{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=2\u0026view=list","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=1\u0026view=list","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=3\u0026view=list","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=2024\u0026page=87\u0026view=list"},"meta":{"pages":{"current_page":2,"next_page":3,"prev_page":1,"total_pages":87,"limit_value":10,"offset_value":10,"total_count":863,"first_page?":false,"last_page?":false}},"data":[{"id":"vihart_repositories_4_resources_215_c12","type":"Series","attributes":{"title":"2024-0507 accession","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_215_c12#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_215_c12#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_215_c12","ref_ssm":["vihart_repositories_4_resources_215_c12"],"id":"vihart_repositories_4_resources_215_c12","ead_ssi":"vihart_repositories_4_resources_215","_root_":"vihart_repositories_4_resources_215","_nest_parent_":"vihart_repositories_4_resources_215","parent_ssi":"vihart_repositories_4_resources_215","parent_ssim":["vihart_repositories_4_resources_215"],"parent_ids_ssim":["vihart_repositories_4_resources_215"],"parent_unittitles_ssm":["Student Government Association records"],"parent_unittitles_tesim":["Student Government Association records"],"text":["Student Government Association records","2024-0507 accession","Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs."],"title_filing_ssi":"2024-0507 accession","title_ssm":["2024-0507 accession"],"title_tesim":["2024-0507 accession"],"unitdate_inclusive_ssm":["2011-2024"],"normalized_date_ssm":["2011/2024"],"normalized_title_ssm":["2024-0507 accession"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["Student Government Association records"],"has_online_content_ssim":["false"],"child_component_count_isi":14,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":457,"parent_access_restrict_tesm":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu)."],"parent_access_terms_tesm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"scopecontent_html_tesm":["\u003cp\u003eSeries 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs."],"_nest_path_":"/components#11","timestamp":"2026-05-21T00:24:36.195Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_215","ead_ssi":"vihart_repositories_4_resources_215","_root_":"vihart_repositories_4_resources_215","_nest_parent_":"vihart_repositories_4_resources_215","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_215.xml","title_ssm":["Student Government Association records"],"title_tesim":["Student Government Association records"],"unitdate_ssm":["1915-2024"],"unitdate_inclusive_ssm":["1915-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0007","/repositories/4/resources/215"],"text":["UA 0007","/repositories/4/resources/215","Student Government Association records","College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records","Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).","This series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.","Files within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","This collection may receive additions.","The collection is arranged into 12 series:","Administrative, 1915-2015 Committees, 1931-2015 Correspondence, 1951-2003 Policies and Regulations, 1931-1971 Meeting Minutes, 1929-2012 Legislative Files, 1989-2012 Financial Files, 1987-2014 Disciplinary Files, 1922-1973 Photographs, 2000-2014 Scrapbooks, 2001-2009 Ephemera, 1930-2015 2024-0507 Accession, 2011-2024","Raymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959).","James Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.","As the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. ","As of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment.","After reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure.","Some of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2","This collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.","This is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.","This series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.","This series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.","This series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.","This series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.","This series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.","This series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.","This series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.","This series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.","This series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.","This series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.","Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.","Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024.","James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History","Fonda, Jane, 1937-","English"],"unitid_tesim":["UA 