{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=20","prev":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=19","next":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=21","last":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=293"},"meta":{"pages":{"current_page":20,"next_page":21,"prev_page":19,"total_pages":293,"limit_value":10,"offset_value":190,"total_count":2927,"first_page?":false,"last_page?":false}},"data":[{"id":"viur_repositories_4_resources_6_c03_c71","type":"File","attributes":{"title":"Additional Information for Soldiers Going Back to Civilian Life, 1944","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_6_c03_c71#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_6_c03_c71","ref_ssm":["viur_repositories_4_resources_6_c03_c71"],"id":"viur_repositories_4_resources_6_c03_c71","ead_ssi":"viur_repositories_4_resources_6","_root_":"viur_repositories_4_resources_6","_nest_parent_":"viur_repositories_4_resources_6_c03","parent_ssi":"viur_repositories_4_resources_6_c03","parent_ssim":["World War I \u0026 II Pamphlet Collection, 1908/1947","Series III: World War II Pamphlets, 1942/1945"],"parent_ids_ssim":["viur_repositories_4_resources_6","viur_repositories_4_resources_6_c03"],"title_filing_ssi":"Additional Information for Soldiers Going Back to Civilian Life","title_ssm":["Additional Information for Soldiers Going Back to Civilian Life"],"title_tesim":["Additional Information for Soldiers Going Back to Civilian Life"],"normalized_title_ssm":["Additional Information for Soldiers Going Back to Civilian Life, 1944"],"text":["Additional Information for Soldiers Going Back to Civilian Life, 1944","World War I \u0026 II Pamphlet Collection, 1908/1947","Series III: World War II Pamphlets, 1942/1945","box 3 MS-8","folder 27","W1.43:21-4A"],"parent_unittitles_ssm":["World War I \u0026 II Pamphlet Collection, 1908/1947","Series III: World War II Pamphlets, 1942/1945"],"parent_unittitles_tesim":["World War I \u0026 II Pamphlet Collection, 1908/1947","Series III: World War II Pamphlets, 1942/1945"],"normalized_date_ssm":["1944"],"unitdate_other_ssim":["August 10, 1944"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":95,"repository_ssim":["University of Richmond"],"collection_ssim":["World War I \u0026 II Pamphlet Collection, 1908/1947"],"containers_ssim":["box 3 MS-8","folder 27"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1944],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_8e32f2bca794f9f478531ff3b24eb4c4\"\u003eW1.43:21-4A\u003c/materialspec\u003e"],"materialspec_tesim":["W1.43:21-4A"],"_nest_path_":"/components#2/components#70","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_6","ead_ssi":"viur_repositories_4_resources_6","_root_":"viur_repositories_4_resources_6","_nest_parent_":"viur_repositories_4_resources_6","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_6.xml","title_ssm":["World War I \u0026 II Pamphlet Collection"],"title_tesim":["World War I \u0026 II Pamphlet Collection"],"unitdate_ssm":["1908-1947"],"unitdate_inclusive_ssm":["1908-1947"],"normalized_date_ssm":["1908/1947"],"normalized_title_ssm":["World War I \u0026 II Pamphlet Collection, 1908/1947"],"text":["World War I \u0026 II Pamphlet Collection, 1908/1947","MS-8","/repositories/4/resources/6","United States -- Armed Forces -- Handbooks, manuals, etc.","United States Army in World War II","Armed Forces","Pamphlets","Periodicals","The Army Talks series has been digitized and is available online under America at War - Army Talks.","The GI Roundtable materials have been digitized and are available online under America at War – GI Roundtable.","Many other pamphlets have also been digitized and are available online under America at War - General Publications.","This collection is arranged into 6 series:","Series I: Pre-War and World War I Pamphlets","Series II: Interwar Years Pamphlets\n    Series III: World War II Pamphlets","Series IV: Post-War Pamphlets","Series V: Publications","Series VI: Army Talks","The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.","The collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available.","Special Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\".","This collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The Army Talks Series, GI Roundtable materials, and other pamphlets have been digitized and are available online.","Pamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.","University of Richmond","U.S. Government","Seuss, Dr.","English"],"collection_title_tesim":["World War I \u0026 II Pamphlet Collection, 1908/1947"],"collection_ssim":["World War I \u0026 II Pamphlet Collection, 1908/1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-8","/repositories/4/resources/6"],"unitid_tesim":["MS-8","/repositories/4/resources/6"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["United States -- Armed Forces -- Handbooks, manuals, etc."],"geogname_ssim":["United States -- Armed Forces -- Handbooks, manuals, etc."],"places_ssim":["United States -- Armed Forces -- Handbooks, manuals, etc."],"creator_ssm":["U.S. Government"],"creator_ssim":["U.S. Government"],"creator_persname_ssim":["Seuss, Dr."],"creator_corpname_ssim":["University of Richmond","U.S. Government"],"creators_ssim":["Seuss, Dr.","University of Richmond","U.S. Government"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was acquired by transfer from the Federal Depository materials within the circulating collection."],"access_subjects_ssim":["United States Army in World War II","Armed Forces","Pamphlets","Periodicals"],"access_subjects_ssm":["United States Army in World War II","Armed Forces","Pamphlets","Periodicals"],"has_online_content_ssim":["false"],"extent_ssm":["4 Linear Feet 7 archival boxes."],"extent_tesim":["4 Linear Feet 7 archival boxes."],"genreform_ssim":["Pamphlets","Periodicals"],"date_range_isim":[1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"altformavail_html_tesm":["\u003cp\u003eThe \u003ci\u003eArmy Talks series\u003c/i\u003e has been digitized and is available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_20034dbe-1c70-43a7-9fe8-80526ca493f9/\"\u003eAmerica at War - Army Talks\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eThe \u003ci\u003eGI Roundtable\u003c/i\u003e materials have been digitized and are available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_2f6b5495-5097-4d7b-975b-aeaec8cbbcab/\"\u003eAmerica at War – GI Roundtable\u003c/a\u003e.\u003c/p\u003e","\u003cp\u003eMany other pamphlets have also been digitized and are available online under \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_604fbfa3-8633-4ab2-b8bb-93deb2abf7c2/\"\u003eAmerica at War - General Publications\u003c/a\u003e.\u003c/p\u003e  "],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The Army Talks series has been digitized and is available online under America at War - Army Talks.","The GI Roundtable materials have been digitized and are available online under America at War – GI Roundtable.","Many other pamphlets have also been digitized and are available online under America at War - General Publications."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 6 series:\u003c/p\u003e","\u003cp\u003e \tSeries I: Pre-War and World War I Pamphlets\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSeries II: Interwar Years Pamphlets\u003cbr\u003e\n    Series III: World War II Pamphlets\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSeries IV: Post-War Pamphlets\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSeries V: Publications\u003cbr\u003e\u003c/p\u003e","\u003cp\u003eSeries VI: \u003cemph render=\"italics\"\u003eArmy Talks\u003c/emph\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 6 series:","Series I: Pre-War and World War I Pamphlets","Series II: Interwar Years Pamphlets\n    Series III: World War II Pamphlets","Series IV: Post-War Pamphlets","Series V: Publications","Series VI: Army Talks"],"bioghist_html_tesm":["\u003cp\u003eThe pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-8, World War I \u0026amp; II Pamphlet Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-8, World War I \u0026 II Pamphlet Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was processed from its original order by government document number into chronological order. Original government document numbers have been retained in the description when available."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\".\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Special Collections also holds an additional collection of nearly 600 World War I pamphlets.  These pamphlets are international in origin and scope. Currently, they are listed individually in the catalog or by searching \"World War, 1914-1918--Pamphlets\"."],"scopecontent_html_tesm":["\u003cp\u003eThis collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_20034dbe-1c70-43a7-9fe8-80526ca493f9/\"\u003e\u003cemph render=\"italics\"\u003eArmy Talks Series\u003c/emph\u003e\u003c/a\u003e, \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_2f6b5495-5097-4d7b-975b-aeaec8cbbcab/\"\u003e\u003cemph render=\"italics\"\u003eGI Roundtable\u003c/emph\u003e\u003c/a\u003e materials, and \u003ca href=\"https://richmond.access.preservica.com/uncategorized/deliverableUnit_604fbfa3-8633-4ab2-b8bb-93deb2abf7c2/\"\u003eother pamphlets\u003c/a\u003e have been digitized and are available online. \u003c/p\u003e","\u003cp\u003ePamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection offers a small number of pamphlets related to World War I, most of which are regulatory pamphlets. The remaining folders house World War II publications. Of note in this collection are pre-induction pamphlets, publications about returning to civilian life, and a publication called Army Talks, the official periodical for the Army Eighth Air Force division. The Army Talks Series, GI Roundtable materials, and other pamphlets have been digitized and are available online.","Pamphlets that relate to returning to civilian life are of importance, as they begin as early as March 1944, and include information about the G.I. Bill and future opportunities for soldiers, such as education. While these civilian publications are not necessarily related to one another, they lend an important aspect to wartime life. Lastly, a run of pre-induction pamphlets highlighting skills to be acquired before entering into certain sectors of the Armed Services offer a comprehensive view of specialization. A series of Army Pocket Guides to various locations where stationed may also be useful, especially in understanding U.S. history of domestic policy with the locations discussed. Of special note is the pamphlet \"This is Ann,\" located in Box 2, File 21, which was drawn by Theodore Geisel, better known for his later pseudonym,  Dr. Seuss."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_6f13b8ec5d333ba70283ac249fe81bae\" label=\"Summary/Abstract\"\u003eThe pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier.\u003c/abstract\u003e\n    "],"abstract_tesim":["The pamphlets found in this collection highlight the many aspects of military and wartime life, mainly during World War II. The pamphlets provide clues as to how day-to-day military life was conducted during the First and Second World Wars, including the ins-and-outs of pre-military enlistment, the role of women during the war, and perceived German intentions. Many publications offer insight into how a soldier is to conduct himself on and off the battlefield, including restrictions he is to adhere to when returning home. All publications are official United States issue, and are therefore official documentation of how the army communicated with the average soldier."],"corpname_ssim":["University of Richmond","U.S. Government"],"persname_ssim":["Seuss, Dr."],"names_coll_ssim":["Seuss, Dr."],"names_ssim":["University of Richmond","U.S. Government","Seuss, Dr."