{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1","next":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=2","last":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=91"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":91,"limit_value":10,"offset_value":0,"total_count":909,"first_page?":true,"last_page?":false}},"data":[{"id":"vifgm_civilwarpoliticalcartoons","type":"collection","attributes":{"title":"19th century newspaper illustrations collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_civilwarpoliticalcartoons#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center.","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_civilwarpoliticalcartoons#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_civilwarpoliticalcartoons#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_civilwarpoliticalcartoons","ead_ssi":"vifgm_civilwarpoliticalcartoons","_root_":"vifgm_civilwarpoliticalcartoons","_nest_parent_":"vifgm_civilwarpoliticalcartoons","ead_source_url_ssi":"data/gmu/civilwarpoliticalcartoons.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/civilwarpoliticalcartoons.html","title_ssm":["19th century newspaper illustrations collection"],"title_tesim":["19th century newspaper illustrations collection"],"unitdate_ssm":["1839-1894"],"unitdate_inclusive_ssm":["1839-1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0285"],"text":["C0285","19th century newspaper illustrations collection","There are no access restrictions.","Organized by subject.","Processing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016.","Special Collections Research Center also holds the \n                ","The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington.","There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News.","George Mason University.  Libraries. Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center.","English\n\t\t"],"unitid_tesim":["C0285"],"normalized_title_ssm":["19th century newspaper illustrations collection"],"collection_title_tesim":["19th century newspaper illustrations collection"],"collection_ssim":["19th century newspaper illustrations collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center."],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center."],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased in 2016."],"has_online_content_ssim":["false"],"extent_ssm":["3.0 linear ft."],"extent_tesim":["3.0 linear ft."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by subject."],"prefercite_html_tesm":["\u003cp\u003e19th century newspaper illustrations collection, C0285, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["19th century newspaper illustrations collection, C0285, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Randolph H. Lytton historical Virginia graphic materials collection\" href=\"http://sca.gmu.edu/finding_aids/lyttonvirginiagm.html\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the \n                "],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref6\" label=\"Abstract\"\u003eThe collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News."],"names_ssim":["George Mason University.  Libraries. Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center."],"corpname_ssim":["George Mason University.  Libraries. Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:25:23.142Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_civilwarpoliticalcartoons","ead_ssi":"vifgm_civilwarpoliticalcartoons","_root_":"vifgm_civilwarpoliticalcartoons","_nest_parent_":"vifgm_civilwarpoliticalcartoons","ead_source_url_ssi":"data/gmu/civilwarpoliticalcartoons.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/civilwarpoliticalcartoons.html","title_ssm":["19th century newspaper illustrations collection"],"title_tesim":["19th century newspaper illustrations collection"],"unitdate_ssm":["1839-1894"],"unitdate_inclusive_ssm":["1839-1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0285"],"text":["C0285","19th century newspaper illustrations collection","There are no access restrictions.","Organized by subject.","Processing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016.","Special Collections Research Center also holds the \n                ","The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington.","There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries.","The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News.","George Mason University.  Libraries. Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center.","English\n\t\t"],"unitid_tesim":["C0285"],"normalized_title_ssm":["19th century newspaper illustrations collection"],"collection_title_tesim":["19th century newspaper illustrations collection"],"collection_ssim":["19th century newspaper illustrations collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center."],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center."],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center."],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center."],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Purchased in 2016."],"has_online_content_ssim":["false"],"extent_ssm":["3.0 linear ft."],"extent_tesim":["3.0 linear ft."],"date_range_isim":[1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eOrganized by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Organized by subject."],"prefercite_html_tesm":["\u003cp\u003e19th century newspaper illustrations collection, C0285, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["19th century newspaper illustrations collection, C0285, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center also holds the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Randolph H. Lytton historical Virginia graphic materials collection\" href=\"http://sca.gmu.edu/finding_aids/lyttonvirginiagm.html\"\u003e\u003c/extptr\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center also holds the \n                "],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News. The illustrations from Puck are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the Harper's Weekly and Illustrated London News focus on the Civil War and Mount Vernon, the home of George Washington."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the 19th century newspaper illustrations collection must be obtained from the Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref6\" label=\"Abstract\"\u003eThe collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of illustrations that appeared in Puck, Harper's Weekly, and Illustrated London News."],"names_ssim":["George Mason University.  Libraries. Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center."],"corpname_ssim":["George Mason University.  Libraries. Special Collections Research Center.","George Mason University. Libraries. Special Collections Research Center."],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:25:23.142Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_civilwarpoliticalcartoons"}},{"id":"vifgm_repositories_2_resources_425","type":"collection","attributes":{"title":"19th century newspaper illustrations collection","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_425#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_425#abstract_or_scope","type":"document_value","attributes":{"value":"The collection consists of lithographs that appeared in Puck, Harper's Weekly, and Illustrated London News.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_425#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_425","ead_ssi":"vifgm_repositories_2_resources_425","_root_":"vifgm_repositories_2_resources_425","_nest_parent_":"vifgm_repositories_2_resources_425","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_425.xml","title_filing_ssi":"19th century Civil War and political cartoon lithograph collection","title_ssm":["19th century newspaper illustrations collection"],"title_tesim":["19th century newspaper illustrations collection"],"unitdate_ssm":["1861-1894"],"unitdate_inclusive_ssm":["1861-1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0285","/repositories/2/resources/425"],"text":["C0285","/repositories/2/resources/425","19th century newspaper illustrations collection","United States -- History -- Civil War, 1861-1865","United States -- Politics and government","Virginia -- History -- Civil War, 1861-1865","Lithography","Newspapers","There are no access restrictions.","Arranged by subject.","Processing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.","The Special Collections Research Center also holds other newspaper collections and collections focused on the Civil War.","The collection consists of lithographs that appeared in  Puck ,  Harper's Weekly , and  Illustrated London News . The lithographs from  Puck  are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the  Harper's Weekly  and  Illustrated London News  focus on the American Civil War and Mount Vernon, the home of George Washington.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The collection consists of lithographs that appeared in  Puck ,  Harper's Weekly , and  Illustrated London News .","OS R 2, C 1, S 2. Housed with C0286.","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0285","/repositories/2/resources/425"],"normalized_title_ssm":["19th century newspaper illustrations collection"],"collection_title_tesim":["19th century newspaper illustrations collection"],"collection_ssim":["19th century newspaper illustrations collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","United States -- Politics and government","Virginia -- History -- Civil War, 1861-1865"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","United States -- Politics and government","Virginia -- History -- Civil War, 1861-1865"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["United States -- History -- Civil War, 1861-1865","United States -- Politics and government","Virginia -- History -- Civil War, 1861-1865"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2016."],"access_subjects_ssim":["Lithography","Newspapers"],"access_subjects_ssm":["Lithography","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject."],"prefercite_html_tesm":["\u003cp\u003e19th century Civil War and political cartoon lithograph collection, C0285, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["19th century Civil War and political cartoon lithograph collection, C0285, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other newspaper collections and collections focused on the Civil War.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other newspaper collections and collections focused on the Civil War."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of lithographs that appeared in \u003citalic\u003ePuck\u003c/italic\u003e, \u003citalic\u003eHarper's Weekly\u003c/italic\u003e, and \u003citalic\u003eIllustrated London News\u003c/italic\u003e. The lithographs from \u003citalic\u003ePuck\u003c/italic\u003e are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the \u003citalic\u003eHarper's Weekly\u003c/italic\u003e and \u003citalic\u003eIllustrated London News\u003c/italic\u003e focus on the American Civil War and Mount Vernon, the home of George Washington.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of lithographs that appeared in  Puck ,  Harper's Weekly , and  Illustrated London News . The lithographs from  Puck  are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the  Harper's Weekly  and  Illustrated London News  focus on the American Civil War and Mount Vernon, the home of George Washington."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7bd0e860ed6dec630da7153e16a554cb\" label=\"Abstract\"\u003eThe collection consists of lithographs that appeared in \u003citalic\u003ePuck\u003c/italic\u003e, \u003citalic\u003eHarper's Weekly\u003c/italic\u003e, and \u003citalic\u003eIllustrated London News\u003c/italic\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of lithographs that appeared in  Puck ,  Harper's Weekly , and  Illustrated London News ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d7c873ff7bddb30103175eac7d77818\"\u003eOS R 2, C 1, S 2. Housed with C0286.\u003c/physloc\u003e"],"physloc_tesim":["OS R 2, C 1, S 2. Housed with C0286."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:16:19.666Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_425","ead_ssi":"vifgm_repositories_2_resources_425","_root_":"vifgm_repositories_2_resources_425","_nest_parent_":"vifgm_repositories_2_resources_425","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_425.xml","title_filing_ssi":"19th century Civil War and political cartoon lithograph collection","title_ssm":["19th century newspaper illustrations collection"],"title_tesim":["19th century newspaper illustrations collection"],"unitdate_ssm":["1861-1894"],"unitdate_inclusive_ssm":["1861-1894"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0285","/repositories/2/resources/425"],"text":["C0285","/repositories/2/resources/425","19th century newspaper illustrations collection","United States -- History -- Civil War, 1861-1865","United States -- Politics and government","Virginia -- History -- Civil War, 1861-1865","Lithography","Newspapers","There are no access restrictions.","Arranged by subject.","Processing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.","The Special Collections Research Center also holds other newspaper collections and collections focused on the Civil War.","The collection consists of lithographs that appeared in  Puck ,  Harper's Weekly , and  Illustrated London News . The lithographs from  Puck  are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the  Harper's Weekly  and  Illustrated London News  focus on the American Civil War and Mount Vernon, the home of George Washington.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","The collection consists of lithographs that appeared in  Puck ,  Harper's Weekly , and  Illustrated London News .","OS R 2, C 1, S 2. Housed with C0286.","George Mason University. Libraries. Special Collections Research Center","English"],"unitid_tesim":["C0285","/repositories/2/resources/425"],"normalized_title_ssm":["19th century newspaper illustrations collection"],"collection_title_tesim":["19th century newspaper illustrations collection"],"collection_ssim":["19th century newspaper illustrations collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- History -- Civil War, 1861-1865","United States -- Politics and government","Virginia -- History -- Civil War, 1861-1865"],"geogname_ssim":["United States -- History -- Civil War, 1861-1865","United States -- Politics and government","Virginia -- History -- Civil War, 1861-1865"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"places_ssim":["United States -- History -- Civil War, 1861-1865","United States -- Politics and government","Virginia -- History -- Civil War, 1861-1865"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased in 2016."],"access_subjects_ssim":["Lithography","Newspapers"],"access_subjects_ssm":["Lithography","Newspapers"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 1 box"],"extent_tesim":["2 Linear Feet 1 box"],"date_range_isim":[1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eArranged by subject.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged by subject."],"prefercite_html_tesm":["\u003cp\u003e19th century Civil War and political cartoon lithograph collection, C0285, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["19th century Civil War and political cartoon lithograph collection, C0285, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Jessica Lynn in 2016. EAD markup completed by Jordan Patty in 2016. Finding aid updated by Amanda Menjivar in November 2024."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other newspaper collections and collections focused on the Civil War.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other newspaper collections and collections focused on the Civil War."],"scopecontent_html_tesm":["\u003cp\u003eThe collection consists of lithographs that appeared in \u003citalic\u003ePuck\u003c/italic\u003e, \u003citalic\u003eHarper's Weekly\u003c/italic\u003e, and \u003citalic\u003eIllustrated London News\u003c/italic\u003e. The lithographs from \u003citalic\u003ePuck\u003c/italic\u003e are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the \u003citalic\u003eHarper's Weekly\u003c/italic\u003e and \u003citalic\u003eIllustrated London News\u003c/italic\u003e focus on the American Civil War and Mount Vernon, the home of George Washington.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection consists of lithographs that appeared in  Puck ,  Harper's Weekly , and  Illustrated London News . The lithographs from  Puck  are largely satirical in nature and the subject matter is Gilded Age politics. The subject matter of the  Harper's Weekly  and  Illustrated London News  focus on the American Civil War and Mount Vernon, the home of George Washington."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_7bd0e860ed6dec630da7153e16a554cb\" label=\"Abstract\"\u003eThe collection consists of lithographs that appeared in \u003citalic\u003ePuck\u003c/italic\u003e, \u003citalic\u003eHarper's Weekly\u003c/italic\u003e, and \u003citalic\u003eIllustrated London News\u003c/italic\u003e.\u003c/abstract\u003e"],"abstract_tesim":["The collection consists of lithographs that appeared in  Puck ,  Harper's Weekly , and  Illustrated London News ."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3d7c873ff7bddb30103175eac7d77818\"\u003eOS R 2, C 1, S 2. Housed with C0286.\u003c/physloc\u003e"],"physloc_tesim":["OS R 2, C 1, S 2. Housed with C0286."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":11,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:16:19.666Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_425"}},{"id":"vifgm_repositories_2_resources_517","type":"collection","attributes":{"title":"Abraham Anson papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_517#creator","type":"document_value","attributes":{"value":"Anson, Abraham","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_517#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_517#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_517","ead_ssi":"vifgm_repositories_2_resources_517","_root_":"vifgm_repositories_2_resources_517","_nest_parent_":"vifgm_repositories_2_resources_517","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_517.xml","title_filing_ssi":"Abraham Anson papers","title_ssm":["Abraham Anson papers"],"title_tesim":["Abraham Anson papers"],"unitdate_ssm":["1939 -2005"],"unitdate_other_ssim":["1939 -2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0069","/repositories/2/resources/517"],"text":["C0069","/repositories/2/resources/517","Abraham Anson papers","Aerial photographs","Letters","Maps","Photogrammetry","Photography","Remote sensing","Glass negatives","Slides (Photography)","Correspondence","Newspapers","Photographs","Manuscripts","There are no access restrictions.","This collection is arranged into three series.","Series Series 1: Personal Items, 1939-2005 (Boxes 1 - 3) Series 2: Maps and Photographs, 1940-2004 (Boxes 4 - 12) Series 3: Publications, 1943-2005 (Boxes 13 - 31)","Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping."," Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.","Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","\nSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.","\nSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.","This series includes notes, correspondence, academic records, and military records.","This series includes maps, slides, and photographs","This series includes books, magazines, reports, and manuscripts.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","George Mason University. Libraries. Special Collections Research Center","Anson, Abraham","English \n.    "],"unitid_tesim":["C0069","/repositories/2/resources/517"],"normalized_title_ssm":["Abraham Anson papers"],"collection_title_tesim":["Abraham Anson papers"],"collection_ssim":["Abraham Anson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Anson, Abraham"],"creator_ssim":["Anson, Abraham"],"creator_persname_ssim":["Anson, Abraham"],"creators_ssim":["Anson, Abraham"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Myra Anson-Nicholas on December 5, 2005."],"access_subjects_ssim":["Aerial photographs","Letters","Maps","Photogrammetry","Photography","Remote sensing","Glass negatives","Slides (Photography)","Correspondence","Newspapers","Photographs","Manuscripts"],"access_subjects_ssm":["Aerial photographs","Letters","Maps","Photogrammetry","Photography","Remote sensing","Glass negatives","Slides (Photography)","Correspondence","Newspapers","Photographs","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["12.5 Linear Feet 31 boxes"],"extent_tesim":["12.5 Linear Feet 31 boxes"],"genreform_ssim":["Correspondence","Newspapers","Photographs","Manuscripts"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Personal Items, 1939-2005 (Boxes 1 - 3)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Maps and Photographs, 1940-2004 (Boxes 4 - 12)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publications, 1943-2005 (Boxes 13 - 31)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into three series.","Series Series 1: Personal Items, 1939-2005 (Boxes 1 - 3) Series 2: Maps and Photographs, 1940-2004 (Boxes 4 - 12) Series 3: Publications, 1943-2005 (Boxes 13 - 31)"],"bioghist_html_tesm":["\u003cp\u003eBorn January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.\u003c/p\u003e\n","\u003cp\u003e Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping."," Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018."],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n\u003c/p\u003e","\u003cp\u003e\nSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\u003c/p\u003e","\u003cp\u003e\nSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\u003c/p\u003e","\u003cp\u003eThis series includes notes, correspondence, academic records, and military records.\u003c/p\u003e","\u003cp\u003eThis series includes maps, slides, and photographs\u003c/p\u003e","\u003cp\u003eThis series includes books, magazines, reports, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","\nSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.","\nSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.","This series includes notes, correspondence, academic records, and military records.","This series includes maps, slides, and photographs","This series includes books, magazines, reports, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Anson, Abraham"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Anson, Abraham"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":383,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:16:45.642Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_517","ead_ssi":"vifgm_repositories_2_resources_517","_root_":"vifgm_repositories_2_resources_517","_nest_parent_":"vifgm_repositories_2_resources_517","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_517.xml","title_filing_ssi":"Abraham Anson papers","title_ssm":["Abraham Anson papers"],"title_tesim":["Abraham Anson papers"],"unitdate_ssm":["1939 -2005"],"unitdate_other_ssim":["1939 -2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0069","/repositories/2/resources/517"],"text":["C0069","/repositories/2/resources/517","Abraham Anson papers","Aerial photographs","Letters","Maps","Photogrammetry","Photography","Remote sensing","Glass negatives","Slides (Photography)","Correspondence","Newspapers","Photographs","Manuscripts","There are no access restrictions.","This collection is arranged into three series.","Series Series 1: Personal Items, 1939-2005 (Boxes 1 - 3) Series 2: Maps and Photographs, 1940-2004 (Boxes 4 - 12) Series 3: Publications, 1943-2005 (Boxes 13 - 31)","Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping."," Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.","Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","\nSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.","\nSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.","This series includes notes, correspondence, academic records, and military records.","This series includes maps, slides, and photographs","This series includes books, magazines, reports, and manuscripts.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","George Mason University. Libraries. Special Collections Research Center","Anson, Abraham","English \n.    "],"unitid_tesim":["C0069","/repositories/2/resources/517"],"normalized_title_ssm":["Abraham Anson papers"],"collection_title_tesim":["Abraham Anson papers"],"collection_ssim":["Abraham Anson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Anson, Abraham"],"creator_ssim":["Anson, Abraham"],"creator_persname_ssim":["Anson, Abraham"],"creators_ssim":["Anson, Abraham"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Collection donated by Myra Anson-Nicholas on December 5, 2005."],"access_subjects_ssim":["Aerial photographs","Letters","Maps","Photogrammetry","Photography","Remote sensing","Glass negatives","Slides (Photography)","Correspondence","Newspapers","Photographs","Manuscripts"],"access_subjects_ssm":["Aerial photographs","Letters","Maps","Photogrammetry","Photography","Remote sensing","Glass negatives","Slides (Photography)","Correspondence","Newspapers","Photographs","Manuscripts"],"has_online_content_ssim":["false"],"extent_ssm":["12.5 Linear Feet 31 boxes"],"extent_tesim":["12.5 Linear Feet 31 boxes"],"genreform_ssim":["Correspondence","Newspapers","Photographs","Manuscripts"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Personal Items, 1939-2005 (Boxes 1 - 3)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Maps and Photographs, 1940-2004 (Boxes 4 - 12)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Publications, 1943-2005 (Boxes 13 - 31)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into three series.","Series Series 1: Personal Items, 1939-2005 (Boxes 1 - 3) Series 2: Maps and Photographs, 1940-2004 (Boxes 4 - 12) Series 3: Publications, 1943-2005 (Boxes 13 - 31)"],"bioghist_html_tesm":["\u003cp\u003eBorn January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.\u003c/p\u003e\n","\u003cp\u003e Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping."," Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018."],"scopecontent_html_tesm":["\u003cp\u003eSeries 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n\u003c/p\u003e","\u003cp\u003e\nSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\u003c/p\u003e","\u003cp\u003e\nSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\u003c/p\u003e","\u003cp\u003eThis series includes notes, correspondence, academic records, and military records.\u003c/p\u003e","\u003cp\u003eThis series includes maps, slides, and photographs\u003c/p\u003e","\u003cp\u003eThis series includes books, magazines, reports, and manuscripts.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","\nSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.","\nSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.","This series includes notes, correspondence, academic records, and military records.","This series includes maps, slides, and photographs","This series includes books, magazines, reports, and manuscripts."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_ref348\"\u003eThe collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps."],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Anson, Abraham"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Anson, Abraham"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":383,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:16:45.642Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_517"}},{"id":"vifgm_anson","type":"collection","attributes":{"title":"Abraham Anson papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_anson#creator","type":"document_value","attributes":{"value":"Anson, Abraham, 1912-2005","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_anson#abstract_or_scope","type":"document_value","attributes":{"value":"The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_anson#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_anson","ead_ssi":"vifgm_anson","_root_":"vifgm_anson","_nest_parent_":"vifgm_anson","ead_source_url_ssi":"data/gmu/anson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/anson.html","title_ssm":["Abraham Anson papers"],"title_tesim":["Abraham Anson papers"],"unitdate_ssm":["1939-2005"],"unitdate_other_ssim":["1939-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0069"],"text":["C0069","Abraham Anson papers","Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides.","There are no access restrictions.","This collection is arranged into three series.","Series 1: Personal Items, 1939-2005 (Boxes 1-3)\n Series 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n Series 3: Publications, 1943-2005 (Boxes 13-31)\n","Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.","Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.","Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.","The collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n","This series includes notes, correspondence, academic records, and military records.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes maps, slides, and photographs","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes books, magazines, reports, and manuscripts.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","George Mason University.  Libraries.   Special Collections Research Center.","Anson, Abraham, 1912-2005","English\n\t\t"],"unitid_tesim":["C0069"],"normalized_title_ssm":["Abraham Anson papers"],"collection_title_tesim":["Abraham Anson papers"],"collection_ssim":["Abraham Anson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Anson, Abraham, 1912-2005"],"creator_ssim":["Anson, Abraham, 1912-2005"],"creator_persname_ssim":["Anson, Abraham, 1912-2005"],"creators_ssim":["Anson, Abraham, 1912-2005"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Myra Anson-Nicholas on December 5, 2005."],"access_subjects_ssim":["Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides."],"access_subjects_ssm":["Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["12.5 linear feet (31 boxes)"],"extent_tesim":["12.5 linear feet (31 boxes)"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Personal Items, 1939-2005 (Boxes 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Publications, 1943-2005 (Boxes 13-31)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into three series.","Series 1: Personal Items, 1939-2005 (Boxes 1-3)\n Series 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n Series 3: Publications, 1943-2005 (Boxes 13-31)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.\u003c/p\u003e","\u003cp\u003eAnson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.","Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n\u003c/p\u003e","\u003cp\u003eSeries 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n\u003c/p\u003e","\u003cp\u003eSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n\u003c/p\u003e","\u003cp\u003eThis series includes notes, correspondence, academic records, and military records.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes maps, slides, and photographs\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes books, magazines, reports, and manuscripts.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n","This series includes notes, correspondence, academic records, and military records.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes maps, slides, and photographs","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes books, magazines, reports, and manuscripts.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps."],"names_ssim":["George Mason University.  Libraries.   Special Collections Research Center.","Anson, Abraham, 1912-2005"],"corpname_ssim":["George Mason University.  Libraries.   Special Collections Research Center."],"persname_ssim":["Anson, Abraham, 1912-2005"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":383,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:31:57.545Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_anson","ead_ssi":"vifgm_anson","_root_":"vifgm_anson","_nest_parent_":"vifgm_anson","ead_source_url_ssi":"data/gmu/anson.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/anson.html","title_ssm":["Abraham Anson papers"],"title_tesim":["Abraham Anson papers"],"unitdate_ssm":["1939-2005"],"unitdate_other_ssim":["1939-2005"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0069"],"text":["C0069","Abraham Anson papers","Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides.","There are no access restrictions.","This collection is arranged into three series.","Series 1: Personal Items, 1939-2005 (Boxes 1-3)\n Series 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n Series 3: Publications, 1943-2005 (Boxes 13-31)\n","Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.","Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.","Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.","The collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n","This series includes notes, correspondence, academic records, and military records.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes maps, slides, and photographs","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes books, magazines, reports, and manuscripts.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries.","The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.","George Mason University.  Libraries.   Special Collections Research Center.","Anson, Abraham, 1912-2005","English\n\t\t"],"unitid_tesim":["C0069"],"normalized_title_ssm":["Abraham Anson papers"],"collection_title_tesim":["Abraham Anson papers"],"collection_ssim":["Abraham Anson papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Anson, Abraham, 1912-2005"],"creator_ssim":["Anson, Abraham, 1912-2005"],"creator_persname_ssim":["Anson, Abraham, 1912-2005"],"creators_ssim":["Anson, Abraham, 1912-2005"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Collection donated by Myra Anson-Nicholas on December 5, 2005."],"access_subjects_ssim":["Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides."],"access_subjects_ssm":["Aerial photographs.","Letters.","Maps.","Photogrammetry.","Photography.","Remote sensing.","Slides.","Correspondence.","Glass negatives.","Maps.","Negatives.","Newspapers.","Photographs.","Slides."],"has_online_content_ssim":["false"],"extent_ssm":["12.5 linear feet (31 boxes)"],"extent_tesim":["12.5 linear feet (31 boxes)"],"date_range_isim":[1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series.\u003c/p\u003e","\u003clist\u003e\n        \u003citem\u003eSeries 1: Personal Items, 1939-2005 (Boxes 1-3)\n\u003c/item\u003e\n        \u003citem\u003eSeries 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n\u003c/item\u003e\n        \u003citem\u003eSeries 3: Publications, 1943-2005 (Boxes 13-31)\n\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into three series.","Series 1: Personal Items, 1939-2005 (Boxes 1-3)\n Series 2: Maps and Photographs, 1940-2004  (Boxes 4-12)\n Series 3: Publications, 1943-2005 (Boxes 13-31)\n"],"bioghist_html_tesm":["\u003cp\u003eBorn January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.\u003c/p\u003e","\u003cp\u003eAnson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Born January 21, 1912 to Ida and Emil Anson, Abraham Anson attended New York City University before joining the army. During his service, Anson would attain the rank of Lieutenant Colonel as well as make significant contributions to the training of incoming recruits. He retired from the army on January 21, 1972. Anson was paramount in the designing of equipment with the Army Corps of Engineers that aided in mapping.","Anson was an incredibly active member with the American Society for Photogrammetry and Remote Sensing and also has a memorial scholarship in his name. Along with his significant contributions to the world of photogrammetry, the process of measuring distances between objects through the utilization of photography, Anson was extremely adept at surveying and mapping, and was a very talented painter. Abraham Anson passed away May 29, 2005."],"prefercite_html_tesm":["\u003cp\u003eAbraham Anson papers, C0069, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Abraham Anson papers, C0069, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Bill Keeler in January 2018. EAD markup completed by Bill Keeler in January 2018."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n\u003c/p\u003e","\u003cp\u003eSeries 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n\u003c/p\u003e","\u003cp\u003eSeries 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n\u003c/p\u003e","\u003cp\u003eSeries 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n\u003c/p\u003e","\u003cp\u003eThis series includes notes, correspondence, academic records, and military records.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes maps, slides, and photographs\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003eThis series includes books, magazines, reports, and manuscripts.\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e","\u003cp\u003e\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes numerous aerial photographs, publications, photography equipment, newspapers, magazines, correspondence, notebooks, color slides, and maps. The collection is arranged into three series.:\n","Series 1: Personal Items (1939-2005) includes notes, correspondence, academic records, memoirs, programs, and military records.\n","Series 2: Maps and Photographs (1940-2004) includes maps, color slides, glass slides, and photographs.\n","Series 3: Publications (1943-2005) includes books, magazines, reports, and manuscripts.\n","This series includes notes, correspondence, academic records, and military records.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes maps, slides, and photographs","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","This series includes books, magazines, reports, and manuscripts.","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","","",""],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Abaraham Anson papers must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref348\" label=\"Abstract\"\u003eThe collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes aerial photographs, publications, newspapers, magazines, correspondence, notebooks, color slides, glass slides, and maps."],"names_ssim":["George Mason University.  Libraries.   Special Collections Research Center.","Anson, Abraham, 1912-2005"],"corpname_ssim":["George Mason University.  Libraries.   Special Collections Research Center."],"persname_ssim":["Anson, Abraham, 1912-2005"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":383,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:31:57.545Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_anson"}},{"id":"vifgm_repositories_2_resources_488","type":"collection","attributes":{"title":"Adam Bell reward notice for escaped enslaved man named Perry","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_488#creator","type":"document_value","attributes":{"value":"Bell, Adam","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_488#abstract_or_scope","type":"document_value","attributes":{"value":"Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_488#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_488","ead_ssi":"vifgm_repositories_2_resources_488","_root_":"vifgm_repositories_2_resources_488","_nest_parent_":"vifgm_repositories_2_resources_488","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_488.xml","title_ssm":["Adam Bell reward notice for escaped enslaved man named Perry"],"title_tesim":["Adam Bell reward notice for escaped enslaved man named Perry"],"unitdate_ssm":["February 17, 1821"],"unitdate_inclusive_ssm":["February 17, 1821"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0373","/repositories/2/resources/488"],"text":["C0373","/repositories/2/resources/488","Adam Bell reward notice for escaped enslaved man named Perry","Prince Edward County (Va.)","Virginia -- History","Slave trade","Slavery -- United States","There are no access restrictions.","This is a single item collection.","\"Causes of the Civil War.