0007","/repositories/4/resources/215"],"normalized_title_ssm":["Student Government Association records"],"collection_title_tesim":["Student Government Association records"],"collection_ssim":["Student Government Association records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creator_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creator_corpname_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"creators_ssim":["James Madison University. Student Government Association","James Madison University. Student Government Association"],"access_terms_ssm":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The material in this collection was donated by members of James Madison University's Student Government Association in several different accessions between 1993 and 2024. The earlier accessions (1993-2001) were previously processed and assigned archival collection numbers SGA 93-0401, SGA 93-1019, and SGA 2001-1010. These materials were reprocessed along with the later accessions and combined into one larger collection, UA 0007. Additional accessions (2015-0830, 2015-0828, and 2015-0505) were added to the collection in November 2018. On May 1, 2019, an additional 2 storage boxes were donated by SGA Communications Director, Halle Forbes. Accession 2024-0507, comprising mostly digital files and transfered by acting SGA historian Mason Hoey, was incorporated into the collection in May 2024."],"access_subjects_ssim":["College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"access_subjects_ssm":["College student government","College student government -- Elections","Student activities","Student activities -- Finance","Student activities -- handbooks, manuals, etc","Student activities -- Virginia -- Harrisonburg","College students","School discipline","Student participation in administration","Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"has_online_content_ssim":["false"],"extent_ssm":["12.74 cubic feet 37 boxes","557 Megabytes 594 digital files"],"extent_tesim":["12.74 cubic feet 37 boxes","557 Megabytes 594 digital files"],"genreform_ssim":["Files (digital files)","Minutes (administrative records)","Letters (correspondence)","Financial Records","Administrative records","Constitutions","Scrapbooks","Printed Ephemera","Clothing","Legislative records"],"date_range_isim":[1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eResearchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.\u003c/p\u003e\n","\u003cp\u003eAccess to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.\u003c/p\u003e\n","\u003cp\u003ePlease contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eFile is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eThis series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.\u003c/p\u003e","\u003cp\u003eFiles within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e","\u003cp\u003eFile is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Access Restrictions","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Researchers must register and agree to copyright and privacy laws before using this collection. Collection is open for research with the exception of certain records in series 8, Disciplinary files, that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Individual restrictions are described in the Conditions Governing Access note for the file and may include additional information about the parameters of the restriction.","Access to original audiocassettes and other physical media contained within this collection is restricted; reformatted access copies of these materials may exist, or researchers may request digital access copies be made.","Please contact the Special Collections Reference Desk before visiting the James Madison University Special Collections Library to use this collection (library-special@jmu.edu).","File is restricted due to the presence of Personal Identifable Information related to students. A redacted copy of this file may be requested by contacting the Special Collections Reference Desk (library-special@jmu.edu).","This series is open for research with the exception of files within the Restricted reports sub-grouping that are protected by the Family Educational Rights and Privacy Act of 1974 (FERPA). FERPA protection of student records ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased. Restricted files are not requestable.","Files within the this subgroup are restricted from use in compliance with the Family Educational Rights and Privacy Act (FERPA) of 1974 that mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records within this group will be opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased.","File is restricted from use until 80 years after the date of creation. The Family Educational Rights and Privacy Act of 1974 (FERPA) mandates restriction of student records. FERPA protection ends with the death of the student. Therefore, records are opened for research 80 years after their creation when it is presumed that the student is deceased."],"accruals_html_tesm":["\u003cp\u003eThis collection may receive additions.