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":271,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_6_c03_c71"}},{"id":"viur_repositories_4_resources_16_c01_c189","type":"File","attributes":{"title":"Additional Photos for Inauguration Slideshow--CD, 2008","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_16_c01_c189#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_16_c01_c189","ref_ssm":["viur_repositories_4_resources_16_c01_c189"],"id":"viur_repositories_4_resources_16_c01_c189","ead_ssi":"viur_repositories_4_resources_16","_root_":"viur_repositories_4_resources_16","_nest_parent_":"viur_repositories_4_resources_16_c01","parent_ssi":"viur_repositories_4_resources_16_c01","parent_ssim":["UR's 175th Anniversary Collection, 1997/2008","Series I: Celebration Materials, 1891/2015"],"parent_ids_ssim":["viur_repositories_4_resources_16","viur_repositories_4_resources_16_c01"],"title_filing_ssi":"Additional Photos for Inauguration Slideshow--CD","title_ssm":["Additional Photos for Inauguration Slideshow--CD"],"title_tesim":["Additional Photos for Inauguration Slideshow--CD"],"normalized_title_ssm":["Additional Photos for Inauguration Slideshow--CD, 2008"],"text":["Additional Photos for Inauguration Slideshow--CD, 2008","UR's 175th Anniversary Collection, 1997/2008","Series I: Celebration Materials, 1891/2015","box 2 MS-25","folder 103"],"parent_unittitles_ssm":["UR's 175th Anniversary Collection, 1997/2008","Series I: Celebration Materials, 1891/2015"],"parent_unittitles_tesim":["UR's 175th Anniversary Collection, 1997/2008","Series I: Celebration Materials, 1891/2015"],"normalized_date_ssm":["2008"],"unitdate_other_ssim":["April 2, 2008"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":190,"repository_ssim":["University of Richmond"],"collection_ssim":["UR's 175th Anniversary Collection, 1997/2008"],"containers_ssim":["box 2 MS-25","folder 103"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[2008],"_nest_path_":"/components#0/components#188","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_16","ead_ssi":"viur_repositories_4_resources_16","_root_":"viur_repositories_4_resources_16","_nest_parent_":"viur_repositories_4_resources_16","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_16.xml","title_ssm":["UR's 175th Anniversary Collection"],"title_tesim":["UR's 175th Anniversary Collection"],"unitdate_ssm":["1997-2008"],"unitdate_inclusive_ssm":["1997-2008"],"normalized_date_ssm":["1997/2008"],"normalized_title_ssm":["UR's 175th Anniversary Collection, 1997/2008"],"text":["UR's 175th Anniversary Collection, 1997/2008","MS-25","/repositories/4/resources/16","University of Richmond -- History","Nonbook Materials","DVDs","Video CDs","Posters","Pamphlets","Videocassettes","Arranged in 3 boxes, one oversized.","The University of Richmond traces its roots to 1830 at a private academy called Dunlora, which was operated by the Reverend Edward Baptist under the sponsorship of the Virginia Baptist Education Society. In 1832, the Virginia Baptist Seminary was formed with the Reverend Robert Ryland as principal and the only teacher. The seminary was located on a farm called Spring Farm near the present-day Bryan Park. In 1834, the seminary was moved to what was then a western suburb of Richmond, one-half mile from the city limits. The seminary, located near the present intersection of Grace and Lombardy Streets, and the school remained at this site for eighty years. In 1840, Richmond College was chartered as a liberal arts and sciences college for men by the Virginia General Assembly.","Two other events provided significant impact in shaping the existing physical campus: the move to the present campus and the establishment of the co-ordinate system. The origins of the present campus date to 1910, when the Richmond College Board of Trustees purchased approximately 290 acres including Westhampton Lake. Ben Green's old mill pond, now known as Westhampton Lake, stretched 1,326 feet in length and divided the property into two parts. The lake covered approximately fourteen acres and predated the Civil War. Classes at Richmond College started in September, 1914. Westhampton College, a college of liberal arts and sciences for women, was also established in 1914 on the same property. George White McDaniel, chairman of the Board of Trustees committee to secure the deed to the property, noted that the property was, \"sufficiently large for all future purposes\" of the institution. The property was outside the City of Richmond in Henrico County. Twenty-six years later, Richmond College was once again within city limits as the City of Richmond annexed a considerable portion of Henrico County.","President Frederic William Boatwright (1895–1946 term of office) envisioned a \"Collegiate Gothic\" style of architecture for the new University campus. In 1910, the architectural firm of Cram, Goodhue and Ferguson was commissioned by the Board of Trustees to draft plans for the future College. Ralph Adams Cram, eminent institutional architect, was responsible for establishing the enduring style on the University of Richmond campus. The Board of Trustees also engaged the service of a landscape architect Warren H. Manning, a former apprentice to Frederick Law Olmstead. Manning was responsible for designing and locating roads, supervising the cutting and planting of trees, locating walkways, and landscaping the terrain so that it would drain appropriately. President Boatwright worked with Cram and Manning to formulate a master plan which considered fifty years of growth for the institution on its present site. The master plan included provision for a college of medicine, a law school building, an observatory, a school of business administration, an engineering school, a gymnasium and swimming pool, a major library and homes for professors.","Construction of new buildings designed by Cram, Goodhue and Ferguson began in 1911. The first building constructed on the new site was Ryland Hall, now the Humanities Building, which housed administrative offices, lecture rooms, the art hall, meeting space and a library with 40,000 volumes. It was followed by North Court. Two residence halls for men were also constructed: Residence Hall No. 2 (formerly Thomas Hall) and Residence Hall No. 1 (formerly Jeter Hall). Cram is credited with remarking that the collegiate Gothic style symbolizes \"eternal values\" and \"exalted ideals of education and religion.\" Cram also boasted that there \"wasn't another site in the whole United States as suitable for a college, except for the site at West Point.\"","During World War II, the University of Richmond supported the national effort to conserve food by establishing victory gardens on campus. In the spring of 1943, an area on the Westhampton campus near River Road was cultivated with plots assigned to faculty who wished to make a garden. The University of Richmond expanded over time as the following schools of study were established:","1870 - The T.C. Williams School of Law\n1921 - The Graduate School of Arts and Sciences\n1949 - The E. Claiborne Robins School of Business\n1962 - University College (The School of Continuing Studies)\n1976 - The Richard S. Reynolds Graduate School of Business\n1992 - The Jepson School of Leadership Studies","Perhaps, the most significant event in the recent history of the University occurred in 1969, when alumnus E. Claiborne Robins gave the University a gift valued at $50 million. The University moved forward to raise a matching amount of funds. This led to the construction of new facilities and the renovation of existing campus buildings.","Over the years, the University of Richmond has been characterized by its rolling terrain, commodious open space and lush tree canopy. This landscape was the primary determinant in the initial master plan organization and has continued to dictate the development patterns as growth has occurred. This methodology has been continuously embraced by those in leadership positions within the University and has clearly elevated the University of Richmond to a top position nationally in the aesthetic quality of its setting. In 1999, the University of Richmond was recognized by the Princeton Review as the most beautiful campus in the United States.","University history quoted from UR's Architectural Services website.","Processed by Betty Dickie.","The collection includes research on University history, presidents, alumni, and buildings. It also includes the marketing materials and the steps that went into producing them; photographs from Dementi; VHS tapes of the Gala Celebration, President Ayers inauguration, and more; historical information about Boatwright Library. The collection includes all of the working notes and steps in the putting together of the various events for the anniversary celebrating 175 years.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains materials, notes, samples, photos, videos, and more, pertaining to the celebration of University of Richmond's 175th Anniversary.","University of Richmond","Monday, Kathy","English"],"collection_title_tesim":["UR's 175th Anniversary Collection, 1997/2008"],"collection_ssim":["UR's 175th Anniversary Collection, 1997/2008"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-25","/repositories/4/resources/16"],"unitid_tesim":["MS-25","/repositories/4/resources/16"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Monday, Kathy"],"creator_ssim":["Monday, Kathy"],"creator_persname_ssim":["Monday, Kathy"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Monday, Kathy","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Material was collected by Kathy Monday, Vice President of Information Services, who was in charge of planning and implementing the 175th Anniversary Celebration for the University of Richmond. She transferred the materials to the library upon her retirement in 2016."],"access_subjects_ssim":["University of Richmond -- History","Nonbook Materials","DVDs","Video CDs","Posters","Pamphlets","Videocassettes"],"access_subjects_ssm":["University of Richmond -- History","Nonbook Materials","DVDs","Video CDs","Posters","Pamphlets","Videocassettes"],"has_online_content_ssim":["false"],"extent_ssm":["5 Linear Feet 3 boxes"],"extent_tesim":["5 Linear Feet 3 boxes"],"genreform_ssim":["Pamphlets","Videocassettes"],"date_range_isim":[1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008],"arrangement_html_tesm":["\u003cp\u003eArranged in 3 boxes, one oversized.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged in 3 boxes, one oversized."],"bioghist_html_tesm":["\u003cp\u003eThe University of Richmond traces its roots to 1830 at a private academy called Dunlora, which was operated by the Reverend Edward Baptist under the sponsorship of the Virginia Baptist Education Society. In 1832, the Virginia Baptist Seminary was formed with the Reverend Robert Ryland as principal and the only teacher. The seminary was located on a farm called Spring Farm near the present-day Bryan Park. In 1834, the seminary was moved to what was then a western suburb of Richmond, one-half mile from the city limits. The seminary, located near the present intersection of Grace and Lombardy Streets, and the school remained at this site for eighty years. In 1840, Richmond College was chartered as a liberal arts and sciences college for men by the Virginia General Assembly.