\" PBS. https://www.pbs.org/opb/historydetectives/feature/causes-of-the-civil-war/ (accessed June 26, 2019).","\"A History of Slavery in the United States.\" National Geographic. https://www.nationalgeographic.org/interactive/slavery-united-states/ (accessed June 26, 2019).","Urofsky, Melvin I. \"Jim Crow law.\" Encyclopaedia Britannica. https://www.britannica.com/event/Jim-Crow-law (accessed June 26, 2019).","The enslavement of individuals of African descent - as well as other peoples of color - was legalized in the United States in 1641, with African Americans being the majority of enslaved individuals around 1708. The demand for enslaved individuals to work on southern plantations in the U.S. began in 1694, which only increased over time. In 1861 the Civil War erupted, one of the key issues of the war being states' rights as they related to the institution of slavery. In 1863, President Abraham Lincoln signed the Emancipation Proclimation, which declared all enslaved peoples in Confederate states free, but this did not end slavery entirely. Two years later on December 18, 1865, slavery in the United States was officially abolished with the 13th Amendment. Despite the legal freedom of African Americans post-Amendment, the racist treatment and oppression of African Americans did not wane, resulting in Jim Crow law and eventually catalyzing the Civil Rights Movement of the 1950s and 1960s.","Processing completed by Amanda Brent in July 2019. EAD markup completed by Amanda Brent in July 2019.","The Special Collections Research Center also holds other collections related to the topic of slavery in the United States, including the George Mason letters to John Augustine Washington III, the Letter to James H. Reid regarding the enslavement of a group of African Americans, and the Deed of gift for an enslaved woman by Maynadier Mason.","Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821. In the notice, Adam Bell details a ten dollar reward for Perry, an enslaved man who had attempted to escape at least once previous to this notice. Bell describes Perry as \"about twenty seven or eight,\" and goes on to describe his appearance and clothing when he escaped. Bell states that anyone who finds Perry and delivers him to Bell in Prince Edward County, Virginia will be entitled to the reward.","A transcription of this collection is available upon request.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821.","R 72, C 3, S 4","George Mason University. Libraries. Special Collections Research Center","Bell, Adam","English"],"unitid_tesim":["C0373","/repositories/2/resources/488"],"normalized_title_ssm":["Adam Bell reward notice for escaped enslaved man named Perry"],"collection_title_tesim":["Adam Bell reward notice for escaped enslaved man named Perry"],"collection_ssim":["Adam Bell reward notice for escaped enslaved man named Perry"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Prince Edward County (Va.)","Virginia -- History"],"geogname_ssim":["Prince Edward County (Va.)","Virginia -- History"],"creator_ssm":["Bell, Adam"],"creator_ssim":["Bell, Adam"],"creator_persname_ssim":["Bell, Adam"],"creators_ssim":["Bell, Adam"],"places_ssim":["Prince Edward County (Va.)","Virginia -- History"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by SCRC in 2018."],"access_subjects_ssim":["Slave trade","Slavery -- United States"],"access_subjects_ssm":["Slave trade","Slavery -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Feet 1 folder"],"extent_tesim":["0.01 Linear Feet 1 folder"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Causes of the Civil War.\" PBS. https://www.pbs.org/opb/historydetectives/feature/causes-of-the-civil-war/ (accessed June 26, 2019).\u003c/p\u003e\n","\u003cp\u003e\"A History of Slavery in the United States.\" National Geographic. https://www.nationalgeographic.org/interactive/slavery-united-states/ (accessed June 26, 2019).\u003c/p\u003e\n","\u003cp\u003eUrofsky, Melvin I. \"Jim Crow law.\" Encyclopaedia Britannica. https://www.britannica.com/event/Jim-Crow-law (accessed June 26, 2019).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Causes of the Civil War.\" PBS. https://www.pbs.org/opb/historydetectives/feature/causes-of-the-civil-war/ (accessed June 26, 2019).","\"A History of Slavery in the United States.\" National Geographic. https://www.nationalgeographic.org/interactive/slavery-united-states/ (accessed June 26, 2019).","Urofsky, Melvin I. \"Jim Crow law.\" Encyclopaedia Britannica. https://www.britannica.com/event/Jim-Crow-law (accessed June 26, 2019)."],"bioghist_html_tesm":["\u003cp\u003eThe enslavement of individuals of African descent - as well as other peoples of color - was legalized in the United States in 1641, with African Americans being the majority of enslaved individuals around 1708. The demand for enslaved individuals to work on southern plantations in the U.S. began in 1694, which only increased over time. In 1861 the Civil War erupted, one of the key issues of the war being states' rights as they related to the institution of slavery. In 1863, President Abraham Lincoln signed the Emancipation Proclimation, which declared all enslaved peoples in Confederate states free, but this did not end slavery entirely. Two years later on December 18, 1865, slavery in the United States was officially abolished with the 13th Amendment. Despite the legal freedom of African Americans post-Amendment, the racist treatment and oppression of African Americans did not wane, resulting in Jim Crow law and eventually catalyzing the Civil Rights Movement of the 1950s and 1960s.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The enslavement of individuals of African descent - as well as other peoples of color - was legalized in the United States in 1641, with African Americans being the majority of enslaved individuals around 1708. The demand for enslaved individuals to work on southern plantations in the U.S. began in 1694, which only increased over time. In 1861 the Civil War erupted, one of the key issues of the war being states' rights as they related to the institution of slavery. In 1863, President Abraham Lincoln signed the Emancipation Proclimation, which declared all enslaved peoples in Confederate states free, but this did not end slavery entirely. Two years later on December 18, 1865, slavery in the United States was officially abolished with the 13th Amendment. Despite the legal freedom of African Americans post-Amendment, the racist treatment and oppression of African Americans did not wane, resulting in Jim Crow law and eventually catalyzing the Civil Rights Movement of the 1950s and 1960s."],"prefercite_html_tesm":["\u003cp\u003eAdam Bell reward notice for escaped enslaved man named Perry, C0373, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Adam Bell reward notice for escaped enslaved man named Perry, C0373, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in July 2019. EAD markup completed by Amanda Brent in July 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in July 2019. EAD markup completed by Amanda Brent in July 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other collections related to the topic of slavery in the United States, including the George Mason letters to John Augustine Washington III, the Letter to James H. Reid regarding the enslavement of a group of African Americans, and the Deed of gift for an enslaved woman by Maynadier Mason.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other collections related to the topic of slavery in the United States, including the George Mason letters to John Augustine Washington III, the Letter to James H. Reid regarding the enslavement of a group of African Americans, and the Deed of gift for an enslaved woman by Maynadier Mason."],"scopecontent_html_tesm":["\u003cp\u003eAdam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821. In the notice, Adam Bell details a ten dollar reward for Perry, an enslaved man who had attempted to escape at least once previous to this notice. Bell describes Perry as \"about twenty seven or eight,\" and goes on to describe his appearance and clothing when he escaped. Bell states that anyone who finds Perry and delivers him to Bell in Prince Edward County, Virginia will be entitled to the reward.\u003c/p\u003e\n","\u003cp\u003eA transcription of this collection is available upon request.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821. In the notice, Adam Bell details a ten dollar reward for Perry, an enslaved man who had attempted to escape at least once previous to this notice. Bell describes Perry as \"about twenty seven or eight,\" and goes on to describe his appearance and clothing when he escaped. Bell states that anyone who finds Perry and delivers him to Bell in Prince Edward County, Virginia will be entitled to the reward.","A transcription of this collection is available upon request."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_5ef1a219f3c89bbd9716834834585474\"\u003eAdam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821.\u003c/abstract\u003e"],"abstract_tesim":["Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_97690e9bd268f97590d3141ba8d6ba74\"\u003eR 72, C 3, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bell, Adam"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Bell, Adam"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_488","ead_ssi":"vifgm_repositories_2_resources_488","_root_":"vifgm_repositories_2_resources_488","_nest_parent_":"vifgm_repositories_2_resources_488","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_488.xml","title_ssm":["Adam Bell reward notice for escaped enslaved man named Perry"],"title_tesim":["Adam Bell reward notice for escaped enslaved man named Perry"],"unitdate_ssm":["February 17, 1821"],"unitdate_inclusive_ssm":["February 17, 1821"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0373","/repositories/2/resources/488"],"text":["C0373","/repositories/2/resources/488","Adam Bell reward notice for escaped enslaved man named Perry","Prince Edward County (Va.)","Virginia -- History","Slave trade","Slavery -- United States","There are no access restrictions.","This is a single item collection.","\"Causes of the Civil War.\" PBS. https://www.pbs.org/opb/historydetectives/feature/causes-of-the-civil-war/ (accessed June 26, 2019).","\"A History of Slavery in the United States.\" National Geographic. https://www.nationalgeographic.org/interactive/slavery-united-states/ (accessed June 26, 2019).","Urofsky, Melvin I. \"Jim Crow law.\" Encyclopaedia Britannica. https://www.britannica.com/event/Jim-Crow-law (accessed June 26, 2019).","The enslavement of individuals of African descent - as well as other peoples of color - was legalized in the United States in 1641, with African Americans being the majority of enslaved individuals around 1708. The demand for enslaved individuals to work on southern plantations in the U.S. began in 1694, which only increased over time. In 1861 the Civil War erupted, one of the key issues of the war being states' rights as they related to the institution of slavery. In 1863, President Abraham Lincoln signed the Emancipation Proclimation, which declared all enslaved peoples in Confederate states free, but this did not end slavery entirely. Two years later on December 18, 1865, slavery in the United States was officially abolished with the 13th Amendment. Despite the legal freedom of African Americans post-Amendment, the racist treatment and oppression of African Americans did not wane, resulting in Jim Crow law and eventually catalyzing the Civil Rights Movement of the 1950s and 1960s.","Processing completed by Amanda Brent in July 2019. EAD markup completed by Amanda Brent in July 2019.","The Special Collections Research Center also holds other collections related to the topic of slavery in the United States, including the George Mason letters to John Augustine Washington III, the Letter to James H. Reid regarding the enslavement of a group of African Americans, and the Deed of gift for an enslaved woman by Maynadier Mason.","Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821. In the notice, Adam Bell details a ten dollar reward for Perry, an enslaved man who had attempted to escape at least once previous to this notice. Bell describes Perry as \"about twenty seven or eight,\" and goes on to describe his appearance and clothing when he escaped. Bell states that anyone who finds Perry and delivers him to Bell in Prince Edward County, Virginia will be entitled to the reward.","A transcription of this collection is available upon request.","No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)","Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821.","R 72, C 3, S 4","George Mason University. Libraries. Special Collections Research Center","Bell, Adam","English"],"unitid_tesim":["C0373","/repositories/2/resources/488"],"normalized_title_ssm":["Adam Bell reward notice for escaped enslaved man named Perry"],"collection_title_tesim":["Adam Bell reward notice for escaped enslaved man named Perry"],"collection_ssim":["Adam Bell reward notice for escaped enslaved man named Perry"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["Prince Edward County (Va.)","Virginia -- History"],"geogname_ssim":["Prince Edward County (Va.)","Virginia -- History"],"creator_ssm":["Bell, Adam"],"creator_ssim":["Bell, Adam"],"creator_persname_ssim":["Bell, Adam"],"creators_ssim":["Bell, Adam"],"places_ssim":["Prince Edward County (Va.)","Virginia -- History"],"access_terms_ssm":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"acqinfo_ssim":["Purchased by SCRC in 2018."],"access_subjects_ssim":["Slave trade","Slavery -- United States"],"access_subjects_ssm":["Slave trade","Slavery -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["0.01 Linear Feet 1 folder"],"extent_tesim":["0.01 Linear Feet 1 folder"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Causes of the Civil War.\" PBS. https://www.pbs.org/opb/historydetectives/feature/causes-of-the-civil-war/ (accessed June 26, 2019).\u003c/p\u003e\n","\u003cp\u003e\"A History of Slavery in the United States.\" National Geographic. https://www.nationalgeographic.org/interactive/slavery-united-states/ (accessed June 26, 2019).\u003c/p\u003e\n","\u003cp\u003eUrofsky, Melvin I. \"Jim Crow law.\" Encyclopaedia Britannica. https://www.britannica.com/event/Jim-Crow-law (accessed June 26, 2019).\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Causes of the Civil War.\" PBS. https://www.pbs.org/opb/historydetectives/feature/causes-of-the-civil-war/ (accessed June 26, 2019).","\"A History of Slavery in the United States.\" National Geographic. https://www.nationalgeographic.org/interactive/slavery-united-states/ (accessed June 26, 2019).","Urofsky, Melvin I. \"Jim Crow law.\" Encyclopaedia Britannica. https://www.britannica.com/event/Jim-Crow-law (accessed June 26, 2019)."],"bioghist_html_tesm":["\u003cp\u003eThe enslavement of individuals of African descent - as well as other peoples of color - was legalized in the United States in 1641, with African Americans being the majority of enslaved individuals around 1708. The demand for enslaved individuals to work on southern plantations in the U.S. began in 1694, which only increased over time. In 1861 the Civil War erupted, one of the key issues of the war being states' rights as they related to the institution of slavery. In 1863, President Abraham Lincoln signed the Emancipation Proclimation, which declared all enslaved peoples in Confederate states free, but this did not end slavery entirely. Two years later on December 18, 1865, slavery in the United States was officially abolished with the 13th Amendment. Despite the legal freedom of African Americans post-Amendment, the racist treatment and oppression of African Americans did not wane, resulting in Jim Crow law and eventually catalyzing the Civil Rights Movement of the 1950s and 1960s.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The enslavement of individuals of African descent - as well as other peoples of color - was legalized in the United States in 1641, with African Americans being the majority of enslaved individuals around 1708. The demand for enslaved individuals to work on southern plantations in the U.S. began in 1694, which only increased over time. In 1861 the Civil War erupted, one of the key issues of the war being states' rights as they related to the institution of slavery. In 1863, President Abraham Lincoln signed the Emancipation Proclimation, which declared all enslaved peoples in Confederate states free, but this did not end slavery entirely. Two years later on December 18, 1865, slavery in the United States was officially abolished with the 13th Amendment. Despite the legal freedom of African Americans post-Amendment, the racist treatment and oppression of African Americans did not wane, resulting in Jim Crow law and eventually catalyzing the Civil Rights Movement of the 1950s and 1960s."],"prefercite_html_tesm":["\u003cp\u003eAdam Bell reward notice for escaped enslaved man named Perry, C0373, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Adam Bell reward notice for escaped enslaved man named Perry, C0373, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in July 2019. EAD markup completed by Amanda Brent in July 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in July 2019. EAD markup completed by Amanda Brent in July 2019."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds other collections related to the topic of slavery in the United States, including the George Mason letters to John Augustine Washington III, the Letter to James H. Reid regarding the enslavement of a group of African Americans, and the Deed of gift for an enslaved woman by Maynadier Mason.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds other collections related to the topic of slavery in the United States, including the George Mason letters to John Augustine Washington III, the Letter to James H. Reid regarding the enslavement of a group of African Americans, and the Deed of gift for an enslaved woman by Maynadier Mason."],"scopecontent_html_tesm":["\u003cp\u003eAdam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821. In the notice, Adam Bell details a ten dollar reward for Perry, an enslaved man who had attempted to escape at least once previous to this notice. Bell describes Perry as \"about twenty seven or eight,\" and goes on to describe his appearance and clothing when he escaped. Bell states that anyone who finds Perry and delivers him to Bell in Prince Edward County, Virginia will be entitled to the reward.\u003c/p\u003e\n","\u003cp\u003eA transcription of this collection is available upon request.