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["This collection may receive additions."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into 12 series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative, 1915-2015\u003c/item\u003e\n      \u003citem\u003eCommittees, 1931-2015\u003c/item\u003e\n      \u003citem\u003eCorrespondence, 1951-2003\u003c/item\u003e\n      \u003citem\u003ePolicies and Regulations, 1931-1971\u003c/item\u003e\n      \u003citem\u003eMeeting Minutes, 1929-2012\u003c/item\u003e\n      \u003citem\u003eLegislative Files, 1989-2012\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1987-2014\u003c/item\u003e\n      \u003citem\u003eDisciplinary Files, 1922-1973\u003c/item\u003e\n      \u003citem\u003ePhotographs, 2000-2014\u003c/item\u003e\n      \u003citem\u003eScrapbooks, 2001-2009\u003c/item\u003e\n      \u003citem\u003eEphemera, 1930-2015\u003c/item\u003e\n      \u003citem\u003e2024-0507 Accession, 2011-2024\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into 12 series:","Administrative, 1915-2015 Committees, 1931-2015 Correspondence, 1951-2003 Policies and Regulations, 1931-1971 Meeting Minutes, 1929-2012 Legislative Files, 1989-2012 Financial Files, 1987-2014 Disciplinary Files, 1922-1973 Photographs, 2000-2014 Scrapbooks, 2001-2009 Ephemera, 1930-2015 2024-0507 Accession, 2011-2024"],"bibliography_html_tesm":["\u003cbibref\u003eRaymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["Raymond Dingledine, Madison College: The First Fifty Years, 1908-1958 (Harrisonburg, Virginia: Madison College, 1959)."],"bioghist_html_tesm":["\u003cp\u003eJames Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.\u003c/p\u003e\n","\u003cp\u003eAs the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. \u003c/p\u003e\n","\u003cp\u003eAs of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["James Madison University's Student Government Association was established in February 1915 as the school's first student government. Although rumblings of self-government began with the founding of the school in 1908, it took a fair amount of effort to bring this idea to fruition. The roots of the university's SGA derive from the student Honor Council which began in the 1909-1910 school year. Students involved in the Honor Council began to create an unofficial student government that although unable to act in an official capacity, was instrumental in helping to bring about student support for self-government. By 1914, a small group of students worked together to draft a constitution for the planned student government organization and presented this constitution to the faculty. After completing revisions suggested by the faculty, the constitution was presented and voted on by the entire student body February 25, 1915 and as a result, the Student Association of the State Normal School at Harrisonburg was established. This first iteration of the organization required that the entire student body act as a member. Additionally, the Honor Committee was converted into the first Executive Board. This Executive Board included three officers (president, vice-president, and secretary), and several elected members of each class.","As the school and student population grew so did the organization and it eventually became unrealistic for the entire student body to act as members of the organization. Complications also arose within the organization with the introduction of full-time male students in 1946. At the time, it did not seem appropriate for men and women to govern students of the opposite sex. As a result, the male students decided to create their own self-government in 1950, labeling their organization the Men's Student Government Organization. The female students likewise formally relabeled their existing organization the Women's Student Government Association in 1953 to better distinguish the separation between the two groups; however, they rarely included this additional identifier. While the two groups worked together on many matters through the 50s and 60s, the organizations formally combine in 1970, creating the current manifestation of the Student Government Association. ","As of 2015, the SGA at JMU is made up of appointed members on the Executive Staff, Representatives, and At-Large Senators. Elected members include Class Council Senators, College Senators, and Area Residence Senators. The mission: The Student Government Association of James Madison University is an organization dedicated to collaborating with all members of its community to advocate for student opinion, while fostering a proactive, inclusive environment."