{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Federal+Theatre+Project+%28U.S.%29\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=3","prev":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Federal+Theatre+Project+%28U.S.%29\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=2","next":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Federal+Theatre+Project+%28U.S.%29\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=4","last":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Federal+Theatre+Project+%28U.S.%29\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=4"},"meta":{"pages":{"current_page":3,"next_page":4,"prev_page":2,"total_pages":4,"limit_value":10,"offset_value":20,"total_count":39,"first_page?":false,"last_page?":false}},"data":[{"id":"vifgm_repositories_2_resources_338","type":"collection","attributes":{"title":"Francis Bosworth papers, 1933/1982, bulk 1933/1943","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_338#creator","type":"document_value","attributes":{"value":"Bosworth, Francis","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_338#abstract_or_scope","type":"document_value","attributes":{"value":"The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. 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Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Francis Bosworth papers contain personal papers collected by Bosworth from the 1930s to the 1980s. 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Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_dowell#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_dowell","ead_ssi":"vifgm_dowell","_root_":"vifgm_dowell","_nest_parent_":"vifgm_dowell","ead_source_url_ssi":"data/gmu/dowell.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/dowell.html","title_ssm":["George B. Dowell papers"],"title_tesim":["George B. Dowell papers"],"unitdate_ssm":["1931-1986"],"unitdate_inclusive_ssm":["1931-1986"],"normalized_date_ssm":["1931/1986"],"normalized_title_ssm":["George B. Dowell papers, 1931/1986"],"text":["George B. Dowell papers, 1931/1986","C0219","New Deal, 1933-1939.","Theater--United States.","Universities and colleges.","There are no access restrictions.","Arranged alphabetically by folder title.","George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions. In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced The God Innis, a play Dowell wrote. Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died in Towson, Maryland, in January of 1997.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection contains personal papers donated by George B. 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Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_483c642121419091bde851ccfebf9dcf\" label=\"Abstract\"\u003eThis collection contains personal papers donated by George B. 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Special Collections Research Center","Federal Theatre Project (U.S.)","Dowell, George Brendan, 1909-1997","Flanagan, Hallie, 1890-1969"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:35.587Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_337","ead_ssi":"vifgm_repositories_2_resources_337","_root_":"vifgm_repositories_2_resources_337","_nest_parent_":"vifgm_repositories_2_resources_337","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_337.xml","title_filing_ssi":"George B. Dowell papers","title_ssm":["George B. Dowell papers"],"title_tesim":["George B. Dowell papers"],"unitdate_ssm":["1931-1986"],"unitdate_inclusive_ssm":["1931-1986"],"normalized_date_ssm":["1931/1986"],"normalized_title_ssm":["George B. Dowell papers, 1931/1986"],"text":["George B. Dowell papers, 1931/1986","C0219","/repositories/2/resources/337","Theater -- United States","New Deal, 1933-1939","Universities and colleges","There are no access restrictions.","Arranged alphabetically by folder title.","George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions.  In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced a play Dowell wrote entitled \"The God Innis\". Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died of cancer in Towson, Maryland in January of 1997.","Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection contains personal papers donated by George B. Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Dowell, George Brendan, 1909-1997","Flanagan, Hallie, 1890-1969","English"],"collection_title_tesim":["George B. Dowell papers, 1931/1986"],"collection_ssim":["George B. 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He spent his life working in the theatre and academic institutions.  In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced a play Dowell wrote entitled \"The God Innis\". Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died of cancer in Towson, Maryland in January of 1997.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["George Brendan Dowell was born in New York City on December 15, 1909. He spent his life working in the theatre and academic institutions.  