\u003c/p\u003e","\u003cp\u003eTwo other events provided significant impact in shaping the existing physical campus: the move to the present campus and the establishment of the co-ordinate system. The origins of the present campus date to 1910, when the Richmond College Board of Trustees purchased approximately 290 acres including Westhampton Lake. Ben Green's old mill pond, now known as Westhampton Lake, stretched 1,326 feet in length and divided the property into two parts. The lake covered approximately fourteen acres and predated the Civil War. Classes at Richmond College started in September, 1914. Westhampton College, a college of liberal arts and sciences for women, was also established in 1914 on the same property. George White McDaniel, chairman of the Board of Trustees committee to secure the deed to the property, noted that the property was, \"sufficiently large for all future purposes\" of the institution. The property was outside the City of Richmond in Henrico County. Twenty-six years later, Richmond College was once again within city limits as the City of Richmond annexed a considerable portion of Henrico County.\u003c/p\u003e","\u003cp\u003ePresident Frederic William Boatwright (1895–1946 term of office) envisioned a \"Collegiate Gothic\" style of architecture for the new University campus. In 1910, the architectural firm of Cram, Goodhue and Ferguson was commissioned by the Board of Trustees to draft plans for the future College. Ralph Adams Cram, eminent institutional architect, was responsible for establishing the enduring style on the University of Richmond campus. The Board of Trustees also engaged the service of a landscape architect Warren H. Manning, a former apprentice to Frederick Law Olmstead. Manning was responsible for designing and locating roads, supervising the cutting and planting of trees, locating walkways, and landscaping the terrain so that it would drain appropriately. President Boatwright worked with Cram and Manning to formulate a master plan which considered fifty years of growth for the institution on its present site. The master plan included provision for a college of medicine, a law school building, an observatory, a school of business administration, an engineering school, a gymnasium and swimming pool, a major library and homes for professors.\u003c/p\u003e","\u003cp\u003eConstruction of new buildings designed by Cram, Goodhue and Ferguson began in 1911. The first building constructed on the new site was Ryland Hall, now the Humanities Building, which housed administrative offices, lecture rooms, the art hall, meeting space and a library with 40,000 volumes. It was followed by North Court. Two residence halls for men were also constructed: Residence Hall No. 2 (formerly Thomas Hall) and Residence Hall No. 1 (formerly Jeter Hall). Cram is credited with remarking that the collegiate Gothic style symbolizes \"eternal values\" and \"exalted ideals of education and religion.\" Cram also boasted that there \"wasn't another site in the whole United States as suitable for a college, except for the site at West Point.\"\u003c/p\u003e","\u003cp\u003eDuring World War II, the University of Richmond supported the national effort to conserve food by establishing victory gardens on campus. In the spring of 1943, an area on the Westhampton campus near River Road was cultivated with plots assigned to faculty who wished to make a garden. The University of Richmond expanded over time as the following schools of study were established:\u003c/p\u003e","\u003cp\u003e1870 - The T.C. Williams School of Law\u003cbr\u003e\n1921 - The Graduate School of Arts and Sciences\u003cbr\u003e\n1949 - The E. Claiborne Robins School of Business\u003cbr\u003e\n1962 - University College (The School of Continuing Studies)\u003cbr\u003e\n1976 - The Richard S. Reynolds Graduate School of Business\u003cbr\u003e\n1992 - The Jepson School of Leadership Studies\u003c/p\u003e","\u003cp\u003ePerhaps, the most significant event in the recent history of the University occurred in 1969, when alumnus E. Claiborne Robins gave the University a gift valued at $50 million. The University moved forward to raise a matching amount of funds. This led to the construction of new facilities and the renovation of existing campus buildings.\u003c/p\u003e","\u003cp\u003eOver the years, the University of Richmond has been characterized by its rolling terrain, commodious open space and lush tree canopy. This landscape was the primary determinant in the initial master plan organization and has continued to dictate the development patterns as growth has occurred. This methodology has been continuously embraced by those in leadership positions within the University and has clearly elevated the University of Richmond to a top position nationally in the aesthetic quality of its setting. In 1999, the University of Richmond was recognized by the Princeton Review as the most beautiful campus in the United States.\u003c/p\u003e","\u003cp\u003e\u003cemph render=\"italics\"\u003eUniversity history quoted from \u003ca href=\"https://facilities.richmond.edu/about-us/architectural/historical-traditions.html\"\u003eUR's Architectural Services website\u003c/a\u003e\u003c/emph\u003e.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The University of Richmond traces its roots to 1830 at a private academy called Dunlora, which was operated by the Reverend Edward Baptist under the sponsorship of the Virginia Baptist Education Society. In 1832, the Virginia Baptist Seminary was formed with the Reverend Robert Ryland as principal and the only teacher. The seminary was located on a farm called Spring Farm near the present-day Bryan Park. In 1834, the seminary was moved to what was then a western suburb of Richmond, one-half mile from the city limits. The seminary, located near the present intersection of Grace and Lombardy Streets, and the school remained at this site for eighty years. In 1840, Richmond College was chartered as a liberal arts and sciences college for men by the Virginia General Assembly.","Two other events provided significant impact in shaping the existing physical campus: the move to the present campus and the establishment of the co-ordinate system. The origins of the present campus date to 1910, when the Richmond College Board of Trustees purchased approximately 290 acres including Westhampton Lake. Ben Green's old mill pond, now known as Westhampton Lake, stretched 1,326 feet in length and divided the property into two parts. The lake covered approximately fourteen acres and predated the Civil War. Classes at Richmond College started in September, 1914. Westhampton College, a college of liberal arts and sciences for women, was also established in 1914 on the same property. George White McDaniel, chairman of the Board of Trustees committee to secure the deed to the property, noted that the property was, \"sufficiently large for all future purposes\" of the institution. The property was outside the City of Richmond in Henrico County. Twenty-six years later, Richmond College was once again within city limits as the City of Richmond annexed a considerable portion of Henrico County.","President Frederic William Boatwright (1895–1946 term of office) envisioned a \"Collegiate Gothic\" style of architecture for the new University campus. In 1910, the architectural firm of Cram, Goodhue and Ferguson was commissioned by the Board of Trustees to draft plans for the future College. Ralph Adams Cram, eminent institutional architect, was responsible for establishing the enduring style on the University of Richmond campus. The Board of Trustees also engaged the service of a landscape architect Warren H. Manning, a former apprentice to Frederick Law Olmstead. Manning was responsible for designing and locating roads, supervising the cutting and planting of trees, locating walkways, and landscaping the terrain so that it would drain appropriately. President Boatwright worked with Cram and Manning to formulate a master plan which considered fifty years of growth for the institution on its present site. The master plan included provision for a college of medicine, a law school building, an observatory, a school of business administration, an engineering school, a gymnasium and swimming pool, a major library and homes for professors.","Construction of new buildings designed by Cram, Goodhue and Ferguson began in 1911. The first building constructed on the new site was Ryland Hall, now the Humanities Building, which housed administrative offices, lecture rooms, the art hall, meeting space and a library with 40,000 volumes. It was followed by North Court. Two residence halls for men were also constructed: Residence Hall No. 2 (formerly Thomas Hall) and Residence Hall No. 1 (formerly Jeter Hall). Cram is credited with remarking that the collegiate Gothic style symbolizes \"eternal values\" and \"exalted ideals of education and religion.\" Cram also boasted that there \"wasn't another site in the whole United States as suitable for a college, except for the site at West Point.\"","During World War II, the University of Richmond supported the national effort to conserve food by establishing victory gardens on campus. In the spring of 1943, an area on the Westhampton campus near River Road was cultivated with plots assigned to faculty who wished to make a garden. The University of Richmond expanded over time as the following schools of study were established:","1870 - The T.C. Williams School of Law\n1921 - The Graduate School of Arts and Sciences\n1949 - The E. Claiborne Robins School of Business\n1962 - University College (The School of Continuing Studies)\n1976 - The Richard S. Reynolds Graduate School of Business\n1992 - The Jepson School of Leadership Studies","Perhaps, the most significant event in the recent history of the University occurred in 1969, when alumnus E. Claiborne Robins gave the University a gift valued at $50 million. The University moved forward to raise a matching amount of funds. This led to the construction of new facilities and the renovation of existing campus buildings.","Over the years, the University of Richmond has been characterized by its rolling terrain, commodious open space and lush tree canopy. This landscape was the primary determinant in the initial master plan organization and has continued to dictate the development patterns as growth has occurred. This methodology has been continuously embraced by those in leadership positions within the University and has clearly elevated the University of Richmond to a top position nationally in the aesthetic quality of its setting. In 1999, the University of Richmond was recognized by the Princeton Review as the most beautiful campus in the United States.","University history quoted from UR's Architectural Services website."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-25, UR's 175th Anniversary Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-25, UR's 175th Anniversary Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Betty Dickie.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Betty Dickie."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes research on University history, presidents, alumni, and buildings. It also includes the marketing materials and the steps that went into producing them; photographs from Dementi; VHS tapes of the Gala Celebration, President Ayers inauguration, and more; historical information about Boatwright Library. The collection includes all of the working notes and steps in the putting together of the various events for the anniversary celebrating 175 years.