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Student Government Association Records, 1915-2024, UA 0007, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Student Government Association Records, 1915-2024, UA 0007, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eAfter reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["After reviewing the material in all accessions, about 2 linear feet of material was removed from one of the 2005 accessions. The material was largely financial forms that contained banking information or social security numbers. All binder and notebook material was removed from the original bindings and transferred into folders. All the pages from each of the scrapbooks were removed and photocopied. Photocopies were also made of the cover and back covers. This was done to help preserve the context of the photographs on the pages in preparation for possible adhesive failure."],"relatedmaterial_html_tesm":["\u003cp\u003eSome of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Some of the material in this collection can be viewed on Special Collections' Student Government Association Digital Exhibit published on-line in April 2015. https://omeka.lib.jmu.edu/specialcollections/collections/show/2"],"scopecontent_html_tesm":["\u003cp\u003eThis collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.\u003c/p\u003e","\u003cp\u003eThis is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.\u003c/p\u003e","\u003cp\u003eThis series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.\u003c/p\u003e","\u003cp\u003eThis series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.\u003c/p\u003e","\u003cp\u003eThis series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.\u003c/p\u003e","\u003cp\u003eThis series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.\u003c/p\u003e","\u003cp\u003eThis series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.\u003c/p\u003e","\u003cp\u003eThis series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.\u003c/p\u003e","\u003cp\u003eThis series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.\u003c/p\u003e","\u003cp\u003eThis series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.\u003c/p\u003e","\u003cp\u003eThis series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.\u003c/p\u003e","\u003cp\u003eThis series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.\u003c/p\u003e","\u003cp\u003eSeries 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["This collection documents the activities of James Madison University's Student Government Association in Harrisonburg, Virginia from 1915-2024. The collection developed from seven different accessions from the Student Government Association received in the 1990s and early 2000s and contains a wide range of material which is organized according to physical type or corresponding to subject. Much of the material in this collection derives from different meetings within the organization including: the Student Council, Student Senate, Execution Board, Senate and Council Committees, and others. A large amount of the collection is administrative material regarding the work of these different internal groups as well as the procedures which govern them. Similarly, these different internal meetings produced a fair amount of the minutes, committee reports, and legislative files found in the collection. In addition to these materials, there are also a large amount of financial files related to the budget of SGA and other on campus organizations. This collection also consists of correspondence to and from different members of the SGA usually regarding issues of student conduct on and off campus. The last major section of the collection contains photographs, scrapbooks, and ephemera memorializing different SGA events. Further descriptions of the material can be found in the series descriptions.","This is the largest series in the collection and contains material related to the function and organization of SGA, featuring a variety of documents from 1923-2013, with the bulk of this series is from 1990-2013. There is a large gap in the material around 1980s. The first folder in the series, containing the organization's first constitution and by-laws, is not original to the collection. The document was located in the 1915 Faculty Minutes in the Board of Visitors Collection, 1908-2004 (PR 99-1122), photocopied, and added to the collection on March 25, 2015. This series additionally contains some interesting material related to student strikes which took place on campus in 1969 and 1970. There is particular information related to Jay Rainey, one of the student leaders, as well as SGA's Committee on Student Protest. Other materials to note in this series are documents from the early 2000s which relate to the sexual assault research on college campuses, reports related to the impact of Title IX on campus, and SGA research regarding the Forrest Hill Riot in 2000, which resulted in a conflict between the Harrisonburg Police Department and students at a spring block party.","This series contains material related to the work of the different SGA committees from 1931-2002. There is another large gap of material in the 1980s. The bulk of this series is from