{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=2\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Blevel%5D%5B%5D=Box\u0026page=955\u0026view=list"},"meta":{"pages":{"current_page":1,"next_page":2,"prev_page":null,"total_pages":955,"limit_value":10,"offset_value":0,"total_count":9541,"first_page?":true,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_467_c13","type":"Box","attributes":{"title":"10A, #16-f; 11A, #1-14","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_467_c13#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_467_c13","ref_ssm":["wvmturhc_repositories_2_resources_467_c13"],"id":"wvmturhc_repositories_2_resources_467_c13","ead_ssi":"wvmturhc_repositories_2_resources_467","_root_":"wvmturhc_repositories_2_resources_467","_nest_parent_":"wvmturhc_repositories_2_resources_467","parent_ssi":"wvmturhc_repositories_2_resources_467","parent_ssim":["wvmturhc_repositories_2_resources_467"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_467"],"parent_unittitles_ssm":["Morgan County Court Records"],"parent_unittitles_tesim":["Morgan County Court Records"],"text":["Morgan County Court Records","10A, #16-f; 11A, #1-14","Box 13"],"title_filing_ssi":"10A, #16-f; 11A, #1-14","title_ssm":["10A, #16-f; 11A, #1-14"],"title_tesim":["10A, #16-f; 11A, #1-14"],"unitdate_inclusive_ssm":["ca. 1820-1880"],"normalized_date_ssm":["1820/1880"],"normalized_title_ssm":["10A, #16-f; 11A, #1-14"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Morgan County Court Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":13,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880],"containers_ssim":["Box 13"],"_nest_path_":"/components#12","timestamp":"2026-05-21T00:45:36.485Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_467","ead_ssi":"wvmturhc_repositories_2_resources_467","_root_":"wvmturhc_repositories_2_resources_467","_nest_parent_":"wvmturhc_repositories_2_resources_467","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_467.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195051","title_ssm":["Morgan County Court Records"],"title_tesim":["Morgan County Court Records"],"unitdate_ssm":["1820-1880"],"unitdate_inclusive_ssm":["1820-1880"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/467"],"text":["A\u0026M 2469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/467","Morgan County Court Records","Morgan County Court Indexes.","Morgan County Court Records.","West Virginia - topographical map indexes.","No special access restriction applies.","Original court case papers, land surveys, deeds, and jury lists. Court case papers are mainly in regards to debts owed by individuals, and include: summons, warrants, bonds, bills of complaint, promissory notes, court transcripts, and affidavits related to the cases. Various other records include suits over assault and battery, inheritances, property, and child support. Contain a corresponding index, arranged alphabetically by persons named in the suits.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Morgan County Courts","English"],"unitid_tesim":["A\u0026M 2469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/467"],"normalized_title_ssm":["Morgan County Court Records"],"collection_title_tesim":["Morgan County Court Records"],"collection_ssim":["Morgan County Court Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Morgan County Courts"],"creator_ssim":["Morgan County Courts"],"creator_corpname_ssim":["Morgan County Courts"],"creators_ssim":["Morgan County Courts"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Morgan County Court Indexes.","Morgan County Court Records.","West Virginia - topographical map indexes."],"access_subjects_ssm":["Morgan County Court Indexes.","Morgan County Court Records.","West Virginia - topographical map indexes."],"has_online_content_ssim":["false"],"extent_ssm":["24.4 Linear Feet Summary: 24 ft. 4 1/2 in. (58 document cases, 5 in. each); (1 document case, 2 1/2 in.)"],"extent_tesim":["24.4 Linear Feet Summary: 24 ft. 4 1/2 in. (58 document cases, 5 in. each); (1 document case, 2 1/2 in.)"],"date_range_isim":[1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Morgan County Court Records, A\u0026amp;M 2469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Morgan County Court Records, A\u0026M 2469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eOriginal court case papers, land surveys, deeds, and jury lists. Court case papers are mainly in regards to debts owed by individuals, and include: summons, warrants, bonds, bills of complaint, promissory notes, court transcripts, and affidavits related to the cases. Various other records include suits over assault and battery, inheritances, property, and child support. Contain a corresponding index, arranged alphabetically by persons named in the suits.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Original court case papers, land surveys, deeds, and jury lists. Court case papers are mainly in regards to debts owed by individuals, and include: summons, warrants, bonds, bills of complaint, promissory notes, court transcripts, and affidavits related to the cases. Various other records include suits over assault and battery, inheritances, property, and child support. Contain a corresponding index, arranged alphabetically by persons named in the suits."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_21f8996bc8d25859800681469a29f7f3\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Morgan County Courts"],"corpname_ssim":["West Virginia and Regional History Center","Morgan County Courts"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":59,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:45:36.485Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_467_c13"}},{"id":"viu_repositories_3_resources_779_c01_c20","type":"Box","attributes":{"title":"10 folders","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c20#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_779_c01_c20","ref_ssm":["viu_repositories_3_resources_779_c01_c20"],"id":"viu_repositories_3_resources_779_c01_c20","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779_c01","parent_ssi":"viu_repositories_3_resources_779_c01","parent_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c01"],"parent_ids_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c01"],"parent_unittitles_ssm":["Virginia Folklore Society records","Folk songs"],"parent_unittitles_tesim":["Virginia Folklore Society records","Folk songs"],"text":["Virginia Folklore Society records","Folk songs","10 folders","English","box 20"],"title_filing_ssi":"10 folders","title_ssm":["10 folders"],"title_tesim":["10 folders"],"unitdate_inclusive_ssm":["1910s-1930s"],"normalized_date_ssm":["1910/1939"],"normalized_title_ssm":["10 folders"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Folklore Society records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":21,"parent_access_restrict_tesm":["Boxes 27 and 28 do not circulate."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"language_ssim":["English"],"containers_ssim":["box 20"],"_nest_path_":"/components#0/components#19","timestamp":"2026-05-20T23:46:00.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"text":["MSS 9936","Archival Resource Key","/repositories/3/resources/779","Virginia Folklore Society records","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. ","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"normalized_title_ssm":["Virginia Folklore Society records"],"collection_title_tesim":["Virginia Folklore Society records"],"collection_ssim":["Virginia Folklore Society records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e\n","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e\n","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e\n","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e\n","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e\n","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e\n","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e\n","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e\n","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e\n","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e\n","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e\n","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e\n","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e\n","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e\n","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e\n","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e\n","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e\n","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e\n","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e\n","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. "],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e\n","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e\n","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e\n","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"names_ssim":["Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":210,"online_item_count_is":173,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:46:00.461Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c20"}},{"id":"viu_repositories_3_resources_779_c01_c22","type":"Box","attributes":{"title":"10 folders","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c22#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_779_c01_c22","ref_ssm":["viu_repositories_3_resources_779_c01_c22"],"id":"viu_repositories_3_resources_779_c01_c22","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779_c01","parent_ssi":"viu_repositories_3_resources_779_c01","parent_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c01"],"parent_ids_ssim":["viu_repositories_3_resources_779","viu_repositories_3_resources_779_c01"],"parent_unittitles_ssm":["Virginia Folklore Society records","Folk songs"],"parent_unittitles_tesim":["Virginia Folklore Society records","Folk songs"],"text":["Virginia Folklore Society records","Folk songs","10 folders","English","box 22"],"title_filing_ssi":"10 folders","title_ssm":["10 folders"],"title_tesim":["10 folders"],"unitdate_inclusive_ssm":["1910s-1930s"],"normalized_date_ssm":["1910/1939"],"normalized_title_ssm":["10 folders"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Virginia Folklore Society records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":23,"parent_access_restrict_tesm":["Boxes 27 and 28 do not circulate."],"date_range_isim":[1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"language_ssim":["English"],"containers_ssim":["box 22"],"_nest_path_":"/components#0/components#21","timestamp":"2026-05-20T23:46:00.461Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_779","ead_ssi":"viu_repositories_3_resources_779","_root_":"viu_repositories_3_resources_779","_nest_parent_":"viu_repositories_3_resources_779","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_779.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/687","title_filing_ssi":"Virginia Folklore Society records","title_ssm":["Virginia Folklore Society records"],"title_tesim":["Virginia Folklore Society records"],"unitdate_ssm":["1905-2007"],"unitdate_inclusive_ssm":["1905-2007"],"level_ssm":["collection"],"level_ssim":["Series","Collection"],"unitid_ssm":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"text":["MSS 9936","Archival Resource Key","/repositories/3/resources/779","Virginia Folklore Society records","clippings (information artifacts)","Black-and-white photographs","Notebooks","Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate.","Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. ","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"normalized_title_ssm":["Virginia Folklore Society records"],"collection_title_tesim":["Virginia Folklore Society records"],"collection_ssim":["Virginia Folklore Society records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e\n","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e\n","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e\n","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e\n","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e\n","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e\n","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e\n","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e\n","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e\n","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e\n","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e\n","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e\n","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e\n","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e\n","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e\n","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e\n","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e\n","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e\n","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e\n","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. "],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e\n","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e\n","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e\n","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters."],"separatedmaterial_html_tesm":["\u003cp\u003eAudio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review."],"names_ssim":["Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":210,"online_item_count_is":173,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:46:00.461Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_779_c01_c22"}},{"id":"wvmturhc_repositories_2_resources_2464_c02_c544","type":"Box","attributes":{"title":"1-16 (undated); 1-5 (unidentified)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2464_c02_c544#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_2464_c02_c544","ref_ssm":["wvmturhc_repositories_2_resources_2464_c02_c544"],"id":"wvmturhc_repositories_2_resources_2464_c02_c544","ead_ssi":"wvmturhc_repositories_2_resources_2464","_root_":"wvmturhc_repositories_2_resources_2464","_nest_parent_":"wvmturhc_repositories_2_resources_2464_c02","parent_ssi":"wvmturhc_repositories_2_resources_2464_c02","parent_ssim":["wvmturhc_repositories_2_resources_2464","wvmturhc_repositories_2_resources_2464_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_2464","wvmturhc_repositories_2_resources_2464_c02"],"parent_unittitles_ssm":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers","Series 2- Paper Materials"],"parent_unittitles_tesim":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers","Series 2- Paper Materials"],"text":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers","Series 2- Paper Materials","1-16 (undated); 1-5 (unidentified)","Box 541","Folders 1-21","No microfilm copy available"],"title_filing_ssi":"1-16 (undated); 1-5 (unidentified)","title_ssm":["1-16 (undated); 1-5 (unidentified)"],"title_tesim":["1-16 (undated); 1-5 (unidentified)"],"unitdate_other_ssim":["Undated"],"normalized_title_ssm":["1-16 (undated); 1-5 (unidentified)"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":1011,"parent_access_restrict_tesm":["For materials in boxes 1-296 and most record books, researchers should use microfilm. Boxes 297-541 and items 96, 87, 88, and 83 have not been microfilmed, but are open for research. ","All microfilm, item 201 (SC folders 1 and 2), and noted materials formerly in boxes 46, 68, and 256 (now in oversize folders 1 and 2) are stored on-site. All other original material is stored offsite; please make an appointment prior to visiting. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"containers_ssim":["Box 541","Folders 1-21"],"accessrestrict_html_tesm":["\u003cp\u003eNo microfilm copy available\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No microfilm copy available"],"_nest_path_":"/components#1/components#543","timestamp":"2026-05-21T01:07:24.091Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2464","ead_ssi":"wvmturhc_repositories_2_resources_2464","_root_":"wvmturhc_repositories_2_resources_2464","_nest_parent_":"wvmturhc_repositories_2_resources_2464","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2464.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196530","title_ssm":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers"],"title_tesim":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers"],"unitdate_ssm":["1773-1933"],"unitdate_inclusive_ssm":["1773-1933"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0145","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2464"],"text":["A\u0026M 0145","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2464","Kanawha County (W. Va.) Court Records and Miscellaneous Papers","Kanawha County (W. Va.)","Court records","Kanawha County - archives.","Salt industry and trade","County courts","Court calendars","Debt, Imprisonment for","Deeds","Enslaved persons","Slaves and slavery.","Justice, Administration of","Public records","For materials in boxes 1-296 and most record books, researchers should use microfilm. Boxes 297-541 and items 96, 87, 88, and 83 have not been microfilmed, but are open for research. ","All microfilm, item 201 (SC folders 1 and 2), and noted materials formerly in boxes 46, 68, and 256 (now in oversize folders 1 and 2) are stored on-site. All other original material is stored offsite; please make an appointment prior to visiting. ","Microfilm copy of materials in Box 1-2","Microfilm copy of materials in Box 3-4","Microfilm copy of materials in Box 5","Microfilm copy of materials in Box 6-7","Microfilm copy of materials in Box 8-9","Microfilm copy of materials in Boxes 10-11","Microfilm copy of materials in Boxes 12-13","Microfilm copy of materials in Box 14","Microfilm copy of materials in Boxes 15-16","Microfilm copy of materials in Boxes 17-18","Microfilm copy of materials in Box 19","Microfilm copy of materials in Box 20-21","Microfilm copy of materials in Box 22","Microfilm copy of materials in Box 23","Microfilm copy of materials in Box 24","Microfilm copy of materials in Box 25","Microfilm copy of materials in Box 26","Microfilm copy of materials in Box 27","Microfilm copy of materials in Box 28","Microfilm copy of materials in Box 29","Microfilm copy of materials in Box 30","Microfilm copy of materials in Box 31","Microfilm copy of materials in Box 32","Microfilm copy of materials in Box 33","Microfilm copy of materials in Box 34","Microfilm copy of materials in Box 35","Microfilm copy of materials in Box 36","Microfilm copy of materials in Box 37","Microfilm copy of materials in Box 38","Microfilm copy of materials in Box 39","Microfilm copy of materials in Box 40","Microfilm copy of materials in Box 41","Microfilm copy of materials in Box 42","Microfilm copy of materials in Box 43","Microfilm copy of materials in Box 44","Microfilm copy of materials in Box 45","Microfilm copy of materials in Box 46","Microfilm copy of materials in Box 47","Microfilm copy of materials in Box 48","Microfilm copy of materials in Boxes 49-50","Microfilm copy of materials in Box 51","Microfilm copy of materials in Box 52","Microfilm copy of materials in Box 53","Microfilm copy of materials in Box 54","Microfilm copy of materials in Box 55-56","Microfilm copy of materials in Box 57","Microfilm copy of materials in Box 58","Microfilm copy of materials in Box 59","Microfilm copy of materials in Box 60-61","Microfilm copy of materials in Box 62","Microfilm copy of materials in Box 63","Microfilm copy of materials in Box 64","Microfilm copy of materials in Box 65","Microfilm copy of materials in Box 66","Microfilm copy of materials in Box 67-68","Microfilm copy of materials in Box 69","Microfilm copy of materials in Box 70-71","Microfilm copy of materials in Box 72-73","Microfilm copy of materials in Box 74","Microfilm copy of materials in Box 75","Microfilm copy of materials in Box 76","Microfilm copy of materials in Box 77-78","Microfilm copy of materials in Box 79","Microfilm copy of materials in Box 80","Microfilm copy of materials in Box 81","Microfilm copy of materials in Box 82","Microfilm copy of materials in Box 83","Microfilm copy of materials in Box 84","Microfilm copy of materials in Box 85","Microfilm copy of materials in Box 86","Microfilm copy of materials in Box 87-88","Microfilm copy of materials in Box 89","Microfilm copy of materials in Box 90","Microfilm copy of materials in Box 91-92","Microfilm copy of materials in Box 93","Microfilm copy of materials in Box 94","Microfilm copy of materials in Box 95","Microfilm copy of materials in Box 96","Microfilm copy of materials in Box 97-98","Microfilm copy of materials in Box 99","Microfilm copy of materials in Box 100","Microfilm copy of materials in Box 101","Microfilm copy of materials in Box 102","Microfilm copy of materials in Box 103","Microfilm copy of materials in Box 104","Microfilm copy of materials in Box 105-106","Microfilm copy of materials in Box 107-108","Microfilm copy of materials in Box 109","Microfilm copy of materials in Box 110","Microfilm copy of materials in Box 111","Microfilm copy of materials in Box 112","Microfilm copy of materials in Box 113","Microfilm copy of materials in Box 114","Microfilm copy of materials in Box 115","Microfilm copy of materials in Box 116","Microfilm copy of materials in Box 117","Microfilm copy of materials in Box 118","Microfilm copy of materials in Box 119","Microfilm copy of materials in Boxes 120-121","Microfilm copy of materials in Box 122","Microfilm copy of materials in Box 123","Microfilm copy of materials in Box 124","Microfilm copy of materials in Box 125","Microfilm copy of materials in Boxes 126-127","Microfilm copy of materials in Box 128","Microfilm copy of materials in Box 129","Microfilm copy of materials in Box 130","Microfilm copy of materials in Box 131-132","Microfilm copy of materials in Box 133-134","Microfilm copy of materials in Box 135","Microfilm copy of materials in Box 136","Microfilm copy of materials in Box 137","Microfilm copy of materials in Box 138","Microfilm copy of materials in Box 139","Microfilm copy of materials in Box 140","Microfilm copy of materials in Box 141","Microfilm copy of materials in Box 142","Microfilm copy of materials in Box 143","Microfilm copy of materials in Box 144","Microfilm copy of materials in Box 145","Microfilm copy of materials in Box 145-146","Microfilm copy of materials in Box 146-147","Microfilm copy of materials in Box 148","Microfilm copy of materials in Box 149","Microfilm copy of materials in Box 150","Microfilm copy of materials in Box 151","Microfilm copy of materials in Box 152","Microfilm copy of materials in Box 153","Microfilm copy of materials in Box 154","Microfilm copy of materials in Box 155","Microfilm copy of materials in Box 156","Microfilm copy of materials in Box 157","Microfilm copy of materials in Box 158","Microfilm copy of materials in Box 159","Microfilm copy of materials in Box 160","Microfilm copy of materials in Box 161","Microfilm copy of materials in Box 162","Microfilm copy of materials in Box 163","Microfilm copy of materials in Box 164","Microfilm copy of materials in Box 165","Microfilm copy of materials in Box 166","Microfilm copy of materials in Box 167","Microfilm copy of materials in Box 168","Microfilm copy of materials in Box 169","Microfilm copy of materials in Box 170","Microfilm copy of materials in Box 171","Microfilm copy of materials in Box 172","Microfilm copy of materials in Box 173","Microfilm copy of materials in Box 174","Microfilm copy of materials in Box 175","Microfilm copy of materials in Box 176","Microfilm copy of materials in Box 177","Microfilm copy of materials in Box 178","Microfilm copy of materials in Box 179","Microfilm copy of materials in Box 180","Microfilm copy of materials in Box 181","Microfilm copy of materials in Box 182","Microfilm copy of materials in Box 183","Microfilm copy of materials in Box 184","Microfilm copy of materials in Box 185","Microfilm copy of materials in Box 186","Microfilm copy of materials in Box 187","Microfilm copy of materials in Box 188","Microfilm copy of materials in Box 189","Microfilm copy of materials in Box 190","Microfilm copy of materials in Box 191","Microfilm copy of materials in Box 192","Microfilm copy of materials in Box 193","Microfilm copy of materials in Box 194","Microfilm copy of materials in Box 195","Microfilm copy of materials in Box 196","Microfilm copy of materials in Box 197","Microfilm copy of materials in Box 198","Microfilm copy of materials in Box 