, his buildings, and his legacy. She also collected material, such as correspondence, publications, and clippings relating to Taliesin Fellows.","The Office Records series consists of materials relating to the day to day operations of a private architectural practice including financial materials, exhibit materials, publicity, clippings and scrapbooks featuring Pettersen and her practice, and photographs.","The General subseries focuses on the daily operations of the practices with an emphasis on financial matters. Materials present include: invoices, architectural fees, budget correspondence, purchase order books (1972-2000) and appointment books (1993-1998).","The Clippings/Scrapbook subseries includes newspaper and magazine clippings (1957- 2000) about Pettersen and her practice, real estate ads for houses designed by Pettersen, and two scrapbooks compiled by Pettersen.","The Presentation Materials subseries contain exhibit boards, publicity, and other materials for three exhibits featuring Pettersen.","The Public Relations series contains materials relating to the promotion of Pettersen's practice including press clippings, correspondence between Pettersen and interviewers/media outlets, and photograph albums containing a selection of Pettersen's projects.","The Photographs subseries contain glass slides, photographs, and slides of a mixture of unidentified structures and buildings designed by Pettersen. The photographs are mostly snapshots and Polaroids.","The Computer Disks subseries contains 5 ¼-inch and 3 ½-inch diskettes. They contain office records and project files. 1986-1988 and undated","The Project Records series consists of files, specifications, drawings, and other material relating to over 650 design and construction projects carried by Pettersen with her consecutive firms Eleanore Pettersen Associates and Design Collaborative.","Arrangement note:  The  Project Index  is a way to organize the various formats of architectural records from the same project. The project index is organized alphabetically by client's last name and then by project number. Researchers should note that several distinct projects share project numbers. ","The Files subseries consists of standard forms of agreement, change orders, invoices for architectural service, applications and certificates of payment, specifications, photographs, notes, correspondence, drawings and sketches, purchase orders, job reports, schedules, and other material created by Pettersen (and, to a certain extent, her associates) in the course of work on various residential and commercial projects. Projects primarily include the design and construction of new residences, and additions and alterations to existing residences. Most projects are located in New Jersey although there are also projects in New York, Massachusetts, Vermont, Connecticut, Maine, Michigan, Colorado, Virginia, North Carolina, South Carolina, Georgia, Tennessee, and Florida. ","Pettersen classified some of her files as \"Dead Files.\" This classification has been retained and is indicated in the Project Index with an italicized box number. The \"Dead Files\" include boxes 40-47. ","The Specifications subseries consist primarily of master copies, but also some draft and office copies, of specifications for various projects. Copies of specifications can also be found in the Files subseries; these copies were maintained distinct from the project files and therefore seem to warrant arrangement as a separate subseries.","The Drawings subseries includes architectural plans and sketches on a variety of formats including trace paper, diazo prints, blueprints, and CAD drawings.","The Artifacts, Models series contains memorabilia, material samples, and models associated with Pettersen and her practice as well as Design Collaborative."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_962b3c36991e920d77cf488eb8cd9c4d\" label=\"Abstract\"\u003eEleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000.\u003c/abstract\u003e"],"abstract_tesim":["Eleanore K. Pettersen (1916-2003) received a Certificate in Architecture from Cooper Union for Advancement of Science and Art in 1941, and was an apprentice to Frank Lloyd Wright at Taliesin from 1941-1943. She was one of the first women licensed as an architect in the state of New Jersey in 1950, and was the first woman in New Jersey to open her own architectural office. She primarily designed residences and was also very active in professional and civic organizations. She became a Fellow of the American Institute of Architects (FAIA) in 1991. The collection consists of project files, sketches, blueprints, drawings, models, photographs, and other material relating to over 600 of Pettersen's projects as well as material relating to her participation in various professional and civic organizations. The materials in the collection range in date from 1915-2003 with the bulk of the material dating 1950-2000."],"names_coll_ssim":["Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates","Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Design Collaborative (1970-?)","Eleanore Pettersen Associates"],"persname_ssim":["Pettersen, Eleanore, 1916-2003","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":641,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:36:54.397Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2251"}},{"id":"wvmturhc_repositories_2_resources_5371","type":"collection","attributes":{"title":"James E. Davis, Artist, Papers and Artworks","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#creator","type":"document_value","attributes":{"value":"Davis, James E., 1901-1974","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#abstract_or_scope","type":"document_value","attributes":{"value":"Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. 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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5371","ead_ssi":"wvmturhc_repositories_2_resources_5371","_root_":"wvmturhc_repositories_2_resources_5371","_nest_parent_":"wvmturhc_repositories_2_resources_5371","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5371.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198659","title_ssm":["James E. Davis, Artist, Papers and Artworks"],"title_tesim":["James E. Davis, Artist, Papers and Artworks"],"unitdate_ssm":["1845-2013"],"unitdate_inclusive_ssm":["1845-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"text":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371","James E. Davis, Artist, Papers and Artworks","Clarksburg (W. Va.)","Art and artists","Special access restriction applies.","James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".","Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959","English \n.    "],"unitid_tesim":["A\u0026M 3157","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5371"],"normalized_title_ssm":["James E. Davis, Artist, Papers and Artworks"],"collection_title_tesim":["James E. Davis, Artist, Papers and Artworks"],"collection_ssim":["James E. Davis, Artist, Papers and Artworks"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Clarksburg (W. Va.)"],"geogname_ssim":["Clarksburg (W. Va.)"],"creator_ssm":["Davis, James E., 1901-1974"],"creator_ssim":["Davis, James E., 1901-1974"],"creator_persname_ssim":["Davis, James E., 1901-1974"],"creators_ssim":["Davis, James E., 1901-1974"],"places_ssim":["Clarksburg (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Art and artists"],"access_subjects_ssm":["Art and artists"],"has_online_content_ssim":["false"],"extent_ssm":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"extent_tesim":["61.33 Linear Feet 57 document cases, 5 in. each; 7 document cases, 2.5 in. each; 11 records cartons, 15 in. each; 2 oversize record cartons, 17 in. each; 5 large flat storage boxes, 3.5 in. each; 1 small flat storage box, 3.5 in.; 54 large flat storage boxes, 3 in. each; 7 small flat storage boxes, 3 in. each; 9 large flat storage boxes, 1.5 in. each; 1 envelope; 17 unboxed paintings"],"date_range_isim":[1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eSpecial access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eJames Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)\u003c/p\u003e\n","\u003cp\u003e\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["James Edward Davis (1901-1974), more often referred to as Jim Davis, was born in Clarksburg, West Virginia and was a member of the prominent Davis family, which also included politician John W. Davis (Democratic Presidential candidate of 1924) and author Julia Davis. Davis began studying art at Princeton University, where he would later return to teach. He continued his education first at the National Academy of Design in New York City and later in Paris, France. Davis had a prolific and varied artistic career as a painter, photographer, and film-maker. He was particularly fascinated with motion, which led him to evolve a style featuring motion pictures of abstract patterns of colored light. Davis also made documentary films, including ones about his friends and fellow artists, the architect Frank Lloyd Wright and the painter John Marin. (Notes for the documentaries are in this collection, but not the films themselves.)","\n See control folder for further information regarding Davis, including a copy of the West Virginia and Regional History Collection newsletter containing an article regarding Davis and this collection."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026amp;M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], James E. Davis, Artist, Papers and Artworks, A\u0026M 3157, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.