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection includes research on University history, presidents, alumni, and buildings. It also includes the marketing materials and the steps that went into producing them; photographs from Dementi; VHS tapes of the Gala Celebration, President Ayers inauguration, and more; historical information about Boatwright Library. The collection includes all of the working notes and steps in the putting together of the various events for the anniversary celebrating 175 years."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_MS-25\"\u003eThis collection contains materials, notes, samples, photos, videos, and more, pertaining to the celebration of University of Richmond's 175th Anniversary.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials, notes, samples, photos, videos, and more, pertaining to the celebration of University of Richmond's 175th Anniversary."],"corpname_ssim":["University of Richmond"],"names_coll_ssim":["University of Richmond"],"persname_ssim":["Monday, Kathy"],"names_ssim":["University of Richmond","Monday, Kathy"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":194,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_16_c01_c189"}},{"id":"viur_repositories_4_resources_39_c02_c03_c02","type":"File","attributes":{"title":"Address Book and Christmas Carol Book","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c02_c03_c02","ref_ssm":["viur_repositories_4_resources_39_c02_c03_c02"],"id":"viur_repositories_4_resources_39_c02_c03_c02","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c02_c03","parent_ssi":"viur_repositories_4_resources_39_c02_c03","parent_ssim":["Hazel Paris Cederborg Collection, 1893/1989","Series II: Personal Papers and Family Information, 1868/1993","Subseries IIC: Family Information and Photographs, 1868/1993"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02","viur_repositories_4_resources_39_c02_c03"],"title_filing_ssi":"Address Book and Christmas Carol Book","title_ssm":["Address Book and Christmas Carol Book"],"title_tesim":["Address Book and Christmas Carol Book"],"normalized_title_ssm":["Address Book and Christmas Carol Book"],"text":["Address Book and Christmas Carol Book","Hazel Paris Cederborg Collection, 1893/1989","Series II: Personal Papers and Family Information, 1868/1993","Subseries IIC: Family Information and Photographs, 1868/1993","box 8 MS-33","folder 5"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection, 1893/1989","Series II: Personal Papers and Family Information, 1868/1993","Subseries IIC: Family Information and Photographs, 1868/1993"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection, 1893/1989","Series II: Personal Papers and Family Information, 1868/1993","Subseries IIC: Family Information and Photographs, 1868/1993"],"unitdate_other_ssim":["Undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":93,"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection, 1893/1989"],"containers_ssim":["box 8 MS-33","folder 5"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#1/components#2/components#1","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"normalized_date_ssm":["1893/1989"],"normalized_title_ssm":["Hazel Paris Cederborg Collection, 1893/1989"],"text":["Hazel Paris Cederborg Collection, 1893/1989","MS-33","/repositories/4/resources/39","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter.","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English\n      Turkish"],"collection_title_tesim":["Hazel Paris Cederborg Collection, 1893/1989"],"collection_ssim":["Hazel Paris Cederborg Collection, 1893/1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n\n  Subseries IA: Unpublished Drafts and Notes\n  Subseries IB: Published Short Stories\n  Subseries IC: Historical and Factual Short Stories\n\nSeries II: Personal Papers and Family Information\n\n  Subseries IIA: Research\n  Subseries IIB: Personal Papers and Items\n  Subseries IIC: Family information and Photographs\n  Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e  "],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their 2016 spring newsletter."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of The Little Red Wagon and Bunny Polka Dot, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"corpname_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)"],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English\n      Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c03_c02"}},{"id":"viur_repositories_4_resources_58_c02_c13","type":"File","attributes":{"title":"Adelle – Die Fledermaus, 1971","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_58_c02_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_58_c02_c13","ref_ssm":["viur_repositories_4_resources_58_c02_c13"],"id":"viur_repositories_4_resources_58_c02_c13","ead_ssi":"viur_repositories_4_resources_58","_root_":"viur_repositories_4_resources_58","_nest_parent_":"viur_repositories_4_resources_58_c02","parent_ssi":"viur_repositories_4_resources_58_c02","parent_ssim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983","Series II: Set Design, 1966/1983"],"parent_ids_ssim":["viur_repositories_4_resources_58","viur_repositories_4_resources_58_c02"],"title_filing_ssi":"Adelle – Die Fledermaus","title_ssm":["Adelle – Die Fledermaus"],"title_tesim":["Adelle – Die Fledermaus"],"normalized_title_ssm":["Adelle – Die Fledermaus, 1971"],"text":["Adelle – Die Fledermaus, 1971","Cheryl Pierce Craddock Theater Design Collection, 1966/1983","Series II: Set Design, 1966/1983","box 2 MS-42","folder 1"],"parent_unittitles_ssm":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983","Series II: Set Design, 1966/1983"],"parent_unittitles_tesim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983","Series II: Set Design, 1966/1983"],"normalized_date_ssm":["1971"],"unitdate_other_ssim":["1971"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":33,"repository_ssim":["University of Richmond"],"collection_ssim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"containers_ssim":["box 2 MS-42","folder 1"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1971],"_nest_path_":"/components#1/components#12","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_58","ead_ssi":"viur_repositories_4_resources_58","_root_":"viur_repositories_4_resources_58","_nest_parent_":"viur_repositories_4_resources_58","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_58.xml","title_ssm":["Cheryl Pierce Craddock Theater Design Collection"],"title_tesim":["Cheryl Pierce Craddock Theater Design Collection"],"unitdate_ssm":["1966-1983"],"unitdate_inclusive_ssm":["1966-1983"],"normalized_date_ssm":["1966/1983"],"normalized_title_ssm":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"text":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983","MS-42","/repositories/4/resources/58","Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)","This collection is arranged into two series:\n\nSeries 1: Costume Sketches, is arranged chronologically.\nSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance.","Unfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available.","MS-21 Jack Welsh Collection \nMS-29 Jack Welsh Scrapbooks","This collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.","Series I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026 Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026 Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.","Series II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection from Cheryl Pierce Craddock contains some of her set designs, costume sketches with swatches and photographs of characters wearing her creations.","University of Richmond","Pierce Craddock, Cheryl","English\n."],"collection_title_tesim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"collection_ssim":["Cheryl Pierce Craddock Theater Design Collection, 1966/1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-42","/repositories/4/resources/58"],"unitid_tesim":["MS-42","/repositories/4/resources/58"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Pierce Craddock, Cheryl"],"creator_ssim":["Pierce Craddock, Cheryl"],"creator_persname_ssim":["Pierce Craddock, Cheryl"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Pierce Craddock, Cheryl","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Transferred from the Department of Theatre and Dance at the University of Richmond to the library in 2015."],"access_subjects_ssim":["Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)"],"access_subjects_ssm":["Costume design","Theaters -- Stage-setting and scenery","Swatches (Dry-goods)"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"date_range_isim":[1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into two series:\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSeries 1: Costume Sketches, is arranged chronologically.\u003c/li\u003e\n\u003cli\u003eSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance.\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into two series:\n\nSeries 1: Costume Sketches, is arranged chronologically.\nSeries 2: Set Designs, is arranged by size. All materials are identified by the title of the performance."],"bioghist_html_tesm":["\u003cp\u003eUnfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Unfortunately, our available information about Cheryl Pierce Craddock is sparse. Internet searches show Cheryl Pierce as a graduate assistant from the University of Texas at Austin in their 1969 yearbook, along with a faculty group photograph from the Department of Drama at the same school in the 1970 yearbook. The 1979 University of Richmond yearbook has a photograph including Craddock in the Speech and Theatre Faculty, and she is listed in two articles in The Collegian for 1979 relating to shows she was affiliated with on campus. No other information is currently available."],"prefercite_html_tesm":["\u003cp\u003e[Box number, File number] MS-42 Cheryl Pierce Craddock Theater Design Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box number, File number] MS-42 Cheryl Pierce Craddock Theater Design Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"\"\u003eMS-21 Jack Welsh Collection\u003c/a\u003e\u003cbr\u003e \n\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/53\"\u003eMS-29 Jack Welsh Scrapbooks\u003c/a\u003e\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-21 Jack Welsh Collection \nMS-29 Jack Welsh Scrapbooks"],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.\u003c/p\u003e","\u003cp\u003eSeries I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026amp; Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026amp; Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.\u003c/p\u003e","\u003cp\u003eSeries II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains materials relating to the work and career of Cheryl Pierce Craddock during her time as a faculty member at the University of Richmond in 1979. The collection contains two series.","Series I, Costume Sketches, is arranged chronologically by performance and contains costume sketches in pencil with material swatches for various plays, ballets, and operas, including: Tartuffe, A Funny Thing Happened, Madame Butterfly, Pygmalion, Twelfth Night, Camelot, Rosencrantz \u0026 Guildenstern Are Dead, The Firebugs, The Robber Bridegroom, The Miser, Jean Brodie, Die Fledermaus, The Devil \u0026 Daniel Webster, Everything in the Garden, Scapino, La Traviata, Trudi and the Minstrel, and Camino Real. Researchers should know that plays, ballets, and operas listed contain sketches for multiple characters.","Series II, Set Design, includes two paintings for a set design of A Man for all Seasons and Waiting for Godot. This series also contains two scale drawings of a set design in gray and color rendering done for a class at the University of Texas, Department of Drama, and two posters with 14 photographs of people wearing the costumes designed by Cheryl Pierce Craddock for the play, Twelfth Night. Two larger sketches are done in color with swatches attached, for the characters Flora for La Traviata and Adele for Die Fledermaus. There are also two promotional exhibit posters with Cheryl Pierce Craddock dated 1983."