the 1960s and 1999-2002. This series also includes information related to the standards of conduct for female students in the 1930s and 1960s, such as proper dating procedures.","This series features correspondence from members of SGA to faculty and students on campus as well as several folders of correspondence to individuals off campus. The material in this series ranges from 1955-1971 with a small concentration from 2003. This series contains a fair amount of historical material, such as: a thank you card from Jackie Kennedy, 1963; material related to fears of communism on college campuses, 1965-1966; a letter from an upset parent regarding Jane Fonda's visit to campus in 1971; correspondence related to the proper conduct of female students during the 1950s and 1960s, especially in terms of interactions with males. This series also contains a collection of correspondence regarding the 2003 Board of Visitors decision to stop supplying students with emergency conception through the health center.","This series contains material related to the different standards and regulations applying to the students of the school 1931-1971. Most of the material from this series is from the 1950s and 1960s. These documents provide interesting examples of the different social expectations of men and women during the period as well as the restrictive nature of the school's administration in comparison to current campus regulations. The material from the 2000s relates to the policies student representatives are to follow during meetings of the Student Senate.","This series contains the minutes of the different branches of SGA, particularly Student Senate and the Executive Board, 1922-2012. There are two gaps in this series most notably between 1930-1940 with two smaller gaps in the 1970s and 2000s. These minutes generally provide information such as: meeting agendas, events taking place on campus, SGA members and committee chairs, as well as general insight into the everyday issues discussed in SGA meetings.","This series contains a mixture of bills and resolutions from SGA's Student Senate, 1989-2012, with the bulk from the 1990s. The series contains a large amount of resolutions related to the organization's contingency fund through which SGA assists in providing funding to different student organization on campus. However, there are also several folders of various bills presented to the Student Senate including proposed legislation that address contemporary social issues such as sexual orientation, campus issues such as better toilet paper, and student issues such as students' rights to privacy.","This series contains a variety of financial documents ranging from purchase orders and yearly budget information to travel receipts. A majority of the materials in this collection are budget reports providing financial information for different fiscal years. These reports are usually connected to the creation of the university's front-end budgets and often include budget information for other campus organizations such as the University Program Board, The Breeze, Black Student Alliance, and Student Ambassadors. A majority of the material removed from this series were: purchase orders; accounting and banking information; invoices; and receipts. This material was removed due to the presence of account information and social security numbers, and/or it was deemed that the material had little research value.","This series contains records of disciplinary hearings conducted by Student Council, 1922-1973. Examples of students' misconduct include smoking cigarettes, possession of smoking paraphernalia, riding with dates without proper permission, going downtown or off campus without proper permission, cheating on assignments and/or examinations, mild hazing, stealing books, shoplifting, and drinking. Punishments included warnings, being \"campused,\" probation, and indefinite suspension.","This series features five different groups of photographs, 2000-2014. The bulk of these photographs are connected to the SGA research of the Forrest Hill Riot in 2000; however, there are also photographs of the Class of 2009 Ring Premiere, the SGA Halloween Party, JMU's Big Event, and one of SGA's lobbying trips.","This series contains material from eight different SGA scrapbooks dated 2001-2009. These scrapbooks have little descriptive text and mostly contain photographs of different SGA functions and events. These scrapbooks are some of the best representations of the SGA student experience, as the images in these book show the relationships and personalities of the individuals that comprise the organization. One of particular importance is the scrapbook containing the letters, pictures, and notes saved from the two-year anniversary memorial of 9-11. The SGA 2001-2002 scrapbook contains a photograph of SGA members with former Governor and Mayor Douglas Wilder and Senator Mark Warner.","This series contains a variety of realia related to the history