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821. In the notice, Adam Bell details a ten dollar reward for Perry, an enslaved man who had attempted to escape at least once previous to this notice. Bell describes Perry as \"about twenty seven or eight,\" and goes on to describe his appearance and clothing when he escaped. Bell states that anyone who finds Perry and delivers him to Bell in Prince Edward County, Virginia will be entitled to the reward.","A transcription of this collection is available upon request."],"userestrict_html_tesm":["\u003cp\u003eNo known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["No known copyright. The Special Collections Research Center, George Mason University Libraries believes that this collection is not restricted by copyright or related rights, but a conclusive determination could not be made. (See https://rightsstatements.org/page/NKC/1.0/?language=en)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_5ef1a219f3c89bbd9716834834585474\"\u003eAdam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821.\u003c/abstract\u003e"],"abstract_tesim":["Adam Bell reward notice for escaped enslaved man named Perry, written on February 17, 1821."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_97690e9bd268f97590d3141ba8d6ba74\"\u003eR 72, C 3, S 4\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 4"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Bell, Adam"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"persname_ssim":["Bell, Adam"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:17:54.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_488"}},{"id":"vifgm_rice","type":"collection","attributes":{"title":"Adams T. Rice papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_rice#creator","type":"document_value","attributes":{"value":"Rice, Adams T., 1892-\n","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_rice#abstract_or_scope","type":"document_value","attributes":{"value":"The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_rice#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_rice","ead_ssi":"vifgm_rice","_root_":"vifgm_rice","_nest_parent_":"vifgm_rice","ead_source_url_ssi":"data/gmu/rice.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/rice.html","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_other_ssim":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238"],"text":["C0238","Adams T. Rice papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.","There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-","English\n\t\t"],"unitid_tesim":["C0238"],"normalized_title_ssm":["Adams T. Rice papers"],"collection_title_tesim":["Adams T. Rice papers"],"collection_ssim":["Adams T. Rice papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rice, Adams T., 1892-\n"],"creator_ssim":["Rice, Adams T., 1892-\n"],"creator_persname_ssim":["Rice, Adams T., 1892-\n"],"creators_ssim":["Rice, Adams T., 1892-\n"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Adams T. Rice's daughter Olivia Hudson on October 11, 1979."],"access_subjects_ssim":["Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks."],"access_subjects_ssm":["Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear feet (3 boxes)"],"extent_tesim":["2 linear feet (3 boxes)"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eAdams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.\u003c/p\u003e","\u003cp\u003eIn the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eThe Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/p\u003e","\u003cp\u003eMaterial related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePrograms and photocopies of newspaper clippings\u003c/p\u003e","\u003cp\u003eWPA Federal Theatre Unit Communist Party newsletter\u003c/p\u003e","\u003cp\u003ePhotographs and program for lecture\u003c/p\u003e","\u003cp\u003eTheatre production photographs, portraits, Helen Morrow\u003c/p\u003e","\u003cp\u003eNewspaper clippings about the Detroit Players.\u003c/p\u003e","\u003cp\u003eDr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_rice","ead_ssi":"vifgm_rice","_root_":"vifgm_rice","_nest_parent_":"vifgm_rice","ead_source_url_ssi":"data/gmu/rice.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/rice.html","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_other_ssim":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238"],"text":["C0238","Adams T. Rice papers","Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks.","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.","There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-","English\n\t\t"],"unitid_tesim":["C0238"],"normalized_title_ssm":["Adams T. Rice papers"],"collection_title_tesim":["Adams T. Rice papers"],"collection_ssim":["Adams T. Rice papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rice, Adams T., 1892-\n"],"creator_ssim":["Rice, Adams T., 1892-\n"],"creator_persname_ssim":["Rice, Adams T., 1892-\n"],"creators_ssim":["Rice, Adams T., 1892-\n"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"acqinfo_ssim":["Donated by Adams T. Rice's daughter Olivia Hudson on October 11, 1979."],"access_subjects_ssim":["Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks."],"access_subjects_ssm":["Actors--Photographs.","New Deal, 1933-1939.","Performing arts.","Theater--United States.","Scrapbooks."],"has_online_content_ssim":["false"],"extent_ssm":["2 linear feet (3 boxes)"],"extent_tesim":["2 linear feet (3 boxes)"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eAdams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.\u003c/p\u003e","\u003cp\u003eIn the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical note"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eThe Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["The Adams T. Rice papers, C0238, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/p\u003e","\u003cp\u003eMaterial related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePrograms and photocopies of newspaper clippings\u003c/p\u003e","\u003cp\u003eWPA Federal Theatre Unit Communist Party newsletter\u003c/p\u003e","\u003cp\u003ePhotographs and program for lecture\u003c/p\u003e","\u003cp\u003eTheatre production photographs, portraits, Helen Morrow\u003c/p\u003e","\u003cp\u003eNewspaper clippings about the Detroit Players.\u003c/p\u003e","\u003cp\u003eDr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Adams T. Rice papers must be obtained from Special Collections and Archives, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref45\" label=\"Abstract\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-\n","Bonstelle, Jessie.","Rice, Adams T., 1892-"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:20:58.362Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_rice"}},{"id":"vifgm_repositories_2_resources_359","type":"collection","attributes":{"title":"Adams T. Rice papers","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_359#creator","type":"document_value","attributes":{"value":"Rice, Adams T., 1892-","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_359#abstract_or_scope","type":"document_value","attributes":{"value":"The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_359#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_359","ead_ssi":"vifgm_repositories_2_resources_359","_root_":"vifgm_repositories_2_resources_359","_nest_parent_":"vifgm_repositories_2_resources_359","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_359.xml","title_filing_ssi":"Adams T. Rice papers","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_inclusive_ssm":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238","/repositories/2/resources/359"],"text":["C0238","/repositories/2/resources/359","Adams T. Rice papers","Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie","English"],"unitid_tesim":["C0238","/repositories/2/resources/359"],"normalized_title_ssm":["Adams T. Rice papers"],"collection_title_tesim":["Adams T. Rice papers"],"collection_ssim":["Adams T. Rice papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rice, Adams T., 1892-"],"creator_ssim":["Rice, Adams T., 1892-"],"creator_persname_ssim":["Rice, Adams T., 1892-"],"creators_ssim":["Rice, Adams T., 1892-"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Adams T. Rice's daughter Olivia Hudson on October 11, 1979."],"access_subjects_ssim":["Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks"],"access_subjects_ssm":["Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 3 boxes"],"extent_tesim":["2 Linear Feet 3 boxes"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eAdams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.\u003c/p\u003e\n","\u003cp\u003eIn the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eAdams T. Rice papers, C0238, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Adams T. Rice papers, C0238, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/p\u003e\n","\u003cp\u003eMaterial related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePrograms and photocopies of newspaper clippings\u003c/p\u003e","\u003cp\u003eWPA Federal Theatre Unit Communist Party newsletter\u003c/p\u003e","\u003cp\u003ePhotographs and program for lecture\u003c/p\u003e","\u003cp\u003eTheatre production photographs, portraits, Helen Morrow\u003c/p\u003e","\u003cp\u003eNewspaper clippings about the Detroit Players.\u003c/p\u003e","\u003cp\u003eDr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_efd0b3341aecb07369dde0fb21a7a439\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-","Bonstelle, Jessie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:16:19.666Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_359","ead_ssi":"vifgm_repositories_2_resources_359","_root_":"vifgm_repositories_2_resources_359","_nest_parent_":"vifgm_repositories_2_resources_359","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_359.xml","title_filing_ssi":"Adams T. Rice papers","title_ssm":["Adams T. Rice papers"],"title_tesim":["Adams T. Rice papers"],"unitdate_ssm":["1922-1960"],"unitdate_inclusive_ssm":["1922-1960"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0238","/repositories/2/resources/359"],"text":["C0238","/repositories/2/resources/359","Adams T. Rice papers","Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks","There are no access restrictions.","The collection is arranged alphabetically by folder title.","Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.","Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.","The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.","The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)","The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie","English"],"unitid_tesim":["C0238","/repositories/2/resources/359"],"normalized_title_ssm":["Adams T. Rice papers"],"collection_title_tesim":["Adams T. Rice papers"],"collection_ssim":["Adams T. Rice papers"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Rice, Adams T., 1892-"],"creator_ssim":["Rice, Adams T., 1892-"],"creator_persname_ssim":["Rice, Adams T., 1892-"],"creators_ssim":["Rice, Adams T., 1892-"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by Adams T. Rice's daughter Olivia Hudson on October 11, 1979."],"access_subjects_ssim":["Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks"],"access_subjects_ssm":["Actors -- United States","Children's theater","New Deal, 1933-1939","Performing arts","Theater -- United States","Scrapbooks"],"has_online_content_ssim":["false"],"extent_ssm":["2 Linear Feet 3 boxes"],"extent_tesim":["2 Linear Feet 3 boxes"],"genreform_ssim":["Scrapbooks"],"date_range_isim":[1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged alphabetically by folder title.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged alphabetically by folder title."],"bioghist_html_tesm":["\u003cp\u003eAdams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.\u003c/p\u003e\n","\u003cp\u003eIn the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Adams T. Rice was born in 1892 in Newton, Massachusetts. He graduated from Newton Technical High School and received his PhD from Brown University in 1915. He also attended classes at the Rhode Island School of Design and the Boston Museum School of Design and completed a certificate in Engineering at Pratt Institute.","In the early 1920s Rice married the actress Helen Elizabeth Morrow. Rice and Morrow worked together at the Bonstelle Stock Company in Detroit, Michigan. In total Rice worked for 18 years with the Bonstelle Stock Companies (Detroit Civic Theatre) as a Stage Manager, Technical Director, and Stage Director. Throughout his career in the theatre he held jobs as Stage Manager for the Northampton Players, The Copley Players in Boston, and Director for the Clair Tree Major Players. He was both owner and director of \"The Detroit Players\" a traveling dramatic tent show, and spent five summers with various circuses as Lot Superintendent and Transportation Manager. He created the traveling lecture \"The Magic of Science\" and performed it on the east coast from New York to Boston. Later in his career he was the Director of Video Effects for the Bunin Motion Picture Studio, and created video effects for the Lucky Pup TV program. He also spent time teaching, working as an electrical engineer, designing exhibits for the N.Y. Worlds Fair, and wrote several children's plays."],"prefercite_html_tesm":["\u003cp\u003eAdams T. Rice papers, C0238, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Adams T. Rice papers, C0238, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Greta Kuriger Suiter in September 2013. EAD markup completed by Greta Kuriger Suiter in September 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Works Progress Administration oral histories collection, the Federal Theatre Project collection, the Federal Theatre Project photograph collection, as well as numerous other personal papers."],"scopecontent_html_tesm":["\u003cp\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/p\u003e\n","\u003cp\u003eMaterial related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003ePrograms and photocopies of newspaper clippings\u003c/p\u003e","\u003cp\u003eWPA Federal Theatre Unit Communist Party newsletter\u003c/p\u003e","\u003cp\u003ePhotographs and program for lecture\u003c/p\u003e","\u003cp\u003eTheatre production photographs, portraits, Helen Morrow\u003c/p\u003e","\u003cp\u003eNewspaper clippings about the Detroit Players.\u003c/p\u003e","\u003cp\u003eDr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.","Material related to the Federal Theatre Project includes newspaper clippings and programs for the productions: American Holiday, Class of '29, Ethiopia, A Hero is Born, It Can't Happen Here, Murder in the Cathedral, and the Sun and I. Also related to the Federal Theatre Project is the publication Red Spotlight, the WPA Federal Theatre Unit Communist Party newsletter. The scrapbooks document the Rice's work with the Bonstelle Company, the Detroit Players, and the Federal Theatre Project.","Programs and photocopies of newspaper clippings","WPA Federal Theatre Unit Communist Party newsletter","Photographs and program for lecture","Theatre production photographs, portraits, Helen Morrow","Newspaper clippings about the Detroit Players.","Dr. Charlotte Richmond, The Detroit Players publicity. Includes newspaper clippings, programs, letters, and handwritten notes."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated. (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_efd0b3341aecb07369dde0fb21a7a439\"\u003eThe Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s.\u003c/abstract\u003e"],"abstract_tesim":["The Adams T. Rice papers consists of newspaper clippings, scrapbooks, photographs, and programs relating to theatre in Detroit, Michigan, the Federal Theatre Project, and Rice's lecture \"The Magic of Science.\" Material was collected by Rice and dates from the 1920s to 1960, with the bulk of the material dating from the 1920s to the 1930s."],"names_coll_ssim":["Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","Rice, Adams T., 1892-","Bonstelle, Jessie"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"persname_ssim":["Rice, Adams T., 1892-","Bonstelle, Jessie"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":38,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-05T07:16:19.666Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_359"}},{"id":"vifgm_repositories_2_resources_588","type":"collection","attributes":{"title":"Adolph Bolm performance program clipping","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_588#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_588#abstract_or_scope","type":"document_value","attributes":{"value":"Adolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_588#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_588","ead_ssi":"vifgm_repositories_2_resources_588","_root_":"vifgm_repositories_2_resources_588","_nest_parent_":"vifgm_repositories_2_resources_588","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_588.xml","title_ssm":["Adolph Bolm performance program clipping"],"title_tesim":["Adolph Bolm performance program clipping"],"unitdate_ssm":["circa 1940"],"unitdate_other_ssim":["circa 1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0490","/repositories/2/resources/588"],"text":["C0490","/repositories/2/resources/588","Adolph Bolm performance program clipping","Ballet","There are no access restrictions.","This is a single item collection.","\"Adolph Bolm.\" American Ballet Theatre, accessed 23, 2021. https://www.abt.org/people/adolph-bolm/?type=archive.","Adolph Bolm Collection, (S)*MGZMD 50, Jerome Robbins Dance Division, The New York Public Library for the Performing Arts, accessed August 23, 2021, https://aspace.gmu.edu/staff/resources/588/edit#tree::resource_588.  ","Parker-Jeanette, Cyrus. \"Wandering Dancer.\" Library of Congress, February 2005. https://www.loc.gov/loc/lcib/0502/bolm.html.","Adolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951.","Processing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on ballet, including the   which features a photograph of Andre Eglevsky. ","The New York Public Library, Jerome Robbins Dance Division holds the  .","The Library of Congress holds the  .","The Special Collections Research Center at Syracuse University holds the  .","Performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Adolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","American Ballet Theatre","Bolm, Adolph, 1884-1951","Eglevsky, André","English \n.    "],"unitid_tesim":["C0490","/repositories/2/resources/588"],"normalized_title_ssm":["Adolph Bolm performance program clipping"],"collection_title_tesim":["Adolph Bolm performance program clipping"],"collection_ssim":["Adolph Bolm performance program clipping"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music on February 18, 2010."],"access_subjects_ssim":["Ballet"],"access_subjects_ssm":["Ballet"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet"],"extent_tesim":[".01 Linear Feet"],"date_range_isim":[1940],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Adolph Bolm.\" American Ballet Theatre, accessed 23, 2021. https://www.abt.org/people/adolph-bolm/?type=archive.\u003c/p\u003e\n","\u003cp\u003eAdolph Bolm Collection, (S)*MGZMD 50, Jerome Robbins Dance Division, The New York Public Library for the Performing Arts, accessed August 23, 2021, https://aspace.gmu.edu/staff/resources/588/edit#tree::resource_588.  \u003c/p\u003e\n","\u003cp\u003eParker-Jeanette, Cyrus. \"Wandering Dancer.\" Library of Congress, February 2005. https://www.loc.gov/loc/lcib/0502/bolm.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Adolph Bolm.\" American Ballet Theatre, accessed 23, 2021. https://www.abt.org/people/adolph-bolm/?type=archive.","Adolph Bolm Collection, (S)*MGZMD 50, Jerome Robbins Dance Division, The New York Public Library for the Performing Arts, accessed August 23, 2021, https://aspace.gmu.edu/staff/resources/588/edit#tree::resource_588.  ","Parker-Jeanette, Cyrus. \"Wandering Dancer.