In 1933 he received a certificate in playwriting from Yale University. In 1939 the Federal Theatre Project produced a play Dowell wrote entitled \"The God Innis\". Dowell met Hallie Flanagan while working with the Federal Theatre Project and continued to work with her throughout his career. He served with the Army in World War II from 1941 to 1943. In 1946 he graduated from New York University and received a doctorate from Columbia University Teachers College in 1949. He worked at Smith College from 1949 to 1955, first as a Visiting Lecturer of Theatre and then as an Assistant Professor of Theatre from 1950 to 1955. Dowell and Flanagan worked together on the play \"Heritage\" in commemoration of the 75th Anniversary of Smith College in 1950. After teaching at Smith he went on to work at Skidmore College (1954-1956), Vassar College (1957-1961), and Goucher College (1962-1975). His work at Vassar College revolved around their Centennial Celebration in 1961. At Goucher College he was instrumental in developing the drama program and held the position of Associate Professor of Speech and Drama. He died of cancer in Towson, Maryland in January of 1997."],"prefercite_html_tesm":["\u003cp\u003eGeorge B. Dowell papers, C0219, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George B. Dowell papers, C0219, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains personal papers donated by George B. 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Dowell and includes playscripts, programs, photographs, correspondence, and publications relating mostly to theatre activities with the Federal Theatre Project, Smith College, and Vassar College."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_483c642121419091bde851ccfebf9dcf\" label=\"Abstract\"\u003eThis collection contains personal papers donated by George B. 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Special Collections Research Center","Federal Theatre Project (U.S.)","Dowell, George Brendan, 1909-1997","Flanagan, Hallie, 1890-1969"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:35.587Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_337"}},{"id":"vifgm_repositories_2_resources_209","type":"collection","attributes":{"title":"George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_209#creator","type":"document_value","attributes":{"value":"George Mason University. Institute on the Federal Theatre Project and New Deal Culture","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_209#abstract_or_scope","type":"document_value","attributes":{"value":"The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_209#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_209","ead_ssi":"vifgm_repositories_2_resources_209","_root_":"vifgm_repositories_2_resources_209","_nest_parent_":"vifgm_repositories_2_resources_209","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_209.xml","title_filing_ssi":"George Mason University Institute on the Federal Theatre Project and New Deal Culture records","title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"unitdate_ssm":["1935-2006"],"unitdate_inclusive_ssm":["1935-2006"],"normalized_date_ssm":["1935/2000"],"normalized_title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000"],"text":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000","R0021","/repositories/2/resources/209","Theater programs","Dance","Ballet","None","There are no restrictions.","Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual.","The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA).","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998.","Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.","Collection processed by Maegan Jankowsi and Robert Vay.","George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories","Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications.","The collection is organized within the following series:","Series 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups.","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming.","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University.","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items.","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records.","The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","SCRC storage area, Rows 81 and 82.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration","English"],"collection_title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0021","/repositories/2/resources/209"],"unitid_tesim":["R0021","/repositories/2/resources/209"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. 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Works Progress Administration"],"access_subjects_ssim":["Theater programs","Dance","Ballet"],"access_subjects_ssm":["Theater programs","Dance","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 81 boxes"],"extent_tesim":["37.5 Linear Feet 81 boxes"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e  ","\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions","Use Restictions"],"accessrestrict_tesim":["None","There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged within the following series:\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials\u003c/p\u003e","\u003cp\u003eWithin each series, the records are arranged alphabetically by subject, topic, or individual.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.\u003c/p\u003e","\u003cp\u003eAfter Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  \u003c/p\u003e","\u003cp\u003eWhile initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026amp; Archives (SC\u0026amp;A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.\u003c/p\u003e","\u003cp\u003eIn 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). \u003c/p\u003e","\u003cp\u003eIn 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026amp; Archives). The CGSA and IFTP ceased operation during the summer of 1998. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA).","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998."],"custodhist_html_tesm":["\u003cp\u003eMaterials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.\u003c/p\u003e  "],"custodhist_heading_ssm":["Acquisition Information"],"custodhist_tesim":["Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Maegan Jankowsi and Robert Vay.