{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=5\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=4\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=6\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=87\u0026view=compact"},"meta":{"pages":{"current_page":5,"next_page":6,"prev_page":4,"total_pages":87,"limit_value":10,"offset_value":40,"total_count":864,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_5374_c3589","type":"Series","attributes":{"title":"Addendum of 2024 September 18, Assorted Publications and Printed Ephemera","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c3589#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAssorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c3589#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5374_c3589","ref_ssm":["wvmturhc_repositories_2_resources_5374_c3589"],"id":"wvmturhc_repositories_2_resources_5374_c3589","ead_ssi":"wvmturhc_repositories_2_resources_5374","_root_":"wvmturhc_repositories_2_resources_5374","_nest_parent_":"wvmturhc_repositories_2_resources_5374","parent_ssi":"wvmturhc_repositories_2_resources_5374","parent_ssim":["wvmturhc_repositories_2_resources_5374"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5374"],"parent_unittitles_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"parent_unittitles_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"text":["Long/Trail Southeastern West Virginia Historical Records","Addendum of 2024 September 18, Assorted Publications and Printed Ephemera","Box 129","Assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies."],"title_filing_ssi":"Addendum of 2024 September 18, Assorted Publications and Printed Ephemera","title_ssm":["Addendum of 2024 September 18, Assorted Publications and Printed Ephemera"],"title_tesim":["Addendum of 2024 September 18, Assorted Publications and Printed Ephemera"],"unitdate_inclusive_ssm":["circa 2020s"],"normalized_date_ssm":["2020/2024"],"normalized_title_ssm":["Addendum of 2024 September 18, Assorted Publications and Printed Ephemera"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Long/Trail Southeastern West Virginia Historical Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":3589,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2020,2021,2022,2023,2024],"containers_ssim":["Box 129"],"scopecontent_html_tesm":["\u003cp\u003eAssorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies."],"_nest_path_":"/components#3588","timestamp":"2026-05-21T00:42:57.896Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5374","ead_ssi":"wvmturhc_repositories_2_resources_5374","_root_":"wvmturhc_repositories_2_resources_5374","_nest_parent_":"wvmturhc_repositories_2_resources_5374","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5374.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/204651","title_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"title_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"unitdate_ssm":["circa 1870-2020s and undated"],"unitdate_inclusive_ssm":["circa 1870-2020s and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374"],"text":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374","Long/Trail Southeastern West Virginia Historical Records","Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)","Genealogies.","Schools","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","Records about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.","Genealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.","Chesapeake and Ohio (C\u0026O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.","Geographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.","Summers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.","War-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026O Railroad.\n \nNote on Terminology in the Contents List:","Photographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.","For genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).","The Chesapeake and Ohio (C\u0026O) Railroad can be both spelled out fully or abbreviated C\u0026O.","Clippings may also be noted as articles or newspapers.","Addendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.","\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.","Addendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.","Addendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Addendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.","Addendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.","Addendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Hinton News, The Register-Herald, The Post-Report, The Monroe Watchman","\"People, Places, and Things\" column and article on Pipestem public water system.","Several issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.","Includes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.","One page article by Stephen Trail.","Includes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.","Includes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.","Includes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.","Includes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.","Two articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).","Includes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.","Includes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"","Photocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.","Includes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.","Two-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.","Includes photographs and newspaper clippings relating to Hinton High School.","Includes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"","Includes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.","Includes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.","Includes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.","Includes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.","Includes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).","Includes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).","Includes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.","Includes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.","Includes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026O railroad conductor in Huntington during the early 1900s.","Includes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.","Includes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.","Subjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.","Subjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.","Subjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.","One photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.","Includes six VHS tapes: \nTV News \nTree Work City \nHinton Streetscape \nSteve Trail, TV News, BOE Meeting \nTV News \nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86","Documents regarding economic development program for Hinton.","Election campaign letter.","Letter regarding loan of two photographs.","Includes a business card and a thank you note for materials loaned by Trail.","List of photos.","One letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.","Material regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.","Assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Separated to the dvd / vhs / betacam collection:","  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)","  Separated to the book collection; forwarded to Curator of Books:","  Bragg, Melody.  Thurmond and Ghost Towns of the New River Gorge . Glen Jean, West Virginia: Gem Publications, ca. 1995.","  Daly, Dorothy.  The Dart, 1926, Volume VII . Hinton, West Virginia: Senior Class of Hinton High School, 1926.","Directory of Hinton, West Virginia . 1927.","  Enoch, Harry G.  Affair at Captina Creek . Bowie, Maryland: Heritage Books, 1999.","  Foster, Elizabeth Carroll.  Virginia Carrolls and Their Neighbors 1618-1800s . Bowie, Maryland: Heritage Books, 1999.","  Glen Jean Historical Society.  Dunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories . Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.","  Grafton, Emily.  West Virginia Adventure Guide to the Natural History of Blackwater Falls State Park . Terra Alta, West Virginia: Headline Books, 2002.","  Harsh, Sharon Wilmoth.  School Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899 . Bowie, Maryland: Heritage Books, 2000.","  Hatcher, Charles Silas.  Historical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families . Princeton, West Virginia: Jake Forest Hatcher, 1980.","History of the Great Kanawha Valley, Volume I . Bowie, Maryland: Heritage Books, 2000.","  Keller, Barbara, editor.  Summers County, West Virginia, Historical Society: Cemetery Book . Beckley, West Virginia: BJW Printing, 1996.","  Keller, Robert, editor.  Senior \"34\" . Hinton, West Virginia: Senior Class, Hinton High School, 1934.","  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors.  Hinton City Directory . White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.","  Lilly, Jack.  Historical Genealogy of the Lilly Family . Canton, Ohio: Jack Lilly, 1977.","  Lilly, Jack.  Lilly Family History, 1566-1997 . Canton, Ohio: Jack Lilly, 1997.","  Lilly, Jack.  Our Heritage: The Lilly Family, Vol. II . Canton, Ohio: Jack Lilly, 1978.","  Long, Fred and Steve Trail.  Historic Pence Springs Resort . 1987.","  Marockie, Henry R.  School Laws of West Virginia: 1989 Edition . Charlottesville: The Michie Company, 1990.","  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson.  Frontier Forts in West Virginia: Historical and Archaeological Explorations . Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7 . Bowie, Maryland: Heritage Books, 1998.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8 . Bowie, Maryland: Heritage Books, 1999.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10 . Bowie, Maryland: Heritage Books, 2000.","  McNeer, Sally Withrow.  Echoes of Summers . Undated.","  Miller, Hurley.  Once in a Lifetime . Raleigh: Pentland Press, 2000.","  Myers, Tom E.  Moccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758 . Parsons, West Virginia: McClain Printing Company, 1995.","  Pemberton, Robert L.  A History of Pleasants County, West Virginia . Bowie, Maryland: Heritage Books, 1999.","  Peters, Okey Erwin, compiler.  Conrad Peters and Wife Clara Snidow . Paducah, Kentucky: Paducah Printing Co., 1954.","  Roles, Joe B.  Mary Janes's War: A Civil War Novel Based on a True Story . Annandale, Virginia: Joe B. Roles, 2002.","  Scott, Eugene.  Thurmond: Dodge City of West Virginia: Believe It or Not City . Beckley, West Virginia: Eugene Scott, undated.","  Senior Class of Hinton High School.  The Senior Handbook; 1935 . Hinton, West Virginia: Senior Class, Hinton High School, 1935.","  Shuff, Murray.  Stone Cliff, West Virginia: \"Life Along New River\", 1930-1938 . Beckley, West Virginia: Central Printing Company, 1984.","  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center.  Thurmond Commercial Buildings: New River Gorge, National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  Stewart, Kathleen.  A Space on the Side of the Road: Cultural Poetics in an \"Other\" America . Princeton: Princeton University Press, 1996.","  Sullivan, Ken.  Thurmond: A New River Community . Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.","  Taylor, Sharon.  The Amazing Story of the Gwinns in America . Washington, D.C.: Halbert's, 1982.","  Trail, Stephen D. and Vandalia Consultants, Inc.  Bluestone Dam 50th Anniversary Commemorative Album 1949-1999 . Hinton, West Virginia: Fox Photographics, 1999.","  United States. National Park Service.  Denver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  United States. National Park Service.  Land Protection Plan: New River Gorge . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.","  Wardell, Patrick G., compiler.  Virginians and West Virginians, 1607-1870, Volume 1 . Bowie, Maryland: Heritage Books, 1986.","  Wilson, Goodridge.  Smyth County History and Traditions . Bowie, Maryland: Heritage Books, 1998.","  Separated to closed collections:","  Baseball card of Jack Warhop, originally in box 79, folder 15.","Hinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company","Long, Frederick","Trail, Stephen D.","Bagdon, Philip V.","English \n.    "],"unitid_tesim":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374"],"normalized_title_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"collection_title_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"collection_ssim":["Long/Trail Southeastern West Virginia Historical Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"geogname_ssim":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"creator_ssm":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_persname_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creators_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"places_ssim":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogies.","Schools"],"access_subjects_ssm":["Genealogies.","Schools"],"has_online_content_ssim":["false"],"extent_ssm":["117.02 Linear Feet 29 document case, 5 in. each; 20 document cases, 2.5 in. each; 78 record cartons, 15 in. each; 3 small flat storage boxes, 1.5 in. each; 1 small flat storage box, 3 in.; 4 large flat storage boxes, 1.5 in. each; 4 large flat storage boxes, 3 in. each; 1 card file box, 4.5 in.; 1 square roll tube, 3 in.; 1 square roll tube, 4 in.; 1 oversize folder, 2 in.; 1 framed item, 0.25 in.; 1 oversize photograph","38.2 Gigabytes 14,700 files, formats primarily include .tif, .jpg, .doc"],"extent_tesim":["117.02 Linear Feet 29 document case, 5 in. each; 20 document cases, 2.5 in. each; 78 record cartons, 15 in. each; 3 small flat storage boxes, 1.5 in. each; 1 small flat storage box, 3 in.; 4 large flat storage boxes, 1.5 in. each; 4 large flat storage boxes, 3 in. each; 1 card file box, 4.5 in.; 1 square roll tube, 3 in.; 1 square roll tube, 4 in.; 1 oversize folder, 2 in.; 1 framed item, 0.25 in.; 1 oversize photograph","38.2 Gigabytes 14,700 files, formats primarily include .tif, .jpg, .doc"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Long/Trail Southeastern West Virginia Historical Records, A\u0026amp;M 3762, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Long/Trail Southeastern West Virginia Historical Records, A\u0026M 3762, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the \u003cemph render=\"italic\"\u003eHinton Daily News\u003c/emph\u003e (later the \u003cemph render=\"italic\"\u003eHinton News\u003c/emph\u003e). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026amp;O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.\u003c/p\u003e\n","\u003cp\u003eRecords about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.\u003c/p\u003e\n","\u003cp\u003eGenealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.\u003c/p\u003e\n","\u003cp\u003eChesapeake and Ohio (C\u0026amp;O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.\u003c/p\u003e\n","\u003cp\u003eGeographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.\u003c/p\u003e\n","\u003cp\u003eSummers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.\u003c/p\u003e\n","\u003cp\u003eWar-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026amp;O Railroad.\n \nNote on Terminology in the Contents List:\u003c/p\u003e\n","\u003cp\u003ePhotographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.\u003c/p\u003e\n","\u003cp\u003eFor genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).\u003c/p\u003e\n","\u003cp\u003eThe Chesapeake and Ohio (C\u0026amp;O) Railroad can be both spelled out fully or abbreviated C\u0026amp;O.\u003c/p\u003e\n","\u003cp\u003eClippings may also be noted as articles or newspapers.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.\u003c/p\u003e\n","\u003cp\u003e\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.\u003c/p\u003e","\u003cp\u003eHinton News, The Register-Herald, The Post-Report, The Monroe Watchman\u003c/p\u003e","\u003cp\u003e\"People, Places, and Things\" column and article on Pipestem public water system.\u003c/p\u003e","\u003cp\u003eSeveral issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.\u003c/p\u003e","\u003cp\u003eIncludes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.\u003c/p\u003e","\u003cp\u003eOne page article by Stephen Trail.\u003c/p\u003e","\u003cp\u003eIncludes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.\u003c/p\u003e","\u003cp\u003eIncludes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.\u003c/p\u003e","\u003cp\u003eIncludes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.\u003c/p\u003e","\u003cp\u003eIncludes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.\u003c/p\u003e","\u003cp\u003eTwo articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).\u003c/p\u003e","\u003cp\u003eIncludes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.\u003c/p\u003e","\u003cp\u003eIncludes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.\u003c/p\u003e","\u003cp\u003eTwo-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.\u003c/p\u003e","\u003cp\u003eIncludes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.\u003c/p\u003e","\u003cp\u003eIncludes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.\u003c/p\u003e","\u003cp\u003eIncludes photographs and newspaper clippings relating to Hinton High School.\u003c/p\u003e","\u003cp\u003eIncludes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"\u003c/p\u003e","\u003cp\u003eIncludes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.\u003c/p\u003e","\u003cp\u003eIncludes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.\u003c/p\u003e","\u003cp\u003eIncludes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.\u003c/p\u003e","\u003cp\u003eIncludes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.\u003c/p\u003e","\u003cp\u003eIncludes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).\u003c/p\u003e","\u003cp\u003eIncludes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).\u003c/p\u003e","\u003cp\u003eIncludes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.\u003c/p\u003e","\u003cp\u003eIncludes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.\u003c/p\u003e","\u003cp\u003eIncludes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026amp;O railroad conductor in Huntington during the early 1900s.\u003c/p\u003e","\u003cp\u003eIncludes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.\u003c/p\u003e","\u003cp\u003eIncludes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.\u003c/p\u003e","\u003cp\u003eOne photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.\u003c/p\u003e","\u003cp\u003eIncludes six VHS tapes:\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nTV News\u003clb\u003e\u003c/lb\u003e\nTree Work City\u003clb\u003e\u003c/lb\u003e\nHinton Streetscape\u003clb\u003e\u003c/lb\u003e\nSteve Trail, TV News, BOE Meeting\u003clb\u003e\u003c/lb\u003e\nTV News\u003clb\u003e\u003c/lb\u003e\nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86\u003c/p\u003e","\u003cp\u003eDocuments regarding economic development program for Hinton.\u003c/p\u003e","\u003cp\u003eElection campaign letter.\u003c/p\u003e","\u003cp\u003eLetter regarding loan of two photographs.\u003c/p\u003e","\u003cp\u003eIncludes a business card and a thank you note for materials loaned by Trail.\u003c/p\u003e","\u003cp\u003eList of photos.\u003c/p\u003e","\u003cp\u003eOne letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.\u003c/p\u003e","\u003cp\u003eMaterial regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.\u003c/p\u003e","\u003cp\u003eAssorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e","\u003cp\u003eAssorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","Records about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.","Genealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.","Chesapeake and Ohio (C\u0026O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.","Geographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.","Summers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.","War-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026O Railroad.\n \nNote on Terminology in the Contents List:","Photographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.","For genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).","The Chesapeake and Ohio (C\u0026O) Railroad can be both spelled out fully or abbreviated C\u0026O.","Clippings may also be noted as articles or newspapers.","Addendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.","\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.","Addendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.","Addendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Addendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.","Addendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.","Addendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Hinton News, The Register-Herald, The Post-Report, The Monroe Watchman","\"People, Places, and Things\" column and article on Pipestem public water system.","Several issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.","Includes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.","One page article by Stephen Trail.","Includes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.","Includes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.","Includes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.","Includes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.","Two articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).","Includes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.","Includes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"","Photocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.","Includes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.","Two-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.","Includes photographs and newspaper clippings relating to Hinton High School.","Includes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"","Includes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.","Includes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.","Includes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.","Includes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.","Includes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).","Includes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).","Includes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.","Includes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.","Includes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026O railroad conductor in Huntington during the early 1900s.","Includes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.","Includes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.","Subjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.","Subjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.","Subjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.","One photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.","Includes six VHS tapes: \nTV News \nTree Work City \nHinton Streetscape \nSteve Trail, TV News, BOE Meeting \nTV News \nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86","Documents regarding economic development program for Hinton.","Election campaign letter.","Letter regarding loan of two photographs.","Includes a business card and a thank you note for materials loaned by Trail.","List of photos.","One letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.","Material regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.","Assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the dvd / vhs / betacam collection:\u003c/p\u003e\n","\u003cp\u003e  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)\u003c/p\u003e\n","\u003cp\u003e  Separated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Bragg, Melody. \u003ctitle render=\"italic\"\u003eThurmond and Ghost Towns of the New River Gorge\u003c/title\u003e. Glen Jean, West Virginia: Gem Publications, ca. 1995.\u003c/p\u003e\n","\u003cp\u003e  Daly, Dorothy. \u003ctitle render=\"italic\"\u003eThe Dart, 1926, Volume VII\u003c/title\u003e. Hinton, West Virginia: Senior Class of Hinton High School, 1926.\u003c/p\u003e\n","\u003cp\u003e  \u003ctitle render=\"italic\"\u003eDirectory of Hinton, West Virginia\u003c/title\u003e. 1927.\u003c/p\u003e\n","\u003cp\u003e  Enoch, Harry G. \u003ctitle render=\"italic\"\u003eAffair at Captina Creek\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Foster, Elizabeth Carroll. \u003ctitle render=\"italic\"\u003eVirginia Carrolls and Their Neighbors 1618-1800s\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Glen Jean Historical Society. \u003ctitle render=\"italic\"\u003eDunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories\u003c/title\u003e. Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.\u003c/p\u003e\n","\u003cp\u003e  Grafton, Emily. \u003ctitle render=\"italic\"\u003eWest Virginia Adventure Guide to the Natural History of Blackwater Falls State Park\u003c/title\u003e. Terra Alta, West Virginia: Headline Books, 2002.\u003c/p\u003e\n","\u003cp\u003e  Harsh, Sharon Wilmoth. \u003ctitle render=\"italic\"\u003eSchool Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  Hatcher, Charles Silas. \u003ctitle render=\"italic\"\u003eHistorical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families\u003c/title\u003e. Princeton, West Virginia: Jake Forest Hatcher, 1980.\u003c/p\u003e\n","\u003cp\u003e  \u003ctitle render=\"italic\"\u003eHistory of the Great Kanawha Valley, Volume I\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  Keller, Barbara, editor. \u003ctitle render=\"italic\"\u003eSummers County, West Virginia, Historical Society: Cemetery Book\u003c/title\u003e. Beckley, West Virginia: BJW Printing, 1996.\u003c/p\u003e\n","\u003cp\u003e  Keller, Robert, editor. \u003ctitle render=\"italic\"\u003eSenior \"34\"\u003c/title\u003e. Hinton, West Virginia: Senior Class, Hinton High School, 1934.\u003c/p\u003e\n","\u003cp\u003e  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors. \u003ctitle render=\"italic\"\u003eHinton City Directory\u003c/title\u003e. White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eHistorical Genealogy of the Lilly Family\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1977.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eLilly Family History, 1566-1997\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1997.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eOur Heritage: The Lilly Family, Vol. II\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1978.\u003c/p\u003e\n","\u003cp\u003e  Long, Fred and Steve Trail. \u003ctitle render=\"italic\"\u003eHistoric Pence Springs Resort\u003c/title\u003e. 1987.\u003c/p\u003e\n","\u003cp\u003e  Marockie, Henry R. \u003ctitle render=\"italic\"\u003eSchool Laws of West Virginia: 1989 Edition\u003c/title\u003e. Charlottesville: The Michie Company, 1990.\u003c/p\u003e\n","\u003cp\u003e  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson. \u003ctitle render=\"italic\"\u003eFrontier Forts in West Virginia: Historical and Archaeological Explorations\u003c/title\u003e. Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1998.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  McNeer, Sally Withrow. \u003ctitle render=\"italic\"\u003eEchoes of Summers\u003c/title\u003e. Undated.\u003c/p\u003e\n","\u003cp\u003e  Miller, Hurley. \u003ctitle render=\"italic\"\u003eOnce in a Lifetime\u003c/title\u003e. Raleigh: Pentland Press, 2000.\u003c/p\u003e\n","\u003cp\u003e  Myers, Tom E. \u003ctitle render=\"italic\"\u003eMoccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758\u003c/title\u003e. Parsons, West Virginia: McClain Printing Company, 1995.\u003c/p\u003e\n","\u003cp\u003e  Pemberton, Robert L. \u003ctitle render=\"italic\"\u003eA History of Pleasants County, West Virginia\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Peters, Okey Erwin, compiler. \u003ctitle render=\"italic\"\u003eConrad Peters and Wife Clara Snidow\u003c/title\u003e. Paducah, Kentucky: Paducah Printing Co., 1954.\u003c/p\u003e\n","\u003cp\u003e  Roles, Joe B. \u003ctitle render=\"italic\"\u003eMary Janes's War: A Civil War Novel Based on a True Story\u003c/title\u003e. Annandale, Virginia: Joe B. Roles, 2002.\u003c/p\u003e\n","\u003cp\u003e  Scott, Eugene. \u003ctitle render=\"italic\"\u003eThurmond: Dodge City of West Virginia: Believe It or Not City\u003c/title\u003e. Beckley, West Virginia: Eugene Scott, undated.\u003c/p\u003e\n","\u003cp\u003e  Senior Class of Hinton High School. \u003ctitle render=\"italic\"\u003eThe Senior Handbook; 1935\u003c/title\u003e. Hinton, West Virginia: Senior Class, Hinton High School, 1935.\u003c/p\u003e\n","\u003cp\u003e  Shuff, Murray. \u003ctitle render=\"italic\"\u003eStone Cliff, West Virginia: \"Life Along New River\", 1930-1938\u003c/title\u003e. Beckley, West Virginia: Central Printing Company, 1984.\u003c/p\u003e\n","\u003cp\u003e  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center. \u003ctitle render=\"italic\"\u003eThurmond Commercial Buildings: New River Gorge, National River, West Virginia\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.\u003c/p\u003e\n","\u003cp\u003e  Stewart, Kathleen. \u003ctitle render=\"italic\"\u003eA Space on the Side of the Road: Cultural Poetics in an \"Other\" America\u003c/title\u003e. Princeton: Princeton University Press, 1996.\u003c/p\u003e\n","\u003cp\u003e  Sullivan, Ken. \u003ctitle render=\"italic\"\u003eThurmond: A New River Community\u003c/title\u003e. Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.\u003c/p\u003e\n","\u003cp\u003e  Taylor, Sharon. \u003ctitle render=\"italic\"\u003eThe Amazing Story of the Gwinns in America\u003c/title\u003e. Washington, D.C.: Halbert's, 1982.\u003c/p\u003e\n","\u003cp\u003e  Trail, Stephen D. and Vandalia Consultants, Inc. \u003ctitle render=\"italic\"\u003eBluestone Dam 50th Anniversary Commemorative Album 1949-1999\u003c/title\u003e. Hinton, West Virginia: Fox Photographics, 1999.\u003c/p\u003e\n","\u003cp\u003e  United States. National Park Service. \u003ctitle render=\"italic\"\u003eDenver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.\u003c/p\u003e\n","\u003cp\u003e  United States. National Park Service. \u003ctitle render=\"italic\"\u003eLand Protection Plan: New River Gorge\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.\u003c/p\u003e\n","\u003cp\u003e  Wardell, Patrick G., compiler. \u003ctitle render=\"italic\"\u003eVirginians and West Virginians, 1607-1870, Volume 1\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1986.\u003c/p\u003e\n","\u003cp\u003e  Wilson, Goodridge. \u003ctitle render=\"italic\"\u003eSmyth County History and Traditions\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1998.\u003c/p\u003e\n","\u003cp\u003e  Separated to closed collections:\u003c/p\u003e\n","\u003cp\u003e  Baseball card of Jack Warhop, originally in box 79, folder 15.\u003c/p\u003e","\u003cp\u003eHinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Separated to the dvd / vhs / betacam collection:","  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)","  Separated to the book collection; forwarded to Curator of Books:","  Bragg, Melody.  Thurmond and Ghost Towns of the New River Gorge . Glen Jean, West Virginia: Gem Publications, ca. 1995.","  Daly, Dorothy.  The Dart, 1926, Volume VII . Hinton, West Virginia: Senior Class of Hinton High School, 1926.","Directory of Hinton, West Virginia . 1927.","  Enoch, Harry G.  Affair at Captina Creek . Bowie, Maryland: Heritage Books, 1999.","  Foster, Elizabeth Carroll.  Virginia Carrolls and Their Neighbors 1618-1800s . Bowie, Maryland: Heritage Books, 1999.","  Glen Jean Historical Society.  Dunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories . Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.","  Grafton, Emily.  West Virginia Adventure Guide to the Natural History of Blackwater Falls State Park . Terra Alta, West Virginia: Headline Books, 2002.","  Harsh, Sharon Wilmoth.  School Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899 . Bowie, Maryland: Heritage Books, 2000.","  Hatcher, Charles Silas.  Historical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families . Princeton, West Virginia: Jake Forest Hatcher, 1980.","History of the Great Kanawha Valley, Volume I . Bowie, Maryland: Heritage Books, 2000.","  Keller, Barbara, editor.  Summers County, West Virginia, Historical Society: Cemetery Book . Beckley, West Virginia: BJW Printing, 1996.","  Keller, Robert, editor.  Senior \"34\" . Hinton, West Virginia: Senior Class, Hinton High School, 1934.","  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors.  Hinton City Directory . White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.","  Lilly, Jack.  Historical Genealogy of the Lilly Family . Canton, Ohio: Jack Lilly, 1977.","  Lilly, Jack.  Lilly Family History, 1566-1997 . Canton, Ohio: Jack Lilly, 1997.","  Lilly, Jack.  Our Heritage: The Lilly Family, Vol. II . Canton, Ohio: Jack Lilly, 1978.","  Long, Fred and Steve Trail.  Historic Pence Springs Resort . 1987.","  Marockie, Henry R.  School Laws of West Virginia: 1989 Edition . Charlottesville: The Michie Company, 1990.","  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson.  Frontier Forts in West Virginia: Historical and Archaeological Explorations . Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7 . Bowie, Maryland: Heritage Books, 1998.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8 . Bowie, Maryland: Heritage Books, 1999.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10 . Bowie, Maryland: Heritage Books, 2000.","  McNeer, Sally Withrow.  Echoes of Summers . Undated.","  Miller, Hurley.  Once in a Lifetime . Raleigh: Pentland Press, 2000.","  Myers, Tom E.  Moccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758 . Parsons, West Virginia: McClain Printing Company, 1995.","  Pemberton, Robert L.  A History of Pleasants County, West Virginia . Bowie, Maryland: Heritage Books, 1999.","  Peters, Okey Erwin, compiler.  Conrad Peters and Wife Clara Snidow . Paducah, Kentucky: Paducah Printing Co., 1954.","  Roles, Joe B.  Mary Janes's War: A Civil War Novel Based on a True Story . Annandale, Virginia: Joe B. Roles, 2002.","  Scott, Eugene.  Thurmond: Dodge City of West Virginia: Believe It or Not City . Beckley, West Virginia: Eugene Scott, undated.","  Senior Class of Hinton High School.  The Senior Handbook; 1935 . Hinton, West Virginia: Senior Class, Hinton High School, 1935.","  Shuff, Murray.  Stone Cliff, West Virginia: \"Life Along New River\", 1930-1938 . Beckley, West Virginia: Central Printing Company, 1984.","  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center.  Thurmond Commercial Buildings: New River Gorge, National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  Stewart, Kathleen.  A Space on the Side of the Road: Cultural Poetics in an \"Other\" America . Princeton: Princeton University Press, 1996.","  Sullivan, Ken.  Thurmond: A New River Community . Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.","  Taylor, Sharon.  The Amazing Story of the Gwinns in America . Washington, D.C.: Halbert's, 1982.","  Trail, Stephen D. and Vandalia Consultants, Inc.  Bluestone Dam 50th Anniversary Commemorative Album 1949-1999 . Hinton, West Virginia: Fox Photographics, 1999.","  United States. National Park Service.  Denver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  United States. National Park Service.  Land Protection Plan: New River Gorge . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.","  Wardell, Patrick G., compiler.  Virginians and West Virginians, 1607-1870, Volume 1 . Bowie, Maryland: Heritage Books, 1986.","  Wilson, Goodridge.  Smyth County History and Traditions . Bowie, Maryland: Heritage Books, 1998.","  Separated to closed collections:","  Baseball card of Jack Warhop, originally in box 79, folder 15.","Hinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43a428a036329b8d08d80398402053d8\"\u003eRecords and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the \u003cemph render=\"italic\"\u003eHinton Daily News\u003c/emph\u003e (later the \u003cemph render=\"italic\"\u003eHinton News\u003c/emph\u003e). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026amp;O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.\u003c/abstract\u003e"],"abstract_tesim":["Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93518063762d4bcef4eb8598eb8cce65\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Chesapeake and Ohio Railroad Company"],"names_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company","Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"corpname_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company"],"persname_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3592,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:42:57.896Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c3589"}},{"id":"wvmturhc_repositories_2_resources_5374_c3591","type":"File","attributes":{"title":"Addendum of 2025 February 10, Draft Corridor Management Plan and Miscellaneous Pamphlets","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c3591#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5374_c3591","ref_ssm":["wvmturhc_repositories_2_resources_5374_c3591"],"id":"wvmturhc_repositories_2_resources_5374_c3591","ead_ssi":"wvmturhc_repositories_2_resources_5374","_root_":"wvmturhc_repositories_2_resources_5374","_nest_parent_":"wvmturhc_repositories_2_resources_5374","parent_ssi":"wvmturhc_repositories_2_resources_5374","parent_ssim":["wvmturhc_repositories_2_resources_5374"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5374"],"parent_unittitles_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"parent_unittitles_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"text":["Long/Trail Southeastern West Virginia Historical Records","Addendum of 2025 February 10, Draft Corridor Management Plan and Miscellaneous Pamphlets","Box 132","Folder 1"],"title_filing_ssi":"Addendum of 2025 February 10, Draft Corridor Management Plan and Miscellaneous Pamphlets","title_ssm":["Addendum of 2025 February 10, Draft Corridor Management Plan and Miscellaneous Pamphlets"],"title_tesim":["Addendum of 2025 February 10, Draft Corridor Management Plan and Miscellaneous Pamphlets"],"unitdate_other_ssim":["2024 and undated"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["Addendum of 2025 February 10, Draft Corridor Management Plan and Miscellaneous Pamphlets"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Long/Trail Southeastern West Virginia Historical Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3591,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2024],"containers_ssim":["Box 132","Folder 1"],"_nest_path_":"/components#3590","timestamp":"2026-05-21T00:42:57.896Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5374","ead_ssi":"wvmturhc_repositories_2_resources_5374","_root_":"wvmturhc_repositories_2_resources_5374","_nest_parent_":"wvmturhc_repositories_2_resources_5374","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5374.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/204651","title_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"title_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"unitdate_ssm":["circa 1870-2020s and undated"],"unitdate_inclusive_ssm":["circa 1870-2020s and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374"],"text":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374","Long/Trail Southeastern West Virginia Historical Records","Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)","Genealogies.","Schools","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","Records about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.","Genealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.","Chesapeake and Ohio (C\u0026O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.","Geographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.","Summers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.","War-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026O Railroad.\n \nNote on Terminology in the Contents List:","Photographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.","For genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).","The Chesapeake and Ohio (C\u0026O) Railroad can be both spelled out fully or abbreviated C\u0026O.","Clippings may also be noted as articles or newspapers.","Addendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.","\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.","Addendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.","Addendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Addendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.","Addendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.","Addendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Hinton News, The Register-Herald, The Post-Report, The Monroe Watchman","\"People, Places, and Things\" column and article on Pipestem public water system.","Several issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.","Includes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.","One page article by Stephen Trail.","Includes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.","Includes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.","Includes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.","Includes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.","Two articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).","Includes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.","Includes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"","Photocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.","Includes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.","Two-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.","Includes photographs and newspaper clippings relating to Hinton High School.","Includes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"","Includes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.","Includes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.","Includes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.","Includes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.","Includes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).","Includes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).","Includes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.","Includes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.","Includes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026O railroad conductor in Huntington during the early 1900s.","Includes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.","Includes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.","Subjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.","Subjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.","Subjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.","One photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.","Includes six VHS tapes: \nTV News \nTree Work City \nHinton Streetscape \nSteve Trail, TV News, BOE Meeting \nTV News \nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86","Documents regarding economic development program for Hinton.","Election campaign letter.","Letter regarding loan of two photographs.","Includes a business card and a thank you note for materials loaned by Trail.","List of photos.","One letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.","Material regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.","Assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Separated to the dvd / vhs / betacam collection:","  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)","  Separated to the book collection; forwarded to Curator of Books:","  Bragg, Melody.  Thurmond and Ghost Towns of the New River Gorge . Glen Jean, West Virginia: Gem Publications, ca. 1995.","  Daly, Dorothy.  The Dart, 1926, Volume VII . Hinton, West Virginia: Senior Class of Hinton High School, 1926.","Directory of Hinton, West Virginia . 1927.","  Enoch, Harry G.  Affair at Captina Creek . Bowie, Maryland: Heritage Books, 1999.","  Foster, Elizabeth Carroll.  Virginia Carrolls and Their Neighbors 1618-1800s . Bowie, Maryland: Heritage Books, 1999.","  Glen Jean Historical Society.  Dunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories . Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.","  Grafton, Emily.  West Virginia Adventure Guide to the Natural History of Blackwater Falls State Park . Terra Alta, West Virginia: Headline Books, 2002.","  Harsh, Sharon Wilmoth.  School Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899 . Bowie, Maryland: Heritage Books, 2000.","  Hatcher, Charles Silas.  Historical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families . Princeton, West Virginia: Jake Forest Hatcher, 1980.","History of the Great Kanawha Valley, Volume I . Bowie, Maryland: Heritage Books, 2000.","  Keller, Barbara, editor.  Summers County, West Virginia, Historical Society: Cemetery Book . Beckley, West Virginia: BJW Printing, 1996.","  Keller, Robert, editor.  Senior \"34\" . Hinton, West Virginia: Senior Class, Hinton High School, 1934.","  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors.  Hinton City Directory . White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.","  Lilly, Jack.  Historical Genealogy of the Lilly Family . Canton, Ohio: Jack Lilly, 1977.","  Lilly, Jack.  Lilly Family History, 1566-1997 . Canton, Ohio: Jack Lilly, 1997.","  Lilly, Jack.  Our Heritage: The Lilly Family, Vol. II . Canton, Ohio: Jack Lilly, 1978.","  Long, Fred and Steve Trail.  Historic Pence Springs Resort . 1987.","  Marockie, Henry R.  School Laws of West Virginia: 1989 Edition . Charlottesville: The Michie Company, 1990.","  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson.  Frontier Forts in West Virginia: Historical and Archaeological Explorations . Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7 . Bowie, Maryland: Heritage Books, 1998.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8 . Bowie, Maryland: Heritage Books, 1999.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10 . Bowie, Maryland: Heritage Books, 2000.","  McNeer, Sally Withrow.  Echoes of Summers . Undated.","  Miller, Hurley.  Once in a Lifetime . Raleigh: Pentland Press, 2000.","  Myers, Tom E.  Moccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758 . Parsons, West Virginia: McClain Printing Company, 1995.","  Pemberton, Robert L.  