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_469b9dbb2e68ba13cecaea09de039b94\"\u003eThis collection from Cheryl Pierce Craddock contains some of her set designs, costume sketches with swatches and photographs of characters wearing her creations.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection from Cheryl Pierce Craddock contains some of her set designs, costume sketches with swatches and photographs of characters wearing her creations."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Pierce Craddock, Cheryl"],"names_ssim":["University of Richmond","Pierce Craddock, Cheryl"],"language_ssim":["English\n."],"total_component_count_is":35,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_58_c02_c13"}},{"id":"viur_repositories_4_resources_9_c01_c130","type":"File","attributes":{"title":"\"A Demon in a Bottle\"","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_9_c01_c130#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_9_c01_c130","ref_ssm":["viur_repositories_4_resources_9_c01_c130"],"id":"viur_repositories_4_resources_9_c01_c130","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9_c01","parent_ssi":"viur_repositories_4_resources_9_c01","parent_ssim":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"parent_ids_ssim":["viur_repositories_4_resources_9","viur_repositories_4_resources_9_c01"],"title_filing_ssi":"\"A Demon in a Bottle\"","title_ssm":["\"A Demon in a Bottle\""],"title_tesim":["\"A Demon in a Bottle\""],"normalized_title_ssm":["\"A Demon in a Bottle\""],"text":["\"A Demon in a Bottle\"","Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946","box 4 MS-3","folder 40","By Edward Peple."],"parent_unittitles_ssm":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"parent_unittitles_tesim":["Edward H. Peple Collection, 1891/1953","Series I: Plays, Stories, Novels, Poetry, 1903/1946"],"unitdate_other_ssim":["undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":131,"repository_ssim":["University of Richmond"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"containers_ssim":["box 4 MS-3","folder 40"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_266857b9a78e6c3a034ffa58b188a99d\"\u003eBy Edward Peple.\u003c/materialspec\u003e"],"materialspec_tesim":["By Edward Peple."],"_nest_path_":"/components#0/components#129","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_9","ead_ssi":"viur_repositories_4_resources_9","_root_":"viur_repositories_4_resources_9","_nest_parent_":"viur_repositories_4_resources_9","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_9.xml","title_ssm":["Edward H. Peple Collection"],"title_tesim":["Edward H. Peple Collection"],"unitdate_ssm":["1891-1953"],"unitdate_inclusive_ssm":["1891-1953"],"normalized_date_ssm":["1891/1953"],"normalized_title_ssm":["Edward H. Peple Collection, 1891/1953"],"text":["Edward H. Peple Collection, 1891/1953","MS-3","/repositories/4/resources/9","Richmond (Va.)","New York (N.Y.)","Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs","The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.","Processed by Elizabeth Dickie.","This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.","Eight books authored by Edward Peple are located in the Rare Book Collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.","University of Richmond","Peple, Edward, 1869-1924","English"],"collection_title_tesim":["Edward H. Peple Collection, 1891/1953"],"collection_ssim":["Edward H. Peple Collection, 1891/1953"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-3","/repositories/4/resources/9"],"unitid_tesim":["MS-3","/repositories/4/resources/9"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Richmond (Va.)","New York (N.Y.)"],"geogname_ssim":["Richmond (Va.)","New York (N.Y.)"],"places_ssim":["Richmond (Va.)","New York (N.Y.)"],"creator_ssm":["Peple, Edward, 1869-1924"],"creator_ssim":["Peple, Edward, 1869-1924"],"creator_persname_ssim":["Peple, Edward, 1869-1924"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Peple, Edward, 1869-1924","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The collection was donated by members of the Peple family."],"access_subjects_ssim":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"access_subjects_ssm":["Drama","Poetry","Literature","Nonbook Materials","Audio-visual materials","Manuscripts","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["7 Linear Feet 8 boxes"],"extent_tesim":["7 Linear Feet 8 boxes"],"genreform_ssim":["Audio-visual materials","Manuscripts","Photographs"],"date_range_isim":[1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in 5 series:\u003c/p\u003e","\u003cp\u003eSeries I: Title Plays, Stories, Novels, Poetry \u003cbr\u003e\nSeries II: Contracts-Plays, Movies, Stories \u0026amp; Books \u003cbr\u003e\nSeries III: Estate \u003cbr\u003e\nSeries IV: Florence Peple and Charles Peple \u003cbr\u003e\nSeries V: Photographs and Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in 5 series:","Series I: Title Plays, Stories, Novels, Poetry \nSeries II: Contracts-Plays, Movies, Stories \u0026 Books \nSeries III: Estate \nSeries IV: Florence Peple and Charles Peple \nSeries V: Photographs and Ephemera"],"bioghist_html_tesm":["\u003cp\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, \u003cemph render=\"italics\"\u003eThe Broken Rosary\u003c/emph\u003e, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write \u003cemph render=\"italics\"\u003eThe Prince Chap\u003c/emph\u003e, 1904, which was met with rave reviews. \u003cemph render=\"italics\"\u003eA Broken Rosary\u003c/emph\u003e was rewritten as a book, also in 1904.\u003c/p\u003e","\u003cp\u003eHis best known works are \u003cemph render=\"italics\"\u003eA Pair of Sixes\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was \u003cemph render=\"italics\"\u003eThe Littlest Rebel\u003c/emph\u003e, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.\u003c/p\u003e","\u003cp\u003eBy the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. Born August 10, 1869, in Richmond, Virginia, he was the second of four children. He attended the John S. McGuire Academy but, due to financial matters, was unable to attend college. He set about educating himself and worked in a bank for several years, while writing and attempting to get a play produced on Broadway. In 1895, at the age of 26, he moved to New York City to pursue his writing career. Not having much money, he went looking for work and found a job in a fire insurance office as an accountant. He continued to shop his play, The Broken Rosary, around the city and at one point it looked like it was going to make it. He quit his fire insurance job to devote his time to the play.  Unfortunately, it fell through and he went back to work, this time for a bridge building company. Finally, Walter Lawrence, manager of the Madison Square Theater commissioned him to write The Prince Chap, 1904, which was met with rave reviews. A Broken Rosary was rewritten as a book, also in 1904.","His best known works are A Pair of Sixes and The Littlest Rebel. Some of his plays were made into silent films, and then later sound films. Probably his most famous work was The Littlest Rebel, in book form, play form and then in motion pictures, most notably, the Shirley Temple movie of that name. After his death in 1924, his brothers and sister continued to work with theaters, agents, and producers to market his plays and handle requests for movie and publication rights.","By the time of his death, July 28, 1924, he had written more than 40 plays, many short stories and poems, and several books. He is buried in Hollywood Cemetery in Richmond."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-3, Edward H. Peple Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Elizabeth Dickie.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Elizabeth Dickie."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.\u003c/p\u003e","\u003cp\u003eSeries I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.\u003c/p\u003e","\u003cp\u003eSeries II, Contracts-Plays, Movies, Stories \u0026amp; Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.\u003c/p\u003e","\u003cp\u003eSeries III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.\u003c/p\u003e","\u003cp\u003eSeries IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.\u003c/p\u003e","\u003cp\u003eSeries V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains his plays, stories, poetry, and photographs, along with contracts negotiated by both the author and his executors. There is also a great deal of financial information regarding earnings from the plays, etc. and investments. And finally, there are letters from his brother Charles and sister Florence, as well as personal information about Florence and her own writing attempts.","Series I, Title Plays, Stories, Novels, Poetry, includes the copies of plays written by Mr. Peple, including corrections, actor's copies, and reviews.","Series II, Contracts-Plays, Movies, Stories \u0026 Books, includes contracts and correspondence concerning the sale and/or production of the various plays, and reviews; contracts and correspondence concerning the motion picture and sound rights to various plays and copyright information.","Series III, Estate, includes letters, income tax forms and information, lists, and royalty information gathered by his brothers and sister as executors.","Series IV, Florence Peple and Charles Peple, includes letters, fiction, poetry, and personal information about his brothers, Charles and Gustav, and sister Florence.","Series V, Photographs and Ephemera, includes photographic materials and items that do not fit any other section."],"separatedmaterial_html_tesm":["\u003cp\u003eEight books authored by Edward Peple are located in the Rare Book Collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Eight books authored by Edward Peple are located in the Rare Book Collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_1d0f735232c0582e71e0a7eb2c8741d3\"\u003eEdward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound.\u003c/abstract\u003e\n    "],"abstract_tesim":["Edward Henry Peple was a popular playwright, short story and novel writer in the late 19th and early 20th century. This collection contains copies of his plays, poems, and novels, in various forms. There are letters to and from family, colleagues, agents, and other individuals. There are also contracts, copyright certificates and behind the scenes theater lore, including pictures. The negotiations for movie rights hold interest especially when talking pictures come along and studios need to renegotiate for sound."