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Maegan Jankowsi and Robert Vay."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0095\"\u003eGeorge Mason University Libraries records\u003c/extref\u003e \u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0205\"\u003eFederal Theatre Project photograph collection\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0227\"\u003eFederal Theatre Project personal papers\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0153\"\u003eWorks Progress Administration oral histories\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. \u003c/p\u003e","\u003cp\u003eThe collection is organized within the following series:\u003c/p\u003e","\u003cp\u003e\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.\u003c/p\u003e","\u003cp\u003eSeries 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. \u003c/p\u003e","\u003cp\u003eSeries 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. \u003c/p\u003e","\u003cp\u003eSeries 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. \u003c/p\u003e","\u003cp\u003eSeries 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. \u003c/p\u003e","\u003cp\u003eSeries 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  \u003c/p\u003e","\u003cp\u003eSeries 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  \u003c/p\u003e","\u003cp\u003eSeries 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications.","The collection is organized within the following series:","Series 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups.","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming.","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University.","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items.","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records."],"abstract_html_tesm":["\u003cabstract id=\"aspace_554430af778b5b3433a75c9894961db0\"\u003eThe George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d66750c11aa95b4555db32d46e03745b\" label=\"Physical Location\"\u003eSCRC storage area, Rows 81 and 82.\u003c/physloc\u003e\n    "],"physloc_tesim":["SCRC storage area, Rows 81 and 82."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_coll_ssim":["Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":621,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:29.468Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_209","ead_ssi":"vifgm_repositories_2_resources_209","_root_":"vifgm_repositories_2_resources_209","_nest_parent_":"vifgm_repositories_2_resources_209","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_209.xml","title_filing_ssi":"George Mason University Institute on the Federal Theatre Project and New Deal Culture records","title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records"],"unitdate_ssm":["1935-2006"],"unitdate_inclusive_ssm":["1935-2006"],"normalized_date_ssm":["1935/2000"],"normalized_title_ssm":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000"],"text":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000","R0021","/repositories/2/resources/209","Theater programs","Dance","Ballet","None","There are no restrictions.","Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual.","The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA).","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998.","Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.","Collection processed by Maegan Jankowsi and Robert Vay.","George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories","Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications.","The collection is organized within the following series:","Series 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups.","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming.","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University.","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items.","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records.","The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.","SCRC storage area, Rows 81 and 82.","George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration","English"],"collection_title_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000"],"collection_ssim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, 1935/2000"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["R0021","/repositories/2/resources/209"],"unitid_tesim":["R0021","/repositories/2/resources/209"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_ssim":["George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"access_subjects_ssim":["Theater programs","Dance","Ballet"],"access_subjects_ssm":["Theater programs","Dance","Ballet"],"has_online_content_ssim":["false"],"extent_ssm":["37.5 Linear Feet 81 boxes"],"extent_tesim":["37.5 Linear Feet 81 boxes"],"date_range_isim":[1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000],"accessrestrict_html_tesm":["\u003cp\u003eNone\u003c/p\u003e  ","\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Access Restrictions","Use Restictions"],"accessrestrict_tesim":["None","There are no restrictions."],"arrangement_html_tesm":["\u003cp\u003eCollection is arranged within the following series:\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials\u003c/p\u003e","\u003cp\u003eWithin each series, the records are arranged alphabetically by subject, topic, or individual.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Collection is arranged within the following series:","Series 1: Administrative Records\nSeries 2: Correspondence\nSeries 3: Outreach Activities Records\nSeries 4: IFTP Publications\nSeries 5: Photographs\nSeries 6: Indexes, Inventories, and Collection Control Records\nSeries 7: Research Materials\nSeries 8: Audiovisual materials","Within each series, the records are arranged alphabetically by subject, topic, or individual."],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.