\" Library of Congress, February 2005. https://www.loc.gov/loc/lcib/0502/bolm.html."],"bioghist_html_tesm":["\u003cp\u003eAdolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Adolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951."],"prefercite_html_tesm":["\u003cp\u003eAdolph Bolm performance program clipping, C0490, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Adolph Bolm performance program clipping, C0490, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on ballet, including the \u003cextptr show=\"new\" title=\"Ballet Russe de Monte Carlo 'Les Sylphides' performance photographs by Sasha\" href=\"https://aspace.gmu.edu/resources/c0481\"\u003e\u003c/extptr\u003e which features a photograph of Andre Eglevsky. \u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Jerome Robbins Dance Division holds the \u003cextptr show=\"new\" title=\"Adolph Bolm collection\" href=\"https://archives.nypl.org/dan/19693\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003cextptr show=\"new\" title=\"Adolph Bolm collection\" href=\"https://www.loc.gov/item/2010563517/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Special Collections Research Center at Syracuse University holds the \u003cextptr show=\"new\" title=\"Adolph Bolm papers\" href=\"https://library.syr.edu/digital/guides/b/bolm_a.htm\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on ballet, including the   which features a photograph of Andre Eglevsky. ","The New York Public Library, Jerome Robbins Dance Division holds the  .","The Library of Congress holds the  .","The Special Collections Research Center at Syracuse University holds the  ."],"scopecontent_html_tesm":["\u003cp\u003ePerformance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c32b8478efd8b290a203931aa0308bfc\" label=\"Abstract\"\u003eAdolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940.\u003c/abstract\u003e"],"abstract_tesim":["Adolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fbb34e410296d42e1f858a09c805a891\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_coll_ssim":["American Ballet Theatre","Bolm, Adolph, 1884-1951","Eglevsky, André"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Ballet Theatre","Bolm, Adolph, 1884-1951","Eglevsky, André"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Ballet Theatre"],"persname_ssim":["Bolm, Adolph, 1884-1951","Eglevsky, André"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_588","ead_ssi":"vifgm_repositories_2_resources_588","_root_":"vifgm_repositories_2_resources_588","_nest_parent_":"vifgm_repositories_2_resources_588","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_588.xml","title_ssm":["Adolph Bolm performance program clipping"],"title_tesim":["Adolph Bolm performance program clipping"],"unitdate_ssm":["circa 1940"],"unitdate_other_ssim":["circa 1940"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0490","/repositories/2/resources/588"],"text":["C0490","/repositories/2/resources/588","Adolph Bolm performance program clipping","Ballet","There are no access restrictions.","This is a single item collection.","\"Adolph Bolm.\" American Ballet Theatre, accessed 23, 2021. https://www.abt.org/people/adolph-bolm/?type=archive.","Adolph Bolm Collection, (S)*MGZMD 50, Jerome Robbins Dance Division, The New York Public Library for the Performing Arts, accessed August 23, 2021, https://aspace.gmu.edu/staff/resources/588/edit#tree::resource_588.  ","Parker-Jeanette, Cyrus. \"Wandering Dancer.\" Library of Congress, February 2005. https://www.loc.gov/loc/lcib/0502/bolm.html.","Adolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951.","Processing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.","The Special Collections Research Center holds many other collections and materials on ballet, including the   which features a photograph of Andre Eglevsky. ","The New York Public Library, Jerome Robbins Dance Division holds the  .","The Library of Congress holds the  .","The Special Collections Research Center at Syracuse University holds the  .","Performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","Adolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940.","R 72, C 3, S 5","George Mason University. Libraries. Special Collections Research Center","American Ballet Theatre","Bolm, Adolph, 1884-1951","Eglevsky, André","English \n.    "],"unitid_tesim":["C0490","/repositories/2/resources/588"],"normalized_title_ssm":["Adolph Bolm performance program clipping"],"collection_title_tesim":["Adolph Bolm performance program clipping"],"collection_ssim":["Adolph Bolm performance program clipping"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Purchased by Steve Gerber from Schubertiade Music on February 18, 2010."],"access_subjects_ssim":["Ballet"],"access_subjects_ssm":["Ballet"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet"],"extent_tesim":[".01 Linear Feet"],"date_range_isim":[1940],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single item collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single item collection."],"bibliography_html_tesm":["\u003cp\u003e\"Adolph Bolm.\" American Ballet Theatre, accessed 23, 2021. https://www.abt.org/people/adolph-bolm/?type=archive.\u003c/p\u003e\n","\u003cp\u003eAdolph Bolm Collection, (S)*MGZMD 50, Jerome Robbins Dance Division, The New York Public Library for the Performing Arts, accessed August 23, 2021, https://aspace.gmu.edu/staff/resources/588/edit#tree::resource_588.  \u003c/p\u003e\n","\u003cp\u003eParker-Jeanette, Cyrus. \"Wandering Dancer.\" Library of Congress, February 2005. https://www.loc.gov/loc/lcib/0502/bolm.html.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Adolph Bolm.\" American Ballet Theatre, accessed 23, 2021. https://www.abt.org/people/adolph-bolm/?type=archive.","Adolph Bolm Collection, (S)*MGZMD 50, Jerome Robbins Dance Division, The New York Public Library for the Performing Arts, accessed August 23, 2021, https://aspace.gmu.edu/staff/resources/588/edit#tree::resource_588.  ","Parker-Jeanette, Cyrus. \"Wandering Dancer.\" Library of Congress, February 2005. https://www.loc.gov/loc/lcib/0502/bolm.html."],"bioghist_html_tesm":["\u003cp\u003eAdolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["Adolph Bolm was a Russian-American ballet dancer and choreographer. Born in St. Petersburg, Russia in 1884, Bolm studied ballet from a young age, eventually creating his own dance troupe, as well as finding success with Sergei Diaghilev's Ballets Russes in 1909. Bolm retired from the Ballets Russes in 1917 and went on to serve in many different capacities for a number of American ballet companies. In 1940, he assisted with opening the first season of American Ballet Theatre (ABT), then known as Ballet Theatre, in New York City, NY. Bolm served as regisseur-general (stage director) of Ballet Theatre, in addition to choreographing their January 1940 performances of Prokofiev's \"Peter and the Wolf\" and another piece titled \"Mechanical Ballet.\" Bolm died in 1951."],"prefercite_html_tesm":["\u003cp\u003eAdolph Bolm performance program clipping, C0490, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Adolph Bolm performance program clipping, C0490, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing completed by Amanda Brent in August 2021. EAD markup completed by Amanda Brent in August 2021. This item was formerly part of the Performing Arts Manuscript Materials collection, C0215."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other collections and materials on ballet, including the \u003cextptr show=\"new\" title=\"Ballet Russe de Monte Carlo 'Les Sylphides' performance photographs by Sasha\" href=\"https://aspace.gmu.edu/resources/c0481\"\u003e\u003c/extptr\u003e which features a photograph of Andre Eglevsky. \u003c/p\u003e\n","\u003cp\u003eThe New York Public Library, Jerome Robbins Dance Division holds the \u003cextptr show=\"new\" title=\"Adolph Bolm collection\" href=\"https://archives.nypl.org/dan/19693\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Library of Congress holds the \u003cextptr show=\"new\" title=\"Adolph Bolm collection\" href=\"https://www.loc.gov/item/2010563517/\"\u003e\u003c/extptr\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Special Collections Research Center at Syracuse University holds the \u003cextptr show=\"new\" title=\"Adolph Bolm papers\" href=\"https://library.syr.edu/digital/guides/b/bolm_a.htm\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other collections and materials on ballet, including the   which features a photograph of Andre Eglevsky. ","The New York Public Library, Jerome Robbins Dance Division holds the  .","The Library of Congress holds the  .","The Special Collections Research Center at Syracuse University holds the  ."],"scopecontent_html_tesm":["\u003cp\u003ePerformance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Due to the description of Bolm as \"regisseur-general of the Ballet Theatre\" and creator of the 1940 ABT ballet \"Peter and the Wolf,\" in addition to the fact that Eglevsky performed with American Ballet Theatre in the early 1940s, this clipping likely originated from an ABT performance program. However, there is no way to completely verify this."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_c32b8478efd8b290a203931aa0308bfc\" label=\"Abstract\"\u003eAdolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940.\u003c/abstract\u003e"],"abstract_tesim":["Adolph Bolm performance program clipping featuring a black and white headshot photo and brief biography of Adolph Bolm, which was also signed by the dancer-choreographer. On the reverse is a photo and brief biography of another ballet dancer, Andre Eglevsky. Created circa 1940."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fbb34e410296d42e1f858a09c805a891\"\u003eR 72, C 3, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 5"],"names_coll_ssim":["American Ballet Theatre","Bolm, Adolph, 1884-1951","Eglevsky, André"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","American Ballet Theatre","Bolm, Adolph, 1884-1951","Eglevsky, André"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","American Ballet Theatre"],"persname_ssim":["Bolm, Adolph, 1884-1951","Eglevsky, André"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:14:16.259Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_588"}},{"id":"vifgm_repositories_2_resources_761","type":"collection","attributes":{"title":"African American Buffalo Soldiers stereoscopic photographs","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_761#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_761#abstract_or_scope","type":"document_value","attributes":{"value":"Thirteen stereoscopic photographs of African American Buffalo Soldiers.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_761#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_761","ead_ssi":"vifgm_repositories_2_resources_761","_root_":"vifgm_repositories_2_resources_761","_nest_parent_":"vifgm_repositories_2_resources_761","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_761.xml","title_filing_ssi":"African American Buffalo Soldiers stereoscopic photographs","title_ssm":["African American Buffalo Soldiers stereoscopic photographs"],"title_tesim":["African American Buffalo Soldiers stereoscopic photographs"],"unitdate_ssm":["circa 1890s-1910s"],"unitdate_inclusive_ssm":["circa 1890s-1910s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0539","/repositories/2/resources/761"],"text":["C0539","/repositories/2/resources/761","African American Buffalo Soldiers stereoscopic photographs","United States -- Armed Forces -- African Americans","World War, 1914-1918","Photography, Stereoscopic","World War, 1914-1918 -- African Americans","African Americans","Photographs","Photographic prints","There are no access restrictions.","This is a single folder collection.","American Antiquarian Society. n.d. \"Stereographs.\" Accessed December 5, 2025. https://www.americanantiquarian.org/stereographs.","Buffalo Soldiers National Museum. n.d. \"Who Are the Buffalo Soldiers?\" Accessed December 5, 2025. https://buffalosoldiersmuseum.org/the-buffalo-soldiers/.","National Museum of African American History and Culture. n.d. \"Buffalo Soldiers.\" Accessed December 5, 2025. https://nmaahc.si.edu/explore/stories/buffalo-soldiers.","National Portrait Gallery. n.d. \"Stereoscopic Photographs in the Collection.\" Accessed December 5, 2025. https://www.npg.org.uk/collections/about/photographs-collection/stereoscopic-photographs-in-the-collection/.","In 1866, following an act of Congress, six all African American Army units were created: the 9th and 10th cavalry and the 38th, 39th, 40th, and 41st infantry divisions. The four infantry divisions were reorganized three years later, in 1869, to form the 24th and 25th infantry regiments. While African Americans had fought in military conflicts since the colonial era, these units, popularly known as the \"Buffalo Soldiers\" and which included both those formerly enslaved and freemen, were the first to serve during peacetime. Notably, the Buffalo Soldiers served among the country's first National Park Rangers and played a key role in Westward expansion, including escorting settlers, cattle herds, and railroad crews. The 9th and 10th cavalry regiments also participated in campaigns against Native American tribes across the Southwest and Great Plains, which is purportedly where the units gained the name \"Buffalo Soldiers,\" although its exact origins are unclear. Additionally, the Buffalo Soldiers served a formal role in nearly all major American wars following the Civil War, including the Battle of San Juan Hill during the Spanish American War (1898), and World War I (1917-1918) along with the 369th Infantry Regiment, another all-Black unit known as the \"Harlem Hellfighters.\"","First conceptualized by physicist and experimental philosopher Sir Charles Wheatstone (1802-1875) in 1832, the practice of stereoscopy developed into an early form of three-dimensional photography by the mid-late 19th century. Stereographs consist of two photographs taken of the same scene from slightly different angles, that are mounted alongside each other on a single, standard-sized, stiff card. When viewed through a stereoscopic lens, the illusion of a three-dimensional image is achieved by mimicking the human eye's perception of depth, with each eye seeing a slightly different view of the field of vision, which is imitated through the stereograph's two mounted photographs. While popular throughout the early 20th century as entertainment, stereographs were also used in reporting and documenting current events, including parades, disasters, wars, and politics.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other collections related to  World War I , including the  Underwood \u0026 Underwood World War I press photographs , and other stereographic photographs can be found in the  Randolph Lytton historic Washington, D.C. postcards and photographs collection .","Thirteen stereoscopic photographs of African American Buffalo Soldiers circa 1890s-1910s, including during and after World War I (WWI). Seven published by the Keystone View Company depict members of the 15th Regiment, 369th Infantry; \"Roosevelt Guard\" and \"Litter Bearers, Medical Detachment,\" 8th Regiment; 2nd Battalion, E., G., A and F, 24th Infantry; and unidentified troops in Europe during WWI. One photograph is attributed to Underwood \u0026 Underwood photographers and two additional photographs include detailed text printed on the back providing context and historical information about the Buffalo Soldiers and \"colored troops.\" Two were published by H.C. White company, indicating a copyright of 1905, and depict members of Troop D, 9th Cavalry on the trunk of the Fallen Monarch, Mariposa Grove, California. Two were published by Strohmeyer \u0026 Wyman, indicating dates of 1898-1899, and depict an Industrial Parade at Booker Washington School, Tuskegee, Alabama and members of the 8th U.S. Infantry. The final two photographs were published by Webster \u0026 Albee Publishers (Rochester, New York) and Underwood \u0026 Underwood (European Publishers) depicting members of the 9th Ohio at Camp Alger, Virginia and \"The original Buffaloes, 367 Infantry\" during Rifle practice at Camp Upton, New York respectively.","Public Domain. There are no known restrictions.","Thirteen stereoscopic photographs of African American Buffalo Soldiers.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)","United States. Army. Cavalry, 9th","United States. Army. Infantry Regiment, 24th (1869-1951)","United States. Army. Infantry Regiment, 369th","United States. Army. Infantry Regiment, 370th","English"],"unitid_tesim":["C0539","/repositories/2/resources/761"],"normalized_title_ssm":["African American Buffalo Soldiers stereoscopic photographs"],"collection_title_tesim":["African American Buffalo Soldiers stereoscopic photographs"],"collection_ssim":["African American Buffalo Soldiers stereoscopic photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Armed Forces -- African Americans"],"geogname_ssim":["United States -- Armed Forces -- African Americans"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)"],"places_ssim":["United States -- Armed Forces -- African Americans"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Lynn Eaton from Max Rambod Rare Books in March 2025."],"access_subjects_ssim":["World War, 1914-1918","Photography, Stereoscopic","World War, 1914-1918 -- African Americans","African Americans","Photographs","Photographic prints"],"access_subjects_ssm":["World War, 1914-1918","Photography, Stereoscopic","World War, 1914-1918 -- African Americans","African Americans","Photographs","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Photographs","Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eAmerican Antiquarian Society. n.d. \"Stereographs.\" Accessed December 5, 2025. https://www.americanantiquarian.org/stereographs.\u003c/p\u003e\n","\u003cp\u003eBuffalo Soldiers National Museum. n.d. \"Who Are the Buffalo Soldiers?\" Accessed December 5, 2025. https://buffalosoldiersmuseum.org/the-buffalo-soldiers/.\u003c/p\u003e\n","\u003cp\u003eNational Museum of African American History and Culture. n.d. \"Buffalo Soldiers.\" Accessed December 5, 2025. https://nmaahc.si.edu/explore/stories/buffalo-soldiers.\u003c/p\u003e\n","\u003cp\u003eNational Portrait Gallery. n.d. \"Stereoscopic Photographs in the Collection.\" Accessed December 5, 2025. https://www.npg.org.uk/collections/about/photographs-collection/stereoscopic-photographs-in-the-collection/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["American Antiquarian Society. n.d. \"Stereographs.\" Accessed December 5, 2025. https://www.americanantiquarian.org/stereographs.","Buffalo Soldiers National Museum. n.d. \"Who Are the Buffalo Soldiers?\" Accessed December 5, 2025. https://buffalosoldiersmuseum.org/the-buffalo-soldiers/.","National Museum of African American History and Culture. n.d. \"Buffalo Soldiers.\" Accessed December 5, 2025. https://nmaahc.si.edu/explore/stories/buffalo-soldiers.","National Portrait Gallery. n.d. \"Stereoscopic Photographs in the Collection.\" Accessed December 5, 2025. https://www.npg.org.uk/collections/about/photographs-collection/stereoscopic-photographs-in-the-collection/."],"bioghist_html_tesm":["\u003cp\u003eIn 1866, following an act of Congress, six all African American Army units were created: the 9th and 10th cavalry and the 38th, 39th, 40th, and 41st infantry divisions. The four infantry divisions were reorganized three years later, in 1869, to form the 24th and 25th infantry regiments. While African Americans had fought in military conflicts since the colonial era, these units, popularly known as the \"Buffalo Soldiers\" and which included both those formerly enslaved and freemen, were the first to serve during peacetime. Notably, the Buffalo Soldiers served among the country's first National Park Rangers and played a key role in Westward expansion, including escorting settlers, cattle herds, and railroad crews. The 9th and 10th cavalry regiments also participated in campaigns against Native American tribes across the Southwest and Great Plains, which is purportedly where the units gained the name \"Buffalo Soldiers,\" although its exact origins are unclear. Additionally, the Buffalo Soldiers served a formal role in nearly all major American wars following the Civil War, including the Battle of San Juan Hill during the Spanish American War (1898), and World War I (1917-1918) along with the 369th Infantry Regiment, another all-Black unit known as the \"Harlem Hellfighters.