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Peple, Edward, 1869-1924"],"names_coll_ssim":["Peple, Edward, 1869-1924"],"names_ssim":["University of Richmond","Peple, Edward, 1869-1924"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_9_c01_c130"}},{"id":"viur_repositories_4_resources_59_c31","type":"File","attributes":{"title":"Adjutant and Inspector General's Office, Richmond, April 7, 1863. (c. 1349), 1863","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_59_c31#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_59_c31","ref_ssm":["viur_repositories_4_resources_59_c31"],"id":"viur_repositories_4_resources_59_c31","ead_ssi":"viur_repositories_4_resources_59","_root_":"viur_repositories_4_resources_59","_nest_parent_":"viur_repositories_4_resources_59","parent_ssi":"viur_repositories_4_resources_59","parent_ssim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"parent_ids_ssim":["viur_repositories_4_resources_59"],"title_filing_ssi":"Adjutant and Inspector General's Office, Richmond, April 7, 1863. (c. 1349)","title_ssm":["Adjutant and Inspector General's Office, Richmond, April 7, 1863. (c. 1349)"],"title_tesim":["Adjutant and Inspector General's Office, Richmond, April 7, 1863. (c. 1349)"],"normalized_title_ssm":["Adjutant and Inspector General's Office, Richmond, April 7, 1863. (c. 1349), 1863"],"text":["Adjutant and Inspector General's Office, Richmond, April 7, 1863. (c. 1349), 1863","Charles Meredith Civil War Imprint Collection, 1861/1865","box 1 MS-45","folder 31"],"parent_unittitles_ssm":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"parent_unittitles_tesim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"normalized_date_ssm":["1863"],"unitdate_other_ssim":["April 7, 1863"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[1],"sort_isi":31,"repository_ssim":["University of Richmond"],"collection_ssim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"containers_ssim":["box 1 MS-45","folder 31"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1863],"_nest_path_":"/components#30","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_59","ead_ssi":"viur_repositories_4_resources_59","_root_":"viur_repositories_4_resources_59","_nest_parent_":"viur_repositories_4_resources_59","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_59.xml","title_ssm":["Charles Meredith Civil War Imprint Collection"],"title_tesim":["Charles Meredith Civil War Imprint Collection"],"unitdate_ssm":["1861-1865"],"unitdate_inclusive_ssm":["1861-1865"],"normalized_date_ssm":["1861/1865"],"normalized_title_ssm":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"text":["Charles Meredith Civil War Imprint Collection, 1861/1865","MS-45","/repositories/4/resources/59","Confederate States of America -- History","Broadsides","The collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year.","Library of Virginia, Richmond Times Dispatch, 9 Feb 1930 front page article\nDaily Press, 13 Feb 1997","Charles Vivian Meredith (1850-1930)","Born into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.","Polly B. Young (1910-1997)","Polly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club.","This collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the Confederate Imprint Collection at the Woodson Research Center, Rice University, Houston, Texas.","The Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.","The Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room.","The Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA.","University of Richmond","A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard","English\n."],"collection_title_tesim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"collection_ssim":["Charles Meredith Civil War Imprint Collection, 1861/1865"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-45","/repositories/4/resources/59"],"unitid_tesim":["MS-45","/repositories/4/resources/59"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"geogname_ssm":["Confederate States of America -- History"],"geogname_ssim":["Confederate States of America -- History"],"places_ssim":["Confederate States of America -- History"],"creator_ssm":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_persname_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["The Meredith Collection was donated to the University of Richmond in 1977, given in memory of Charles V. Meredith and his son Bernard Meredith by Polly Brinton Meredith Young (widow of Bernard Meredith, then wife of Edwin P. Young). Charles Meredith was an 1871 graduate of the Richmond College School of Law and later a trustee of the College, as was his father. It was this association to the University that led Mrs. Young to donate the collection to Boatwright Library at the University of Richmond."],"access_subjects_ssim":["Broadsides"],"access_subjects_ssm":["Broadsides"],"has_online_content_ssim":["false"],"extent_ssm":["0.5 Linear Feet"],"extent_tesim":["0.5 Linear Feet"],"physfacet_tesim":["1 Box."],"date_range_isim":[1861,1862,1863,1864,1865],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged chronologically by date of publication; items with only a year are filed at the end of that particular year."],"bibliography_html_tesm":["\u003cp\u003eLibrary of Virginia, \u003cemph render=\"italics\"\u003eRichmond Times Dispatch\u003c/emph\u003e, 9 Feb 1930 front page article\u003cbr\u003e\n\u003cemph render=\"italics\"\u003eDaily Press\u003c/emph\u003e, 13 Feb 1997\u003c/p\u003e  "],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Library of Virginia, Richmond Times Dispatch, 9 Feb 1930 front page article\nDaily Press, 13 Feb 1997"],"bioghist_html_tesm":["\u003cp\u003eCharles Vivian Meredith (1850-1930)\u003c/p\u003e","\u003cp\u003eBorn into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.\u003c/p\u003e","\u003cp\u003ePolly B. Young (1910-1997)\u003c/p\u003e","\u003cp\u003ePolly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Vivian Meredith (1850-1930)","Born into an old and respected Virginia family, Charles V. Meredith was a distinguished Richmond lawyer who served for many years as Richmond city attorney and as a member of the 1901-1902 Convention. He also served on the publication committee for The Virginia Magazine of History and Biography.  Charles's father, Judge John Alexander Meredith, assisted in surrendering Richmond to the Union Troops in 1865. C.V. Meredith graduated from Richmond College School of Law in 1871 in one of the first full classes following the Civil War and later served as a trustee for the institution as had his father. He married Sophie Gooding Rose, of Baltimore, MD, in 1877, and they had four children, one of whom died in childhood: Sophie, Kate, and Bernard.","Polly B. Young (1910-1997)","Polly Brinton Young of \"Old Iron Point,\" Cobbs Creek in Mathews County, passed away on Feb. 10, 1997, in Florida at age 87. Born in Schenectady, N.Y., and raised in Winchester, she was the daughter of Edith Cushney Brinton and Peter Yates Brinton. She was predeceased by her beloved son, Thomas Brinton Harrison; and her husbands, Burr Powell Harrison, C. Bernard Meredith and Edwin P. Young. Mrs. Young was a member of Christ Church-Kingston Parish, National Association of Colonial Dames in America, Crickett Hill Chapter Daughters of the American Revolution, the Surf Club and the Mathews Yacht Club."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-45, the Charles Meredith Civil War Imprint Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-45, the Charles Meredith Civil War Imprint Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThis collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the \u003ca href=\"https://legacy.lib.utexas.edu/taro/ricewrc/00283/rice-00283.html\"\u003eConfederate Imprint Collection\u003c/a\u003e at the Woodson Research Center, Rice University, Houston, Texas.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["This collection was originally processed into the Galvin Rare Book Room book collection by individual items. The decision was made to rehouse these materials into an archival collection to better preserve the materials and reduce shelf space for the collection. The original catalog records and LOC numbers have been maintained. Items are also identified where possible by the (C number) drawn from Marjorie Lyle Crandall, \"Confederate Imprints: A checklist based principally on the collection of the Boston Athenaeum,\" 1955. We modeled our inventory on the Confederate Imprint Collection at the Woodson Research Center, Rice University, Houston, Texas."],"scopecontent_html_tesm":["\u003cp\u003eThe Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.\u003c/p\u003e","\u003cp\u003eThe Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Meredith Collection is rich in primary and secondary source materials relating to the history of Virginia, with particular emphasis on the period of the Civil War. The collection dates back to the end of the Civil War and was started by Judge John Meredith, one of the city leaders who witnessed the fall of Richmond in 1865. The largest portion of the collection was brought together by his son, C.V. Meredith, and his grandson, Bernard Meredith.","The Confederate Imprint Collection as a whole contains approximately 500 Confederate Imprints, defined as materials printed in the Confederacy between 1861 and 1865. The two primary areas are the official publications of the Confederate government and non-official publications. Most of the official documents were printed in Richmond, but several items were printed by Army units in the field or by printers in other Southern states.  The official broadside publications are primarily contained in this archival collection while the non-official publications, including military manuals, biographies, histories, description and travel volumes, and political and other pamphlets, maps, music, playbills, religious materials, and other items remain in the book section of the Galvin Rare Book Room."],"separatedmaterial_html_tesm":["\u003cp\u003eThe Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection.\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The Meredith Collection is a combination of Confederate Imprints including primarily books and broadsides. All materials in the collection have been cataloged into the Galvin Rare Book Room collection with the gift note identified as being from the Meredith Collection. In 2021, the decision was made to turn the broadside materials into an archival collection, but all materials remain in the catalog and in the Galvin Rare Book Room collection."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7bd2dafc69f1d10aa12ebab59131d079\"\u003eThis collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 100 broadsides published in the Confederacy between 1861 and 1865 from the Meredith Confederate Imprint Collection. The materials contain primarily official publications of the Confederate Government, most of which were printed in Richmond, VA."],"corpname_ssim":["University of Richmond"],"persname_ssim":["A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"names_ssim":["University of Richmond","A. Meredith, John, 1814-1882","V. Meredith, Charles","Meredith, Bernard"],"language_ssim":["English\n."],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_59_c31"}},{"id":"viur_repositories_4_resources_36_c03_c01_c05","type":"File","attributes":{"title":"Admission card for \"Plays and What They Are\", 1934","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c03_c01_c05","ref_ssm":["viur_repositories_4_resources_36_c03_c01_c05"],"id":"viur_repositories_4_resources_36_c03_c01_c05","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c03_c01","parent_ssi":"viur_repositories_4_resources_36_c03_c01","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Personal, 1933/1952"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c03","viur_repositories_4_resources_36_c03_c01"],"title_filing_ssi":"Admission card for \"Plays and What They Are\"","title_ssm":["Admission card for \"Plays and What They Are\""],"title_tesim":["Admission card for \"Plays and What They Are\""],"normalized_title_ssm":["Admission card for \"Plays and What They Are\", 1934"],"text":["Admission card for \"Plays and What They Are\", 1934","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Personal, 1933/1952","box 6 MS-1","folder 10","English","Admission card for a lecture by Gertrude Stein, inscribed to Mark Lutz."],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Personal, 1933/1952"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Personal, 1933/1952"],"normalized_date_ssm":["1934"],"unitdate_other_ssim":["October 30, [1934]"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":205,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 6 MS-1","folder 10"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"language_ssim":["English"],"date_range_isim":[1934],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_712f86ad607669db819911fc0c48362a\"\u003eAdmission card for a lecture by Gertrude Stein, inscribed to Mark Lutz.