\u003c/p\u003e","\u003cp\u003eAfter Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.  \u003c/p\u003e","\u003cp\u003eWhile initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026amp; Archives (SC\u0026amp;A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.\u003c/p\u003e","\u003cp\u003eIn 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA). \u003c/p\u003e","\u003cp\u003eIn 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026amp; Archives). The CGSA and IFTP ceased operation during the summer of 1998. \u003c/p\u003e  "],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project (FTP) began in 1935 as part of the New Deal's Works Progress Administration, employing several thousand actors, directors, playwrights, producers and others in the performing arts industry during the Great Depression. During its four-year run the FTP produced plays, musicals, dance and radio programs, circuses, and marionette shows. It featured the early works of actors and producers such as Orson Welles, Arthur Miller, and Elia Kazan. The federal government discontinued the program in 1939, and thousands of scripts, photographs, posters, and other FTP records were dispersed between the National Archives, the Library of Congress, public libraries, and educational institutions. For over twenty-five years the main body of these records sat forgotten in a government-owned storage facility at Middle River, near Baltimore, Maryland until they were located by George Mason University English professors, Lorraine Brown and John O'Connor.","After Brown and O'Connor's discovery, and realizing the historical significance of these records, George Mason University entered into negotiations with the Library of Congress for permission to house and care for the collection and provide access to the materials to scholars. Many of the materials were physically deteriorating after so many years in less-than-ideal storage conditions. An agreement was reached, and the collection was placed on loan to George Mason University Libraries, with the aim that the collection would be processed, cared for, and used by scholars of the FTP and WPA. A center named The Research Center for the Federal Theatre Project was established at Mason, and a staff of archives and library professionals was hired to process, describe, and provide access to the records in Mason's Fenwick Library.","While initially, the center was focused on unpacking, sorting, processing, and inventorying the collection, it soon concentrated on disseminating the materials and facilitating scholarship regarding the FTP. It participated in grants to preserve the materials and produce programming and exhibitions to expose the materials to a larger audience. It continued to build on the collection by conducting oral history interviews of former FTP personnel, acquisition their personal papers, and photographic duplication of deteriorating records inside the collection, such as original posters, set, and costume design drawings. George Mason University Libraries established its Special Collections \u0026 Archives (SC\u0026A) department in 1979, and the Federal Theatre Project Materials became a collection under the custody of that entity.","In 1980 the Research Center for the Federal Theatre Project was renamed the Institute on the Federal Theatre Project (IFTP), part of the newly established Center for Government, Society, and the Arts (CGSA).","In 1993, the Library of Congress began the process of recalling collections that it had loaned to libraries across the country over the years, including the rich archives of the FTP housed at George Mason University. LC administrators suggested that the collection would be more accessible at the Library's Music Division in Washington, D.C. rather than in Fairfax. While the bulk of the original loaned collection was eventually returned to the Library in August of 1994, George Mason University Libraries was allowed to retain duplicates of many of the records to complement the additional materials it had independently acquired between 1975 and 1994. After the replevin of the FTP materials back to the Library of Congress, the IFTP focused more of its attention on the study of the American National Theater and Academy (ANTA's) work in the Coldwar era, promoting the papers of Robert Breen, Director of ANTA, which are also held by George Mason University's Special Collections Research Center (formerly Special Collections \u0026 Archives). The CGSA and IFTP ceased operation during the summer of 1998."],"custodhist_html_tesm":["\u003cp\u003eMaterials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000.\u003c/p\u003e  "],"custodhist_heading_ssm":["Acquisition Information"],"custodhist_tesim":["Materials were transferred to Special Collections Research Center from the Institute on the Federal Theatre Project and New Deal Culture between the years 1979 and 2000."],"prefercite_html_tesm":["\u003cp\u003eGeorge Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e  "],"prefercite_tesim":["George Mason University Institute on the Federal Theatre Project and New Deal Culture records, #R0021, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Maegan Jankowsi and Robert Vay.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Collection processed by Maegan Jankowsi and Robert Vay."