A History of Pleasants County, West Virginia . Bowie, Maryland: Heritage Books, 1999.","  Peters, Okey Erwin, compiler.  Conrad Peters and Wife Clara Snidow . Paducah, Kentucky: Paducah Printing Co., 1954.","  Roles, Joe B.  Mary Janes's War: A Civil War Novel Based on a True Story . Annandale, Virginia: Joe B. Roles, 2002.","  Scott, Eugene.  Thurmond: Dodge City of West Virginia: Believe It or Not City . Beckley, West Virginia: Eugene Scott, undated.","  Senior Class of Hinton High School.  The Senior Handbook; 1935 . Hinton, West Virginia: Senior Class, Hinton High School, 1935.","  Shuff, Murray.  Stone Cliff, West Virginia: \"Life Along New River\", 1930-1938 . Beckley, West Virginia: Central Printing Company, 1984.","  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center.  Thurmond Commercial Buildings: New River Gorge, National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  Stewart, Kathleen.  A Space on the Side of the Road: Cultural Poetics in an \"Other\" America . Princeton: Princeton University Press, 1996.","  Sullivan, Ken.  Thurmond: A New River Community . Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.","  Taylor, Sharon.  The Amazing Story of the Gwinns in America . Washington, D.C.: Halbert's, 1982.","  Trail, Stephen D. and Vandalia Consultants, Inc.  Bluestone Dam 50th Anniversary Commemorative Album 1949-1999 . Hinton, West Virginia: Fox Photographics, 1999.","  United States. National Park Service.  Denver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  United States. National Park Service.  Land Protection Plan: New River Gorge . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.","  Wardell, Patrick G., compiler.  Virginians and West Virginians, 1607-1870, Volume 1 . Bowie, Maryland: Heritage Books, 1986.","  Wilson, Goodridge.  Smyth County History and Traditions . Bowie, Maryland: Heritage Books, 1998.","  Separated to closed collections:","  Baseball card of Jack Warhop, originally in box 79, folder 15.","Hinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company","Long, Frederick","Trail, Stephen D.","Bagdon, Philip V.","English \n.    "],"unitid_tesim":["A\u0026M 3762","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5374"],"normalized_title_ssm":["Long/Trail Southeastern West Virginia Historical Records"],"collection_title_tesim":["Long/Trail Southeastern West Virginia Historical Records"],"collection_ssim":["Long/Trail Southeastern West Virginia Historical Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"geogname_ssim":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"creator_ssm":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creator_persname_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"creators_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"places_ssim":["Avis (W. Va.)","Fayette County (W. Va.)","Green Sulphur Springs (W. Va.)","Greenbrier County (W. Va.)","Hinton (W. Va.)","Mercer County (W. Va.)","Monroe County (W. Va.)","New River Gorge (W. Va.)","New River (N.C.-W. Va.)","Pence Springs (W. Va.)","Raleigh County (W. Va.)","Sandstone (W. Va.)","Summers County (W. Va.)","Talcott (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Genealogies.","Schools"],"access_subjects_ssm":["Genealogies.","Schools"],"has_online_content_ssim":["false"],"extent_ssm":["117.02 Linear Feet 29 document case, 5 in. each; 20 document cases, 2.5 in. each; 78 record cartons, 15 in. each; 3 small flat storage boxes, 1.5 in. each; 1 small flat storage box, 3 in.; 4 large flat storage boxes, 1.5 in. each; 4 large flat storage boxes, 3 in. each; 1 card file box, 4.5 in.; 1 square roll tube, 3 in.; 1 square roll tube, 4 in.; 1 oversize folder, 2 in.; 1 framed item, 0.25 in.; 1 oversize photograph","38.2 Gigabytes 14,700 files, formats primarily include .tif, .jpg, .doc"],"extent_tesim":["117.02 Linear Feet 29 document case, 5 in. each; 20 document cases, 2.5 in. each; 78 record cartons, 15 in. each; 3 small flat storage boxes, 1.5 in. each; 1 small flat storage box, 3 in.; 4 large flat storage boxes, 1.5 in. each; 4 large flat storage boxes, 3 in. each; 1 card file box, 4.5 in.; 1 square roll tube, 3 in.; 1 square roll tube, 4 in.; 1 oversize folder, 2 in.; 1 framed item, 0.25 in.; 1 oversize photograph","38.2 Gigabytes 14,700 files, formats primarily include .tif, .jpg, .doc"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Long/Trail Southeastern West Virginia Historical Records, A\u0026amp;M 3762, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Long/Trail Southeastern West Virginia Historical Records, A\u0026M 3762, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eRecords and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the \u003cemph render=\"italic\"\u003eHinton Daily News\u003c/emph\u003e (later the \u003cemph render=\"italic\"\u003eHinton News\u003c/emph\u003e). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026amp;O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.\u003c/p\u003e\n","\u003cp\u003eRecords about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.\u003c/p\u003e\n","\u003cp\u003eGenealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.\u003c/p\u003e\n","\u003cp\u003eChesapeake and Ohio (C\u0026amp;O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.\u003c/p\u003e\n","\u003cp\u003eGeographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.\u003c/p\u003e\n","\u003cp\u003eSummers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.\u003c/p\u003e\n","\u003cp\u003eWar-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026amp;O Railroad.\n \nNote on Terminology in the Contents List:\u003c/p\u003e\n","\u003cp\u003ePhotographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.\u003c/p\u003e\n","\u003cp\u003eFor genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).\u003c/p\u003e\n","\u003cp\u003eThe Chesapeake and Ohio (C\u0026amp;O) Railroad can be both spelled out fully or abbreviated C\u0026amp;O.\u003c/p\u003e\n","\u003cp\u003eClippings may also be noted as articles or newspapers.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.\u003c/p\u003e\n","\u003cp\u003e\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.\u003c/p\u003e\n","\u003cp\u003eAddendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.\u003c/p\u003e","\u003cp\u003eHinton News, The Register-Herald, The Post-Report, The Monroe Watchman\u003c/p\u003e","\u003cp\u003e\"People, Places, and Things\" column and article on Pipestem public water system.\u003c/p\u003e","\u003cp\u003eSeveral issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.\u003c/p\u003e","\u003cp\u003eIncludes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.\u003c/p\u003e","\u003cp\u003eOne page article by Stephen Trail.\u003c/p\u003e","\u003cp\u003eIncludes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.\u003c/p\u003e","\u003cp\u003eIncludes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.\u003c/p\u003e","\u003cp\u003eIncludes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.\u003c/p\u003e","\u003cp\u003eIncludes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.\u003c/p\u003e","\u003cp\u003eTwo articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).\u003c/p\u003e","\u003cp\u003eIncludes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.\u003c/p\u003e","\u003cp\u003eIncludes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.\u003c/p\u003e","\u003cp\u003eIncludes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.\u003c/p\u003e","\u003cp\u003eTwo-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.\u003c/p\u003e","\u003cp\u003eIncludes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.\u003c/p\u003e","\u003cp\u003eIncludes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.\u003c/p\u003e","\u003cp\u003eIncludes photographs and newspaper clippings relating to Hinton High School.\u003c/p\u003e","\u003cp\u003eIncludes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"\u003c/p\u003e","\u003cp\u003eIncludes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.\u003c/p\u003e","\u003cp\u003eIncludes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.\u003c/p\u003e","\u003cp\u003eIncludes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.\u003c/p\u003e","\u003cp\u003eIncludes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.\u003c/p\u003e","\u003cp\u003eIncludes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).\u003c/p\u003e","\u003cp\u003eIncludes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).\u003c/p\u003e","\u003cp\u003eIncludes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.\u003c/p\u003e","\u003cp\u003eIncludes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.\u003c/p\u003e","\u003cp\u003eIncludes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026amp;O railroad conductor in Huntington during the early 1900s.\u003c/p\u003e","\u003cp\u003eIncludes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.\u003c/p\u003e","\u003cp\u003eIncludes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.\u003c/p\u003e","\u003cp\u003eSubjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.\u003c/p\u003e","\u003cp\u003eOne photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.\u003c/p\u003e","\u003cp\u003eIncludes six VHS tapes:\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003e\nTV News\u003clb\u003e\u003c/lb\u003e\nTree Work City\u003clb\u003e\u003c/lb\u003e\nHinton Streetscape\u003clb\u003e\u003c/lb\u003e\nSteve Trail, TV News, BOE Meeting\u003clb\u003e\u003c/lb\u003e\nTV News\u003clb\u003e\u003c/lb\u003e\nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86\u003c/p\u003e","\u003cp\u003eDocuments regarding economic development program for Hinton.\u003c/p\u003e","\u003cp\u003eElection campaign letter.\u003c/p\u003e","\u003cp\u003eLetter regarding loan of two photographs.\u003c/p\u003e","\u003cp\u003eIncludes a business card and a thank you note for materials loaned by Trail.\u003c/p\u003e","\u003cp\u003eList of photos.\u003c/p\u003e","\u003cp\u003eOne letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.\u003c/p\u003e","\u003cp\u003eMaterial regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.\u003c/p\u003e","\u003cp\u003eAssorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.\u003c/p\u003e","\u003cp\u003eAssorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.","Records about Hinton include photos and documents related to businesses and buildings. Highlights includes documentation for the Hinton National Historic District nomination; photos, game programs, and other records related to Hinton High School and its sports teams, including football and basketball; and photos, clippings, and ephemera regarding the West Virginia Water Festival, including pageant contestants and winners.","Genealogy and family history materials include genealogy charts, narrative histories, oral histories, and photographs (historic and more recent) of families of southeastern West Virginia.","Chesapeake and Ohio (C\u0026O) Railroad materials document activities of the company primarily in Hinton and Summers County, but includes other regions as well. Materials include photographs, clippings, and other documents about trains, railroads, tunnels, and construction. Highlights include historical photographs of railroad buildings, engines, and company employees.","Geographical features are documented by photographs and other material related to the construction of Bluestone Dam, and to the history of the New River, New River Gorge National Park, and other area rivers such as the Greenbrier. There are also records related to bridges and bridge construction, as well as numerous archaeological records, including surveys, maps, and reports.","Summers County communities, including Avis, Greenbrier, Green Sulphur Springs, Pence Springs, Sandstone, and Talcott, are documented by photographs, maps, and other material. Schools and churches in these communities are documented by photographs, school newspapers, bulletins, and other records.","War-related material includes photographs, clippings, and other documents. Highlights include photos of Civil War veterans at reunions, and photos and clippings related to World War I and World War II, including parades and the transportation of troops on the C\u0026O Railroad.\n \nNote on Terminology in the Contents List:","Photographs are referred to as \"photos\", \"prints\", or the specific photo type (tintype, carte de visite [CDV], cabinet card, or mounted photo). Photographs can also be found, of course, through the term \"negatives\"; many negatives do not have corresponding prints.","For genealogical information, search for a specific family name, or more generally, search for the terms \"genealogy\" or \"family history\". Photographs or negatives of \"family members\" identify groups of photographs of numerous individuals who share the same last name (or related name).","The Chesapeake and Ohio (C\u0026O) Railroad can be both spelled out fully or abbreviated C\u0026O.","Clippings may also be noted as articles or newspapers.","Addendum of 2018/02/27 is located in box 110 through box 116. It includes material relating to Stephen D. Trail's personal career, the history of the Trail family, and the history of Summers County, W. Va. Types of records include photographs, newsletters, correspondence, publications, and other material.","\nAddendum of 2018/05/31 comprises box 117 through box 128.  This material was compiled by Fred Long, who worked at the Hinton Daily News. It includes records relating to Hinton, W. Va., Pence Springs resort and prison, and other subjects related to Greenbrier and Summers counties. Much of this material is foldered by topic; many of these topical folders contain clippings from the Hinton Daily News, as well as related material, such as photographs, publications, and correspondence, etc.","Addendum of 2018/07/03 comprises box 129 through box 131. This addendum includes materials relating to Stephen Trail's life and career, material relating to Summers County History, several issues of the Proceedings of the New River Symposium, bound transcriptions of the Summers County 1880 census and marriage records from 1871-1883, and two books: Greenbrier Pioneers and Their Homes by Ruth Woods Dayton, and A History of Greenbrier County by Otis K. Rice.","Addendum of 2024 September 18 (box 129, folder 36) includes a folder of assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Addendum of 2024 December 03 (box 132) includes prints of photographs taken by Philip Bagdon, photocopies of mounted photographs, and assorted printed ephemera regarding Summers County, WV, and other locations in the south West Virginia.","Addendum of 2025 February 10 (box 132) includes the Lower Greenbrier River Byway, Lowell Backway and Wolf Creek Backway Draft Corridor Management Plan and Alderson \"French the Friendly Lion\" and Riverwise Labyrinth pamphlets.","Addendum of 2025 September 19 (box 132) includes assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia.","Hinton News, The Register-Herald, The Post-Report, The Monroe Watchman","\"People, Places, and Things\" column and article on Pipestem public water system.","Several issues of column entitled \"Anecdotes in Summers County,\" mostly discussing Hinton in the late 19th century.","Includes photocopy of book by Lively entitled \"Historical Summers County.\" Also includes clippings and drafts of articles relating to Summers County history.","One page article by Stephen Trail.","Includes two articles: \"The Battle at Rich Mountain\" by Kenneth L. Carvell, and \"The Kanawha Rebel Victory\" by Terry Lowry.","Includes articles on Civil War letters by Jeff Gammage and Fred Long, as well as four transcpritions of Civil War soldier letters copied by Fred Long.","Includes articles from several newspapers, including the Hinton Daily News, and magazines pertaining to Elvis, specifically his death and continuing legacy.","Includes one article entitled \"A History of Monroe County West Virginia\" by Oren F. Morton discussing the construction of Cook's Fort.","Two articles from the Hinton Daily News and one article in Wonderful West Virginia (August 1975).","Includes an article on the genealogy of the Keeney family, a photocopied map of western Virginia, Pennsylvania, Maryland, and North Carolina from 1778, and a list of names taken from the Blaken Mill Road Cemetery in Alderson.","Includes entry from \"West Virginians in the Revolution\" on John and Peter Van Bibber, information on Samuel Gwinn, one page of notes from \"Pioneers and their Homes on Upper Kanawha,\" and two selections from the \"West Virginia Heritage Encyclopedia.\"","Photocopy of article by Roy Bird Cook entitled \"Virginia Frontier Defenses, 1719-1795\" publixhed in the West Virginia Blue Book, 1936.","Includes a pamphlet for \"Hatfields and MacCoys\" outdoor drama, a booklet titled \"The True Facts About the Famous Hatfield-McCoy Feud,\" and a newspaper clipping featuring a photo of a statue of Devil Anse Hatfield.","Two-page advertisement for the Hinton Daily News, including history of the paper, distribution information, and a list of distributors.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes 1970 student handbook and board meeting minutes.","Includes copies of photographs and newspaper clippings about the school from its founding in 1896 onward. Articles report school's founding, fire at the school, and changes in superintendent, among other topics. Also includes issues of the Dart, board meeting minutes, a list of the numbers of white, female students per school year (1880-1910), and a copy of the original deed for the school.","Includes photographs and newspaper clippings relating to Hinton High School.","Includes articles on the Hinton National Historic District, a booklet entitled \"Historic Hinton: Ready for the Future,\" and a folder of materials labeled \"Scenic Summers County in souther West Virginia.\"","Includes photocopies of photographs used as part of the Hinton Historic District Survey in 1983.","Includes mostly columns relating Hinton history. Also includes stories on the flood of 1940, John Henry, a train wreck in 1976, and other topics.","Includes three articles from the \"West Virginia Heritage Encyclopedia\" and an unidentified book on Pocahontas County discussing early Native American trails and trade networks.","Includes two articles (one by Fred Long) about \"Mad Anne\" Bailey, a woman soldier and Indian fighter during Lord Dunmore's War and the American War for Independence in Western Virginia.","Includes: Gray's New Map of Hinton (1876, reprint); map of summers county (1933, reprint); Washington's Cahin of Forts (undated, copied from a book); Archaeological Survey of New River Bluestone Reservoir (undated); Botetourt County, Virginia (1778, reprint); \"The Springs of Virginia and the Routes leading thereto\" (undated, reprint); Map of Hill Crest Cemetery (undated); Map of Section One of East Hill Cemetery (undated).","Includes: General Highway Map Augusta County (1973); Augusta County Primary and Secondary Highway Systems (1963); Map of the Giles, Fayette and Kanawha Turnpike (1840, reprint); Map of Greenbrier County, W. Va. (1887, reprint); West Virginia Official Highway Map (ca. 1980); Map of Alleghany County Virginia (undated, reprint); Map of Augusta County Virginia (1886, reprint); \"The Theatre of War in North America, with the Roads and a Table of the Distances\" (1776, reprint); The Town of Staunton (1749, reprint); Augusta County (1777, reprint); Welcome to Lewisburg (ca. 1975); Lewisburg, W. Va. Historic Walking Tour (undated); Staunton Virginia (ca. 1960); Delaware, Maryland, Virginia, West Virginia (1978); Carte de la Virginie et du Maryland (1755, reprint).","Includes notes on the First Christian Church of Hinton, black and white engravings of Hinton scenes, two historic West Virginia postcards, and an article on a large rock carved in 1814 in Beckley, W. Va., among other items.","Includes articles of incorporation and bylaws for The Pipestem Foundation, Inc., a map and brochure for the park, a newspaper article about the Old Time Mountain Music Festival, and a pamphlet by Earl L. Core discussing the history of the pipestem name and plant.","Includes a letter and photocopies of historical material sent to Fred Long relating to W.F. Echols, a C\u0026O railroad conductor in Huntington during the early 1900s.","Includes one photocopy of \"A Brief History of the Red Sulphur Springs, Monroe County, West Virginia, 1987\" by John W. Dumont.","Includes one copy of an official report addressing a train collision that occurred near Vaughn, Mississippi on April 30, 1900 involving Engineer J.L. (Casey) Jones. This incident later became a folk legend and was the subject of a popular ballad.","Subjects of photos include Hinton High School, John Henry statue, aerial images of Hinton and surrounding areas, unidentified construction photos, First National Bank, Bluestone Dam, Chessie Steam Special, a Hinton parade, the Bluestone Conference Center, Aunt Jane Williams, Low Gap Methodist Church, and a turn-of-the-century a group of men playing pool, among other subjects. Many of the photos are not identified or dated. Some are reprints.","Subjects of photos include Bluestone Dam, the James Graham House, Coney Island (Hinton), Bank of Alderson, Fred Long and wife, Cooper's Mill, and two turn-of-the-century school group photos.","Subjects of photos include Summers County Court House, City of Hinton Fire Department, the James Graham House, Swift and Company, James T. McCreery, the Hinton Hospital, New River, Roses Drug Store (Hinton), Green Sulphur Springs, Confederate monument, Hotel McCreery, Hill Top Cemetery, and Greenbrier School, among other subjects. All photos are reprints and many are unidentified.","One photo of Margaret C. Pennington, mother of Cynthia Pennington, at the Pearl Trail farm in Judson.","Includes six VHS tapes: \nTV News \nTree Work City \nHinton Streetscape \nSteve Trail, TV News, BOE Meeting \nTV News \nReed Ceremony, Nov. 27, '85; Street Lighting Ceremony, Nov. 21, '86","Documents regarding economic development program for Hinton.","Election campaign letter.","Letter regarding loan of two photographs.","Includes a business card and a thank you note for materials loaned by Trail.","List of photos.","One letter from Stephen Trail to Robert Maslowski, US Army Corps of Engineers.","Material regarding 2016 Democratic Convention in Philadelphia; includes membership card, delegate ticket, etc.","Assorted publications and printed ephemera regarding tourism in southeastern West Virginia and two county historical societies.","Assorted periodicals and other ephemera regarding Monroe County, WV, and other areas in southern West Virginia."],"separatedmaterial_html_tesm":["\u003cp\u003eSeparated to the dvd / vhs / betacam collection:\u003c/p\u003e\n","\u003cp\u003e  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)\u003c/p\u003e\n","\u003cp\u003e  Separated to the book collection; forwarded to Curator of Books:\u003c/p\u003e\n","\u003cp\u003e  Bragg, Melody. \u003ctitle render=\"italic\"\u003eThurmond and Ghost Towns of the New River Gorge\u003c/title\u003e. Glen Jean, West Virginia: Gem Publications, ca. 1995.\u003c/p\u003e\n","\u003cp\u003e  Daly, Dorothy. \u003ctitle render=\"italic\"\u003eThe Dart, 1926, Volume VII\u003c/title\u003e. Hinton, West Virginia: Senior Class of Hinton High School, 1926.\u003c/p\u003e\n","\u003cp\u003e  \u003ctitle render=\"italic\"\u003eDirectory of Hinton, West Virginia\u003c/title\u003e. 1927.\u003c/p\u003e\n","\u003cp\u003e  Enoch, Harry G. \u003ctitle render=\"italic\"\u003eAffair at Captina Creek\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Foster, Elizabeth Carroll. \u003ctitle render=\"italic\"\u003eVirginia Carrolls and Their Neighbors 1618-1800s\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Glen Jean Historical Society. \u003ctitle render=\"italic\"\u003eDunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories\u003c/title\u003e. Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.\u003c/p\u003e\n","\u003cp\u003e  Grafton, Emily. \u003ctitle render=\"italic\"\u003eWest Virginia Adventure Guide to the Natural History of Blackwater Falls State Park\u003c/title\u003e. Terra Alta, West Virginia: Headline Books, 2002.\u003c/p\u003e\n","\u003cp\u003e  Harsh, Sharon Wilmoth. \u003ctitle render=\"italic\"\u003eSchool Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  Hatcher, Charles Silas. \u003ctitle render=\"italic\"\u003eHistorical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families\u003c/title\u003e. Princeton, West Virginia: Jake Forest Hatcher, 1980.\u003c/p\u003e\n","\u003cp\u003e  \u003ctitle render=\"italic\"\u003eHistory of the Great Kanawha Valley, Volume I\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  Keller, Barbara, editor. \u003ctitle render=\"italic\"\u003eSummers County, West Virginia, Historical Society: Cemetery Book\u003c/title\u003e. Beckley, West Virginia: BJW Printing, 1996.\u003c/p\u003e\n","\u003cp\u003e  Keller, Robert, editor. \u003ctitle render=\"italic\"\u003eSenior \"34\"\u003c/title\u003e. Hinton, West Virginia: Senior Class, Hinton High School, 1934.\u003c/p\u003e\n","\u003cp\u003e  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors. \u003ctitle render=\"italic\"\u003eHinton City Directory\u003c/title\u003e. White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eHistorical Genealogy of the Lilly Family\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1977.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eLilly Family History, 1566-1997\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1997.\u003c/p\u003e\n","\u003cp\u003e  Lilly, Jack. \u003ctitle render=\"italic\"\u003eOur Heritage: The Lilly Family, Vol. II\u003c/title\u003e. Canton, Ohio: Jack Lilly, 1978.\u003c/p\u003e\n","\u003cp\u003e  Long, Fred and Steve Trail. \u003ctitle render=\"italic\"\u003eHistoric Pence Springs Resort\u003c/title\u003e. 1987.\u003c/p\u003e\n","\u003cp\u003e  Marockie, Henry R. \u003ctitle render=\"italic\"\u003eSchool Laws of West Virginia: 1989 Edition\u003c/title\u003e. Charlottesville: The Michie Company, 1990.\u003c/p\u003e\n","\u003cp\u003e  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson. \u003ctitle render=\"italic\"\u003eFrontier Forts in West Virginia: Historical and Archaeological Explorations\u003c/title\u003e. Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1998.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  McKey, JoAnn Riley. \u003ctitle render=\"italic\"\u003eAccomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10\u003c/title\u003e. Bowie, Maryland: Heritage Books, 2000.\u003c/p\u003e\n","\u003cp\u003e  McNeer, Sally Withrow. \u003ctitle render=\"italic\"\u003eEchoes of Summers\u003c/title\u003e. Undated.\u003c/p\u003e\n","\u003cp\u003e  Miller, Hurley. \u003ctitle render=\"italic\"\u003eOnce in a Lifetime\u003c/title\u003e. Raleigh: Pentland Press, 2000.\u003c/p\u003e\n","\u003cp\u003e  Myers, Tom E. \u003ctitle render=\"italic\"\u003eMoccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758\u003c/title\u003e. Parsons, West Virginia: McClain Printing Company, 1995.\u003c/p\u003e\n","\u003cp\u003e  Pemberton, Robert L. \u003ctitle render=\"italic\"\u003eA History of Pleasants County, West Virginia\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1999.\u003c/p\u003e\n","\u003cp\u003e  Peters, Okey Erwin, compiler. \u003ctitle render=\"italic\"\u003eConrad Peters and Wife Clara Snidow\u003c/title\u003e. Paducah, Kentucky: Paducah Printing Co., 1954.\u003c/p\u003e\n","\u003cp\u003e  Roles, Joe B. \u003ctitle render=\"italic\"\u003eMary Janes's War: A Civil War Novel Based on a True Story\u003c/title\u003e. Annandale, Virginia: Joe B. Roles, 2002.\u003c/p\u003e\n","\u003cp\u003e  Scott, Eugene. \u003ctitle render=\"italic\"\u003eThurmond: Dodge City of West Virginia: Believe It or Not City\u003c/title\u003e. Beckley, West Virginia: Eugene Scott, undated.\u003c/p\u003e\n","\u003cp\u003e  Senior Class of Hinton High School. \u003ctitle render=\"italic\"\u003eThe Senior Handbook; 1935\u003c/title\u003e. Hinton, West Virginia: Senior Class, Hinton High School, 1935.\u003c/p\u003e\n","\u003cp\u003e  Shuff, Murray. \u003ctitle render=\"italic\"\u003eStone Cliff, West Virginia: \"Life Along New River\", 1930-1938\u003c/title\u003e. Beckley, West Virginia: Central Printing Company, 1984.\u003c/p\u003e\n","\u003cp\u003e  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center. \u003ctitle render=\"italic\"\u003eThurmond Commercial Buildings: New River Gorge, National River, West Virginia\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.\u003c/p\u003e\n","\u003cp\u003e  Stewart, Kathleen. \u003ctitle render=\"italic\"\u003eA Space on the Side of the Road: Cultural Poetics in an \"Other\" America\u003c/title\u003e. Princeton: Princeton University Press, 1996.\u003c/p\u003e\n","\u003cp\u003e  Sullivan, Ken. \u003ctitle render=\"italic\"\u003eThurmond: A New River Community\u003c/title\u003e. Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.\u003c/p\u003e\n","\u003cp\u003e  Taylor, Sharon. \u003ctitle render=\"italic\"\u003eThe Amazing Story of the Gwinns in America\u003c/title\u003e. Washington, D.C.: Halbert's, 1982.\u003c/p\u003e\n","\u003cp\u003e  Trail, Stephen D. and Vandalia Consultants, Inc. \u003ctitle render=\"italic\"\u003eBluestone Dam 50th Anniversary Commemorative Album 1949-1999\u003c/title\u003e. Hinton, West Virginia: Fox Photographics, 1999.\u003c/p\u003e\n","\u003cp\u003e  United States. National Park Service. \u003ctitle render=\"italic\"\u003eDenver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.\u003c/p\u003e\n","\u003cp\u003e  United States. National Park Service. \u003ctitle render=\"italic\"\u003eLand Protection Plan: New River Gorge\u003c/title\u003e. Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.\u003c/p\u003e\n","\u003cp\u003e  Wardell, Patrick G., compiler. \u003ctitle render=\"italic\"\u003eVirginians and West Virginians, 1607-1870, Volume 1\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1986.\u003c/p\u003e\n","\u003cp\u003e  Wilson, Goodridge. \u003ctitle render=\"italic\"\u003eSmyth County History and Traditions\u003c/title\u003e. Bowie, Maryland: Heritage Books, 1998.\u003c/p\u003e\n","\u003cp\u003e  Separated to closed collections:\u003c/p\u003e\n","\u003cp\u003e  Baseball card of Jack Warhop, originally in box 79, folder 15.\u003c/p\u003e","\u003cp\u003eHinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Separated to the dvd / vhs / betacam collection:","  DVD and betacam copies of motion picture documentary of Hinton, West Virginia. Created in 1963 by the Area Redevelopment Agency of the U.S. government, it aimed to promote economic development in Hinton after the fading of the economy based upon steam railroads. (See items numbered 125 and 126 in the collection.)","  Separated to the book collection; forwarded to Curator of Books:","  Bragg, Melody.  Thurmond and Ghost Towns of the New River Gorge . Glen Jean, West Virginia: Gem Publications, ca. 1995.","  Daly, Dorothy.  The Dart, 1926, Volume VII . Hinton, West Virginia: Senior Class of Hinton High School, 1926.","Directory of Hinton, West Virginia . 1927.","  Enoch, Harry G.  Affair at Captina Creek . Bowie, Maryland: Heritage Books, 1999.","  Foster, Elizabeth Carroll.  Virginia Carrolls and Their Neighbors 1618-1800s . Bowie, Maryland: Heritage Books, 1999.","  Glen Jean Historical Society.  Dunloop Days: Glen Jean to Thurmond: Exciting Times and Precious Memories . Glen Jean, West Virginia: Glen Jean Historical Society, ca. 1989.","  Grafton, Emily.  West Virginia Adventure Guide to the Natural History of Blackwater Falls State Park . Terra Alta, West Virginia: Headline Books, 2002.","  Harsh, Sharon Wilmoth.  School Board Minutes, Enumeration Lists and Account Records, Barbour County, West Virginia: Township of Barker, 1870-1890; Independent District of Bellington, 1893-1899 . Bowie, Maryland: Heritage Books, 2000.","  Hatcher, Charles Silas.  Historical Genealogy of the Basham, Ellison, Hatcher, Lilly, Meadows, Pack, Walker, and Other Families . Princeton, West Virginia: Jake Forest Hatcher, 1980.","History of the Great Kanawha Valley, Volume I . Bowie, Maryland: Heritage Books, 2000.","  Keller, Barbara, editor.  Summers County, West Virginia, Historical Society: Cemetery Book . Beckley, West Virginia: BJW Printing, 1996.","  Keller, Robert, editor.  Senior \"34\" . Hinton, West Virginia: Senior Class, Hinton High School, 1934.","  Kirk, Bert A., Harold Neely, and the Hinton Junior Chamber of Commerce, editors.  Hinton City Directory . White Sulphur Springs, West Virginia: Sentinel Publishers, 1939.","  Lilly, Jack.  Historical Genealogy of the Lilly Family . Canton, Ohio: Jack Lilly, 1977.","  Lilly, Jack.  Lilly Family History, 1566-1997 . Canton, Ohio: Jack Lilly, 1997.","  Lilly, Jack.  Our Heritage: The Lilly Family, Vol. II . Canton, Ohio: Jack Lilly, 1978.","  Long, Fred and Steve Trail.  Historic Pence Springs Resort . 1987.","  Marockie, Henry R.  School Laws of West Virginia: 1989 Edition . Charlottesville: The Michie Company, 1990.","  McBride, W. Stephen, Kim Arbogast McBride, and Greg Adamson.  Frontier Forts in West Virginia: Historical and Archaeological Explorations . Edited by Lora A. Lamarre and Joanna L. Wilson. Charleston, West Virginia: West Virginia Division of Culture and History, 2003.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1682-1690, Volume 7 . Bowie, Maryland: Heritage Books, 1998.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1690-1697, Volume 8 . Bowie, Maryland: Heritage Books, 1999.","  McKey, JoAnn Riley.  Accomack County, Virginia: Court Order Abstracts; 1703-1710, Volume 10 . Bowie, Maryland: Heritage Books, 2000.","  McNeer, Sally Withrow.  Echoes of Summers . Undated.","  Miller, Hurley.  Once in a Lifetime . Raleigh: Pentland Press, 2000.","  Myers, Tom E.  Moccasin Trails of the French and Indian War: The Eastern Frontier War 1743-1758 . Parsons, West Virginia: McClain Printing Company, 1995.","  Pemberton, Robert L.  A History of Pleasants County, West Virginia . Bowie, Maryland: Heritage Books, 1999.","  Peters, Okey Erwin, compiler.  Conrad Peters and Wife Clara Snidow . Paducah, Kentucky: Paducah Printing Co., 1954.","  Roles, Joe B.  Mary Janes's War: A Civil War Novel Based on a True Story . Annandale, Virginia: Joe B. Roles, 2002.","  Scott, Eugene.  Thurmond: Dodge City of West Virginia: Believe It or Not City . Beckley, West Virginia: Eugene Scott, undated.","  Senior Class of Hinton High School.  The Senior Handbook; 1935 . Hinton, West Virginia: Senior Class, Hinton High School, 1935.","  Shuff, Murray.  Stone Cliff, West Virginia: \"Life Along New River\", 1930-1938 . Beckley, West Virginia: Central Printing Company, 1984.","  Small, Sally, Louis Torres, Larry J. Reynolds, United States. National Park Service. Denver Service Center.  Thurmond Commercial Buildings: New River Gorge, National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  Stewart, Kathleen.  A Space on the Side of the Road: Cultural Poetics in an \"Other\" America . Princeton: Princeton University Press, 1996.","  Sullivan, Ken.  Thurmond: A New River Community . Oak Hill, West Virginia: Eastern National Park and Monument Association, ca. 1989.","  Taylor, Sharon.  The Amazing Story of the Gwinns in America . Washington, D.C.: Halbert's, 1982.","  Trail, Stephen D. and Vandalia Consultants, Inc.  Bluestone Dam 50th Anniversary Commemorative Album 1949-1999 . Hinton, West Virginia: Fox Photographics, 1999.","  United States. National Park Service.  Denver Service Center. Development Concept Plan / Interpretive Prospectus: Thurmond, New River Gorge National River, West Virginia . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Denver Service Center, 1992.","  United States. National Park Service.  Land Protection Plan: New River Gorge . Denver, Colorado: U.S. Dept. of the Interior, National Park Service, Mid-Atlantic Region, 1984.","  Wardell, Patrick G., compiler.  Virginians and West Virginians, 1607-1870, Volume 1 . Bowie, Maryland: Heritage Books, 1986.","  Wilson, Goodridge.  Smyth County History and Traditions . Bowie, Maryland: Heritage Books, 1998.","  Separated to closed collections:","  Baseball card of Jack Warhop, originally in box 79, folder 15.","Hinton High School Year Books, titled \"The Dart\", were separated to the book collection at the History Center.  Includes years 1924, 1925 (2 copies), 1936, 1940, 1954, 1955 (2 copies), 1956, 1957, and 1959."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43a428a036329b8d08d80398402053d8\"\u003eRecords and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the \u003cemph render=\"italic\"\u003eHinton Daily News\u003c/emph\u003e (later the \u003cemph render=\"italic\"\u003eHinton News\u003c/emph\u003e). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026amp;O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers.\u003c/abstract\u003e"],"abstract_tesim":["Records and photographs documenting the history of southeastern West Virginia compiled by Summers County residents Fred Long and Stephen Trail. Many of the items were collected by a local newspaper, the  Hinton Daily News  (later the  Hinton News ). The collection focuses on the history of Summers County and Hinton from the mid-1700s to 2012, as well as the history of other areas in southeastern Virginia and western Virginia. Subjects include the town of Hinton, Hinton High School and Summers County schools, genealogy and family history, the Chesapeake and Ohio (C\u0026O) Railroad, archaeological and geographical features, other Summers County communities, wars, and other topics. Materials include a large quantity of photographs and negatives along with clippings, printed materials, ephemera, oral histories, maps, motion pictures, sound recordings, typescripts, manuscripts, and other types of materials. Many items are facsimiles of photos, documents, and newspapers."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_93518063762d4bcef4eb8598eb8cce65\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Chesapeake and Ohio Railroad Company"],"names_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company","Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"corpname_ssim":["West Virginia and Regional History Center","Chesapeake and Ohio Railroad Company"],"persname_ssim":["Long, Frederick","Trail, Stephen D.","Bagdon, Philip V."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3592,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:42:57.896Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5374_c3591"}},{"id":"wvmturhc_repositories_2_resources_6369_c06","type":"Series","attributes":{"title":"Addendum of 2025 February 19, Scripts and Other Printed Material","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6369_c06#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eAssorted scripts for projects directed by and starring Sarandon, including the musicals \u003cspan\u003ePreludes\u003c/span\u003e by Dave Malloy and \u003cspan\u003eNick and Nora\u003c/span\u003e by Arthur Laurents, Richard Maltby, Jr., and Charles Strouse; and \u003cspan\u003e\u003c/span\u003e; the play \u003cspan\u003eNot Someone like Me\u003c/span\u003e by Susan Rice (produced/directed by Sarandon at WVU); and the script for the 2020 virtual table read of the movie \u003cspan\u003eThe Princess Bride\u003c/span\u003e as a fundraiser for the Wisconsin Democratic party. 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After graduating from Woodrow Wilson High in 1960, Chris attended West Virginia University in Morgantown earning a degree in speech.  Continuing his education on the post-graduate level, Chris received a masters degree in theater at Catholic University in Washington D.C.  \nSarandon would subsequently appear in roles on stage, television, and movies throughout a varied and successful career.  He is best known for many outstanding performances, such as:  in  Dog Day Afternoon  (1975) playing Al Pacino's transgender partner which earned Sarandon an academy award nomination; his role as Prince Humperdinck in the Rob Reiner's pop-culture hit,  The Princess Bride ;  and providing the voice for Jack Skellington in Tim Burton's holiday favorite,  The Nightmare Before Christmas .","Papers of Chris Sarandon, Academy Award nominee for Best Supporting Actor,  Dog Day Afternoon  (1975) and star of numerous movies and television shows. 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Also includes voice lines from the recording of Jack Skellington's lines in the video game \"Disney Dreamlight Valley\" and other printed material.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Chris Sarandon, Academy Award nominee for Best Supporting Actor,  Dog Day Afternoon  (1975) and star of numerous movies and television shows. This collection contains videos of the actor's filmography, a selection of scripts, and other papers from movies and television. 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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"containers_ssim":["Folder Oversize 2"],"scopecontent_html_tesm":["\u003cp\u003eNewspaper clippings from \u003ctitle\u003e\u003cpart\u003eThe Dominion Post\u003c/part\u003e\u003c/title\u003e, including obituaries of local Morgantown, WV, persons and articles about West Virginia University sports. Also includes a postcard depicting a moonshine operation and a Christmas card from Massey Energy (2011).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Newspaper clippings from  The Dominion Post , including obituaries of local Morgantown, WV, persons and articles about West Virginia University sports. Also includes a postcard depicting a moonshine operation and a Christmas card from Massey Energy (2011)."],"_nest_path_":"/components#73","timestamp":"2026-05-21T00:50:09.060Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3204","ead_ssi":"wvmturhc_repositories_2_resources_3204","_root_":"wvmturhc_repositories_2_resources_3204","_nest_parent_":"wvmturhc_repositories_2_resources_3204","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3204.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/197164","title_ssm":["Stewart Plein, Librarian and Collector, Papers"],"title_tesim":["Stewart Plein, Librarian and Collector, Papers"],"unitdate_ssm":["circa 1880s-2025 and undated","1896-1934"],"unitdate_bulk_ssim":["1896-1934"],"unitdate_inclusive_ssm":["circa 1880s-2025 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3989","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3204"],"text":["A\u0026M 3989","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3204","Stewart Plein, Librarian and Collector, Papers","Morgantown (W. Va.)","Moundsville (W. Va.)","No special access restriction applies.","Photographs, ephemera, and other material from the early twentieth century, including two postcards albums, black and white photographs, a concert program, greeting cards, postcards, calling cards, recipe pamphlets, and a calendar. This collection also includes publications of the Hill and Dale Private Press and Type Foundry of Terra Alta, West Virginia (1975-1994); the first published catalog of West Virginia books (1963); seed and plant catalogs (1934-1948); two Victorian scrapbooks (ca. 1885-1900); as well as various books, publications, and ephemera. This material was acquired in the Morgantown, West Virginia area.","The Addendum of 2025 February 24 includes newspaper clippings from  The Dominion Post , including obituaries of local Morgantown, WV, persons and articles about West Virginia University sports. Also includes a postcard depicting a moonshine operation and a Christmas card from Massey Energy (2011).","The Addendum of 2024-2025 includes assorted Valentines and greeting cards, cookbooks and recipe pamphlets, seed catalogs, framed art print, and other material.","Newspaper clippings from  The Dominion Post , including obituaries of local Morgantown, WV, persons and articles about West Virginia University sports. Also includes a postcard depicting a moonshine operation and a Christmas card from Massey Energy (2011).","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Plein, Stewart","Shepherd, Betsy Lane","English \n.    "],"unitid_tesim":["A\u0026M 3989","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3204"],"normalized_title_ssm":["Stewart Plein, Librarian and Collector, Papers"],"collection_title_tesim":["Stewart Plein, Librarian and Collector, Papers"],"collection_ssim":["Stewart Plein, Librarian and Collector, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)","Moundsville (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)","Moundsville (W. Va.)"],"creator_ssm":["Plein, Stewart","Plein, Stewart"],"creator_ssim":["Plein, Stewart","Plein, Stewart"],"creator_persname_ssim":["Plein, Stewart","Plein, Stewart"],"creators_ssim":["Plein, Stewart","Plein, Stewart"],"places_ssim":["Morgantown (W. Va.)","Moundsville (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["4.38 Linear Feet 1 record carton, 15 in.; 4 document cases, 5 in. each; 2 document cases, 2.5 in. each; 2 flat storage boxes, 3.5 in. each; 1 flat storage box, 3 in.; 2 oversize folders, 0.01 in. each; 1 flat storage box, 1.5 in.; 1 unboxed artwork, 1 in."],"extent_tesim":["4.38 Linear Feet 1 record carton, 15 in.; 4 document cases, 5 in. each; 2 document cases, 2.5 in. each; 2 flat storage boxes, 3.5 in. each; 1 flat storage box, 3 in.; 2 oversize folders, 0.01 in. each; 1 flat storage box, 1.5 in.; 1 unboxed artwork, 1 in."],"date_range_isim":[1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Stewart Plein, Collector, Photographs, Ephemera, and Other Material, A\u0026amp;M 3989, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Stewart Plein, Collector, Photographs, Ephemera, and Other Material, A\u0026M 3989, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePhotographs, ephemera, and other material from the early twentieth century, including two postcards albums, black and white photographs, a concert program, greeting cards, postcards, calling cards, recipe pamphlets, and a calendar. 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Also includes a postcard depicting a moonshine operation and a Christmas card from Massey Energy (2011).\u003c/p\u003e\n","\u003cp\u003eThe Addendum of 2024-2025 includes assorted Valentines and greeting cards, cookbooks and recipe pamphlets, seed catalogs, framed art print, and other material.