199","Microfilm copy of materials in Box 200","Microfilm copy of materials in Box 201","Microfilm copy of materials in Box 202","Microfilm copy of materials in Box 203","Microfilm copy of materials in Box 204","Microfilm copy of materials in Box 205","Microfilm copy of materials in Box 206","Microfilm copy of materials in Box 207","Microfilm copy of materials in Box 208","Microfilm copy of materials in Box 209","Microfilm copy of materials in Box 210","Microfilm copy of materials in Box 211","Microfilm copy of materials in Box 212","Microfilm copy of materials in Box 213","Microfilm copy of materials in Box 214","Microfilm copy of materials in Box 215","Microfilm copy of materials in Box 216","Microfilm copy of materials in Box 217","Microfilm copy of materials in Box 218","Microfilm copy of materials in Box 219","Microfilm copy of materials in Box 220","Microfilm copy of materials in Box 221","Microfilm copy of materials in Box 222","Microfilm copy of materials in Box 223","Microfilm copy of materials in Box 224","Microfilm copy of materials in Box 225","Microfilm copy of materials in Box 226","Microfilm copy of materials in Box 227","Microfilm copy of materials in Box 228","Microfilm copy of materials in Box 229","Microfilm copy of materials in Box 230","Microfilm copy of materials in Box 231-232","Microfilm copy of materials in Box 233","Microfilm copy of materials in Box 234","Microfilm copy of materials in Box 235","Microfilm copy of materials in Box 237","Microfilm copy of materials in Box 237","Microfilm copy of materials in Box 238","Microfilm copy of materials in Box 239","Microfilm copy of materials in Box 240","Microfilm copy of materials in Box 241","Microfilm copy of materials in Box 242","Microfilm copy of materials in Box 243","Microfilm copy of materials in Box 244","Microfilm copy of materials in Box 245","Microfilm copy of materials in Box 246","Microfilm copy of materials in Box 247","Microfilm copy of materials in Box 248","Microfilm copy of materials in Box 249","Microfilm copy of materials in Box 250","Microfilm copy of materials in Box 251","Microfilm copy of materials in Box 252","Microfilm copy of materials in Box 253","Microfilm copy of materials in Box 254","Microfilm copy of materials in Box 255","Microfilm copy of materials in Box 256","Microfilm copy of materials in Box 257","Microfilm copy of materials in Box 258","Microfilm copy of materials in Box 259","Microfilm copy of materials in Box 260","Microfilm copy of materials in Box 261","Microfilm copy of materials in Box 262","Microfilm copy of materials in Box 263","Microfilm copy of materials in Box 264","Microfilm copy of materials in Box 265","Microfilm copy of materials in Box 266","Microfilm copy of materials in Box 267","Microfilm copy of materials in Box 268","Microfilm copy of materials in Box 269","Microfilm copy of materials in Box 270","Microfilm copy of materials in Box 271","Microfilm copy of materials in Box 272","Microfilm copy of materials in Box 273","Microfilm copy of materials in Box 274","Microfilm copy of materials in Box 275","Microfilm copy of materials in Box 275","Microfilm copy of materials in Box 276","Microfilm copy of materials in Box 277","Microfilm copy of materials in Box 278","Microfilm copy of materials in Box 279","Microfilm copy of materials in Box 280","Microfilm copy of materials in Box 281","Microfilm copy of materials in Box 282","Microfilm copy of materials in Box 283","Microfilm copy of materials in Box 284","Microfilm copy of materials in Box 285","Microfilm copy of materials in Box 286","Microfilm copy of materials in Box 287","Microfilm copy of materials in Box 288","Microfilm copy of materials in Box 289","Microfilm copy of materials in Box 290","Microfilm copy of materials in Box 291","Microfilm copy of materials in Box 292","Microfilm copy of materials in Box 293","Microfilm copy of materials in Box 294","Microfilm copy of materials in Box 295","Microfilm copy of materials in Box 296","Microfilm copy of item 200.","Microfilm copy of item 6, no other original material exists","No microfilm copy available","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of item 6","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of items 90-91, no other original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of item 90","Microfilm copy of item 91","Microfilm copy of items 56A, 92-95, no other original material exists","Microfilm copy of item 56A","Microfilm copy of item 92","Microfilm copy of item 93","Microfilm copy of item 94","Microfilm copy of item 95","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of item 27, no other original material exists","Microfilm copy of item 27","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of items 43 and 45, no other original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of item 43","Microfilm is only copy, no original material exists","Microfilm copy of item 45","Microfilm copy of items 46-47, no other original material exists","Microfilm copy of item 46","Microfilm copy of item 47","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy available on reel KAN 1","Microfilm copy available on reel  KAN 1","Microfilm copy available on reel KAN 2","Microfilm copy available on reel KAN 2","Microfilm copy available on reel KAN 3","Microfilm copy available on reel KAN 4","Microfilm copy available on reel KAN 4","Microfilm copy available on reel KAN 5","Microfilm copy available on reel KAN 5","Microfilm copy available on reel KAN 6","Microfilm copy available on reel KAN 6","Microfilm copy available on reel KAN 7","Microfilm copy available on reel KAN 7","Microfilm copy available on reel KAN 8","Microfilm copy available on reel KAN 9","Microfilm copy available on reel KAN 9","Microfilm copy available on reel KAN 10","Microfilm copy available on reel KAN 10","Microfilm copy available on reel KAN 11","Microfilm copy available on reel KAN 12","Microfilm copy available on reel KAN 12","Microfilm copy available on reel KAN 13","Microfilm copy available on reel KAN 14","Microfilm copy available on reel KAN 15","Microfilm copy available on reel KAN 16","Microfilm copy available on reel KAN 17","Microfilm copy available on reel KAN 18","Microfilm copy available on reel KAN 19","Microfilm copy available on reel KAN 20","Microfilm copy available on reel KAN 21","Microfilm copy available on reel KAN 22","Microfilm copy available on reel KAN 23","Microfilm copy available on reel KAN 24","Microfilm copy available on reel KAN 25","Microfilm copy available on reel KAN 26","Microfilm copy available on reel KAN 27","Microfilm copy available on reel KAN 28","Microfilm copy available on reel KAN 29","Microfilm copy available on reel KAN 30","Microfilm copy available on reel KAN 31","Microfilm copy available on reel KAN 32","Microfilm copy available on reel KAN 33","Microfilm copy available on reel KAN 34","Microfilm copy available on reel KAN 35","Microfilm copy available on reel KAN 36","Microfilm copy available on reel KAN 37","Microfilm copy available on KAN 37","Microfilm copy available on reel KAN 38","Microfilm copy available on reel KAN 39","Microfilm copy available on reel KAN 40","Microfilm copy available on reel KAN 40","Microfilm copy available on reel KAN 41","Microfilm copy available on reel KAN 42","Microfilm copy available on reel KAN 43","Microfilm copy available on reel KAN 44","Microfilm copy available on reel KAN 45","Microfilm copy available on reel KAN 45","Microfilm copy available on reel KAN 46","Microfilm copy available on reel KAN 47","Microfilm copy available on reel KAN 48","Microfilm copy available on reel KAN 49","Microfilm copy available on reel KAN 49","Microfilm copy available on reel KAN 50","Microfilm copy available on reel KAN 51","Microfilm copy available on reel KAN 52","Microfilm copy available on reel KAN 53","Microfilm copy available on reel KAN 54","Microfilm copy available on reel KAN 55","Microfilm copy available on reel KAN 55","No Microfilm Copy Available.","Microfilm copy available on reel KAN 56","Microfilm copy available on reel KAN 57","Microfilm copy available on reel KAN 57","Microfilm copy available on reel KAN 58","Microfilm copy available on reel KAN 58","Microfilm copy available on reel KAN 59","Microfilm copy available on reel KAN 60","Microfilm copy available on reel KAN 61","Microfilm copy available on reel KAN 62","Microfilm copy available on reel KAN 62","Microfilm copy available on reel KAN 63","Microfilm copy available on reel KAN 64","Microfilm copy available on reel KAN 65","Microfilm copy available on reel KAN 66","Microfilm copy available on reel KAN 67","Microfilm copy available on reel KAN 68","Microfilm copy available on reel KAN 69","Microfilm copy available on reel KAN 70","Microfilm copy available on reel KAN 71","Microfilm copy available on reel KAN 71","Microfilm copy available on reel KAN 72","Microfilm copy available on reel KAN 73","Microfilm copy available on reel KAN 74","Microfilm copy available on reel KAN 74","Microfilm copy available on reel KAN 75","Microfilm copy available on reel KAN 76","Microfilm copy available on reel KAN 77","Microfilm copy available on reel KAN 78","Microfilm copy available on reel KAN 79","Microfilm copy available on reel KAN 79","Microfilm copy available on reel KAN 80","Microfilm copy available on reel KAN 81","Microfilm copy available on reel KAN 82","Microfilm copy available on reel KAN 83","Microfilm copy available on reel KAN 84","Microfilm copy available on reel KAN 85","Microfilm copy available on reel KAN 86","Microfilm copy available on reel KAN 86","Microfilm copy available on reel KAN 87","Microfilm copy available on reel KAN 87","Microfilm copy available on reel KAN 88","Microfilm copy available on reel KAN 89","Microfilm copy available on reel KAN 90","Microfilm copy available on reel KAN 91","Microfilm copy available on reel KAN 92","Microfilm copy available on reel KAN 93","Microfilm copy available on reel KAN 94","Microfilm copy available on reel KAN 95","Microfilm copy available on reel KAN 96","Microfilm copy available on reel KAN 97","Microfilm copy available on reel KAN 98","Microfilm copy available on reel KAN 99","Microfilm copy available on reel KAN 99","Microfilm copy available on reel KAN 100","Microfilm copy available on reel KAN 101","Microfilm copy available on reel KAN 102","Microfilm copy available on reel KAN 103","Microfilm copy available on reel KAN 104","Microfilm copy available on reel KAN 104","Microfilm copy available on reel KAN 105","Microfilm copy available on reel KAN 106","Microfilm copy available on reel KAN 107","Microfilm copy available on reel KAN 108","Microfilm copy available on reel KAN 108","Microfilm copy available on reel KAN 109","Microfilm copy available on reel KAN 109","Microfilm copy available on reel KAN 110","Microfilm copy available on reel KAN 111","Microfilm copy available on reel KAN 112","Microfilm copy available on reel KAN 113","Microfilm copy available on reel KAN 114","Microfilm copy available on reel KAN 115","Microfilm copy available on reel KAN 116","Microfilm copy available on reel KAN 117","Microfilm copy available on reel KAN 118","Microfilm copy available on reel KAN 119","Microfilm copy available on reel KAN 120-121","Microfilm copy available on reel KAN 121-122","Microfilm copy available on reel KAN 122","Microfilm copy available on reel KAN 123","Microfilm copy available on reel KAN 124","Microfilm copy available on reel KAN 125","Microfilm copy available on reel KAN 126","Microfilm copy available on reel KAN 127","Microfilm copy available on reel KAN 128","Microfilm copy available on reel KAN 129","Microfilm copy available on reel KAN 130","Microfilm copy available on reel KAN 131","Microfilm copy available on reel KAN 132","Microfilm copy available on reel KAN 133","Microfilm copy available on reel KAN 134","Microfilm copy available on reel KAN 135","Microfilm copy available on reel KAN 136","Microfilm copy available on reel KAN 137","Microfilm copy available on reel KAN 138","Microfilm copy available on reel KAN 139","Microfilm copy available on reel KAN 140","Microfilm copy available on reel KAN 141","Microfilm copy available on reel KAN 142","Microfilm copy available on reel KAN 143","Microfilm copy available on reel KAN 144","Microfilm copy available on reel KAN 145","Microfilm copy available on reel KAN 146","Microfilm copy available on reel KAN 147","Microfilm copy available on reel KAN 148","Microfilm copy available on reel KAN 149","Microfilm copy available on reel KAN 150","Microfilm copy available on reel KAN 151","Microfilm copy available on reel KAN 152","Microfilm copy available on reel KAN 153","Microfilm copy available on reel KAN 154","Microfilm copy available on reel KAN 155","Microfilm copy available on reel KAN 156","Microfilm copy available on reel KAN 157","Microfilm copy available on reel KAN 158","Microfilm copy available on reel KAN 159","Microfilm copy available on reel KAN 160","Microfilm copy available on reel KAN 161","Microfilm copy available on reel KAN 162","Microfilm copy available on reel KAN 163","Microfilm copy available on reel KAN 164","Microfilm copy available on reel KAN 165","Microfilm copy available on reel KAN 166","Microfilm copy available on reel KAN 167","Microfilm copy available on reel KAN 168","Microfilm copy available on reel KAN 169","Microfilm copy available on reel KAN 170","Microfilm copy available on reel KAN 171","Microfilm copy available on reel KAN 172","Microfilm copy available on reel KAN 173","Microfilm copy available on reel KAN 174","Microfilm copy available on reel KAN 175","Microfilm copy available on reel KAN 176","Microfilm copy available on reel KAN 177","Microfilm copy available on reel KAN 178","Microfilm copy available on reel KAN 179","Microfilm copy available on reel KAN 180","Microfilm copy available on reel KAN 181","Microfilm copy available on reel KAN 182","Microfilm copy available on reel KAN 183","Microfilm copy available on reel KAN 184","Microfilm copy available on reel KAN 185","Microfilm copy available on reel KAN 186","Microfilm copy available on reel KAN 187","Microfilm copy available on reel KAN 188","Microfilm copy available on reel KAN 189","Microfilm copy available on reel KAN 190","Microfilm copy available on reel KAN 191","Microfilm copy available on reel KAN 192","Microfilm copy available on reel KAN 193","Microfilm copy available on reel KAN 194","Microfilm copy available on reel KAN 195","Microfilm copy available on reel KAN 196","Microfilm copy available on reel KAN 197","Microfilm copy available on reel KAN 198","Microfilm copy available on reel KAN 199","Microfilm copy available on reel KAN 200","Microfilm copy available on reel KAN 201","Microfilm copy available on reel KAN 202","Microfilm copy available on reel KAN 203","Microfilm copy available on reel KAN 204","Microfilm copy available on reel KAN 205","Microfilm copy available on reel KAN 206","Microfilm copy available on reel KAN 206","Microfilm copy available on reel KAN 207","Microfilm copy available on reel KAN 208","Microfilm copy available on reel KAN 209","Microfilm copy available on reel","Microfilm copy available on reel KAN 210, 211","Microfilm copy available on reel KAN 212","Microfilm copy available on reel KAN 213","Microfilm copy available on reel KAN 214","Microfilm copy available on reel KAN 215","Microfilm copy available on reel KAN 216","Microfilm copy available on reel KAN 217","Microfilm copy available on reel KAN 218","Microfilm copy available on reel KAN 219","Microfilm copy available on reel KAN 220","Microfilm copy available on reel KAN 221","Microfilm copy available on reel KAN 222","Microfilm copy available on reel KAN 223","Microfilm copy available on reel KAN 224","Microfilm copy available on reel KAN 225","Microfilm copy available on reel KAN 226","Microfilm copy available on reel KAN 227","Microfilm copy available on reel KAN 228","Microfilm copy available on reel KAN 229","Microfilm copy available on reel KAN 230","Microfilm copy available on reel KAN 231","Microfilm copy available on reel KAN 232","Microfilm copy available on reel KAN 233","Microfilm copy available on reel KAN 234","Microfilm copy available on reel KAN 235","Microfilm copy available on reel KAN 236","Microfilm copy available on reel KAN 237","Microfilm copy available on reel KAN 238","Microfilm copy available on reel KAN 239","Microfilm copy available on reel KAN 240","Microfilm copy available on reel KAN 241","Microfilm copy available on reel KAN 242","Microfilm copy available on reel KAN 243","Microfilm copy available on reel KAN 244","Microfilm copy available on reel KAN 245","Microfilm copy available on reel KAN 246","Microfilm copy available on reel KAN 247","Microfilm copy available on reel KAN 248","Microfilm copy available on reel KAN 249-250","Microfilm copy available on reel KAN 251","Microfilm copy available on reel KAN 252","Microfilm copy available on reel KAN 253","Microfilm copy available on reel KAN 254","Microfilm copy available on reel KAN 255","Microfilm copy available on reel KAN 256","Microfilm copy available on reel KAN 257","Microfilm copy available on reel KAN 258","Microfilm copy available on reel KAN 259","Microfilm copy available on reel KAN 260","Microfilm copy available on reel KAN 261","Microfilm copy available on reel KAN 262","Microfilm copy available on reel KAN 263","Microfilm copy available on reel KAN 264","Microfilm copy available on reel KAN 265","Microfilm copy available on reel KAN 266","Microfilm copy available on reel KAN 267","Microfilm copy available on reel KAN 268","Microfilm copy available on reel KAN 269","Microfilm copy available on reel KAN 270","Microfilm copy available on reel KAN 271","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","Microfilm copy available on KAN 273","Microfilm copy available on KAN 285","Microfilm copy available on KAN 288","Microfilm copy available on KAN 288","Microfilm copy available on KAN 289","Microfilm copy available on KAN 289","Microfilm copy available on KAN 284","Microfilm copy available on KAN 284","Microfilm copy available on KAN 284","Microfilm copy available on KAN 284","Microfilm copy available on KAN 284","No Microfilm Copy Available","No Microfilm Copy Available. Photostat copy is available on site (item 201)","Microfilm copy available on KAN 283","Microfilm copy available on KAN 283","Microfilm copy available on KAN 290","No Microfilm Copy Available","No Microfilm Copy Available","Microfilm Copy Available on KAN 272","This is a photstat copy of item 87.","This collection is arranged into three series: Microfilm, Paper Materials, and Record Books. For Series 2-Paper Materials, the papers are sorted into envelopes, which are arranged chronologically. The envelopes are labeled with the year followed by the envelope number (ex. 1804-2 would be envelope 2 of the records for 1804). Envelopes may also indicate the level of court (i.e. County Court, Circuit Court, etc.).","Beginning with reel KAN 188, the title cards incorrectly identify the box numbers where the originals can be found. All of the envelope numbers are correct; box numbers should be disregarded. To identify the correct box number, see the contents list for this collection.","LAND: ","A\u0026M 0907, Kanawha County Land Grants ","A\u0026M 4182, James E. Heath, Auditor, Listings of Delinquent Lands in Western Virginia ","INDUSTRY: ","A\u0026M 1526, Winifrede Mining and Manufacturing Company Case File ","A\u0026M 3992, Joseph McGill, Diary of a Coal Mine Surveyor and Engineer ","A\u0026M 2151, Court Records of the Kanawha County \"Salt Case\" ","A\u0026M 2117, Great Kanawha Coal, Oil, \u0026 Metallurgic Company Records ","OTHER: ","A\u0026M 2061, William B. Gatewood (1835-1908) Papers ","A\u0026M 0642, Kanawha County Poll Book ","There are several other collections of steamboat records, see A\u0026M's: 650, 844, 1253, 1406, 1409, 1417, 1548, and 2207.","County court records consisting primarily of court case papers, related court record books (dockets, execution books, fee books, witness books, etc.), and public records concerning a variety of topics including land records, schools, and marriages. There are also a few private account books relating to various local industries, including salt, mining, sawmills, steamboats, and general stores. ","Series 1-Microfilm consists of 373 reels of microfilm. The first 271 reels, KAN 1-271, are copies of the first 296 boxes of paper materials (see series 2). Reels KAN 272-KAN 290 are copies of most of the record books in the collection (see series 3), excluding items 83, 87, 88 and 96. The remainder of the reels are copies of the card index to this collection, an extensive alphabetical, chronological, and subject index to the paper materials in Series 2.   ","Series 2-Paper Materials, consists of 541 boxes of county court records, primarily case papers. Boxes 297-541 have not been microfilmed. This collection also includes an 1869 Reward Poster for Ed Sullivan (formerly in Box 256, env. 1869-35, now in oversize folder 1) and 4 bank notes for the \"Bank of the Union\" (Box 171, env. 1851-1).  See Series 1, reels KAN 358-373, the subject index, for more information on what kind of topics appear in the paper materials. Highlights of Series 2 include records of enslavement, military affairs, the jail, early land, and other miscellaneous records of note, as well as many records of the Ruffner Family. See Series 2 scope and content note for more details. ","Series 3-Record Books, consists of 18 original copies of record books. Apart from court records, there are a few private records of local businesses, including mining companies, a sawmill, and a steam ship.","Series 1-Microfilm consists of 373 reels of microfilm. The first 271 reels, KAN 1-271, are copies of the first 296 boxes of paper materials (see series 2). Reels KAN 272-KAN 290 are copies of most of the record books in the collection (see series 3), excluding items 83, 87, 88 and 96. The remainder of the reels are copies of the card index to this collection, an extensive alphabetical, chronological, and subject index to the paper materials in Series 2.","There is one item, a deed from Priddy Nelson to Samuel T. Washington (1827-17) that is not filmed. There is instead a note about 4-H members. The originals for these materials are located on site.","This is a typescript copy of item 46 on KAN 289","Also includes Monthly Docket, 1843-1847","Fragment","Concerning cloth, dry goods, grocery, notions, hardware, drugs, furniture, tailoring, and estate","This item is an index to Item #40, Slack's Fee Book","Item 100 on KAN 284 is an index to the record","Has the name \"Dry Den's\"","Also includes the Circuit Superior Court Process book for 1831","There is a typrescript version of this record available on KAN 272","Topics include Bounty for Volunteers; Overseers of Poor Allowance; Ordinance concerning sale of liquor; Election Returns for election held 27 October 1864; Township Boundaries; Roads; Bridges, and D. W. Polsley, Clerk.","Weather Reports also given","Subjects include: Accounts, Amercement, Appeals, Assumit, Attatchement, Caveat, Chancery, Condemnation","Subjects include: Contract or Covenant (Breach of), Costs, Detainer (Unlawful), Detinue","Subjects include: Detinue, Distress, Divorce (Chancery), Dower Rights (Chancery), Ejectment, Execution, FIFA (1840)","Subjects include: FIFA (-1926), Forceible Entry, Foreclosure (Chancery), F.C. Bond, Fraud (Chancery), Freedom, Guardian (Chancery), Habeas Corpus, Injunction (Chancery), Interpleader (Chancery), Libel, Miscellaneous and Unclassified, Mandamus, Prohibition, Warrants, Motion for Judgement, New Trustees, Non-Suit, Partition, Petition (Chancery),  Promise (Breach of ), Quia Timet, Recievership (Chancery), Replevin, Scire Facias (sometimes abbreviated SciFa), Slander, Specific Performance (Chancery), Tort","Subjects include: Trespass, TOC","Subjects include: TOC, Writ of Right, Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt Attatchment (-1931); Subjects for Criminal Records include: Abortion, Adultery, Arson, Assault, Assault and Battery,  Assault (Felonius), Bad Check, Bastardy, Bigamy, Board Bill, Brandishing Deadly Weapons, Breaking and Entering, Bribery, Buggery (also known as sodomy), Burglery, Cohabitation, Concealed Weapons, Conspiracy","Subjects include: Contempt, Counterfeiting, Cruelty to Animals, Cutting and Shooting, Deadly Weapons, Delinquency, Desertion, Destruction of property, Disorderly Conduct, Disturbing Public Assembly, Drunkenness, Election Law Violations, Embezzlement, Escape, Estates, Ferries, Extortion, Failure to Vote, False Pretense, Felony, Felony Misc., Fines, Forgery, Fornification, Fraternal Organizations, Fraud, Gambling or Gaming, Game and Fish Law, Genealogy, Guardians, Horse Racing, Horse stealing, Indentures, Indians, Industries, Ill Fame (House of, also known as brothels), Incorrigible, Intoxication, Inquest, Insanity, Jail Breaking, Kidnapping, Killing Poisoning Livestock, Larceny","Subjects include: Truancy, Accounts, Administrators and executors, Agreements, Apprentices, Assessors, Assignments, Attorneys, Bills of Sale, Bonds, Boundaries, Bridges, Cemeteries, Certificates, Churches, Clerks of Court, Commissioners, Constables, Corporations Coroners, Courts, Court House and Jail, Dams, Deeds, Deeds of Trust, Deeds (Misc.), Delinquents, Elections, Insolvent Debtors, Jails or Jailors, Juries, Justices, Lands","Subjects include: Leases, Legislation, Levy, Liens, Liquors, Marriages","Subjects include: Marriages, Military Affairs, Miscellaneous, Natural Resources (Misc.), Natural Resources (Coal, Land, Oil and Gas, Timber, Salt), Naturalization, Navigation, \"Negroes,\" Notary, Notes, Oaths, Ordinaries, Orphans, Petitions, Patents, Poor, Prices, Prison Bounds, Private Entertainment (House of), Public Health, Public officials, Public Utilities, Reciepts, Roads, Scalps, Schedules, Schools, Settlements, Sheep, Sheriff, Special Interest, Supervisors, Surveys and Plats, Surveyors, Taxes, Testimony, Trustees, Vital Statistics, Wills, Witnesses","Series 2-Paper Materials, consists of 541 boxes of county court records, primarily case papers. Boxes 297-541 have not been microfilmed. This collection also includes an 1869 Reward Poster for Ed Sullivan (oversize folder 1) and 4 bank notes for the \"Bank of the Union\" (Box 171, env. 1851-1).  