\"\u003c/p\u003e\n","\u003cp\u003eFirst conceptualized by physicist and experimental philosopher Sir Charles Wheatstone (1802-1875) in 1832, the practice of stereoscopy developed into an early form of three-dimensional photography by the mid-late 19th century. Stereographs consist of two photographs taken of the same scene from slightly different angles, that are mounted alongside each other on a single, standard-sized, stiff card. When viewed through a stereoscopic lens, the illusion of a three-dimensional image is achieved by mimicking the human eye's perception of depth, with each eye seeing a slightly different view of the field of vision, which is imitated through the stereograph's two mounted photographs. While popular throughout the early 20th century as entertainment, stereographs were also used in reporting and documenting current events, including parades, disasters, wars, and politics.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In 1866, following an act of Congress, six all African American Army units were created: the 9th and 10th cavalry and the 38th, 39th, 40th, and 41st infantry divisions. The four infantry divisions were reorganized three years later, in 1869, to form the 24th and 25th infantry regiments. While African Americans had fought in military conflicts since the colonial era, these units, popularly known as the \"Buffalo Soldiers\" and which included both those formerly enslaved and freemen, were the first to serve during peacetime. Notably, the Buffalo Soldiers served among the country's first National Park Rangers and played a key role in Westward expansion, including escorting settlers, cattle herds, and railroad crews. The 9th and 10th cavalry regiments also participated in campaigns against Native American tribes across the Southwest and Great Plains, which is purportedly where the units gained the name \"Buffalo Soldiers,\" although its exact origins are unclear. Additionally, the Buffalo Soldiers served a formal role in nearly all major American wars following the Civil War, including the Battle of San Juan Hill during the Spanish American War (1898), and World War I (1917-1918) along with the 369th Infantry Regiment, another all-Black unit known as the \"Harlem Hellfighters.\"","First conceptualized by physicist and experimental philosopher Sir Charles Wheatstone (1802-1875) in 1832, the practice of stereoscopy developed into an early form of three-dimensional photography by the mid-late 19th century. Stereographs consist of two photographs taken of the same scene from slightly different angles, that are mounted alongside each other on a single, standard-sized, stiff card. When viewed through a stereoscopic lens, the illusion of a three-dimensional image is achieved by mimicking the human eye's perception of depth, with each eye seeing a slightly different view of the field of vision, which is imitated through the stereograph's two mounted photographs. While popular throughout the early 20th century as entertainment, stereographs were also used in reporting and documenting current events, including parades, disasters, wars, and politics."],"prefercite_html_tesm":["\u003cp\u003eAfrican American Buffalo Soldiers stereoscopic photographs, C0539, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["African American Buffalo Soldiers stereoscopic photographs, C0539, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in December 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in December 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0502\"\u003eUnderwood \u0026amp; Underwood World War I press photographs\u003c/a\u003e, and other stereographic photographs can be found in the \u003ca href=\"https://aspace.gmu.edu/resources/c0511\"\u003eRandolph Lytton historic Washington, D.C. postcards and photographs collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to  World War I , including the  Underwood \u0026 Underwood World War I press photographs , and other stereographic photographs can be found in the  Randolph Lytton historic Washington, D.C. postcards and photographs collection ."],"scopecontent_html_tesm":["\u003cp\u003eThirteen stereoscopic photographs of African American Buffalo Soldiers circa 1890s-1910s, including during and after World War I (WWI). Seven published by the Keystone View Company depict members of the 15th Regiment, 369th Infantry; \"Roosevelt Guard\" and \"Litter Bearers, Medical Detachment,\" 8th Regiment; 2nd Battalion, E., G., A and F, 24th Infantry; and unidentified troops in Europe during WWI. One photograph is attributed to Underwood \u0026amp; Underwood photographers and two additional photographs include detailed text printed on the back providing context and historical information about the Buffalo Soldiers and \"colored troops.\" Two were published by H.C. White company, indicating a copyright of 1905, and depict members of Troop D, 9th Cavalry on the trunk of the Fallen Monarch, Mariposa Grove, California. Two were published by Strohmeyer \u0026amp; Wyman, indicating dates of 1898-1899, and depict an Industrial Parade at Booker Washington School, Tuskegee, Alabama and members of the 8th U.S. Infantry. The final two photographs were published by Webster \u0026amp; Albee Publishers (Rochester, New York) and Underwood \u0026amp; Underwood (European Publishers) depicting members of the 9th Ohio at Camp Alger, Virginia and \"The original Buffaloes, 367 Infantry\" during Rifle practice at Camp Upton, New York respectively.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Thirteen stereoscopic photographs of African American Buffalo Soldiers circa 1890s-1910s, including during and after World War I (WWI). Seven published by the Keystone View Company depict members of the 15th Regiment, 369th Infantry; \"Roosevelt Guard\" and \"Litter Bearers, Medical Detachment,\" 8th Regiment; 2nd Battalion, E., G., A and F, 24th Infantry; and unidentified troops in Europe during WWI. One photograph is attributed to Underwood \u0026 Underwood photographers and two additional photographs include detailed text printed on the back providing context and historical information about the Buffalo Soldiers and \"colored troops.\" Two were published by H.C. White company, indicating a copyright of 1905, and depict members of Troop D, 9th Cavalry on the trunk of the Fallen Monarch, Mariposa Grove, California. Two were published by Strohmeyer \u0026 Wyman, indicating dates of 1898-1899, and depict an Industrial Parade at Booker Washington School, Tuskegee, Alabama and members of the 8th U.S. Infantry. The final two photographs were published by Webster \u0026 Albee Publishers (Rochester, New York) and Underwood \u0026 Underwood (European Publishers) depicting members of the 9th Ohio at Camp Alger, Virginia and \"The original Buffaloes, 367 Infantry\" during Rifle practice at Camp Upton, New York respectively."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d3fa1fe7c98076307fccc07df27c7ebd\"\u003eThirteen stereoscopic photographs of African American Buffalo Soldiers.\u003c/abstract\u003e"],"abstract_tesim":["Thirteen stereoscopic photographs of African American Buffalo Soldiers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fc5aacd7cedb4795a66a246dc221e394\"\u003eR 71, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 5"],"names_coll_ssim":["Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)","United States. Army. Cavalry, 9th","United States. Army. Infantry Regiment, 24th (1869-1951)","United States. Army. Infantry Regiment, 369th","United States. Army. Infantry Regiment, 370th"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)","United States. Army. Cavalry, 9th","United States. Army. Infantry Regiment, 24th (1869-1951)","United States. Army. Infantry Regiment, 369th","United States. Army. Infantry Regiment, 370th"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)","United States. Army. Cavalry, 9th","United States. Army. Infantry Regiment, 24th (1869-1951)","United States. Army. Infantry Regiment, 369th","United States. Army. Infantry Regiment, 370th"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:35:13.552Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_761","ead_ssi":"vifgm_repositories_2_resources_761","_root_":"vifgm_repositories_2_resources_761","_nest_parent_":"vifgm_repositories_2_resources_761","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_761.xml","title_filing_ssi":"African American Buffalo Soldiers stereoscopic photographs","title_ssm":["African American Buffalo Soldiers stereoscopic photographs"],"title_tesim":["African American Buffalo Soldiers stereoscopic photographs"],"unitdate_ssm":["circa 1890s-1910s"],"unitdate_inclusive_ssm":["circa 1890s-1910s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0539","/repositories/2/resources/761"],"text":["C0539","/repositories/2/resources/761","African American Buffalo Soldiers stereoscopic photographs","United States -- Armed Forces -- African Americans","World War, 1914-1918","Photography, Stereoscopic","World War, 1914-1918 -- African Americans","African Americans","Photographs","Photographic prints","There are no access restrictions.","This is a single folder collection.","American Antiquarian Society. n.d. \"Stereographs.\" Accessed December 5, 2025. https://www.americanantiquarian.org/stereographs.","Buffalo Soldiers National Museum. n.d. \"Who Are the Buffalo Soldiers?\" Accessed December 5, 2025. https://buffalosoldiersmuseum.org/the-buffalo-soldiers/.","National Museum of African American History and Culture. n.d. \"Buffalo Soldiers.\" Accessed December 5, 2025. https://nmaahc.si.edu/explore/stories/buffalo-soldiers.","National Portrait Gallery. n.d. \"Stereoscopic Photographs in the Collection.\" Accessed December 5, 2025. https://www.npg.org.uk/collections/about/photographs-collection/stereoscopic-photographs-in-the-collection/.","In 1866, following an act of Congress, six all African American Army units were created: the 9th and 10th cavalry and the 38th, 39th, 40th, and 41st infantry divisions. The four infantry divisions were reorganized three years later, in 1869, to form the 24th and 25th infantry regiments. While African Americans had fought in military conflicts since the colonial era, these units, popularly known as the \"Buffalo Soldiers\" and which included both those formerly enslaved and freemen, were the first to serve during peacetime. Notably, the Buffalo Soldiers served among the country's first National Park Rangers and played a key role in Westward expansion, including escorting settlers, cattle herds, and railroad crews. The 9th and 10th cavalry regiments also participated in campaigns against Native American tribes across the Southwest and Great Plains, which is purportedly where the units gained the name \"Buffalo Soldiers,\" although its exact origins are unclear. Additionally, the Buffalo Soldiers served a formal role in nearly all major American wars following the Civil War, including the Battle of San Juan Hill during the Spanish American War (1898), and World War I (1917-1918) along with the 369th Infantry Regiment, another all-Black unit known as the \"Harlem Hellfighters.\"","First conceptualized by physicist and experimental philosopher Sir Charles Wheatstone (1802-1875) in 1832, the practice of stereoscopy developed into an early form of three-dimensional photography by the mid-late 19th century. Stereographs consist of two photographs taken of the same scene from slightly different angles, that are mounted alongside each other on a single, standard-sized, stiff card. When viewed through a stereoscopic lens, the illusion of a three-dimensional image is achieved by mimicking the human eye's perception of depth, with each eye seeing a slightly different view of the field of vision, which is imitated through the stereograph's two mounted photographs. While popular throughout the early 20th century as entertainment, stereographs were also used in reporting and documenting current events, including parades, disasters, wars, and politics.","Processing and finding aid completed by Meghan Glasbrenner in December 2025.","The Special Collections Research Center holds other collections related to  World War I , including the  Underwood \u0026 Underwood World War I press photographs , and other stereographic photographs can be found in the  Randolph Lytton historic Washington, D.C. postcards and photographs collection .","Thirteen stereoscopic photographs of African American Buffalo Soldiers circa 1890s-1910s, including during and after World War I (WWI). Seven published by the Keystone View Company depict members of the 15th Regiment, 369th Infantry; \"Roosevelt Guard\" and \"Litter Bearers, Medical Detachment,\" 8th Regiment; 2nd Battalion, E., G., A and F, 24th Infantry; and unidentified troops in Europe during WWI. One photograph is attributed to Underwood \u0026 Underwood photographers and two additional photographs include detailed text printed on the back providing context and historical information about the Buffalo Soldiers and \"colored troops.\" Two were published by H.C. White company, indicating a copyright of 1905, and depict members of Troop D, 9th Cavalry on the trunk of the Fallen Monarch, Mariposa Grove, California. Two were published by Strohmeyer \u0026 Wyman, indicating dates of 1898-1899, and depict an Industrial Parade at Booker Washington School, Tuskegee, Alabama and members of the 8th U.S. Infantry. The final two photographs were published by Webster \u0026 Albee Publishers (Rochester, New York) and Underwood \u0026 Underwood (European Publishers) depicting members of the 9th Ohio at Camp Alger, Virginia and \"The original Buffaloes, 367 Infantry\" during Rifle practice at Camp Upton, New York respectively.","Public Domain. There are no known restrictions.","Thirteen stereoscopic photographs of African American Buffalo Soldiers.","R 71, C 2, S 5","George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)","United States. Army. Cavalry, 9th","United States. Army. Infantry Regiment, 24th (1869-1951)","United States. Army. Infantry Regiment, 369th","United States. Army. Infantry Regiment, 370th","English"],"unitid_tesim":["C0539","/repositories/2/resources/761"],"normalized_title_ssm":["African American Buffalo Soldiers stereoscopic photographs"],"collection_title_tesim":["African American Buffalo Soldiers stereoscopic photographs"],"collection_ssim":["African American Buffalo Soldiers stereoscopic photographs"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"geogname_ssm":["United States -- Armed Forces -- African Americans"],"geogname_ssim":["United States -- Armed Forces -- African Americans"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)"],"places_ssim":["United States -- Armed Forces -- African Americans"],"access_terms_ssm":["Public Domain. There are no known restrictions."],"acqinfo_ssim":["Purchased by Lynn Eaton from Max Rambod Rare Books in March 2025."],"access_subjects_ssim":["World War, 1914-1918","Photography, Stereoscopic","World War, 1914-1918 -- African Americans","African Americans","Photographs","Photographic prints"],"access_subjects_ssm":["World War, 1914-1918","Photography, Stereoscopic","World War, 1914-1918 -- African Americans","African Americans","Photographs","Photographic prints"],"has_online_content_ssim":["false"],"extent_ssm":[".01 Linear Feet 1 folder"],"extent_tesim":[".01 Linear Feet 1 folder"],"genreform_ssim":["Photographs","Photographic prints"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eAmerican Antiquarian Society. n.d. \"Stereographs.\" Accessed December 5, 2025. https://www.americanantiquarian.org/stereographs.\u003c/p\u003e\n","\u003cp\u003eBuffalo Soldiers National Museum. n.d. \"Who Are the Buffalo Soldiers?\" Accessed December 5, 2025. https://buffalosoldiersmuseum.org/the-buffalo-soldiers/.\u003c/p\u003e\n","\u003cp\u003eNational Museum of African American History and Culture. n.d. \"Buffalo Soldiers.\" Accessed December 5, 2025. https://nmaahc.si.edu/explore/stories/buffalo-soldiers.\u003c/p\u003e\n","\u003cp\u003eNational Portrait Gallery. n.d. \"Stereoscopic Photographs in the Collection.\" Accessed December 5, 2025. https://www.npg.org.uk/collections/about/photographs-collection/stereoscopic-photographs-in-the-collection/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["American Antiquarian Society. n.d. \"Stereographs.\" Accessed December 5, 2025. https://www.americanantiquarian.org/stereographs.","Buffalo Soldiers National Museum. n.d. \"Who Are the Buffalo Soldiers?\" Accessed December 5, 2025. https://buffalosoldiersmuseum.org/the-buffalo-soldiers/.","National Museum of African American History and Culture. n.d. \"Buffalo Soldiers.\" Accessed December 5, 2025. https://nmaahc.si.edu/explore/stories/buffalo-soldiers.","National Portrait Gallery. n.d. \"Stereoscopic Photographs in the Collection.\" Accessed December 5, 2025. https://www.npg.org.uk/collections/about/photographs-collection/stereoscopic-photographs-in-the-collection/."],"bioghist_html_tesm":["\u003cp\u003eIn 1866, following an act of Congress, six all African American Army units were created: the 9th and 10th cavalry and the 38th, 39th, 40th, and 41st infantry divisions. The four infantry divisions were reorganized three years later, in 1869, to form the 24th and 25th infantry regiments. While African Americans had fought in military conflicts since the colonial era, these units, popularly known as the \"Buffalo Soldiers\" and which included both those formerly enslaved and freemen, were the first to serve during peacetime. Notably, the Buffalo Soldiers served among the country's first National Park Rangers and played a key role in Westward expansion, including escorting settlers, cattle herds, and railroad crews. The 9th and 10th cavalry regiments also participated in campaigns against Native American tribes across the Southwest and Great Plains, which is purportedly where the units gained the name \"Buffalo Soldiers,\" although its exact origins are unclear. Additionally, the Buffalo Soldiers served a formal role in nearly all major American wars following the Civil War, including the Battle of San Juan Hill during the Spanish American War (1898), and World War I (1917-1918) along with the 369th Infantry Regiment, another all-Black unit known as the \"Harlem Hellfighters.\"\u003c/p\u003e\n","\u003cp\u003eFirst conceptualized by physicist and experimental philosopher Sir Charles Wheatstone (1802-1875) in 1832, the practice of stereoscopy developed into an early form of three-dimensional photography by the mid-late 19th century. Stereographs consist of two photographs taken of the same scene from slightly different angles, that are mounted alongside each other on a single, standard-sized, stiff card. When viewed through a stereoscopic lens, the illusion of a three-dimensional image is achieved by mimicking the human eye's perception of depth, with each eye seeing a slightly different view of the field of vision, which is imitated through the stereograph's two mounted photographs. While popular throughout the early 20th century as entertainment, stereographs were also used in reporting and documenting current events, including parades, disasters, wars, and politics.