\u003c/p\u003e","\u003cp\u003eNewspaper clippings from \u003ctitle\u003e\u003cpart\u003eThe Dominion Post\u003c/part\u003e\u003c/title\u003e, including obituaries of local Morgantown, WV, persons and articles about West Virginia University sports. Also includes a postcard depicting a moonshine operation and a Christmas card from Massey Energy (2011).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Photographs, ephemera, and other material from the early twentieth century, including two postcards albums, black and white photographs, a concert program, greeting cards, postcards, calling cards, recipe pamphlets, and a calendar. This collection also includes publications of the Hill and Dale Private Press and Type Foundry of Terra Alta, West Virginia (1975-1994); the first published catalog of West Virginia books (1963); seed and plant catalogs (1934-1948); two Victorian scrapbooks (ca. 1885-1900); as well as various books, publications, and ephemera. This material was acquired in the Morgantown, West Virginia area.","The Addendum of 2025 February 24 includes newspaper clippings from  The Dominion Post , including obituaries of local Morgantown, WV, persons and articles about West Virginia University sports. Also includes a postcard depicting a moonshine operation and a Christmas card from Massey Energy (2011).","The Addendum of 2024-2025 includes assorted Valentines and greeting cards, cookbooks and recipe pamphlets, seed catalogs, framed art print, and other material.","Newspaper clippings from  The Dominion Post , including obituaries of local Morgantown, WV, persons and articles about West Virginia University sports. Also includes a postcard depicting a moonshine operation and a Christmas card from Massey Energy (2011)."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_56fb0051581521706b4aa7f0a3676b47\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Plein, Stewart","Shepherd, Betsy Lane"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Shepherd, Betsy Lane","Plein, Stewart"],"persname_ssim":["Plein, Stewart","Shepherd, Betsy Lane"],"language_ssim":["English \n.    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Johnson, Mathematician, Papers"],"parent_unittitles_tesim":["Katherine G. Johnson, Mathematician, Papers"],"text":["Katherine G. Johnson, Mathematician, Papers","Addendum of 2025 February 26, Awards and Programs","Box 5","Folder 22","Box 2"],"title_filing_ssi":"Addendum of 2025 February 26, Awards and Programs","title_ssm":["Addendum of 2025 February 26, Awards and Programs"],"title_tesim":["Addendum of 2025 February 26, Awards and Programs"],"unitdate_inclusive_ssm":["2023-2024 and undated"],"normalized_date_ssm":["2023/2024"],"normalized_title_ssm":["Addendum of 2025 February 26, Awards and Programs"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Katherine G. Johnson, Mathematician, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":131,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[2023,2024],"containers_ssim":["Box 5","Folder 22","Box 2"],"_nest_path_":"/components#5","timestamp":"2026-05-21T01:37:55.577Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6907","ead_ssi":"wvmturhc_repositories_2_resources_6907","_root_":"wvmturhc_repositories_2_resources_6907","_nest_parent_":"wvmturhc_repositories_2_resources_6907","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6907.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/209608","title_ssm":["Katherine G. Johnson, Mathematician, Papers"],"title_tesim":["Katherine G. Johnson, Mathematician, Papers"],"unitdate_ssm":["1800-2024","2016-2021"],"unitdate_bulk_ssim":["2016-2021"],"unitdate_inclusive_ssm":["1800-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4536","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6907"],"text":["A\u0026M 4536","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6907","Katherine G. Johnson, Mathematician, Papers","Women -- United States -- History","African Americans ","Mathematics","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Katherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated  summa cum laude  in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.","After marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.","In 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.","Johnson helped provide some of the math for the 1958 document  Notes on Space Technology . As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's  Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position  was the first time a woman in the Flight Research Division received credit as an author of a research report. ","Over the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.","Over the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published  Hidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race , a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.","Katherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir,  My Remarkable Journey , co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021.","Papers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film  Hidden Figures  while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.","Includes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.","Includes materials related to Katherine G. Johnson, the film  Hidden Figures , and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.","Materials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.","Includes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.","Includes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.","Contains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.","Contains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.","A significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.","Includes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.","Invitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026 Ceremony","Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","English \n.    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Johnson, Mathematician, Papers"],"collection_title_tesim":["Katherine G. Johnson, Mathematician, Papers"],"collection_ssim":["Katherine G. Johnson, Mathematician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Joylette G. Hylick and Katherine G. Moore, 2021-2022."],"access_subjects_ssim":["Women -- United States -- History","African Americans ","Mathematics"],"access_subjects_ssm":["Women -- United States -- History","African Americans ","Mathematics"],"has_online_content_ssim":["false"],"extent_ssm":["11.89 Linear Feet 7 record cartons, 15 in. each; 1 flat storage box, 4 in.; 1 flat storage box, 3.5 in.; 7 flat storage boxes, 3 in. each; 2 flat storage boxes, 1.5 in. each; 1 roll tube box, 4 in.; 3 unboxed items, 2.25 in. total","4.8 Gigabytes 448 files, formats include .jpg, .gif, .png, .pdf, .mp3, .ppt, .iso, .cue, .md5"],"extent_tesim":["11.89 Linear Feet 7 record cartons, 15 in. each; 1 flat storage box, 4 in.; 1 flat storage box, 3.5 in.; 7 flat storage boxes, 3 in. each; 2 flat storage boxes, 1.5 in. each; 1 roll tube box, 4 in.; 3 unboxed items, 2.25 in. total","4.8 Gigabytes 448 files, formats include .jpg, .gif, .png, .pdf, .mp3, .ppt, .iso, .cue, .md5"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eKatherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated \u003cemph\u003esumma cum laude\u003c/emph\u003e in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.\u003c/p\u003e\n","\u003cp\u003eAfter marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.\u003c/p\u003e\n","\u003cp\u003eIn 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.\u003c/p\u003e\n","\u003cp\u003eJohnson helped provide some of the math for the 1958 document \u003ctitle\u003e\u003cpart\u003eNotes on Space Technology\u003c/part\u003e\u003c/title\u003e. As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's \u003ctitle\u003e\u003cpart\u003eDetermination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position\u003c/part\u003e\u003c/title\u003e was the first time a woman in the Flight Research Division received credit as an author of a research report. \u003c/p\u003e\n","\u003cp\u003eOver the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.\u003c/p\u003e\n","\u003cp\u003eOver the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published \u003ctitle\u003e\u003cpart\u003eHidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race\u003c/part\u003e\u003c/title\u003e, a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.\u003c/p\u003e\n","\u003cp\u003eKatherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir, \u003ctitle\u003e\u003cpart\u003eMy Remarkable Journey\u003c/part\u003e\u003c/title\u003e, co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Katherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated  summa cum laude  in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.","After marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.","In 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.","Johnson helped provide some of the math for the 1958 document  Notes on Space Technology . As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's  Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position  was the first time a woman in the Flight Research Division received credit as an author of a research report. ","Over the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.","Over the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published  Hidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race , a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.","Katherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir,  My Remarkable Journey , co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Katherine G. Johnson, Mathematician, Papers, A\u0026amp;M 4536, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Katherine G. Johnson, Mathematician, Papers, A\u0026M 4536, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film \u003ctitle\u003e\u003cpart\u003eHidden Figures\u003c/part\u003e\u003c/title\u003e while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.\u003c/p\u003e","\u003cp\u003eIncludes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.\u003c/p\u003e","\u003cp\u003eIncludes materials related to Katherine G. Johnson, the film \u003cemph\u003eHidden Figures\u003c/emph\u003e, and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.\u003c/p\u003e","\u003cp\u003eMaterials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.\u003c/p\u003e","\u003cp\u003eIncludes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.\u003c/p\u003e","\u003cp\u003eIncludes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.\u003c/p\u003e","\u003cp\u003eContains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.\u003c/p\u003e","\u003cp\u003eContains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.\u003c/p\u003e","\u003cp\u003eA significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.\u003c/p\u003e","\u003cp\u003eIncludes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.\u003c/p\u003e","\u003cp\u003eInvitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026amp; Ceremony\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film  Hidden Figures  while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.","Includes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.","Includes materials related to Katherine G. Johnson, the film  Hidden Figures , and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.","Materials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.","Includes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.","Includes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.","Contains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.","Contains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.","A significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.","Includes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.","Invitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026 Ceremony"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8e0ff43f3887e0be43707b95c6c03073\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    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Johnson, Mathematician, Papers","Women -- United States -- History","African Americans ","Mathematics","No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","Katherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated  summa cum laude  in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.","After marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.","In 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.","Johnson helped provide some of the math for the 1958 document  Notes on Space Technology . As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's  Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position  was the first time a woman in the Flight Research Division received credit as an author of a research report. ","Over the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.","Over the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published  Hidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race , a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.","Katherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir,  My Remarkable Journey , co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021.","Papers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film  Hidden Figures  while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.","Includes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.","Includes materials related to Katherine G. Johnson, the film  Hidden Figures , and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.","Materials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.","Includes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.","Includes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.","Contains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.","Contains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.","A significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.","Includes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.","Invitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026 Ceremony","Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","English \n.    "],"unitid_tesim":["A\u0026M 4536","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6907"],"normalized_title_ssm":["Katherine G. Johnson, Mathematician, Papers"],"collection_title_tesim":["Katherine G. Johnson, Mathematician, Papers"],"collection_ssim":["Katherine G. Johnson, Mathematician, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Joylette G. Hylick and Katherine G. Moore, 2021-2022."],"access_subjects_ssim":["Women -- United States -- History","African Americans ","Mathematics"],"access_subjects_ssm":["Women -- United States -- History","African Americans ","Mathematics"],"has_online_content_ssim":["false"],"extent_ssm":["11.89 Linear Feet 7 record cartons, 15 in. each; 1 flat storage box, 4 in.; 1 flat storage box, 3.5 in.; 7 flat storage boxes, 3 in. each; 2 flat storage boxes, 1.5 in. each; 1 roll tube box, 4 in.; 3 unboxed items, 2.25 in. total","4.8 Gigabytes 448 files, formats include .jpg, .gif, .png, .pdf, .mp3, .ppt, .iso, .cue, .md5"],"extent_tesim":["11.89 Linear Feet 7 record cartons, 15 in. each; 1 flat storage box, 4 in.; 1 flat storage box, 3.5 in.; 7 flat storage boxes, 3 in. each; 2 flat storage boxes, 1.5 in. each; 1 roll tube box, 4 in.; 3 unboxed items, 2.25 in. total","4.8 Gigabytes 448 files, formats include .jpg, .gif, .png, .pdf, .mp3, .ppt, .iso, .cue, .md5"],"date_range_isim":[1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eKatherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated \u003cemph\u003esumma cum laude\u003c/emph\u003e in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.\u003c/p\u003e\n","\u003cp\u003eAfter marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.\u003c/p\u003e\n","\u003cp\u003eIn 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.\u003c/p\u003e\n","\u003cp\u003eJohnson helped provide some of the math for the 1958 document \u003ctitle\u003e\u003cpart\u003eNotes on Space Technology\u003c/part\u003e\u003c/title\u003e. As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's \u003ctitle\u003e\u003cpart\u003eDetermination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position\u003c/part\u003e\u003c/title\u003e was the first time a woman in the Flight Research Division received credit as an author of a research report. \u003c/p\u003e\n","\u003cp\u003eOver the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.\u003c/p\u003e\n","\u003cp\u003eOver the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published \u003ctitle\u003e\u003cpart\u003eHidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race\u003c/part\u003e\u003c/title\u003e, a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.\u003c/p\u003e\n","\u003cp\u003eKatherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir, \u003ctitle\u003e\u003cpart\u003eMy Remarkable Journey\u003c/part\u003e\u003c/title\u003e, co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Katherine Goble Johnson was born in White Sulphur Springs, West Virginia on August 26, 1918. Born Creola Katherine Coleman to parents Joylette Roberta and Joshua McKinley Coleman, she was the youngest of four children. Excelling at mathematics from an early age, Katherine and her family moved to Institute, West Virginia in order for Katherine to attend high school on the campus of West Virginia State University (WVSU). Graduating from high school at the age of 14, Johnson immediately enrolled at WVSU to pursue higher education. At the age of 18 she graduated  summa cum laude  in 1937 with a double major in mathematics and French. Finding few opportunities for an African-American teenage mathematician she eventually took a job as a schoolteacher in Marion, Virginia.","After marrying her first husband, James Goble, in 1939 Katherine was selected by the president of WVSU to be one of three African Americans to integrate West Virginia University (WVU) following Governor Homer Holt's decision to desegregate public graduate schools in West Virginia. Becoming the first African-American woman to be accepted into WVU's graduate program, Johnson withdrew from classes after discovering she was pregnant, settling into motherhood and her career as a teacher over the next decade.","In 1952, after hearing from a relative about jobs working with the all-black West Area computing section at the National Advisory Committee for Aeronautics (NACA) Langley laboratory under the instruction of fellow West Virginian Dorothy Vaughan, Katherine and James moved to Newport News, Virginia and Johnson began working at Langley in the summer of 1953. First assigned to a project in the Maneuver Loads Branch of the Flight Research Division, her temporary position quickly turned permanent.","Johnson helped provide some of the math for the 1958 document  Notes on Space Technology . As NACA transformed in the National Aeronautics and Space Administration (NASA), Johnson continued to provide groundbreaking work including trajectory analysis for the 1961 Freedom 7 mission with Alan Shepard, America's first human spaceflight. Her and engineer Ted Skopinski's  Determination of Azimuth Angle at Burnout for Placing a Satellite Over a Selected Earth Position  was the first time a woman in the Flight Research Division received credit as an author of a research report. ","Over the course of her career with NASA Johnson assisted with a variety of pioneering space flight missions. She verified the flight plan of John Glenn prior to his historic orbit of the Earth in 1961, in 1969 she was part of the team that calculated where and when to launch the rocket for the Apollo 11 mission that sent the first humans to the Moon, as well as working on the space shuttle program, and authoring/coauthoring 26 research reports. Katherine Johnson retired from NASA in 1986 after 33 years at the Langley facility.","Over the years Johnson received numerous awards and recognitions for her contributions to space flight. In 2015, she was awarded the Presidential Medal of Freedom by President Barack Obama, the highest civilian award in the United States. In 2016, NASA named the Katherine G. Johnson Computational Research Facility after her. Also in 2016, Margot Lee Shetterly published  Hidden Figures: The American Dream and The Untold Story of the Black Women Mathematicians Who Helped Win the Space Race , a book about the West Area computers, including Katherine Johnson, Dorothy Vaughan, and Mary Jackson. A film based on the book and having the same title was released that same year with the movie being nominated for Best Picture at the 89th Academy Awards.","Katherine Johnson passed away on February 24, 2020 at the age of 101 at a retirement home in Newport News, Virginia. She was preceded in death by her second husband Jim Johnson in 2019, whom she married in 1959 after the death of her first husband in 1956. A memoir,  My Remarkable Journey , co-written by Johnson and her daughters, Joylette Hylick and Katherine Moore, was published posthumously in 2021."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Katherine G. Johnson, Mathematician, Papers, A\u0026amp;M 4536, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Katherine G. Johnson, Mathematician, Papers, A\u0026M 4536, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film \u003ctitle\u003e\u003cpart\u003eHidden Figures\u003c/part\u003e\u003c/title\u003e while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.\u003c/p\u003e","\u003cp\u003eIncludes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.\u003c/p\u003e","\u003cp\u003eIncludes materials related to Katherine G. Johnson, the film \u003cemph\u003eHidden Figures\u003c/emph\u003e, and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.\u003c/p\u003e","\u003cp\u003eMaterials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.\u003c/p\u003e","\u003cp\u003eIncludes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.\u003c/p\u003e","\u003cp\u003eIncludes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.\u003c/p\u003e","\u003cp\u003eContains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.\u003c/p\u003e","\u003cp\u003eContains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.\u003c/p\u003e","\u003cp\u003eA significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.\u003c/p\u003e","\u003cp\u003eIncludes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.\u003c/p\u003e","\u003cp\u003eInvitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026amp; Ceremony\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Katherine G. Johnson. Includes assorted artifacts, family photographs, awards, honorary degrees, correspondence, and other material regarding the career and life of Katherine G. Johnson. The bulk of the collection is focused on material relating to the release of the 2016 film  Hidden Figures  while other material details Katherine Johnson's early life and her family history. Such material includes news clippings, magazine articles, and fan mail to Katherine G. Johnson.","Includes framed awards, plaques, glass awards, honorary degrees, and other resolutions and recognitions granted to Katherine G. Johnson.","Includes materials related to Katherine G. Johnson, the film  Hidden Figures , and general NASA publications. Types of material include newspaper clippings, magazine articles, pamphlets, program schedules, books, and copies of commencement speeches given by Johnson and others, among other items.","Materials include digitized photographs on CDs, recorded interviews and ceremonies, as well as an atlas on CD-ROM.","Includes mostly fan mail to Katherine Johnson, with other items including personal and family correspondence, as well as writings related to event and award ceremonies.","Includes family photographs, scrapbooks, Katherine Johnson's math tools and math book, and a Barbie doll of Katherine Johnson, among other items.","Contains four plastic squares, one broken spiral mathemathical instrument, one intact spiral, and one small paper kit containing a variety of equipment.","Contains two circle templates, one logarithmic spiral curve and booklet, one ellipse set, and two protractors.","A significant portion of these photographs are of Katherine's maternal aunt, Lelia Lowe White, and her students at Langston High School in Danville, VA.","Includes handwritten math textbook in the ledger for a business (possibly a pharmacy) owned by an ancestor of Katherine Johnson (likely Thomas H. Lowe) and several documents found inside the ledger, such as letters and a handwritten story. Other names listed in this material include Abraham North Lowe and Lee Lowe.","Invitation and program for the United States Congressional Gold Medal Ceremony in honor of Katherine Johnson, Dr. Christine Darden, Dorothy Vaughan, and Mary Jackson, as well as the same for the National Aviation Hall of Fame's 60th Annual Enshrinement Dinner \u0026 Ceremony"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. Copyright for photographs of Katherine Johnson for Vanity Fair magazine is not owned by the West Virginia and Regional History Center. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_8e0ff43f3887e0be43707b95c6c03073\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center"],"corpname_ssim":["West Virginia and Regional History Center"],"language_ssim":["English \n.    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For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["Box 12"],"scopecontent_html_tesm":["\u003cp\u003eAssorted correspondence with E. Gordon Gee and the College of William and Mary, as well as photocopies of assorted articles by Henry.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Assorted correspondence with E. Gordon Gee and the College of William and Mary, as well as photocopies of assorted articles by Henry."],"_nest_path_":"/components#8","timestamp":"2026-05-21T01:34:03.113Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_2161","ead_ssi":"wvmturhc_repositories_2_resources_2161","_root_":"wvmturhc_repositories_2_resources_2161","_nest_parent_":"wvmturhc_repositories_2_resources_2161","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_2161.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/203184","title_ssm":["Rene A. Henry Papers"],"title_tesim":["Rene A. Henry Papers"],"unitdate_ssm":["circa 1890-2025 and undated"],"unitdate_inclusive_ssm":["circa 1890-2025 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3720","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2161"],"text":["A\u0026M 3720","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2161","Rene A. Henry Papers","Charleston (W. Va.)","Winter Olympics","Olympics","Railroads -- West Virginia","Sports journalism","No special access restriction applies.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.","From the Biographical Note in the Rene A. Henry Papers, College of William and Mary Special Collections (link in External Documents):","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.","Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Additional information on Rene Henry may be found on his website (link in External Documents).","Historical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). An addendum of 2018/01/19 contains photographs, publications, and other material (1910–2017). An addendum of 2021/07/31 includes scrapbooks and memorabilia from the Olympic Games and other athletic events as well as other material (1939-2005).","Series include: \nSeries 1. Initial Acquisition, 1950, 2013, and undated \nSeries 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures, 1919-2018 and undated \nSeries 3. Addendum of 2017/04/18, Postcards and Collectibles, 1910–2016 \nSeries 4. Addendum of 2017/09/30, Artworks, 1970-1975, and undated \nSeries 5. Addendum of 2018/01/19, Photographs, Publications, and Other Material, 1910–2017 \nSeries 6. Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material \nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated \nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated \nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated","This series contains the initial collection. It includes clippings regarding the history of South Charleston, WV, photographs and train orders from Henry's step-grandfather (Fred B. Secrest), and other material.","This series includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers.","This subseries includes biographical material about Henry, copies of some of his awards and honors, copies of correspondence, and a slide presentation that he gave to a WVU Sports Management class.","This subseries includes newspaper clippings and articles. The newspaper clippings are mostly articles written by Henry for the South Charleston Free Press, of which he was editor. Articles include those written by Henry, generally regarding the WVU Mountaineers, as well as articles that are about him or mention him.","This subseries includes three scripts for motion pictures, all written by Rene A. Henry and Gabor Nagy and registered with Writers Guild of America, West. One script is about Rodney Clark Hundley, and another is about the 1953 College of William and Mary football team.","This subseries contains photographs, almost all of which include dates and descriptions. Subjects include Henry's family, sports figures such as Sven Tumba and Rod Hundley, politicians such as Margaret Thatcher and Gerald Ford, and other prominent individuals.","This subseries contains two DVDs. One DVD includes WVU sports video news releases (1954-1955). The other DVD contains a tribute video relating to 1984 Olympians (1984).","This series includes postcards from assorted locations in Europe, collectible pins, patches, and badges, and other material.","This series includes assorted writings and publications written by Henry, photographs of Henry with celebrities, biographical materials, and other material.","This series includes scrapbooks compiled by Henry as well as memorabilia from the Olympic Games and other athletic events.  There is also material regarding Henry's non-athletics related professional activities and his memebership in a fraternal order.","Assorted photocopies of articles written by or on Henry documenting his career and other material, including a pitch packet for a screenplay titled  West Virginia Kid  on the life of \"Hot Rod\" Hundley and a USB drive.","Assorted materials, including photographs and papers of the Henry and Secrest (Henry's stepfather) families, correspondence with E. Gordon Gee and other notables, and Henry's editorials and other articles in the Huntington News Net.","Assorted correspondence with E. Gordon Gee and the College of William and Mary, as well as photocopies of assorted articles by Henry.","Books authored by Rene A. Henry separated to the book collection: \nCommunicating In A Crisis: A Guide For Management; 2008 \nCustomer Service: The Cornerstone of Success; 2013 \nMarketing Public Relations; 1995 \nOffsides; 2001 \nThe Iron Indians; 2011 \nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Historical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A.","English \n.    "],"unitid_tesim":["A\u0026M 3720","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/2161"],"normalized_title_ssm":["Rene A. Henry Papers"],"collection_title_tesim":["Rene A. Henry Papers"],"collection_ssim":["Rene A. Henry Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Charleston (W. Va.)","Winter Olympics","Olympics"],"geogname_ssim":["Charleston (W. Va.)","Winter Olympics","Olympics"],"creator_ssm":["Henry, Rene A.","Henry, Rene A."],"creator_ssim":["Henry, Rene A.","Henry, Rene A."],"creator_persname_ssim":["Henry, Rene A.","Henry, Rene A."],"creators_ssim":["Henry, Rene A.","Henry, Rene A."],"places_ssim":["Charleston (W. Va.)","Winter Olympics","Olympics"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Railroads -- West Virginia","Sports journalism"],"access_subjects_ssm":["Railroads -- West Virginia","Sports journalism"],"has_online_content_ssim":["false"],"extent_ssm":["3.88 Linear Feet 2 document cases, 5 in. each; 5 document cases, 2.5 in. each; 1 record carton, 15 in.; 2 oversize flat storage boxes, 3.5 in. each; 2 oversize flat storage boxes, 1 in. each","2.26 Gigabytes 31 files, formats include .doc, .mht, .txt, .docx, .iso, .cue, .md5, .jpg"],"extent_tesim":["3.88 Linear Feet 2 document cases, 5 in. each; 5 document cases, 2.5 in. each; 1 record carton, 15 in.; 2 oversize flat storage boxes, 3.5 in. each; 2 oversize flat storage boxes, 1 in. each","2.26 Gigabytes 31 files, formats include .doc, .mht, .txt, .docx, .iso, .cue, .md5, .jpg"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access born digital and digitized materials by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc."],"bioghist_html_tesm":["\u003cp\u003eFrom the Biographical Note in the Rene A. Henry Papers, College of William and Mary Special Collections (link in External Documents):\u003c/p\u003e\n","\u003cp\u003eRene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.\u003c/p\u003e\n","\u003cp\u003eHe was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.\u003c/p\u003e\n","\u003cp\u003eRene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.\u003c/p\u003e\n","\u003cp\u003eHenry has been a member of the Academy of Motion Picture Arts \u0026amp; Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.\u003c/p\u003e\n","\u003cp\u003eAdditional information on Rene Henry may be found on his website (link in External Documents).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["From the Biographical Note in the Rene A. Henry Papers, College of William and Mary Special Collections (link in External Documents):","Rene Henry was born in Charleston, West Virginia in 1933 and his family moved to the Norfolk and Virginia Beach area in 1948. He graduated from Granby High School in Norfolk in 1951 and received an A.B. in economics from the College of William and Mary in 1954. During his time at William and Mary, Henry served as a student assistant in sports information and also student assistant to the director of intramural athletics. In January 1953, while in his junior year, he was named the Sports Information Director for William and Mary.","He was Sports Information Director at West Virginia University (1954-1956) and did graduate work in marketing. He also completed executive management courses at the law schools of Harvard and Georgetown universities.","Rene Henry's professional career includes work in public relations, sports marketing, housing and construction, presidential campaigns, higher education, television and entertainment, association management, and government service. As a volunteer, he directed the international media campaign for the selection of Los Angeles as the host city of the 1984 Olympic Games, and has been active in the promotion and organization of a number of United States Olympic activities since 1968. He has been involved in the management, marketing, and sales of world cup and world championship events in sports including basketball, cycling, hockey, soccer, and tennis. Henry has also worked at various levels of the building and housing industry, developing and promoting a number of commercial, industrial, and federal projects. From 1968 to 1977, he was Executive Director of the Council of Housing Producers, an organization of the largest community developers in the country. Between 1986 and 1988, he served as President and CEO of the National Institute of Building Sciences. In 1988, he volunteered on the presidential campaign to elect George H. W. Bush and Dan Quayle. From there, Henry was appointed to positions at the U.S. Department of Agriculture, the Agency for International Development, the Department of Labor in 1991, and the Environmental Protection Agency from 1996 to 2001.","Henry has been a member of the Academy of Motion Picture Arts \u0026 Sciences and the Academy of Television Arts and Sciences since 1978. In 1994, he was elected to the College of Fellows of the Public Relations Society of America and served as Chair of the College in 2001. He is also a member of the Institute of Residential Marketing and former Trustee of the National Sales and Marketing Council of the National Association of Home Builders.","Additional information on Rene Henry may be found on his website (link in External Documents)."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Rene A. Henry Papers, A\u0026amp;M 3720, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Rene A. Henry Papers, A\u0026M 3720, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eHistorical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). An addendum of 2018/01/19 contains photographs, publications, and other material (1910–2017). An addendum of 2021/07/31 includes scrapbooks and memorabilia from the Olympic Games and other athletic events as well as other material (1939-2005).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003clb\u003e\u003c/lb\u003e\nSeries 1. Initial Acquisition, 1950, 2013, and undated\u003clb\u003e\u003c/lb\u003e\nSeries 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures, 1919-2018 and undated\u003clb\u003e\u003c/lb\u003e\nSeries 3. Addendum of 2017/04/18, Postcards and Collectibles, 1910–2016\u003clb\u003e\u003c/lb\u003e\nSeries 4. Addendum of 2017/09/30, Artworks, 1970-1975, and undated\u003clb\u003e\u003c/lb\u003e\nSeries 5. Addendum of 2018/01/19, Photographs, Publications, and Other Material, 1910–2017\u003clb\u003e\u003c/lb\u003e\nSeries 6. Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material\u003clb\u003e\u003c/lb\u003e\nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated\u003clb\u003e\u003c/lb\u003e\nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated\u003clb\u003e\u003c/lb\u003e\nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated\u003c/p\u003e","\u003cp\u003eThis series contains the initial collection. It includes clippings regarding the history of South Charleston, WV, photographs and train orders from Henry's step-grandfather (Fred B. Secrest), and other material.\u003c/p\u003e","\u003cp\u003eThis series includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers.\u003c/p\u003e","\u003cp\u003eThis subseries includes biographical material about Henry, copies of some of his awards and honors, copies of correspondence, and a slide presentation that he gave to a WVU Sports Management class.\u003c/p\u003e","\u003cp\u003eThis subseries includes newspaper clippings and articles. The newspaper clippings are mostly articles written by Henry for the South Charleston Free Press, of which he was editor. Articles include those written by Henry, generally regarding the WVU Mountaineers, as well as articles that are about him or mention him.\u003c/p\u003e","\u003cp\u003eThis subseries includes three scripts for motion pictures, all written by Rene A. Henry and Gabor Nagy and registered with Writers Guild of America, West. One script is about Rodney Clark Hundley, and another is about the 1953 College of William and Mary football team.\u003c/p\u003e","\u003cp\u003eThis subseries contains photographs, almost all of which include dates and descriptions. Subjects include Henry's family, sports figures such as Sven Tumba and Rod Hundley, politicians such as Margaret Thatcher and Gerald Ford, and other prominent individuals.\u003c/p\u003e","\u003cp\u003eThis subseries contains two DVDs. One DVD includes WVU sports video news releases (1954-1955). The other DVD contains a tribute video relating to 1984 Olympians (1984).\u003c/p\u003e","\u003cp\u003eThis series includes postcards from assorted locations in Europe, collectible pins, patches, and badges, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes assorted writings and publications written by Henry, photographs of Henry with celebrities, biographical materials, and other material.\u003c/p\u003e","\u003cp\u003eThis series includes scrapbooks compiled by Henry as well as memorabilia from the Olympic Games and other athletic events.  There is also material regarding Henry's non-athletics related professional activities and his memebership in a fraternal order.\u003c/p\u003e","\u003cp\u003eAssorted photocopies of articles written by or on Henry documenting his career and other material, including a pitch packet for a screenplay titled \u003ctitle\u003e\u003cpart\u003eWest Virginia Kid\u003c/part\u003e\u003c/title\u003e on the life of \"Hot Rod\" Hundley and a USB drive.\u003c/p\u003e","\u003cp\u003eAssorted materials, including photographs and papers of the Henry and Secrest (Henry's stepfather) families, correspondence with E. Gordon Gee and other notables, and Henry's editorials and other articles in the Huntington News Net.\u003c/p\u003e","\u003cp\u003eAssorted correspondence with E. Gordon Gee and the College of William and Mary, as well as photocopies of assorted articles by Henry.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Historical material compiled by Rene A. Henry, documenting the history of South Charleston, West Virginia; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing. An addendum of 2013-10-29 includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers. An addendum of 2017-09-30 contains numbered prints of artworks (1970-1975). An addendum of 2018/01/19 contains photographs, publications, and other material (1910–2017). An addendum of 2021/07/31 includes scrapbooks and memorabilia from the Olympic Games and other athletic events as well as other material (1939-2005).","Series include: \nSeries 1. Initial Acquisition, 1950, 2013, and undated \nSeries 2. Addendum of 2013/10/29, Writings, Photographs, and Motion Pictures, 1919-2018 and undated \nSeries 3. Addendum of 2017/04/18, Postcards and Collectibles, 1910–2016 \nSeries 4. Addendum of 2017/09/30, Artworks, 1970-1975, and undated \nSeries 5. Addendum of 2018/01/19, Photographs, Publications, and Other Material, 1910–2017 \nSeries 6. Addendum of 2021/07/31, Olympic Games Scrapbooks, Memorabilia, and Other Material \nAddendum of 2024/04/04, Photocopies of Articles, Pitch Packet, and Other Material, circa 1980s-2024 and undated \nAddendum of 2024-2025, Correspondence, Writings, Family Papers, and Other Material, circa 1930s-2020s and undated \nAddendum of 2025 July 2, Assorted Correspondence and Photocopies of Articles, circa 1950s-2020s and undated","This series contains the initial collection. It includes clippings regarding the history of South Charleston, WV, photographs and train orders from Henry's step-grandfather (Fred B. Secrest), and other material.","This series includes biographical material, correspondence, articles, clippings, scripts, photographs, and motion pictures pertaining to Henry, his work in sports journalism, and the WVU Mountaineers.","This subseries includes biographical material about Henry, copies of some of his awards and honors, copies of correspondence, and a slide presentation that he gave to a WVU Sports Management class.","This subseries includes newspaper clippings and articles. The newspaper clippings are mostly articles written by Henry for the South Charleston Free Press, of which he was editor. Articles include those written by Henry, generally regarding the WVU Mountaineers, as well as articles that are about him or mention him.","This subseries includes three scripts for motion pictures, all written by Rene A. Henry and Gabor Nagy and registered with Writers Guild of America, West. One script is about Rodney Clark Hundley, and another is about the 1953 College of William and Mary football team.","This subseries contains photographs, almost all of which include dates and descriptions. Subjects include Henry's family, sports figures such as Sven Tumba and Rod Hundley, politicians such as Margaret Thatcher and Gerald Ford, and other prominent individuals.","This subseries contains two DVDs. One DVD includes WVU sports video news releases (1954-1955). The other DVD contains a tribute video relating to 1984 Olympians (1984).","This series includes postcards from assorted locations in Europe, collectible pins, patches, and badges, and other material.","This series includes assorted writings and publications written by Henry, photographs of Henry with celebrities, biographical materials, and other material.","This series includes scrapbooks compiled by Henry as well as memorabilia from the Olympic Games and other athletic events.  There is also material regarding Henry's non-athletics related professional activities and his memebership in a fraternal order.","Assorted photocopies of articles written by or on Henry documenting his career and other material, including a pitch packet for a screenplay titled  West Virginia Kid  on the life of \"Hot Rod\" Hundley and a USB drive.","Assorted materials, including photographs and papers of the Henry and Secrest (Henry's stepfather) families, correspondence with E. Gordon Gee and other notables, and Henry's editorials and other articles in the Huntington News Net.","Assorted correspondence with E. Gordon Gee and the College of William and Mary, as well as photocopies of assorted articles by Henry."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks authored by Rene A. Henry separated to the book collection:\u003clb\u003e\u003c/lb\u003e\nCommunicating In A Crisis: A Guide For Management; 2008\u003clb\u003e\u003c/lb\u003e\nCustomer Service: The Cornerstone of Success; 2013\u003clb\u003e\u003c/lb\u003e\nMarketing Public Relations; 1995\u003clb\u003e\u003c/lb\u003e\nOffsides; 2001\u003clb\u003e\u003c/lb\u003e\nThe Iron Indians; 2011\u003clb\u003e\u003c/lb\u003e\nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Books authored by Rene A. Henry separated to the book collection: \nCommunicating In A Crisis: A Guide For Management; 2008 \nCustomer Service: The Cornerstone of Success; 2013 \nMarketing Public Relations; 1995 \nOffsides; 2001 \nThe Iron Indians; 2011 \nYou'd Better Have A Hose If You Want To Put Out The Fire; 2000"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2e3ce379534c1e734c27ba03db54666a\"\u003eHistorical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing.\u003c/abstract\u003e"],"abstract_tesim":["Historical material compiled by Rene A. Henry, documenting the history of South Charleston, WV; Henry's family; the West Virginia University football team; and his career in public relations and sports marketing."