For this series, the papers are sorted into envelopes, which are arranged chronologically. The envelopes are labeled with the year followed by the envelope number (ex. 1804-2 would be envelope 2 of the records for 1804). Envelopes may also indicate the level of court (i.e., County Court, Circuit Court, etc.).","Highlights of enslaved records include: case in which Samuel Robinson was illegally taken to Kentucky and sold while his suit for freedom was pending  (1812-2); petition for a patrol to protect against \"riotous and intoxicated assemblages of negroes\" (undated-4); petition of Liston Crewitt for freedom \"by virtue of a free father and a mother purchased by the father\" (1847-67); John is convicted to hang for murder, reprieved by Governor Smith and ordered to be sold and transported \"beyond the limits of the United States\" (1848-2, see 1848-); Public sale of enslaved people (1854-). ","Highlights concerning the Civil War include: oath of allegiance (1864-3); opinion on the case of an attorney barred from practicing due to Confederate service (1865-, and 1865-22); suit resulting from Jefferson Davis's proclamation of Martial Law in 1862 (1864-14, see also a record pertaining to Apollus Ward, \"free negro,\" 1824-39); an estate case in which Mary A. Rock was \"reported to be in sympathy with the Southern Rebellion or the so called Confederate States\" (1864-11); newspaper clipping addressed to \"Slave Holding Virginia\" (get year/location, was 1844). Other miscellaneous military record highlights include: charged under War Measure of 1918 (1918-2); encouraging men to enlist for defense of the colony (1754-); land grants for military service according to Proclamation of 1763 (1779-, 1780-); land grant from Thomas Jefferson for military service (1779-1); letter concerning the \"Affair at Oswego\" (1814-); factors responsible for the Philippine War (1899-27); copy of grant  to Colonel George Washington by warrant issued by Lord Dunmore (1784-). ","Report on the conditions of the county jail (18--, see 1809-2); conditions of 10-year sentence of solitary confinement for passing one counterfeit $20 (1835-); petition concerning \"three persons taken from jail and lynched\" (1876-10, see case of Rufus Estep, 1876-10). ","Early land highlights include deed from George Clendenen and wife to Joseph Ruffner Sr. for land that was the site of the first settlement of Charleston (1796-1); Report of assessable lands (1797-); land owned by George and Martha Washington (1812-, 1812-1). ","Other highlights include the fraternal orders Abraham Encampment #20 I.O.O.F. in Brownstown (1870-1) and Grande Lodge Independent Order of Odd Fellows (1872-3); a speech on family history by Hon. Jones Detwiler read at the Yost Family Reunion (1898-24); a contract to explore for coal, payment to be made with salt (1822-); employment of John Tyre to work on road and provide deer meat and skins to other laborers (1797-); four bank notes from the Bank of the Union (1851-1); a deposition concerned with \"war with Indians\" (1782); Prescription of \"Rx 1 oz. Laudanum- Pill, Garlick- Kill or cure\" to a patient who died (1828-); appropriation for $1000 for control of Venereal Diseases (1920-2). ","Two items from this collection, located in envelope 1822-1, were formerly A\u0026M 1542. The abstract for this collection was: \"Two deeds from William D. Taylor U. S. Tax Collector, to John Peck for two tracts of land in Kanawha County, sold for non-payment of taxes, containing twenty-one, and forty one thousand acres, assessed in the name of David Miller and Co.; Isaac Lloyd and H. Sharp.\"","These materials are now located in oversize folder 1.","Two land deeds which were originally located in envelope 1822-1. These items were formerly A\u0026M 1542, the original abstract for which was: \"Two deeds from William D. Taylor U. S. Tax Collector, to John Peck for two tracts of land in Kanawha County, sold for non-payment of taxes, containing twenty-one, and forty one thousand acres, assessed in the name of David Miller and Co.; Isaac Lloyd and H. Sharp.\"","One item from this collection, deed from Nelson Priddy to Samuel T. Washington et al., was originally located in env. 1827-17. There is no microfilm of this item, instead there is a scan of a document titled \"Outstanding 4-5 Club Members.\" ","The original item is now located in Oversize Folder 2.","This item was separated from envelope 1827-17 in box 68.","The 1869 Reward poster for Ed Sullivan from envelope 1869-35 is now located in oversize folder 1.","This item was originally found in envelope 1869-35 of box 256. ","Item is a reward poster offering $30 reward for the apprehension of \"Atolerably tall, slim white man about 25 or 30 years of age, with light, short hair, no whiskers, attempted robbery, and the murder of my wife...\"","Series 3-Record Books, consists of 18 original copies of record books. Apart from court records, there are a few private records of local businesses, including mining companies, a sawmill, and a steam ship. Item 91, a private ledger of a steamboat, has water damage, and the writing is very faint.","Topics include Bounty for Volunteers; Overseers of Poor Allowance; Ordinance concerning sale of liquor; Election Returns for election held 27 October 1864; Township Boundaries; Roads; Bridges, and D. W. Polsley, Clerk.","Concerning cloth, dry goods, grocery, notions, hardware, drugs, furniture, tailoring, and estate (last one might be something else, abbreviated as \"est.\"","This item was formerly A\u0026M 0058.","This item was formerly A\u0026M 3679. Original abstract: \"Records of the Board of School Commissioners of Kanawha County, Virginia including minutes, financial records, and other material. The records regard topics such as the purchase of books for poor students, children's tuition, allowance for the Boad members, and other funding issues. Board members include Reverend Mark W. Calhoun, David Ruffner, John P. Turner, and Alexander W. Quamen.\"","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","County court records consisting primarily of court case papers, related court record books (dockets, execution books, fee books, witness books, etc.), and public records concerning a variety of topics including land records, schools, and marriages. There are also a few private account books relating to various local industries, including salt, mining, sawmills, steamboats, and general stores.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Kanawha County Court (Kanawha County, W. Va.)","English \n.    "],"unitid_tesim":["A\u0026M 0145","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2464"],"normalized_title_ssm":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers"],"collection_title_tesim":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers"],"collection_ssim":["Kanawha County (W. Va.) Court Records and Miscellaneous Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Kanawha County (W. Va.)"],"geogname_ssim":["Kanawha County (W. Va.)"],"creator_ssm":["Kanawha County Court (Kanawha County, W. Va.)"],"creator_ssim":["Kanawha County Court (Kanawha County, W. Va.)"],"creator_corpname_ssim":["Kanawha County Court (Kanawha County, W. Va.)"],"creators_ssim":["Kanawha County Court (Kanawha County, W. Va.)"],"places_ssim":["Kanawha County (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Kanawha County Court, 1938.","Item 200, Typed Transcript of Minute Book #46, is a gift of Dr. Roy Bird Cook, 1939.  "],"access_subjects_ssim":["Court records","Kanawha County - archives.","Salt industry and trade","County courts","Court calendars","Debt, Imprisonment for","Deeds","Enslaved persons","Slaves and slavery.","Justice, Administration of","Public records"],"access_subjects_ssm":["Court records","Kanawha County - archives.","Salt industry and trade","County courts","Court calendars","Debt, Imprisonment for","Deeds","Enslaved persons","Slaves and slavery.","Justice, Administration of","Public records"],"has_online_content_ssim":["false"],"extent_ssm":["274.85 Linear Feet Summary: 274 ft. 10 in. (541 document cases, 5 in. each); (1 records carton, 15 in.);  (2 ledgers, 1.5 in.); (2 oversize folders, 4 items); (2 folders, .5 in.); (290 reels of microfilm, 1.75 in. each); (83 reels of microfilm, .75 in. each); (1 small flat storage box, 3 in.); (1 record storage box, 3.5 in.)"],"extent_tesim":["274.85 Linear Feet Summary: 274 ft. 10 in. (541 document cases, 5 in. each); (1 records carton, 15 in.);  (2 ledgers, 1.5 in.); (2 oversize folders, 4 items); (2 folders, .5 in.); (290 reels of microfilm, 1.75 in. each); (83 reels of microfilm, .75 in. each); (1 small flat storage box, 3 in.); (1 record storage box, 3.5 in.)"],"date_range_isim":[1773,1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933],"accessrestrict_html_tesm":["\u003cp\u003eFor materials in boxes 1-296 and most record books, researchers should use microfilm. Boxes 297-541 and items 96, 87, 88, and 83 have not been microfilmed, but are open for research. \u003c/p\u003e\n","\u003cp\u003eAll microfilm, item 201 (SC folders 1 and 2), and noted materials formerly in boxes 46, 68, and 256 (now in oversize folders 1 and 2) are stored on-site. All other original material is stored offsite; please make an appointment prior to visiting. \u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 1-2\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 3-4\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 5\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 6-7\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 8-9\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Boxes 10-11\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Boxes 12-13\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 14\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Boxes 15-16\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Boxes 17-18\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 19\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 20-21\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 22\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 23\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 24\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 25\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 26\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 27\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 28\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 29\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 30\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 31\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 32\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 33\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 34\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 35\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 36\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 37\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 38\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 39\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 40\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 41\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 42\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 43\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 44\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 45\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 46\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 47\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 48\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Boxes 49-50\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 51\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 52\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 53\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 54\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 55-56\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 57\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 58\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 59\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 60-61\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 62\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 63\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 64\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 65\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 66\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 67-68\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 69\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 70-71\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 72-73\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 74\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 75\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 76\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 77-78\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 79\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 80\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 81\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 82\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 83\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 84\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 85\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 86\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 87-88\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 89\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 90\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 91-92\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 93\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 94\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 95\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 96\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 97-98\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 99\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 100\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 101\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 102\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 103\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 104\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 105-106\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 107-108\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 109\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 110\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 111\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 112\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 113\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 114\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 115\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 116\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 117\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 118\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 119\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Boxes 120-121\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 122\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 123\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 124\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 125\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Boxes 126-127\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 128\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 129\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 130\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 131-132\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 133-134\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 135\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 136\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 137\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 138\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 139\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 140\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 141\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 142\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 143\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 144\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 145\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 145-146\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 146-147\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 148\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 149\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 150\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 151\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 152\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 153\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 154\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 155\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 156\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 157\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 158\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 159\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 160\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 161\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 162\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 163\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 164\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 165\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 166\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 167\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 168\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 169\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 170\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 171\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 172\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 173\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 174\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 175\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 176\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 177\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 178\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 179\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 180\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 181\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 182\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 183\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 184\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 185\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 186\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 187\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 188\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 189\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 190\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 191\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 192\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 193\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 194\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 195\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 196\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 197\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 198\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 199\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 200\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 201\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 202\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 203\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 204\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 205\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 206\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 207\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 208\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 209\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 210\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 211\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 212\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 213\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 214\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 215\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 216\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 217\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 218\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 219\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 220\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 221\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 222\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 223\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 224\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 225\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 226\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 227\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 228\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 229\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 230\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 231-232\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 233\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 234\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 235\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 237\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 237\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 238\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 239\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 240\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 241\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 242\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 243\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 244\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 245\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 246\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 247\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 248\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 249\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 250\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 251\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 252\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 253\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 254\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 255\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 256\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 257\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 258\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 259\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 260\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 261\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 262\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 263\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 264\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 265\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 266\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 267\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 268\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 269\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 270\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 271\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 272\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 273\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 274\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 275\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 275\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 276\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 277\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 278\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 279\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 280\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 281\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 282\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 283\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 284\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 285\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 286\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 287\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 288\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 289\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 290\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 291\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 292\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 293\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 294\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 295\u003c/p\u003e","\u003cp\u003eMicrofilm copy of materials in Box 296\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 200.