\u003c/p\u003e\n","\u003cp\u003e\nThis collection has been organized into twelve series:\n \u003c/p\u003e\n","\u003cp\u003e \u003cemph render=\"bold\"\u003eSeries 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.\u003c/emph\u003e This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e\n","\u003cp\u003e\n  \u003cemph render=\"bold\"\u003eSeries 2. Artwork--Abstract, boxes 10A-20, 1941-1968.\u003c/emph\u003e This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.\u003c/emph\u003e This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 4. Artwork--Landscape, boxes 33-58, 1924-1966.\u003c/emph\u003e This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.\u003c/emph\u003e This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 6. Artwork--Still Life, box 73, 1932-1938.\u003c/emph\u003e This series contains still life watercolor paintings by Davis.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 7. Artwork--Asbestos, boxes 74-77, undated.\u003c/emph\u003e This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 8. Exhibit, box 78, undated.\u003c/emph\u003e This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 9. Photographs, box 79-112, 1919-1974, undated.\u003c/emph\u003e This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 10. Publications, box 113, 1923-1974.\u003c/emph\u003e This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 11. Anthology Film Archives, box 114, 2007-2013.\u003c/emph\u003e This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eSeries 12. Typescripts, box 115, 1957-1974.\u003c/emph\u003e This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". \u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddenda:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2012/05/29\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.\u003c/p\u003e\n","\u003cp\u003e\n This addendum has been organized into the following series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969\u003c/p\u003e\n","\u003cp\u003e Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973\u003c/p\u003e\n","\u003cp\u003e Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976\u003c/p\u003e\n","\u003cp\u003e Addendum Series 4. Artifact; Box 4, folder 3; 1953\u003c/p\u003e\n","\u003cp\u003e Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated\u003c/p\u003e\n","\u003cp\u003e Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated\u003c/p\u003e\n","\u003cp\u003e\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/01/30\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia.\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003e Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992\u003c/p\u003e\n","\u003cp\u003e See control folder for typescript (3 pages) regarding the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1994/11/28\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 1995/03/09\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.\u003c/p\u003e\n","\u003cp\u003e\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998\u003c/p\u003e\n","\u003cp\u003eSee control folder for typescript (1 page) regarding Cogar and the content of the letters.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eMiscellaneous Addenda\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eThis has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2014/09/19\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2014/09/19, Series 12. Painting; unboxed; undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/01/31\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)\u003c/p\u003e\n","\u003cp\u003e This addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.\u003c/p\u003e\n","\u003cp\u003e\n \u003cemph render=\"bold\"\u003eAddendum of 2015/08/17\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003e 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. \u003c/p\u003e\n","\u003cp\u003eThis addendum has been organized into the following single series:\u003c/p\u003e\n","\u003cp\u003eAddendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.\u003c/p\u003e","\u003cp\u003eThis series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.\u003c/p\u003e","\u003cp\u003eThis series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.\u003c/p\u003e","\u003cp\u003eThis series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.\u003c/p\u003e","\u003cp\u003eThis series contains still life watercolor paintings by Davis.\u003c/p\u003e","\u003cp\u003eThis series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.\u003c/p\u003e","\u003cp\u003eThis series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.\u003c/p\u003e","\u003cp\u003eThis series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.\u003c/p\u003e","\u003cp\u003eThis series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.\u003c/p\u003e","\u003cp\u003eThis series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.\u003c/p\u003e","\u003cp\u003eThis series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material.","\nThis collection has been organized into twelve series:\n ","Series 1. Photograph Notebooks, boxes 1-9, 1919-1973, undated.  This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","Series 2. Artwork--Abstract, boxes 10A-20, 1941-1968.  This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","Series 3. Artwork--Figurative, boxes 21-32; 1926-1972, undated.  This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","Series 4. Artwork--Landscape, boxes 33-58, 1924-1966.  This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","Series 5. Artwork--Plastics, boxes 59-72, 1928-1968, undated.  This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","Series 6. Artwork--Still Life, box 73, 1932-1938.  This series contains still life watercolor paintings by Davis.","Series 7. Artwork--Asbestos, boxes 74-77, undated.  This series includes paintings on materials that contain asbestos. Access to boxes 75-77 is restricted and requires the permission of a curator.","Series 8. Exhibit, box 78, undated.  This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","Series 9. Photographs, box 79-112, 1919-1974, undated.  This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","Series 10. Publications, box 113, 1923-1974.  This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","Series 11. Anthology Film Archives, box 114, 2007-2013.  This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","Series 12. Typescripts, box 115, 1957-1974.  This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\". ","Addenda:","Addendum of 2012/05/29"," 1845-2012, undated; 3 ft., 9 in. (6 document cases, 5 in.; 1 record carton); Includes journals, photograph albums, manuscripts, family history and genealogy, and other material.","\n This addendum has been organized into the following series:"," Addendum Series 1. Journals; Box 1, folder 1-box 2, folder 8; 1963-1969"," Addendum Series 2. Photograph Albums; Box 3-Box 4; 1850-1973"," Addendum Series 3. Family History and Genealogy; Box 4, folders 1-2; 1845-1976"," Addendum Series 4. Artifact; Box 4, folder 3; 1953"," Addendum Series 5. Manuscripts -- James Edward Davis; Box 5, folders 1-8; 1935-1992, undated"," Addendum Series 6. Manuscripts -- John Marin; Box 6, folders 1-12; 1940-1990, undated"," Addendum Series 7. Manuscripts -- Frank Lloyd Wright; Box 6, folders 13-18; 1947-1990, undated"," Addendum Series 8. John W. Davis and Julia Davis; Box 7; 1904-2012, undated","\n Two photographs have been separated from this addendum and are currently located in box 112, folders 1-2.","Addendum of 1995/01/30"," 1943-1992; 7 1/2 in. (25 folders); Correspondence from Davis to Virginia M. Wood of Clarksburg, West Virginia."," This addendum has been organized into the following single series:"," Addendum Series 9. Virginia M. Wood Correspondence; Box 8, folder 1 through Box 9, folder 11; 1943-1992"," See control folder for typescript (3 pages) regarding the content of the letters.","Addendum of 1994/11/28"," 1951-1995; 1 in. (2 folders); Correspondence from Davis to Carl R. (Bob) Cogar of El Paso, Texas.","Addendum of 1995/03/09"," 1953-1968; 1/4 in. (1 folder); Christmas cards and correspondence from Davis to Carl R. (Bob) Cogar, including drawings and abstract light art by Davis.","\n The two addenda described above have been organized into the following series:\n \nAddendum Series 10. Carl R. (Bob) Cogar Correspondence; Box 9, folders 12-15; 1944-1998","See control folder for typescript (1 page) regarding Cogar and the content of the letters.","Miscellaneous Addenda","This has been organized into the following single series:","Addendum Series 11. Miscellaneous Addenda; Box 9, folders 16-22; 1991-2003, undated.","Addendum of 2014/09/19"," undated; (1 unboxed item); Oil on canvas painting, framed, of sailor playing the accordion by Davis.