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_e571a1e292610aae3dd80994f62b6149\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A.","Henry, Rene A."],"names_ssim":["West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)","Henry, Rene A."],"corpname_ssim":["West Virginia and Regional History Center","Federal Writers' Project","West Virginia Mountaineers (Football team)"],"persname_ssim":["Henry, Rene A."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":168,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:34:03.113Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_2161_c09"}},{"id":"wvmturhc_repositories_2_resources_1846_c05","type":"Series","attributes":{"title":"Addendum of 2026 February 13, Newsletters, Papers, and Other Material","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1846_c05","ref_ssm":["wvmturhc_repositories_2_resources_1846_c05"],"id":"wvmturhc_repositories_2_resources_1846_c05","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846","parent_ssi":"wvmturhc_repositories_2_resources_1846","parent_ssim":["wvmturhc_repositories_2_resources_1846"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1846"],"parent_unittitles_ssm":["Dr. Barbara Howe, Professor, Papers"],"parent_unittitles_tesim":["Dr. Barbara Howe, Professor, Papers"],"text":["Dr. Barbara Howe, Professor, Papers","Addendum of 2026 February 13, Newsletters, Papers, and Other Material","Papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more."],"title_filing_ssi":"Addendum of 2026 February 13, Newsletters, Papers, and Other Material","title_ssm":["Addendum of 2026 February 13, Newsletters, Papers, and Other Material"],"title_tesim":["Addendum of 2026 February 13, Newsletters, Papers, and Other Material"],"unitdate_inclusive_ssm":["circa 1980s-2025 and undated"],"normalized_date_ssm":["1980/2025"],"normalized_title_ssm":["Addendum of 2026 February 13, Newsletters, Papers, and Other Material"],"component_level_isim":[1],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":957,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"scopecontent_html_tesm":["\u003cp\u003ePapers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more."],"_nest_path_":"/components#4","timestamp":"2026-05-24T23:32:20.608Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1846","ead_ssi":"wvmturhc_repositories_2_resources_1846","_root_":"wvmturhc_repositories_2_resources_1846","_nest_parent_":"wvmturhc_repositories_2_resources_1846","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1846.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/196024","title_ssm":["Dr. Barbara Howe, Professor, Papers"],"title_tesim":["Dr. Barbara Howe, Professor, Papers"],"unitdate_ssm":["1856-2025 and undated","1964-2025"],"unitdate_bulk_ssim":["1964-2025"],"unitdate_inclusive_ssm":["1856-2025 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"text":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846","Dr. Barbara Howe, Professor, Papers","Morgantown (W. Va.)","Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government.","No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. ","Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.","This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: ","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations ","- Sub-Series 4. Events / Programs","Series 4. West Virginia University ","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. ","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","This series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.","Contains one CD","This series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.","This sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.","One reel-to-reel","This sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.","This sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.","One cassette tape","Two cassette tapes","One cassette tape","Three cassette tapes","Two cassette tapes","One cassette tape","Two cassette tapes","One cassette tape","One cassette tape","Three cassette tapes","One cassette tape","Two cassette tapes","Three cassette tapes","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","Two cassette tapes","This series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.","This sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.","One DVD","This sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.","This series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.","This sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.","This sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.","One CD","One CD","One CD","One VHS","This sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.","Papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","Oversized material moved to A\u0026M 3469, Box 16, Folder 1","Oversized material moved to A\u0026M 3469, Box 23, Folder 1","Oversized material moved to A\u0026M 3469, Box 16, Folder 8","Oversized moved to A\u0026M 3469, Box 23, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 14","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 10","Oversized material moved to A\u0026M 3469, Box 15, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 9","Oversized material moved to A\u0026M 3469, Box 24, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 11","Removed from A\u0026M 3469, Box 7, Folder 16","Removed from A\u0026M 3469, Box 7, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 3","Removed from A\u0026 3469, Box 7, Folder 8","Removed from A\u0026M 3469, Box 7, Folders 23 and 24","Removed from A\u0026M 3469, Box 7, Folder 34","Removed from A\u0026M 3469, Box 7, Folder 15","Removed from A\u0026M 3469, Box 7, Folder 30","Removed from A\u0026M 3469, Box 1, Folder 4","Removed from A\u0026M 3469, Box 7, Folder 14","Removed from A\u0026M 3469, Box 7, Folder 31","Oversized material moved to A\u0026M 3469, Box 23, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 5","Oversized material moved to A\u0026M 3469, Box 23, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 7","Oversized material moved to A\u0026M 3469, Folder 6","Oversized material moved to A\u0026M 3469, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 6","Oversized material moved to A\u0026M 3469, Box 21, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 22","Oversized material moved to A\u0026M 3469, Box 23, Folder 17","Oversized material moved to A\u0026M 3469, Box 16, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 20","Removed from A\u0026M 3469, Box 3, Folder 23","Removed from A\u0026M 3469, Box 3, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 32","Removed from A\u0026M 3469, Box 9, Folder 23","Removed from A\u0026M 3469, Box 6, Folder 1","Removed from A\u0026M 3469, Box 8, Folder 63","Removed from A\u0026M 3469, Box 6, Folder 4a-4c","Removed from A\u0026M 3469, Box 8, Folder 60-61","Removed from A\u0026M 3469, Box 3, Folder 14","Removed from A\u0026M 3469, Box 3, Folder 32","Removed from A\u0026M 3469, Box 3, Folder 29","Oversized material moved to A\u0026M 3469, Box 15, Folder 10","Oversized material moved to A\u0026M 3469, Box 16, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 10","Oversized material moved to A\u0026M 3469, Box 21, Folder 11","Oversized moved to A\u0026M 3469, Box 21, Folder 12","Oversized material moved to A\u0026M 3469, Box 15, Folder 21","Oversized material moved to A\u0026M 3469, Box 23, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 13","Oversized material moved to A\u0026M 3469, Box 21, Folder 14","Oversized material moved to A\u0026M 3469, Box 17, Folder 3","Oversized material moved to A\u0026M 3469, Box 22, Folder 3","Oversized material moved to A\u0026M 3469, Box 17, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 24","Oversized material moved to A\u0026M 3469, Box 15, Folder 25","Oversized material moved to A\u0026M 3469, Box 21. Folder 15","Removed from A\u0026M 3469, Box 9, Folder 67","Removed from A\u0026M 3469, Box 10, Folder 43","Removed from A\u0026M 3469, Box 10, Folder 50-51","Removed from A\u0026M 3469,  Box 6, Folder 26","Removed from A\u0026M 3469, Box 9, Folder 53","Removed from A\u0026M 3469, Box 10, Folder 25","Removed from A\u0026M 3469, Box 10, Folder 35","Removed from A\u0026M 3469, Box 9, Folder 21","Removed from A\u0026M 3469, Box 9, Folder 59","Removed from A\u0026M 3469, Box 9, Folder 60","Removed from A\u0026M 3469, Box 9, Folder 64","Removed from A\u0026M 3469, Box 9, Folder 71","Removed from A\u0026M 3469, Box 10, Folder 17","Removed from A\u0026M 3469, Box 10, Folder 56","Removed from A\u0026M 3469, Box 1, Folder 18","Removed from A\u0026M 3469, Box 10, Folder 31","Removed from A\u0026M 3469, Box 3, Folder 26a-26d","Removed from A\u0026M 3469, Box 9, Folder 68","Oversized material moved to A\u0026M 3469, Box 23, Folder 7","Oversized material moved to A\u0026M 3469, Box 23, Folder 8","Oversized material moved to A\u0026M 3469, Box 17, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 7","Removed from A\u0026M 3469, Box 4, Folder 42","Removed from A\u0026M 3469, Box 11, Folder 16","Removed from A\u0026M 3469, Box 14, Folder 17","Removed from A\u0026M 3469, Box 1, Folder 15","Removed from A\u0026M 3469, Box 4, Folder 28","Removed from A\u0026M 3469, Box 4, Folder 30","Removed from A\u0026M 3469, Box 6, Folder 52","Removed from A\u0026M 3469, Box 7, Folder 51","Oversized material moved to A\u0026M 3469, Box 15, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 28","Removed from A\u0026M 3469, Box 1, Folder 19","Removed from A\u0026M 3469, Box 11, Folder 40","Oversized material moved to A\u0026M 3469, Box 15, Folder 9","Oversized material moved to A\u0026M 3469, Box 17, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 30","Removed from A\u0026M 3469, Box 4, Folder 24","Removed from A\u0026M 3469, Box 11, Folder 93","Removed from A\u0026M 3469, Box 11, Folder 73","Oversized material moved to A\u0026M 3469, Box 17, Folder 9","Oversized material moved to A\u0026M 3469, Box 15, Folder 31","Oversized material moved to A\u0026M 3469, Box 15, Folder 32","Oversized material moved to A\u0026M 3469, Box 21, Folder 18","Oversized material moved to A\u0026M 3469, Box 15, Folder 33","Oversized material moved to A\u0026M 3469, Box 23, Folder 26","Removed from A\u0026M 3469, Box 12, Folder 8","Removed from A\u0026M 3469, Box 12, Folder 11","Removed from A\u0026M 3469, Box 12, Folder 73","Removed from A\u0026M 3469, Box 12, Folder 1","Removed from A\u0026M 3469, Box 12, Folder 68","Removed from A\u0026M 3469, Box 12, Folder 79","Oversized material moved to A\u0026M 3469, Box 15, Folder 11","Removed from A\u0026M 3469, Box 11, Folder 10","Oversized material moved to A\u0026M 3469, Box 23, Folder 3","Oversized material moved to A\u0026M 3469, Box 23, Folder 4","Oversized material moved to A\u0026M 3469, Box 16, Folder 2","Oversized material moved to A\u0026M 3469, Box 22, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 3","Oversized material moved to A\u0026M 3469, Box 15, Folder 4","Oversized material moved to A\u0026M 3469, Box 21, Folder 2","Oversized material moved to A\u0026M 3469, Box 16, Folder 4","Oversized material moved to A\u0026M 3469, Folder 1","Oversized material moved to A\u0026M 3469, Box 21, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 6","Oversized material moved to A\u0026M 3469, Box 16, Folder 5","Oversized material moved to A\u0026M 3469, Box 15, Folder 8","Oversized material moved to A\u0026M 3469, Box 15, Folder 13","Oversized material moved to A\u0026M 3469, Box 22, Folder 4","Oversized material moved to A\u0026M 3469, Box 15, Folder 34","Removed from A\u0026M 3469, Box 3, Folder 2","Removed from A\u0026M 3469, Box 3, Folder 24","Removed from A\u0026M 3469, Box 3, Folder 35","Removed from A\u0026M 3469, Box 6, Folder 55","Removed from A\u0026M 3469, Box 13, Folder 5","Removed from A\u0026M 3469, Box 2, Folder 3","Removed from A\u0026M 3469, Box 2, Folder 8a-8l","Removed from A\u0026M 3469, Box 3, Folder 8","Removed from A\u0026M 3469, Box 3, Folder 33","Removed from A\u0026M 3469, Box 3, Folder 7","Removed from A\u0026M 3469, Box 3, Folder 15","Removed from A\u0026M 3469, Box 3, Folder 21","Removed from A\u0026M 3469, Box 2, Folder 7","Removed from A\u0026M 3469, Box 12, Folder 89a-89b","Removed from A\u0026M 3469, Box 1, Folder 39a-39f","Removed from A\u0026M 3469, Box 2, Folder 2","Oversized material moved to A\u0026M 3469, Box 21, Folder 6","Oversized material moved to A\u0026M 3469, Box 23, Folder 6","Oversized material moved to A\u0026M 3469, Box 15, Folder 12","Oversized material moved to A\u0026M 3469, Box 17, Folder 14","Oversized material moved to A\u0026M 3469, Box 15, Folder 35","Removed from A\u0026M 3469, Box 1, Folder 23","Removed from A\u0026M 3469, Box 1, Folder 24","Removed from A\u0026M 3469, Box 4, Folder 45","Removed from A\u0026M 3469, Box 14, Folder 6","Removed from A\u0026M 3469, Box 13, Folder 20","Removed from A\u0026M 3469, Box 4, Folder 18","Removed from A\u0026M 3469, Box 4, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 2","Oversized material moved to A\u0026M 3469, Box 15, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 5","Oversized material moved to A\u0026M 3469, Box 17, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 19","Removed from A\u0026M 3469, Box 1, Folder 14","Removed from A\u0026M 3469, Box 4, Folder 9a-9e","Removed from A\u0026M 3469, Box 14, Folder 18","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J.","English \n.    "],"unitid_tesim":["A\u0026M 3469","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1846"],"normalized_title_ssm":["Dr. Barbara Howe, Professor, Papers"],"collection_title_tesim":["Dr. Barbara Howe, Professor, Papers"],"collection_ssim":["Dr. Barbara Howe, Professor, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Morgantown (W. Va.)"],"geogname_ssim":["Morgantown (W. Va.)"],"creator_ssm":["Howe, Barbara J.","West Virginia University"],"creator_ssim":["Howe, Barbara J.","West Virginia University"],"creator_persname_ssim":["Howe, Barbara J."],"creator_corpname_ssim":["West Virginia University"],"creators_ssim":["Howe, Barbara J.","West Virginia University"],"places_ssim":["Morgantown (W. Va.)"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Transfer from West Virginia University (WVU) Center for Women's Studies, Howe, Barbara, 2004 October 14","Gifts of Howe, Barbara, 2004-2008","Transfers from unknown entity, Howe, Barbara, 2012-2014","Gifts of Howe, Barbara, 2015-2025"],"access_subjects_ssim":["Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government."],"access_subjects_ssm":["Historic preservation ","Environmental Justice","Historic sites--West Virginia","Historic distrcits--West Virginia","West Virginia - Politics and government."],"has_online_content_ssim":["false"],"extent_ssm":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"extent_tesim":["21.2 Linear Feet 14 record cartons, 15 in. each; 8 flat storage boxes, 3 in. each; 4 flat storage boxes, 1.5 in. each; 2 document cases, 5 in. each; 1 document case, 2.5 in; 1 multi-divider box, 1 in.; 9 oversize folders, 0.1 in. each","9.7 Gigabytes 24 files (9 .docx files, 3 .cue files, 3 .iso files, 3 .md5 files, 3 .pdf files, 1 .csv file, 1 .MDB file, 1 .ppt file)"],"date_range_isim":[1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized and born digital materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"bioghist_html_tesm":["\u003cp\u003eDr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.\u003c/p\u003e\n","\u003cp\u003eUpon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Dr. Barbara Howe was employed at West Virginia University in several different positions between 1980 and her retirement in 2009, including associate professor of history, head of the public history program, and director of the Center for Women's Studies.  She was raised in Cincinnati, Ohio, where she graduated from the University of Cincinnati with a B.A. in history and a B.S. in education in 1969. She received her Master of Arts degree in history from the University of Wisconsin-Milwaukee.","Upon graduation with her Ph.D. in history from Temple University in Philadelphia, Pennsylvania, in 1976, she worked as a a regional preservation officer for the Ohio Historic Preservation Office at Heidelberg College in Tiffin, Ohio. In 1980, she joined the faculty of the Department of History at West Virginia University, where she developed and led the Public History Program. Between 1998 and 2008, Howe led the WVU Center for Women's Studies as director. She retired from WVU in 2009 as associate professor emerita of history. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026amp;M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Dr. Barbara Howe, Professor, Papers, A\u0026M 3469, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eAddendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Addendums from 2012 to 2025 have been consolidated due to the relation of materials and can be found in boxes 7-26."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: \u003c/p\u003e\n","\u003cp\u003eSeries 1. Environmental\u003c/p\u003e\n","\u003cp\u003eSeries 2. Historical / Cultural\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. Organizations\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 4. Business Directories, Maps, and Travel Guides\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 5. Oral Histories\u003c/p\u003e\n","\u003cp\u003eSeries 3. Socio-political\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Political Campaigns\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. Local and State Government Organizations\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Non-Governmental Organizations \u003c/p\u003e\n","\u003cp\u003e- Sub-Series 4. Events / Programs\u003c/p\u003e\n","\u003cp\u003eSeries 4. West Virginia University \u003c/p\u003e\n","\u003cp\u003e- Sub-Series 1. Historic Places\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 2. General\u003c/p\u003e\n","\u003cp\u003e- Sub-Series 3. Events / Programs\u003c/p\u003e\n","\u003cp\u003ePrevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. \u003c/p\u003e\n","\u003cp\u003eMaterials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.\u003c/p\u003e\n","\u003cp\u003eThe addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.\u003c/p\u003e","\u003cp\u003eContains one CD\u003c/p\u003e","\u003cp\u003eThis series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.\u003c/p\u003e","\u003cp\u003eThis sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.\u003c/p\u003e","\u003cp\u003eOne reel-to-reel\u003c/p\u003e","\u003cp\u003eThis sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.\u003c/p\u003e","\u003cp\u003eThis sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eThree cassette tapes\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eOne cassette tape\u003c/p\u003e","\u003cp\u003eTwo cassette tapes\u003c/p\u003e","\u003cp\u003eThis series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eOne DVD\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.\u003c/p\u003e","\u003cp\u003eThis series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne CD\u003c/p\u003e","\u003cp\u003eOne VHS\u003c/p\u003e","\u003cp\u003eThis sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.\u003c/p\u003e","\u003cp\u003ePapers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains materials created or collected by Dr. Barbara Howe while in various roles at the Eberly College of Arts and Sciences in the Department of History and Center for Women's Studies (now the Center for Women's and Gender Studies) at West Virginia University (WVU) and after her retirement in the 2000s. It is divided into series and sub-series based upon the subject matter of the material: ","Series 1. Environmental","Series 2. Historical / Cultural","- Sub-Series 1. Historic Places","- Sub-Series 2. Organizations","- Sub-Series 3. Events / Programs","- Sub-Series 4. Business Directories, Maps, and Travel Guides","- Sub-Series 5. Oral Histories","Series 3. Socio-political","- Sub-Series 1. Political Campaigns","- Sub-Series 2. Local and State Government Organizations","- Sub-Series 3. Non-Governmental Organizations ","- Sub-Series 4. Events / Programs","Series 4. West Virginia University ","- Sub-Series 1. Historic Places","- Sub-Series 2. General","- Sub-Series 3. Events / Programs","Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area. ","Materials include advertisements, books, brochures, business cards, cassette tapes, CDs, correspondence, a DVD, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, obituaries, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, various other ephemera, and a VHS tape.","The addendum of 2026 Feburary 13 includes papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more.","This series contains materials collected from various environmental organizations, mostly throughout West Virginia. Materials include advertisements, books, brochures, a CD, flyers, magazines, maps, newsletters, newspaper clippings, pamphlets, and various other ephemera.","Contains one CD","This series contains materials created or collected by Barbara Howe and relating to historical and cultural buildings, organizations, programs, and events. It includes books, cassette tapes, correspondence, floorplans, magazines, mailers, maps, meeting agendas and minutes, newsletters, newspaper clippings, oral history documents, pamphlets, photograph slides, photographs, postcards, posters, a reel to reel tape, reports, surveys, tote bags, transcripts, and various other ephemera. Students in the WVU public history program contributed research available in this series.","This sub-series contains material created or collected by Barbara Howe in the process of her work with various historical properties and sites throughout West Virginia, with occasional materials relating to sites outside West Virginia. It includes books, correspondence, floorplans, maps, meeting agendas and minutes, newspaper clippings, photograph slides, photographs, postcards, reports, and surveys.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural institutions and organizations, mostly in West Virginia. It includes books, magazines, mailers, maps, newsletters, newspaper clippings, pamphlets, tote bags, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to historical and cultural events and programs, mostly in West Virginia. Materials include books, newspaper clippings, pamphlets, posters, a reel to reel tape and various other ephemera.","One reel-to-reel","This sub-series contains business directories, maps, and travel guides collected by Barbara Howe and relating to the Morgantown and broader West Virginia region.","This sub-series contains oral history documents and cassette tapes collected or created by Barbara Howe, mostly relating to individual experiences in West Virginia.","One cassette tape","Two cassette tapes","One cassette tape","Three cassette tapes","Two cassette tapes","One cassette tape","Two cassette tapes","One cassette tape","One cassette tape","Three cassette tapes","One cassette tape","Two cassette tapes","Three cassette tapes","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","One cassette tape","Two cassette tapes","This series contains materials collected by Barbara Howe and relating to activism and local and state politics. Materials include advertisements, books, brochures, business cards, a DVD, mailers, maps, newsletters, posters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and relating to political campaigns in the Morgantown and broader West Virginia area. Materials include business cards, mailers, pamphlets, and posters.","This sub-series contains materials collected by Barbara Howe and relating to local and state politics in Morgantown and West Virginia. Materials include a DVD, flyers, mailers, newsletters, pamphlets, reports, and various other ephemera.","One DVD","This sub-series contains materials collected by Barbara Howe and relating to non-governmental and advocacy organizations in Morgantown and the broader West Virginia region. Materials include advertisements magazines, mailers, newsletters, reports, and various other ephemera.","This sub-series contains materials collected by Barbara Howe and related to various advocacy and politically-oriented events and programs in the Morgantown and broader West Virginia region. It includes advertisements, brochures, pamphlets, and various other ephemera.","This series contains materials collected and created by Barbara Howe in relation to West Virginia University's departments, events and programs, and historical sites. Materials include books, CDs, correspondence, floorplans, magazines, mailers, maps, meetings agendas and minutes, newsletters, newspaper clippings, obituaries, photograph slides, photographs, reports, various other ephemera, and a VHS tape. Students in the WVU public history program contributed research available in this series.","This sub-series contains materials collected and created by Barbara Howe in relation to West Virginia University's historical properties and sites. It includes applications, correspondence, floorplans, newspaper clippings, photograph slides, photographs, and reports.","This sub-series contains materials collected by Barbara Howe from various West Virginia University departments. It includes CDS, magazines, mailers, newsletters, pamphlets, various other ephemera, and a VHS tape.","One CD","One CD","One CD","One VHS","This sub-series contains materials collected by Barbara Howe and relating to various West Virginia University events and programs. It includes newspaper clippings, obituaries, pamphlets, photographs, reports, and various other ephemera.","Papers from Howe's tenure in the West Virginia University Public History program and assorted newsletters, pamphlets, clippings, and other material regarding local Morgantown, WV history, environmental organizations, and more."],"separatedmaterial_html_tesm":["\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 8\u003c/p\u003e","\u003cp\u003eOversized moved to A\u0026amp;M 3469, Box 23, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 15\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 24, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp; 3469, Box 7, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folders 23 and 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 4\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 31\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 22\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 17\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 32\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 8, Folder 63\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 4a-4c\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 8, Folder 60-61\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 32\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 29\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 11\u003c/p\u003e","\u003cp\u003eOversized moved to A\u0026amp;M 3469, Box 21, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 21\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 19\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 24\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 25\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21. Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 67\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 43\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 50-51\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469,  Box 6, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 53\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 25\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 59\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 60\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 64\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 71\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 56\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 18\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 10, Folder 31\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 26a-26d\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 9, Folder 68\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 7\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 42\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 16\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 17\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 52\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 7, Folder 51\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 28\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 19\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 40\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 30\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 93\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 73\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 9\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 31\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 32\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 18\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 33\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 26\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 73\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 1\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 68\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 79\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 11\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 11, Folder 10\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 16, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 8\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 13\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 22, Folder 4\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 2\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 6, Folder 55\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 13, Folder 5\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 3\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 8a-8l\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 8\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 33\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 15\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 3, Folder 21\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 7\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 12, Folder 89a-89b\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 39a-39f\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 2, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 23, Folder 6\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 12\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 14\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 35\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 23\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 24\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 45\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 6\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 13, Folder 20\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 18\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 19\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 1\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 2\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 15, Folder 3\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 5\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 17, Folder 15\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 3469, Box 21, Folder 19\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 1, Folder 14\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 4, Folder 9a-9e\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 3469, Box 14, Folder 18\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated 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23","Removed from A\u0026M 3469, Box 1, Folder 24","Removed from A\u0026M 3469, Box 4, Folder 45","Removed from A\u0026M 3469, Box 14, Folder 6","Removed from A\u0026M 3469, Box 13, Folder 20","Removed from A\u0026M 3469, Box 4, Folder 18","Removed from A\u0026M 3469, Box 4, Folder 19","Oversized material moved to A\u0026M 3469, Box 21, Folder 1","Oversized material moved to A\u0026M 3469, Box 15, Folder 2","Oversized material moved to A\u0026M 3469, Box 15, Folder 3","Oversized material moved to A\u0026M 3469, Box 21, Folder 5","Oversized material moved to A\u0026M 3469, Box 17, Folder 15","Oversized material moved to A\u0026M 3469, Box 21, Folder 19","Removed from A\u0026M 3469, Box 1, Folder 14","Removed from A\u0026M 3469, Box 4, Folder 9a-9e","Removed from A\u0026M 3469, Box 14, Folder 18"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_52212eb4d28e02606d931e410095563b\"\u003eDr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area.\u003c/abstract\u003e"],"abstract_tesim":["Dr. Barbara Howe worked at West Virginia University in a variety of different positions between 1980 and her retirement in 2009, including as associate professor of history, head of the public history program, and director of the Center for Women's Studies. Prevalent subjects present in the collection include historical preservation, environmental activism, and politics in the Morgantown and broader West Virginia area."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_570b23530518e390c6848160c139cd3b\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"names_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies","Howe, Barbara J."],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University","West Virginia University. Center for Women's Studies"],"persname_ssim":["Howe, Barbara J."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":957,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:32:20.608Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1846_c05"}},{"id":"vihart_repositories_4_resources_488_c04_c04_c01_c05","type":"File","attributes":{"title":"A Decade of Poetic Experiment: 2014 to 2024","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c05#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04_c04_c01_c05","ref_ssm":["vihart_repositories_4_resources_488_c04_c04_c01_c05"],"id":"vihart_repositories_4_resources_488_c04_c04_c01_c05","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c04_c04_c01","parent_ssi":"vihart_repositories_4_resources_488_c04_c04_c01","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c04","vihart_repositories_4_resources_488_c04_c04_c01"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04","vihart_repositories_4_resources_488_c04_c04","vihart_repositories_4_resources_488_c04_c04_c01"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings"],"text":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","2024 Conference Video Recordings","A Decade of Poetic Experiment: 2014 to 2024","Berry Media Group","Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. 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This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"title_filing_ssi":"A Decade of Poetic Experiment: 2014 to 2024","title_ssm":["A Decade of Poetic Experiment: 2014 to 2024"],"title_tesim":["A Decade of Poetic Experiment: 2014 to 2024"],"unitdate_other_ssim":["2024 September 19"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["A Decade of Poetic Experiment: 2014 to 2024"],"component_level_isim":[4],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"extent_ssm":["27 Gigabytes 1 MXF file"],"extent_tesim":["27 Gigabytes 1 MXF file"],"dimensions_tesim":["running time: 01:13:06"],"creator_ssim":["Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. S. 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Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2024],"names_ssim":["Berry Media Group","Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. S. (Cecil S.), 1950-","Jones, Meta DuEwa","McMorris, Mark","Harris, Duriel E.","Scheyer, Lauri (1952-09-08)","Singleton, Giovanni","Williams, Tyrone (1954-02-24-2024-03-11)"],"corpname_ssim":["Berry Media Group"],"persname_ssim":["Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. S. (Cecil S.), 1950-","Jones, Meta DuEwa","McMorris, Mark","Harris, Duriel E.","Scheyer, Lauri (1952-09-08)","Singleton, Giovanni","Williams, Tyrone (1954-02-24-2024-03-11)"],"access_subjects_ssim":["Poetry -- History and criticism","American poetry -- African American authors","African Americans -- Poetry","Poetry -- Black authors","African American women poets","Experimental poetry"],"access_subjects_ssm":["Poetry -- History and criticism","American poetry -- African American authors","African Americans -- Poetry","Poetry -- Black authors","African American women poets","Experimental poetry"],"accessrestrict_html_tesm":["\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu."],"scopecontent_html_tesm":["\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"_nest_path_":"/components#3/components#3/components#0/components#4","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). 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(Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01_c05"}},{"id":"viw_repositories_2_resources_8508_c07_c04","type":"File","attributes":{"title":"\"Adela in the Cave\"","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c07_c04#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. 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Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c07_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8508_c07_c04","ref_ssm":["viw_repositories_2_resources_8508_c07_c04"],"id":"viw_repositories_2_resources_8508_c07_c04","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508_c07","parent_ssi":"viw_repositories_2_resources_8508_c07","parent_ssim":["viw_repositories_2_resources_8508","viw_repositories_2_resources_8508_c07"],"parent_ids_ssim":["viw_repositories_2_resources_8508","viw_repositories_2_resources_8508_c07"],"parent_unittitles_ssm":["Claudia Stevens papers","Series 7: Accession 2024.312"],"parent_unittitles_tesim":["Claudia Stevens papers","Series 7: Accession 2024.312"],"text":["Claudia Stevens papers","Series 7: Accession 2024.312","\"Adela in the Cave\"","box 21","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2."],"title_filing_ssi":"\"Adela in the Cave\"","title_ssm":["\"Adela in the Cave\""],"title_tesim":["\"Adela in the Cave\""],"unitdate_other_ssim":["2024"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["\"Adela in the Cave\""],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Claudia Stevens papers"],"extent_ssm":["0.1 Linear Feet one legal sized folder."],"extent_tesim":["0.1 Linear Feet one legal sized folder."],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1007,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[2024],"containers_ssim":["box 21"],"scopecontent_html_tesm":["\u003cp\u003eSeries 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2."],"_nest_path_":"/components#6/components#3","timestamp":"2026-05-24T23:22:07.075Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8508","ead_ssi":"viw_repositories_2_resources_8508","_root_":"viw_repositories_2_resources_8508","_nest_parent_":"viw_repositories_2_resources_8508","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8508.xml","title_filing_ssi":"Claudia Stevens papers","title_ssm":["Claudia Stevens papers"],"title_tesim":["Claudia Stevens papers"],"unitdate_ssm":["1967-2023"],"unitdate_inclusive_ssm":["1967-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00037","/repositories/2/resources/8508"],"text":["MS 00037","/repositories/2/resources/8508","Claudia Stevens papers","Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into five series.","Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary.","Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).","The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985","English"],"unitid_tesim":["MS 00037","/repositories/2/resources/8508"],"normalized_title_ssm":["Claudia Stevens papers"],"collection_title_tesim":["Claudia Stevens papers"],"collection_ssim":["Claudia Stevens papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Stevens, Claudia"],"creator_ssim":["Stevens, Claudia"],"creator_persname_ssim":["Stevens, Claudia"],"creators_ssim":["Stevens, Claudia"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Mss. Acc. 2003.51 was a gift of Claudia Stevens on 9/15/2003. Acc. 2008.137 was a gift of Claudia Stevens received on 7/16/2008 via mail. Acc. 2009.003 was a gift of Claudia Stevens received on 1/9/2009 via mail. Acc. 2009.114 was a gift of Claudia Stevens on 3/23/2009. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"access_subjects_ssm":["Drama--20th century","Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["6.92 Linear Feet 19 boxes"],"extent_tesim":["6.92 Linear Feet 19 boxes"],"genreform_ssim":["Correspondence","Playbills","Posters","Programs","Scores","Scripts (documents)","Sound Recordings"],"date_range_isim":[1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into five series.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["This collection is arranged into five series."],"bioghist_html_tesm":["\u003cp\u003eClaudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026amp; Mary.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Claudia Stevens is a musician, actor, playwright, composer, and artistic Director. She was born in Redding, California and received her AB from Vassar College (summa cum laude), an M.A. from the University of California at Berkeley (musicology), and the Doctor of Musical Arts from Boston University (piano). She has held academic, conducting and performance positions at Brandeis University, Williams College, and William \u0026 Mary."],"prefercite_html_tesm":["\u003cp\u003eClaudia Stevens papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Claudia Stevens papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eAcc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Acc. 2003.51 was processed by Brad Glasebrook, SCRC Staff, in November 2003. Material received in 2008-2010 was accessioned by Amy Schindler, University Archivist. Acc. 2008.137 inventory was completed by Wendy Korwin, SCRC Staff, in July 2008. Acc. 2009.003 inventory was completed by Tara Babb, SCRC Staff, in February 2009. Acc. 2009.114 inventory was completed by Lily Rubino, SCRC Staff. Accessions 2009.601 and 2010.024 were added to the finding aid by Steven Bookman, University Archives Specialist, in 2009 and 2010. Acc. 2010.194 was accessioned by Amy C. Schindler, University Archivist, on 3/26/2010. Acc. 2011.059 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in February 2011. Acc. 2012.255 accesssioned and minimally processed by Benjamin Bromley in June 2012. Acc.2011.059 and Acc. 2012.255 inventory were completed by Mindy Gipson, SCRC Staff, in November 2013. Acc. 2013.033 accessioned and minimally processed by Steven Bookman in February 2013. Acc. 2013.033 inventory was completed by Mindy Gipson, SCRC Staff, in February 2014. Acc. 2016.002 inventory was completed by SCRC staff in February 2016."],"relatedmaterial_html_tesm":["\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library.\u003c/p\u003e\n","\u003cp\u003e The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).\u003c/p\u003e\n","\u003cp\u003eVideocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. That collection covers the period from 1989 until fall, 2006. Subsequent material about \"An Evening with Madame F\" have been, and will continue to be, donated to the collection at Swem Library."," The artifacts, props, and sets from Acc. 2009.601 have been pulled from this collection and have been added to the Manuscripts Artifact Collection (Mss. 1.03).","Videocassettes, audiocassettes, CDs, DVDs, floppy disks, reel-to-reel tapes from this collection have been moved to the Manuscripts Audiovisual Collection (Mss. 1.04)."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.\u003c/p\u003e\n","\u003cp\u003eThe papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.\u003c/p\u003e\n","\u003cp\u003eThe majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.\u003c/p\u003e\n","\u003cp\u003eDigital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.\u003c/p\u003e\n","\u003cp\u003eThe Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.\u003c/p\u003e\n","\u003cp\u003eDetailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.\u003c/p\u003e","\u003cp\u003ePapers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.\u003c/p\u003e","\u003cp\u003eScope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026amp; Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026amp;M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection\u003c/p\u003e","\u003cp\u003eThis folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.\u003c/p\u003e","\u003cp\u003eThis folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.\u003c/p\u003e","\u003cp\u003eThis folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.\u003c/p\u003e","\u003cp\u003eThe Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf\u003c/p\u003e","\u003cp\u003eBiographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.\u003c/p\u003e","\u003cp\u003ePrograms of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026amp; Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.\u003c/p\u003e","\u003cp\u003eLetters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.\u003c/p\u003e","\u003cp\u003eLetters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.\u003c/p\u003e","\u003cp\u003eLetter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"\u003c/p\u003e","\u003cp\u003eScore by Joel Chadabe titled \"Variation\" (1983), 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.\u003c/p\u003e","\u003cp\u003eScore by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.\u003c/p\u003e","\u003cp\u003eLetters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"\u003c/p\u003e","\u003cp\u003eScore by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.\u003c/p\u003e","\u003cp\u003eLetter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Jeffrey Mumford titled \"For Elliot\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"\u003c/p\u003e","\u003cp\u003eScore by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.\u003c/p\u003e","\u003cp\u003eLetters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.