of SGA, 1930-2014. There are several large gaps in this series; 1931-1954, 1970-1980, and 2002-2012. The ephemera in this collection primarily comprises shirts, posters, academic regalia, and installation programs; however, there are additional items such as an SGA travel mug and several plaques. \"Mr. and Ms. Madison 2014\" sashes are included.","Series 12 consists of materials transferred to Special Collections in May 2024 comprising digital files. One folder of paper certificates, honors, and proclamations is included. The contents of this series are similar to records present throughout the collection and include minutes, resolutions, constitutions, financial files and budgets, correspondence, member lists, bills of opinion, house rules, election policies, and photographs."],"userestrict_html_tesm":["\u003cp\u003eCopyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).\u003c/p\u003e\n","\u003cp\u003eStaff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright for materials authored or otherwise produced as official business of James Madison University is retained by James Madison University. Copyright status for other collection materials is unknown. Transmission or reproduction of materials protected by U.S. Copyright Law (Title 17, U.S.C.) beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owners. Responsibility for any use rests exclusively with the user. For more information, contact the Special Collections Reference Desk (library-special@jmu.edu).","Staff have taken special care to identify and remove sensitive materials, particularly those relating to students' academic records, found within this collection. However, in rare instances, privacy protected information may be revealed during use of this collection. Researchers agree to make no notes or other recordation of privacy protected information if found within this collection, and further agree not to publish or disclose such information for any purpose. Researchers agree to alert Special Collections staff if potentially privacy protected information is found within this collection. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0da7b229c8c3f306c4ddb8f74a4cfc1a\"\u003eThe Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024.\u003c/abstract\u003e"],"abstract_tesim":["The Student Government Association Records consist of material relating to the activities of the James Madison University's Student Government Association from its establishment as the Student Association of the State Normal School for Women at Harrisonburg in 1915 until 2024."],"names_coll_ssim":["James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History"],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History","Fonda, Jane, 1937-"],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Student Government Association","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- Students","State Normal School for Women at Harrisonburg (Harrisonburg, Va.) -- History","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- Students","State Teachers College at Harrisonburg (Harrisonburg, Va.) -- History","Madison College -- Students","Madison College -- History","James Madison University -- Students","James Madison University -- History"],"persname_ssim":["Fonda, Jane, 1937-"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":471,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:24:36.195Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_215_c12"}},{"id":"viasr_repositories_2_resources_13_c01","type":"Series","attributes":{"title":"2024-2025 Academic Year","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_13_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viasr_repositories_2_resources_13_c01","ref_ssm":["viasr_repositories_2_resources_13_c01"],"id":"viasr_repositories_2_resources_13_c01","ead_ssi":"viasr_repositories_2_resources_13","_root_":"viasr_repositories_2_resources_13","_nest_parent_":"viasr_repositories_2_resources_13","parent_ssi":"viasr_repositories_2_resources_13","parent_ssim":["viasr_repositories_2_resources_13"],"parent_ids_ssim":["viasr_repositories_2_resources_13"],"parent_unittitles_ssm":["Student Life Event Posters"],"parent_unittitles_tesim":["Student Life Event Posters"],"text":["Student Life Event Posters","2024-2025 Academic Year"],"title_filing_ssi":"2024-2025 Academic Year","title_ssm":["2024-2025 Academic Year"],"title_tesim":["2024-2025 Academic Year"],"unitdate_inclusive_ssm":["2024-09-2025-05"],"normalized_date_ssm":["2024/2025"],"normalized_title_ssm":["2024-2025 Academic Year"],"component_level_isim":[1],"repository_ssim":["Randolph-Macon College"],"collection_ssim":["Student Life Event Posters"],"has_online_content_ssim":["false"],"child_component_count_isi":4,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":1,"parent_access_restrict_tesm":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"date_range_isim":[2024,2025],"_nest_path_":"/components#0","timestamp":"2026-05-24T23:33:02.115Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viasr_repositories_2_resources_13","ead_ssi":"viasr_repositories_2_resources_13","_root_":"viasr_repositories_2_resources_13","_nest_parent_":"viasr_repositories_2_resources_13","ead_source_url_ssi":"data/oai/RMC/repositories_2_resources_13.xml","title_filing_ssi":"Student