\u003c/materialspec\u003e"],"materialspec_tesim":["Admission card for a lecture by Gertrude Stein, inscribed to Mark Lutz."],"_nest_path_":"/components#2/components#0/components#4","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"access_subjects_ssm":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c01_c05"}},{"id":"viur_repositories_4_resources_38_c06_c25","type":"File","attributes":{"title":"Advertisement for \"La Perla\" Manufacturing Company, NY, to Mrs. M.J. Burdine, Tazewell, TN","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_38_c06_c25#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_38_c06_c25","ref_ssm":["viur_repositories_4_resources_38_c06_c25"],"id":"viur_repositories_4_resources_38_c06_c25","ead_ssi":"viur_repositories_4_resources_38","_root_":"viur_repositories_4_resources_38","_nest_parent_":"viur_repositories_4_resources_38_c06","parent_ssi":"viur_repositories_4_resources_38_c06","parent_ssim":["World War II Correspondence Collection, 1857/1966, bulk 1940/1945","Series VI: Other Letters, 1857/1965"],"parent_ids_ssim":["viur_repositories_4_resources_38","viur_repositories_4_resources_38_c06"],"title_filing_ssi":"Advertisement for \"La Perla\" Manufacturing Company, NY, to Mrs. M.J. Burdine, Tazewell, TN","title_ssm":["Advertisement for \"La Perla\" Manufacturing Company, NY, to Mrs. M.J. Burdine, Tazewell, TN"],"title_tesim":["Advertisement for \"La Perla\" Manufacturing Company, NY, to Mrs. M.J. Burdine, Tazewell, TN"],"normalized_title_ssm":["Advertisement for \"La Perla\" Manufacturing Company, NY, to Mrs. M.J. Burdine, Tazewell, TN"],"text":["Advertisement for \"La Perla\" Manufacturing Company, NY, to Mrs. M.J. Burdine, Tazewell, TN","World War II Correspondence Collection, 1857/1966, bulk 1940/1945","Series VI: Other Letters, 1857/1965","box 2 MS-32","folder 28"],"parent_unittitles_ssm":["World War II Correspondence Collection, 1857/1966, bulk 1940/1945","Series VI: Other Letters, 1857/1965"],"parent_unittitles_tesim":["World War II Correspondence Collection, 1857/1966, bulk 1940/1945","Series VI: Other Letters, 1857/1965"],"unitdate_other_ssim":["Undated"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":80,"repository_ssim":["University of Richmond"],"collection_ssim":["World War II Correspondence Collection, 1857/1966, bulk 1940/1945"],"containers_ssim":["box 2 MS-32","folder 28"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"_nest_path_":"/components#5/components#24","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_38","ead_ssi":"viur_repositories_4_resources_38","_root_":"viur_repositories_4_resources_38","_nest_parent_":"viur_repositories_4_resources_38","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_38.xml","title_ssm":["World War II Correspondence Collection"],"title_tesim":["World War II Correspondence Collection"],"unitdate_ssm":["1857-1966","1940-1945"],"unitdate_inclusive_ssm":["1857-1966"],"unitdate_bulk_ssim":["1940-1945"],"normalized_date_ssm":["1857/1966, bulk 1940/1945"],"normalized_title_ssm":["World War II Correspondence Collection, 1857/1966, bulk 1940/1945"],"text":["World War II Correspondence Collection, 1857/1966, bulk 1940/1945","MS-32","/repositories/4/resources/38","World War, 1939-1945","Tintype","Personal correspondence","Photographs","This collection is arranged into 7 series:","Series I: George \u0026 Mary (Zyla) Orlikowski Letters\nSeries II: Dorothy \"Dot\" Raynham Letters\nSeries III: Parrish Family Letters\nSeries IV: Wally and Ann Wrobel Letters\nSeries V: Other World War II Letters\nSeries VI: Other Letters\nSeries VII: Ephemera","The bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war.","The collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.","Processed by Lynda Kachurek.","MS-8 World War I \u0026 II Pamphlets Collection.","Series I, George \u0026 Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.","Series II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.","Series III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.","Series IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.","Series V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026 Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.","Series VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.","Series VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.","University of Richmond","English\n      Latin"],"collection_title_tesim":["World War II Correspondence Collection, 1857/1966, bulk 1940/1945"],"collection_ssim":["World War II Correspondence Collection, 1857/1966, bulk 1940/1945"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-32","/repositories/4/resources/38"],"unitid_tesim":["MS-32","/repositories/4/resources/38"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["This collection was purchased at auction."],"access_subjects_ssim":["World War, 1939-1945","Tintype","Personal correspondence","Photographs"],"access_subjects_ssm":["World War, 1939-1945","Tintype","Personal correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet"],"extent_tesim":["1.5 Linear Feet"],"genreform_ssim":["Personal correspondence","Photographs"],"date_range_isim":[1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 7 series:\u003c/p\u003e","\u003cp\u003eSeries I: George \u0026amp; Mary (Zyla) Orlikowski Letters\u003cbr\u003e\nSeries II: Dorothy \"Dot\" Raynham Letters\u003cbr\u003e\nSeries III: Parrish Family Letters\u003cbr\u003e\nSeries IV: Wally and Ann Wrobel Letters\u003cbr\u003e\nSeries V: Other World War II Letters\u003cbr\u003e\nSeries VI: Other Letters\u003cbr\u003e\nSeries VII: Ephemera\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 7 series:","Series I: George \u0026 Mary (Zyla) Orlikowski Letters\nSeries II: Dorothy \"Dot\" Raynham Letters\nSeries III: Parrish Family Letters\nSeries IV: Wally and Ann Wrobel Letters\nSeries V: Other World War II Letters\nSeries VI: Other Letters\nSeries VII: Ephemera"],"bioghist_html_tesm":["\u003cp\u003eThe bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The bulk of these letters were written between 1940 and 1945 by servicemen from various branches of the armed forces during World War II. Because of the number of correspondents and the lack of additional biographical materials, any information located during processing is described in the individual series in the scope and content note. Additionally, the collection arrived containing letters predating and unrelated to World War II, many lacking names, dates, or other identifying information, as well as a few items of unrelated ephemera. Taken individually or as a whole, the World War II letters in this collection provide intimate access to the lives and experiences of several individuals throughout the course of the war."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-32, WWII Correspondence Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-32, WWII Correspondence Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.\u003c/p\u003e","\u003cp\u003eProcessed by Lynda Kachurek.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection arrived as a single unit of materials mixed together. The processor decided to separate into individual correspondents and organize the collection by correspondent and then chronologically.","Processed by Lynda Kachurek."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003ca href=\"https://archives.richmond.edu/repositories/4/resources/6\"\u003eMS-8 World War I \u0026amp; II Pamphlets Collection\u003c/a\u003e.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["MS-8 World War I \u0026 II Pamphlets Collection."],"scopecontent_html_tesm":["\u003cp\u003eSeries I, George \u0026amp; Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.\u003c/p\u003e","\u003cp\u003eSeries II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.\u003c/p\u003e","\u003cp\u003eSeries III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.\u003c/p\u003e","\u003cp\u003eSeries IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.\u003c/p\u003e","\u003cp\u003eSeries V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026amp; Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.\u003c/p\u003e","\u003cp\u003eSeries VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.\u003c/p\u003e","\u003cp\u003eSeries VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series I, George \u0026 Mary (Zyla) Orlikowski Letters, contains over 230 letters written by George Orlikowski to his girlfriend, and later wife, Mary Zyla Orlikowski. Dating between July 1942 and March 1945, the series traces Orlikowski's wartime activities as well as what was happening on the home front. Family concerns and military life dominate the writings, but they also offer views into larger wartime concerns of both military and life on the home front.  Additionally, there are many examples of humorous envelopes and letterhead. In one letter from December 1944, as George's unit is preparing to ship out to the Pacific, he creates a code based on his salutations so that Mary can track his location without the censor's knowledge. Overall, these letters create a nearly complete and compelling story of a Midwestern couple during World War II.","Series II, Dorothy \"Dot\" Raynham Letters, contains 152 letters written to Dorothy \"Dot\" Raynham between 1941 and 1944 from a variety of correspondents. A student at Millsaps College at the time, Dorothy lived in Jackson, Mississippi. Between 1943 and 1945, Millsaps was home to the V-12 Navy College Training Program, which may help explain how she connected with many of her letter writers. One notable correspondent is Jack Devore Dunn, whose 52 letters include information about his service with the Army Air Corps South Pacific campaign, including his participation with his B-26 crew in the Battle of Midway. Dunn received both the Distinguished Service Cross and the Distinguished Flying Cross. There are also 9 letters from Jack's mother, Mrs. Betty Uhlorn. Other correspondents included men serving in the Naval Reserve, the Marine Corps, and the Army. Overall, the letters in this series offer a wide-ranging and diverse perspective on military service throughout World War II as well as a sense of what life on the home-front was like for a female college student. Raynham married William C. Fullilove on June 6, 1944, and died in October 1967.","Series III, Parrish Family Letters, contains 88 letters from and about the W.R. Parrish family of North Carolina. Beginning in 1914, the correspondence runs through the end of 1943, with some gaps in the timeline.  