\u003c/p\u003e","\u003cp\u003eScore by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"\u003c/p\u003e","\u003cp\u003eLetters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.\u003c/p\u003e","\u003cp\u003eScore by Allen Shearer titled \"Medallion for piano solo\", 8 pages.\u003c/p\u003e","\u003cp\u003eScore by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.\u003c/p\u003e","\u003cp\u003eLetters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.\u003c/p\u003e","\u003cp\u003eScore by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.\u003c/p\u003e","\u003cp\u003eLetters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026amp; 30, 1983 requesting particulars about the recital and possible publications of some tribute works.\u003c/p\u003e","\u003cp\u003eLetter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.\u003c/p\u003e","\u003cp\u003eScore by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.\u003c/p\u003e","\u003cp\u003eCorrespondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.\u003c/p\u003e","\u003cp\u003eScores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.\u003c/p\u003e","\u003cp\u003eScore by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.\u003c/p\u003e","\u003cp\u003eLetters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"\u003c/p\u003e","\u003cp\u003eScore by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.\u003c/p\u003e","\u003cp\u003eLetters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.\u003c/p\u003e","\u003cp\u003eScores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.\u003c/p\u003e","\u003cp\u003eLetters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026amp; 30, 1978 on choosing between several contributions and instructions.\u003c/p\u003e","\u003cp\u003eScore by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.\u003c/p\u003e","\u003cp\u003eScore by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.\u003c/p\u003e","\u003cp\u003eScore by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.\u003c/p\u003e","\u003cp\u003eLetter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.\u003c/p\u003e","\u003cp\u003eScore by David Lewin titled \"Just a Minute Roger\", 3 pages.\u003c/p\u003e","\u003cp\u003eLetters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.\u003c/p\u003e","\u003cp\u003eScore by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.\u003c/p\u003e","\u003cp\u003eLetters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.\u003c/p\u003e","\u003cp\u003eLetters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.\u003c/p\u003e","\u003cp\u003eScore by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.\u003c/p\u003e","\u003cp\u003eTwo programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.\u003c/p\u003e","\u003cp\u003eLetter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.\u003c/p\u003e","\u003cp\u003eScore by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eInformational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.\u003c/p\u003e","\u003cp\u003eTypewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.\u003c/p\u003e","\u003cp\u003eScope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eLetter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.\u003c/p\u003e","\u003cp\u003eScope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.\u003c/p\u003e","\u003cp\u003eHandwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eTitled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.\u003c/p\u003e","\u003cp\u003eScope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning\u003c/p\u003e","\u003cp\u003eScope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"\u003c/p\u003e","\u003cp\u003eText by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.\u003c/p\u003e","\u003cp\u003eMusic-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eProduction notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes on the lighting and timing for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes by Claudia Stevens, prepared for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.\u003c/p\u003e","\u003cp\u003eStaging notes for \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eProgram notes for November 14, 1990 production of \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Spinnerets.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProjection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.\u003c/p\u003e","\u003cp\u003eScope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePhotocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eBlack and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.\u003c/p\u003e","\u003cp\u003eScope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.\u003c/p\u003e","\u003cp\u003eScope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.\u003c/p\u003e","\u003cp\u003eAnnouncement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.\u003c/p\u003e","\u003cp\u003eScope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.\u003c/p\u003e","\u003cp\u003eInvitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePrinted online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.\u003c/p\u003e","\u003cp\u003eThis folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026amp; Black, Grinnell College newspaper.\u003c/p\u003e","\u003cp\u003eProgram for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.\u003c/p\u003e","\u003cp\u003ePostcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.\u003c/p\u003e","\u003cp\u003eInvitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.\u003c/p\u003e","\u003cp\u003eArticle, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003ePostcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at Boston University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.\u003c/p\u003e","\u003cp\u003ePoster for Miami University's Center for American \u0026amp; World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.\u003c/p\u003e","\u003cp\u003eColor poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Denison University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"An Evening with Madame F\" at Alma College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional items related to \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eColor poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"\u003c/p\u003e","\u003cp\u003e\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eLetter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.\u003c/p\u003e","\u003cp\u003eScript for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.\u003c/p\u003e","\u003cp\u003eScope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.\u003c/p\u003e","\u003cp\u003eScope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.\u003c/p\u003e","\u003cp\u003eScope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.\u003c/p\u003e","\u003cp\u003eTyped lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.\u003c/p\u003e","\u003cp\u003eOriginal musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.\u003c/p\u003e","\u003cp\u003eExcerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eColor Poster for \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.\u003c/p\u003e","\u003cp\u003eThis folder contains one opera libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991\u003c/p\u003e","\u003cp\u003eScope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains one original screenplay.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eStage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz,\" accented with red marker.\u003c/p\u003e","\u003cp\u003eBlack-and-white poster for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.\u003c/p\u003e","\u003cp\u003eScope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.\u003c/p\u003e","\u003cp\u003eBlue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.\u003c/p\u003e","\u003cp\u003eWork samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eYellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.\u003c/p\u003e","\u003cp\u003eScope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.\u003c/p\u003e","\u003cp\u003ePhotocopied page from Kutztown University Events Calendar.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.\u003c/p\u003e","\u003cp\u003eProgram for University of Richmond performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.\u003c/p\u003e","\u003cp\u003eThank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.\u003c/p\u003e","\u003cp\u003eRoanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003ePerforming Arts Series, 1993-1994, seasonal brochure for Roanoke College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Felice to Franz\" at Roanoke College.\u003c/p\u003e","\u003cp\u003eRichmond Times-Dispatch announcement for December 11 performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eHandwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eMusical Score Sheets and Musical Sketches for \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Felice to Franz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.\u003c/p\u003e","\u003cp\u003e\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.\u003c/p\u003e","\u003cp\u003eAnnouncement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.\u003c/p\u003e","\u003cp\u003eScope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003ePhotocopied press sheet with handwritten information about a performance in Budapest.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.\u003c/p\u003e","\u003cp\u003eScope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.\u003c/p\u003e","\u003cp\u003eJCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.\u003c/p\u003e","\u003cp\u003eTeal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eArticle photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.\u003c/p\u003e","\u003cp\u003eLetter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.\u003c/p\u003e","\u003cp\u003eArticle in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.\u003c/p\u003e","\u003cp\u003eLettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Playing Paradis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"Playing Paradis\"\u003c/p\u003e","\u003cp\u003e\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.\u003c/p\u003e","\u003cp\u003eSpiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.\u003c/p\u003e","\u003cp\u003eProgram notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me\" written on the cardboard backing from a checkbook.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Lewis \u0026amp; Clark \u0026amp; Me\" performed at the Williamsburg Library Theater.\u003c/p\u003e","\u003cp\u003eProgram notes for \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eMusical Sketches and Production Notes related to \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" on January 10, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eSeveral pages with photocopied images and program notes for \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for Williamsburg Library Theatre performance of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Williamsburg Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Small yellow flyer for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Virginia Discovery Museum\u003c/p\u003e","\u003cp\u003eThank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eThank-you letter from the Cultural Alliance of Charles City Couty, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026amp; Clark and Me\" scheduled on March 25, 2000.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.\u003c/p\u003e","\u003cp\u003eScope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eNewsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.\u003c/p\u003e","\u003cp\u003eCrayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026amp; Clark \u0026amp; Me.\"\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eTwo black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis \u0026amp; Clark \u0026amp; Me\" at Eastern Mennonite University.\u003c/p\u003e","\u003cp\u003eScope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScript for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.\u003c/p\u003e","\u003cp\u003eScope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.\u003c/p\u003e","\u003cp\u003eReview of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.\u003c/p\u003e","\u003cp\u003eScope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.\u003c/p\u003e","\u003cp\u003eLetter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.\u003c/p\u003e","\u003cp\u003eNewspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Southern Illinois University.\u003c/p\u003e","\u003cp\u003eScope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.\u003c/p\u003e","\u003cp\u003eAnnouncement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eTwo copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.\u003c/p\u003e","\u003cp\u003eScope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.\u003c/p\u003e","\u003cp\u003eSpring calendar mailer for the Hampden-Sydney College Virginia arts series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.\u003c/p\u003e","\u003cp\u003eScope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.\u003c/p\u003e","\u003cp\u003eScope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.\u003c/p\u003e","\u003cp\u003eOhio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.\u003c/p\u003e","\u003cp\u003eWeekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eSeasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eCalendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eOnline listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.\u003c/p\u003e","\u003cp\u003eScope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"A Table Before Me\" at Stetson University.\u003c/p\u003e","\u003cp\u003eEmailed message from Dixon Sutherland of Stetson University to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.\u003c/p\u003e","\u003cp\u003eProgram for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].\u003c/p\u003e","\u003cp\u003eFurman University press release for \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026amp; Vocation.\u003c/p\u003e","\u003cp\u003eScope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.\u003c/p\u003e","\u003cp\u003eThis program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.\u003c/p\u003e","\u003cp\u003eScope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.\u003c/p\u003e","\u003cp\u003eVirginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.\u003c/p\u003e","\u003cp\u003eScope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"A Table Before Me.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Cultural Arts \u0026amp; Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.\u003c/p\u003e","\u003cp\u003eScope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026amp; Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Miami University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"A Table Before Me\" at Simpson College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.\u003c/p\u003e","\u003cp\u003eScope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.\u003c/p\u003e","\u003cp\u003eScope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.\u003c/p\u003e","\u003cp\u003eTwo pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003ePhotocopy of photographed children performing beside a piano.\u003c/p\u003e","\u003cp\u003ePhotocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].\u003c/p\u003e","\u003cp\u003ePhotograph of a marionette witch with a hook dangling from her arm.\u003c/p\u003e","\u003cp\u003eMask-sized photocopied image of an elderly man.\u003c/p\u003e","\u003cp\u003eScope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.\u003c/p\u003e","\u003cp\u003e\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eSecond copy of working script, with handwritten notes and highlighting.\u003c/p\u003e","\u003cp\u003eEmail, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eArticle in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eLetter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eTheatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.\u003c/p\u003e","\u003cp\u003eOriginal The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.\u003c/p\u003e","\u003cp\u003eReview in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.\u003c/p\u003e","\u003cp\u003eScope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.\u003c/p\u003e","\u003cp\u003eScope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.\u003c/p\u003e","\u003cp\u003eFlyer for Big Stone Gap performance of \"In the Puppeteer's Wake.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.\u003c/p\u003e","\u003cp\u003eLetter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.\u003c/p\u003e","\u003cp\u003eScope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.\u003c/p\u003e","\u003cp\u003eOriginal newsclippings for which photocopies have been made for this folder.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026amp; Screen\" section of online journal Exquisite Corpse.\u003c/p\u003e","\u003cp\u003ePrinted (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).\u003c/p\u003e","\u003cp\u003eWorking script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.\u003c/p\u003e","\u003cp\u003eFinal performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.\u003c/p\u003e","\u003cp\u003eScope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.\u003c/p\u003e","\u003cp\u003eReview by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.\u003c/p\u003e","\u003cp\u003eColor poster for the 4th Annual Celebration of Life \u0026amp; Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance at The University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.\u003c/p\u003e","\u003cp\u003eEmail response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.\u003c/p\u003e","\u003cp\u003ePhotos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.\u003c/p\u003e","\u003cp\u003eScope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.\u003c/p\u003e","\u003cp\u003eScope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.\u003c/p\u003e","\u003cp\u003ePrintout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.\u003c/p\u003e","\u003cp\u003eOnline review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eScope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.\u003c/p\u003e","\u003cp\u003eScope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eCorrespondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.\u003c/p\u003e","\u003cp\u003ePersonal correspondence from Ellis Cose regarding his response to reading the monologue.\u003c/p\u003e","\u003cp\u003eIndex for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).\u003c/p\u003e","\u003cp\u003eClaudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eBrecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.\u003c/p\u003e","\u003cp\u003ePhotocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)\u003c/p\u003e","\u003cp\u003eNotes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.\u003c/p\u003e","\u003cp\u003eMusical sketches related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eOnline announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.\u003c/p\u003e","\u003cp\u003eScope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.\u003c/p\u003e","\u003cp\u003eProgram for performances staged at Theatre Project in Baltimore.\u003c/p\u003e","\u003cp\u003eAnnouncement of performance printed from Theatre Project Website.\u003c/p\u003e","\u003cp\u003eScope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).\u003c/p\u003e","\u003cp\u003eScope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003ePrinted online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eColor printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.\u003c/p\u003e","\u003cp\u003eBaltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.\u003c/p\u003e","\u003cp\u003eScope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material related to \"The Poisoner on the Train.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.\u003c/p\u003e","\u003cp\u003eScope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScript for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.\u003c/p\u003e","\u003cp\u003eScope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" printed for Creighton University performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in the College of William and Mary's News \u0026amp; Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.\u003c/p\u003e","\u003cp\u003eScope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.\u003c/p\u003e","\u003cp\u003eScope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" at Messiah College\u003c/p\u003e","\u003cp\u003eScope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eOnline announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Grinnell College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.\u003c/p\u003e","\u003cp\u003eNotre Dame events calendar that includes performance of \"Blue Liaz.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Blue Lias\" performance at Austin College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.\u003c/p\u003e","\u003cp\u003eProgram for Vassar College production of \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eBrochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.\u003c/p\u003e","\u003cp\u003eOversized material. This folder includes additional material for \"Blue Lias.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to \"The Dawn Makers.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePostcard flyer for February 4 performance at Herbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eEmail color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.\u003c/p\u003e","\u003cp\u003eThis issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eScope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eThis is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.\u003c/p\u003e","\u003cp\u003eComposers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eOpera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.\u003c/p\u003e","\u003cp\u003eScope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003ePhotocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.\u003c/p\u003e","\u003cp\u003eHerbst Theatre, San Francisco\u003c/p\u003e","\u003cp\u003eOversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.\u003c/p\u003e","\u003cp\u003eTwo fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"\u003c/p\u003e","\u003cp\u003eScope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.\u003c/p\u003e","\u003cp\u003eThis folder includes one script by Claudia Stevens titled \"Fluke.\"\u003c/p\u003e","\u003cp\u003eScope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Text for \"Flea\" script is by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eSpiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.\u003c/p\u003e","\u003cp\u003eOnline announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,\u003c/p\u003e","\u003cp\u003eAnnouncement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.\u003c/p\u003e","\u003cp\u003eHollins University events calendar announcement for March 25, 2009, performance.\u003c/p\u003e","\u003cp\u003eAssorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.\u003c/p\u003e","\u003cp\u003eScope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eA dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eScope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.\u003c/p\u003e","\u003cp\u003ePhotocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.\u003c/p\u003e","\u003cp\u003eScope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).\u003c/p\u003e","\u003cp\u003eScope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"\u003c/p\u003e","\u003cp\u003eScope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"\u003c/p\u003e","\u003cp\u003eHandwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.\u003c/p\u003e","\u003cp\u003eLetter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.\u003c/p\u003e","\u003cp\u003eSigned typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.\u003c/p\u003e","\u003cp\u003ePostcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.\u003c/p\u003e","\u003cp\u003eThis is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.\u003c/p\u003e","\u003cp\u003ePhotocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.\u003c/p\u003e","\u003cp\u003eScope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.\u003c/p\u003e","\u003cp\u003eScope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eLetter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.\u003c/p\u003e","\u003cp\u003eScope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTwo photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"\u003c/p\u003e","\u003cp\u003eBlack and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.\u003c/p\u003e","\u003cp\u003eFlyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.\u003c/p\u003e","\u003cp\u003eScope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.\u003c/p\u003e","\u003cp\u003ePhotocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Arts at William \u0026amp; Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.\u003c/p\u003e","\u003cp\u003eScope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.\u003c/p\u003e","\u003cp\u003eClarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.\u003c/p\u003e","\u003cp\u003eArticle in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,\u003c/p\u003e","\u003cp\u003eBlack and white flyer for performance of Panoply by Claudia Stevens at Colorado College.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eReview in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"\u003c/p\u003e","\u003cp\u003eTwo photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.\u003c/p\u003e","\u003cp\u003eInvitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eBright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.\u003c/p\u003e","\u003cp\u003eProgram for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen.\u003c/p\u003e","\u003cp\u003eText for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eMultiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eLetter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.\u003c/p\u003e","\u003cp\u003eShasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.\u003c/p\u003e","\u003cp\u003eFlyer for mailing from the Shasta Community Concert Association, for season 1987-1988.\u003c/p\u003e","\u003cp\u003eProgram notes for Claudia Stevens piano performances.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.\u003c/p\u003e","\u003cp\u003eProgram for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eProgram mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eVirginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.\u003c/p\u003e","\u003cp\u003eScope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.\u003c/p\u003e","\u003cp\u003eProgram for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.\u003c/p\u003e","\u003cp\u003ePhotocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.\u003c/p\u003e","\u003cp\u003eCaptioned photo in Style Weekly announcing performance at St. Christopher's School.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eAnnouncement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.\u003c/p\u003e","\u003cp\u003eArticle about Panoply at Longwood College in The Farmville Herald.\u003c/p\u003e","\u003cp\u003eProgram for Claudia Stevens' Panoply performance at Longwood College.\u003c/p\u003e","\u003cp\u003eArticle in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.\u003c/p\u003e","\u003cp\u003eFlyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.\u003c/p\u003e","\u003cp\u003eFlyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.\u003c/p\u003e","\u003cp\u003eIllustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.\u003c/p\u003e","\u003cp\u003eProgram for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.\u003c/p\u003e","\u003cp\u003eRed flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.\u003c/p\u003e","\u003cp\u003eScope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.\u003c/p\u003e","\u003cp\u003eStagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"\u003c/p\u003e","\u003cp\u003eProgram for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.\u003c/p\u003e","\u003cp\u003eScope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.\u003c/p\u003e","\u003cp\u003eThree-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"\u003c/p\u003e","\u003cp\u003eScope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.\u003c/p\u003e","\u003cp\u003eProgram for Panoply performance at Hampden-Sydney College.\u003c/p\u003e","\u003cp\u003eVarious original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eText and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.\u003c/p\u003e","\u003cp\u003eScope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.\u003c/p\u003e","\u003cp\u003eScope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.\u003c/p\u003e","\u003cp\u003e1995-1996 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1996-1997 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1997-1998 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1998-1999 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e1999-2000 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.\u003c/p\u003e","\u003cp\u003e2000-2001 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2001-2002 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2002-2003 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003e2003-2004 Tour Directory: Virginia Commission for the Arts.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.\u003c/p\u003e","\u003cp\u003eScope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).\u003c/p\u003e","\u003cp\u003eColor brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"\u003c/p\u003e","\u003cp\u003eCaptioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.\u003c/p\u003e","\u003cp\u003ePhotograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.\u003c/p\u003e","\u003cp\u003ePoem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.\u003c/p\u003e","\u003cp\u003eScope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.\u003c/p\u003e","\u003cp\u003eReform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.\u003c/p\u003e","\u003cp\u003eColor printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Assorted Miscellaneous Works.\"\u003c/p\u003e","\u003cp\u003eOriginal libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.\u003c/p\u003e","\u003cp\u003eOnline event announcement for William \u0026amp; Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026amp; Mary on February 2, 2011.\u003c/p\u003e","\u003cp\u003eColor flyer for a lecture at the College of William \u0026amp; Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.\u003c/p\u003e","\u003cp\u003eOnline event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.\u003c/p\u003e","\u003cp\u003eScope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.\u003c/p\u003e","\u003cp\u003eScope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.\u003c/p\u003e","\u003cp\u003eColor poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"\u003c/p\u003e","\u003cp\u003eOversize material. This folder includes additional material related to Assorted Miscellaneous Works.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.\u003c/p\u003e","\u003cp\u003eScope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eA Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857\u003c/p\u003e","\u003cp\u003eThis folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.\u003c/p\u003e","\u003cp\u003eDraft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eTypewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"\u003c/p\u003e","\u003cp\u003ePrintout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026amp;task=view\u0026amp;id=582\u0026amp;Itemid=64.\u003c/p\u003e","\u003cp\u003eProgram for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,\u003c/p\u003e","\u003cp\u003eTypewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eTypewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.\u003c/p\u003e","\u003cp\u003eTicket for September 7, 2010 performance of \"Wick at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eThis folder includes additional material related to \"Pigeon.\"\u003c/p\u003e","\u003cp\u003eScope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.\u003c/p\u003e","\u003cp\u003eScope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.\u003c/p\u003e","\u003cp\u003eArticle printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.\u003c/p\u003e","\u003cp\u003eScope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.\u003c/p\u003e","\u003cp\u003eOversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.\u003c/p\u003e","\u003cp\u003eScope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.\u003c/p\u003e","\u003cp\u003eScope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eDraft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.\u003c/p\u003e","\u003cp\u003eScope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.\u003c/p\u003e","\u003cp\u003eScope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.\u003c/p\u003e","\u003cp\u003eScope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eColor flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eThis folder contains additional material related to \"Riddle Me.\"\u003c/p\u003e","\u003cp\u003eSpiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.\u003c/p\u003e","\u003cp\u003eScope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.\u003c/p\u003e","\u003cp\u003eProgram for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.\u003c/p\u003e","\u003cp\u003eScope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.\u003c/p\u003e","\u003cp\u003eScope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.\u003c/p\u003e","\u003cp\u003eProgram for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eScope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.\u003c/p\u003e","\u003cp\u003eThis folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.\u003c/p\u003e","\u003cp\u003eScope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.\u003c/p\u003e","\u003cp\u003eLibretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.\u003c/p\u003e","\u003cp\u003eScope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.\u003c/p\u003e","\u003cp\u003eReview of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.\u003c/p\u003e","\u003cp\u003eContains review of Middlemarch\u003c/p\u003e","\u003cp\u003ePeriod spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.\u003c/p\u003e","\u003cp\u003eCostume jewelry used in Middlemarch in Spring premiere in San Franciso.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.\u003c/p\u003e","\u003cp\u003eScope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eHoweard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.\u003c/p\u003e","\u003cp\u003eA mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.\u003c/p\u003e","\u003cp\u003eScope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.\u003c/p\u003e","\u003cp\u003eScope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.\u003c/p\u003e","\u003cp\u003eScope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.\u003c/p\u003e","\u003cp\u003eThese are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eItem 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.\u003c/p\u003e","\u003cp\u003eAv. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.\u003c/p\u003e","\u003cp\u003eLive semi-staged reading at Brandeis University. 1 DVC\u003c/p\u003e","\u003cp\u003eItem 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.008: One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.\u003c/p\u003e","\u003cp\u003eTwo audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.\u003c/p\u003e","\u003cp\u003e7 Audio CD's.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003e1 DVD.\u003c/p\u003e","\u003cp\u003ePremiere Production, 1 DVD.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.\u003c/p\u003e","\u003cp\u003eAV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.\u003c/p\u003e","\u003cp\u003eScope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.\u003c/p\u003e","\u003cp\u003eSeries 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of Claudia Stevens, musician, actor, performance artist, playwright, and composer, are arranged by musical theatre works in her repertoire except for Subseries 2 of Series 1, which is arranged separately and part of which was formerly known as the Carter-Sessions Papers.","The papers of Claudia Stevens include video and audio recordings, posters, flyers, brochures, programs, press coverage, newspaper clippings, correspondence, grant applications, musical and literary sketches, musical scores, librettos, scripts, a screenplay, a dissertation, books, film projection slides, photographs, artifacts, and props.  Many of the scripts have notes from productions.  A complete listing is underway and available in the Finding aid/inventory below. Note that the inventory is incomplete and does not yet include the most recent material received from Ms. Stevens.  Additions and revisions will be made on an ongoing basis.","The majority of the posters pertaining to the work, \"An Evening with Madame F,\" are housed in a special collection devoted to that work at Boatwright Library, University of Richmond. Photocopies of items from that collection, which covers the period from 1989 until fall, 2006, are in Subseries 2 of Series 2 of this collection. Subsequent material about \"An Evening with Madame F\" has been, and will continue to be, donated to this collection at the Swem Library's Special Collections Resource Center.","Digital content related to this collection and regarding the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) has been digitized and is preserved, but not available to the public online.","The Carter-Sessions Papers, Acc. 2003.51 and now Subseries 2 of Series 1 in this collection, is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). The collection includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts.","Detailed information about material received with each additional accession in this collection is available by consulting a Special Collections Research Center staff member.","Papers pertaining to Stevens as a pianist and in the commissioning and advocacy of music of the second half of the twentieth century.","Scope and Contents Primarily concerns solo recitals, many of which took place at the College of William \u0026 Mary while others occurred around the United States. Included are perfomances as an undergraduate at Vassar College, in conservatory and graduate studies, at music festivals including Tanglewood, and numerous professional performances in Boston, New York, Washington, Switzerland, and throughout the United States. Some material has explanatory notes or translations when the material is not in English. Also included is material relating to Stevens' work as a choral conductor at Williams College and the University of Richmond, as well as on tour in Europe. There is also a monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth centery, 1966-1981,\" which provides background and context to this subseries. Artist teachers and musical mentors include Leon Fleisher, Leonard Shure, Arie Vardi, Aaron Copland, Malcolm Frager, Andre Watts, Gilbert Kalish, Miachel Tilson Thomas, Istvan Nadas, Martin Canin, Gunther Schuller, Louis Vosgerchian, Bernhard Abramowitsch, Barbara Shearer, David del Tredici, Charles Rosen, Joseph Silverstein, Gyorgi Ligeti, and a number of others. A digital copy is available in the W\u0026M Digital Archive but is currently restricted to on-campus viewing only. There is also a list of Stevens' premiere performances, including dates and venues, of compositions by Shulamit Ran, Peter Lieberson, Virgil Thomson, Samuel Adler, David Diamond, Vivian Fine, Andrew Imbrie, Allen Shearer, and many others. Acc. 2013.033: Contains reel-to-reel audiotapes, audiocassette tapes, and a videocassette tape of varioius piano performances by Claudia Stevens from 1972-1990. Some of the performance venues include Harvard University, Carnegie Hall, National Public Radio, and the College of William and Mary. The accession also contains a recording of Schoenberg's \"Pierrot Lunaire\" in 1987, the only performance of the work at the College of William and Mary. This accession is itemized in the Manuscripts Audiovisual Collection","This folder contains the monograph entitled \"Masters and Mentors of the Piano: an account by Claudia Stevens of her piano study with major piano teachers and leading performing artists of the second half of the twentieth century, 1966-1981.\" This folder also contains other material related to Claudia Stevens' piano study and performances in 1966-1983. It includes lists of recordings and works performed, with autobiographical notes, and a list of premiere performances.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, program notes, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains additional material related to Claudia Stevens' piano study and performances in 1966-2003. It includes recital programs, flyers, events calendars, correspondence, and newsclippings of articles and reviews.","This folder contains oversized material, i.e. posters, related to Claudia Stevens' role as director for the University of Richmond Choir and Schola Cantorum, which toured central Europe in the summer of 1977.","This folder contains additional oversized material related to Claudia Stevens' piano study and performances in 1966-2003.","The Carter-Sessions Papers is the correspondence of Claudia Stevens while she was preparing musical tributes to musicians and composers Elliot Carter (1908-2012) and Roger Sessions (1895-1985). This series includes: musical scores of various artists and their ideas for the performance of their pieces, biographical material of contributing artists along with reviews of some of their work, programs from several recitals performed by Claudia Stevens in 1983 and 1984, compact disc recordings of Claudia Stevens' tribute performances, and reel-to-reel recordings of concerts. A finding aid for this group of material (Acc. 2003.51) is available online at: http://scrc.swem.wm.edu/findingaids/39_2_C24_Carter__Robert.pdf","Biographical material regarding the composers in the Carter-Sessions Papers; includes Deed of Gift and miscellaneous correspondence between Claudia Stevens and The College of William and Mary.","Programs of seven recitals given in Virginia by Claudia Stevens, 1983-84.  Includes programs from Roanoke College, Emory \u0026 Henry College, Radford University, McIntire College, James Madison University, Hampton University, and the University of Richmond.  Richmond Times-Dispatch article previewing Stevens's Virginia concert tour of Elliot Carter 75th birthday tribute.","Letters of Elaine Barkin and John Rahn of Perspectives of New Music(PNM) to Claudia Stevens; 5 letters and 1 card, April 11, 1984 – Dec. 18, 1984 which document the publication of the pieces in PNM and preparation of the cassette performed at NY recital.","Letters of Elliot Carter and Helen Carter to Claudia Stevens; 4 letters and 2 cards, Sept. 17, 1981 – Jan. 24, 1983.  Subjects include suggestion of friends to approach for Carter tribute, plan to reserve Carnegie Recital Hall for Claudia Stevens to give tribute recital, enthusiastic review of Virginia concerts of Claudia Stevens.  Also, program in honor of Elliot Carter's 75th birthday, Carnegie Recital Hall, Dec. 5, 1983, signed by Elliot Carter; program in tribute to Elliot Carter, Dallas Public Library, Dec. 19, 1983.","Letter of Joel Chadabe to Claudia Stevens; Aug. 31, 1983 regarding his score entitled \"Variation.\"","Score by Joel Chadabe titled \"Variation\" (1983), 6 pages.","Letters of Vivian Fine to Claudia Stevens; 6 letters, April 29, 1981 – March 13, 1984 regarding the genesis of her important work \"Double Variation\"; also Claudia Stevens letter with performance questions answered.","Score by Vivian Fine titled \"Double Variation for Piano Solo\", 16 pages accordion.","Letters of Hollis Headrick to Claudia Stevens and Gilda Weissberger; 2 letters, March 9, 1983 regarding rental of Carnegie Recital Hall and sponsorship by the Forum of the recital.","Letters of Andrew W. Imbrie to Claudia Stevens; 10 letters and cards, June 29, 1981 – Aug. 28, 1983 referring to earlier Sessions project, the Copland, the death of his son, and the development of his Carter piece, \"Short Story\", a major piano composition.","Score by Andrew Imbrie titled \"Short Story for Elliot Carter\", commissioned by Claudia Stevens with the assistance of the Virginia Commission for the Arts; 14 pages.","Letters of Betsy Jolas to Claudia Stevens; 3 letters, Sept. 3, 1982 – Nov. 7, 1983 about her score \"calling e.c.\"","Score by Betsy Jolas titled \"calling e.c. for piano\" (1982), 3 pages.","Letter of Jeffrey Mumford to Claudia Stevens; July 27, 1983 regarding his score.","Score by Jeffrey Mumford titled \"For Elliot\", 2 pages.","Letters of Shulamit Ran to Claudia Stevens; 8 letters and cards, Jan. 20,1981 – Jan. 7, 1984 detailing information about evolution of \"Sonata Waltzer.\"","Score by Shulamit Ran titled \"Sonata Waltzer\"(1981-82), 3 pages and 1 page of performance instructions.","Letters of Robert Xavier Rodriguez to Claudia Stevens; 3 letters to Claudia Stevens about commissioned piece for Carter and one letter from Claudia Stevens to Rodriguez with questions about the score. June 30, 1981 – Sept. 18, 1983.","Score by Robert Xavier Rodriguez titled \"Reflections on 'Sensual Indulgence'\" (1982), 14 pages.  This piece provides variations for piano solo on fragments from his opera \"Suor Isabella.\"","Letters of Allen Shearer to Claudia Stevens; 4 letters, Aug. 21, 1982 – Aug. 3, 1983 about his score for Carter.  Also resume of Allen Shearer.","Score by Allen Shearer titled \"Medallion for piano solo\", 8 pages.","Score by Claudia Stevens titled \"Widmung to Elliott Carter\", 2 pages plus 3 page original sketch, Dec. 20, 1972.","Letters of Ira Taxin to Claudia Stevens; 5 letters, Feb. 16, 1982 – Oct. 12, 1985 regarding his score published in Perspectives of New Music.  