\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 6, no other original material exists\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 6\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of items 90-91, no other original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 90\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 91\u003c/p\u003e","\u003cp\u003eMicrofilm copy of items 56A, 92-95, no other original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 56A\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 92\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 93\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 94\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 95\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 27, no other original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 27\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of items 43 and 45, no other original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 43\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 45\u003c/p\u003e","\u003cp\u003eMicrofilm copy of items 46-47, no other original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 46\u003c/p\u003e","\u003cp\u003eMicrofilm copy of item 47\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm is only copy, no original material exists\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy of the card index\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 1\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel  KAN 1\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 2\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 2\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 3\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 4\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 4\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 5\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 5\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 6\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 6\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 7\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 7\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 8\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 9\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 9\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 10\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 10\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 11\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 12\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 12\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 13\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 14\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 15\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 16\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 17\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 18\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 19\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 20\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 21\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 22\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 23\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 24\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 25\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 26\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 27\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 28\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 29\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 30\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 31\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 32\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 33\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 34\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 35\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 36\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 37\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on KAN 37\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 38\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 39\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 40\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 40\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 41\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 42\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 43\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 44\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 45\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 45\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 46\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 47\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 48\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 49\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 49\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 50\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 51\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 52\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 53\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 54\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 55\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 55\u003c/p\u003e","\u003cp\u003eNo Microfilm Copy Available.\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 56\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 57\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 57\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 58\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 58\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 59\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 60\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 61\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 62\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 62\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 63\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 64\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 65\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 66\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 67\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 68\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 69\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 70\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 71\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 71\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 72\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 73\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 74\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 74\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 75\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 76\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 77\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 78\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 79\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 79\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 80\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 81\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 82\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 83\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 84\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 85\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 86\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 86\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 87\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 87\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 88\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 89\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 90\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 91\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 92\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 93\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 94\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 95\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 96\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 97\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 98\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 99\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 99\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 100\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 101\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 102\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 103\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 104\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 104\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 105\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 106\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 107\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 108\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 108\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 109\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 109\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 110\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 111\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 112\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 113\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 114\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 115\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 116\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 117\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 118\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 119\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 120-121\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 121-122\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 122\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 123\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 124\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 125\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 126\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 127\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 128\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 129\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 130\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 131\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 132\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 133\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 134\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 135\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 136\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 137\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 138\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 139\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 140\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 141\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 142\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 143\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 144\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 145\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 146\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 147\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 148\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 149\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 150\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 151\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 152\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 153\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 154\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 155\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 156\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 157\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 158\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 159\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 160\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 161\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 162\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 163\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 164\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 165\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 166\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 167\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 168\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 169\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 170\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 171\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 172\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 173\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 174\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 175\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 176\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 177\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 178\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 179\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 180\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 181\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 182\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 183\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 184\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 185\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 186\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 187\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 188\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 189\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 190\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 191\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 192\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 193\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 194\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 195\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 196\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 197\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 198\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 199\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 200\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 201\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 202\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 203\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 204\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 205\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 206\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 206\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 207\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 208\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 209\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 210, 211\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 212\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 213\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 214\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 215\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 216\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 217\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 218\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 219\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 220\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 221\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 222\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 223\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 224\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 225\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 226\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 227\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 228\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 229\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 230\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 231\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 232\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 233\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 234\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 235\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 236\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 237\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 238\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 239\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 240\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 241\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 242\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 243\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 244\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 245\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 246\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 247\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 248\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 249-250\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 251\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 252\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 253\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 254\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 255\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 256\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 257\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 258\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 259\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 260\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 261\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 262\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 263\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 264\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 265\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 266\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 267\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 268\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 269\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 270\u003c/p\u003e","\u003cp\u003eMicrofilm copy available on reel KAN 271\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy available\u003c/p\u003e","\u003cp\u003eNo microfilm copy 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Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["For materials in boxes 1-296 and most record books, researchers should use microfilm. Boxes 297-541 and items 96, 87, 88, and 83 have not been microfilmed, but are open for research. ","All microfilm, item 201 (SC folders 1 and 2), and noted materials formerly in boxes 46, 68, and 256 (now in oversize folders 1 and 2) are stored on-site. All other original material is stored offsite; please make an appointment prior to visiting. ","Microfilm copy of materials in Box 1-2","Microfilm copy of materials in Box 3-4","Microfilm copy of materials in Box 5","Microfilm copy of materials in Box 6-7","Microfilm copy of materials in Box 8-9","Microfilm copy of materials in Boxes 10-11","Microfilm copy of materials in Boxes 12-13","Microfilm copy of materials in Box 14","Microfilm copy of materials in Boxes 15-16","Microfilm copy of materials in Boxes 17-18","Microfilm copy of materials in Box 19","Microfilm copy of materials in Box 20-21","Microfilm copy of materials in Box 22","Microfilm copy of materials in Box 23","Microfilm copy of materials in Box 24","Microfilm copy of materials in Box 25","Microfilm copy of materials in Box 26","Microfilm copy of materials in Box 27","Microfilm copy of materials in Box 28","Microfilm copy of materials in Box 29","Microfilm copy of materials in Box 30","Microfilm copy of materials in Box 31","Microfilm copy of materials in Box 32","Microfilm copy of materials in Box 33","Microfilm copy of materials in Box 34","Microfilm copy of materials in Box 35","Microfilm copy of materials in Box 36","Microfilm copy of materials in Box 37","Microfilm copy of materials in Box 38","Microfilm copy of materials in Box 39","Microfilm copy of materials in Box 40","Microfilm copy of materials in Box 41","Microfilm copy of materials in Box 42","Microfilm copy of materials in Box 43","Microfilm copy of materials in Box 44","Microfilm copy of materials in Box 45","Microfilm copy of materials in Box 46","Microfilm copy of materials in Box 47","Microfilm copy of materials in Box 48","Microfilm copy of materials in Boxes 49-50","Microfilm copy of materials in Box 51","Microfilm copy of materials in Box 52","Microfilm copy of materials in Box 53","Microfilm copy of materials in Box 54","Microfilm copy of materials in Box 55-56","Microfilm copy of materials in Box 57","Microfilm copy of materials in Box 58","Microfilm copy of materials in Box 59","Microfilm copy of materials in Box 60-61","Microfilm copy of materials in Box 62","Microfilm copy of materials in Box 63","Microfilm copy of materials in Box 64","Microfilm copy of materials in Box 65","Microfilm copy of materials in Box 66","Microfilm copy of materials in Box 67-68","Microfilm copy of materials in Box 69","Microfilm copy of materials in Box 70-71","Microfilm copy of materials in Box 72-73","Microfilm copy of materials in Box 74","Microfilm copy of materials in Box 75","Microfilm copy of materials in Box 76","Microfilm copy of materials in Box 77-78","Microfilm copy of materials in Box 79","Microfilm copy of materials in Box 80","Microfilm copy of materials in Box 81","Microfilm copy of materials in Box 82","Microfilm copy of materials in Box 83","Microfilm copy of materials in Box 84","Microfilm copy of materials in Box 85","Microfilm copy of materials in Box 86","Microfilm copy of materials in Box 87-88","Microfilm copy of materials in Box 89","Microfilm copy of materials in Box 90","Microfilm copy of materials in Box 91-92","Microfilm copy of materials in Box 93","Microfilm copy of materials in Box 94","Microfilm copy of materials in Box 95","Microfilm copy of materials in Box 