{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Barre%2C+Jean+Auguste%2C+1811-1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University","last":"https://arvasarchive.org/catalog.json?f%5Bnames%5D%5B%5D=Barre%2C+Jean+Auguste%2C+1811-1896\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":1,"first_page?":true,"last_page?":true}},"data":[{"id":"vifgm_repositories_2_resources_776","type":"collection","attributes":{"title":"Lithograph of Marie Taglioni in costume for the ballet La Sylphide","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_776#creator","type":"document_value","attributes":{"value":"Bénard et Frey","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_776#abstract_or_scope","type":"document_value","attributes":{"value":"Lithograph of Marie Taglioni in costume for the ballet \u003cspan\u003eLa Sylphide\u003c/span\u003e based on the sculpture by Jean-Auguste Barre.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_776#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_776","ead_ssi":"vifgm_repositories_2_resources_776","_root_":"vifgm_repositories_2_resources_776","_nest_parent_":"vifgm_repositories_2_resources_776","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_776.xml","title_filing_ssi":"Lithograph of Marie Taglioni in costume for the ballet  La Sylphide","title_ssm":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide"],"title_tesim":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide"],"unitdate_ssm":["1837"],"unitdate_other_ssim":["1837"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0551","/repositories/2/resources/776"],"text":["C0551","/repositories/2/resources/776","Lithograph of Marie Taglioni in costume for the ballet La Sylphide","Ballet","Performing arts","Art","Lithography","There are no access restrictions.","This is a single item collection.","Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013.  Gaynor Minden , October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.","Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet  La Sylphide , choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet,  La Sylphide  tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. ","In this ballet, Marie became the first ballerina to dance  en pointe  for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.","Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.","The Special Collections Research Center holds other collections related to  ballet , such as the  Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\" , and  lithography , such as the  \"La Navarraise\" opera scene and costume lithographs .","Lithograph of Marie Taglioni in costume for her most famous role in the ballet  La Sylphide  based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Lithograph of Marie Taglioni in costume for the ballet  La Sylphide  based on the sculpture by Jean-Auguste Barre.","R 73, C 2, S 4","George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Ballet","Performing arts","Art","Lithography"],"access_subjects_ssm":["Ballet","Performing arts","Art","Lithography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1837],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.\u003c/p\u003e\n","\u003cp\u003e\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.\u003c/p\u003e\n","\u003cp\u003e\"The Ethereal Woman.\" 2013. \u003ctitle\u003eGaynor Minden\u003c/title\u003e, October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013.  Gaynor Minden , October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman."],"bioghist_html_tesm":["\u003cp\u003eMarie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, \u003ctitle\u003eLa Sylphide\u003c/title\u003e tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. \u003c/p\u003e\n","\u003cp\u003eIn this ballet, Marie became the first ballerina to dance \u003ctitle\u003een pointe\u003c/title\u003e for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet  La Sylphide , choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet,  La Sylphide  tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. ","In this ballet, Marie became the first ballerina to dance  en pointe  for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. 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Finding aid completed by Meghan Glasbrenner in May 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eballet\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eErnst Oppler illustrations of Anna Pavlova in \"The Dying Swan\"\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85077598\"\u003elithography\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to  ballet , such as the  Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\" , and  lithography , such as the  \"La Navarraise\" opera scene and costume lithographs ."],"scopecontent_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for her most famous role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026amp; Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithograph of Marie Taglioni in costume for her most famous role in the ballet  La Sylphide  based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_df08b771ebf5e1e4d4ea53731b5a88cd\"\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the sculpture by Jean-Auguste Barre.\u003c/abstract\u003e"],"abstract_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide  based on the sculpture by Jean-Auguste Barre."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cd827906c7f7192269ce1f230f206360\"\u003eR 73, C 2, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 2, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey","Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey"],"names_coll_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"persname_ssim":["Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:22:41.771Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_776","ead_ssi":"vifgm_repositories_2_resources_776","_root_":"vifgm_repositories_2_resources_776","_nest_parent_":"vifgm_repositories_2_resources_776","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_776.xml","title_filing_ssi":"Lithograph of Marie Taglioni in costume for the ballet  La Sylphide","title_ssm":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide"],"title_tesim":["Lithograph of Marie Taglioni in costume for the ballet La Sylphide"],"unitdate_ssm":["1837"],"unitdate_other_ssim":["1837"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0551","/repositories/2/resources/776"],"text":["C0551","/repositories/2/resources/776","Lithograph of Marie Taglioni in costume for the ballet La Sylphide","Ballet","Performing arts","Art","Lithography","There are no access restrictions.","This is a single item collection.","Britannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.","\"Detailed Biography - Marie Taglioni.