Also his resume and a grant letter for Taxin.","Score by Ira Taxin titled \"Variations on a Theme of Carter to Claudia Stevens,\" in honor of Elliot Carter's 75th birthday, 3 pages accordion.","Letters of Ruth Uebel to Claudia Stevens; 2 letters, June 22 \u0026 30, 1983 requesting particulars about the recital and possible publications of some tribute works.","Letter and postcards of Ellen Taaffe Zwilch to Claudia Stevens; 1 letter and 2 postcards, May 31, 1983 – July 5, 1984 agreeing to write a short piece for New York recital.","Score by Ellen Taaffe Zwilich titled \"Greeting to Elliot Carter on his 75th Birthday,\" 2 pages.","Correspondence of Milton Babbitt to Claudia Stevens; 3 letters, June 5 – Aug. 9 1978 regarding problems publishing Sessions pieces of his Perspectives of New Music and information about his other available works.","Scores by Milton Babbitt titled \"My Compliments to Roger…\"(1978), 9 pages and \"Minute Waltz\" (1977), 3 pages.","Letters of Richard Bales to Claudia Stevens; 5 letters, including one from Claudia Stevens to Bales, Jan. 25, 1978 – April 26, 1979.","Letter of Edward T. Cone to Claudia Stevens; March 13, 1978 re: Sessions' project.","Score by Edward T. Cone titled \"Page from a Diary for Roger Sessions,\" 6 pages.","Letters of David Diamond to Claudia Stevens; 2 letters, March 29, 1978 and April 30, 1979 giving permission to perform his musical piece \"Scherzino.\"","Score by David Diamond titled \"Scherzino for Roger Sessions,\" 4 pages.","Letters of Vivian Fine to Claudia Stevens; 5 letters and 1 card, March 27, 1978 – April 25, 1980 discussing possibility of repeat performance at Bennington College.","Scores by Vivian Fine titled \"Momento\" (April 16, 1978), 2 pages and \"Momenti for Piano Solo\" (1978), 12 pages, in honor of the 150th anniversary of Schubert's death and dedicated to Roger Sessions.","Letters of Carlton Gamer to Claudia Stevens; 2 letters, Aug. 25 \u0026 30, 1978 on choosing between several contributions and instructions.","Score by Carlton Gamer titled \"Quietly with Feeling(after Mendelssohn)\", 2 pages.","Letters of Andrew W. Imbrie to Claudia Stevens; 3 letters, Feb. 23, 1978 – May 19, 1979 suggesting to Claudia Stevens that she contact colleagues at Princeton.  Also informing her about the Perspectives of New Music tribute already planned.","Score by Andrew Imbrie titled \"A Moment's Reflection to Roger Sessions,\" 2 pages.","Letter of Paul Lansky to Claudia Stevens; Oct. 2, 1978 about feasibility of the commissioning project and how to contact each composer.","Score by Paul Lansky titled \"Sarabande (for Roger Sessions)\", 2 pages.","Letter of David Lewin to Claudia Stevens; Oct. 22, 1979 regarding Jordan Hall performance.","Score by David Lewin titled \"Just a Minute Roger\", 3 pages.","Letters of Donald Martino to Claudia Stevens; 2 letters, April 27 and June 6, 1978 regarding his score.","Score by Donald Martino titled \"Impromptu for piano solo\" to Roger Sessions, 2 pages.","Letters of Roger Sessions to Claudia Stevens; 2 letters, March 5 and Oct. 8, 1979 explaining his inability to attend concert and sending his regrets for missing recital.","Letters of Claudia Spies to Claudia Stevens; 2 letters and 1 card, March 27, 1978 – April 28, 1979 regarding performance of some \"little Sessions pieces\" and the Sessions Five Pieces at a party in Princeton by Bob Helps and Robert Miller.","Score by Claudia Spies titled \"A Between Birthdays Bagatelle for Roger Sessions' 80th – 81st\", 3 pages.","Two programs of Claudia Stevens' performances; National Gallery of Art, April 22, 1979 and The New England Conservatory of Music presentation of The Enchanted Circle at Jordan Hall, Oct. 23, 1979.","Letter of Hugo Weisgall to Claudia Stevens; May15, 1979 in response to recital.","Score by Hugo Weisgall titled \"Ruckblick fur R.S.\", 2 pages.","Scope and Contents \"Spinnerets\" included music by Judith Shatin, slides by Marilyn de Reggi, and text and performance concept by Claudia Stevens. This series includes grant application documents, sketches, production notes, libretto, score, correspondence, program notes, photographs, and film projection slide visuals.","This folder includes additional material related to \"Spinnerets.\"","Informational sheet for Painted Bride Art Center's Grant Program for Interdisciplinary Artists, 1989, outlining its history, grant requirements, benefits, eligibility, review process, and criteria. Funding of the grant is listed as by The Pennsylvania Council on the Arts, the National Endowment for the Arts, and the Rockefeller Foundation.","Typewritten grant proposal document, three pages, detailing Claudia Stevens' experience and professional history.","Scope and Contents Completed grant application form, prepared by Claudia Stevens, for development, composition of \"Spinnerets\" a music-theater piece.","Letter from Steve Gerba of Painted Bride Art Center to Claudia Stevens announcing the selection of her project proposal and awarding her $2,000 in grant funding.","Scope and Contents Artist copy of the contractual agreement for Award Recipient Claudia Stevens for the Painted Bride Art Center's grant for development, composition of \"Spinnerets\" a music-theater piece.","Handwritten literary and design sketches made in development of the text, staging and performance concept of \"Spinnerets.\"","Scope and Contents Typewritten memo to collaborator Judith Shatin from Claudia Stevens regarding \"text revisions, additions, alterations\" for \"Spinnerets.\"","Titled \"Arachne: Working Tape,\" planning notes regarding the timing of the production of \"Spinnerets.\"","Scope and Contents Letter from Judith Shatin to Claudia Stevens regarding their collaboration on \"Spinnerets\" and enclosing sketches.","Scope and Contents Interim report on \"Spinnerets\" provided to Painted Bride by Claudia Stevens, announcing world premiere on November 14, 1990, to be presented at the Virginia Beach Arts Center. The report describes the creative process, development of the script, musical, and visual elements, staging, choreography, and production planning","Scope and Contents Handwritten letter to Judith Shatin from Claudia Stevens regarding the development of the music and text for \"Spinnerets\"","Text by Claudia Stevens, working score by Judith Shatin, with staging directions and notes.","Music-vocal score for \"Spinnerets,\" music by Judith Shatin, libretto by Claudia Stevens, with handwritten notes.","Production notes by Marilyn Boyd DeReggi, of Inter-Arts Projects, regarding the image projections and timing for \"Spinnerets.\"","Handwritten note to Marilyn Boyd DeReggi referencing an enclosed tape of performance by Judith Shatin and Claudia Stevens, for use in development of the film projection parts of the production of \"Spinnerets.\"","Handwritten notes on the lighting and timing for \"Spinnerets.\"","Program notes by Claudia Stevens, prepared for \"Spinnerets.\"","Scope and Contents Letters, and drafts of letters, between Claudia Stevens, Judith Shatin, and Marilyn DeReggi regarding the \"Spinnerets\" collaboration, revealing an inability to cooperate fully to each artist's satisfaction, or to continue performance of the project into the future beyond two performances, one at Virginia Beach Arts Center and another at Hampden-Sydney College. Canceled checks for payment by Stevens to Shatin and other expenses are included here.","Staging notes for \"Spinnerets.\"","Program notes for November 14, 1990 production of \"Spinnerets.\"","Scope and Contents Volume 6, Number 5, of \"Artletter,\" created by the Virginia Beach Center for the Arts; it features a piece on the cover about \"Spinnerets\" (its world premiere) and \"The Heart Disclosed,\" both performed on November 14, 1990.","This folder includes additional material related to \"Spinnerets.\"","Scope and Contents Two photographs from the performance of \"Spinnerets\" at the Virginia Beach Center for the Arts.","Projection film visual slides by Marilyn Boyd DeReggi, created for \"Spinnerets,\" black and white on clear film.","Scope and Contents \"An Evening with Madame F\" included music developed in collaboration with Fred Cohen in 1989, text and performance concept by Claudia Stevens; the \"preview\" took place on April 9, 1989, at the College of William and Mary, followed by over 200 national presentations. This series includes photocopies of documents (news articles, correspondence, production-related items) located in Boatwright Library at the University of Richmond. This series also contains text, production notes, a list of production venues and dates, news articles and other write-ups, notices and announcements, programs, flyers, and posters.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items continue into Folder 4 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Photocopies of documents related to \"An Evening with Madame F,\" donated by Claudia Stevens in 2004 to Boatwright Memorial Library at the University of Richmond. These include correspondence, scripts, articles, reviews, announcements, programs, press releases, flyers, calendars of events, etc... These items are continued from Folder 3 of this sub-series.","This folder includes additional material related to \"An Evening with Madame F.\"","Black and white page removed from JWB Speakers Bureau Catalogue of Artists, summarizing \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" at Temple Beth-El in South Bend, IN.","Scope and Contents Cornell University lecture notes on the topic of \"An Evening with Madame F\" for \"Ethics and Public Life\" presented on September 13, 2005.","Scope and Contents Color flyer for \"An Evening with Madame F\" at The University of Dayton.","Scope and Contents Color flyer for \"An Evening with Madame F\" at St. Edward's University.","Scope and Contents Black and white flyer for \"An Evening with Madame F\" at Brandeis University.","Scope and Contents Announcement in The Charlotte Observer for \"An Evening with Madame F\" performed at Davidson College to commemorate Holocaust Memorial Day.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" to be performed at the University of Mississippi.","Scope and Contents Color flyer for \"An Evening with Madame F\" at Kennesaw State University.","Scope and Contents Yellow flyer for a program titled \"Claudia on Claudia--and Other Characters\" at Willamette University.","Scope and Contents Green flyer for \"An Evening with Madame F\" at Stanford University.","Scope and Contents Purple tri-fold program for \"An Evening with Madam F\" performed at Alma College.","Scope and Contents Flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at the Holocaust Centre of Toronto.","Announcement online from The Holocaust Centre of Toronto regarding performance of \"An Evening with Madame F.\"","Scope and Contents Program for \"An Evening With Madame F\" performed at Christopher Newport University's Ferguson Center for the Arts.","Scope and Contents Flyer for \"An Evening with Madame F\" presented by the Anti-Defamation League and Rutgers University School of Business.","Scope and Contents List of \"An Evening with Madame F\" venues and auspices of presentation, 1989-2009.","Scope and Contents Article printed from the Sun [online] announcing \"An Evening with Madame F\" at Alma College.","Scope and Contents Review of \"An Evening with Madame F\" performed at Alma College, printed from thealmanian.org.","Invitation to attend the 2010 Sheldon and Betty Feinberg Lecture featuring Claudia Stevens and her performance of \"An Evening with Madame F.\"","Scope and Contents Color flyer for \"An Evening with Madame F\" performed at the College of William and Mary.","Scope and Contents One-page program flyer for \"An Evening with Madame F\" at The College of William and Mary.","Color program card for Loyola Marymount University's Annual Kristallnacht Commemoration, The program includes Claudia Stevens performing \"An Evening with Madame F.\"","Printed online invitation to attend Kristallnacht Commemoration at Loyola Marymount University.","Scope and Contents Article by Shani McManus of South Florida Sun-Sentinel printed from online Florida Jewish Journal, announcing a performance by Claudia Stevens of \"An Evening with Madame F\" on February 3, 2011, at B'nai Torah Congregation in Boca Raton, Florida.","This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Two-sided Program Sheet for Norman Cohn Family Holocaust Remembrance and Education Lecture, presenting \"An Evening with Madame F\" at the University of Northern Iowa.","Scope and Contents Program for \"An Evening with Madame F\" at Grinnell College.","Scope and Contents Color Poster advertising \"An Evening with Madame F\" at The University of North Dakota.","Scope and Contents Online review of \"An Evening with Madame F\" performed on April 27, printed from Scarlet \u0026 Black, Grinnell College newspaper.","Program for performance of \"An Evening with Madame F,\" presented by the Embrey Human Rights Program at Southern Methodist University.","Scope and Contents Online announcement for a March 28, 2012, performance of \"An Evening with Madame F\" in the PennState Harrisburg Website.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Tolerance Education Center in Rancho Mirag, California.","Postcard produced for The Arizona Center for Judaic Studies Shaol Pozez Memorial Lectureship Series at the University of Arizona.","Scope and Contents Program for \"An Evening with Madame F\" presented at the University of Arizona.","Scope and Contents Online review printed from mydesert.com, regarding performance of \"An Evening with Madame F\" at the Tolerance Education Center.","Scope and Contents Online article, on the Penn State Harrisburg Website, for \"An Evening with Madame F\" on March 28.","Invitation by the Jewish Federation of Greater Harrisburg to a pre-performance fundraising dinner at Penn State Harrisburg.","Article, posted on Sonoma State University's Website, discussing the May performance of \"An Evening with Madame F.\"","Postcard from Sonoma State University with a calendar for all events in the 2012 Holocaust and Genocide Lecture Series that includes Claudia Stevens.","Oversized material. This folder includes additional material related to \"An Evening with Madame F.\"","Scope and Contents Poster for \"An Evening with Madame F\" at The George Washington University.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Agnes Scott College.","Scope and Contents Color Poster for \"An Evening with Madame F\" at Bucknell University.","Scope and Contents Poster for \"An Evening with Madame F\" at Boston University.","Scope and Contents Poster for \"An Evening with Madame F\" at The College of Wooster.","Poster for Miami University's Center for American \u0026 World Culture spring 2004 series, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster for \"An Evening with Madame F\" at Simpson College.","Scope and Contents Black and white poster for \"An Evening with Madam F\" at Millsaps College.","Color poster for Holocaust Remembrance Week at Purdue University, which featured a performance of \"An Evening with Madame F.\"","Scope and Contents Color poster advertising \"An Evening with Madame F\" at Auburn University. This larger poster is rolled and outside of its folder in Box 8.","Scope and Contents Color poster for \"An Evening with Madame F\" at the Ina E. Gordy Honors College.","Scope and Contents Color poster for \"An Evening with Madame F\" at College of the Holy Cross.","Scope and Contents Color poster for \"An Evening with Madame F\" at Davidson College.","Scope and Contents Color poster for \"An Evening with Madame F\" at Denison University.","Scope and Contents Color poster for \"An Evening with Madame F\" at Alma College.","Oversized material. This folder includes additional items related to \"An Evening with Madame F.\"","Scope and Contents Color poster for a performance of \"An Evening with Madame F\" at the University of Northern Iowa, presented as the 2011 Norman Cohn Family Holocaust Remembrance and Education Lecture.","Scope and Contents Color poster related to performance of \"An Evening with Madame F\" at Grinnell College.","Color poster and event calendar for Sonoma State University's 2012 Holocaust and Genocide Lecture Series which includes a May 1 production of \"An Evening with Madame F.\"","\"The Heart Disclosed,\" based on Edgar Allen Poe's \"The Tell Tale Heart,\" included music, developed in 1989, in collaboration with composer Vivian Fine with a Virginia Arts Commission Project Grant; the text and performance concept was by Claudia Stevens, and its national premiere was in 1990 at the Providence, RI Athenaeum. This series includes correspondence, texts, scripts, articles, flyers, and programs.","This folder includes additional material related to \"The Heart Disclosed.\"","Letter from Melvyn D. Schiavelli, Provost of the College of William and Mary, to Claudia Stevens approving her research grant application.","Script for an introduction to the radio drama titled \"The Heart Disclosed,\" a monodrama.","Scope and Contents Script titled \"The Heart Disclosed--a text for the monodrama\" by Claudia Stevens with music by Vivian Fine.","Scope and Contents Article by Channing Gray for the Providence Journal-Bulletin announcing the premiere of \"The Heart Disclosed\" on October 6 at the Providence Athenaeum.","Scope and Contents Orange and black flyer for \"The Heart Dislosed\" at the Providence Athenaeum.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot announcing a performance that includes \"Spinnerets\" (Sub-Series 1) and \"The Heart Disclosed\" at the Virginia Beach Center for the Arts.","Scope and Contents Article by Marynell Eyles of The Winchester Star announcing a performance of \"The Heart Disclosed\" on January 24, 1994, at The Handley Library in Winchester, Virginia.","Scope and Contents Program for the 185th Birthday Celebration for Edgar Allan Poe. A performance by Claudia Stevens of \"The Heart Disclosed\" is among the many events in the program.","Scope and Contents The Friend, a newsletter for the Friends of the Handley Library, Volume XVII, No. 5, includes an announcement for A Night with Poe and a performance of \"The Heart Disclosed\" by Claudia Stevens with music composed by Vivian Fine.","Scope and Contents Program for \"The Heart Disclosed\" performed at Virgina Highlands Community College.","Scope and Contents Program for \"The Heart Disclosed\" performed at Danville Community College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","Oversized material. This folder includes additional material related to \"The Heart Disclosed.\"","Photocopy of Post-its describing some of the material in this folder, the text of which contains, \"Vivian Fines orig. musical score..., Stevens orig. typed manuscript..., excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score.\"","Scope and Contents Original typed manuscript of \"The Heart Disclosed\" with emendations.","Scope and Contents Introduction text for the radio braodcast of \"The Heart Disclosed\" in February, 2002.","Typed lecture remarks, with handwritten notes, by Claudia Stevens used for several lectures while on tour in Virginia.","Original musical score by Vivian Fine, with Stevens' handwritten notes and alterations for performances.","Excerpt from Beethoven's fourth symphony which Stevens requested that Fine incorporate into her score, with handwritten notes.","Scope and Contents Color photocopied poster for \"The Heart Disclosed\" at Hampden-Sydney College.","Scope and Contents Black and white photocopied poster featuring a picture of Edgar Allan Poe for \"The Heart Disclosed\" at Hampden-Sydney College.","Color Poster for \"The Heart Disclosed.\"","Scope and Contents \"The Subjects of Dr. Lustgall\" was created by Claudia Stevens in 1990-1991.  This series includes one opera libretto.","This folder contains one opera libretto.","Scope and Contents \"The Subjects of Dr. Lustgall\" opera libretto, 1991","Scope and Contents \"Scarify the Ground\" is an original screenplay with text and performance concept by Claudia Stevens.","This folder contains one original screenplay.","Scope and Contents \"Felice to Franz\" was performed 1992-1995 regionally and nationally. The text, music, and performance concept were developed by Claudia Stevens during her residency at MacDowell Colony in January, 1992. This series includes mock-up sketches, stage drawings, literary and musical sketches, notes, a lecture, correspondence, reviews, posters, and programs.","This folder includes additional material related to \"Felice to Franz.\"","Stage Drawings for audience view and performer's view of keyboard, its components, and related props, with detailed descriptions.","Scope and Contents Photocopied Memo on \"Twin Holly\" letterhead commenting upon Stevens' qualities as an artist and a response to her performance of \"An Evening with Madame X,\" signed by Howard Scammon, Professor Emeritus, Department of Theatre and Speech, The College of William and Mary.","Scope and Contents Photocopy from a William and Mary newspaper, announcing a September 27 preview performance of \"Felice to Franz\" in Ewell Recital Hall.","Scope and Contents Cut-and-pasted mock-up for poster promoting September 27 performance of \"Felice to Franz\" in Ewell Recital Hall.","Black-and-white poster for \"Felice to Franz,\" accented with red marker.","Black-and-white poster for \"Felice to Franz.\"","Scope and Contents Tan-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Blue-colored marketing flyer for PANOPLY, featuring new drama,\"Felice to Franz\" with description of its development and content, and biographical data about Stevens, on the reverse.","Scope and Contents Talking points script and notes for a \"Felice to Franz\" preconcert talk.","Blue brochure for Ewell Concert Series, 1992-1993, including September 27 performance by Claudia Stevens: \"Felice to Franz.\"","Scope and Contents Program for \"Felice to Franz\" performance at the College of William and Mary.","Scope and Contents Letter from Writer Michael Mott to Claudia Stevens in praise of her performance of \"Felice to Franz\" and mentioning enclosure of a magazine with interviews related to Kafka.","Scope and Contents \"Felice to Franz\" is reviewed by Carl Dolmetsch in the Virginia Gazette. Two photocopies are in the folder.","Scope and Contents 8.5\" x 11\" sheet with information about \"Felice to Franz.\" The back contains a brief biography of Stevens and excerpted reviews for \"An Evening with Madame F\" and \"The Heart Disclosed.\" Two of these sheets are in the file.","Work samples and Project Description with notes prepared by Stevens for a grant application to produce \"Felice to Franz.\"","Yellow postcard to Claudia Stevens from Money for Women/Barbara Deming Memorial Fund, Inc., in Brooklyn, NY, acknowledging receipt of her grant application.","Scope and Contents Program notes for \"Felice to Franz\" with biographical information on the artist, Claudia Stevens.","Scope and Contents Seasonal Event Calendar for Kutztown University, Kutztown, PA. A photograph of two women is adhesed to the inside front cover.  A November 23 performance of \"Felice to Franz\" is announced on page 8.","Scope and Contents Program for \"Felice to Franz\" at Kutztown University, Kutztown, PA.","Photocopied page from Kutztown University Events Calendar.","Scope and Contents Brochure and Reservation Form for Randolph Macon College's R-MC Symposium events, including an announcement for Claudia Stevens' performance of \"Felice to \"Franz\" on February 23.","Scope and Contents Program for performance of \"Felice to Franz\" at Randolph-Macon College.","Two photocopies of a review by Clarke Bustard, in the Richmond Times-Dispatch.","Scope and Contents Daily Press newspaper announcement of \"Felice to Franz\" to be performed at the Peninsula fine Arts Center, Newport News, on March 13, 1993.","Program for University of Richmond performance of \"Felice to Franz.\"","Scope and Contents 8.5\" x 14\" Flyer announcing \"Felice to Franz\" at the University of Richmond.","Scope and Contents Flyer announcing \"Felice to Franz\" as part of the Walden Concert Series in the Louise Shonk Kelly Recital Hall at Dublin School in New Hampshire.","Scope and Contents News clippings from Jewish Times, Baltimore, MD, announcement of \"Felice to Franz\" at University of Maryland on September 30, printed on the reverse of a photocopied excert from a 1993-1994 Virginia seasonal brochure including a December 2 performance.","Scope and Contents Article photocopied from The Retriever describes upcoming \"Felice to Franz\" performance on September 30, in Fine Arts 508 on the campus of UMBC.","Scope and Contents Program for \"Felice to Franz\" associated with ATY (Arts for Talented Youth), Peabody Institute of the Johns Hopkins University.","Scope and Contents Two pink programs for \"Felice to Franz\" performed at The University of Maryland Baltimore County.","Thank-you letter to Claudia Stevens from Robert P. Burchard of UMBC.","Thank-you letter to Claudia Stevens from Linda Grass Shapiro, ATY Program Director at The Peabody Prep, Johns Hopkins University.","Roanoke College Calendar of Events, Fall 1993, containing a December 2 performance of \"Felice to Franz.\"","Performing Arts Series, 1993-1994, seasonal brochure for Roanoke College.","Scope and Contents Program for \"Felice to Franz\" at Roanoke College.","Richmond Times-Dispatch announcement for December 11 performance.","Scope and Contents Postcard advertising \"Felice to Franz\" at Artspace in Richmond, VA. It is addressed to \"Bruce Miller, Dir.\" and does not appear to have been mailed.","Scope and Contents Announcement in The Union Leader, Manchester, NH, of \"Felice to Franz\" to be performed on July 1 at Dublin School as part of The Walden School 1994 Concert Series.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances of \"Felice to Franz,\" photocopies of which are chronologically located in this folder.","This folder includes additional material related to \"Felice to Franz.\"","Handwritten notes and musical sketches, including drafts of letters with some stage directions for \"Felice to Franz,\" created by Claudia Stevens at MacDowell Colony, January, 1992, and in Richmond, VA.","Scope and Contents Typewritten draft of \"Felice to Franz\" monodrama by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Script of \"Felice to Franz\" for presentations in 1992-1995.","Scope and Contents Musical Score, with notes, for \"Felice to Franz\" created by Claudia Stevens.","This folder includes additional material related to \"Felice to Franz.\"","Musical Score Sheets and Musical Sketches for \"Felice to Franz.\"","Oversized material. This folder includes additional material related to \"Felice to Franz.\"","Scope and Contents Black and white flyer for \"Felice to Franz\" at Kutztown University.","\"Playing Paradis,\" a comedy with music, text, and staging by Claudia Stevens, was performed during residencies with the Baltimore Theater Project in 1994 and with R. S. 9. Stúdiószínház in Budapest, Hungary in 1995. This series includes a script, news articles and reviews, correspondence, newsletters, announcements, programs, brochures, and flyers.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents Script for \"Playing Paradis\" which premiered at Baltimore Theatre Project, 1994 and also performed at RS9 Studio Theatre in Budapest, Hungary, summer, 1995.","This folder includes additional material related to \"Playing Paradis.\"","Brochure for The Women's Project at Theatre Project, listing a schedule of meetings, workshops, and shows in September-December, 1994.","Scope and Contents Article in Baltimore Jewish Times regarding \"Playing Paradise\" and a performance on September 28 at Baltimore's Theatre Project.","Scope and Contents News clipping of an \"Playing Paradise\" announcement in The Sun. On the reverse is pasted a September 30 review from The Sun of the September 28 performance at Baltimore's Theatre Project, and announcing shows on September 30, October 1, and October 2.","Scope and Contents Announcement in Baltimore's City Paper for performances of \"Playing Paradise\" September 28-October 2.","Announcement in Baltimore's City Paper for performances of \"Playing Paradis,\" March 10-12, 1995, at Theatre Project.","Scope and Contents Article in The Sun regarding one-person shows scheduled in March-May, 1995, including \"Playing Paradis\" by Claudia Stevens.","Scope and Contents Article in Reflector announcing the November 2 performance of \"Playing Paradis\" at the University of Richmond. This article refers to \"An Evening of Madame F,\" performed in Richmond in 1989.","William \u0026 Mary News announcement of Claudia Stevens' plans to be an artist-in-residence in May at the R.S. 9 Szinhaz Studiotheater in Budapest, Hungary on a grant from the International Theater Institute.","Scope and Contents 8.5\" x 11\" press sheet with information about \"Playing Paradis.\" The back has a brief biography of Stevens and excerpts from reviews of \"An Evening with Madame F,\" \"Felice to Franz,\" and \"The Heart Disclosed.\"","Photocopied press sheet with handwritten information about a performance in Budapest.","Letter to Claudia Stevens from Katalin Laban, Director of R.S.9. Stúdiószínház. Enclosure is an article from the Budapest Sun.","Scope and Contents Program for the Budapest performances of \"Playing Paradis\" by Claudia Stevens, in Hungarian language, and typewritten on R.S.9. Stúdiószínház letterhead.","Scope and Contents A Brochure for events held at the Jewish Community Center of Omaha, listing a performance of \"Playing Paradis\" on March 17, 1996.","JCC Centerpiece, a newsletter for Jewish Community Center of Omaha, NE, lists a March 17, 1996, performance of 'Playing Paradis.\"","Scope and Contents Program for \"Playing Paradis\" at the University of Richmond.","Scope and Contents Page removed from a University of Richmond publication. It lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Two pages removed from University of Richmond Magazine that lists a performance of \"Playing Paradis\" at Jepson Theatre on November 2, 1996.","Scope and Contents Inaugural Season Brochure for The George M. Modlin Center for the Arts at the University of Richmond, listing \"Playing Paradis\" in November, 1996.","Teal Invitation Card for a reception in the home of Miriam Davidow honoring Claudia Stevens as a 2nd Generation Member.","Scope and Contents Postcard Invitation to \"Playing Paradis\" at the University of Richmond.","Article photocopied from The Richmond Times-Dispatch regarding the November 2 performance of \"Playing Paradis.\"","Scope and Contents Calendar of Music Events, Fall, 1996, for the University of Richmond. The brochure is blue with a cream border and includes Claudia Stevens' performance of \"Playing Paradis\" on November 2, 1996, in New Theatre.","Letter from the Jewish Community Federation of Richmond thanking Claudia Stevens for \"Playing Paradis.\"","Scope and Contents Inaugural season brochure for the George M. Modlin Center for the Arts, which includes musical, theatre, and art events in 1996-1997. A performance of \"Playing Paradis\" by Claudia Stevens is listed for November 2, 1996.","Article in an Omaha, NE newspaper announcing the March 17 performance of \"Playing Paradis.\"","Scope and Contents Announcement in The Reader of \"Playing Paradis\" performance to take place on March 17.","This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents These are pages from a Budapest English-language supplement of the Budapest Sun titled Take me Out: The Sun Guide to Movies, Best Bets and More! It contains an article announcing Claudia Stevens' performance of \"Playing Paradis\" at the R.S.9 Theater in Budapest Hungary on May 18, 1995.","Lettter by the director of R.S.9. Stúdiószínház in Budapest, Hungary, thanking Claudia Stevens for her performance in Budapest.","Scope and Contents Newsclippings of announcements, articles, and reviews regarding \"Playing Paradis\" in Richmond's Reflector, Style Weekly, and the Richmond Times-Dispatch.","Scope and Contents Lavender-colored program for \"Playing Paradis\" at Theatre at the J of the Omaha Jewish Community Center.","Oversized material. This folder includes additional material related to \"Playing Paradis.\"","Scope and Contents A German musical score book by Karlheinz Stockhausen in which Claudia Stevens left production notes related to \"Playing Paradis\" on a post-it note on the inside of its front cover.","Scope and Contents Issue of magazine containing an article about \"Playing Paradis\"","\"Danger, Angel!\" premiered at Gunston Arts Center near Washington, D.C. in 1996. Text, performance concept, staging, musical arrangement and original music are by Claudia Stevens.  This series includes handwritten notes and musical sketches, a script, a newsletter, and program notes.","Spiral-bound notebook of handwritten notes and musical sketches or a draft script of \"Danger, Angel!\" by Claudia Stevens.","Typewritten script of \"Danger, Angel! (or The Docent's Tale)\" with handwritten notes.","Scope and Contents Feature in Arlington Artsletter, a promotional newsletter, regarding The Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Scope and Contents Performance schedule for the Innovators Festival, for which Claudia Stevens had a short residency, including premiere of \"Danger, Angel\" and a performance of \"An Evening with Madame F\" at Theatre Two, Gunston Art Center, Arlington, Virginia, September 19-20, 1996.","Program notes for premiere of \"Danger, Angel!\" in Arlington, VA, at Theatre Two at Gunston Art Center.","Scope and Contents \"Lewis and Clark and Me\" was created in 1997-1998, revised and retitled \"Bird Woman, the Movie\" in 2001 for the \"Fast Forward\" series of the Virginia Museum of Fine Art, and toured extensively through the touring program of the Virginia Commission for the Arts.  Text, music, staging, and performance concept are by Claudia Stevens.  This series includes scripts, notes, literary and musical sketches, production materials (including prop artifacts that have been removed and added to the Manuscripts Artifact Collection), programs, production and staging notes, program notes, news articles and reviews, posters, newsletters, correspondence, brochures, and crayon drawings by children who viewed performances.","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents This script for \"Lewis and Clark and Me\" was revised and retitled \"Bird Woman, the Movie,\" for presentation at Virginia Museum of Fine Arts \"Fast Forward Series.\" Typed script contains handwritten notes.","This version toured throughout Virginia at schools, art centers, etc. through the Virginia Commission for the Arts.","Scope and Contents Notes related to \"Lewis \u0026 Clark \u0026 Me\" written on the cardboard backing from a checkbook.","Scope and Contents Program for \"Lewis \u0026 Clark \u0026 Me\" performed at the Williamsburg Library Theater.","Program notes for \"Lewis \u0026 Clark \u0026 Me.\"","Musical Sketches and Production Notes related to \"Lewis \u0026 Clark \u0026 Me.\"","This folder includes additional material related to \"Bird Woman, the Movie.\"","Scope and Contents Newsletter of the Williamsburg Regional Library announcing performance of \"Lewis \u0026 Clark \u0026 Me\" on January 10, 1998.","Scope and Contents Newsclippings of announcements, articles, and reviews related to the January 10 performance of \"Lewis and Clark and Me\" at Williamsburg Regional Library, published in Daily Press and The Virginia Gazette.","Several pages with photocopied images and program notes for \"Lewis and Clark and Me.\"","Color flyer for Williamsburg Library Theatre performance of \"Lewis \u0026 Clark \u0026 Me.\"","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Williamsburg Library Theatre.","Scope and Contents Small yellow flyer for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum.","Scope and Contents Program for performance of \"Lewis \u0026 Clark \u0026 Me\" at Virginia Discovery Museum","Thank-you letter from Cultural Alliance of Charles City County regarding children's version and requesting future date for full-length version of \"Lewis and Clark and Me.\"","Scope and Contents Visiting Artists Series Calendar for Shenandoah Valley Discovery Museum, with performance of \"Lewis and Clark and Me\" scheduled October 16, 1998.","Scope and Contents Photocopied Announcement for October 16, 1998, performance of \"Lewis and Clark and Me\" at Shenandoah Valley Discovery Museum.","Scope and Contents Black-and-white flyer for \"Lewis and Clark and Me\" performance at New River Community College.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by The Cultural Alliance of Charles City Couty, Virginia.","Thank-you letter from the Cultural Alliance of Charles City Couty, Virginia.","Scope and Contents Brochure mailer from Fluvanna Arts Council's 1999-2000 Season at Carysbrook Performing Arts Center, with \"Lewis \u0026 Clark and Me\" scheduled on March 25, 2000.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by the Fluvanna Arts Council at Carysbrook Performing Arts Center.","Scope and Contents Program for \"Bird Woman, The Movie\" presented by Virginia Intermont College at Trayer Theatre for the Third Annual Fine Arts Festival.","Scope and Contents Seasonal mailer for the \"Fast Forward\" series at the Virginia Museum of Fine Arts, featuring a performance of \"Bird Woman, the Movie\" on May 5, 2001.","Scope and Contents Program for a performance of \"Bird Woman, the Movie\" as part of the \"Fast Forward\" series at the Virginia Museum of Fine Arts.","Newsclippings of announcements, articles, and reviews in Richmond news publications Richmond Times-Dispatch, Punchline, and Style Weekly.","Scope and Contents Flyer for the children's version of \"Lewis and Clark and Me\" on the road for the Virginia Commission for the Arts at Fairhill Gym.","Crayon drawings and messages sent to Mrs. Stevens by children of Ms. Howes' class who viewed performances of \"Lewis \u0026 Clark \u0026 Me.\"","Oversized material. This folder includes additional material related to \"Bird Woman, the Movie.\"","Two black-and-white photocopied posters depicting stylized profile images for \"Bird Woman, the Movie.\"","Scope and Contents Poster for presentation of \"Lewis \u0026 Clark \u0026 Me\" at Eastern Mennonite University.","Scope and Contents Poster for presentation of \"Lewis and Clark and Me\" at Blue Ridge Community College, February 16.","Scope and Contents \"A Table Before Me\" is a one-act musical drama created in 1999 with text, music, staging, and performance concept by Claudia Stevens. This series includes script, flyers, posters, programs, news articles and reviews, and a list of performances.","This folder includes additional material related to \"A Table Before Me.\"","Script for \"A Table Before Me,\" a musical-theater piece in one act, text and music by Claudia Stevens, for perfomance by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented for Jewish Awareness Month at the University of Florida.","Scope and Contents Brochure for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Program for 1999 Festival of the Arts presented by Southwest Virginia Community College, which includes Claudia Stevens' performance of \"A Table Before Me\" on April 20, 1999, at SVCC Community Center.","Scope and Contents Commemoration program for an annual memorial observance for Jewish martyrdom, held at Beth Shalom Synagogue in Columbia, South Carolina, Program notes are enclosed for a performance of \"A Table Before Me\" by Claudia Stevens in the Social Hall after the service.","Scope and Contents Article from Columbia, South Carolina's newspaper The State announcing the performance of \"A Table Before Me\" at Beth Shalom Synagogue social hall.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Southwest Virginia Community College.","Review of the 1999 Arts Festival of Southwest Virginia Community College, published in Richlands-Clinch Valley.","Scope and Contents Newsclipping from The Roanoke Times containing a color photo of Claudia Stevens and announcement of the October 19, 1999, performance of \"A Table Before Me\" at Virginia Tech University.","Scope and Contents Program for \"A Table Before Me\" performed by Claudia Stevens at Queens College Center for Jewish Studies.","Scope and Contents Program for \"A Table Before Me\" performed at Virginia Tech University in association with Jewish Awareness Month.","Scope and Contents Program for \"A Table Before Me\" performed at the University of Richmond.","Scope and Contents Review for The Collegian of \"A Table Before Me\" performed at Virginia Tech University in Perkinson Recital Hall.","Scope and Contents Article in the Atlanta Journal-Constitution announcing a performance of \"A Table Before Me\" on April 12, 2000, in Canon Chapel at Emory University.","Scope and Contents Advertisement in the Daily Egyptian for a performance of \"A Table Before Me\" at Southern Illinois University's Museum Auditorium.","Scope and Contents Article in The News-Journal regarding \"A Table Before Me\" to be performed on May 7, 2000, at Embry-Riddle Aeronautical University.","Scope and Contents Review for the News-Journal of \"A Table Before Me\" performed at Embry-Riddle Aeronautical University.","Scope and Contents Spring 2000 programming for the Jewish Lecture Series at Queens College of the City of New York, listing a performance of \"A Table Before Me\" on May 24, 2000.","Letter to Claudia Stevens from the director of the Center for Jewish Studies at Queens College, praising her performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Announcement of a March 31, 2001, performance of \"A Table Before Me\" at the Williamsburg Regional Library theatre.","Newspaper notice of Williamsburg Library Theatre performance of \"A Table Before Me.\"","Scope and Contents Flyer for \"A Table Before Me\" at the Williamsburg Regional Library Theatre.","Scope and Contents Virginia Gazette review of Claudia Stevens's March 31 performance of \"A Table Before Me\" at Williamsburg Regional Library.","Scope and Contents Program for \"A Table Before Me\" at Southern Illinois University.","Scope and Contents Online review of \"A Table Before Me\" performed on March 31, 2001, at Williamsburg Regional Library, printed on August 4, 2001, from WHRO Online: HearSay: Artbytes.","Scope and Contents Article in the Jewish Herald announcing a November 8 performance of \"A Table Before Me\" at The Wheeler School, Providence, Rhode Island.","Announcement in the Providence Sunday Journal of a November 8 performance of \"A Table Before Me.\"","Two copies of a flyer for \"A Table Before Me,\" presented by the Rhode Island Holocaust Memorial Museum and The Wheeler School.","Scope and Contents Sandglass Times: The Newsletter of Sunglass Theatre, Autumn 2001, Vol. 3, Issue 3, which lists performances of \"A Table Before Me\" on November 9 and 10, 2001.","Scope and Contents Program for \"A Table Before Me\" at Sandglass Theater, Putney, Vermont.","Scope and Contents Color flyer for \"A Table Before Me\" at Centre College, Danville, Kentucky.","Spring calendar mailer for the Hampden-Sydney College Virginia arts series.","Scope and Contents Photocopied preview articles published in The Coalfield Press, Big Stone Gap, Virginia, and Clinch Valley Times, St. Paul, Virginia, regarding performances on March 26, 2002, of  \"An Evening with Madame F\" at Mountain Empire Community College in Big Stone Gap and \"A Table Before Me\" in the University of Virginia's College at Wise.","Scope and Contents 2002 \"National Theme\" Women's History Month calendar on pink paper with enclosure of Southwest Virginia Community College's March events that include a performance by Claudia Stevens of \"A Table Before Me\" on March 26.","Scope and Contents Program for The Eighteenth Annual Wallenberg Tribute featuring performance of \"A Table Before Me\" by Claudia Stevens at Muhlenberg College, Allentown, Pennsylvania.","Scope and Contents Flyer for performances of \"An Evening with Madame F\" and \"A Table Before Me\" at Mountain Empire Community College and University of Virginia's College at Wise.","Scope and Contents Washington Jewish Week article announcing the April 2 performance of \"A Table Before Me\" at Montgomery College in Rockville, Maryland.","Scope and Contents Program printed on blue cardstock for Memory, Image and Voice: A Holocaust Commemoration featuring \"A Table Before Me\" performed by Claudia Stevens at Montgomery College.","Scope and Contents Review of the April 2 performance of \"A Table Before Me\" in The Montgomery Advocate.","Ohio Wesleyan University's online announcement for the Sagan National Colloquium that includes a November 12 performance of \"A Table Before Me,\" printed on June 24, 2006.","Scope and Contents Announcement in Style Weekly regarding the October 10 performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Article in Richmond Times-Dispatch \"Weekend\" announcing performance of \"A Table Before Me\" at Randolph-Macon College on October 10.","Scope and Contents Program for a performance of \"A Table Before Me\" at Randolph-Macon College.","Scope and Contents Online announcement on the Villanova University Website for a November 13 performance of \"A Table Before Me\" as part of a Women's Studies Lecture Series.","Weekly events feature of The Columbus Dispatch that includes the November 12 performance at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Seasonal events calendar for the Ohio Wesleyan Performing Arts Series that includes a November 12 performance by Claudia Stevens.","Calendar listing events for the Women's Studies Lecture Series at Villanova University, which includes Claudia Stevens' November 13th performance of \"A Table Before Me.\"","This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Article in Franklin News-Post announcing \"A Table Before Me\" to be performed at Ferrum College on March 27.","Scope and Contents Program for \"A Table Before Me\" presented by the Lafayette College Hillel Society.","Scope and Contents Review in the online edition of The Lafayette of Claudia Stevens and her performance of \"A Table Before Me\" at Lafayette College on March 11.","Scope and Contents Article in in The Iron Blade regarding the March 27 performance of \"A Table Before Me\" at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" performed at Ferrum College.","Scope and Contents Program for \"A Table Before Me\" at Lynchburg College.","Online listing of past programs presented by the Holocaust Foundation of Central Virginia that includes \"A Table Before Me.