Life Event Posters","title_ssm":["Student Life Event Posters"],"title_tesim":["Student Life Event Posters"],"unitdate_ssm":["2010-2023"],"unitdate_inclusive_ssm":["2010-2023"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["RMC.00010"],"text":["RMC.00010","Student Life Event Posters","Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections","2 copies.","Macon After Dark is a series of events hosted on campus for students that offer free late night entertainment, often including food and prizes","It is unclear whether this poster is from the fall of 2012 or the spring of 2013 advertising events for the coming fall.  The dates of events are listed from September 6-November 29 with no year listed, and the \"Approved Until\" stamp is for 5/10/13.","No date is provided on the poster, but the \"Approved Until\" date is labeled as 5/27/2013","Poster lists the winners and honorable mentions of the contest","Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Held in the Ashland Theatre.","Featuring: information about Mu Phi Epsilon and the Zeta Epsilon chapter, music performance by InTONEnation, and dessert for all attendees.","Including the additional infor Jayme Watkins the Director of Student Life.","Classism, Homophobia, Transphobia, Sexism, Racism, and Intersectionality.","2 copies.","Fall.","Rain Date: September 18th, 2017","Fall.","Fall.","Fall.","Fall.","Fall.","Featuring Dr. Seth Clabough, Dr. James Scanlon, and Dr. Jack Trammell.","Fall.","Fall.","Fall.","Fall.","Fall.","Featuring: hors d'oeuvers, silent auction and raffle, and music performance by InTONEnation.","Fall.","Fall.","Fall.","Fall.","J-Term.","With Professor Kim Gerecke, Associate Professor of Behavioral Neuroscience.","Spring.","Spring.","Spring.","Spring.","Spring.","Home Schedule: CNU, Ferrum, Lynchburg, Frostburg State, Rowan or Hobart, Shenandoah, Washington and Lee, Hampton-Sydney, Eastern Mennonite, Randolph, Guilford, and Emory and Henry.","Spring.","Spring.","\"He Named Me Malala\" directed by Davis Guggenheim.","Spring.","Spring.","Directed by Janet Hayatshahi with assistant director Ashley Snead.","Spring.","A concert with Sammy Adams.","Spring.","Students who submmited photos: Emily Bowman (1st Place Winner), Alina Pacione (2nd Place Winner), Calista Mason, Crystal J.C. McDonald, Elizabeth Majewski, Emily VC Cannon, Hallie Colonna, Julia Kinder, Katelyn Jordan, Nicholas Ravida, and Tait Buttery.","Spring.","There is information on the Higgins Academic Ceneter (HAC).","Fall.","Fall.","Fall.","Zooptopia, The Jungle Book, Captain America: Civil War, The Great Gatsby, Neighbors 2: Sorority Rising, Now You See Me 2, Purge: Election Year, Finding Dory, Ghostbusters, and Suicide Squad.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Directed by Olivia Klaers with costume designer Emily Durando.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","A concert with Sage the Gemini.","Spring.","Spring.","Featuring Dr. Peter Wallenstein.","Spring.","A film by Nancy Buirski.","Spring.","Spring.","Spring.","Spring.","Spring.","There are two of these posters.","Spring.","J-Term.","There are two of these posters.","Spring.","Fall.","Fall.","Tujae Anglin, Nana Bamfo, Nathan Baumbach, Richard Bock, Lexi Bowden, Taylor Boyd, Callie Brown, Alex Burinsky, Samantha Cameron, Jessica Caso, Brad Davis, Brae Dozier, Skye Edwards, Atticus Finn, Madison Guidry, Bar Hass, Mark Heideman, Nadhira Hill, Matt Houle, Julia Knapp, Jamie Langbein, Steven Lohrey, Madeline Monk, Tracy Moriconi, Hang Ngo, Kaeleigh Olsen, Kristin Patrick, Trang Pham, Martha Reynolds, Brittany Richie, Marcelo Roman, Haley Russ, Jung Hee Seo, Aishwarya Shrestha, Elizabeth Steiner, Brooke Thomposon, Sarena Tien, Abbey Warren, and Jenelle Whitman.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Written by Bruce Norris and directed by Jasmine Shepard.","Fall.","Fall.","Fall.","Fall.","A play by Todd Logan and directed by Richard Shavzin.","Fall.","Fall.","A film by John Pirozzi.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Marika Beale, Richard Bock, Raven Brown, Alisa Carmichael, Caroline Clary, Christian Cok, Derek Dittmar, Brae Dozier, Cory Fore, Elizabeth Forstall, Madison Guidry, Laura Haney, Emily Hewitt, Pirscilla Koirala, Fraser Mayberry, Meghan Novotny, Trang Pham, Steven Quinn, Rebecca Rediy, Marcelo Roman, Haley Russ, Natalie Schnell, Susie Snee, Stephanie Staples, Hannah Starkey, Elizabeth Steiner, Dashonte Temoney, Brooke Thompson, Boddy Trickett, Becca Waldman, Abbey Warren, Jenelle Whitman, and Most Wongsirikul.","Spring.","Spring.","Spring.","Spring.","Spring.","Movies shown: Selma, Straight Outta Compton, Crooklyn, The Intern, Hunger Games: Mockingjay Part 2, The Night Before, The Good Dinosaur, Creed, Sisters, Ride Along 2, and Star War VII: The Force Awakens.","Spring.","With Eugene Thomas Long, RMC Class of '57.","Spring.","Written by Sarah Ruhl and directed by Janet Hayatshahi.