\n \n This addendum has been organized into the following single series:","Addendum of 2014/09/19, Series 12. Painting; unboxed; undated.","Addendum of 2015/01/31"," 1941-1997; 15 in. (3 document cases, 5 in.); Correspondence, artwork, and photographs of Davis. (A photograph has been separated from this addendum and is currently located in box 112, folder 3.)"," This addendum has been organized into the following single series:","Addendum of 2015/01/31, Series 13. Letters, Photographs, and Other Material; Box 10-12; 1914-1997, undated.","Addendum of 2015/08/17"," 1937-1974; 5 ft. 9 in. (2 record cartons, 2 oversize record cartons, 1 flat storage box, 2 newspaper boxes, 16 unboxed paintings); Artwork, photographs, writings, and correspondence of Davis. ","This addendum has been organized into the following single series:","Addendum of 2015/08/17, Series 14. Photographs and Paintings; Box 1-7 and unboxed; 1926-1970s, undated. Access to box 7 is restricted.","This series contains binders (referred to as \"notebooks\" by Davis) containing photographs attached to the pages with titles and descriptions by Davis. The subjects of the photographs in these binders include artwork by Davis, portraits, figure studies, studies for films, architecture, nature, and landscape. Binders occasionally contain other material including proofs, negatives, clippings, and correspondence.","This series contains abstract artwork by Davis. Characteristic of the artworks in this series is Davis's obsession with capturing motion; he describes these works as \"impulses\" or \"path of motion\", capturing movement with line and color. Media include oil, watercolor, magic marker, and pastel. Some artworks were originally part of scrapbooks.","This series contain figurative artwork by Davis. Most works in this series are figure studies, particularly of dancers and athletes. Media include oil, watercolor, pastel, and magic marker. Some artworks were originally part of scrapbooks.","This series contains landscapes by Davis. Subjects include West Virginia, New England, and the American Southwest. Media include watercolor, oil, and pastel. Some artworks were originally part of scrapbooks.","This series contains artworks made by Davis from various plastic materials. Types of artworks include mobiles (also called \"rotating objects\"), filters, designs on plastic, and designs for murals. This series also includes patterns for plastic artworks. Some of these artworks were used by Davis to create \"light art\" photographs and films.","This series contains still life watercolor paintings by Davis.","This series includes paintings on materials that contain asbestos. Access to this series is restricted and requires the permission of a curator.","This series contains material from an exhibit of Davis's work, including a portrait photograph of Davis and captions for the artworks that were on display.","This series contains photographs taken by James Davis. Material in this series includes black and white prints, color prints, negatives, proofs, and transparencies (16mm and 35mm). Subjects include artworks by Davis, abstract images (including \"light art\"), portraits, figures in motion, athletics, studies for films, landscapes, and architecture. The majority of material in this series is in its original containers with labeling by Davis. Other material, such as correspondence, is occasionally included.","This series contains publications owned by Davis; most of the items in this series are books. Most of the books have Davis's name and address written in them, often with the date of purchase and other information recorded as well. Subjects include art history, biography, Chinese culture, and Princeton University.","This series contains material published by Anthology Film Archives (a New York City-based center for the preservation of film, particularly independent, experimental, and avant-garde film), including books and DVDs. There are two books containing essays, interviews, articles, and correspondence regarding Davis's films. There are three DVDs containing films by Davis with informational booklets regarding the films.","This series contains bound photocopies of typescripts by Davis and others. Subjects of typescripts by Davis include notes for a memoir or autobiography, fellow artists and friends Frank Lloyd Wright and John Marin, and Davis's collaboration with Leo Merker while filming \"Pertaining to Chicago\", among others. Typescripts by other authors include a transcription of an interview with Davis and the thesis of a Princeton student regarding Davis's work with \"Light-painting\"."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Curry, Larry. \u003ctitle render=\"italic\"\u003eJohn Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art\u003c/title\u003e. Los Angeles: Los Angeles County Museum of Art, 1970.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Separated to the book collection; forwarded to Curator of Books:","  Curry, Larry.  John Marin, 1870-1953: a centennial exhibition organized by the Los Angeles County Museum of Art . Los Angeles: Los Angeles County Museum of Art, 1970."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9fd08766c307516c5ce66ef95696bec0\"\u003eArtwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection.\u003c/abstract\u003e"],"abstract_tesim":["Artwork, photography, and papers of James Edward Davis, an artist born in Clarksburg, West Virginia. Davis studied art at Princeton University and had a prolific and varied artistic career, being particularly noted for his experimental abstract films involving color, light, and movement. This collection contains paintings, sketches, mobiles, photographic prints, transparencies, memoirs, notes on Frank Lloyd Wright and John Marin, and other material. There are addenda to this collection, which include memoirs and other writings, correspondence, material regarding Julia Davis and John W. Davis (relatives of James Davis), and other material. See \"Scope and Content Note\" and \"Historical Note\" for further information regarding this collection."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_bd400494aeb5d5a2d9a3ac365d700466\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Davis family","Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Davis family","Cogar, Carl R. (Bob)","Davis, James E., 1901-1974","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"famname_ssim":["Davis family"],"persname_ssim":["Davis, James E., 1901-1974","Cogar, Carl R. (Bob)","Davis, John W. (John William), 1873-1955","Davis, Julia, 1900-1993","Marin, John, 1870-1953","Mateo, Jose Emigdio.","Merker, Leo J.","Wood, Virginia M.","Wright, Frank Lloyd, 1867-1959"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":912,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:53.439Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5371"}},{"id":"viblbv_repositories_2_resources_2039","type":"collection","attributes":{"title":"Lois Davidson Gottlieb Architectural Collection,","creator":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2039#creator","type":"document_value","attributes":{"value":"Gottlieb, Lois Davidson","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2039#abstract_or_scope","type":"document_value","attributes":{"value":"This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2039#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viblbv_repositories_2_resources_2039","ead_ssi":"viblbv_repositories_2_resources_2039","_root_":"viblbv_repositories_2_resources_2039","_nest_parent_":"viblbv_repositories_2_resources_2039","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2039.xml","title_filing_ssi":"Gottlieb, Lois Davidson, Architectural Collection","title_ssm":["Lois Davidson Gottlieb Architectural Collection,"],"title_tesim":["Lois Davidson Gottlieb Architectural Collection,"],"unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.003"],"text":["Ms.1997.003","Lois Davidson Gottlieb Architectural Collection,","International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)","Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010.","Collection is open to research.","Some of this collection has been digitized and is available online.","The collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically.","Lois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950. ","Gottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia. ","Gottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996. ","Gottlieb's work has been written about in many newspapers and periodicals, including  House Beautiful  and the  Marin County Independent Journal . She has also published several works of her own, including  Environment and Design in Housing  (a book which was based on her lectures for a course of the same name and was published in 1966) and  A Way of Life: An Apprenticeship with Frank Lloyd Wright  (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001. ","From 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project. ","The guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010.","The collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.","This subseries primarily consists of correspondence with Milka Bliznakov, Professor Emerita of the College of Architecture and Urban Studies at Virginia Tech and founder of the IAWA, as well as some correspondence relating to courses, projects, and other professional commitments.","This subseries includes outlines, plans, and notes for course \"Environment and Design in Housing\" given at Alameda State College and The College of the Holy Names in Oakland, CA during the early 1960s, schedules, correspondence, and student comments and writings relating to various lectures and courses given through the Los Angeles City School Districts Adult Education program and through University of California Extension, Riverside during the time period from 1970-1975, and a videotape of a lecture given at Virginia Tech in 1996. This subseries include 2 volumes of 35 mm slides of various architectural designs and Teliesin Fellowship Gottlieb used for teaching.","This volume contains slides of these following architetural designs,\nWordeu House (1978),\nBeals House (1969),\nInverness House (1951),\nMackey House (1970),\nLynn Home (1980-81),\nHarron House (1981).","This volume contains slides of these following architectural designs and scenes,\nHarron House Continued (1981),\nWheeles House (undated),\nStross House (undated),\nMiglen (undated),\nMr. + Mrs. F.L. Wright (undated),\nTaliesin (1948).","This volume contains slides of these following architectural designs and theme,\nInverness House (undated),\nHarron House (undated),\nStross House (undated),\nTaliesin (1956),\nRiverside (1970).","This subseries includes a typed manuscript of Gottlieb's book,  Environment and Design in Housing , which was based on the courses she gave at the College of the Holy Names and Alameda State College and which was published by Macmillan Company in 1965, photographs with captions and drawings, which were used as illustrations in the book, as well as some correspondence from the publisher and reference material. The subseries also includes a manuscript of an article written by Gottlieb called \"The Balance Between Diversity and Specialization in American and Indian Education.