Many of the letters are written from W.R. Parrish or his daughter, \"Lib\" to Lillian [Mrs. W.R.] Parrish, and cover business concerns, family life, and some coverage of the war in letters from the wartime years.","Series IV, Walter \"Wally\" and Ann Wrobel Letters, contains 109 letters primarily from Wally Wrobel, with some from his wife, Ann, to his parents, Mr. and Mrs. Jacob Wrobel, of Chicago, Illinois. Beginning in August 1943, when Wrobel was a private in the U.S. Army stationed at Camp Wheeler, Georgia, the letters follow his career across several different locations where, occasionally, Ann was able to join him. Many of the letters focus on the home front, discussing his parents' lives as well as things going on with his wife and, eventually, his young daughter. Early in 1944, his correspondence switches as his military activities increase and by Fall 1944, he makes brief mentions of being near New Guinea and later the Philippines. He occasionally mentions battles or other military activities, but usually his correspondence is more about the weather or activities at home. The last letter in the series was written on May 13, 1945, just one day before, according to military records, he died in action on May 14.","Series V, Other World War II Letters, contains three smaller sets of unrelated correspondence concerning World War II. The first set contains 92 letters written by Paul Dobin to Charlotte Gibbs. Between March 1 and July 23, 1944, he wrote nearly every day, talking of his life in the Navy as well as encouraging her in schoolwork, family matters, and eventually planning their wedding. Further research showed that Gibbs and her family were German Jewish immigrants having arrived in the United States in 1934. The second set of letters were written by Davis Lee, serving in the Navy, to his wife, Georgia, of Martinsville, Virginia, between mid-November 1944 and January 1945. Most of the 11 letters are trying to arrange plans for a furlough visit and telling how much he misses her. The third set contains 7 letters from Private Ray Trapp to his parents, Mr. \u0026 Mrs. Ray Trapp of Berea, Ohio, in April and May 1945, describing his activities during the end of the war in Germany.","Series VI, Other Letters, contains 26 folders of letters unrelated to World War II. Dating between 1857 and 1947, these often single letters contain a wide variety of information, including business advertisements, wedding announcements, and general correspondence from many areas. One of the more intriguing sets can be found in Box 2, File 16, which contains 3 letters from a Dutch Navy officer, known only as John/Jake, to Frances Pogue of Cincinnati, Ohio. Written while at sea in 1916 and later from his hospital bed in 1918, the author talks of books read and his experiences during the Great War. Box 2, File 29, may also be of interest as it contains a handwritten advertisement for a wife by an unknown male.","Series VII, Ephemera, contains 3 folders of items that are not correspondence. The first is a Latin notebook, which also contains newspaper clippings about London society. The second and third contain photographic materials."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_761d0ce1744499313f9e75922fe1f1e2\"\u003eThis collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains more than 700 letters, the vast majority dating to World War II between 1940 and 1945. Each of the first five series deal with numerous letters to/from a primary correspondent, whether husband and wife, family members, or varying levels of acquaintance that date between 1940 and 1945. The final two series contain correspondence and ephemera unrelated to World War II that was included in the collection when purchased."],"corpname_ssim":["University of Richmond"],"names_ssim":["University of Richmond"],"language_ssim":["English\n      Latin"],"total_component_count_is":86,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_38_c06_c25"}},{"id":"viur_repositories_4_resources_36_c03_c01_c08","type":"File","attributes":{"title":"Advertisement: Gertrude Stein on records, 1952","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c01_c08#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c03_c01_c08","ref_ssm":["viur_repositories_4_resources_36_c03_c01_c08"],"id":"viur_repositories_4_resources_36_c03_c01_c08","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c03_c01","parent_ssi":"viur_repositories_4_resources_36_c03_c01","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Personal, 1933/1952"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c03","viur_repositories_4_resources_36_c03_c01"],"title_filing_ssi":"Advertisement: Gertrude Stein on records","title_ssm":["Advertisement: Gertrude Stein on records"],"title_tesim":["Advertisement: Gertrude Stein on records"],"normalized_title_ssm":["Advertisement: Gertrude Stein on records, 1952"],"text":["Advertisement: Gertrude Stein on records, 1952","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Personal, 1933/1952","box 6 MS-1","folder 13","English","Includes reviewers' comments."],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Personal, 1933/1952"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Gertrude Stein, 1912/1974","Personal, 1933/1952"],"normalized_date_ssm":["1952"],"unitdate_other_ssim":["1952"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":208,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 6 MS-1","folder 13"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"language_ssim":["English"],"date_range_isim":[1952],"materialspec_html_tesm":["\u003cmaterialspec id=\"aspace_8b113c19b9165f4d985b0befc5b36290\"\u003eIncludes reviewers' comments.\u003c/materialspec\u003e"],"materialspec_tesim":["Includes reviewers' comments."],"_nest_path_":"/components#2/components#0/components#7","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_corpname_ssim":["University of Richmond"],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","University of Richmond"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"access_subjects_ssm":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"arrangement_html_tesm":["\u003cbr\u003e\nSeries 2: Mark Lutz\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e\nSeries 3: Gertrude Stein\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e\nSeries 4: Photographs\n","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c01_c08"}},{"id":"viur_repositories_4_resources_36_c01_c67","type":"File","attributes":{"title":"Advertisement: Hickory Smoked Montgomery County Hams, 1933","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c01_c67#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c01_c67","ref_ssm":["viur_repositories_4_resources_36_c01_c67"],"id":"viur_repositories_4_resources_36_c01_c67","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c01","parent_ssi":"viur_repositories_4_resources_36_c01","parent_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c01"],"title_filing_ssi":"Advertisement: Hickory Smoked Montgomery County Hams","title_ssm":["Advertisement: Hickory Smoked Montgomery County Hams"],"title_tesim":["Advertisement: Hickory Smoked Montgomery County Hams"],"normalized_title_ssm":["Advertisement: Hickory Smoked Montgomery County Hams, 1933"],"text":["Advertisement: Hickory Smoked Montgomery County Hams, 1933","Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980","box 2 MS-1","folder 6","English","Contains blurb by Carl Van Vechten."],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","Carl Van Vechten, 1903/1980"],"normalized_date_ssm":["1933"],"unitdate_other_ssim":["December 5, 1933"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":68,"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"containers_ssim":["box 2 MS-1","folder 6"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"language_ssim":["English"],"date_range_isim":[1933],"separatedmaterial_html_tesm":["\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Contains blurb by Carl Van Vechten."],"_nest_path_":"/components#0/components#66","timestamp":"2026-08-14T23:00:05.988Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"normalized_date_ssm":["1881/1980"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection, 1881/1980"],"text":["Carl Van Vechten - Mark Lutz Collection, 1881/1980","MS-1","/repositories/4/resources/36","Personal correspondence","Photographs","Catalogs","Clippings","Harlem Renaissance -- Art","Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. 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Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. 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Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e\n\n  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Subseries 2.1: Personal  Professional Materials\n    Subseries 2.2: Correspondence\n    Subseries 2.3: Programs\n    Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal\n    Subseries 3.2: Writing\n    Subseries 3.3: Articles about Gertrude Stein\n    Subseries 3.4: Exhibits\n    Subseries 3.5: Newspaper Clippings\n    Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal\n    Subseries 4.2: New York Apartment\n    Subseries 4.3: Photographs by Carl Van Vechten\n    Subseries 4.4: Other Photographs\n    Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\n    Subseries 4.6: Photographs of Mark Lutz\n    Subseries 4.7: Oversize Photographs\n    Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the Richmond News Leader. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the Richmond News Leader and the Times-Dispatch as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the Philco News and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e  "],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e  "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e  "],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e  "],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\"."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e\n    "],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"corpname_ssim":["University of Richmond"],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"names_ssim":["University of Richmond","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English\n      French\n      Catalan; Valencian\n      Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-08-14T23:00:05.988Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c01_c67"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":2927},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"American Association of University Professors at UofR, 1947/2012","value":"American Association of University Professors at UofR, 1947/2012","hits":12},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=American+Association+of+University+Professors+at+UofR%2C+1947%2F2012\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","value":"Carl Van Vechten - Mark Lutz Collection, 1881/1980","hits":559},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Carl+Van+Vechten+-+Mark+Lutz+Collection%2C+1881%2F1980\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Charles Meredith Civil War Imprint Collection, 1861/1865","value":"Charles Meredith Civil War Imprint Collection, 1861/1865","hits":111},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Charles+Meredith+Civil+War+Imprint+Collection%2C+1861%2F1865\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Cheryl Pierce Craddock Theater Design Collection, 1966/1983","value":"Cheryl Pierce Craddock Theater Design Collection, 1966/1983","hits":33},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Cheryl+Pierce+Craddock+Theater+Design+Collection%2C+1966%2F1983\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Civil War Collection, 1860/2012","value":"Civil War Collection, 1860/2012","hits":29},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Civil+War+Collection%2C+1860%2F2012\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Commander Horace Elmer Collection, 1864/1900","value":"Commander Horace Elmer Collection, 1864/1900","hits":11},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Commander+Horace+Elmer+Collection%2C+1864%2F1900\u0026f%5Blevel%5D%5B%5D=File\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"David E. 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