96","Microfilm copy of materials in Box 97-98","Microfilm copy of materials in Box 99","Microfilm copy of materials in Box 100","Microfilm copy of materials in Box 101","Microfilm copy of materials in Box 102","Microfilm copy of materials in Box 103","Microfilm copy of materials in Box 104","Microfilm copy of materials in Box 105-106","Microfilm copy of materials in Box 107-108","Microfilm copy of materials in Box 109","Microfilm copy of materials in Box 110","Microfilm copy of materials in Box 111","Microfilm copy of materials in Box 112","Microfilm copy of materials in Box 113","Microfilm copy of materials in Box 114","Microfilm copy of materials in Box 115","Microfilm copy of materials in Box 116","Microfilm copy of materials in Box 117","Microfilm copy of materials in Box 118","Microfilm copy of materials in Box 119","Microfilm copy of materials in Boxes 120-121","Microfilm copy of materials in Box 122","Microfilm copy of materials in Box 123","Microfilm copy of materials in Box 124","Microfilm copy of materials in Box 125","Microfilm copy of materials in Boxes 126-127","Microfilm copy of materials in Box 128","Microfilm copy of materials in Box 129","Microfilm copy of materials in Box 130","Microfilm copy of materials in Box 131-132","Microfilm copy of materials in Box 133-134","Microfilm copy of materials in Box 135","Microfilm copy of materials in Box 136","Microfilm copy of materials in Box 137","Microfilm copy of materials in Box 138","Microfilm copy of materials in Box 139","Microfilm copy of materials in Box 140","Microfilm copy of materials in Box 141","Microfilm copy of materials in Box 142","Microfilm copy of materials in Box 143","Microfilm copy of materials in Box 144","Microfilm copy of materials in Box 145","Microfilm copy of materials in Box 145-146","Microfilm copy of materials in Box 146-147","Microfilm copy of materials in Box 148","Microfilm copy of materials in Box 149","Microfilm copy of materials in Box 150","Microfilm copy of materials in Box 151","Microfilm copy of materials in Box 152","Microfilm copy of materials in Box 153","Microfilm copy of materials in Box 154","Microfilm copy of materials in Box 155","Microfilm copy of materials in Box 156","Microfilm copy of materials in Box 157","Microfilm copy of materials in Box 158","Microfilm copy of materials in Box 159","Microfilm copy of materials in Box 160","Microfilm copy of materials in Box 161","Microfilm copy of materials in Box 162","Microfilm copy of materials in Box 163","Microfilm copy of materials in Box 164","Microfilm copy of materials in Box 165","Microfilm copy of materials in Box 166","Microfilm copy of materials in Box 167","Microfilm copy of materials in Box 168","Microfilm copy of materials in Box 169","Microfilm copy of materials in Box 170","Microfilm copy of materials in Box 171","Microfilm copy of materials in Box 172","Microfilm copy of materials in Box 173","Microfilm copy of materials in Box 174","Microfilm copy of materials in Box 175","Microfilm copy of materials in Box 176","Microfilm copy of materials in Box 177","Microfilm copy of materials in Box 178","Microfilm copy of materials in Box 179","Microfilm copy of materials in Box 180","Microfilm copy of materials in Box 181","Microfilm copy of materials in Box 182","Microfilm copy of materials in Box 183","Microfilm copy of materials in Box 184","Microfilm copy of materials in Box 185","Microfilm copy of materials in Box 186","Microfilm copy of materials in Box 187","Microfilm copy of materials in Box 188","Microfilm copy of materials in Box 189","Microfilm copy of materials in Box 190","Microfilm copy of materials in Box 191","Microfilm copy of materials in Box 192","Microfilm copy of materials in Box 193","Microfilm copy of materials in Box 194","Microfilm copy of materials in Box 195","Microfilm copy of materials in Box 196","Microfilm copy of materials in Box 197","Microfilm copy of materials in Box 198","Microfilm copy of materials in Box 199","Microfilm copy of materials in Box 200","Microfilm copy of materials in Box 201","Microfilm copy of materials in Box 202","Microfilm copy of materials in Box 203","Microfilm copy of materials in Box 204","Microfilm copy of materials in Box 205","Microfilm copy of materials in Box 206","Microfilm copy of materials in Box 207","Microfilm copy of materials in Box 208","Microfilm copy of materials in Box 209","Microfilm copy of materials in Box 210","Microfilm copy of materials in Box 211","Microfilm copy of materials in Box 212","Microfilm copy of materials in Box 213","Microfilm copy of materials in Box 214","Microfilm copy of materials in Box 215","Microfilm copy of materials in Box 216","Microfilm copy of materials in Box 217","Microfilm copy of materials in Box 218","Microfilm copy of materials in Box 219","Microfilm copy of materials in Box 220","Microfilm copy of materials in Box 221","Microfilm copy of materials in Box 222","Microfilm copy of materials in Box 223","Microfilm copy of materials in Box 224","Microfilm copy of materials in Box 225","Microfilm copy of materials in Box 226","Microfilm copy of materials in Box 227","Microfilm copy of materials in Box 228","Microfilm copy of materials in Box 229","Microfilm copy of materials in Box 230","Microfilm copy of materials in Box 231-232","Microfilm copy of materials in Box 233","Microfilm copy of materials in Box 234","Microfilm copy of materials in Box 235","Microfilm copy of materials in Box 237","Microfilm copy of materials in Box 237","Microfilm copy of materials in Box 238","Microfilm copy of materials in Box 239","Microfilm copy of materials in Box 240","Microfilm copy of materials in Box 241","Microfilm copy of materials in Box 242","Microfilm copy of materials in Box 243","Microfilm copy of materials in Box 244","Microfilm copy of materials in Box 245","Microfilm copy of materials in Box 246","Microfilm copy of materials in Box 247","Microfilm copy of materials in Box 248","Microfilm copy of materials in Box 249","Microfilm copy of materials in Box 250","Microfilm copy of materials in Box 251","Microfilm copy of materials in Box 252","Microfilm copy of materials in Box 253","Microfilm copy of materials in Box 254","Microfilm copy of materials in Box 255","Microfilm copy of materials in Box 256","Microfilm copy of materials in Box 257","Microfilm copy of materials in Box 258","Microfilm copy of materials in Box 259","Microfilm copy of materials in Box 260","Microfilm copy of materials in Box 261","Microfilm copy of materials in Box 262","Microfilm copy of materials in Box 263","Microfilm copy of materials in Box 264","Microfilm copy of materials in Box 265","Microfilm copy of materials in Box 266","Microfilm copy of materials in Box 267","Microfilm copy of materials in Box 268","Microfilm copy of materials in Box 269","Microfilm copy of materials in Box 270","Microfilm copy of materials in Box 271","Microfilm copy of materials in Box 272","Microfilm copy of materials in Box 273","Microfilm copy of materials in Box 274","Microfilm copy of materials in Box 275","Microfilm copy of materials in Box 275","Microfilm copy of materials in Box 276","Microfilm copy of materials in Box 277","Microfilm copy of materials in Box 278","Microfilm copy of materials in Box 279","Microfilm copy of materials in Box 280","Microfilm copy of materials in Box 281","Microfilm copy of materials in Box 282","Microfilm copy of materials in Box 283","Microfilm copy of materials in Box 284","Microfilm copy of materials in Box 285","Microfilm copy of materials in Box 286","Microfilm copy of materials in Box 287","Microfilm copy of materials in Box 288","Microfilm copy of materials in Box 289","Microfilm copy of materials in Box 290","Microfilm copy of materials in Box 291","Microfilm copy of materials in Box 292","Microfilm copy of materials in Box 293","Microfilm copy of materials in Box 294","Microfilm copy of materials in Box 295","Microfilm copy of materials in Box 296","Microfilm copy of item 200.","Microfilm copy of item 6, no other original material exists","No microfilm copy available","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of item 6","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of items 90-91, no other original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of item 90","Microfilm copy of item 91","Microfilm copy of items 56A, 92-95, no other original material exists","Microfilm copy of item 56A","Microfilm copy of item 92","Microfilm copy of item 93","Microfilm copy of item 94","Microfilm copy of item 95","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of item 27, no other original material exists","Microfilm copy of item 27","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of items 43 and 45, no other original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of item 43","Microfilm is only copy, no original material exists","Microfilm copy of item 45","Microfilm copy of items 46-47, no other original material exists","Microfilm copy of item 46","Microfilm copy of item 47","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm is only copy, no original material exists","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy of the card index","Microfilm copy available on reel KAN 1","Microfilm copy available on reel  KAN 1","Microfilm copy available on reel KAN 2","Microfilm copy available on reel KAN 2","Microfilm copy available on reel KAN 3","Microfilm copy available on reel KAN 4","Microfilm copy available on reel KAN 4","Microfilm copy available on reel KAN 5","Microfilm copy available on reel KAN 5","Microfilm copy available on reel KAN 6","Microfilm copy available on reel KAN 6","Microfilm copy available on reel KAN 7","Microfilm copy available on reel KAN 7","Microfilm copy available on reel KAN 8","Microfilm copy available on reel KAN 9","Microfilm copy available on reel KAN 9","Microfilm copy available on reel KAN 10","Microfilm copy available on reel KAN 10","Microfilm copy available on reel KAN 11","Microfilm copy available on reel KAN 12","Microfilm copy available on reel KAN 12","Microfilm copy available on reel KAN 13","Microfilm copy available on reel KAN 14","Microfilm copy available on reel KAN 15","Microfilm copy available on reel KAN 16","Microfilm copy available on reel KAN 17","Microfilm copy available on reel KAN 18","Microfilm copy available on reel KAN 19","Microfilm copy available on reel KAN 20","Microfilm copy available on reel KAN 21","Microfilm copy available on reel KAN 22","Microfilm copy available on reel KAN 23","Microfilm copy available on reel KAN 24","Microfilm copy available on reel KAN 25","Microfilm copy available on reel KAN 26","Microfilm copy available on reel KAN 27","Microfilm copy available on reel KAN 28","Microfilm copy available on reel KAN 29","Microfilm copy available on reel KAN 30","Microfilm copy available on reel KAN 31","Microfilm copy available on reel KAN 32","Microfilm copy available on reel KAN 33","Microfilm copy available on reel KAN 34","Microfilm copy available on reel KAN 35","Microfilm copy available on reel KAN 36","Microfilm copy available on reel KAN 37","Microfilm copy available on KAN 37","Microfilm copy available on reel KAN 38","Microfilm copy available on reel KAN 39","Microfilm copy available on reel KAN 40","Microfilm copy available on reel KAN 40","Microfilm copy available on reel KAN 41","Microfilm copy available on reel KAN 42","Microfilm copy available on reel KAN 43","Microfilm copy available on reel KAN 44","Microfilm copy available on reel KAN 45","Microfilm copy available on reel KAN 45","Microfilm copy available on reel KAN 46","Microfilm copy available on reel KAN 47","Microfilm copy available on reel KAN 48","Microfilm copy available on reel KAN 49","Microfilm copy available on reel KAN 49","Microfilm copy available on reel KAN 50","Microfilm copy available on reel KAN 51","Microfilm copy available on reel KAN 52","Microfilm copy available on reel KAN 53","Microfilm copy available on reel KAN 54","Microfilm copy available on reel KAN 55","Microfilm copy available on reel KAN 55","No Microfilm Copy Available.","Microfilm copy available on reel KAN 56","Microfilm copy available on reel KAN 57","Microfilm copy available on reel KAN 57","Microfilm copy available on reel KAN 58","Microfilm copy available on reel KAN 58","Microfilm copy available on reel KAN 59","Microfilm copy available on reel KAN 60","Microfilm copy available on reel KAN 61","Microfilm copy available on reel KAN 62","Microfilm copy available on reel KAN 62","Microfilm copy available on reel KAN 63","Microfilm copy available on reel KAN 64","Microfilm copy available on reel KAN 65","Microfilm copy available on reel KAN 66","Microfilm copy available on reel KAN 67","Microfilm copy available on reel KAN 68","Microfilm copy available on reel KAN 69","Microfilm copy available on reel KAN 70","Microfilm copy available on reel KAN 71","Microfilm copy available on reel KAN 71","Microfilm copy available on reel KAN 72","Microfilm copy available on reel KAN 73","Microfilm copy available on reel KAN 74","Microfilm copy available on reel KAN 74","Microfilm copy available on reel KAN 75","Microfilm copy available on reel KAN 76","Microfilm copy available on reel KAN 77","Microfilm copy available on reel KAN 78","Microfilm copy available on reel KAN 79","Microfilm copy available on reel KAN 79","Microfilm copy available on reel KAN 80","Microfilm copy available on reel KAN 81","Microfilm copy available on reel KAN 82","Microfilm copy available on reel KAN 83","Microfilm copy available on reel KAN 84","Microfilm copy available on reel KAN 85","Microfilm copy available on reel KAN 86","Microfilm copy available on reel KAN 86","Microfilm copy available on reel KAN 87","Microfilm copy available on reel KAN 87","Microfilm copy available on reel KAN 88","Microfilm copy available on reel KAN 89","Microfilm copy available on reel KAN 90","Microfilm copy available on reel KAN 91","Microfilm copy available on reel KAN 92","Microfilm copy available on reel KAN 93","Microfilm copy available on reel KAN 94","Microfilm copy available on reel KAN 95","Microfilm copy available on reel KAN 96","Microfilm copy available on reel KAN 97","Microfilm copy available on reel KAN 98","Microfilm copy available on reel KAN 99","Microfilm copy available on reel KAN 99","Microfilm copy available on reel KAN 100","Microfilm copy available on reel KAN 101","Microfilm copy available on reel KAN 102","Microfilm copy available on reel KAN 103","Microfilm copy available on reel KAN 104","Microfilm copy available on reel KAN 104","Microfilm copy available on reel KAN 105","Microfilm copy available on reel KAN 106","Microfilm copy available on reel KAN 107","Microfilm copy available on reel KAN 108","Microfilm copy available on reel KAN 108","Microfilm copy available on reel KAN 109","Microfilm copy available on reel KAN 109","Microfilm copy available on reel KAN 110","Microfilm copy available on reel KAN 111","Microfilm copy available on reel KAN 112","Microfilm copy available on reel KAN 113","Microfilm copy available on reel KAN 114","Microfilm copy available on reel KAN 115","Microfilm copy available on reel KAN 116","Microfilm copy available on reel KAN 117","Microfilm copy available on reel KAN 118","Microfilm copy available on reel KAN 119","Microfilm copy available on reel KAN 120-121","Microfilm copy available on reel KAN 121-122","Microfilm copy available on reel KAN 122","Microfilm copy available on reel KAN 123","Microfilm copy available on reel KAN 124","Microfilm copy available on reel KAN 125","Microfilm copy available on reel KAN 126","Microfilm copy available on reel KAN 127","Microfilm copy available on reel KAN 128","Microfilm copy available on reel KAN 129","Microfilm copy available on reel KAN 130","Microfilm copy available on reel KAN 131","Microfilm copy available on reel KAN 132","Microfilm copy available on reel KAN 133","Microfilm copy available on reel KAN 134","Microfilm copy available on reel KAN 135","Microfilm copy available on reel KAN 136","Microfilm copy available on reel KAN 137","Microfilm copy available on reel KAN 138","Microfilm copy available on reel KAN 139","Microfilm copy available on reel KAN 140","Microfilm copy available on reel KAN 141","Microfilm copy available on reel KAN 142","Microfilm copy available on reel KAN 143","Microfilm copy available on reel KAN 144","Microfilm copy available on reel KAN 145","Microfilm copy available on reel KAN 146","Microfilm copy available on reel KAN 147","Microfilm copy available on reel KAN 148","Microfilm copy available on reel KAN 149","Microfilm copy available on reel KAN 150","Microfilm copy available on reel KAN 151","Microfilm copy available on reel KAN 152","Microfilm copy available on reel KAN 153","Microfilm copy available on reel KAN 154","Microfilm copy available on reel KAN 155","Microfilm copy available on reel KAN 156","Microfilm copy available on reel KAN 157","Microfilm copy available on reel KAN 158","Microfilm copy available on reel KAN 159","Microfilm copy available on reel KAN 160","Microfilm copy available on reel KAN 161","Microfilm copy available on reel KAN 162","Microfilm copy available on reel KAN 163","Microfilm copy available on reel KAN 164","Microfilm copy available on reel KAN 165","Microfilm copy available on reel KAN 166","Microfilm copy available on reel KAN 167","Microfilm copy available on reel KAN 168","Microfilm copy available on reel KAN 169","Microfilm copy available on reel KAN 170","Microfilm copy available on reel KAN 171","Microfilm copy available on reel KAN 172","Microfilm copy available on reel KAN 173","Microfilm copy available on reel KAN 174","Microfilm copy available on reel KAN 175","Microfilm copy available on reel KAN 176","Microfilm copy available on reel KAN 177","Microfilm copy available on reel KAN 178","Microfilm copy available on reel KAN 179","Microfilm copy available on reel KAN 180","Microfilm copy available on reel KAN 181","Microfilm copy available on reel KAN 182","Microfilm copy available on reel KAN 183","Microfilm copy available on reel KAN 184","Microfilm copy available on reel KAN 185","Microfilm copy available on reel KAN 186","Microfilm copy available on reel KAN 187","Microfilm copy available on reel KAN 188","Microfilm copy available on reel KAN 189","Microfilm copy available on reel KAN 190","Microfilm copy available on reel KAN 191","Microfilm copy available on reel KAN 192","Microfilm copy available on reel KAN 193","Microfilm copy available on reel KAN 194","Microfilm copy available on reel KAN 195","Microfilm copy available on reel KAN 196","Microfilm copy available on reel KAN 197","Microfilm copy available on reel KAN 198","Microfilm copy available on reel KAN 199","Microfilm copy available on reel KAN 200","Microfilm copy available on reel KAN 201","Microfilm copy available on reel KAN 202","Microfilm copy available on reel KAN 203","Microfilm copy available on reel KAN 204","Microfilm copy available on reel KAN 205","Microfilm copy available on reel KAN 206","Microfilm copy available on reel KAN 206","Microfilm copy available on reel KAN 207","Microfilm copy available on reel KAN 208","Microfilm copy available on reel KAN 209","Microfilm copy available on reel","Microfilm copy available on reel KAN 210, 211","Microfilm copy available on reel KAN 212","Microfilm copy available on reel KAN 213","Microfilm copy available on reel KAN 214","Microfilm copy available on reel KAN 215","Microfilm copy available on reel KAN 216","Microfilm copy available on reel KAN 217","Microfilm copy available on reel KAN 218","Microfilm copy available on reel KAN 219","Microfilm copy available on reel KAN 220","Microfilm copy available on reel KAN 221","Microfilm copy available on reel KAN 222","Microfilm copy available on reel KAN 223","Microfilm copy available on reel KAN 224","Microfilm copy available on reel KAN 225","Microfilm copy available on reel KAN 226","Microfilm copy available on reel KAN 227","Microfilm copy available on reel KAN 228","Microfilm copy available on reel KAN 229","Microfilm copy available on reel KAN 230","Microfilm copy available on reel KAN 231","Microfilm copy available on reel KAN 232","Microfilm copy available on reel KAN 233","Microfilm copy available on reel KAN 234","Microfilm copy available on reel KAN 235","Microfilm copy available on reel KAN 236","Microfilm copy available on reel KAN 237","Microfilm copy available on reel KAN 238","Microfilm copy available on reel KAN 239","Microfilm copy available on reel KAN 240","Microfilm copy available on reel KAN 241","Microfilm copy available on reel KAN 242","Microfilm copy available on reel KAN 243","Microfilm copy available on reel KAN 244","Microfilm copy available on reel KAN 245","Microfilm copy available on reel KAN 246","Microfilm copy available on reel KAN 247","Microfilm copy available on reel KAN 248","Microfilm copy available on reel KAN 249-250","Microfilm copy available on reel KAN 251","Microfilm copy available on reel KAN 252","Microfilm copy available on reel KAN 253","Microfilm copy available on reel KAN 254","Microfilm copy available on reel KAN 255","Microfilm copy available on reel KAN 256","Microfilm copy available on reel KAN 257","Microfilm copy available on reel KAN 258","Microfilm copy available on reel KAN 259","Microfilm copy available on reel KAN 260","Microfilm copy available on reel KAN 261","Microfilm copy available on reel KAN 262","Microfilm copy available on reel KAN 263","Microfilm copy available on reel KAN 264","Microfilm copy available on reel KAN 265","Microfilm copy available on reel KAN 266","Microfilm copy available on reel KAN 267","Microfilm copy available on reel KAN 268","Microfilm copy available on reel KAN 269","Microfilm copy available on reel KAN 270","Microfilm copy available on reel KAN 271","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","No microfilm copy available","Microfilm copy available on KAN 273","Microfilm copy available on KAN 285","Microfilm copy available on KAN 288","Microfilm copy available on KAN 288","Microfilm copy available on KAN 289","Microfilm copy available on KAN 289","Microfilm copy available on KAN 284","Microfilm copy available on KAN 284","Microfilm copy available on KAN 284","Microfilm copy available on KAN 284","Microfilm copy available on KAN 284","No Microfilm Copy Available","No Microfilm Copy Available. Photostat copy is available on site (item 201)","Microfilm copy available on KAN 283","Microfilm copy available on KAN 283","Microfilm copy available on KAN 290","No Microfilm Copy Available","No Microfilm Copy Available","Microfilm Copy Available on KAN 272","This is a photstat copy of item 87."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into three series: Microfilm, Paper Materials, and Record Books. For Series 2-Paper Materials, the papers are sorted into envelopes, which are arranged chronologically. The envelopes are labeled with the year followed by the envelope number (ex. 1804-2 would be envelope 2 of the records for 1804). Envelopes may also indicate the level of court (i.e. County Court, Circuit Court, etc.).\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into three series: Microfilm, Paper Materials, and Record Books. For Series 2-Paper Materials, the papers are sorted into envelopes, which are arranged chronologically. The envelopes are labeled with the year followed by the envelope number (ex. 1804-2 would be envelope 2 of the records for 1804). Envelopes may also indicate the level of court (i.e. County Court, Circuit Court, etc.)."