\" n.d. Accessed May 4, 2026. http://marietaglioni.orchesis-portal.org/index.php/texts/detailed-biography.","\"The Ethereal Woman.\" 2013.  Gaynor Minden , October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman.","Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet  La Sylphide , choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet,  La Sylphide  tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. ","In this ballet, Marie became the first ballerina to dance  en pointe  for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.","Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.","The Special Collections Research Center holds other collections related to  ballet , such as the  Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\" , and  lithography , such as the  \"La Navarraise\" opera scene and costume lithographs .","Lithograph of Marie Taglioni in costume for her most famous role in the ballet  La Sylphide  based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Lithograph of Marie Taglioni in costume for the ballet  La Sylphide  based on the sculpture by Jean-Auguste Barre.","R 73, C 2, S 4","George Mason University. Libraries. 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(See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in March 2025."],"access_subjects_ssim":["Ballet","Performing arts","Art","Lithography"],"access_subjects_ssm":["Ballet","Performing arts","Art","Lithography"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"date_range_isim":[1837],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003eBritannica, The Editors of Encyclopaedia. 2026. \"Marie Taglioni | Romantic Ballet, Pointe Technique, La Sylphide.\" Britannica, April 20, 2026. https://www.britannica.com/biography/Marie-Taglioni.\u003c/p\u003e\n","\u003cp\u003e\"Detailed Biography - Marie Taglioni.\" n.d. 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Gaynor Minden , October 21, 2013. https://dancer.com/ballet-info/the-story-of-ballet/the-ethereal-woman."],"bioghist_html_tesm":["\u003cp\u003eMarie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet, \u003ctitle\u003eLa Sylphide\u003c/title\u003e tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. \u003c/p\u003e\n","\u003cp\u003eIn this ballet, Marie became the first ballerina to dance \u003ctitle\u003een pointe\u003c/title\u003e for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Marie Taglioni was born on April 23, 1804 in Stockholm, Sweden into a family of dancers, including her brother Salvatore who was a dance master in Naples, Italy and her father Filippo, a dancer and choreographer who was also her main dance trainer. Marie made her professional debut in Vienna, Austria in 1822 and rose to fame with her role in the ballet  La Sylphide , choreographed by her father, which premiered at the Paris Opéra on March 12, 1832. A dramatic Romantic ballet,  La Sylphide  tells the story of a young Scottish man who falls in love with a sylph, the role played by Marie, not long before he is to be married. Sadly, when he is finally successful in catching the sylph, she dies, emphasizing the impossibility of love between a human and a spirit. ","In this ballet, Marie became the first ballerina to dance  en pointe  for the work's entirety, accomplished using normal ballet slippers with reinforcements in the block of the slipper, rather than specialized pointe shoes. The technique was used to create the illusion of her sylph character floating across the stage, providing a stronger visual contrast to the movement of the Scottish man pursuing her. Additionally, the fitted bodice and airy, bell-like skirt worn as part of her costume became the prototype for the traditional tutu worn by ballet dancers for over a century. Marie remained active as a dancer, instructor, and choreographer for the next 40 years before she passed away in Marseille, France in April 1884 at the age of 79."],"prefercite_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e, C0551, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide , C0551, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Meghan Glasbrenner in April 2026. Finding aid completed by Meghan Glasbrenner in May 2026."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eballet\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/subjects/860\"\u003eErnst Oppler illustrations of Anna Pavlova in \"The Dying Swan\"\u003c/a\u003e, and \u003ca href=\"https://aspace.gmu.edu/subjects/sh85077598\"\u003elithography\u003c/a\u003e, such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0471\"\u003e\"La Navarraise\" opera scene and costume lithographs\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to  ballet , such as the  Ernst Oppler illustrations of Anna Pavlova in \"The Dying Swan\" , and  lithography , such as the  \"La Navarraise\" opera scene and costume lithographs ."],"scopecontent_html_tesm":["\u003cp\u003eLithograph of Marie Taglioni in costume for her most famous role in the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026amp; Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Lithograph of Marie Taglioni in costume for her most famous role in the ballet  La Sylphide  based on the contempory bronze sculpture by Jean-Auguste Barre (1811–1896), printed by Bernard \u0026 Frey in 1837. The image shows Marie balancing on one foot above a base covered in a bed of flowers and her name appears in full along the front of the base. The initials \"M.A.\" appear at the bottom left of the image, and the name \"A. Barre\" along the bottom right of the base. The name \"Taglioni\" is written in pencil at the bottom."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_df08b771ebf5e1e4d4ea53731b5a88cd\"\u003eLithograph of Marie Taglioni in costume for the ballet \u003ctitle\u003eLa Sylphide\u003c/title\u003e based on the sculpture by Jean-Auguste Barre.\u003c/abstract\u003e"],"abstract_tesim":["Lithograph of Marie Taglioni in costume for the ballet  La Sylphide  based on the sculpture by Jean-Auguste Barre."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_cd827906c7f7192269ce1f230f206360\"\u003eR 73, C 2, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 73, C 2, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bénard et Frey","Barre, Jean Auguste, 1811-1896","Taglioni, Marie, 1804-1884"],"corpname_ssim":["George Mason University. Libraries. 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