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/r0095\"\u003eGeorge Mason University Libraries records\u003c/extref\u003e \u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0002\"\u003eFederal Theatre Project collection\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0205\"\u003eFederal Theatre Project photograph collection\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0227\"\u003eFederal Theatre Project personal papers\u003c/extref\u003e\u003c/p\u003e","\u003cp\u003e\u003cextref href=\"https://aspace.gmu.edu/resources/c0153\"\u003eWorks Progress Administration oral histories\u003c/extref\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["George Mason University Libraries records","Federal Theatre Project collection","Federal Theatre Project photograph collection","Federal Theatre Project personal papers","Works Progress Administration oral histories"],"scopecontent_html_tesm":["\u003cp\u003eCollection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications. \u003c/p\u003e","\u003cp\u003eThe collection is organized within the following series:\u003c/p\u003e","\u003cp\u003e\nSeries 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.\u003c/p\u003e","\u003cp\u003eSeries 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups. \u003c/p\u003e","\u003cp\u003eSeries 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming. \u003c/p\u003e","\u003cp\u003eSeries 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University. \u003c/p\u003e","\u003cp\u003eSeries 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items. \u003c/p\u003e","\u003cp\u003eSeries 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.  \u003c/p\u003e","\u003cp\u003eSeries 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.  \u003c/p\u003e","\u003cp\u003eSeries 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records. \u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Collection contains records pertaining to the operation of the the Institute on the Federal Theatre Project (IFTP) and its prior iteration, the Research Center for the Federal Theatre Project (RCFTP). These records include operational, research and correspondence files, materials related to the Institute's outreach, programming, audiovisual and photographic materials and publications.","The collection is organized within the following series:","Series 1: Administrative Records: These records consist of materials which document the day to day operation of the IFTP, its projects, initiatives, and development.","Series 2: Correspondence: This series contains manuscript and typewritten correspondence between IFTP personel and their colleagues and outside individuals and groups.","Series 3: Outreach Activities Records: These materials document the IFTP's efforts to provide external programming to promote and disseminate scholarship pertaining to and public awareness of the FTP throuugh exhibits, talks, and other programming.","Series 4: IFTP Publications: This series contains pamphlets detailing IFTP programs, organizational brochures and other publications created by IFTP to assist scholars in researching the FTP, Federal One, the newsletter of the RCFTP and IFTP, Free Adult and Uncensored, which details the history of the FTP, and other publications which promote and facilitate understanding of the FTP collection housed at George Mason University.","Series 5: Photographs: This series contains photographs created or procured by the IFTP. Featured are its personel, events, and programs, copy photographs of original FTP photos, posters, and other graphic items.","Series 6: Indexes, Inventories, and Collection Control Records: These records document the IFTP and RCFTP's fifteen-year effort to inventory, process, index, and describe the FTP collection.","Series 7: Research Materials: These consist of original FTP records descrbing plays and play types, newspaper and magazine articles and clippings, hearing transcripts, and other publications from scholars and government entities  pertaining to FTP and WPA used to study FTP personel and the plays, dance, and music that it produced.","Series 8: Audiovisual materials include audio and videotapes of documentaries pertaining to the FTP, programs presented by the IFTP, such as panel discussions, lectures, and symposia, and productions of original FTP plays staged during the 1980s and 1990s.  SCRC staff must be consulted for information regarding access to these records."],"abstract_html_tesm":["\u003cabstract id=\"aspace_554430af778b5b3433a75c9894961db0\"\u003eThe George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000.\u003c/abstract\u003e\n    "],"abstract_tesim":["The George Mason University Institute on the Federal Theatre Project and New Deal Culture records describe the operations, research, publications, and outreach of the George Mason University Institute on the Federal Theatre Project and New Deal Culture. Records date from 1935 to 2000."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d66750c11aa95b4555db32d46e03745b\" label=\"Physical Location\"\u003eSCRC storage area, Rows 81 and 82.\u003c/physloc\u003e\n    "],"physloc_tesim":["SCRC storage area, Rows 81 and 82."],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_coll_ssim":["Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","George Mason University. Institute on the Federal Theatre Project and New Deal Culture","George Mason University","Federal Theatre Project (U.S.)","United States. Works Progress Administration"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":621,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:29.468Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_209"}},{"id":"vifgm_graham","type":"collection","attributes":{"title":"Hedley Gordon Graham papers, 1920/1983","creator":{"id":"https://arvasarchive.org/catalog/vifgm_graham#creator","type":"document_value","attributes":{"value":"Graham, Hedley Gordon","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_graham#abstract_or_scope","type":"document_value","attributes":{"value":"The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_graham#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_graham","ead_ssi":"vifgm_graham","_root_":"vifgm_graham","_nest_parent_":"vifgm_graham","ead_source_url_ssi":"data/gmu/graham.