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Kanawha County (W. Va.) Court Records and Miscellaneous Papers, A\u0026amp;M 0145, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Kanawha County (W. Va.) Court Records and Miscellaneous Papers, A\u0026M 0145, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eBeginning with reel KAN 188, the title cards incorrectly identify the box numbers where the originals can be found. All of the envelope numbers are correct; box numbers should be disregarded. To identify the correct box number, see the contents list for this collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Microfilm Error"],"processinfo_tesim":["Beginning with reel KAN 188, the title cards incorrectly identify the box numbers where the originals can be found. All of the envelope numbers are correct; box numbers should be disregarded. To identify the correct box number, see the contents list for this collection."],"relatedmaterial_html_tesm":["\u003cp\u003eLAND: \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 0907, Kanawha County Land Grants \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 4182, James E. Heath, Auditor, Listings of Delinquent Lands in Western Virginia \u003c/p\u003e\n","\u003cp\u003eINDUSTRY: \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 1526, Winifrede Mining and Manufacturing Company Case File \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 3992, Joseph McGill, Diary of a Coal Mine Surveyor and Engineer \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 2151, Court Records of the Kanawha County \"Salt Case\" \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 2117, Great Kanawha Coal, Oil, \u0026amp; Metallurgic Company Records \u003c/p\u003e\n","\u003cp\u003eOTHER: \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 2061, William B. Gatewood (1835-1908) Papers \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 0642, Kanawha County Poll Book \u003c/p\u003e","\u003cp\u003eThere are several other collections of steamboat records, see A\u0026amp;M's: 650, 844, 1253, 1406, 1409, 1417, 1548, and 2207.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","See Also"],"relatedmaterial_tesim":["LAND: ","A\u0026M 0907, Kanawha County Land Grants ","A\u0026M 4182, James E. Heath, Auditor, Listings of Delinquent Lands in Western Virginia ","INDUSTRY: ","A\u0026M 1526, Winifrede Mining and Manufacturing Company Case File ","A\u0026M 3992, Joseph McGill, Diary of a Coal Mine Surveyor and Engineer ","A\u0026M 2151, Court Records of the Kanawha County \"Salt Case\" ","A\u0026M 2117, Great Kanawha Coal, Oil, \u0026 Metallurgic Company Records ","OTHER: ","A\u0026M 2061, William B. Gatewood (1835-1908) Papers ","A\u0026M 0642, Kanawha County Poll Book ","There are several other collections of steamboat records, see A\u0026M's: 650, 844, 1253, 1406, 1409, 1417, 1548, and 2207."],"scopecontent_html_tesm":["\u003cp\u003eCounty court records consisting primarily of court case papers, related court record books (dockets, execution books, fee books, witness books, etc.), and public records concerning a variety of topics including land records, schools, and marriages. There are also a few private account books relating to various local industries, including salt, mining, sawmills, steamboats, and general stores. \u003c/p\u003e\n","\u003cp\u003eSeries 1-Microfilm consists of 373 reels of microfilm. The first 271 reels, KAN 1-271, are copies of the first 296 boxes of paper materials (see series 2). Reels KAN 272-KAN 290 are copies of most of the record books in the collection (see series 3), excluding items 83, 87, 88 and 96. The remainder of the reels are copies of the card index to this collection, an extensive alphabetical, chronological, and subject index to the paper materials in Series 2.   \u003c/p\u003e\n","\u003cp\u003eSeries 2-Paper Materials, consists of 541 boxes of county court records, primarily case papers. Boxes 297-541 have not been microfilmed. This collection also includes an 1869 Reward Poster for Ed Sullivan (formerly in Box 256, env. 1869-35, now in oversize folder 1) and 4 bank notes for the \"Bank of the Union\" (Box 171, env. 1851-1).  See Series 1, reels KAN 358-373, the subject index, for more information on what kind of topics appear in the paper materials. Highlights of Series 2 include records of enslavement, military affairs, the jail, early land, and other miscellaneous records of note, as well as many records of the Ruffner Family. See Series 2 scope and content note for more details. \u003c/p\u003e\n","\u003cp\u003eSeries 3-Record Books, consists of 18 original copies of record books. Apart from court records, there are a few private records of local businesses, including mining companies, a sawmill, and a steam ship.\u003c/p\u003e","\u003cp\u003eSeries 1-Microfilm consists of 373 reels of microfilm. The first 271 reels, KAN 1-271, are copies of the first 296 boxes of paper materials (see series 2). Reels KAN 272-KAN 290 are copies of most of the record books in the collection (see series 3), excluding items 83, 87, 88 and 96. The remainder of the reels are copies of the card index to this collection, an extensive alphabetical, chronological, and subject index to the paper materials in Series 2.\u003c/p\u003e","\u003cp\u003eThere is one item, a deed from Priddy Nelson to Samuel T. Washington (1827-17) that is not filmed. There is instead a note about 4-H members. The originals for these materials are located on site.\u003c/p\u003e","\u003cp\u003eThis is a typescript copy of item 46 on KAN 289\u003c/p\u003e","\u003cp\u003eAlso includes Monthly Docket, 1843-1847\u003c/p\u003e","\u003cp\u003eFragment\u003c/p\u003e","\u003cp\u003eConcerning cloth, dry goods, grocery, notions, hardware, drugs, furniture, tailoring, and estate\u003c/p\u003e","\u003cp\u003eThis item is an index to Item #40, Slack's Fee Book\u003c/p\u003e","\u003cp\u003eItem 100 on KAN 284 is an index to the record\u003c/p\u003e","\u003cp\u003eHas the name \"Dry Den's\"\u003c/p\u003e","\u003cp\u003eAlso includes the Circuit Superior Court Process book for 1831\u003c/p\u003e","\u003cp\u003eThere is a typrescript version of this record available on KAN 272\u003c/p\u003e","\u003cp\u003eTopics include Bounty for Volunteers; Overseers of Poor Allowance; Ordinance concerning sale of liquor; Election Returns for election held 27 October 1864; Township Boundaries; Roads; Bridges, and D. W. Polsley, Clerk.\u003c/p\u003e","\u003cp\u003eWeather Reports also given\u003c/p\u003e","\u003cp\u003eSubjects include: Accounts, Amercement, Appeals, Assumit, Attatchement, Caveat, Chancery, Condemnation\u003c/p\u003e","\u003cp\u003eSubjects include: Contract or Covenant (Breach of), Costs, Detainer (Unlawful), Detinue\u003c/p\u003e","\u003cp\u003eSubjects include: Detinue, Distress, Divorce (Chancery), Dower Rights (Chancery), Ejectment, Execution, FIFA (1840)\u003c/p\u003e","\u003cp\u003eSubjects include: FIFA (-1926), Forceible Entry, Foreclosure (Chancery), F.C. Bond, Fraud (Chancery), Freedom, Guardian (Chancery), Habeas Corpus, Injunction (Chancery), Interpleader (Chancery), Libel, Miscellaneous and Unclassified, Mandamus, Prohibition, Warrants, Motion for Judgement, New Trustees, Non-Suit, Partition, Petition (Chancery),  Promise (Breach of ), Quia Timet, Recievership (Chancery), Replevin, Scire Facias (sometimes abbreviated SciFa), Slander, Specific Performance (Chancery), Tort\u003c/p\u003e","\u003cp\u003eSubjects include: Trespass, TOC\u003c/p\u003e","\u003cp\u003eSubjects include: TOC, Writ of Right, Debt\u003c/p\u003e","\u003cp\u003eSubjects include: Debt\u003c/p\u003e","\u003cp\u003eSubjects include: Debt\u003c/p\u003e","\u003cp\u003eSubjects include: Debt\u003c/p\u003e","\u003cp\u003eSubjects include: Debt\u003c/p\u003e","\u003cp\u003eSubjects include: Debt\u003c/p\u003e","\u003cp\u003eSubjects include: Debt\u003c/p\u003e","\u003cp\u003eSubjects include: Debt\u003c/p\u003e","\u003cp\u003eSubjects include: Debt Attatchment (-1931); Subjects for Criminal Records include: Abortion, Adultery, Arson, Assault, Assault and Battery,  Assault (Felonius), Bad Check, Bastardy, Bigamy, Board Bill, Brandishing Deadly Weapons, Breaking and Entering, Bribery, Buggery (also known as sodomy), Burglery, Cohabitation, Concealed Weapons, Conspiracy\u003c/p\u003e","\u003cp\u003eSubjects include: Contempt, Counterfeiting, Cruelty to Animals, Cutting and Shooting, Deadly Weapons, Delinquency, Desertion, Destruction of property, Disorderly Conduct, Disturbing Public Assembly, Drunkenness, Election Law Violations, Embezzlement, Escape, Estates, Ferries, Extortion, Failure to Vote, False Pretense, Felony, Felony Misc., Fines, Forgery, Fornification, Fraternal Organizations, Fraud, Gambling or Gaming, Game and Fish Law, Genealogy, Guardians, Horse Racing, Horse stealing, Indentures, Indians, Industries, Ill Fame (House of, also known as brothels), Incorrigible, Intoxication, Inquest, Insanity, Jail Breaking, Kidnapping, Killing Poisoning Livestock, Larceny\u003c/p\u003e","\u003cp\u003eSubjects include: Truancy, Accounts, Administrators and executors, Agreements, Apprentices, Assessors, Assignments, Attorneys, Bills of Sale, Bonds, Boundaries, Bridges, Cemeteries, Certificates, Churches, Clerks of Court, Commissioners, Constables, Corporations Coroners, Courts, Court House and Jail, Dams, Deeds, Deeds of Trust, Deeds (Misc.), Delinquents, Elections, Insolvent Debtors, Jails or Jailors, Juries, Justices, Lands\u003c/p\u003e","\u003cp\u003eSubjects include: Leases, Legislation, Levy, Liens, Liquors, Marriages\u003c/p\u003e","\u003cp\u003eSubjects include: Marriages, Military Affairs, Miscellaneous, Natural Resources (Misc.), Natural Resources (Coal, Land, Oil and Gas, Timber, Salt), Naturalization, Navigation, \"Negroes,\" Notary, Notes, Oaths, Ordinaries, Orphans, Petitions, Patents, Poor, Prices, Prison Bounds, Private Entertainment (House of), Public Health, Public officials, Public Utilities, Reciepts, Roads, Scalps, Schedules, Schools, Settlements, Sheep, Sheriff, Special Interest, Supervisors, Surveys and Plats, Surveyors, Taxes, Testimony, Trustees, Vital Statistics, Wills, Witnesses\u003c/p\u003e","\u003cp\u003eSeries 2-Paper Materials, consists of 541 boxes of county court records, primarily case papers. Boxes 297-541 have not been microfilmed. This collection also includes an 1869 Reward Poster for Ed Sullivan (oversize folder 1) and 4 bank notes for the \"Bank of the Union\" (Box 171, env. 1851-1).  For this series, the papers are sorted into envelopes, which are arranged chronologically. The envelopes are labeled with the year followed by the envelope number (ex. 1804-2 would be envelope 2 of the records for 1804). Envelopes may also indicate the level of court (i.e., County Court, Circuit Court, etc.).\u003c/p\u003e\n","\u003cp\u003eHighlights of enslaved records include: case in which Samuel Robinson was illegally taken to Kentucky and sold while his suit for freedom was pending  (1812-2); petition for a patrol to protect against \"riotous and intoxicated assemblages of negroes\" (undated-4); petition of Liston Crewitt for freedom \"by virtue of a free father and a mother purchased by the father\" (1847-67); John is convicted to hang for murder, reprieved by Governor Smith and ordered to be sold and transported \"beyond the limits of the United States\" (1848-2, see 1848-); Public sale of enslaved people (1854-). \u003c/p\u003e\n","\u003cp\u003eHighlights concerning the Civil War include: oath of allegiance (1864-3); opinion on the case of an attorney barred from practicing due to Confederate service (1865-, and 1865-22); suit resulting from Jefferson Davis's proclamation of Martial Law in 1862 (1864-14, see also a record pertaining to Apollus Ward, \"free negro,\" 1824-39); an estate case in which Mary A. Rock was \"reported to be in sympathy with the Southern Rebellion or the so called Confederate States\" (1864-11); newspaper clipping addressed to \"Slave Holding Virginia\" (get year/location, was 1844). Other miscellaneous military record highlights include: charged under War Measure of 1918 (1918-2); encouraging men to enlist for defense of the colony (1754-); land grants for military service according to Proclamation of 1763 (1779-, 1780-); land grant from Thomas Jefferson for military service (1779-1); letter concerning the \"Affair at Oswego\" (1814-); factors responsible for the Philippine War (1899-27); copy of grant  to Colonel George Washington by warrant issued by Lord Dunmore (1784-). \u003c/p\u003e\n","\u003cp\u003eReport on the conditions of the county jail (18--, see 1809-2); conditions of 10-year sentence of solitary confinement for passing one counterfeit $20 (1835-); petition concerning \"three persons taken from jail and lynched\" (1876-10, see case of Rufus Estep, 1876-10). \u003c/p\u003e\n","\u003cp\u003eEarly land highlights include deed from George Clendenen and wife to Joseph Ruffner Sr. for land that was the site of the first settlement of Charleston (1796-1); Report of assessable lands (1797-); land owned by George and Martha Washington (1812-, 1812-1). \u003c/p\u003e\n","\u003cp\u003eOther highlights include the fraternal orders Abraham Encampment #20 I.O.O.F. in Brownstown (1870-1) and Grande Lodge Independent Order of Odd Fellows (1872-3); a speech on family history by Hon. Jones Detwiler read at the Yost Family Reunion (1898-24); a contract to explore for coal, payment to be made with salt (1822-); employment of John Tyre to work on road and provide deer meat and skins to other laborers (1797-); four bank notes from the Bank of the Union (1851-1); a deposition concerned with \"war with Indians\" (1782); Prescription of \"Rx 1 oz. Laudanum- Pill, Garlick- Kill or cure\" to a patient who died (1828-); appropriation for $1000 for control of Venereal Diseases (1920-2). \u003c/p\u003e","\u003cp\u003eTwo items from this collection, located in envelope 1822-1, were formerly A\u0026amp;M 1542. The abstract for this collection was: \"Two deeds from William D. Taylor U. S. Tax Collector, to John Peck for two tracts of land in Kanawha County, sold for non-payment of taxes, containing twenty-one, and forty one thousand acres, assessed in the name of David Miller and Co.; Isaac Lloyd and H. Sharp.\"\u003c/p\u003e\n","\u003cp\u003eThese materials are now located in oversize folder 1.\u003c/p\u003e","\u003cp\u003eTwo land deeds which were originally located in envelope 1822-1. These items were formerly A\u0026amp;M 1542, the original abstract for which was: \"Two deeds from William D. Taylor U. S. Tax Collector, to John Peck for two tracts of land in Kanawha County, sold for non-payment of taxes, containing twenty-one, and forty one thousand acres, assessed in the name of David Miller and Co.; Isaac Lloyd and H. Sharp.\"\u003c/p\u003e","\u003cp\u003eOne item from this collection, deed from Nelson Priddy to Samuel T. Washington et al., was originally located in env. 1827-17. There is no microfilm of this item, instead there is a scan of a document titled \"Outstanding 4-5 Club Members.\" \u003c/p\u003e\n","\u003cp\u003eThe original item is now located in Oversize Folder 2.\u003c/p\u003e","\u003cp\u003eThis item was separated from envelope 1827-17 in box 68.\u003c/p\u003e","\u003cp\u003eThe 1869 Reward poster for Ed Sullivan from envelope 1869-35 is now located in oversize folder 1.\u003c/p\u003e","\u003cp\u003eThis item was originally found in envelope 1869-35 of box 256. \u003c/p\u003e\n","\u003cp\u003eItem is a reward poster offering $30 reward for the apprehension of \"Atolerably tall, slim white man about 25 or 30 years of age, with light, short hair, no whiskers, attempted robbery, and the murder of my wife...\"\u003c/p\u003e","\u003cp\u003eSeries 3-Record Books, consists of 18 original copies of record books. Apart from court records, there are a few private records of local businesses, including mining companies, a sawmill, and a steam ship. Item 91, a private ledger of a steamboat, has water damage, and the writing is very faint.\u003c/p\u003e","\u003cp\u003eTopics include Bounty for Volunteers; Overseers of Poor Allowance; Ordinance concerning sale of liquor; Election Returns for election held 27 October 1864; Township Boundaries; Roads; Bridges, and D. W. Polsley, Clerk.\u003c/p\u003e","\u003cp\u003eConcerning cloth, dry goods, grocery, notions, hardware, drugs, furniture, tailoring, and estate (last one might be something else, abbreviated as \"est.\"\u003c/p\u003e","\u003cp\u003eThis item was formerly A\u0026amp;M 0058.\u003c/p\u003e","\u003cp\u003eThis item was formerly A\u0026amp;M 3679. Original abstract: \"Records of the Board of School Commissioners of Kanawha County, Virginia including minutes, financial records, and other material. The records regard topics such as the purchase of books for poor students, children's tuition, allowance for the Boad members, and other funding issues. Board members include Reverend Mark W. Calhoun, David Ruffner, John P. Turner, and Alexander W. Quamen.\"\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["County court records consisting primarily of court case papers, related court record books (dockets, execution books, fee books, witness books, etc.), and public records concerning a variety of topics including land records, schools, and marriages. There are also a few private account books relating to various local industries, including salt, mining, sawmills, steamboats, and general stores. ","Series 1-Microfilm consists of 373 reels of microfilm. The first 271 reels, KAN 1-271, are copies of the first 296 boxes of paper materials (see series 2). Reels KAN 272-KAN 290 are copies of most of the record books in the collection (see series 3), excluding items 83, 87, 88 and 96. The remainder of the reels are copies of the card index to this collection, an extensive alphabetical, chronological, and subject index to the paper materials in Series 2.   ","Series 2-Paper Materials, consists of 541 boxes of county court records, primarily case papers. Boxes 297-541 have not been microfilmed. This collection also includes an 1869 Reward Poster for Ed Sullivan (formerly in Box 256, env. 1869-35, now in oversize folder 1) and 4 bank notes for the \"Bank of the Union\" (Box 171, env. 1851-1).  See Series 1, reels KAN 358-373, the subject index, for more information on what kind of topics appear in the paper materials. Highlights of Series 2 include records of enslavement, military affairs, the jail, early land, and other miscellaneous records of note, as well as many records of the Ruffner Family. See Series 2 scope and content note for more details. ","Series 3-Record Books, consists of 18 original copies of record books. Apart from court records, there are a few private records of local businesses, including mining companies, a sawmill, and a steam ship.","Series 1-Microfilm consists of 373 reels of microfilm. The first 271 reels, KAN 1-271, are copies of the first 296 boxes of paper materials (see series 2). Reels KAN 272-KAN 290 are copies of most of the record books in the collection (see series 3), excluding items 83, 87, 88 and 96. The remainder of the reels are copies of the card index to this collection, an extensive alphabetical, chronological, and subject index to the paper materials in Series 2.","There is one item, a deed from Priddy Nelson to Samuel T. Washington (1827-17) that is not filmed. There is instead a note about 4-H members. The originals for these materials are located on site.","This is a typescript copy of item 46 on KAN 289","Also includes Monthly Docket, 1843-1847","Fragment","Concerning cloth, dry goods, grocery, notions, hardware, drugs, furniture, tailoring, and estate","This item is an index to Item #40, Slack's Fee Book","Item 100 on KAN 284 is an index to the record","Has the name \"Dry Den's\"","Also includes the Circuit Superior Court Process book for 1831","There is a typrescript version of this record available on KAN 272","Topics include Bounty for Volunteers; Overseers of Poor Allowance; Ordinance concerning sale of liquor; Election Returns for election held 27 October 1864; Township Boundaries; Roads; Bridges, and D. W. Polsley, Clerk.","Weather Reports also given","Subjects include: Accounts, Amercement, Appeals, Assumit, Attatchement, Caveat, Chancery, Condemnation","Subjects include: Contract or Covenant (Breach of), Costs, Detainer (Unlawful), Detinue","Subjects include: Detinue, Distress, Divorce (Chancery), Dower Rights (Chancery), Ejectment, Execution, FIFA (1840)","Subjects include: FIFA (-1926), Forceible Entry, Foreclosure (Chancery), F.C. Bond, Fraud (Chancery), Freedom, Guardian (Chancery), Habeas Corpus, Injunction (Chancery), Interpleader (Chancery), Libel, Miscellaneous and Unclassified, Mandamus, Prohibition, Warrants, Motion for Judgement, New Trustees, Non-Suit, Partition, Petition (Chancery),  Promise (Breach of ), Quia Timet, Recievership (Chancery), Replevin, Scire Facias (sometimes abbreviated SciFa), Slander, Specific Performance (Chancery), Tort","Subjects include: Trespass, TOC","Subjects include: TOC, Writ of Right, Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt","Subjects include: Debt Attatchment (-1931); Subjects for Criminal Records include: Abortion, Adultery, Arson, Assault, Assault and Battery,  Assault (Felonius), Bad Check, Bastardy, Bigamy, Board Bill, Brandishing Deadly Weapons, Breaking and Entering, Bribery, Buggery (also known as sodomy), Burglery, Cohabitation, Concealed Weapons, Conspiracy","Subjects include: Contempt, Counterfeiting, Cruelty to Animals, Cutting and Shooting, Deadly Weapons, Delinquency, Desertion, Destruction of property, Disorderly Conduct, Disturbing Public Assembly, Drunkenness, Election Law Violations, Embezzlement, Escape, Estates, Ferries, Extortion, Failure to Vote, False Pretense, Felony, Felony Misc., Fines, Forgery, Fornification, Fraternal Organizations, Fraud, Gambling or Gaming, Game and Fish Law, Genealogy, Guardians, Horse Racing, Horse stealing, Indentures, Indians, Industries, Ill Fame (House of, also known as brothels), Incorrigible, Intoxication, Inquest, Insanity, Jail Breaking, Kidnapping, Killing Poisoning Livestock, Larceny","Subjects include: Truancy, Accounts, Administrators and executors, Agreements, Apprentices, Assessors, Assignments, Attorneys, Bills of Sale, Bonds, Boundaries, Bridges, Cemeteries, Certificates, Churches, Clerks of Court, Commissioners, Constables, Corporations Coroners, Courts, Court House and Jail, Dams, Deeds, Deeds of Trust, Deeds (Misc.), Delinquents, Elections, Insolvent Debtors, Jails or Jailors, Juries, Justices, Lands","Subjects include: Leases, Legislation, Levy, Liens, Liquors, Marriages","Subjects include: Marriages, Military Affairs, Miscellaneous, Natural Resources (Misc.), Natural Resources (Coal, Land, Oil and Gas, Timber, Salt), Naturalization, Navigation, \"Negroes,\" Notary, Notes, Oaths, Ordinaries, Orphans, Petitions, Patents, Poor, Prices, Prison Bounds, Private Entertainment (House of), Public Health, Public officials, Public Utilities, Reciepts, Roads, Scalps, Schedules, Schools, Settlements, Sheep, Sheriff, Special Interest, Supervisors, Surveys and Plats, Surveyors, Taxes, Testimony, Trustees, Vital Statistics, Wills, Witnesses","Series 2-Paper Materials, consists of 541 boxes of county court records, primarily case papers. Boxes 297-541 have not been microfilmed. This collection also includes an 1869 Reward Poster for Ed Sullivan (oversize folder 1) and 4 bank notes for the \"Bank of the Union\" (Box 171, env. 1851-1).  For this series, the papers are sorted into envelopes, which are arranged chronologically. The envelopes are labeled with the year followed by the envelope number (ex. 1804-2 would be envelope 2 of the records for 1804). Envelopes may also indicate the level of court (i.e., County Court, Circuit Court, etc.).","Highlights of enslaved records include: case in which Samuel Robinson was illegally taken to Kentucky and sold while his suit for freedom was pending  (1812-2); petition for a patrol to protect against \"riotous and intoxicated assemblages of negroes\" (undated-4); petition of Liston Crewitt for freedom \"by virtue of a free father and a mother purchased by the father\" (1847-67); John is convicted to hang for murder, reprieved by Governor Smith and ordered to be sold and transported \"beyond the limits of the United States\" (1848-2, see 1848-); Public sale of enslaved people (1854-). ","Highlights concerning the Civil War include: oath of allegiance (1864-3); opinion on the case of an attorney barred from practicing due to Confederate service (1865-, and 1865-22); suit resulting from Jefferson Davis's proclamation of Martial Law in 1862 (1864-14, see also a record pertaining to Apollus Ward, \"free negro,\" 1824-39); an estate case in which Mary A. Rock was \"reported to be in sympathy with the Southern Rebellion or the so called Confederate States\" (1864-11); newspaper clipping addressed to \"Slave Holding Virginia\" (get year/location, was 1844). Other miscellaneous military record highlights include: charged under War Measure of 1918 (1918-2); encouraging men to enlist for defense of the colony (1754-); land grants for military service according to Proclamation of 1763 (1779-, 1780-); land grant from Thomas Jefferson for military service (1779-1); letter concerning the \"Affair at Oswego\" (1814-); factors responsible for the Philippine War (1899-27); copy of grant  to Colonel George Washington by warrant issued by Lord Dunmore (1784-). ","Report on the conditions of the county jail (18--, see 1809-2); conditions of 10-year sentence of solitary confinement for passing one counterfeit $20 (1835-); petition concerning \"three persons taken from jail and lynched\" (1876-10, see case of Rufus Estep, 1876-10). ","Early land highlights include deed from George Clendenen and wife to Joseph Ruffner Sr. for land that was the site of the first settlement of Charleston (1796-1); Report of assessable lands (1797-); land owned by George and Martha Washington (1812-, 1812-1). ","Other highlights include the fraternal orders Abraham Encampment #20 I.O.O.F. in Brownstown (1870-1) and Grande Lodge Independent Order of Odd Fellows (1872-3); a speech on family history by Hon. Jones Detwiler read at the Yost Family Reunion (1898-24); a contract to explore for coal, payment to be made with salt (1822-); employment of John Tyre to work on road and provide deer meat and skins to other laborers (1797-); four bank notes from the Bank of the Union (1851-1); a deposition concerned with \"war with Indians\" (1782); Prescription of \"Rx 1 oz. Laudanum- Pill, Garlick- Kill or cure\" to a patient who died (1828-); appropriation for $1000 for control of Venereal Diseases (1920-2). ","Two items from this collection, located in envelope 1822-1, were formerly A\u0026M 1542. The abstract for this collection was: \"Two deeds from William D. Taylor U. S. Tax Collector, to John Peck for two tracts of land in Kanawha County, sold for non-payment of taxes, containing twenty-one, and forty one thousand acres, assessed in the name of David Miller and Co.; Isaac Lloyd and H. Sharp.