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In 1866, following an act of Congress, six all African American Army units were created: the 9th and 10th cavalry and the 38th, 39th, 40th, and 41st infantry divisions. The four infantry divisions were reorganized three years later, in 1869, to form the 24th and 25th infantry regiments. While African Americans had fought in military conflicts since the colonial era, these units, popularly known as the \"Buffalo Soldiers\" and which included both those formerly enslaved and freemen, were the first to serve during peacetime. Notably, the Buffalo Soldiers served among the country's first National Park Rangers and played a key role in Westward expansion, including escorting settlers, cattle herds, and railroad crews. The 9th and 10th cavalry regiments also participated in campaigns against Native American tribes across the Southwest and Great Plains, which is purportedly where the units gained the name \"Buffalo Soldiers,\" although its exact origins are unclear. Additionally, the Buffalo Soldiers served a formal role in nearly all major American wars following the Civil War, including the Battle of San Juan Hill during the Spanish American War (1898), and World War I (1917-1918) along with the 369th Infantry Regiment, another all-Black unit known as the \"Harlem Hellfighters.\"","First conceptualized by physicist and experimental philosopher Sir Charles Wheatstone (1802-1875) in 1832, the practice of stereoscopy developed into an early form of three-dimensional photography by the mid-late 19th century. Stereographs consist of two photographs taken of the same scene from slightly different angles, that are mounted alongside each other on a single, standard-sized, stiff card. When viewed through a stereoscopic lens, the illusion of a three-dimensional image is achieved by mimicking the human eye's perception of depth, with each eye seeing a slightly different view of the field of vision, which is imitated through the stereograph's two mounted photographs. While popular throughout the early 20th century as entertainment, stereographs were also used in reporting and documenting current events, including parades, disasters, wars, and politics."],"prefercite_html_tesm":["\u003cp\u003eAfrican American Buffalo Soldiers stereoscopic photographs, C0539, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["African American Buffalo Soldiers stereoscopic photographs, C0539, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner in December 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner in December 2025."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds other collections related to \u003ca href=\"https://aspace.gmu.edu/subjects/sh85148236\"\u003eWorld War I\u003c/a\u003e, including the \u003ca href=\"https://aspace.gmu.edu/resources/c0502\"\u003eUnderwood \u0026amp; Underwood World War I press photographs\u003c/a\u003e, and other stereographic photographs can be found in the \u003ca href=\"https://aspace.gmu.edu/resources/c0511\"\u003eRandolph Lytton historic Washington, D.C. postcards and photographs collection\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds other collections related to  World War I , including the  Underwood \u0026 Underwood World War I press photographs , and other stereographic photographs can be found in the  Randolph Lytton historic Washington, D.C. postcards and photographs collection ."],"scopecontent_html_tesm":["\u003cp\u003eThirteen stereoscopic photographs of African American Buffalo Soldiers circa 1890s-1910s, including during and after World War I (WWI). Seven published by the Keystone View Company depict members of the 15th Regiment, 369th Infantry; \"Roosevelt Guard\" and \"Litter Bearers, Medical Detachment,\" 8th Regiment; 2nd Battalion, E., G., A and F, 24th Infantry; and unidentified troops in Europe during WWI. One photograph is attributed to Underwood \u0026amp; Underwood photographers and two additional photographs include detailed text printed on the back providing context and historical information about the Buffalo Soldiers and \"colored troops.\" Two were published by H.C. White company, indicating a copyright of 1905, and depict members of Troop D, 9th Cavalry on the trunk of the Fallen Monarch, Mariposa Grove, California. Two were published by Strohmeyer \u0026amp; Wyman, indicating dates of 1898-1899, and depict an Industrial Parade at Booker Washington School, Tuskegee, Alabama and members of the 8th U.S. Infantry. The final two photographs were published by Webster \u0026amp; Albee Publishers (Rochester, New York) and Underwood \u0026amp; Underwood (European Publishers) depicting members of the 9th Ohio at Camp Alger, Virginia and \"The original Buffaloes, 367 Infantry\" during Rifle practice at Camp Upton, New York respectively.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Thirteen stereoscopic photographs of African American Buffalo Soldiers circa 1890s-1910s, including during and after World War I (WWI). Seven published by the Keystone View Company depict members of the 15th Regiment, 369th Infantry; \"Roosevelt Guard\" and \"Litter Bearers, Medical Detachment,\" 8th Regiment; 2nd Battalion, E., G., A and F, 24th Infantry; and unidentified troops in Europe during WWI. One photograph is attributed to Underwood \u0026 Underwood photographers and two additional photographs include detailed text printed on the back providing context and historical information about the Buffalo Soldiers and \"colored troops.\" Two were published by H.C. White company, indicating a copyright of 1905, and depict members of Troop D, 9th Cavalry on the trunk of the Fallen Monarch, Mariposa Grove, California. Two were published by Strohmeyer \u0026 Wyman, indicating dates of 1898-1899, and depict an Industrial Parade at Booker Washington School, Tuskegee, Alabama and members of the 8th U.S. Infantry. The final two photographs were published by Webster \u0026 Albee Publishers (Rochester, New York) and Underwood \u0026 Underwood (European Publishers) depicting members of the 9th Ohio at Camp Alger, Virginia and \"The original Buffaloes, 367 Infantry\" during Rifle practice at Camp Upton, New York respectively."],"userestrict_html_tesm":["\u003cp\u003ePublic Domain. There are no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Public Domain. There are no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_d3fa1fe7c98076307fccc07df27c7ebd\"\u003eThirteen stereoscopic photographs of African American Buffalo Soldiers.\u003c/abstract\u003e"],"abstract_tesim":["Thirteen stereoscopic photographs of African American Buffalo Soldiers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_fc5aacd7cedb4795a66a246dc221e394\"\u003eR 71, C 2, S 5\u003c/physloc\u003e"],"physloc_tesim":["R 71, C 2, S 5"],"names_coll_ssim":["Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)","United States. Army. Cavalry, 9th","United States. Army. Infantry Regiment, 24th (1869-1951)","United States. Army. Infantry Regiment, 369th","United States. Army. Infantry Regiment, 370th"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)","United States. Army. Cavalry, 9th","United States. Army. Infantry Regiment, 24th (1869-1951)","United States. Army. Infantry Regiment, 369th","United States. Army. Infantry Regiment, 370th"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Keystone View Company","H.C. White Co","Strohmeyer \u0026 Wyman","Underwood \u0026 Underwood","Webster \u0026 Albee Publishers (Rochester, New York)","United States. Army. Cavalry, 9th","United States. Army. Infantry Regiment, 24th (1869-1951)","United States. Army. Infantry Regiment, 369th","United States. Army. Infantry Regiment, 370th"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:35:13.552Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_761"}},{"id":"vifgm_repositories_2_resources_679","type":"collection","attributes":{"title":"African American women real photo postcards","creator":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_679#creator","type":"document_value","attributes":{"value":"George Mason University. Libraries. Special Collections Research Center","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_679#abstract_or_scope","type":"document_value","attributes":{"value":"A group of 25 real photo postcard portraits of African American women, in both studio and informal settings.","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_679#breadcrumbs","type":"document_value","attributes":{"value":{"id":"vifgm_repositories_2_resources_679","ead_ssi":"vifgm_repositories_2_resources_679","_root_":"vifgm_repositories_2_resources_679","_nest_parent_":"vifgm_repositories_2_resources_679","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_679.xml","title_ssm":["African American women real photo postcards"],"title_tesim":["African American women real photo postcards"],"unitdate_ssm":["circa 1910s-1940s"],"unitdate_inclusive_ssm":["circa 1910s-1940s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0396","/repositories/2/resources/679"],"text":["C0396","/repositories/2/resources/679","African American women real photo postcards","Photography","Real photo postcards","African American women","African Americans","Portrait photographs","There are no access restrictions.","This is a single folder collection.","Hill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\"   School of Information, University of Michigan  (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. ","\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.","\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.","\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/.","In 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.","In the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms.","Processing and finding aid completed by Meghan Glasbrenner from September - October 2023.","The Special Collections Research Center holds many other portrait and general photography collections such as the  Jack Rottier photograph collection .","The Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia.","A group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026 Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.","Date range estimates are based on stamp box markings where possible (see  \"How to Date Real Photo Postcards\"  for more information).","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","A group of 25 real photo postcard portraits of African American women, in both studio and informal settings.","R 72, C 3, S 6","George Mason University. Libraries. Special Collections Research Center","English \n.    "],"unitid_tesim":["C0396","/repositories/2/resources/679"],"normalized_title_ssm":["African American women real photo postcards"],"collection_title_tesim":["African American women real photo postcards"],"collection_ssim":["African American women real photo postcards"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in April 2023."],"access_subjects_ssim":["Photography","Real photo postcards","African American women","African Americans","Portrait photographs"],"access_subjects_ssm":["Photography","Real photo postcards","African American women","African Americans","Portrait photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".1 Linear Feet 1 folder"],"extent_tesim":[".1 Linear Feet 1 folder"],"genreform_ssim":["Portrait photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\" \u003ctitle\u003e School of Information, University of Michigan\u003c/title\u003e (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. \u003c/p\u003e\n","\u003cp\u003e\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.\u003c/p\u003e\n","\u003cp\u003e\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.\u003c/p\u003e\n","\u003cp\u003e\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\"   School of Information, University of Michigan  (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. ","\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.","\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.","\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/."],"bioghist_html_tesm":["\u003cp\u003eIn 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.\u003c/p\u003e\n","\u003cp\u003eIn the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.","In the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms."],"prefercite_html_tesm":["\u003cp\u003eAfrican American women real photo postcards, C0396, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["African American women real photo postcards, C0396, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from September - October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from September - October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other portrait and general photography collections such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0003\"\u003eJack Rottier photograph collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other portrait and general photography collections such as the  Jack Rottier photograph collection .","The Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia."],"scopecontent_html_tesm":["\u003cp\u003eA group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026amp; Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.\u003c/p\u003e\n","\u003cp\u003eDate range estimates are based on stamp box markings where possible (see \u003ca href=\"https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/\"\u003e\"How to Date Real Photo Postcards\"\u003c/a\u003e for more information).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026 Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.","Date range estimates are based on stamp box markings where possible (see  \"How to Date Real Photo Postcards\"  for more information)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e\n","\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ad7534f1dcb1cdf3fb0f3974c02f6ef7\"\u003eA group of 25 real photo postcard portraits of African American women, in both studio and informal settings.\u003c/abstract\u003e"],"abstract_tesim":["A group of 25 real photo postcard portraits of African American women, in both studio and informal settings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b71d71a2c2f7c29e2d97def2920be992\"\u003eR 72, C 3, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:33:38.426Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_679","ead_ssi":"vifgm_repositories_2_resources_679","_root_":"vifgm_repositories_2_resources_679","_nest_parent_":"vifgm_repositories_2_resources_679","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_679.xml","title_ssm":["African American women real photo postcards"],"title_tesim":["African American women real photo postcards"],"unitdate_ssm":["circa 1910s-1940s"],"unitdate_inclusive_ssm":["circa 1910s-1940s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0396","/repositories/2/resources/679"],"text":["C0396","/repositories/2/resources/679","African American women real photo postcards","Photography","Real photo postcards","African American women","African Americans","Portrait photographs","There are no access restrictions.","This is a single folder collection.","Hill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\"   School of Information, University of Michigan  (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. ","\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.","\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.","\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/.","In 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.","In the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms.","Processing and finding aid completed by Meghan Glasbrenner from September - October 2023.","The Special Collections Research Center holds many other portrait and general photography collections such as the  Jack Rottier photograph collection .","The Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia.","A group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026 Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.","Date range estimates are based on stamp box markings where possible (see  \"How to Date Real Photo Postcards\"  for more information).","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions.","A group of 25 real photo postcard portraits of African American women, in both studio and informal settings.","R 72, C 3, S 6","George Mason University. Libraries. Special Collections Research Center","English \n.    "],"unitid_tesim":["C0396","/repositories/2/resources/679"],"normalized_title_ssm":["African American women real photo postcards"],"collection_title_tesim":["African American women real photo postcards"],"collection_ssim":["African American women real photo postcards"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["George Mason University. Libraries. Special Collections Research Center"],"creator_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creator_corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"creators_ssim":["George Mason University. Libraries. Special Collections Research Center"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"acqinfo_ssim":["Purchased from Schubertiade Music by Lynn Eaton in April 2023."],"access_subjects_ssim":["Photography","Real photo postcards","African American women","African Americans","Portrait photographs"],"access_subjects_ssm":["Photography","Real photo postcards","African American women","African Americans","Portrait photographs"],"has_online_content_ssim":["false"],"extent_ssm":[".1 Linear Feet 1 folder"],"extent_tesim":[".1 Linear Feet 1 folder"],"genreform_ssim":["Portrait photographs"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"arrangement_html_tesm":["\u003cp\u003eThis is a single folder collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This is a single folder collection."],"bibliography_html_tesm":["\u003cp\u003eHill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\" \u003ctitle\u003e School of Information, University of Michigan\u003c/title\u003e (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. \u003c/p\u003e\n","\u003cp\u003e\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.\u003c/p\u003e\n","\u003cp\u003e\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.\u003c/p\u003e\n","\u003cp\u003e\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/.\u003c/p\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Hill, Samantha. 2021. \"How Black People in the 19th Century Used Photography as a Tool for Social Change.\"   School of Information, University of Michigan  (blog). March 1, 2021. https://www.si.umich.edu/about-umsi/news/how-black-people-19th-century-used-photography-tool-social-change. ","\"How to Date Real Photo Postcards.\" 2017. Sports Collectors Daily. September 5, 2017. https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/.","\"Real Photo Postcards.\" n.d. Museum of Fine Arts Boston. Accessed October 4, 2023. https://www.mfa.org/exhibition/real-photo-postcards.","\"These Pictures by Early African-American Photographers Did More Than Capture a Moment.\" 2019. Time. March 5, 2019. https://time.com/5539596/early-african-american-photographers/."],"bioghist_html_tesm":["\u003cp\u003eIn 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.