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/graham.html","title_ssm":["Hedley Gordon Graham papers"],"title_tesim":["Hedley Gordon Graham papers"],"unitdate_ssm":["1925-1983"],"unitdate_inclusive_ssm":["1925-1983"],"normalized_date_ssm":["1920/1983"],"normalized_title_ssm":["Hedley Gordon Graham papers, 1920/1983"],"text":["Hedley Gordon Graham papers, 1920/1983","C0240","New Deal, 1933-1939.","Performing arts.","Theater--United States.","There are no access restrictions.","Organized alphabetically by folder title.","Series 1: Documents and Photographs, 1920s-1983 (Boxes 1-3)\n        Series 2: Oversize, 1920s-1930s (Box 4)","Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically.","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.","There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Graham, Hedley Gordon","Graham, Hedley Gordon.","English"],"collection_title_tesim":["Hedley Gordon Graham papers, 1920/1983"],"collection_ssim":["Hedley Gordon Graham papers, 1920/1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0240"],"unitid_tesim":["C0240"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Graham, Hedley Gordon"],"creator_ssim":["Graham, Hedley Gordon"],"creator_persname_ssim":["Graham, Hedley Gordon","Graham, Hedley Gordon."],"creator_corpname_ssim":["George Mason University. Libraries. 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For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Gordon Hedley Graham was a drama major at Columbia University and graduated from the American Academy of Dramatic Arts in 1925, he also spent a year at the Royal Academy of London and a year at the Max Reinhardt School of Drama in Salzburg, Austria.","Professional experience includes working for the Theatre Guild in New York City as an Actor, Stage Manager, and Director of Understudies; work in Hollywood for MGM and Warner Brothers, as well as work in New Orleans. For the Federal Theatre Project he worked as the Assistant Executive Director of the I6 states and directed The Living Newspaper Theatre in Chicago for two years. He also taught at a variety of institutions including the American Academy of Dramatic Arts, Adelphi College, Columbia University, Warner Brothers, Easthampton School of Rhythmics (which he also owned), and the Theatre School of Drama at Carnegie Hall."],"prefercite_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["The Hedley Gordon Graham papers, C0240, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/p\u003e\n      ","\u003cp\u003eThe collection is divided into two series.\u003c/p\u003e\n      ","\u003cp\u003eSeries one consists of documents and photographs and is organized alphabetically.\u003c/p\u003e\n      ","\u003cp\u003eSeries two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.","The collection is divided into two series.","Series one consists of documents and photographs and is organized alphabetically.","Series two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Hedley Gordon Graham papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref1\" label=\"Abstract\"\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago.\u003c/abstract\u003e\n      "],"abstract_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of O Say Can You Sing, Triple A Plowed Under, Altars of Steel, and Living Newspaper productions in Chicago."],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Graham, Hedley Gordon","Graham, Hedley Gordon."],"names_ssim":["George Mason University. Libraries. 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EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. Federal Theatre material includes photographs, newspaper clippings, and scripts for productions of \u003citalic\u003eO Say Can You Sing, Triple A Plowed Under, Altars of Steel,\u003c/italic\u003e and Living Newspaper productions in Chicago.\u003c/p\u003e","\u003cp\u003eThe collection is divided into two series.\u003c/p\u003e","\u003cp\u003eSeries one consists of documents and photographs and is organized alphabetically. \u003c/p\u003e","\u003cp\u003eSeries two consists of oversize materials including three portrait photographs, a diploma, and a scrapbook.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Hedley Gordon Graham papers contains a scrapbook, acting classes grade books, family photographs and photographs of Federal Theatre Project productions, correspondence, playbills, cards (possibly used for a treasure hunt game), scripts, and magazine and newspaper articles. 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There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.","The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. 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Howard Miller personal papers, C0228, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in November 2012 by Greta Kuriger Suiter.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in November 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. 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Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards.\u003c/abstract\u003e\n    "],"abstract_tesim":["The J. Howard Miller papers consist of scrapbooks and folders containing newspaper clippings, programs, photographs, telegrams, and other pieces of ephemera, most of which are related to Federal Theatre Project productions in Los Angeles, San Diego, Padua Hills, and Denver. Also included is correspondence to and from Miller and employee identification cards."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fd2c8824a22a79e4b1c6284aa68ef1f9\"\u003eMap Case 9.1\u003c/physloc\u003e\n    "],"physloc_tesim":["Map Case 9.1"],"corpname_ssim":["George Mason University. Libraries. 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Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The J. Howard Miller papers contain eleven scrapbooks created by Miller. Scrapbooks are compiled around a location or play: one has general newsclippings about the Federal Theatre Project and the WPA, three are for productions from the Mayan Theatre in Los Angeles, two are for productions from the Savoy Theatre in San Diego, one is for the State Emergency Relief Administration (SERA), one covers the Federal Theatre unit in Denver, one covers the play It Can't Happen Here in it's many locations of production. There are also two scrapbooks for materials that did not originate with the Federal Theatre Project, one of these is filled with programs collected by Miller and the other is material from the Padua Players theatre group where Miller worked before joining the Federal Theatre. Also included in this collection is one folder of photographs featuring Federal Theatre sets and actors, and three folders with correspondence, miscellaneous newspaper clippings, and employee related material."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e  "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of materials created after 1925 have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_5c091e00e82823798960d1532cc52ff9\" label=\"Summary\"\u003eThe J. 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Special Collections Research Center","Federal Theatre Project (U.S.)"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"persname_ssim":["Miller, J. Howard"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Miller, J. Howard"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":20,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-07-23T21:20:38.340Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_346"}},{"id":"vifgm_lawson","type":"collection","attributes":{"title":"Kate Lawson papers, 1936/1940","creator":{"id":"https://arvasarchive.org/catalog/vifgm_lawson#creator","type":"document_value","attributes":{"value":"Lawson, Kate Drain","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_lawson#abstract_or_scope","type":"document_value","attributes":{"value":"The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_lawson#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_lawson","ead_ssi":"vifgm_lawson","_root_":"vifgm_lawson","_nest_parent_":"vifgm_lawson","ead_source_url_ssi":"data/gmu/lawson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/lawson.html","title_ssm":["Kate Lawson papers"],"title_tesim":["Kate Lawson papers"],"unitdate_ssm":["1936-1940"],"unitdate_inclusive_ssm":["1936-1940"],"normalized_date_ssm":["1936/1940"],"normalized_title_ssm":["Kate Lawson papers, 1936/1940"],"text":["Kate Lawson papers, 1936/1940","C0222","New Deal, 1933-1939.","Theater--United States.","There are no access restrictions.","There are digital documents from this and other GMU FTP collections in the .","Arranged alphabetically by folder title.","Born Kathryn Drain on July 27, 1894 in Spokane, Washington, her family moved to Washington, D.C., in the early 1900s. Drain left D.C. to become a nurse's aide in Paris, France, during World War I. She served in World War I in Paris as a nurse and in World War II in India with the American Red Cross. It was in Paris that she met and married John Howard Lawson, and she began her theatrical career. By 1922 she was working on Broadway as a technical director, costume and stage designer, and actress. She joined the FTP in July 1936 and headed the Bureau of Research and Publication and was the Chief Technical Officer for the FTP in New York City. 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Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Lawson, Kate Drain"],"names_ssim":["George Mason University. Libraries. 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She resigned in September of 1937 and moved to Los Angeles, California, to pursue a career in film and television."],"prefercite_html_tesm":["\u003cp\u003eKate Lawson papers, C0222, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e\n    "],"prefercite_tesim":["Kate Lawson papers, C0222, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing and EAD markup completed in October 2012 by Greta Kuriger Suiter.\u003c/p\u003e\n    "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and EAD markup completed in October 2012 by Greta Kuriger Suiter."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e\n    "],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Kate Lawson papers include newspaper clippings and press releases on Federal Theatre Project productions, FTP administrative correspondence including job descriptions, memorandums on employee reclassification, complaints from employees and audience survey questionnaires, research lists, production records, and personal correspondence."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. 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Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Lawson, Kate Drain"],"names_ssim":["George Mason University. Libraries. 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