\"","This subseries includes transcripts of various interviews pertaining to Gottlieb's experiences during her internship with Frank Lloyd Wright at Taliesin, various material relating to Gottlieb's photographic exhibit, \"A Way of Life,\" which documents her time at Taliesin, a copy of the publication based upon the exhibit, and photographs and other material relating to an exhibit on Gottlieb, titled \"Lois Gottlieb: Continuing the Legacy of Frank Lloyd Wright,\" at Virginia Tech in the spring of 1998. The subseries also includes storyboards for the video (\"Building a Dream: A Family Affair\") Gottlieb produced about the her work designing and constructing a house in Fairfax Station, VA for her son and a copy of the publication \"Architectural Drawings of Lois Davidson Gottlieb, Vol. IX, 1997-2002.\"","This subseries consists primarily of presentation photographs of various architectural design projects, photographs of furniture and interior design projects and various portraits of Gottlieb, as well as a portrait of her long-time friend, Jane Duncomb; who is also a co-founder of Duncombe-Davidson architectural design firm.","This file consists of photos, drawings, including plans, elevations, sections, notes, and details, of Gottlieb's designs for various residences.","This subseries includes newspaper and magazine clippings about Gottlieb, a newsletter with an article by Gottlieb titled \"The Balance Between Diversity and Specialization in American and Indian Education,\" product literature, announcements and other printed material related to an exhibit at Virginia Tech and to screenings of the documentary \"Building a Dream,\" and other printed material collected by but not about Gottlieb.","(See also Subseries D.  Environment and Design in Housing  and Other Writings.)","This oversize file consists of all known original newspaper and magazine clippings  about Gottlieb and her works.","(See also Subseries F. Exhibits, Publications, and Video Production.)","This subseries includes drawings and class exercises created by Gottlieb during her time as an undergraduate at Stanford University from 1944 to 1947 and as a graduate student in the School of Design at Harvard University from 1949 to 1951.","Includes 2 Frank Lloyd Wright designs - 6 drawings, House for Six Moon Hills - 5 drawings, Additions for Shady Hill Elementary - 5 drawings, Merritt Parkway food bar - 5 drawings, and Art Museum - 3 drawings.","This subseries consists of original drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences. Drawings are arranged chronologically according to project.","This file consists of copies of drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1979 through 1997. Copies are arranged chronologically according to project.","This file consists of copies of drawings related to furniture and interior designs, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1997 through 2002. Copies are arranged chronologically according to project.","This file consists of copies of publicity, of Gottlieb's designs for various residences; particularly, from 1947 through 1997. Copies are arranged chronologically according to project.","The tool is a Koh-I-Noor portable drawing head with a missing board.","This subseries includes notes, invoices, correspondence, sketches, printed and other material resulting from Gottlieb's design activities on various residential projects. Files are arranged chronologically according to project.","Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections.","This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.","Special Collections and University Archives, Virginia Tech","Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-","The materials in the collection are in English."],"unitid_tesim":["Ms.1997.003"],"normalized_title_ssm":["Lois Davidson Gottlieb Architectural Collection,"],"collection_title_tesim":["Lois Davidson Gottlieb Architectural Collection,"],"collection_ssim":["Lois Davidson Gottlieb Architectural Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gottlieb, Lois Davidson"],"creator_ssim":["Gottlieb, Lois Davidson"],"creator_persname_ssim":["Gottlieb, Lois Davidson"],"creators_ssim":["Gottlieb, Lois Davidson"],"access_terms_ssm":["Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections."],"acqinfo_ssim":["The Lois Davidson Gottlieb Architectural Collection was donated to the International Archive of Women in Architecture by the creator in April 1997. Additional materials were donated in February and March 2003."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010."],"extent_ssm":["21.89 Cubic Feet 20 boxes; 15 oversize folders"],"extent_tesim":["21.89 Cubic Feet 20 boxes; 15 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/125\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eLois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950. \u003c/p\u003e\n","\u003cp\u003eGottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia. \u003c/p\u003e\n","\u003cp\u003eGottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996. \u003c/p\u003e\n","\u003cp\u003eGottlieb's work has been written about in many newspapers and periodicals, including \u003ctitle render=\"italic\"\u003eHouse Beautiful\u003c/title\u003e and the \u003ctitle render=\"italic\"\u003eMarin County Independent Journal\u003c/title\u003e. She has also published several works of her own, including \u003ctitle render=\"italic\"\u003eEnvironment and Design in Housing\u003c/title\u003e (a book which was based on her lectures for a course of the same name and was published in 1966) and \u003ctitle render=\"italic\"\u003eA Way of Life: An Apprenticeship with Frank Lloyd Wright\u003c/title\u003e (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001. \u003c/p\u003e\n","\u003cp\u003eFrom 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950. ","Gottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia. ","Gottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996. ","Gottlieb's work has been written about in many newspapers and periodicals, including  House Beautiful  and the  Marin County Independent Journal . She has also published several works of her own, including  Environment and Design in Housing  (a book which was based on her lectures for a course of the same name and was published in 1966) and  A Way of Life: An Apprenticeship with Frank Lloyd Wright  (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001. ","From 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lois Davidson Gottlieb Architectural Collection, Ms1997-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lois Davidson Gottlieb Architectural Collection, Ms1997-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.\u003c/p\u003e","\u003cp\u003eThis subseries primarily consists of correspondence with Milka Bliznakov, Professor Emerita of the College of Architecture and Urban Studies at Virginia Tech and founder of the IAWA, as well as some correspondence relating to courses, projects, and other professional commitments.\u003c/p\u003e","\u003cp\u003eThis subseries includes outlines, plans, and notes for course \"Environment and Design in Housing\" given at Alameda State College and The College of the Holy Names in Oakland, CA during the early 1960s, schedules, correspondence, and student comments and writings relating to various lectures and courses given through the Los Angeles City School Districts Adult Education program and through University of California Extension, Riverside during the time period from 1970-1975, and a videotape of a lecture given at Virginia Tech in 1996. This subseries include 2 volumes of 35 mm slides of various architectural designs and Teliesin Fellowship Gottlieb used for teaching.\u003c/p\u003e","\u003cp\u003eThis volume contains slides of these following architetural designs,\nWordeu House (1978),\nBeals House (1969),\nInverness House (1951),\nMackey House (1970),\nLynn Home (1980-81),\nHarron House (1981).\u003c/p\u003e","\u003cp\u003eThis volume contains slides of these following architectural designs and scenes,\nHarron House Continued (1981),\nWheeles House (undated),\nStross House (undated),\nMiglen (undated),\nMr. + Mrs. F.L. Wright (undated),\nTaliesin (1948).\u003c/p\u003e","\u003cp\u003eThis volume contains slides of these following architectural designs and theme,\nInverness House (undated),\nHarron House (undated),\nStross House (undated),\nTaliesin (1956),\nRiverside (1970).