\u003c/p\u003e\n","\u003cp\u003eIn the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["In 1903, Eastman Kodak Company released a new camera to capitalize on the current global interest in postcards: the No. 3A Folding Pocket Kodak. This small camera was portable and designed specifically for postcard sized film, allowing the real photographic images to be printed directly onto a blank card, making it possible, and affordable, for anyone to create their own, mailable postcards, either for personal use or as a business. As such, the subjects of real photo postcards were widely varied, including slices of everyday life, such as local shops and humorous antics, but the majority served as formal family portraits to distribute to friends and relatives.","In the early 20th century, there was also an increased emphasis on capturing photographs that portrayed Black subjects respectfully and affirmingly. Within the African American community, posing for a photograph was a way to push back against the overly \"sympathetic\" images captured by earlier white photographers and counteract racist caricatures. The affordability of Kodak's postcard camera increased the ability for African American families and individuals to commission and share personal and family images on their own terms."],"prefercite_html_tesm":["\u003cp\u003eAfrican American women real photo postcards, C0396, Special Collections Research Center, George Mason University Libraries\u003c/p\u003e"],"prefercite_tesim":["African American women real photo postcards, C0396, Special Collections Research Center, George Mason University Libraries"],"processinfo_html_tesm":["\u003cp\u003eProcessing and finding aid completed by Meghan Glasbrenner from September - October 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processing and finding aid completed by Meghan Glasbrenner from September - October 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center holds many other portrait and general photography collections such as the \u003ca href=\"https://aspace.gmu.edu/resources/c0003\"\u003eJack Rottier photograph collection\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eThe Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["The Special Collections Research Center holds many other portrait and general photography collections such as the  Jack Rottier photograph collection .","The Thomas Balch Library holds many collections of photographs documenting Black history in Loudoun County and Northern Virginia."],"scopecontent_html_tesm":["\u003cp\u003eA group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026amp; Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.\u003c/p\u003e\n","\u003cp\u003eDate range estimates are based on stamp box markings where possible (see \u003ca href=\"https://www.sportscollectorsdaily.com/dating-vintage-real-photo-postcards/\"\u003e\"How to Date Real Photo Postcards\"\u003c/a\u003e for more information).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A group of 25 real photo postcard portraits of African American women, in both studio and informal settings. Professional portraits were taken in a variety of locations including Riter's Studio in Atlantic City, New Jersey, Peoples Photo Studio in Parkersburg, West Virginia, Bell Studio in New York City, New York, Elite Studio in Farrell, Pennsylvania, and Hoover Studios in Carlisle \u0026 Newville, Pennsylvania. Other possible locations include Cincinnati and Cleveland, Ohio, Morgantown, West Virginia, Savannah, Georgia, and Chicago, Illinois. Many contain personal inscriptions and identifications written on the back, and one is largely covered with black backing paper residue on top of pencil markings and drawings, likely from a child.","Date range estimates are based on stamp box markings where possible (see  \"How to Date Real Photo Postcards\"  for more information)."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e\n","\u003cp\u003eMaterials created prior to 1925 are in the Public Domain. These materials have no known restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","Materials created prior to 1925 are in the Public Domain. These materials have no known restrictions."],"abstract_html_tesm":["\u003cabstract id=\"aspace_ad7534f1dcb1cdf3fb0f3974c02f6ef7\"\u003eA group of 25 real photo postcard portraits of African American women, in both studio and informal settings.\u003c/abstract\u003e"],"abstract_tesim":["A group of 25 real photo postcard portraits of African American women, in both studio and informal settings."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_b71d71a2c2f7c29e2d97def2920be992\"\u003eR 72, C 3, S 6\u003c/physloc\u003e"],"physloc_tesim":["R 72, C 3, S 6"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T05:33:38.426Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_679"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"George Mason University","value":"George Mason University","hits":909},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"A New Atlas of the British West Indies\" bound volume","value":"\"A New Atlas of the British West Indies\" bound volume","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22A+New+Atlas+of+the+British+West+Indies%22+bound+volume\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"A Quarter of a Century in Medicine\" by Dr. J.W.C. Cuddy handwritten manuscript","value":"\"A Quarter of a Century in Medicine\" by Dr. J.W.C. Cuddy handwritten manuscript","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22A+Quarter+of+a+Century+in+Medicine%22+by+Dr.+J.W.C.+Cuddy+handwritten+manuscript\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"A Transportation Vision, Strategy, and Action Plan for the Nation's Capital\" by Department of Public Works informational map","value":"\"A Transportation Vision, Strategy, and Action Plan for the Nation's Capital\" by Department of Public Works informational map","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22A+Transportation+Vision%2C+Strategy%2C+and+Action+Plan+for+the+Nation%27s+Capital%22+by+Department+of+Public+Works+informational+map\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"A View of the Public Fire-Works to be exhibited on Occasion of the General Peace\" architectural and instructional engraving","value":"\"A View of the Public Fire-Works to be exhibited on Occasion of the General Peace\" architectural and instructional engraving","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22A+View+of+the+Public+Fire-Works+to+be+exhibited+on+Occasion+of+the+General+Peace%22+architectural+and+instructional+engraving\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"Aida\" opera costume paintings","value":"\"Aida\" opera costume paintings","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Aida%22+opera+costume+paintings\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"An Alarm to the frequenters of Plays, wrote by a Religious Person\" handwritten broadside","value":"\"An Alarm to the frequenters of Plays, wrote by a Religious Person\" handwritten broadside","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22An+Alarm+to+the+frequenters+of+Plays%2C+wrote+by+a+Religious+Person%22+handwritten+broadside\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"An Opiate\" and \"Pain - Its Importance and Therapeusis\" promotional pamphlets for Papine, an opiate-based medicine","value":"\"An Opiate\" and \"Pain - Its Importance and Therapeusis\" promotional pamphlets for Papine, an opiate-based medicine","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22An+Opiate%22+and+%22Pain+-+Its+Importance+and+Therapeusis%22+promotional+pamphlets+for+Papine%2C+an+opiate-based+medicine\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"Bull Run. Tune - 'Wait for the Wagon'\" Confederate broadside","value":"\"Bull Run. Tune - 'Wait for the Wagon'\" Confederate broadside","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Bull+Run.+Tune+-+%27Wait+for+the+Wagon%27%22+Confederate+broadside\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"California or Bust\" travel scrapbook","value":"\"California or Bust\" travel scrapbook","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22California+or+Bust%22+travel+scrapbook\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"Cavalleria rusticana\" opera costume paintings","value":"\"Cavalleria rusticana\" opera costume paintings","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Cavalleria+rusticana%22+opera+costume+paintings\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake","value":"\"Chaucers Canterbury Pilgrims\" print by J.G. Charlton of 1810 engraving by William Blake","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Chaucers+Canterbury+Pilgrims%22+print+by+J.G.+Charlton+of+1810+engraving+by+William+Blake\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1475","value":"1475","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1475\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1476","value":"1476","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1476\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1477","value":"1477","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1477\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1478","value":"1478","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1478\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1479","value":"1479","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1479\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1480","value":"1480","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1480\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1481","value":"1481","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1481\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1482","value":"1482","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1482\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1483","value":"1483","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1483\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1484","value":"1484","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1484\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1485","value":"1485","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1485\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"creator_ssim","attributes":{"label":"Creator","items":[{"attributes":{"label":"Akademie der Künste der Deutschen Demokratischen Republik","value":"Akademie der Künste der Deutschen Demokratischen Republik","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Akademie+der+K%C3%BCnste+der+Deutschen+Demokratischen+Republik\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Aksenov, Vasilii, 1932-2009","value":"Aksenov, Vasilii, 1932-2009","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aksenov%2C+Vasilii%2C+1932-2009\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Aksenov, Vasiliĭ, 1932-2009","value":"Aksenov, Vasiliĭ, 1932-2009","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Aksenov%2C+Vasili%C4%AD%2C+1932-2009\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alexander Haight\n","value":"Alexander Haight\n","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander+Haight%0A\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alexander, William T.","value":"Alexander, William T.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexander%2C+William+T.\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alexandria Drafting Company","value":"Alexandria Drafting Company","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Alexandria+Drafting+Company\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Allen, Lane \u0026 Scott","value":"Allen, Lane \u0026 Scott","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allen%2C+Lane+%26+Scott\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Allgemeiner Deutscher Motosport Verband","value":"Allgemeiner Deutscher Motosport Verband","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Allgemeiner+Deutscher+Motosport+Verband\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Amalgamated Meat Cutters and Butcher Workmen of North America","value":"Amalgamated Meat Cutters and Butcher Workmen of North America","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=Amalgamated+Meat+Cutters+and+Butcher+Workmen+of+North+America\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Association of State Highway and Transportation Officials","value":"American Association of State Highway and Transportation Officials","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=American+Association+of+State+Highway+and+Transportation+Officials\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"American Political Items Collectors","value":"American Political Items Collectors","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcreators%5D%5B%5D=American+Political+Items+Collectors\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/creator_ssim.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"names_ssim","attributes":{"label":"Names","items":[{"attributes":{"label":"\nPrince William Symphony Orchestra.","value":"\nPrince William Symphony Orchestra.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=%0APrince+William+Symphony+Orchestra.\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"ANTA (Organization)","value":"ANTA (Organization)","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=ANTA+%28Organization%29\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"ANTA West (Organization)","value":"ANTA West (Organization)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=ANTA+West+%28Organization%29\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Acheson, Dean, 1893-1971","value":"Acheson, Dean, 1893-1971","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Acheson%2C+Dean%2C+1893-1971\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Acheson, Dean, 1893-1971--Photographs.","value":"Acheson, Dean, 1893-1971--Photographs.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Acheson%2C+Dean%2C+1893-1971--Photographs.\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Adams College (Amanzimtoti, South Africa)","value":"Adams College (Amanzimtoti, South Africa)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Adams+College+%28Amanzimtoti%2C+South+Africa%29\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Adenauer, Konrad, 1876-1967","value":"Adenauer, Konrad, 1876-1967","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Adenauer%2C+Konrad%2C+1876-1967\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Adenauer, Konrad, 1876-1967--Photographs.","value":"Adenauer, Konrad, 1876-1967--Photographs.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Adenauer%2C+Konrad%2C+1876-1967--Photographs.\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Agence de Presse Bernand","value":"Agence de Presse Bernand","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Agence+de+Presse+Bernand\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Agence de Presse Bernand.","value":"Agence de Presse Bernand.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Agence+de+Presse+Bernand.\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Aiken, George D. (George David), 1892-1984","value":"Aiken, George D. (George David), 1892-1984","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bnames%5D%5B%5D=Aiken%2C+George+D.+%28George+David%29%2C+1892-1984\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/names_ssim.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"geogname_ssim","attributes":{"label":"Places","items":[{"attributes":{"label":"Africa","value":"Africa","hits":5},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Africa\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Africa -- Slides","value":"Africa -- Slides","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Africa+--+Slides\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Africa, West","value":"Africa, West","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Africa%2C+West\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alaska","value":"Alaska","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Alaska\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alexandria (Va.)","value":"Alexandria (Va.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Alexandria+%28Va.%29\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Alexandria County (Va.) -- Newspapers","value":"Alexandria County (Va.) -- Newspapers","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Alexandria+County+%28Va.%29+--+Newspapers\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Algeria","value":"Algeria","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Algeria\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"America -- Discovery and exploration","value":"America -- Discovery and exploration","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=America+--+Discovery+and+exploration\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Amsterdam (Netherlands) -- Slides","value":"Amsterdam (Netherlands) -- Slides","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Amsterdam+%28Netherlands%29+--+Slides\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Amsterdam (Netherlands)--Slides.","value":"Amsterdam (Netherlands)--Slides.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Amsterdam+%28Netherlands%29--Slides.\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Angola","value":"Angola","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Bplaces%5D%5B%5D=Angola\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/geogname_ssim.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"access_subjects_ssim","attributes":{"label":"Subjects","items":[{"attributes":{"label":"\n\nPhotographic prints.","value":"\n\nPhotographic prints.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=%0A%0APhotographic+prints.\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\nConflict management.","value":"\nConflict management.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=%0AConflict+management.\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\nRace riots--Washington (D.C.)","value":"\nRace riots--Washington (D.C.)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=%0ARace+riots--Washington+%28D.C.%29\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"\nSymphony orchestras--United States--Virginia--Prince William County. ","value":"\nSymphony orchestras--United States--Virginia--Prince William County. ","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=%0ASymphony+orchestras--United+States--Virginia--Prince+William+County.+\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":" LGBTQ+ drama","value":" LGBTQ+ drama","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=+LGBTQ%2B+drama\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1930s","value":"1930s","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=1930s\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"1940s.","value":"1940s.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=1940s.\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"AIDS (Disease)","value":"AIDS (Disease)","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=AIDS+%28Disease%29\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Academic libraries -- United States","value":"Academic libraries -- United States","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+libraries+--+United+States\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Academic libraries--Virginia.","value":"Academic libraries--Virginia.","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Academic+libraries--Virginia.\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Account books","value":"Account books","hits":6},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess_subjects%5D%5B%5D=Account+books\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access_subjects_ssim.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Collection","value":"Collection","hits":909},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Record Group","value":"Record Group","hits":3},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Blevel%5D%5B%5D=Record+Group\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Series","value":"Series","hits":10},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Blevel%5D%5B%5D=Series\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"facet","id":"access","attributes":{"label":"Access","items":[{"attributes":{"label":"Online access","value":"online","hits":11},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Baccess%5D%5B%5D=online\u0026f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/access.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Collection\u0026f%5Brepository%5D%5B%5D=George+Mason+University\u0026page=1\u0026sort=title_sort+desc"}}]}