\"","These materials are now located in oversize folder 1.","Two land deeds which were originally located in envelope 1822-1. These items were formerly A\u0026M 1542, the original abstract for which was: \"Two deeds from William D. Taylor U. S. Tax Collector, to John Peck for two tracts of land in Kanawha County, sold for non-payment of taxes, containing twenty-one, and forty one thousand acres, assessed in the name of David Miller and Co.; Isaac Lloyd and H. Sharp.\"","One item from this collection, deed from Nelson Priddy to Samuel T. Washington et al., was originally located in env. 1827-17. There is no microfilm of this item, instead there is a scan of a document titled \"Outstanding 4-5 Club Members.\" ","The original item is now located in Oversize Folder 2.","This item was separated from envelope 1827-17 in box 68.","The 1869 Reward poster for Ed Sullivan from envelope 1869-35 is now located in oversize folder 1.","This item was originally found in envelope 1869-35 of box 256. ","Item is a reward poster offering $30 reward for the apprehension of \"Atolerably tall, slim white man about 25 or 30 years of age, with light, short hair, no whiskers, attempted robbery, and the murder of my wife...\"","Series 3-Record Books, consists of 18 original copies of record books. Apart from court records, there are a few private records of local businesses, including mining companies, a sawmill, and a steam ship. Item 91, a private ledger of a steamboat, has water damage, and the writing is very faint.","Topics include Bounty for Volunteers; Overseers of Poor Allowance; Ordinance concerning sale of liquor; Election Returns for election held 27 October 1864; Township Boundaries; Roads; Bridges, and D. W. Polsley, Clerk.","Concerning cloth, dry goods, grocery, notions, hardware, drugs, furniture, tailoring, and estate (last one might be something else, abbreviated as \"est.\"","This item was formerly A\u0026M 0058.","This item was formerly A\u0026M 3679. Original abstract: \"Records of the Board of School Commissioners of Kanawha County, Virginia including minutes, financial records, and other material. The records regard topics such as the purchase of books for poor students, children's tuition, allowance for the Boad members, and other funding issues. Board members include Reverend Mark W. Calhoun, David Ruffner, John P. Turner, and Alexander W. Quamen.\""],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_011f5787db2cded13cc41a53ffe61c20\"\u003eCounty court records consisting primarily of court case papers, related court record books (dockets, execution books, fee books, witness books, etc.), and public records concerning a variety of topics including land records, schools, and marriages. There are also a few private account books relating to various local industries, including salt, mining, sawmills, steamboats, and general stores.\u003c/abstract\u003e"],"abstract_tesim":["County court records consisting primarily of court case papers, related court record books (dockets, execution books, fee books, witness books, etc.), and public records concerning a variety of topics including land records, schools, and marriages. There are also a few private account books relating to various local industries, including salt, mining, sawmills, steamboats, and general stores."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3c66938c661bfe0e5b651859748a8d06\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Kanawha County Court (Kanawha County, W. Va.)"],"corpname_ssim":["West Virginia and Regional History Center","Kanawha County Court (Kanawha County, W. Va.)"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1034,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:07:24.091Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2464_c02_c544"}},{"id":"wvmturhc_repositories_2_resources_467_c14","type":"Box","attributes":{"title":"11A, #15-e; 12A, #1-9","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_467_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_467_c14","ref_ssm":["wvmturhc_repositories_2_resources_467_c14"],"id":"wvmturhc_repositories_2_resources_467_c14","ead_ssi":"wvmturhc_repositories_2_resources_467","_root_":"wvmturhc_repositories_2_resources_467","_nest_parent_":"wvmturhc_repositories_2_resources_467","parent_ssi":"wvmturhc_repositories_2_resources_467","parent_ssim":["wvmturhc_repositories_2_resources_467"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_467"],"parent_unittitles_ssm":["Morgan County Court Records"],"parent_unittitles_tesim":["Morgan County Court Records"],"text":["Morgan County Court Records","11A, #15-e; 12A, #1-9","Box 14"],"title_filing_ssi":"11A, #15-e; 12A, #1-9","title_ssm":["11A, #15-e; 12A, #1-9"],"title_tesim":["11A, #15-e; 12A, #1-9"],"unitdate_inclusive_ssm":["ca. 1820-1880"],"normalized_date_ssm":["1820/1880"],"normalized_title_ssm":["11A, #15-e; 12A, #1-9"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Morgan County Court Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":14,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880],"containers_ssim":["Box 14"],"_nest_path_":"/components#13","timestamp":"2026-05-21T00:45:36.485Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_467","ead_ssi":"wvmturhc_repositories_2_resources_467","_root_":"wvmturhc_repositories_2_resources_467","_nest_parent_":"wvmturhc_repositories_2_resources_467","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_467.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195051","title_ssm":["Morgan County Court Records"],"title_tesim":["Morgan County Court Records"],"unitdate_ssm":["1820-1880"],"unitdate_inclusive_ssm":["1820-1880"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/467"],"text":["A\u0026M 2469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/467","Morgan County Court Records","Morgan County Court Indexes.","Morgan County Court Records.","West Virginia - topographical map indexes.","No special access restriction applies.","Original court case papers, land surveys, deeds, and jury lists. Court case papers are mainly in regards to debts owed by individuals, and include: summons, warrants, bonds, bills of complaint, promissory notes, court transcripts, and affidavits related to the cases. Various other records include suits over assault and battery, inheritances, property, and child support. Contain a corresponding index, arranged alphabetically by persons named in the suits.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Morgan County Courts","English"],"unitid_tesim":["A\u0026M 2469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/467"],"normalized_title_ssm":["Morgan County Court Records"],"collection_title_tesim":["Morgan County Court Records"],"collection_ssim":["Morgan County Court Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Morgan County Courts"],"creator_ssim":["Morgan County Courts"],"creator_corpname_ssim":["Morgan County Courts"],"creators_ssim":["Morgan County Courts"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Morgan County Courts","English"],"unitid_tesim":["A\u0026M 2469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/467"],"normalized_title_ssm":["Morgan County Court Records"],"collection_title_tesim":["Morgan County Court Records"],"collection_ssim":["Morgan County Court Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Morgan County Courts"],"creator_ssim":["Morgan County Courts"],"creator_corpname_ssim":["Morgan County Courts"],"creators_ssim":["Morgan County Courts"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. 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This accession has been minimally  processed.","The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. ","Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.","This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.","Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. Davis, vocals.","This box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.","This box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.","This box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.","A large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.","Papers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.","Virginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.","Administrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.","Administrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.","Audio cassette tapes have been removed to a separate storage location.  Copies of membership checks have been deaccessioned when noted.  Some periodicals and printed material from box 8 have been separated for review.","Albert and Shirley Small Special Collections Library","Keesee, Abner, 1875-1956","Gladden, Texas, 1895-1966","Barker, Horton, 1889-1973","Morris, Victoria Shifflett","Peel, Alfreda Marion","MacAlexander, Eunice Yeatts, 1909-1990","Sears, Sis, 1888-1960","Hunt, John M., (Singer)","Lee, Charles Irving, 1874-1946","Barnard, Allie Wallace, 1909-2001","Palmer, George William, 1869-1936","Staples, Eleanor Louise, 1922-2012","Bean, Robert Bennett, 1874-1944","Eager, George Boardman, 1847-1929","Davis, Lambert, 1905-1993","Wicks, Carter, 1879-1950","Dold, W. E. (William Elliott)","Bibb, Rosa Lewis, 1906-1992","Hall, George Basil, 1863-1943","Gardner, Lena JoEllen, 1912-2004","Adams, Henry Ward, 1861-1944","Kinnier, Leta Adams, 1912-1963","French, Daisy Mae, 1904-1986","Wilson, Harry M. (Harry Minor), 1893-1981","Davis, Russell, 1904-1944","Ogg, Florence Belle, 1879-1954","Booker, Betty Burwell, 1875-1967","English"],"unitid_tesim":["MSS 9936","Archival Resource Key","/repositories/3/resources/779"],"normalized_title_ssm":["Virginia Folklore Society records"],"collection_title_tesim":["Virginia Folklore Society records"],"collection_ssim":["Virginia Folklore Society records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Archival transfer from MSS 9829, the papers of Arthur Kyle Davis, 19 February 1974 comprise series one and two.  Series three, accession number Accession 2019-0235, donated by Marc Charles Perdue and Martin Clay Perdue."],"access_subjects_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"access_subjects_ssm":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"has_online_content_ssim":["true"],"extent_ssm":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"extent_tesim":["22.7 Cubic Feet 26 document boxes, 10 cubic foot boxes"],"genreform_ssim":["clippings (information artifacts)","Black-and-white photographs","Notebooks"],"date_range_isim":[1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007],"accessrestrict_html_tesm":["\u003cp\u003eBoxes 27 and 28 do not circulate.\u003c/p\u003e","\u003cp\u003eBoxes 27 and 28 in this series DO NOT circulate.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Boxes 27 and 28 do not circulate.","Boxes 27 and 28 in this series DO NOT circulate."],"arrangement_html_tesm":["\u003cp\u003eArranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235\u003c/p\u003e","\u003cp\u003eMaterials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement"],"arrangement_tesim":["Arranged into three series: Series 1: Folk Songs; Series 2: Folk Song recordings; Series 3: Accession 2019-0235","Materials within the boxes have been maintained in their orginal order.  This accession has been minimally  processed."],"bioghist_html_tesm":["\u003cp\u003eThe broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" \u003c/p\u003e\n","\u003cp\u003eThe Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). \u003c/p\u003e\n","\u003cp\u003eUnder C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" \u003c/p\u003e\n","\u003cp\u003eBy 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. \u003c/p\u003e\n","\u003cp\u003eTwo figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. \u003c/p\u003e\n","\u003cp\u003eThe second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. \u003c/p\u003e\n","\u003cp\u003eThe Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. \u003c/p\u003e\n","\u003cp\u003eIn 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. \u003c/p\u003e\n","\u003cp\u003eBeginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. \u003c/p\u003e\n","\u003cp\u003eIn March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. \u003c/p\u003e\n","\u003cp\u003eIn addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.\u003c/p\u003e\n","\u003cp\u003eIn 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. \u003c/p\u003e\n","\u003cp\u003eWith the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. \u003c/p\u003e\n","\u003cp\u003eOn March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. \u003c/p\u003e\n","\u003cp\u003eFolklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026amp; Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. \u003c/p\u003e\n","\u003cp\u003eThe contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. \u003c/p\u003e\n","\u003cp\u003eThe decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. \u003c/p\u003e\n","\u003cp\u003eIn spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. \u003c/p\u003e\n","\u003cp\u003eThe changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. \u003c/p\u003e\n","\u003cp\u003eConsistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. \u003c/p\u003e\n","\u003cp\u003eExcerpted from http://faculty.virginia.edu/vafolk/archive.htm. \u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The broad outlines of change and growth in the study of folklore/folklife, however, is reflected on a small scale in the history of the Virginia Folklore Society and its three successive, but overlapping periods of development and achievement. These can be defined as: \"The Quest for the Ballad,\" \"The Arthur Kyle Davis, Jr. Years,\" and \"Folklore/Folklife: Professionalization of the Discipline.\" ","The Quest for the Ballad: This era began with the founding of the Society by C. Alphonso Smith and is identified with his efforts and those of notable collectors, such as John Stone, Alfreda Peel, Martha Davis and Juliet Fauntleroy, as well as other teachers and members of the Virginia State Educational Association. In the first Bulletin of the Society in 1913, Smith made the pursuit of the ballad explicit and primary. Although he expressed interest in other types of folklore and acknowledged that \"[t]he ballad is not the whole of folklore,\" still this and all subsequent volumes of the Bulletin were devoted almost entirely to considerations of the ballad and its collection in Virginia (pp. 1-5). ","Under C. Alphonso Smith's guidance as its first President and later as Vice-President and Archivist, early members of the Society concentrated on collecting oral versions of the classic English and Scottish ballads as defined by Francis James Child in his five volumes of The English and Scottish Popular Ballads, published between 1882 and 1898. In the Bulletin for the third annual meeting held November 26, 1915, Smith reported on progress toward the Society's goal of obtaining at least 50 Child ballads in the State and he thanked \"all those who have co-operated with us in the effort made to restore our lyric past, and to make it a part of our lyric present.\" ","By 1920, Stone's expansive program had suffered from membership and revenue loss in the wake of World War I. In the Secretary-Treasurer's report for the \"Year Ending November 25, 1920,\" J. B. Ferneyhough noted that after paying $16.80 for paper and printing of the Bulletin, $.65 on envelopes for same, and $1.13 on postage to send them, the Society's balance in the Treasury was $.52. (Report for 1920, Bulletin, No. 8, p. 10). However, the Colonial Dames of America in the State of Virginia took an interest in the Society the following year and supported John Stone's \"ballad tours\" by donating $500 \"for the recapture of these priceless relics of colonial literature scattered through the State.\" The typescript of instructions written by C. Alphonso Smith to John Stone regarding the field work to be carried out with that support, as well as excerpts from Stone's meticulous accounts of expenditures including his final $.25 charge for shoe polish are of some historic interest in the annals of supported folklore research. Needless to say, the Society's Bulletin for 1921 was gratefully dedicated to the Colonial Dames of America. ","Two figures, who were important in the later periods of the Society's history, appeared on the scene for the first time at the 10th annual meeting on November 30, 1923, again held at the John Marshall High School in Richmond. One of these persons was Benjamin C. Moomaw, Jr. of Barber, Virginia, who was elected Secretary-Treasurer of the Society. ","The second individual was Arthur Kyle Davis, Jr. who was, at that time, an Instructor of English at the University of Virginia, where he remained throughout his lifetime. C. Alphonso Smith introduced Davis as the person who will \"publish our findings\" and wrote in the Bulletin that \"I shall turn over all of our ballads to him and he will select, reject, and edit as he thinks best.\" Davis was elected Archivist of the Society at that meeting. (Report for 1923, No. II). In June of 1924, Dr. C. Alphonso Smith died in Annapolis, Maryland. With his passing, the Virginia Folklore Society entered the second and longest phase of its history. ","The Arthur Kyle Davis, Jr. Years: Meetings of the Society were held intermittently between 1924 and 1967, with both the purpose and organization of the Society becoming less clearly defined and apparent. There were periods of intensive collecting, recording and publishing, alternating with intervals of relative inactivity with regard to folklore. ","In 1929, Arthur Kyle Davis, Jr. completed his initial work as editor and published 51 ballads collected under the auspices of the Society in Traditional Ballads in Virginia. Later, Davis wrote a series of articles for The University of Virginia News Letter (April 1, 1931; February 1, 1932; November 15, 1934; and March 1, 1935) describing the ongoing efforts of the Society and urging the further collection of ballads and folksongs. And many Society members did continue through time to actively collect folksongs or other folklore materials and to deposit the results in the Society's archive. ","Beginning in 1932, Davis recorded 325 aluminum disks of folksongs and ballads, many of which, had been previously collected from informants identified earlier in the Society's history. These recordings, which were made possible by a $1,000 grant to Davis and the Society from the American Council of Learned Societies, are among the earliest field recordings of Anglo-American folksong extant in this country. ","In March of 1934 Davis was able to obtain some funding from the Civil Works Administration, one of the Depression-generated New Deal programs. With that assistance he hired John Stone to collect folksongs and Winston Wilkinson to transcribe music. The project only lasted three weeks, but in that short time Stone managed to add another 89 songs to the Society's archive. Davis also was able to employ University of Virginia student and Crozet native, Fred F. Knobloch, in the spring of 1935 through the student-aid provision of another New Deal agency, the Federal Emergency Relief program. ","In addition, Arthur Kyle Davis, Jr. served at least one term as President of the Southeastern Folklore Society.  Its annual program held at the University of Virginia in April, 1941 included Virginia ballads and folksongs sung by one of Alfreda Peel's informants, Mrs. Texas Gladden of Roanoke County.","In 1949, Arthur Kyle Davis, Jr. edited and published Folk-Songs of Virginia: A Descriptive Index and Classification. Otherwise, Society activities appear to have been at their lowest ebb during World War II and for a number of years following. By the mid-1950s, however, Davis, with the help of students George Walton Williams, Matthew Joseph Bruccoli and Paul Clayton Worthington, pursued further collecting possibilities and began efforts to make taped copies of the earlier aluminum disk recordings. ","With the assistance of the aforementioned students, Davis also published More Traditional Ballads of Virginia in 1960. In dedicating the book \"To the Memory of C. Alphonso Smith, Martha M. Davis, Juliet Fauntleroy, Alfreda M. Peel, and John Stone\", Davis gave symbolic recognition--even though belated in some cases--to the passage of an age and a generation in the history of both the Society and of ballad collecting in the old style and tradition. ","On March 15, 1963, Arthur Kyle Davis, Jr. wrote another article for The University of Virginia News Letter titled, \"Folklore in Virginia: Its Collection and Study.\" Perhaps stimulated by the urban folksong revival that was underway nationwide, he stated, \"the time seems ripe to revive the Society and to set its course toward the assembling of the State's miscellaneous folklore.