\u003c/p\u003e","\u003cp\u003eThis subseries includes a typed manuscript of Gottlieb's book, \u003ctitle render=\"italic\"\u003eEnvironment and Design in Housing\u003c/title\u003e, which was based on the courses she gave at the College of the Holy Names and Alameda State College and which was published by Macmillan Company in 1965, photographs with captions and drawings, which were used as illustrations in the book, as well as some correspondence from the publisher and reference material. The subseries also includes a manuscript of an article written by Gottlieb called \"The Balance Between Diversity and Specialization in American and Indian Education.\"\u003c/p\u003e","\u003cp\u003eThis subseries includes transcripts of various interviews pertaining to Gottlieb's experiences during her internship with Frank Lloyd Wright at Taliesin, various material relating to Gottlieb's photographic exhibit, \"A Way of Life,\" which documents her time at Taliesin, a copy of the publication based upon the exhibit, and photographs and other material relating to an exhibit on Gottlieb, titled \"Lois Gottlieb: Continuing the Legacy of Frank Lloyd Wright,\" at Virginia Tech in the spring of 1998. The subseries also includes storyboards for the video (\"Building a Dream: A Family Affair\") Gottlieb produced about the her work designing and constructing a house in Fairfax Station, VA for her son and a copy of the publication \"Architectural Drawings of Lois Davidson Gottlieb, Vol. IX, 1997-2002.\"\u003c/p\u003e","\u003cp\u003eThis subseries consists primarily of presentation photographs of various architectural design projects, photographs of furniture and interior design projects and various portraits of Gottlieb, as well as a portrait of her long-time friend, Jane Duncomb; who is also a co-founder of Duncombe-Davidson architectural design firm.\u003c/p\u003e","\u003cp\u003eThis file consists of photos, drawings, including plans, elevations, sections, notes, and details, of Gottlieb's designs for various residences.\u003c/p\u003e","\u003cp\u003eThis subseries includes newspaper and magazine clippings about Gottlieb, a newsletter with an article by Gottlieb titled \"The Balance Between Diversity and Specialization in American and Indian Education,\" product literature, announcements and other printed material related to an exhibit at Virginia Tech and to screenings of the documentary \"Building a Dream,\" and other printed material collected by but not about Gottlieb.\u003c/p\u003e","\u003cp\u003e(See also Subseries D. \u003ctitle render=\"italic\"\u003eEnvironment and Design in Housing\u003c/title\u003e and Other Writings.)\u003c/p\u003e","\u003cp\u003eThis oversize file consists of all known original newspaper and magazine clippings  about Gottlieb and her works.\u003c/p\u003e","\u003cp\u003e(See also Subseries F. Exhibits, Publications, and Video Production.)\u003c/p\u003e","\u003cp\u003eThis subseries includes drawings and class exercises created by Gottlieb during her time as an undergraduate at Stanford University from 1944 to 1947 and as a graduate student in the School of Design at Harvard University from 1949 to 1951.\u003c/p\u003e","\u003cp\u003eIncludes 2 Frank Lloyd Wright designs - 6 drawings, House for Six Moon Hills - 5 drawings, Additions for Shady Hill Elementary - 5 drawings, Merritt Parkway food bar - 5 drawings, and Art Museum - 3 drawings.\u003c/p\u003e","\u003cp\u003eThis subseries consists of original drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences. Drawings are arranged chronologically according to project.\u003c/p\u003e","\u003cp\u003eThis file consists of copies of drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1979 through 1997. Copies are arranged chronologically according to project.\u003c/p\u003e","\u003cp\u003eThis file consists of copies of drawings related to furniture and interior designs, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1997 through 2002. Copies are arranged chronologically according to project.\u003c/p\u003e","\u003cp\u003eThis file consists of copies of publicity, of Gottlieb's designs for various residences; particularly, from 1947 through 1997. Copies are arranged chronologically according to project.\u003c/p\u003e","\u003cp\u003eThe tool is a Koh-I-Noor portable drawing head with a missing board.\u003c/p\u003e","\u003cp\u003eThis subseries includes notes, invoices, correspondence, sketches, printed and other material resulting from Gottlieb's design activities on various residential projects. Files are arranged chronologically according to project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents note"],"scopecontent_tesim":["The collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.","This subseries primarily consists of correspondence with Milka Bliznakov, Professor Emerita of the College of Architecture and Urban Studies at Virginia Tech and founder of the IAWA, as well as some correspondence relating to courses, projects, and other professional commitments.","This subseries includes outlines, plans, and notes for course \"Environment and Design in Housing\" given at Alameda State College and The College of the Holy Names in Oakland, CA during the early 1960s, schedules, correspondence, and student comments and writings relating to various lectures and courses given through the Los Angeles City School Districts Adult Education program and through University of California Extension, Riverside during the time period from 1970-1975, and a videotape of a lecture given at Virginia Tech in 1996. This subseries include 2 volumes of 35 mm slides of various architectural designs and Teliesin Fellowship Gottlieb used for teaching.","This volume contains slides of these following architetural designs,\nWordeu House (1978),\nBeals House (1969),\nInverness House (1951),\nMackey House (1970),\nLynn Home (1980-81),\nHarron House (1981).","This volume contains slides of these following architectural designs and scenes,\nHarron House Continued (1981),\nWheeles House (undated),\nStross House (undated),\nMiglen (undated),\nMr. + Mrs. F.L. Wright (undated),\nTaliesin (1948).","This volume contains slides of these following architectural designs and theme,\nInverness House (undated),\nHarron House (undated),\nStross House (undated),\nTaliesin (1956),\nRiverside (1970).","This subseries includes a typed manuscript of Gottlieb's book,  Environment and Design in Housing , which was based on the courses she gave at the College of the Holy Names and Alameda State College and which was published by Macmillan Company in 1965, photographs with captions and drawings, which were used as illustrations in the book, as well as some correspondence from the publisher and reference material. The subseries also includes a manuscript of an article written by Gottlieb called \"The Balance Between Diversity and Specialization in American and Indian Education.\"","This subseries includes transcripts of various interviews pertaining to Gottlieb's experiences during her internship with Frank Lloyd Wright at Taliesin, various material relating to Gottlieb's photographic exhibit, \"A Way of Life,\" which documents her time at Taliesin, a copy of the publication based upon the exhibit, and photographs and other material relating to an exhibit on Gottlieb, titled \"Lois Gottlieb: Continuing the Legacy of Frank Lloyd Wright,\" at Virginia Tech in the spring of 1998. The subseries also includes storyboards for the video (\"Building a Dream: A Family Affair\") Gottlieb produced about the her work designing and constructing a house in Fairfax Station, VA for her son and a copy of the publication \"Architectural Drawings of Lois Davidson Gottlieb, Vol. IX, 1997-2002.\"","This subseries consists primarily of presentation photographs of various architectural design projects, photographs of furniture and interior design projects and various portraits of Gottlieb, as well as a portrait of her long-time friend, Jane Duncomb; who is also a co-founder of Duncombe-Davidson architectural design firm.","This file consists of photos, drawings, including plans, elevations, sections, notes, and details, of Gottlieb's designs for various residences.","This subseries includes newspaper and magazine clippings about Gottlieb, a newsletter with an article by Gottlieb titled \"The Balance Between Diversity and Specialization in American and Indian Education,\" product literature, announcements and other printed material related to an exhibit at Virginia Tech and to screenings of the documentary \"Building a Dream,\" and other printed material collected by but not about Gottlieb.","(See also Subseries D.  Environment and Design in Housing  and Other Writings.)","This oversize file consists of all known original newspaper and magazine clippings  about Gottlieb and her works.","(See also Subseries F. Exhibits, Publications, and Video Production.)","This subseries includes drawings and class exercises created by Gottlieb during her time as an undergraduate at Stanford University from 1944 to 1947 and as a graduate student in the School of Design at Harvard University from 1949 to 1951.","Includes 2 Frank Lloyd Wright designs - 6 drawings, House for Six Moon Hills - 5 drawings, Additions for Shady Hill Elementary - 5 drawings, Merritt Parkway food bar - 5 drawings, and Art Museum - 3 drawings.","This subseries consists of original drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences. Drawings are arranged chronologically according to project.","This file consists of copies of drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1979 through 1997. Copies are arranged chronologically according to project.","This file consists of copies of drawings related to furniture and interior designs, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1997 through 2002. Copies are arranged chronologically according to project.","This file consists of copies of publicity, of Gottlieb's designs for various residences; particularly, from 1947 through 1997. Copies are arranged chronologically according to project.","The tool is a Koh-I-Noor portable drawing head with a missing board.","This subseries includes notes, invoices, correspondence, sketches, printed and other material resulting from Gottlieb's design activities on various residential projects. Files are arranged chronologically according to project."