\"","Scope and Contents Article in Pocono Record announcing \"A Table Before Me\" performance on November 12 at East Stroudsburg University.","Scope and Contents Program for \"A Table Before Me\" performed in the Beloit College International Performing Arts and Lecture Series.","Scope and Contents Photocopied excerpt of an article announcing \"A Table Before Me\" to be performed at East Stroudsburg University on November 12, publication title unkown.","Scope and Contents Pocono Record article for a November 12 performance of \"A Table Before Me\" at East Stroudsburg University.","Scope and Contents Local review of \"A Table Before Me\" performed at East Stroudsburg University.","Scope and Contents Color flyer for \"A Table Before Me\" at Stetson University.","Emailed message from Dixon Sutherland of Stetson University to Claudia Stevens.","Program on bright yellow paper for the Yom Hashoah Holocaust Memorial Program at Kenyon College with Guest Artist Dr. Claudia Stevens.","Scope and Contents Announcement in Morrow County Sentinel for an October 14 performance of \"A Table Before Me\" at Otterbein College.","Program for Otterbein College's presentation of Claudia Stevens in \"A Table Before Me.\"","Scope and Contents Press Release related to the February 23rd performance of \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Postcard advertising \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents Program for \"A Table Before Me\" at the Holocaust Museum Houston.","Scope and Contents \"A Table Before Me\" program from a performance at Studio 88, Center for the Performing Arts, Miami University of Ohio.","Scope and Contents Program for \"A Table Before Me\" performed at Drake University [day of week, \"Wednesday,\" or date, \"March 13th,\" may be a typo].","Furman University press release for \"A Table Before Me.\"","Scope and Contents Brochure-sized color program for \"A Table Before Me\" at Furman University.","Scope and Contents Macalester College flyer for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel and sponsored by the Lilly Project for Work, Ethics \u0026 Vocation.","Scope and Contents Macalester College program for \"A Table Before Me\" performed at the Weyerhaeuser Memorial Chapel as part of a Lilly Project \"Putting My Values to Work\" Series.","Scope and Contents Program for \"A Table Before Me\" at Bjorling Recital Hall, Gustavus Adolphus College, Saint Peter, Minnesota.","This program for a worship service in Christ Chapel at Gustavus Adolphus College includes an Introduction performed by Claudia Stevens.","Scope and Contents Program for \"A Table Before Me\" presented by The Weyerhaeuser Center for Christian Faith and Learning at Whitworth College.","Scope and Contents WFU News Service article announcing the performance of \"A Table Before Me\" at Wake Forest University on January 29.","Virginia Wesleyan College listing of events for the Center for the Study of Religious Freedom, includes January 28 performance of \"A Table Before Me.\"","Scope and Contents Article in The Virginian-Pilot announcing a performance of \"A Table Before Me\" on the evening of January 28 at Virginia Wesleyan College.","Scope and Contents Spring 2006 events calendar for the Center for the Study of Religious Freedom at Virginia Wesleyan College, listing a performance of \"A Table Before Me\" on January 28, 2006.","Scope and Contents Program for \"A Table Before Me\" presented at Virginia Wesleyan College.","Color flyer for Claudia Stevens in \"A Table Before Me: at Wake Forest University.","Scope and Contents Flyer-sized program for \"A Table Before Me\" at Wake Forest University.","Scope and Contents Program for \"A Table Before Me\" at Simpson College, sponsored by the Lilly Initiative for Vocational Explorartion.","Scope and Contents Review in The Record-Herald and Indianola Tribune for Claudia Stevens' performance of \"A Table Before Me\" at Simpson College on March 6.","Scope and Contents Chronological list of performance venues for \"A Table Before Me\" with handwritten notes indicating that the list includes dates between March, 1999 - April 2, 2002, and that performances unlisted continued through 2006.","Scope and Contents Newsprint clippings related to \"A Table Before Me\" photocopied for chronological placement in Sub-series 10 folders.","Oversized material. This folder includes additional material related to \"A Table Before Me.\"","Scope and Contents Black and white poster for \"A Table Before Me\" at Hampden-Sydney College.","Scope and Contents Laminated color poster for \"A Table Before Me\" at Montgomery College.  This larger poster is rolled and outside of its folder.","Scope and Contents Program for the \"Cultural Arts \u0026 Entertainment Series\" at Randolph-Macon College, containing a listing for \"A Table Before Me\" on October 10, 2002.","Scope and Contents Program advertising the \"Performing Arts Series\" 2002-2003 season at Ohio Wesleyan University.","Scope and Contents Flyer for \"A Table Before Me\" at Ohio Wesleyan University.","Scope and Contents Black and white poster on cream-colored paper for \"A Table Before Me\" at Ferrum College.","Scope and Contents Color poster for \"A Table Before Me\" at Lynchburg College.","Scope and Contents Program for the \"Centennial Celebration and Fine Arts \u0026 Lecture Series\" at Lynchburg College listing a performance of \"A Table Before Me\" on March 28, 2003.","Scope and Contents Color poster for \"A Table Before Me\" at Miami University.","Scope and Contents Black and white poster for \"A Table Before Me\" at Kenyon College.","Scope and Contents Color poster for \"A Table Before Me\" at Simpson College.","Scope and Contents \"In the Puppeteer's Wake\" was presented regionally and nationally in 2000-2005 with text, staging, performance concept, musical arrangement and original music by Claudia Stevens. This series included notes regarding pretext sources and context, news article and review clippings, photographs and photocopied images, prop images, announcements, flyers and posters, programs, two working scripts with stage directions, and correspondence.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Photocopies made of December 20, 1962 newsclippings used in a mock-up portion of text, also in this folder.","Scope and Contents Newsclipping adhesed to construction paper; the image is from a 1962 public television production of \"Hansel and Gretel\" performed in German language by Parsons school students and cast Gary Matson as Hansel.","Scope and Contents Mock-up page with text related to \"In the Puppeteers' Wake\" and a newsclipping dated Dec. 20, 1962, from the German-language \"Hansel and Gretel\" local television production.","Two pages containing photocopies of photographed marionettes used in the production of \"In the Puppeteer's Wake.\"","Photocopy of photographed children performing beside a piano.","Photocopy of a photograph of a man in military uniform with last name of Stevens, 1947 [first and middle names illegible].","Photograph of a marionette witch with a hook dangling from her arm.","Mask-sized photocopied image of an elderly man.","Scope and Contents Notes containing library call numbers for items related to \"In the Puppeteer's Wake\" that include Perl - Operation Action [:Rescue from the Holocaust],Penkower The Jews were Expendable [:Free World Diplomacy and the Holocaust], and E. Gershon Steiner The Story of the Patria.","\"In the Puppeteer's Wake,\" a working script (c. 2000 by Claudia Stevens), with handwritten notes and highlighting.","Second copy of working script, with handwritten notes and highlighting.","Email, printed on August 4, 2001, from Andrei Codrescu indicating acceptance for publication by Exquisite Corpse.","This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Reflector [Richmond Jewish Community] article discussing the December 4 production of \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Printout of a \"Style Weekly\" feature printed on August 14, 2001, from Richmond.com announcing debut performance of \"In the Puppeteer's Wake\" on December 4 at the University of Richmond.","Scope and Contents Photocopy of a program for the December 4 performance of \"In the Puppeteer's Wake\" by Claudia Stevens.","Article in Reflector regarding March 15 performance of \"In the Puppeteer's Wake.\"","Letter from Sarah Hardy of Hampden-Sydney College to Claudia Stevens.","Scope and Contents Theatre Project Baltimore America flyer for mulitiple performances of \"In the Puppeteer's Wake\" by Claudia Stevens.","Scope and Contents Feature article by Deborah Walike for Baltimore Jewish Times regarding \"In the Puppeteer's Wake\" to be performed Thursday-Saturday, January 17-27, at Baltimore Theatre Project.","Theatre Project Baltimore America program for multiple performances of \"In the Puppeteer's Wake.","Scope and Contents Review in The Sun following opening night of an 8-show run of \"In the Puppeteer's Wake\" at Theatre Project Baltimore America.","Original The Sun newspaper clipping of a review, with color photography of Claudia Stevens performing \"In the Puppeteer's Wake.\"","Scope and Contents Announcement in Baltimore City Paper of \"In the Puppeteer's Wake\" at Theatre Project.","Review in Baltimore City Paper about Claudia Stevens' performance of \"In the Puppeteer's Wake.\"","Scope and Contents Newsletter of the Williamsburg Regional Library, announcing a November 3 performance of \"In the Puppeteer's Wake\" at the Library Theatre.","Scope and Contents Announcement in Daily Press for \"In the Puppeteer's Wake\" at Williamsburg Library Theater on November 23.","Scope and Contents Announcement in The Virginia Gazette for November 23 performance of \"In the Puppeteer's Wake\" at the Williamsburg Library.","Scope and Contents \"In the Puppeteer's Wake\" review by John Shulson for The Virginia Gazette.","Scope and Contents Three newsletters of the Virginia Holocaust Museum--Summer, 2003; Fall, 2003; and Winter, 2004--each with an article or announcement related to Claudia Stevens' a November 22 performance of \"In the Puppeteer's Wake\" held at the Virginia Holocaust Museum's auditorium.","Scope and Contents Multiple announcements, articles, and reviews related to performance of \"In the Puppeteer's Wake\" on March 25 at Mountain Empire Community College, photociped and compiled onto two large sheets of copy paper from various news sources: The Coalfield Progress, Bristol Herald Courier/Virginia-Tennessean, GoTriCities Entertainment Guide, The Post, The Dickenson Star/Cumberland Times, and Clinch Valley Times.","Flyer for Big Stone Gap performance of \"In the Puppeteer's Wake.","Scope and Contents Program for \"In the Puppeteer's Wake\" performance at Mountain Empire Community College, Big Stone Gap, Virginia.","Scope and Contents Style Weekly advertisement for Claudia Stevens' performance of \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum on November 22.","Scope and Contents Program for \"In the Puppeteer's Wake\" at the Virginia Holocaust Museum.","Letter from I. N. Sporn, Chairman of Virginia Holocaust Museum, to Claudia Stevens.","Scope and Contents Online article on Roanoke College Website regarding March 1 performance of \"In the Puppeteer's Wake\" in Olin Theater.","Scope and Contents \"In the Puppeteer's Wake\" program for Roanoke College.","Original newsclippings for which photocopies have been made for this folder.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Flyer (to be mailed) advertising \"In the Puppeteer's Wake\" at the University of Richmond.","Scope and Contents Photocopied calendar (for mailing) for the Baltimore Theatre Project, listing performances of \"In the Puppeteer's Wake\" on January 17-27.","Scope and Contents Color poster for \"In the Puppeteer's Wake\" at the Williamsburg Regional Library Theatre.","Oversized material. This folder includes additional material related to \"In the Puppeteer's Wake.\"","Scope and Contents Issue of magazine containing an article about \"In the Puppeteer's Wake\"","Scope and Contents \"Dreadful Sorry, Guys\" was written in 2001 and published in the journal Exquisite Corpse as \"I, My Man, Only and Doll: monologues for one to four performers.\" Continuous production at the national level, through 2009, followed its premiere at Creighton University in Omaha, NE in January, 2003. Monologue texts, original music, and staging are by Claudia Stevens. This series includes correspondence, journal publication, working scripts, musical sketches, a musical excerpt, technical and production notes, news articles, announcements and reviews, posters, flyers, programs, and introductory notes.","This folder includes additional material related to \"Dreadful Sorry, Guys,\" or \"I, My Man, Only, and Doll.\"","Scope and Contents Email printout from Editor Andrei Codrescu accepting \"I, My Man, Only, and Doll\" for September (Issue #10) publication in the \"Stage \u0026 Screen\" section of online journal Exquisite Corpse.","Printed (February 8, 2002) from Exquisite Corpse webzine, Issue 10 (http://www.corpse.org/archives/issue_10/index.html).","Working script titled \"I, My Man, Only, and Doll: monologues for one-to-four performers,\" by Claudia Stevens, with notes, including musical sketches and excerpts.","Final performance version, revised December, 2002, from 2001 original by Claudia Stevens, and renamed \"Dreadful Sorry, Guys.\"  Technical directions from various productions are included.","This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Review of \"Dreadful Sorry, Guys\" performance for Holocaust Remembrance Day presented at Creighton University in Omaha, Nebraska, by Julien R. Fielding in Omaha Weekly Reader.","Scope and Contents Article by Teresa Annas in The Virginian-Pilot regarding premiere of \"Dreadful Sorry, Guys\" at Virginia Wesleyan College in Norfolk, Virginia.","Review by Jean Laidig in Port Folio Weekly regarding performance at Virgina Wesleyan College.","Color poster for the 4th Annual Celebration of Life \u0026 Diversity, an annual tribute to Gary Matson and Winfield Mowder in Redding, California.","Black and white flyer for performance at The University of Richmond.","Scope and Contents Email from Miriam Davidow addressed to info@equalityvirginia.org, copied to Claudia Stevens, regarding her March 2 performance of \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Email response from Paul Erb to Claudia Stevens regarding \"Dreadful Sorry, Guys\" on the same evening as its performance at the University of Richmond.","Email response from Marion Brown to Claudia Stevens regarding March 2 performance of \"Dreadful Sorry, Guys.\"","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Dickinson College, Carlisle, PA.","Scope and Contents Ferrum College 2004 Spring Calendar, mail flyer, announcing Claudia Stevens' \"Dreadful Sorry, Guys\" to be performed on March 15, 2004.","Photos from performance of \"Dreadful Sorry, Guys,\" and news release posted online in The Ferrum Newsstand, printed from http://www.ferrum.edu/news/2004Spring/dreadfulsorry.htm","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Bucknell University, Lewisburg, PA.","Scope and Contents Black, white, and purple flyer for \"Dreadful Sorry Guys\" at Stetson University.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performed at Stetson University, DeLand, FL.","Scope and Contents Online announcement by Hillel: The Foundation for Jewish Campus Life for two performances of \"Dreadful Sorry, Guys\" at Lafayette College, Easton, PA.","Scope and Contents New York Academy of Sciences online event calendar announcement by Roald Hoffmann promoting his hosting of \"Dreadul Sorry, Guys\" to be performed by Claudia Stevens at Cornelia Street Cafe.","Scope and Contents Email correspondence in preparation and response to \"Dreadful Sorry, Guys\" performance, between Claudia Stevens and Roald Hoffman, Nobel Laureate and producer of the \"Entertaining Science\" series at Cornelia Street Cafe in New York City.","Scope and Contents Program for \"Dreadful Sorry, Guys\" performance at Hampden-Sydney College.","Scope and Contents Ithaca Journal announcement for Claudia Stevens to perform a musical play (\"Dreadful Sorry, Guys\"), while in residence at Cornell University, Ithaca, NY. An announcment for \"An Evening with Madadme F\" is on the reverse side of this news clipping.","Scope and Contents Review of \"Dreadful Sorry, Guys\" performed at Colgate University in Hamilton, NY, written by Sara Dyer for The Colgate Maroon-News.","Scope and Contents Color flyer for \"Dreadful Sorry Guys\" at Middlebury College, Middlebury, Vermont.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at Rivier College Center for Peace and Social Justice, Nashua, New Hampshire.","Scope and Contents Script for introductory remarks by Susan Feiner, presenting Claudia Stevens' and \"Dreadful Sorry, Guys\" at The University of Southern Maine. Feiner recalls that she had seen Stevens perform a show about Franz Kafka at the College of William and Mary in Williamsburg, VA circa 1993.","Scope and Contents Article in The Phoenix previewing \"Dreadful Sorry, Guys\" performance by Claudia Stevens set for February 4, 2007, at Swarthmore College, written by Lena Wong.","Printout of news article by Lena Wong in Swarthmore College's online version of The Phoenix.","Scope and Contents Flyer for \"Dreadful Sorry, Guys\" at Swarthmore College in Pennsylvania.","Online review by Ellen Grafton in the Arts section of The Middlebury Campus news weekly for Middlebury College.","Scope and Contents Color flyer that includes an announcement for an October 5 performance of \"Dreadful Sorry, Guys\" at The Sarah Isom Center for Women and Gender Studies located at the University of Mississippi.","Scope and Contents Program for \"Dreadful Sorry, Guys\" at the University of Mississippi.","Scope and Contents Color flyer for \"Dreadful Sorry, Guys\" at Austin College.","Scope and Contents Yellow flyer for \"Dreadful Sorry, Guys\" at Austin College.","Oversized material. This folder includes additional material related to \"Dreadful Sorry, Guys.\"","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Black and white poster for \"Dreadful Sorry, Guys\" at the University of Richmond.","Scope and Contents Blue poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Photocopied poster for \"Dreadful Sorry, Guys\" at Ferrum College.","Scope and Contents Color poster for \"Dreadful Sorry, Guys\" at Bucknell University.","Scope and Contents Brown poster for \"Dreadful Sorry Guys\" at Hampden-Sydney College.","Scope and Contents Color poster for performances of \"The Poisoner on the Train\" and \"Dreadful Sorry Guys\" at Colgate University.","Scope and Contents Black and white poster for \"Dreadful Sorry Guys\" at the University of Southern Maine.","Scope and Contents Photocopied black and white poster for \"Dreadful Sorry, Guys\" at the University of Southern Maine.","Scope and Contents Color flyer for a performance of \"Dreadful Sorry Guys\" and a performance/workshop of \"An Evening with Madame F\" at Washington and Lee University.","Scope and Contents Large, folding color program poster for the 2006-2007 \"Cooper Series\" at Swarthmore College, listing a performance of \"Dreadful Sorry Guys\" on February 4, 2007.","Scope and Contents Red poster for \"Dreadful Sorry Guys\" at Swarthmore College.","Scope and Contents \"The Poisoner on the Train\" was written in 2002-2003 during a Virginia Center for the Creative Arts residency, published in Exquisite Corpse in winter, 2003-2004, and premiered at the Baltimore Theater Project September 9-19, 2004. An unstaged reading occurred in January, 2004. Text, original music, and staging are by Claudia Stevens. This series includes correspondence, printouts of an online journal publication, literary and musical notes with sources, printed books, performance scripts with revisions and production notes,musical sketches, announcements, programs, news articles, photocopies of photographs, posters, and flyers.","This folder includes additional material related to \"The Poisoner on the Train.\"","Correspondence with Andrei Codrescu regarding Exquisite Corpse publication agreement.","Personal correspondence from Ellis Cose regarding his response to reading the monologue.","Index for Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html.","Scope and Contents Script for \"The Poisoner on the Train\" by Claudia Stevens, published in Cyber Issue 13 (printed December 21, 2008) from Exquisite Corpse webzine, (http://www.corpse.org/archives/issue_12/stage_screen/stevens.html).","Claudia Stevens' annotated copy of the publication of the libretto and music for The Beggar's Opera by John Gay (New York: Dover, 1973).","This folder includes additional material related to \"The Poisoner on the Train.\"","Brecht, Bertolt. (1960). The Threepenny Opera. New York: Grove Press. This is Claudia Stevens' personal copy of this book used for her creation of \"The Poisoner on the Train,\" with her literary notes and musical interpolations inserted.","Photocopies of music excerpted from a publication of music for The Threepenny Opera, including \"Nr. 6 SeerauberJenny (Polly),\" \"Nr. 18. Salomonsong (Jenny),\" and \"Nr. 13. Zuhalterballade (Jenny-Macheath)","Notes on ruled yellow paper and one photocopied page of Bible verses from Exodus 20.","This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Scope and Contents Revised script for \"The Poisoner on the Train\" used in performance, with handwritten notes.","Musical sketches related to \"The Poisoner on the Train.\"","Online announcement on the Hampden-Sydney College Website for the first unstaged reading of the monologue, \"The Poisoner on the Train.\" A notice that folloed the presentation includes photographs from the event.","Scope and Contents Article announcing the September 9 \"world debut\" of \"The Poisoner on the Train\" at Theatre Project in Baltimore, Maryland, copied from The Sun, August 29, 2004.","Program for performances staged at Theatre Project in Baltimore.","Announcement of performance printed from Theatre Project Website.","Scope and Contents Performance script for revised/extended version of \"The Poisoner on the Train\" for performace at Baltimore's Theatre Project, with notes.","Scope and Contents Review of the premiere of Claudia Stevens' \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun (n.d.).","Scope and Contents Color brochure mailer for Women's Studies Research Center at Brandeis University with calendar of events that includes a December 8, 2005, performance of \"The Poisoner on the Train\" by Claudia Stevens.","Printed online by Brandeis University announcement of Stevens' performance at the Women's Studies Research Center.","Scope and Contents Program for Colgate University performances of \"The Poisoner on the Train\" and \"Dreadful Sorry, Guys.\"","This folder includes additional material related to \"The Poisoner on the Train.\"","Color printouts of photograph images of Claudia Stevens in costume, date-stamped 07/12/2004. Photo session was for promotion of Baltimore Theater Project, Fall 2004.","Baltimore Theater Project postcard flyer that includes advertisement for \"The Poisoner on the Train.\"","Scope and Contents Article in The Sun, Sunday, August 29, 2004, announcing \"The Poisoner on the Train\" performance for September 9, 2004, at Baltimore Theater Project.","Scope and Contents Review of \"The Poisoner on the Train\" by J. Wynn Rousuck in The Sun.","Scope and Contents Emailed responses to Stevens' Baltimore Theatre Project performance of \"The Poisoner on the Train\" from colleagues Dorothy Chansky, theatre director, and Janice Hamer, composer.","Oversized material. This folder includes additional material related to \"The Poisoner on the Train.\"","Scope and Contents Green poster for \"The Prisoner on the Train\" at Hampden-Sydney College.","Scope and Contents Postcard advertising Stevens' \"The Prisoner on the Train\" on September 9-19, 2004, at the Baltimore Theatre Project.","Scope and Contents Color poster for September performances on 9/9, 9/10, 9/11, 9/18, 9/12, and 9/19 of \"The Prisoner on the Train\" at the Baltimore Theatre Project.","Scope and Contents 2005-2006 Program of lectures, events, and exhibitions for the Women's Studies Research Center at Brandeis University. Event schedule includes a reading from \"The Prisoner on the Train\" on December 8, 2005.","Scope and Contents \"Blue Lias\" is a monodrama written in 2005-2006 by Clauda Stevens while in residence at Brandeis University as Visiting Scholar/Artist at the Women's Studies Research Center, with music by Allen Shearer, performance concept and staging by Claudia Stevens. Its first unstaged reading was at Cornell University in September 2005 and a west coast preview at California State University, Hayward, on January 15, 2007, followed by its world premiere at Rutgers University's Zimmerli Art Museum on March 25, 2007, then continuous presentation through 2010. This series includes scripts, season directories, posters, announcements, flyers, programs, and brochures.","This folder includes additional material related to \"Blue Lias.\"","Script for \"Blue Lias or The Fish Lizard's Whore,\" continuous presentation at national level from January 2007 to the present. (noted in 2010).","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color flyer for a preview performance of \"Blue Lias, or The Fish Lizard's Whore\" at California State University, Hayward.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Virginia Wesleyan College.","Scope and Contents Composers Inc. 24th Season Brochure 2007-2008 featuring a program change that replaced Allen Shearer's \"Learning the Elements\" with \"Blue Lias,\" music by Allen Shearer and text by Claudia Stevens, performed by Claudia Stevens in San Francisco.","Scope and Contents Ursinus College calendar of events poster that includes a production of \"Blue Lias - or The Fish Lizard's Whore\" at the Kaleidoscope Lenfest Theater, presented in conjunction with Women's History Month.","Scope and Contents Color flyer for \"Blue Lias, or The Fish Lizard's Whore\" at Stetson University.","Scope and Contents Postcard advertising \"Blue Lias, or The Fish Lizard's Whore\" at the University of Kansas.","Scope and Contents Black-and-white program for \"Blue Lias - or The Fish Lizard's Whore\" at Williams College.","Scope and Contents Online announcement for \"Blue Lias - or the Fish Lizard's Whore\" at Williams College.","Scope and Contents Color flyer for \"Blue Lias, or the Fish Lizard's Whore\" performance at Creighton University","Scope and Contents Program for \"Blue Lias\" printed for Creighton University performance.","Scope and Contents Online event listing of Creighton University performance of \"Blue Lias\" printed from the Darwin Day Celebration Website: www.darwinday.org.","Scope and Contents Postcard advertising \"Blue Lias or The Fish Lizard's Whore\" performance at the University of Houston.","Scope and Contents Yellow legal-sized program sheet for \"Blue Lias\" performed at the University of Houston.","Scope and Contents Flyer for performance of \"Blue Lias or, The Fish Lizard's Whore\" at Scripps College.","Scope and Contents Announcement in the College of William and Mary's News \u0026 Events online regarding performance of \"Blue Lias\" to be held at the Williamsburg Regional Library.","Scope and Contents Brochure advertisement for performance of \"Blue Lias, or the fish Lizard's Whore\" at the Cleveland Museum of Natural History, Cleveland, Ohio.","Scope and Contents Program sheet for performance of \"Blue Lias\" as part of the Explorer Series of the Cleveland Museum of Natural History.","Scope and Contents Ewell Concert Series 2008-2009 flyer from the College of William and Mary advertising a performance of \"Blue Lias\" or \"The Fish Lizard's Whore\" at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" performance at the Williamsburg Regional Library.","Scope and Contents Program for \"Blue Lias\" at Messiah College","Scope and Contents Two flyers and an online announcement for a performance of \"Blue Lias, or The Fish Lizard's Whore\" at Residential College in Ann Arbor, Michigan.","Online announcement by Grinnell College of Stevens' performance of \"Blue Lias.\"","Scope and Contents Color flyer for \"Blue Lias\" at Grinnell College.","Scope and Contents Program for \"Blue Lias\" performance at Grinnell College.","Scope and Contents Color flyer for \"Blue Lias\" at the University of Notre Dame.","Scope and Contents Online announcement on a Notre Dame Website for \"Darwin at Notre Dame\" advertising \"Blue Lias\" at the University of Notre Dame.","Notre Dame events calendar that includes performance of \"Blue Liaz.\"","Scope and Contents Online announcement, printed from North Texas e-News, for \"Blue Lias or the Fish Lizard's Whore\" at Austin College.","Scope and Contents Program for \"Blue Lias\" performance at Austin College.","Scope and Contents Color poster for \"Blue Lias - or The Fish Lizard's Whore\" at Boston University.","This folder includes additional material related to \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias: or the Fish Lizard's Whore\" at Vassar College. The promotional material notes that Claudia Stevens is an alumna of Vassar, 1969.","Program for Vassar College production of \"Blue Lias.\"","Brochure for The Prindle Institute for Ethics at DePauw University, listing Claudia Stevens as a visiting scholar in the Third Annual Undergraduate Ethics Symposium.","Scope and Contents Program for performance of \"Blue Lias or the Fish Lizard's Whore\" at DePauw University during an ethics symposium.","Oversized material. This folder includes additional material for \"Blue Lias.\"","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Meredith College.","Scope and Contents Color poster for \"Blue Lias, or The Fish Lizard's Whore\" at Willamette University.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Occidental College.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Transylvania University.","Scope and Contents Color poster for \"Blue Lias or the Fish lizard's Whore\" at Central Washington University on February 9, 2009.","Scope and Contents Color poster for \"Blue lias or The Fish Lizard's Whore\" at University of Wisconsin-Madison on February 11, 2009.","Scope and Contents Blue poster for \"Blue Lias\" at Messiah College on February 28, 2009..","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at Austin College on November 6, 2009.","Scope and Contents Color poster for \"Blue Lias or The Fish Lizard's Whore\" at DePauw University on April 9, 2010.","Scope and Contents \"The Dawn Makers\" is an original opera libretto written by Claudia Stevens for the one-act chamber opera composed by Allen Shearer, and production by Composers, Inc., for the premiere in San Francisco, February 4, 2009. This series includes libretto, piano-vocal score, announcements, flyers, posters, news articles and reviews, and a DVD.","This folder includes material related to \"The Dawn Makers.\"","Scope and Contents \"The Dawn Makers\" piano-vocal score by Allen Shearer, libretto by Claudia Stevens.","Scope and Contents Composers, Inc. online advertisement for the premiere of \"The Dawn Makers\" as its first opera production on February 4, 2009 at Herbst Theatre, San Francisco.","Postcard flyer for February 4 performance at Herbst Theatre, San Francisco","Email color announcement for the February 4, 2009, performance at Herbst Theater, San Francisco.","This issue of The Berkeley Daily Planet dated January 29-February 4, 2009, contains an article by Jaime Robles featuring the performance scheduled for February 4, 2009, at Herbst Theatre, San Francisco.","Scope and Contents Contra Costa Times online news article published January 30, 2009, regarding February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Scope and Contents Online feature article by Michael Zwiebach in San Francisco Classical Voice, January 13, 2009, for performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","This is another version of a January 13, 2009, online article by Michael Zwiebach with illustrations and captioned photos.","Composers, Inc. 2008-2009 Season Brochure and Program for February 4, 2009, performance at Herbst Theatre, San Francisco.","Opera review of performance at Herbst Theatre published online in San Francisco Classical Voice by Thomas Busse, February 4, 2009.","Scope and Contents Review by Joshua Kosman in the San Francisco Chronicle of the February 4, 2009, performance of \"The Dawn Makers\" at Herbst Theatre, San Francisco.","Photocopy of a review published in Opera, July 2009, for the February 4, 2009 performance at Herbst Theatre, San Francisco.","Herbst Theatre, San Francisco","Oversized material. This folder contains one color poster for \"The Dawn Makers\" at Herbst Theatre in San Francisco, California on February 4, 2009.","Two fabric pieces with velcro, safety pins and button straps. One has \"Strauss\" labeled on it, the other reads \"Neff.\"","Scope and Contents By Claudia Stevens, \"Fluke\" is the second in her \"Miriam Rothschild\" play cycle titled \"Wick, Fluke, Flea;\" its first reading/workshop was at University of Kansas Theater by faculty and graduate students, March 27, 2008.  This series includes one script and notes.","This folder includes one script by Claudia Stevens titled \"Fluke.\"","Scope and Contents \"Flea\" is a short solo play with text, performance content, and staging by Claudia Stevens, with musical score by Allen Shearer, the third play in her play cycle, \"Wick, Fluke, Flea,\" based upon the life of entomologist Miriam Rothschild  The play premiered at Berkeley Art Center on October 11, 2008; its New York premiere was at Cornelia St. Cafe, January 4, 2009.  This series includes a script, program, announcements, and musical score with text.","This folder includes additional material related to \"Flea.\"","Scope and Contents Text for \"Flea\" script is by Claudia Stevens.","Spiral-bound musical score by Allen Shearer with text by Claudia Stevens, for the play, \"Flea.\"","Scope and Contents Program for the world premiere performance of \"Flea\" on October 11, 2008, at the Harvest of Song at the Berkeley Art Center.","Online announcement by Roald Hoffmann for January 4, 2009, performance at Cornelia Street Café,","Announcement from the Website for Cornelia Street Café, location of the January 4, 2009, performance.","Scope and Contents \"Fleas on Steroids\" is the heading for this announcement with program notes for the Cornelia Street Café performance of \"Flea.\"","Scope and Contents Hollins University online announcement of March 25, 2009, performance of \"Flea\" at Niederer Auditorium, Wetherill Visual Arts Center.","Hollins University events calendar announcement for March 25, 2009, performance.","Assorted Miscellaneous Works are materials from various works created by or collaborated on by Claudia Stevens including early works and collaborations. This series includes Stevens' first inclusion of performance art in a recital, with F. Gerard Errante, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music in March 24, 1986, and her debut as a performance or multidisciplinary artist at Flood Zone in Richmond in October 7, 1986. This series also includes a bound thesis, music, literary and musical sketches, published music books, correspondence, notes, scripts, articles, flyers, posters, programs, season brochures, and photographs.","Scope and Contents A Study of Robert Schumann's Impromptus, Op. 5: Its sources and a critical analysis of its revisions was presented as the Doctoral 'document' (1976) for the Doctor of Musical Arts at Boston University. The research was begun at UC Berkeley. Also in theis folder is a photocopied post-it note stating, \"This dissertation was excerpted in a 1981 \"Musical Quarterly\" article.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","A dog leash has been stapled and adhered to this music book titled Waltzes by 25 Contemporary Composers for piano, published by C. F. Peters Corporation; it has handwritten notes regarding playing times. A post-it note had indicated the book's use in association with Babbitt's \"Who Cares if you Listen?\"","Scope and Contents Typewritten excerpt of an essay titled \"Who Cares if You Listen\" by Milton Babbitt with handwritten notes.  A photocopy of a post-it note reads, \"Babbitt essay excerpted as voiceover.\"","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Scope and Contents This piano-vocal score is titled \"A Song Built from Fire\" by Richard Cameron-Wolfe and contains handwritten notes. The notes include a translation on the back page of the Catalan text and lyrics regarding the appearance of a flame-and-smoke breathing serpent.","Photocopies, from the Music Library of The University of Richmond, of pages from the musical work for solo voice titled Stripsody by Cathy Berberian (1966) with comic graphics by Roberto Zamarin. Claudia Stevens' handwritten notes are on some pages and some of the comic strip panels are taped to cardboard.","Scope and Contents Typewritten letter signed by composer Carlton Gamer to Claudia Stevens thanking her for performances of his work and in response to her request to write music and text for her solo performance work. He mentions the enclosure of a photocopied older piece of his [\"Aria da Capo\"] for her use and he expresses his openness to future collaboration.","Scope and Contents Photocopied cover page of \"Aria da Capo\" by Carlton Gamer.","Scope and Contents Single typewritten page of text for Part I and Part II of \"Aria da Capo\" by Ilka Suarez and Carlton Gamer, citing original words and choreography by Ilka Suarez (1952) and words and music by Carlton Gamer (1952, revised 1986).","Scope and Contents Three pages of musical revisions and text for \"Aria da Capo\" by Carlton Gamer, which had been described on a post-it note as \"revised for Stevens' performance.\"","Handwritten letter from Carlton Gamer to Claudia Stevens regarding enclosed revisions and corrections for \"Aria da Capo.\"","Scope and Contents Piano-vocal score titled \"Mon Ami: Ariette variee a chanter-jouer pour pianiste femme ou enfant\" (1976) by Betsy Jolas, on which handwritten notes by Claudia Stevens describe it as \"one of a very few pieces around actually composed for a self ac.[accompanied] singer.\"","Scope and Contents 1952 score of \"Aria da Capo\" by Carlton Gamer with handwritten revisions and text made in 1986 for Claudia Stevens' performance. Part I and Part II comprise 21 numbered pages.","Scope and Contents This folder contains a typewritten script for a musical theater piece titled \"Lucy as a Work of Art\" by Claudia Stevens, 1986, described as an \"early stage or television concept\" based on E. M. Forster's novel \"A Room with a View.\" The script contains handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. The box previously housing these items was labeled \"Collaborations and arrangements ... scores, props, etc...\"","Handwritten letter from Elaine Barkin of Hollywood, CA, to Claudia Stevens discussing enclosed musical sketches.","Letter from Elaine Barkin to Claudia Stevens regarding enclosed musical revisions and cassette tape.","Scope and Contents Musical sketches and text for a \"Vocal Voice Piece\" by Elaine Barkin that were enclosed with Elaine Barkin's letters, with handwritten notes.","Scope and Contents Music-vocal score titled \"Parlor Music for Claudia Stevens\" by Elaine Barkin, with typewritten text and handwritten production notes.","Signed typewritten letter from Elaine Barkin to Claudia Stevens regarding her reaction and concerns for Claudia's revisions and interpretive treatment of the music-vocal piece created by Elaine Barkin. Tape recording of the performance by Claudia Stevens are mentioned in the letter.","Postcard, postmarked from Van Nuys. CA, on April 18, 1986, from Elaine Barkin to Claudia Stevens following her trip to Australia and Fiji, requesting another tape and Claudia's plans for the collaborative piece.","This is another copy or version, on larger paper, of the collaborative music-vocal score by Elaine Barkin for Claudia Stevens, with handwritten notes.","This folder includes additional material related to Assorted Miscellaneous Works. Included in this folder are materials related to early works and collaborations by Claudia Stevens, Stevens' first inclusion of performance art in a recital, first debut as performace artist, and first season of her Panoply program.","Program for Claudia Stevens' first inclusion of performance art in a music recital (as indicated on a handwritten post-it note), with F. Gerard Errante on Clarinet, at The Wiliamsburg Regional Library and presented by The College of William and Mary Department of Music. Selections include pieces composed by Edward Miller, Carlton Gamer, F. Gerard Errante, Johannes Brahms, and others.","Photocopied news article, by cindy Gricus in Style Weekly, previewing Claudia Stevens' October 7, 1986, solo performance at Flood Zone.","Scope and Contents Postcard for \"An Evening of Performance Art with Multi-media Artist Claudia Stevens\" at Flood Zone in Richmond, Va. for Open Stage Nite, Stevens' \"debut as 'performance artist'.\"","Two photocopies of a review of Stevens' October 7, 1986, performance at Flood Zone, by Aloma Denise Alber, in the Richmond Times-Dispatch.","Scope and Contents Two photocopies of a review of Claudia Stevens' \"performance artist ... one-woman show\" on October 7, 1986, by Liz Vantrease in The Richmond News Leader.","Scope and Contents Two programs on yellow paper (one has checkmarks) for  presentation of Claudia Stevens' first season of \"Panoply\" at Hampden-Sydney College on November 3, 1986.","Letter from James C. Kidd to Claudia Stevens thanking her for the November 3 performance at Hampden-Sydney College and for speaking to his Fine Arts students.","Scope and Contents Brown poster for \"Deutsches Kunstfest German Festival\" at the Virginia Museum of Fine Arts with a performance schedule that includes a Cabaret Concert by Claudia Stevens.","Two photocopies of an article by Matthew Brookoff in The Load, a publication of the State University of New York at Purchase, previewing a free performance to be held on March 5, 1987, by Claudia Stevens, funded by a Purchase Affiliates Grant.","Program for Claudia Stevens' performance presented by the Suny-Purchase Dance Division and the Purchase Affiliates. Handwritten notes by Stevens indicate, \"One of my earliest presentations as 'performance artist'.\"","Black and white poster for Claudia Stevens' performance billed as \"Classical Cabaret? ... Performance Art?\" at the Suny-Purchase Dance Theater Lab.","Flyer advertising Northern Lights Concert Series 1986-1987, presenting Classical Cabaret: A One Woman Show by Claudia Stevens at Sage in Croton Falls, New York.","Scope and Contents Black and white program for \"Classical Cabaret\" at the Schoolhouse Art Group Extension (S.A.G.E.) in Croton Falls, NY.","Scope and Contents Two black and white brochures (one has pink highlights) from the Art Department of Modlin Fine Arts Center at the University of Richmond, Va., advertising the Tucker-Boatwright Festival that included a concert performance of \"Panoply\" by Claudia Stevens on March 10, 1987.","Photocopied announcement for April 12 performance at the University of Richmond of \"Pierrot Luniare,\" presented by the University of Richmond's music ensemble, Currents, featuring vocalist Claudia Stevens; listing is highlighted by Susan Abramson in the Style Weekly newspaper.","Scope and Contents Article in The Arts at William \u0026 Mary previewing performance of Claudia Stevens with Currents, from University of Richmond, in Arnold Schoenberg's \"Pierrot Lunaire\" scheduled for April 14, 1987, in Phi Beta Kappa Memorial Hall at the College of William and Mary.","Scope and Contents Photocopied announcement in The Richmond News Leader regarding Claudia Stevens as soloist in Currents presentation of \"Pierrot Lunaire\" on April 12, 1987, at the University of Richmond.","Scope and Contents Article previewing Claudia Stevens' performance of \"Pierrot Lunaire\" in collaboration with Fred Cohen and the Currents ensemble at the University of Richmond. The article by Clarke Bustard was published in the Richmond Times-Dispatch on the same day as the performance.","Scope and Contents Regarding Stevens' performance of Arnold Schoenberg's \"Pierrot Lunaire\" with accompaniment by Currents musicians directed by Fred Cohen, reviewed by Liz Vantrease for The Richmond News Leader. The review praises other performances in the same program by other pianists, including an opening piece performed by Claudia Stevens' husband Richard Becker.","Clarke Bustard's Richmond-Times Dispatch review of Claudia Stevens' performance, with Currents, at the University of Richmond.","Scope and Contents Program for Currents, with vocalist Claudia Stevens, performing Schoenberg's \"Pierrot Lunaire\" at the College of William and Mary in Phi Beta Kappa Hall.","Article in Colorado Springs' Gazette Telegraph previewing performance by Claudia Stevens of her Panoply program at Colorado College.","Scope and Contents Dark yellow program for Panoply by Claudia Stevens, performed at Colorado College; pieces performed in the program included \"Aria da Capo\" by Carlton Gamer, \"Mon Ami\" by Betsy Jolas, and \"Carreño\" by Judith Shatin Allen,","Black and white flyer for performance of Panoply by Claudia Stevens at Colorado College.","Scope and Contents Program for The Colorado New Music Series' presentation of \"The Composers Concert,\" featuring music by Charles Eakin and music by Carlton Gamer, including \"Aria da Capo\" performed by Claudia Stevens.","Review in The Denver Post of the Colorado New Music Composers Concert at Houston Fine Arts Center in Denver, Colorado, which included Claudia Stevens' performance of \"Aria da Capo.