\" This article prompted a considerable response and receipt of folklore collectanea. With that renewed interest, the Society began again to have regular annual meetings in 1967 and folklore materials began coming into the Society's archive in greater volume. Davis had plans to expand Society activities, including the publication of a journal, and he had made preliminary steps in those directions. Those projects were left unrealized when Professor Arthur Kyle Davis, Jr. died in September, 1972. ","Folklore/Folklife: Professionalization of the Discipline: The third phase of the Virginia Folklore Society's history actually began prior to Davis's death, when the media influence from the urban folksong revival and the development of scholarly programs in Folklore at several universities combined both to attract and create a demand for persons trained in such a discipline. In part in response to those particular circumstances and in part due simply to serendipity, several such newly trained Folklore specialists came to work in Virginia and not unexpectedly, soon became involved with the Virginia Folklore Society. With a Ph.D. from the Folklore Progam at the University of Pennsylvania, Charles L. Perdue, Jr. came to teach Folklore courses in the University of Virginia's English Department in 1971 and later became jointly affiliated with both the English \u0026 Anthropology Departments there. Shortly thereafter J. Roderick Moore, with an M.A. in Folklore Studies from the Cooperstown Program in New York State, began working and teaching first at Mountain Empire Community College in Big Stone Gap, then at the Blue Ridge Institute of Ferrum College in Ferrum, Virginia. ","The contact between Perdue, specifically, and Davis at the University with regard to the Society was obviously shortlived. Nevertheless, a collaborative effort to revitalize the Society shortly after Davis's death involved long-time members, Ben C. Moomaw, Jr., President; C. Alphonso Smith, Jr. and Virginia F. Jordan, Vice-Presidents; and Fred F. Knobloch, Secretary-Treasurer; along with Perdue and Moore, their wives Nancy J. Martin-Perdue and Elizabeth Moore, Thomas E. Barden, a former student of Davis's, and many others. ","The decision was made to separate the Society from its former association with the Virginia Educational Association and to hold regular, annual meetings, independently, each Fall in Charlottesville, Virginia. These were begun in November, 1974, with occasional Spring meetings held in various regions of the State. In 1979 the Society began publication of an occasional journal, with this being the fourth volume in the series of Folklore and Folklife in Virginia. ","In spite of its new face, the reorganized Society retained the stamp of an earlier era, which was manifested to a large degree through the personalities and interests of Ben C. Moomaw, Jr., who continued as president of the Society until his death in 1978, and Fred F. Knobloch, who retired as the Society's secretary-treasurer shortly before his death in 1981. ","The changes that have taken place in the Virginia Folklore Society reflect changes that have occurred in the field of Folklore generally, and also in other similar disciplines nationally, since 1913. The expansion of definitions of folklore to include material culture; the establishment of graduate programs in Folklore at Indiana University, the Universities of Pennsylvania, Texas, and California at Los Angeles, and elsewhere; and the movement of folklorists, who were trained in those settings and who thus have a broader view of the discipline, into a wide range of public sector positions have led to a gradual professionalization of the field. ","Consistent with those directions, the Society was in recent years directly involved in the creation of the position of Virginia Folklife Coordinator. A proposal to create such a position was submitted by VFS Executive Board members to the National Endowment for the Arts, Folks Arts Program, and the Virginia Commission for the Arts (VCA) in 1988. This venture, which was subsequently funded, was a cooperative one between NEA, VCA, and the Virginia Foundation for the Humanities (VFHPP). The Folklife Coordinator, Garry W. Barrow, hired in 1989 to develop and administer a statewide Virginia Folklife Program, working under the heading of the VFHPP in Charlottesville. Initially, the Virginia Folklore Society Executive Board acted in an advisory capacity to that program, along with representatives from VCA and VFHPP. The fact that the position was called the Virginia Folklife Coordinator was, in itself, a reflection of the changes, already suggested, that had been occurring in the field of folklore/folklore in the late 1960s to 1970s. ","Excerpted from http://faculty.virginia.edu/vafolk/archive.htm. "],"custodhist_html_tesm":["\u003cp\u003eMaterial transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Material transferred from the papers bequeathed to the Library by Arthur Kyle Davis.  By agreement with Charles Perdue, archivist of the Virginia Folklore Society, the material, which was originally collected for the society, is now to become the archives of the Society.  It is not to be withdrawn from the library by the Society."],"odd_html_tesm":["\u003cp\u003eThis resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003e•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026amp; Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.\u003c/p\u003e","\u003cp\u003e•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.\u003c/p\u003e","\u003cp\u003e•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.\u003c/p\u003e","\u003cp\u003e•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately.\u003c/p\u003e"],"odd_heading_ssm":["General","Inventory","Inventory","Inventory","Inventory"],"odd_tesim":["This resource contains racially insensitive and offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","•\tA.K. Davis Duplication Project documents include annotated indices of 180 discs recorded by AK Davis (1932-34) and of 8 reels recorded by Fred Knobloch (1948) (n.b.: the indices indicate that the recordings were transferred to cassette from their original formats), photocopies of typed descriptions of the recordings ca. 1970-1973, standardized notes on songs recorded in Virginia and North Carolina in the 1970s.\n•\tMembership documents include membership application forms (blank and processed) ca. 1981-1987, membership card for the Virginia Folklore Society (in \"VFS Archive \u0026 Application Materials\" folder), Virginia Folklore Society Membership Directories and newsletters ca. 1998-1999.\n•\tMaterial related to the creation of the Virginia Folklife Program including materials ca 1990 and 1987 (in \"Folklore Advisory Committee: Current\" and \"VFS: Folklife Coordinator\" folders), also includes 2 manilla envelopes: one of papers ranking each possible head coordinator, titled \"Folklife Coordinator Rankings,\" and one addressed to Charles Perdue with each applicant's application materials.  \n•\tPhotographs of collectors and subjects of the original Virginia Folklore Society, (many in the sm. brown envelope include information each photo on its back). In four small manilla envelopes, ca 1900-1920s (each of the three white envelopes also include original negatives). In 5 large white manilla envelopes, sheets of printed photo-negatives that seem to accompany the archival photographs.\n•\tCorrected and final proofs for the Virginia Folklore Society Folklore and Folklife in Virginia Volume 4, 1988 (75th anniversary edition)—3 versions in soft plastic container.","•\tMembership records include: \"Membership Applications—Old\" ca. 1970s, 1988 membership directory, processed memberships 1988-1989, membership lists from 1980-1982 (multiple printed copies) and 1977 (in \"Old, outdated mailing lists\" folder), membership lists, n.d., directory of members (1997) and of scholars (n.d.), memberships 1989-2002.\n•\tAlso includes publicity and mailing lists (n.d.), blank Virginia Folklore Society mailing labels, journal orders and invoices (in booklets) ca 1980s, correspondence including \"Returned to Sender\" Virginia Folklore Society materials ca. 2001, correspondence with Hubert Davis Jr. ca 1980, and assorted miscellaneous papers.","•\tMultiple correspondence folders (1980s-1990s) including miscellaneous correspondence from 1985 onwards, and between Charles and Nancy Perdue and: Wayland D. Hand, George F. Jones, Fred F. Knobloch, Ann McCleary, Mary Anne McDonald, Benjamin C. Moomaw, Carol L. Oakey, Dan Patterson, Lila W. Robinson, John C. Rogers, Raymond H. Sloan, Elmer L. Smith, Margaret (Peggy) Yocom.\n•\tAssorted Virginia Folklore Society promotional and public-facing materials including: newsletters ca 1980s-1990s, logo drafts, stationary proofs and final papers, brochures, and an unlabeled folder containing paper documents (including original case labels) for the exhibition: \"75 Years in the History of the Virginia Folklore Society,\" presumably gathered for the 75th anniversary in 1988.\n•\tVirginia Folklore Society meeting materials: handouts for executive board meetings ca. 1993, meeting plans, notes, and invitations ca. 1990, and Virginia Folklore Society meeting programs with some notes from 1992, 1994, and 1995.\n•\tAssorted photocopies, materials related to Fred F. Knobloch, data sheets including grant awards and names of Virginia-local craftspeople from various regions (n.d.), handwritten membership reports ca. 1970s-1980s, assorted financial documents, other miscellaneous Virginia Folklore Society papers.","•\t3-ring binder of Virginia Folklore Society administrative materials ca. 1970s-1980s including membership list, newsletter, an Archive Report, newsletters ca. 1970s-1980.\n•\tAssorted folders of Virginia Folklore Society documents (correspondence, bank documents, etc) ca. 2000s.\n•\tOnline printouts of Virginia Folklore Society-centered material: pages from the Society website, the guide to its collection at UVA Special Collections, pages from the Virginia Folklife Program, assorted folklore-topical book records found in Virgo. Some of the Virginia Folklore Society website material is written in code. ca. 1990s. \n•\tAssorted periodicals ca. 1970s-1980s, including bibliographies and Library of Congress collection guides and folklore and folklife-specific special topics. Multiple issues of \"The Appalachian South: Cultural Heritage—Folklore, Song, History, People,\" vol. 1 no 1, 3, 4, vol. 2 no. 2, 1966-1967) and of \"Virginia Wildlife\" vol XXXIII no. 1, 2 and XXXII no. 2. A few focus on Virginia and the Blue Ridge Parkway.\n•\tA number of books, catalogued separately."],"scopecontent_html_tesm":["\u003cp\u003eVirginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.\u003c/p\u003e\n","\u003cp\u003eRegarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. \u003c/p\u003e\n","\u003cp\u003eThe recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).\u003c/p\u003e\n","\u003cp\u003ePlease note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.\u003c/p\u003e","\u003cp\u003eFolder 1 contains transcripts and notes.\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eTexas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eHorton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMartha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eOrpha Pedneau, vocals. Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMolly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVirginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinter Grubb, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eSusie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJohn M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMyrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:\u003c/p\u003e","\u003cp\u003eRobert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eColeman Williams, vocals. Performance location: Halifax County, Virginia, United States\u003c/p\u003e","\u003cp\u003ePerformance location: Henrico County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eCarter Wicks, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eWilliam Elliott Dold, vocals.\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRichard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eKit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eWayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eNannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eGeorge Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eG. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRoselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMargaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eAllie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLouise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eCharles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAbner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRuby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eEunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States\u003c/p\u003e","\u003cp\u003eAlfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMarth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eLucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMerkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eThelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eH. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eVergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eJ. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eW. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States\u003c/p\u003e","\u003cp\u003eMinor Wilson, vocals.\u003c/p\u003e","\u003cp\u003eRussell Davis, vocals. Performance location: Greene County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRonald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eRosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States\u003c/p\u003e","\u003cp\u003eSis Sears, vocals. Performance location: Roanoke County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFlorence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States\u003c/p\u003e","\u003cp\u003eS. F. Russell, dulcimer.\u003c/p\u003e","\u003cp\u003eVictoria Morris, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eFrank Geldand, piano.\u003c/p\u003e","\u003cp\u003eBetty Booker, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States\u003c/p\u003e","\u003cp\u003eA.K. Davis (1st work).\u003c/p\u003e","\u003cp\u003eA.K. Davis, vocals.\u003c/p\u003e","\u003cp\u003eThis box contains a mixture of materials (ephemera, cassettes (filed separately), original and photocopied correspondence, research, and primary source documents, administrative documents, flyers, photographs, and other papers) related to the Virginia Folklore Society at its inception and ca. 1970s-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains administrative and public-facing documents related to Virginia Folklore Society meetings and website, discontinuously from 1981-2001. It also contains documents related to the creation of the Virginia Folklife Program ca. 1988-1990s.\u003c/p\u003e","\u003cp\u003eThis box contains a number of Virginia Folklore Society newsletters, documents related to the creation and publication of the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), documents related to the Virginia Folklore Society website, and other Virginia Folklore Society documents and ephemera including flyers and stationary.\u003c/p\u003e","\u003cp\u003eA large volume of materials related to the Journal of the Virginia Folklore Society (Folklore and Folklife in Virginia), all related to Volumes 1-5 (1979-1981, 1988). Administrative and public-facing documents related to the 75th anniversary meeting in 1988, and newsletters dated after that meeting. Documents related to Rosa Bibb, a ballad singer from Virginia.\u003c/p\u003e","\u003cp\u003ePapers related to the A.K. Davis Duplication Project, documents related to Virginia Folklore Society membership, documents related to the creation of the Virginia Folklife Program, photographs of collectors and subjects of the original Virginia Folklore Society, and materials related to Folklore and Folklife in Virginia.\u003c/p\u003e","\u003cp\u003eVirginia Folklore Society Membership records and a number of administrative and public-facing documents related to the Society, and an assortment of other Society-related documents.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, correspondence between Charles and Nancy Perdue and others, and other assorted Society papers.\u003c/p\u003e","\u003cp\u003eAdministrative and public-facing documents related to the Virginia Folklore Society, related to membership, correspondence, banking, the archive, the website, and the Society's presence in the UVA archive. Periodicals related to folklore and folklife in Virginia, including the Virginia Folklore Society newsletters.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note","Scope and Contents Note"],"scopecontent_tesim":["Virginia Folklore Society records (1913-1967; 22.7 cubic feet) consist chiefly of songs collected by the society's fieldworkers in the 1930s under the direction of society archivist Arthur Kyle Davis.  Sheet music, folklore, newsletters and photographs are also included, as are recordings of many of the songs.","Regarding boxes 6-10 and 21-24: These boxes contain the correspondence of C.A. Smith and Arthur K. Davis dealing primarily with folksong and ballad collecting.  Some of this correspondence is with members of the Virginia Folklore Society and some to miscellaneous individuals who sent in material or had information and/or questions regarding folksongs. ","The recordings in this collection include a large collection of the recordings made by A. K. Davis, with the assistance of Fred Knobloch and other Virginia Folklore Society members/collectors on Fairchild aluminum transcription disks.  Davis divided the recordings into four groups: A (12 inch disks), B: (10 inch disks), C: (8 inch disks), D: 6 inch disks).","Please note, there are some song titles and lyrics that contain racially insensitive and/or culturally offensive language. In an effort to represent the resource as accurately as possible, library staff have transcribed the title exactly as it appears on the archival material or object.","Folder 1 contains transcripts and notes.","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Kit Williamson, vocals. Performance location: Yellow Branch, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Texas Gladden, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Horton Barker, vocals. Performance location: Chilhowie, Smyth County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work); Mrs. J. P. McConnell, vocals (2nd work). Performance location: East Radford, Montgomery County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Martha Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Orilla Keyton, vocals. Performance location: Albemarle County, Virginia, United States","Eunice Yates, vocals. Performance location: Patrick County, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Orpha Pedneau, vocals. Performance location: Radford, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Molly Stinett Whitehead, vocals. Performance location: Agricola, Amherst County, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","S.F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Virginia Howdyshell, Mary Howdyshell, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Minter Grubb, vocals. Performance location: Roanoke County, Virginia, United States","Fanny Grubb, vocals (1st work) ; Mr. J.S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mr. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Mrs. J.S. Witt, vocals. Performance location: Roanoke County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Susie A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","John M. Hunt, vocals. Performance location: Marion, Smyth County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Allie Wallace, Vergie Wallace, vocals. Performance location: Campbell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; G.W. Palmer, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Mrs. W.F. Starke, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Myrtle Griffitts, vocals. Performance location: Cedar Bluff, Tazewell County, Virginia, United States","Eleanor Christian, vocals (1st work) ; Roselle Faulkner, vocals (2nd work). Performance location: Amherst County, Virginia, United States","Lawrence Wilsher, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Charlottesville, Virginia, United States","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","Robert Bennett Bean, vocals. Albemarle County, Virginia, United StatesPerformance location:","Robert Bennett Bean, vocals. Performance location: Albemarle County, Virginia, United States","George B. Eager, Jr., vocals. Performance location: Albemarle County, Virginia, United States","Lambert Davis, vocals (1st work) ; Charles Morris, vocals (2nd work). Performance location: Virginia, United States","Coleman Williams, vocals. Performance location: Halifax County, Virginia, United States","Performance location: Henrico County, Virginia, United States","Gospel Train Quartet, vocals. Performance location: Charlottesville, Virginia, United States","Carter Wicks, vocals. Performance location: Charlottesville, Virginia, United States","William Elliott Dold, vocals.","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals (1st work) ; Mrs. J. B. Crawford, vocals (2nd work). Performance location: Altavista, Campbell County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Richard D. Smith, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Mrs. John Webb, vocals (1st work) ; Kit Williamson, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Kit Williamson, vocals . Performance location: Yellow Branch, Campbell County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals . Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. W. F. Stark, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Mrs. J. F. Hodges, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Marion Edna Chapman, vocals (2nd work). Performance location: Roanoke, Roanoke County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Wayne Crabtree, vocals. Performance location: Cleveland, Russell County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Nannie Harrison Ware, vocals. Performance location: Amherst, Amherst County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","George Basil Hall, vocals. Performance location: Middleburg, Loudoun County, Virginia, United States","S. F. Russell, vocals. Performance location: Marion, Smyth County, Virginia, United States","J. H. Chisholm, vocals. Performance location: Greenwood, Albemarle County, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","G. W. Palmer, vocals. Performance location: Roanoke County, Virginia, United States","J. W. Fields, vocals. Performance location: Lebanon, Russell County, Virginia, United States","Lena Gardner, vocals. Performance location: Woodlawn, Carroll County, Virginia, United States","Roselle Faulkner, vocals. Performance location: Amherst, Amherst County, Virginia, United States","Eleanor Christian, vocals. Performance location: New Glasgow, Amherst County, Virginia, United States","Margaret Michie Carter, vocals. Performance location: Carlottesville, Virginia, United States","Allie Wallace, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Mrs. S. A. Bishop, vocals. Performance location: Marion, Smyth County, Virginia, United States","Louise Forbes, vocals. Performance location: Roanoke, Roanoke County, Virginia, United States","Charles Lee, vocals. Performance location: New Castle, Craig County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Abner Keesee, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Thelma Tinsley Lee, Merkley Keesee Lewis, vocals (1st work) ; Abner Keesee, vocals (2nd work). Performance location: Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Mrs. John Webb, vocals. Performance location: Lynch Station, Campbell County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals. Performance location: Laurel Fork, Carroll County, Virginia, United States","Ruby Bowman, vocals (1st work) ; Eunice Yates, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Eunice Yates, vocals. Performance location: Meadows of Dan, Patrick County, Virginia, United States","Alfreda M. Peel, vocals. Performance location: Roanoke County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Marth Elizabeth Gibson, vocals. Performance location: Crozet, Albermarle County, Virginia, United States","Lucy Perrin Gibbs, vocals. Performance location: Orange, Orange County, Virginia, United States","Mrs. J. B. Crawford, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Merkley Keesee Lewis, vocals (1st work) ; Thelma Tinsley Lee, vocals (2nd work). Performance location: Campbell County, Virginia, United States","Thelma Tinsley Lee, vocals (1st, 3rd works) ; Merkley Keesee Lewis, vocals (2nd work). Performance location: Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","H. W. Adams, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Vergie Wallace, vocals (1st work) ; Leta Adams, vocals (2nd-3rd works). Performance location: Campbell County, Virginia, United States","Mrs. J. F. Hodges, vocals (1st work) ; Daisy Pruitt, vocals (2nd work). Performance location: Virginia, United States","J. P. Whitt, vocals (1st work) ; Mrs. W. E. Gilbert, vocals (2nd work). Performance location: Radford, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","W. J. Lewis, vocals. Performance location: Altavista, Campbell County, Virginia, United States","Minor Wilson, vocals.","Russell Davis, vocals. Performance location: Greene County, Virginia, United States","Ronald Witt, vocals (1st work) ; J. S. Witt, vocals (2nd work). Performance location: Roanoke County, Virginia, United States","Rosa Lewis Baltimore, vocals. Performance location: Charlottesville, Virginia, United States","Sis Sears, vocals. Performance location: Roanoke County, Virginia, United States","Florence Ogg, vocals (1st work) ; Ruby Bowman, vocals (2nd work). Performance location: Virginia, United States","S. F. Russell, dulcimer.","Victoria Morris, vocals. Performance location: Albemarle County, Virginia, United States","Frank Geldand, piano.","Betty Booker, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis, vocals. Performance location: Albemarle County, Virginia, United States","A.K. Davis (1st work).","A.K. 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