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f9fc903eeb47ad20a9d940ca5693b1f4\" label=\"Abstract\"\u003eThis collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"persname_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":298,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:56.480Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_2039","ead_ssi":"viblbv_repositories_2_resources_2039","_root_":"viblbv_repositories_2_resources_2039","_nest_parent_":"viblbv_repositories_2_resources_2039","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_2039.xml","title_filing_ssi":"Gottlieb, Lois Davidson, Architectural Collection","title_ssm":["Lois Davidson Gottlieb Architectural Collection,"],"title_tesim":["Lois Davidson Gottlieb Architectural Collection,"],"unitdate_ssm":["1945-2009"],"unitdate_inclusive_ssm":["1945-2009"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1997.003"],"text":["Ms.1997.003","Lois Davidson Gottlieb Architectural Collection,","International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)","Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010.","Collection is open to research.","Some of this collection has been digitized and is available online.","The collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically.","Lois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950. ","Gottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia. ","Gottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996. ","Gottlieb's work has been written about in many newspapers and periodicals, including  House Beautiful  and the  Marin County Independent Journal . She has also published several works of her own, including  Environment and Design in Housing  (a book which was based on her lectures for a course of the same name and was published in 1966) and  A Way of Life: An Apprenticeship with Frank Lloyd Wright  (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001. ","From 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project. ","The guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010.","The collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.","This subseries primarily consists of correspondence with Milka Bliznakov, Professor Emerita of the College of Architecture and Urban Studies at Virginia Tech and founder of the IAWA, as well as some correspondence relating to courses, projects, and other professional commitments.","This subseries includes outlines, plans, and notes for course \"Environment and Design in Housing\" given at Alameda State College and The College of the Holy Names in Oakland, CA during the early 1960s, schedules, correspondence, and student comments and writings relating to various lectures and courses given through the Los Angeles City School Districts Adult Education program and through University of California Extension, Riverside during the time period from 1970-1975, and a videotape of a lecture given at Virginia Tech in 1996. This subseries include 2 volumes of 35 mm slides of various architectural designs and Teliesin Fellowship Gottlieb used for teaching.","This volume contains slides of these following architetural designs,\nWordeu House (1978),\nBeals House (1969),\nInverness House (1951),\nMackey House (1970),\nLynn Home (1980-81),\nHarron House (1981).","This volume contains slides of these following architectural designs and scenes,\nHarron House Continued (1981),\nWheeles House (undated),\nStross House (undated),\nMiglen (undated),\nMr. + Mrs. F.L. Wright (undated),\nTaliesin (1948).","This volume contains slides of these following architectural designs and theme,\nInverness House (undated),\nHarron House (undated),\nStross House (undated),\nTaliesin (1956),\nRiverside (1970).","This subseries includes a typed manuscript of Gottlieb's book,  Environment and Design in Housing , which was based on the courses she gave at the College of the Holy Names and Alameda State College and which was published by Macmillan Company in 1965, photographs with captions and drawings, which were used as illustrations in the book, as well as some correspondence from the publisher and reference material. The subseries also includes a manuscript of an article written by Gottlieb called \"The Balance Between Diversity and Specialization in American and Indian Education.\"","This subseries includes transcripts of various interviews pertaining to Gottlieb's experiences during her internship with Frank Lloyd Wright at Taliesin, various material relating to Gottlieb's photographic exhibit, \"A Way of Life,\" which documents her time at Taliesin, a copy of the publication based upon the exhibit, and photographs and other material relating to an exhibit on Gottlieb, titled \"Lois Gottlieb: Continuing the Legacy of Frank Lloyd Wright,\" at Virginia Tech in the spring of 1998. The subseries also includes storyboards for the video (\"Building a Dream: A Family Affair\") Gottlieb produced about the her work designing and constructing a house in Fairfax Station, VA for her son and a copy of the publication \"Architectural Drawings of Lois Davidson Gottlieb, Vol. IX, 1997-2002.\"","This subseries consists primarily of presentation photographs of various architectural design projects, photographs of furniture and interior design projects and various portraits of Gottlieb, as well as a portrait of her long-time friend, Jane Duncomb; who is also a co-founder of Duncombe-Davidson architectural design firm.","This file consists of photos, drawings, including plans, elevations, sections, notes, and details, of Gottlieb's designs for various residences.","This subseries includes newspaper and magazine clippings about Gottlieb, a newsletter with an article by Gottlieb titled \"The Balance Between Diversity and Specialization in American and Indian Education,\" product literature, announcements and other printed material related to an exhibit at Virginia Tech and to screenings of the documentary \"Building a Dream,\" and other printed material collected by but not about Gottlieb.","(See also Subseries D.  Environment and Design in Housing  and Other Writings.)","This oversize file consists of all known original newspaper and magazine clippings  about Gottlieb and her works.","(See also Subseries F. Exhibits, Publications, and Video Production.)","This subseries includes drawings and class exercises created by Gottlieb during her time as an undergraduate at Stanford University from 1944 to 1947 and as a graduate student in the School of Design at Harvard University from 1949 to 1951.","Includes 2 Frank Lloyd Wright designs - 6 drawings, House for Six Moon Hills - 5 drawings, Additions for Shady Hill Elementary - 5 drawings, Merritt Parkway food bar - 5 drawings, and Art Museum - 3 drawings.","This subseries consists of original drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences. Drawings are arranged chronologically according to project.","This file consists of copies of drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1979 through 1997. Copies are arranged chronologically according to project.","This file consists of copies of drawings related to furniture and interior designs, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1997 through 2002. Copies are arranged chronologically according to project.","This file consists of copies of publicity, of Gottlieb's designs for various residences; particularly, from 1947 through 1997. Copies are arranged chronologically according to project.","The tool is a Koh-I-Noor portable drawing head with a missing board.","This subseries includes notes, invoices, correspondence, sketches, printed and other material resulting from Gottlieb's design activities on various residential projects. Files are arranged chronologically according to project.","Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections.","This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.","Special Collections and University Archives, Virginia Tech","Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-","The materials in the collection are in English."],"unitid_tesim":["Ms.1997.003"],"normalized_title_ssm":["Lois Davidson Gottlieb Architectural Collection,"],"collection_title_tesim":["Lois Davidson Gottlieb Architectural Collection,"],"collection_ssim":["Lois Davidson Gottlieb Architectural Collection,"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Gottlieb, Lois Davidson"],"creator_ssim":["Gottlieb, Lois Davidson"],"creator_persname_ssim":["Gottlieb, Lois Davidson"],"creators_ssim":["Gottlieb, Lois Davidson"],"access_terms_ssm":["Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections."],"acqinfo_ssim":["The Lois Davidson Gottlieb Architectural Collection was donated to the International Archive of Women in Architecture by the creator in April 1997. Additional materials were donated in February and March 2003."