\"","Two photocopies of a review article in The Catalyst of Claudia Stevens' multi-piece performance at Colorado College.","Invitation to The Muscarelle Museum of Art, on the campus of the College of William and Mary, to attend Panoply, performed by Claudia Stevens.","Bright yellow flyer advertising Muscarelle Museum of Art Dedication Celebration Events; Panoply by Claudia Stevens on October 21, is one of four scheduled events.","Program for the performance of Panoply by Claudia Stevens at the Muscarelle Museum of Art at the College of William and Mary.","Scope and Contents Black and white postcard for \"Panoply: Performance Art-Cabaret-Dada, 'Disarrangements' of Classical Favorites from the fingers, lips, crazed imaginings of Claudia Stevens\" on Tuesday, Semteper [sic] 27\" at Flood Zone in Richmond, Va. On the back is a handwritten \"PR list for \"Zwang.\"","Scope and Contents Black and white flyer advertising \"Panoply: Art-Cabaret-Dada Disarrangements of Classical Favorites\" by Claudia Stevens at Flood Zone in Richmond, Va.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Cassette tape labeled \"Carreño text - Gustavo Pellon\"","Scope and Contents Typewritten letter to Claudia Stevens signed \"Judith\" with handwritten postscript, from Composer Judith Shatin referencing her work on Carreño.","Text for Carreño by Judith Shatin Allen.","Text for Carreño by Judith Shatin Allen and inscribed to Claudia, with handwritten revisions and notes by Claudia Stevens.","Scope and Contents Publication titled \"Tunnels\" by Stuart Saunders Smith, \"a solo music-text-theater composition for any keyboard, string instrument, or multiple percussion.\" Contains handwritten notes by Claudia Stevens.","Multiple pages of compositions (circa 1900) from a 1970 publication, by Arnold Schoenberg with German text, containing handwritten notes by Claudia Stevens for her voice and piano performance as \"Cabaret Songs.\"","Scope and Contents Musical score with text of \"Baudelaire's Uncle\" by Francis Schwartz, accompanied by a handwritten note to Claudia signed \"Francis.\"","Scope and Contents Second copy of \"Baudelaire's Uncle\" by Francis Schwartz, with handwritten stage production notes by Claudia Stevens.","Scope and Contents Photocopies of a Piano-Vocal Score titled \"How to Tell the Birds from the Flowers\" by Richard Becker (1987) with text by Robert Williams Wood (1917), with handwritten notes by Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Letter from Shasta Community Concert Association of Redding, California, enclosing souvenir 50th-season brochure.","Shasta Community Concert Association 50th-season souvenir brochure (1987-1988) that includes a March 7, 1988, piano performance by Claudia Stevens in Redding, California.","Flyer for mailing from the Shasta Community Concert Association, for season 1987-1988.","Program notes for Claudia Stevens piano performances.","Program for Claudia Stevens' piano performance presented by the Community Concert Association.  Partial pages from a second program are with this item.","Program for The Virginia Museum of Fine Arts presentation of Panoply by Claudia Stevens.","Program mailer for Un/Common Ground presentations by Virginia Artists in January 13-March 6, 1988, including Claudia Stevens' Panoply on January 14 at the Virginia Museum of Fine Arts.","Virginia Museum of Fine Arts Bulletin, Volume 48, Number 3, January-February, 1988.","Scope and Contents Photocopy of an article regarding January 14 \"Panoply\" performance by Claudia Stevens, reviewed by Francis Church in The Richmond News Leader.","Scope and Contents News clipping from Afro-American (Richmond newspaper), an article about \"Panoply\" performance scheduled for January 14 performance at the Virginia Museum of Fine Arts.","Program for a contemporary piano concert by Claudia Stevens at Centre Hill Mansion in Petersburg, Virginia.","Scope and Contents Photocopied article by Laura Christman in Record Searchlight regarding Claudia Stevens \"Panoply\" performance scheduled for the Redding Convention Center in Redding, California.","Photocopied review by Colleen Cotter in Record Searchlight regarding Claudia Stevens' Redding, California performance.","Captioned photo in Style Weekly announcing performance at St. Christopher's School.","Program for Claudia Stevens' performance of Panoply in the Saint Christopher's School Concert Series, Richmond, Virginia.","Announcement letter for March 21 performance by Claudia Stevens in the St. Christopher's School Concert Series.","Article about Panoply at Longwood College in The Farmville Herald.","Program for Claudia Stevens' Panoply performance at Longwood College.","Article in the Daily Press regarding Claudia Stevens free performance of Panoply at the Chrysler Museum in the Family Fun series.","Flyer regarding Claudia Stevens' planned performance on May 1 at the Chrysler Museum; flyer includes May-June calendar of events.","Flyer with photo of Stevens as Teresa Carreno quoting reviews of Panoply performances from April, 1987, through March, 1988.","Illustrated program (on single sheet of buff-colored paper) for Chrysler Museum performance of Panoply.","Program for performances by Richard Becker, pianist, and Claudia Stevens, performance artist, at Washington and Lee University.","Red flyer for Pierrot Lunaire by Arnold Schoenberg performed by Claudia Stevens at the University of Richmond.","Scope and Contents Green flyer for Claudia Stevens' performance of Judith Shatin's \"Carreno\" at the University of Virginia.","Stagebill, Volume XVIII, Number 2, October, 1989, the monthly magazine for the John F. Kennedy Center for the Performing Arts in Washington, D.C.  This issue features a program that includes Claudia Stevens as pianist/vocalist in a performance of Carlton Gamer's Aria Da Capo on October 26, 1989.","Scope and Contents Announcement in The Virginian-Pilot for Claudia Stevens to perform \"one-woman cabaret act\" at Chrysler Museum Theater on Sunday, December 3, 1989. Note identifies the event as a \"French Festival.\"","Program for a Panoply performance at Winterfare '90 Series Event at the Kerrytown Concert House in Ann Arbor, Michigan.","Scope and Contents Article in The Virginian-Pilot previewing a performance to include \"Spinnerets\" by Claudia Stevens at the Virginia Beach Center for the Arts on Wednesday, November 14, 1990.","Three-page Program on pink paper for Panoply by Claudia Stevens, performed at the Virginia Beach Center for the Arts, featuring \"Spinnerets,\" \"Pendu,\" and \"The Heart Disclosed.\"","Scope and Contents Photograph of Claudia Stevens in performance of \"Spinnerets\" at the Virginina Beach Center for the Arts.","Program for Panoply performance at Hampden-Sydney College.","Various original news clippings of articles, announcements, and reviews regarding Claudia Stevens' performances, photocopies of which are chronologically located in this folder.","This folder includes additional material related to Assorted Miscellaneous Works.","Text and notes for \"Mimus Polyglottus,\" an unproduced work later used as source material in other works. Includes bibliographic footnotes.","Scope and Contents Letter from Claudia Stevens to Composer Fred Cohen discussing her ideas for \"Mimus Polyglottus\" inviting his collaboration on the music and sound.","Scope and Contents Design sketches and notes related to a proposed collaboration between Claudia Stevens and Sculptor Chuck Henry, for wearable screens, costumes, and installation, in conjunction with the \"Mimus Polyglottos\" work.","Scope and Contents Excerpt of the text from \"Mimus Polyglottos\" for use with notes on proposed collaboration with Sculptor Chuck Henry.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 1995-1996 through 1999-2000 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series. The tour directories provide information on performing artists, musicians, opera, dance, and theater groups available for contracts with non-profit organizations and schools in the touring area of the Virginia community.","1995-1996 Tour Directory: Virginia Commission for the Arts.","1996-1997 Tour Directory: Virginia Commission for the Arts.","1997-1998 Tour Directory: Virginia Commission for the Arts.","1998-1999 Tour Directory: Virginia Commission for the Arts.","1999-2000 Tour Directory: Virginia Commission for the Arts.","Scope and Contents This folder contains tour directories for the Virginia Commission for the Arts, for seasons 2000-2001 through 2003-2004 that include announcements for available performances by Claudia Stevens in her \"Panoply\" project series.","2000-2001 Tour Directory: Virginia Commission for the Arts.","2001-2002 Tour Directory: Virginia Commission for the Arts.","2002-2003 Tour Directory: Virginia Commission for the Arts.","2003-2004 Tour Directory: Virginia Commission for the Arts.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents The MacDowell Colony Newsletter, Volume 29, Number 2, Fall 2000, containing an announcement of Claudia Stevens' December, 2000, premiere of \"In the Puppeteer's Wake\" in Richmond, VA and a May, 2001, performance of \"A Table Before Me\" at Queens College, CUNY, page 18.","Scope and Contents Promotional flyer for a \"Panoply\" concert of miscellaneous short works and excerpts from others created by Claudia Stevens for presentation June 22, 2004, as a guest artist at Gitameit Music Center, Myanmar (Burma).","Color brochure for Gitameit Music Center, a non-profit community center and music school ocated in Yangon, Myanmar.","Scope and Contents Script and outline for Claudia Stevens' performance of \"Panoply\" at the Gitameit Music Center in June of 2004. Stevens' notes indicate the script's \"oblique reference to Aung San Suu Kyi under house...\" and that it was \"performed in the presence of government informants.\"","Captioned color photos, including Claudia Stevens in performance, printed from the Website for the Gitameit Music Center, www.gitameit.org.","Photograph of stage for Claudia Stevens' performance at Gitameit Music Centre, Myanmar.","Scope and Contents Flyer promoting a presentation by Claudia Stevens titled \"Alas, Burma--A Report on Musical Life\" at Ewell Hall, College of William and Mary.","Color flyer for performances of various works by Claudia Stevens on September 13, 14, and 15, 2005, at Cornell University.","Poem titled \"Red and White,\" by Claudia Stevens, on three typewritten pages.","Scope and Contents Photocopied proof, with notes, for an article titled \"Revelation, a conversation with Claudia Stevens\" written by Aron Hirt-Manheimer for publication in Reform Judaism, Winter, 2009.","Reform Judaism, Volume 38, Number 2, Winter, 2009. This issue features an article written by Editor Aron Hirt-Manheimer based upon an interview with Claudia Stevens.","This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow flyer for \"Music out of Words: A Talk by Claudia Stevens\" at Ewell Hall, The College of William and Mary.","Color printouts of articles, reviews, and announcements from the University of Puget Sound Website, www.pugetsound.edu, and the The College of William and Mary Website, www.wm.edu, regarding performances in January-February, 2011.","This folder contains additional material related to \"Assorted Miscellaneous Works.\"","Original libretto by Claudia Stevens after The Tempest, titled Prospero in the Falklands.","Online event announcement for William \u0026 Mary Visiting Scholar Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" to be performed at the College of William \u0026 Mary on February 2, 2011.","Color flyer for a lecture at the College of William \u0026 Mary, \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist,\" given by Visiting Scholar Claudia Stevens.","Online event announcement, printed from James Madison University Website, for Claudia Stevens' lecture on arts entrepreneurship, \"Breaking Some Eggs,\" to be presented on March 21, 2012.","Scope and Contents Event listing on Hampden-Sydney College Website for \"Breaking Some Eggs: Strategies for Careers in the Creative and Performing Arts\" lecture to be presented by Claudia Stevens on March 22, 2012.","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Yellow poster for Claudia Stevens' first \"Panoply\" season performance at Hampden-Syndey College on November 3, 1986.","Scope and Contents Color poster for \"Classical Cabaret: A One Woman Show\" performed by Claudia Stevens for a Northern Lights Concert Series performance on March 7, 1987, in New York. Stevens performed works by: Kurt Weill, Erik Satie, Arnold Schoenberg, Carlton Gamer, Elaine Barkin, and R. Cameron-Wolfe.","Scope and Contents Spiral-bound muscial-vocal score titled \"Carreño\" with text and music by Judith Shatin Allen, created for Claudia Stevens and dedicated to 19th-century Venezuelan pianist Teresa Carreño, It contains hand-written and typewritten notes.","Scope and Contents Large color poster for Stevens' \"Panoply\" performance on October 5, 1987, at Colorado College that mentions inclusion of a work by Carlton Gamer of the Colorado College faculty.","Scope and Contents A promotional pamphlet about \"Panoply\" that includes excerpted reviews and booking information.","Scope and Contents Yellow promotional flyer for \"Panoply\" with excerpted reviews and booking information. \"1989-90 seasons\" is handwritten on top.","Color poster advertising a January 31, 2011, lecture by Claudia Stevens as part of a program at the University of Puget Sound titled \"Breaking Some Eggs: Strategies in Career Advancement for the Entrepreneurial Artist.\"","Oversize material. This folder includes additional material related to Assorted Miscellaneous Works.","Scope and Contents Color poster for Claudia Stevens' Guest Lecture titled \"Breaking Some Eggs\" at the University of Puget Sound.","Scope and Contents Color poster for Sonic Harvest 11, a festival at The Hillside Club in Berkeley, California; performers, composers, and writers include Claudia Stevens on piano for Allen Shearer's \"Medallion and as author of the libretto and as musical director for \"Dodo and Celia\" (from the opera \"Middlemarch\" in collaboration with music by Allen Shearer.","A Very Large Mole (2009) is a short comic chamber opera for three male characters with music by Allen Shearer and original libretto by Claudia Stevens (after a Kafka short story) that premiered at Berkeley Art Center, October, 2009, and in San Francisco in the \"Composers, Inc.\" concert series on October 19, 2009; the libretto is published in the poetry journal, Exquisite Corpse, summer, 2010. This series includes librettos, piano-vocal score, online journal publication printout, program, concert series brochure, and announcements. Digital content related to this series, the Berkeley Art Center Production of \"A Very Large Mole,\" October 17, 2009, (Mss. 2009.601.001) is available in the Digital Archive at: http://hdl.handle.net/10288/13857","This folder contains a draft version and revised text (dated April 29, 2009) of the libretto by Claudia Stevens for the chamber opera after Franz Kafka titled \"A Very Large Mole.\" It also contains a piano-vocal score, with music by Allen Shearer, and the printout from the libretto's online publication in Exquisite Corpse: Journal of Letters and Life. This folder also has programs and announcements for its premiere at Sonic Harvest 09 at Berkeley Art Center in October 17-18, 2009 and a Composers Inc performance in San Francisco in October 19, 2010.","Draft typewritten libretto by Claudia Stevens for a chamber opera titled \"A Very Large Mole.\"","Typewritten revised libretto by Claudia Stevens for \"A Very Large Mole.\"","Spiral-bound piano-vocal score by Allen Shearer for \"A Very Large Mole,\" a chamber opera on a libretto by Claudia Stevens after Franz Kafka's unfinished short story, \"Der Dorfschulmeister.\"","Printout (May 20, 2010) from the online publication (circa 2009) of the libretto by Claudia Stevens for the chamber opera by Allen Shearer, \"A Very Large Mole.\" This online publication is availalble at http://www.corpse.org/index.php?option=com_content\u0026task=view\u0026id=582\u0026Itemid=64.","Program for Sonic Harvest 09 at Berkeley Art Center, featuring performers including Claudia Stevens and Allen Shearer.","Scope and Contents Online announcement, printed from http://sonicharvest.org, for Sonic Harvest 09 at Berkeley Art Center; program to include the premiere of Allen Shearer's \"A Very Large Mole\" with libretto by Claudia Stevens.","Scope and Contents Program brochure for \"Composer inc new american music\" of San Francisco that includes an October 19, 2010, production, directed by Claudia Stevens, of \"A Very Large Mole\" by Allen Shearer with Claudia Stevens' libretto.","Scope and Contents Announcement on a postcard for 2010-2011 Concerts of Composers Inc; the stage production of Allen Shearer's \"A Very Large Mole\" with Claudia Stevens' libretto is the opening concert on October 19, 2010.","Scope and Contents Revised and retitled \"Pigeon\" for performances begininning in 2011, the solo play \"Wick\" is the first and largest work in the Miriam Rotschild play cycle, \"Wick, Fluke, Flea,\" with text, music, concept, and staging created by Claudia Stevens in 2009. \"Wick\" premiered at the University of North Carolina, Charlotte on March 22, 2010 and was also presented informally at the College of William and Mary on March 26, 2010.  This series includes scripts, programs, and announcements.","Scope and Contents This folder contains two scripts titled \"Wick\" with notes as well as announcements and programs for 2010 performances at the University of North Carolina at Charlotte, Utah Valley University, and Sonic Harvest 10 in Berkeley, CA,","Typewritten draft script, with handwritten notes, for \"Wick,\" a solo play with text and music by Claudia Stevens.","Typewritten revised script, with some handwritten notes, for \"Wick,\" text and music by Claudia Stevens.","Scope and Contents Color illustrated flyer for Claudia Stevens' world premiere performance of her solo play \"Wick\" at the University of North Carolina, Charlotte.","Scope and Contents Program for the premiere production of \"Wick\" by Claudia Stevens at UNC Charlotte.","Ticket for September 7, 2010 performance of \"Wick at Utah Valley University.","Scope and Contents Printout of an online announcement in the San Francisco Classical Voice Website for Sonic Harvest 10, to include presentations of \"Wick\" by Claudia Stevens and \"Riddle Me\" by Allen Shearer (libretto by Stevens).","Scope and Contents Program for Sonic Harvest 10 at The Hillside Club in Berkeley, California, which included performances of \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","This folder includes additional material related to \"Pigeon.\"","Scope and Contents: Online announcement of March 11, 2011, performance of \"Pigeon\" at the University of California, Davis campus.","Scope and Contents Color Flyer for \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Program for performance of \"Pigeon\" presented at the University of California, Davis campus.","Scope and Contents Listing for September 26, 2011 performance of \"Pigeon\" on the Ruth B. Shannon Center for the Performing Arts online 2011-2012 Season calendar of events.","Scope and Contents Program for the performance of \"Pigeon\" at the Ruth B. Shannon Center for the Performing Arts at Whittier College.","Article printed from University of Southern California Website, describing \"Pigeon: A solo play by Claudia Stevens,\" scheduled for performance for the USC Levan Institute for Humanities and Ethics on September 27, 2011.","Scope and Contents Program for \"Pigeon\" by Claudia Stevens, presented by USC's Levan Institute for Humanities and Ethics.","Scope and Contents Review published in the online Daily Trojan for the USC performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Western Michigan University Center for the Humanities 2011-2012 Season Brochure of events, including Claudia Stevens performing \"Pigeon\" on November 8, 2011.","Scope and Contents Article online in WMU News for Western Michigan University November 8, 2011 performance of \"Pigeon\" by Claudia Stevens.","Scope and Contents Color flyer advertising \"Pigeon\" performance at Western Michigan University.","Scope and Contents Program for the performance of \"Pigeon\" at Western Michigan University.","Scope and Contents This folder contains hand written sketches of musical accompanyment for \"Pigeon\" written by Claudia Stevens. Also are scriptsof the opera with Stevens' notes where she made changes.","Oversize material. This folder contains one color poster for a performance of \"Wick\" by Claudia Stevens on September 7, 2010, at Utah Valley University.","Scope and Contents \"Riddle Me\" is an original libretto (based on Rumpelstiltskin) created in 2009 by Claudia Stevens for the one-act opera for youth by Allen Shearer.  A reduced version was presented at Sonic Harvest 10 in Berkeley, Ca.  Its first full production premiered on March 6, 2011, produced by the opera workshop of the University of California at Santa Cruz (UCSC), Brian Stauffenbiel, Director.  This series includes several libretto versions with notes, a piano-vocal score, programs, posters, and announcements.","Scope and Contents This folder contains several versions of the \"Riddle Me\" libretto by Claudia Stevens as well as the piano-vocal score with music by Allen Shearer.  Also in the file are posters, announcements, and programs.","Scope and Contents Typewritten \"Ideas for Riddle Me,\" paragraphs outlining each of six scenes for the chamber opera \"Riddle Me\" libretto by Claudia Stevens.","Draft of the opera libretto script by Claudia Stevens for \"Riddle Me,\" typewritten with handwritten notes.","Scope and Contents Reduced version of the libretto for \"Riddle Me\" by Claudia Stevens, used for a production at Sonic Harvest 10, Berkeley, California, spiral-bound with handwritten revisions.","Scope and Contents Online announcement on http://sonicharvest.org/ for Sonic Harvest 10, featuring \"Wick\" and \"Riddle Me\" by Claudia Stevens and Allen Shearer.","Scope and Contents Sonic Harvest 10 program that includes Claudia Stevens and Allen Shearer in productions of \"Wick\" and \"Riddle Me.\"","Color flyer for \"Riddle Me,\" an opera for youth composed by Allen Shearer with libretto by Claudia Stevens, fully staged at the University of California, Santa Cruz.","Scope and Contents Announcement printed from the San Francisco Classical Voice Website for \"Riddle Me\" premiere at UC Santa Cruz Music Center Recital Hall on March 6, 2011.","Scope and Contents Announcement printed from http://arts.ucsc.edu for \"Riddle Me\" premiere at UC Santa Cruz on March 6, 2011.","Scope and Contents Spiral-bound piano-vocal score for the chamber opera \"Riddle Me\" by Allen Shearer with libretto by Claudia Stevens.","This folder contains additional material related to \"Riddle Me.\"","Spiral-bound piano-vocal score used by Claudia Stevens in direction of the first staging of scenes from \"Riddle Me,\" a chamber opera composed by Allen Shearer with libretto by Claudia Stevens performed at Sonic Harvest 10 in Berkeley, California, on October 24, 2010.","Scope and Contents Program for Sonic Harvest 10, which included excerpt performances, the final scenes, of \"Wick\" (also known as \"Pigeon\") and \"Riddle Me.\" Performances include Claudia Stevens as librettist, director, and performer as mezzo soprano and in the role of Riddle. A DVD of these performances has been separated for adding to the Manuscripts Audiovisual Collection (Mss.1.04).","Scope and Contents Online article printed from San Francisco Classical Voice announcing and describing \"Riddle Me\" to be performed at the University of California Santa Cruz on March 6, 2011.","Scope and Contents Online article printed from Santa Cruz Patch regarding the March 6 performance of \"Riddle Me\" at UC Santa Cruz.","Scope and Contents Flyer that includes promotion of the \"Riddle Me\" performance at UCSC.","Program for the premiere of the full production of \"Riddle Me,\" composed by Allen Shearer with libretto by Claudia Stevens, presented at the University of California at Santa Cruz.","Scope and Contents Color Postcard Flyer for promotion of \"Riddle Me\" performance at California State University, East Bay.","Scope and Contents Online article describing \"Riddle Me\" to be presented at the California State University, East Bay campus, on June 4, 2012.","Program for a performance at the University Theatre of California State University, East Bay. The program includes excerpts from multiple operas and the full production of \"Riddle Me,\" an opera in on act by Allen Shearer on a libretto by Claudia Stevens.","Scope and Contents Middlemarch in Spring, (formerly titled \" Middlemarch, A Love Story\" and \"A Perfect Woman: Six Scenes from Middlemarch\") is a chamber opera in two acts based on the George Eliot, with libretto created by Claudia Stevens and music by Allen Shearer. Its premiere of four performances took place at Z Space (formerly Theater Artaud) in San Francisco, California, March 19-22, 2015, presented by Composers, Inc. This series includes a piano-vocal score, libretto, program, writings about the opera by Claudia Stevens, text of an interview with Claudia Stevens, reviews, a poster that is housed with Sub-Series 18 (Assorted Miscellaneous Works), and a DVD of a fall 2011 performance in Berkeley that can be found in Series 4 of the Audiovisual components of this collection.","This folder includes material related to Middlemarch, A Love Story, including the piano-vocal score and libretto for the October 30, 2011, production of the first scene, \"Dodo and Celia,\" directed by Claudia Stevens, with her handwritten notes on the score.","Scope and Contents Piano-vocal score for \"Dodo and Celia,\" the first scene from the opera \"Middlemarch, A Love Story\" with handwritten notes by Director Claudia Stevens. The music is by Allen Shearer and libretto by Claudia Stevens.","Libretto by Claudia Stevens titled Middlemarch, a Love Story: Six Scenes from the Novel by George Eliot. This libretto contains \"Scene I: Dodo and Celia,\" performed in October 30, 2011, at Sonic Harvest 11.","Scope and Contents Yellow program for Sonic Harvest 11 in Berkeley, California. Performances include Claudia Stevens on piano performing \"Medallion\" (1983) and as director for the premiere performance of \"Dodo an Celia,\" Scene 1 of the opera Middlemarch, libretto by Claudia Stevens, music by Allen Shearer.","Review of Sonic Harvest 11 printed from Repeat Performances (repeatperformances.org). This review includes Claudia Stevens' performance on piano and details related to the production of the opening scene of the opera Middlemarch.","Contains review of Middlemarch","Period spectacles used by \"Mr. Brooke\" in Middlemarch in Spring opera premiere.","Costume jewelry used in Middlemarch in Spring premiere in San Franciso.","Scope and Contents \"Kissing Marfa\" is a short opera in one scene for chorus and soloists with chamber orchestra.  It is based on Anton Chekhov's short story, \"A Slander\".  Collection includes the libretto by Claudia Stevens and the piano- vocal score by composer Allen Shearer.  Its premiere is March 25, 2016 by the East Bay Singers at California State University, East Bay, to whom the work is dedicated.","Scope and Contents \"Circe's Pigs\" is a one act chamber opera with libretto by Claudia Stevens and music by Allen Shearer. It is based on the Circe- Odyssey episode of Homer's Odyssey updated to the present. Collection contains libretto only. More material will be added to this subseries as the opera is completed and performed.","Howeard's End a two act opera in five scenes. Collection contains libretto by Claudia Stevens. Chamber opera in progress by Allen Shearer. More material will be added to this subseries as the opera is completed and performed.","A mushroom shaped metal tool with a longer metal \"tounge\" out of the stalk end. Makes a noise similar to a tuning fork when struck.","Scope and Contents The marionettes include the following: One wooden marionette that was \"imagined,\" but not used, in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The marionette is wearing a black hat, and black and green felt robe with an orange collar. The marionette is approximately 23 in. tall. In fair condition with a few chips in the wood. One wooden marionette of a Man that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The man is wearing gray wool pants, a white button-down shirt, and a red wool cap. The pole attached to the marionette is approximately 27 3/4 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with the man's hands starting to crack and some wear on the man's face.One wooden marionette of a women that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The women is wearing a red and gold oriental dress and a green wool cap. The pole attached to the marionette is approximately 31 in. tall. The marionette itself is approximately 18 in. tall. In fair condition with slight wear around the face and feet.One wooden marionette of a boy that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The boy is wearing a red wool cap, a wool red flannel shirt with blue sleeves, and a blue and white striped pant. The pole of the marionette is approximately 24 in. long. The boy is approximately 12 in. tall. The marionette is in fair condition with wear around the face and hands as well as some minor tears on the sleeves of the shirt. The left lower leg of the boy is loose.One wooden marionette of a girl that was used in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. It was created by Stevens' father, Michael Stevens (1915-2009). The girl has light brown hair, a dress with a gold floral pattern on the top and black on the bottom of the dress. There is a patch of the same floral pattern as the top of the dress sewn into the black bottom of the dress. The girl is also wearing a black scarf. The pole attached to the marionette is approximately 25 1/2 in., while the marionette is approximately 11 in. tall. The marionette is in fair condition with wear around the face and feet, and the head is loose.One wooden marionette stand used to hold the marionettes in the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright, and composer. The piece of wood contains 9 bolts that are used to hold the marionettes in place. On the side of the stand there is written in green \"David '86.\" Approximately 11 7/8 in. x 1 1/2 in. In good condition.","Scope and Contents Four wooden holders that were used to hold the marionettes in place for the work \"In the Puppeteer's Wake\" by Claudia Stevens, a musician/actor, playwright and composer. Each of the holders contain small metal loops and strings to hold the marionette in place. There is a black leather strap attached to one of the holders. Each holder is approximately 6 in. x 8 in. They are in poor condition with several chips in the wood and the holes are starting to corrode.","Scope and Contents One tin decorative personal mirror that was used by Felice Bauer in the work \"Felice to Franz\" by Claudia Stevens, a musician/actor, playwright, and composer. The back of the mirror is engraved with flowers all around the back and handle of the mirror. It is also engraved on the back with \"FF\" or \"SS\". The mirror is approximately 4 in. x 4 in., while the handle is 2 in. x 2 in. The mirror is in fair condition with some corrosion and stains on the back.","These are the materials consisting of Video cassette tapes, Audio cassette tapes, compact disks, digital video disks, floppy disks, and reel-to-reel audiotapes featuring Claudia Stevens.","AV. Mss. Acc. 2009.114.001: The Heart Disclosed: Live at Hampden-Sydney College, February 14, 1991. One VHS tape.","Item 2: AV. Mss. Acc. 2009.114.002: Felice to Franz-Unedited Recording, December 9, 1992. One VHS tape.","AV. Mss. Acc. 2009.114.003: Felice to Franz: Live at William and Mary, 1993. One VHS tape.","AV. Mss. Acc. 2009.114.004: Felice to Franze: Peninsula Fine Arts Center, Newport News, 1993. One VHS tape.","Av. Mss. Acc. 2009.114.005: Felice to Franz: Walden Music Festival, New Hampshire, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.006: Felice to Franz: University of Richmond, undated. One VHS tape.","AV. Mss. Acc. 2009.114.007: Playing Paradis: Live at the Baltimore Theatre Project, October 2, 1994. One VHS tape.","AV. Mss. Acc. 2009.114.008: Playing Paradis: Live in Budapest, May 20, 1995. One VHS tape.","AV. Mss. Acc. 2009.114.009: Birdwoman: The Movie, or Lewis and Clark and Me: Eastern Menonite University, November 18, 1999. One VHS tape.","AV. Mss. Acc. 2009.114.010: A Table Before Me at Hampden-Sydney College, March 4, 2002. One VHS tape.","AV. Mss. Acc. 2009.011: Dreadful Sorry Guys at Creighton University, January 28, 2003. One VHS tape.","AV. Mss. Acc. 2009.114.012: Dreadful Sorry Guys at Washington and Lee, 2006. One VHS tape.","AV. Mss. Acc. 2009.114.013-015: Pianoply, October 5, 1987. Three VHS tapes.","AV. Mss. Acc. 2009.114.016: Pianoply, undated. One VHS tape.","AV. Mss. Acc. 2009.114.017-018: Carreno, undated. Two VHS tapes.","AV. Mss. Acc. 2009.114.019: Claudia Stevens: Live at Hampden-Sydney, February 14, 1991. One VHS tape.","Scope and Contents AV. Mss. Acc. 2009.114.020: \"#6 at William and Mary\". One oversized VHS tape. Stored at the end of the series.","AV. Mss. Acc. 2013.033.006: Claudia Stevens Piano Performance with The Richmond Symphony, 1985 February 16. Videocassette tape of a piano solo by Claudia Stevens of Schumann's Piano Concerto with The Richmond Symphony conducted by Jacques Houtmann. The performance was from a live broadcast by the Public Broadcasting Service affiliate. The video also features an interview with Stevens.","Live semi-staged reading at Brandeis University. 1 DVC","Item 1: AV. Mss. Acc. 2009.601.001: PP1 Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.002: PP1, PP2 Conclusion of Rehearsal. One cassette tape.","AV. Mss. Acc. 2009.601.003: Starting Scene 2 of Act 2. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.004: \"Bird Woman\" Kid's (Shorter) Tape Segment. One cassette tape.","AV. Mss. Acc. 2009.601.005: Copy - Children's Bird Woman. One cassette tape.","AV. Mss. Acc. 2009.601.006: Rehearsal Segments – \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.007: \"Bird Woman\". One cassette tape.","AV. Mss. Acc. 2009.601.008: One cassette tape.","AV. Mss. Acc. 2009.601.009: Copy for Practice – \"In the Pupeteer's Wake\". One cassette tape.","AV. Mss. Acc. 2009.601.010: Tape I Copy - \"In the Pupeteer's Wake. One cassette tape.","AV. Mss. Acc. 2009.601.011: \"\"In the Pupeteer's Wake \" Tape II. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.012: Miscellaneous Early Work: Claudia Stevens as Vocalist in Schoenberg's \"Pierrot Lunaire\". One cassette tape.","AV. Mss. Acc. 2009.601.013: Not labelled. One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.014: \"No Concert\". One cassette tape.","Scope and Contents AV. Mss. Acc. 2009.601.015: \"The Heart Disclosed\" Radio Play, Written and Performed by ClaudiaStevens, 1991. The radio broadcast for \"NPR Playhouse.\" One cassette tape.","AV. Mss. Acc. 2013.033.001 Claudia Steven Piano Performance Live at Music Center Auditorium, Virginia Commonwealth University, March 5, 1981. One auiocassette tape of a live concert with piano music by Clauida Stevens. The program was also repeated on March 12, 1981 at the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts and on March 13, 1981 at Bennington College. The program included the following pieces: Beethoven, Bagatelles, Opus 126, Copland, Piano Fantasy, Schumann, Sonata in F minor, Opus 14","AV. Mss. Acc. 2013.033.002 Claudia Stevens Guest Artist Recital at the Dallas Public Library, December 19, 1983. Audiocassette tape of a piano recital by Claudia Stevens performing the Elliott Carter Piano Concerto that was recorded and broadcasted on KERA (a National Public Radio affiliate).","Scope and Contents AV. Mss. Acc. 2013.033.003 Claudia Stevens Piano Concert at Carnegie Recital Hall, 1983. Audiocassette tape of a piano concert by Claudia Stevens issued by \"Perspectives of New Music, 1983-1984\". Includes short pieces by Ellen Taaffe Zwilich, Jeffery Mumford, Ira Taxin, Claudia Stevens (\"Widmung\"), Joel Chadabe, and Betsy Jolas.","Scope and Contents AV. Mss. Acc. 2013.033.004 Claudia Stevens Performance of Schoenberg's \"Pierrot Lunaire\" at the University of Richmond, April 12, 1987. Audiocassette tape of a piano performance by Claudia Stevens featuring the Currents New Music Ensemble with Fred Cohen as director. Stevens brought the performance to Phi Beta Kappa Hall at William and Mary the following week. It was the only William and Mary performance of \"Pierrot Lunaire\".","Scope and Contents AV. Mss. Acc. 2013.033.005 Claudia Stevens Piano Recital Broadcast on \"Performance Today\", November 14, 1990. Audiocassette tape of a piano performance by Claudia Stevens featured on the hour-long live broadcast on National Public Radio's \"Performance Today.\" Included are \"Piano Fantasy\" and \"Piano Variations\" by Copland. The first broadcast was in 1981 at the National Gallery which was attended by Copland.","AV. Mss. Acc. 2003.51.001: Claudia Stevens' Piano Performance at the National Gallery, Washington, D.C., April 22, 1979.  One CD.","AV. Mss. Acc. 2003.51.002: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","AV. Mss. Acc. 2003.51.003: Claudia Stevens' Piano Performance at Carnegie Recital Hall, December 5, 1983. One CD.","Two audio cd's for accompaniment performed  at Cornelia Street, New York City, January 2009 and Hollins University March 2009.","7 Audio CD's.","AV. Mss. Acc. 2009.601.001: Claudia Stevens - In the Puppeteer's Wake. One DVD.","AV. Mss. Acc. 2009.601.002: Claudia Stevens in Blue Lias, or The Fish Lizard's Whore, April 3, 2007. Meredith College Convocation. Series 14. This live performance included original intro and two endings. Later, both were revised. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.003: Dr. Claudia Stevens - \"Dreadful Sorry, Guys\", October 19, 2007. Ida Green Arena Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.004: Claudia Stevens - \"Flea\", January 9, 2008. One DVD.","AV. Mss. Acc. 2009.601.005: The Dawn Makers - Allen Shearer, A Libretto by Claudia Stevens, February 3, 2009. Herbst Theater, War Memorial and Performing Arts Center, San Francisco. One DVD.","AV. Mss. Acc. 2009.601.006: A Very Large Mole, Music by Allen Shearer, Libretto after Kafka by ClaudiaStevens, October 17, 2009. Recorded at Berkeley Art Center. One DVD.","AV. Mss. Acc. 2009.601.007: Blue Lias, or The Fish Lizard's Whore, October 31, 2009. A solo play in one act, written and performed by Claudia Stevens, with music composed by Allen Shearer. One DVD.","Scope and Contents AV. Mss. Acc. 2009.601.008: \"Poisoner on the Train\", September 2004. Baltimore Theater. One DVD.","Scope and Contents AV. Mss. Acc. 2011.059.001: \"Wick\" Performed at Utah Valley University, September 7, 2010. Two DVDs.","1 DVD.","1 DVD.","Premiere Production, 1 DVD.","AV. Mss. Acc. 2003.51.001: Carter-Sessions Papers. One 3.5 inch floppy disk.","AV. Mss. Acc. 2009.601.001: Lewis and Clark and Me, November 6, 1997. Pictures and files. Four 3.5 inch floppy disks","AV. Mss. Acc. 2003.51.001: Claudia Stevens on Piano at the National Gallery, Washington, DC, April 22, 1979. Fives Pieces: Roger Sessions. Four Short Pieces: Gamer, Imbrie, Fine, Diamond. Mouromata: Becker. Six short pieces: Martino, Babbit, Cansky, Spies, Weisgall, Lewin. Sonta #1: Sessions. One audio reel. Includes CD and program.","AV. Mss. Acc. 2003.51.002: Carnegie Recital Hall, December 5, 1983","AV. Mss. Acc. 2013.003.007 Claudia Stevens, Piano, Live at Phi Beta Kappa Hall, College of William and Mary, October 16, 1977. The program was presented on October 7, 1977 at the Library and Museum of the Performing Arts at Lincoln Center, New York and on October 2, 1977 at Keller Hall, University of Richmond. Includes Beethoven Sonata, Opus 101; Mozart, Rondo in A minor, K511; Sessions, Sonata no. 1; and Schumann, Humoreske, Opus 29.","AV. Mss. Acc. 2013.033.008 Claudia Stevens Solo Piano Recital on the Concert Series of River Road Baptist Church in Richmond, Virginia, February 26, 1978. Portions of this program were included in Stevens' recital on the guest artist series of the University of California, Berkeley (Committee for Arts and Lectures) at Hertz Hall, summer, 1978. The program includes Brahms, Klavierstucke, Opus 119 (complete); Schubert, Sonata in C minor, Opus posth.; Mozart, sonata in B flat Major, K570; and Berg, Sonata, Opus 1.","Scope and Contents AV. Mss. Acc. 2013.033.009 Claudia Stevens Piano Recital Live at Phi Beta Kappa Hall, College of William and Mary, April 14, 1980. Portions of this program were included in the recital by Stevens at Jordan Hall in Boston, Massachusetts on October 23, 1979, on the \"Enchanted Circle\" new music series, and on a recital at Virginia Commonwealth University on March 18, 1980, presented by the Virginia Music Teachers Association. The program includes Piano Variations by Aaron Copland; Schumann, Sonata in F minor, Concerto Without Orchestra; and twelve recently composed pieces (1976-1979) by Donald Martino, Vivian Fine, Carlton, Gamer, David Diamond, Leon Kirchner, Andrew Imlorie, Hugo Weisgall, Paul Lansky, Claudio Spies, Milton Babbitt, David Lewin, and Richard Becker.","AV. Mss. Acc. 2013.033.010 Claudia Stevens, Pianist, Live in Recital at Phi Beta Kappa Hall, College of William and Mary, October 30, 1983. Program includes new pieces by Vivian Fine, Shulamit Ran, Andrew Imbrie, Allen Shearer, and Robert Xavier Rodriguez. A week earlier (October 23, 1983), Stevens gave the program on a guest artist recital at Old Cabell Hall, University of Virginia - the world premieres of the five new pieces. On December 5, 1983, the Composers Forum of New York presented the recital, with the addition of six miniatures composed for the occasion in their world premieres, at Carnegie Recital Hall. The program then toured Virginia under a grant from the Virginia Commission for the Arts, Claudia Stevens, pianist.","AV. Mss. Acc. 2013.033.011 Claudia Stevens Solo Recital at Williamsburg Regional Library, Williamsburg, Virginia, November 7, 1985. Program includes Schumann Humoreske, Opus 20; Beethoven, Sonata, Opus 111 in C minor; Berg, Sonata, Opus 1; and short, contemporary pieces by Carlton Gamer, David Diamond, Vivian Fine, David Lewin, and Hugo Weisgall.","AV. Mss. Acc. 2013.033.012 Claudia Stevens, Soloist, with the University of California Symphony Orchestra, April 26, 1972. Conducted by Peter Black. Program includes Brahms Piano Concerto in D minor, Opus 15.","AV. Mss. Acc. 2013.033.013 Claudia Stevens Piano Recital at Phi Beta Kappa Hall, College of William and Mary, April 18, 1981. Program includes Brahms Variations on an Original Theme, Opus 21; Schumann Kreisleriana; Elliott Carter Piano Sonata; Chopin Ballade in F minor.","AV. Mss. Acc. 2013.033.014 Claudia Stevens, Piano, Guest Artist Recital at the University of Richmond, October 16, 1978. Program includes Schumann Fantasy in C, Opus 17; Roger Sessions: Five Pieces for Piano, 1975 (premiere in Virginia); and Sessions Sonata no. 1.","AV. Mss. Acc. 2013.033.015 Claudia Stevens, Piano, Guest Artist Recital at Old Cabell Hall, University of Virginia, February 4, 1977. Program includes Brahms, Sonata in F minor, Opus 5; Mozart, Sonata in F major, K533-494; and Schoenberg, Five Pieces, Opus 23.","Scope and Contents AV. Mss. Acc. 2013.033.016 Claudia Stevens Live Piano Recital as Guest Artist of the Adams House Music Society, Harvard University, December 7, 1975. Program includes Beethoven, Sonata in A Major, Opus 2, no. 2; Debussy, Preludes, including \"Feux d'artifice\" (\"Fireworks\"). The program was also presented at Camp Theater, University of Richmond, on November 23, 1975.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 28: \"Einstein at Princeton\" (2021-2023), a new chamber opera in one act and three scenes, conceived and with libretto by Claudia Stevens, music by Allen Shearer, with December 5, 2023 premiere by Berkeley Chamber Performances. Submission includes program, promotional material, DVD of the live performance, reviews, costume/prop list, title and cueing score, with staging notes, by video artist Jeremy Knight as used in performance.","Series 2, sub-ser. 29: \"The Singer Josephine (2023), concept and text by Claudia Stevens, music by Allen Shearer, for the one-act chamber opera after the story \"Josephine the Singer\" by Franz Kafka, with Oct. 6, 2024 premiere on the Sonic Harvest festival in Berkeley. Submission includes text with performance notes and emendations, poster, program, DVD, full score, piano-vocal score used by Stevens (as Mouse Chorus) in performance.","Series 2, sub-ser. 18 (Miscellaneous works): \"Adela in the Cave,\" (2024) text of an operatic scene based on E. M. Forter's \"A Passage to India,\" published in \"Polish Journal of English Studies,\" volume 10.2.","Series 2, sub-ser. 30 (a new category): \"Andersen\" (2024), a one-act play, concept, book and lyrics by Claudia Stevens, music by Allen Shearer, commissioned by Charlottesville High School Theatre (Director, David Becker), with premiere in Black Box Theatre, Oct. 23, 2024 and subsequent performance at Virginia Theater Association Convention, Richmond, VA, Oct. 25, 2024. Submission includes several versions of the script (including alternative ending, additional characters, notes for Director); synopses and several descriptions of the play for promotional purposes and media; poster. program, piano-vocal score by composer Allen Shearer."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Dept. of Music","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"names_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music","Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"corpname_ssim":["Special Collections Research Center","College of William and Mary. Dept. of Music"],"persname_ssim":["Stevens, Claudia","Carter, Elliott, 1908-2012","Sessions, Roger Huntington, 1896-1985"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1008,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:22:07.075Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8508_c07_c04"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":320},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary\u0026view=compact"}},{"attributes":{"label":"George Mason University","value":"George Mason 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