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","Women -- History","History of Women in Architecture","Architects","Architectural drawing -- 20th century","Architectural drawings (visual works)"],"has_online_content_ssim":["false"],"physdesc_tesim":["Some of the materials in the collection were matted for inclusion in \"Glass Ceilings: Highlights from the IAWA Center\" an exhibit held at the Virginia Center for Architecture, Richmond, VA, 2010."],"extent_ssm":["21.89 Cubic Feet 20 boxes; 15 oversize folders"],"extent_tesim":["21.89 Cubic Feet 20 boxes; 15 oversize folders"],"genreform_ssim":["Architectural drawings (visual works)"],"date_range_isim":[1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/125\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"arrangement_html_tesm":["\u003cp\u003eThe collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is divided into two series: Professional Papers and Project Records with all files arranged alphabetically."],"bioghist_html_tesm":["\u003cp\u003eLois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950. \u003c/p\u003e\n","\u003cp\u003eGottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia. \u003c/p\u003e\n","\u003cp\u003eGottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996. \u003c/p\u003e\n","\u003cp\u003eGottlieb's work has been written about in many newspapers and periodicals, including \u003ctitle render=\"italic\"\u003eHouse Beautiful\u003c/title\u003e and the \u003ctitle render=\"italic\"\u003eMarin County Independent Journal\u003c/title\u003e. She has also published several works of her own, including \u003ctitle render=\"italic\"\u003eEnvironment and Design in Housing\u003c/title\u003e (a book which was based on her lectures for a course of the same name and was published in 1966) and \u003ctitle render=\"italic\"\u003eA Way of Life: An Apprenticeship with Frank Lloyd Wright\u003c/title\u003e (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001. \u003c/p\u003e\n","\u003cp\u003eFrom 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Lois Davidson Gottlieb is a residential designer currently (2010) based in San Francisco, California. She was born on November 13,1926 in San Francisco and attended Stanford University from 1944 to 1947, where she studied art and engineering and earned a Bachelor of Arts degree. She served as an apprentice to famed architect Frank Lloyd Wright from 1948 to 1949 as part of the Taliesin Fellowship in Spring Green, Wisconsin and Scottsdale, Arizona. And she did her graduate work at Harvard University's School of Design from 1949 to 1950. ","Gottlieb began her career working as a designer for Warren Callister in San Francisco. Her first solo project was the design of the Val Goeschen house, a one-room unit with 576 square feet, in Inverness, CA. She went on to design other residences in Marin County as part of the design team Duncombe-Davidson based in Sausalito, CA. This partnership spanned the years 1951 to 1956. From 1956 to 2002, Gottlieb worked as a freelance residential designer on over 100 projects in the Bay Area and in Riverside, CA, as well as in Washington, Idaho, and Virginia. ","Gottlieb served as a lecturer at the College of the Holy Names in Oakland, CA from 1960 to 1964, at Alameda State College in Hayward, CA from 1962 to 1964, and at the University of California Extension in Riverside, CA from 1966 to 1972. She also gave guest lectures at various universities around the world, including one at Virginia Tech in 1996. ","Gottlieb's work has been written about in many newspapers and periodicals, including  House Beautiful  and the  Marin County Independent Journal . She has also published several works of her own, including  Environment and Design in Housing  (a book which was based on her lectures for a course of the same name and was published in 1966) and  A Way of Life: An Apprenticeship with Frank Lloyd Wright  (which was based on the traveling exhibit of her photographs of Taliesin). Gottlieb's work has also been exhibited in institutions across the country, including a one-woman architectural exhibit at Virginia Tech in 1998 and the exhibit of photographs of Taliesin in2000-2001. ","From 1995 to 1996, Gottlieb designed and supervised the construction of an 11,000 sq. ft. home and office complex for her son, Mark Gottlieb, and his family in Fairfax Station, Virginia. She also produced a video, \"Building a Dream: A Family Affair,\" which documents her work on the project. "],"odd_html_tesm":["\u003cp\u003eThe guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Lois Davidson Gottlieb Architectural Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lois Davidson Gottlieb Architectural Collection, Ms1997-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Lois Davidson Gottlieb Architectural Collection, Ms1997-003, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing of the original donation took place from May to August 1997. The processing of additional materials and the arrangement and description of the entire collection took place from February to March 2004. The final processing of additional materials took place in October 2010."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.\u003c/p\u003e","\u003cp\u003eThis subseries primarily consists of correspondence with Milka Bliznakov, Professor Emerita of the College of Architecture and Urban Studies at Virginia Tech and founder of the IAWA, as well as some correspondence relating to courses, projects, and other professional commitments.\u003c/p\u003e","\u003cp\u003eThis subseries includes outlines, plans, and notes for course \"Environment and Design in Housing\" given at Alameda State College and The College of the Holy Names in Oakland, CA during the early 1960s, schedules, correspondence, and student comments and writings relating to various lectures and courses given through the Los Angeles City School Districts Adult Education program and through University of California Extension, Riverside during the time period from 1970-1975, and a videotape of a lecture given at Virginia Tech in 1996. This subseries include 2 volumes of 35 mm slides of various architectural designs and Teliesin Fellowship Gottlieb used for teaching.\u003c/p\u003e","\u003cp\u003eThis volume contains slides of these following architetural designs,\nWordeu House (1978),\nBeals House (1969),\nInverness House (1951),\nMackey House (1970),\nLynn Home (1980-81),\nHarron House (1981).\u003c/p\u003e","\u003cp\u003eThis volume contains slides of these following architectural designs and scenes,\nHarron House Continued (1981),\nWheeles House (undated),\nStross House (undated),\nMiglen (undated),\nMr. + Mrs. F.L. Wright (undated),\nTaliesin (1948).\u003c/p\u003e","\u003cp\u003eThis volume contains slides of these following architectural designs and theme,\nInverness House (undated),\nHarron House (undated),\nStross House (undated),\nTaliesin (1956),\nRiverside (1970).\u003c/p\u003e","\u003cp\u003eThis subseries includes a typed manuscript of Gottlieb's book, \u003ctitle render=\"italic\"\u003eEnvironment and Design in Housing\u003c/title\u003e, which was based on the courses she gave at the College of the Holy Names and Alameda State College and which was published by Macmillan Company in 1965, photographs with captions and drawings, which were used as illustrations in the book, as well as some correspondence from the publisher and reference material. The subseries also includes a manuscript of an article written by Gottlieb called \"The Balance Between Diversity and Specialization in American and Indian Education.\"\u003c/p\u003e","\u003cp\u003eThis subseries includes transcripts of various interviews pertaining to Gottlieb's experiences during her internship with Frank Lloyd Wright at Taliesin, various material relating to Gottlieb's photographic exhibit, \"A Way of Life,\" which documents her time at Taliesin, a copy of the publication based upon the exhibit, and photographs and other material relating to an exhibit on Gottlieb, titled \"Lois Gottlieb: Continuing the Legacy of Frank Lloyd Wright,\" at Virginia Tech in the spring of 1998. The subseries also includes storyboards for the video (\"Building a Dream: A Family Affair\") Gottlieb produced about the her work designing and constructing a house in Fairfax Station, VA for her son and a copy of the publication \"Architectural Drawings of Lois Davidson Gottlieb, Vol. IX, 1997-2002.\"\u003c/p\u003e","\u003cp\u003eThis subseries consists primarily of presentation photographs of various architectural design projects, photographs of furniture and interior design projects and various portraits of Gottlieb, as well as a portrait of her long-time friend, Jane Duncomb; who is also a co-founder of Duncombe-Davidson architectural design firm.\u003c/p\u003e","\u003cp\u003eThis file consists of photos, drawings, including plans, elevations, sections, notes, and details, of Gottlieb's designs for various residences.\u003c/p\u003e","\u003cp\u003eThis subseries includes newspaper and magazine clippings about Gottlieb, a newsletter with an article by Gottlieb titled \"The Balance Between Diversity and Specialization in American and Indian Education,\" product literature, announcements and other printed material related to an exhibit at Virginia Tech and to screenings of the documentary \"Building a Dream,\" and other printed material collected by but not about Gottlieb.\u003c/p\u003e","\u003cp\u003e(See also Subseries D. \u003ctitle render=\"italic\"\u003eEnvironment and Design in Housing\u003c/title\u003e and Other Writings.)\u003c/p\u003e","\u003cp\u003eThis oversize file consists of all known original newspaper and magazine clippings  about Gottlieb and her works.\u003c/p\u003e","\u003cp\u003e(See also Subseries F. Exhibits, Publications, and Video Production.)\u003c/p\u003e","\u003cp\u003eThis subseries includes drawings and class exercises created by Gottlieb during her time as an undergraduate at Stanford University from 1944 to 1947 and as a graduate student in the School of Design at Harvard University from 1949 to 1951.\u003c/p\u003e","\u003cp\u003eIncludes 2 Frank Lloyd Wright designs - 6 drawings, House for Six Moon Hills - 5 drawings, Additions for Shady Hill Elementary - 5 drawings, Merritt Parkway food bar - 5 drawings, and Art Museum - 3 drawings.\u003c/p\u003e","\u003cp\u003eThis subseries consists of original drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences. Drawings are arranged chronologically according to project.\u003c/p\u003e","\u003cp\u003eThis file consists of copies of drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1979 through 1997. Copies are arranged chronologically according to project.\u003c/p\u003e","\u003cp\u003eThis file consists of copies of drawings related to furniture and interior designs, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1997 through 2002. Copies are arranged chronologically according to project.\u003c/p\u003e","\u003cp\u003eThis file consists of copies of publicity, of Gottlieb's designs for various residences; particularly, from 1947 through 1997. Copies are arranged chronologically according to project.\u003c/p\u003e","\u003cp\u003eThe tool is a Koh-I-Noor portable drawing head with a missing board.\u003c/p\u003e","\u003cp\u003eThis subseries includes notes, invoices, correspondence, sketches, printed and other material resulting from Gottlieb's design activities on various residential projects. Files are arranged chronologically according to project.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents note"],"scopecontent_tesim":["The collection consists of files and drawings that relate to Gottlieb's work as an architectural designer of residences in California, Washington, Idaho, and Virginia spanning the time period from 1951 to 2002. The collection also consists of writings, photographs, correspondence, and printed material that relate to Gottlieb's work as an author and lecturer, as well as material relating to her various publications and exhibits and to the documentary video made about her work on 'The Gottlieb House' in Fairfax Station, Virginia. The collection also consists of some work from her days as an undergraduate student at Stanford University and as a graduate student in architecture at Harvard University.","This subseries primarily consists of correspondence with Milka Bliznakov, Professor Emerita of the College of Architecture and Urban Studies at Virginia Tech and founder of the IAWA, as well as some correspondence relating to courses, projects, and other professional commitments.","This subseries includes outlines, plans, and notes for course \"Environment and Design in Housing\" given at Alameda State College and The College of the Holy Names in Oakland, CA during the early 1960s, schedules, correspondence, and student comments and writings relating to various lectures and courses given through the Los Angeles City School Districts Adult Education program and through University of California Extension, Riverside during the time period from 1970-1975, and a videotape of a lecture given at Virginia Tech in 1996. This subseries include 2 volumes of 35 mm slides of various architectural designs and Teliesin Fellowship Gottlieb used for teaching.","This volume contains slides of these following architetural designs,\nWordeu House (1978),\nBeals House (1969),\nInverness House (1951),\nMackey House (1970),\nLynn Home (1980-81),\nHarron House (1981).","This volume contains slides of these following architectural designs and scenes,\nHarron House Continued (1981),\nWheeles House (undated),\nStross House (undated),\nMiglen (undated),\nMr. + Mrs. F.L. Wright (undated),\nTaliesin (1948).","This volume contains slides of these following architectural designs and theme,\nInverness House (undated),\nHarron House (undated),\nStross House (undated),\nTaliesin (1956),\nRiverside (1970).","This subseries includes a typed manuscript of Gottlieb's book,  Environment and Design in Housing , which was based on the courses she gave at the College of the Holy Names and Alameda State College and which was published by Macmillan Company in 1965, photographs with captions and drawings, which were used as illustrations in the book, as well as some correspondence from the publisher and reference material. The subseries also includes a manuscript of an article written by Gottlieb called \"The Balance Between Diversity and Specialization in American and Indian Education.\"","This subseries includes transcripts of various interviews pertaining to Gottlieb's experiences during her internship with Frank Lloyd Wright at Taliesin, various material relating to Gottlieb's photographic exhibit, \"A Way of Life,\" which documents her time at Taliesin, a copy of the publication based upon the exhibit, and photographs and other material relating to an exhibit on Gottlieb, titled \"Lois Gottlieb: Continuing the Legacy of Frank Lloyd Wright,\" at Virginia Tech in the spring of 1998. The subseries also includes storyboards for the video (\"Building a Dream: A Family Affair\") Gottlieb produced about the her work designing and constructing a house in Fairfax Station, VA for her son and a copy of the publication \"Architectural Drawings of Lois Davidson Gottlieb, Vol. IX, 1997-2002.\"","This subseries consists primarily of presentation photographs of various architectural design projects, photographs of furniture and interior design projects and various portraits of Gottlieb, as well as a portrait of her long-time friend, Jane Duncomb; who is also a co-founder of Duncombe-Davidson architectural design firm.","This file consists of photos, drawings, including plans, elevations, sections, notes, and details, of Gottlieb's designs for various residences.","This subseries includes newspaper and magazine clippings about Gottlieb, a newsletter with an article by Gottlieb titled \"The Balance Between Diversity and Specialization in American and Indian Education,\" product literature, announcements and other printed material related to an exhibit at Virginia Tech and to screenings of the documentary \"Building a Dream,\" and other printed material collected by but not about Gottlieb.","(See also Subseries D.  Environment and Design in Housing  and Other Writings.)","This oversize file consists of all known original newspaper and magazine clippings  about Gottlieb and her works.","(See also Subseries F. Exhibits, Publications, and Video Production.)","This subseries includes drawings and class exercises created by Gottlieb during her time as an undergraduate at Stanford University from 1944 to 1947 and as a graduate student in the School of Design at Harvard University from 1949 to 1951.","Includes 2 Frank Lloyd Wright designs - 6 drawings, House for Six Moon Hills - 5 drawings, Additions for Shady Hill Elementary - 5 drawings, Merritt Parkway food bar - 5 drawings, and Art Museum - 3 drawings.","This subseries consists of original drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences. Drawings are arranged chronologically according to project.","This file consists of copies of drawings, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1979 through 1997. Copies are arranged chronologically according to project.","This file consists of copies of drawings related to furniture and interior designs, including plans, elevations, sections, and details, of Gottlieb's designs for various residences; particularly, from 1997 through 2002. Copies are arranged chronologically according to project.","This file consists of copies of publicity, of Gottlieb's designs for various residences; particularly, from 1947 through 1997. Copies are arranged chronologically according to project.","The tool is a Koh-I-Noor portable drawing head with a missing board.","This subseries includes notes, invoices, correspondence, sketches, printed and other material resulting from Gottlieb's design activities on various residential projects. Files are arranged chronologically according to project."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from the Lois Davidson Gottlieb Architectural Collection must be obtained from Special Collections."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f9fc903eeb47ad20a9d940ca5693b1f4\" label=\"Abstract\"\u003eThis collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002.\u003c/abstract\u003e"],"abstract_tesim":["This collection includes the papers of Lois Davidson Gottlieb, architectural designer, author, and lecturer. It includes photographs, writings, storyboards, and printed material relating to her various professional activities as an author and lecturer, as well as some drawings from her work as an undergraduate and graduate student. Also includes files and drawings relating to her work on various residential design projects dating from 1951 to 2002."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"persname_ssim":["Gottlieb, Lois Davidson","Wright, Frank Lloyd, 1867-1959","Duncombe, A. Jane, 1925-"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":298,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:40:56.480Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_2039"}},{"id":"virmu_repositories_4_resources_12041","type":"collection","attributes":{"title":"Wright, Frank Lloyd, 1867-1959. 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Transmission or reproduction of materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["The material is subject to all copyright laws. 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