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","J-term.","Spring.","Written by Robert Harling and directed by Sydney Hinkle.","Spring.","Spring.","Spring.","Spring","Featuring Tai Wo.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Also sponsored by SAAC, AOD, and Hanover Cares.","Spring.","Spring.","Spring.","Spring.","Spring.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Event held with Office of Student Life, History Department, Sociology Department, Black Cultural Society, One Change at a Time, Iota Phi Theta Fraternity, Inc., and Alpha Kappa Alpha Sorority, Inc.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Featuring Lee Loudermilk, Chris Leggett, and Thought.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","No dates provided.","Unique Experiences: Emerging Leaders Weekend, The Foundations of Leadership Seminar, Six Core Competency Workshops, The Great Leadership Hunt, The Leadership Case Study Competiton, The Student Leadership Conference, The Dream Speak Conference, Peer Education, Community Service, The Leadership Portfolio, and The Capstone Leadership Project.","No dates provided. However, there was also a \"My Language. My Choice\" Campaign Photo Shoot in 2015, but I am unsure if this poster is from around that time as well.","\"Words Can Hurt, Understand your Impact, Take Responsibility\"","No dates provided.","There are no dates for this poster, but there are show times on a random Friday from 7pm to 10pm and on Saturday 7pm to 10pm.","There are two of these posters.","Spring","Fall","Spring","Fall","J-Term and Spring","Spring","Spring","It's oddly sticky in one place and it kind of smells?","Fall","Colleges involved include: University of Mary Washington, Randolph-Macon College, United States Naval Academy, and College of William and Mary","This calendar poster includes some of the events also listed on the Cafe Nights poster","The Fraternities included on this poster include: Theta Chi, Kappa Alpha Order, Kappa Sigma, Sigma Alpha Epsilon, Sigma Phi Epsilon, Phi Delta Theta, and Phi Kappa Sigma","Artists listed as performing include: Nicole Claybrooks, Shuyan Zhan, Duke Nuygen, Hobbes Launderville, Matt Maddox, Ethan Franz, Jasmin Young, Erin Byrne, John Farnham, Emily Winks, Alex Burgess, Christina Mitchell, Matt Zavitz, Kristen Hodge, Ethan Litvan, Raymond Ruybe","A Collection of 298 posters from different departments of Student Life.","Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College","English \n.    "],"unitid_tesim":["RMC.00010"],"normalized_title_ssm":["Student Life Event Posters"],"collection_title_tesim":["Student Life Event Posters"],"collection_ssim":["Student Life Event Posters"],"repository_ssm":["Randolph-Macon College"],"repository_ssim":["Randolph-Macon College"],"has_online_content_ssim":["false"],"extent_ssm":["3.7 Linear Feet"],"extent_tesim":["3.7 Linear Feet"],"date_range_isim":[2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open for research; appointments to view materials can be scheduled via the appointment request form on the Special Collections and Archives webpage of the library website https://library.rmc.edu/specialcollections"],"altformavail_html_tesm":["\u003cp\u003e2 copies.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["2 copies."],"bioghist_html_tesm":["\u003cp\u003eMacon After Dark is a series of events hosted on campus for students that offer free late night entertainment, often including food and prizes\u003c/p\u003e","\u003cp\u003eIt is unclear whether this poster is from the fall of 2012 or the spring of 2013 advertising events for the coming fall.  The dates of events are listed from September 6-November 29 with no year listed, and the \"Approved Until\" stamp is for 5/10/13.\u003c/p\u003e","\u003cp\u003eNo date is provided on the poster, but the \"Approved Until\" date is labeled as 5/27/2013\u003c/p\u003e","\u003cp\u003ePoster lists the winners and honorable mentions of the contest\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Uncertain Dates","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["Macon After Dark is a series of events hosted on campus for students that offer free late night entertainment, often including food and prizes","It is unclear whether this poster is from the fall of 2012 or the spring of 2013 advertising events for the coming fall.  The dates of events are listed from September 6-November 29 with no year listed, and the \"Approved Until\" stamp is for 5/10/13.","No date is provided on the poster, but the \"Approved Until\" date is labeled as 5/27/2013","Poster lists the winners and honorable mentions of the contest"],"odd_html_tesm":["\u003cp\u003eSome images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. \u003c/p\u003e\n","\u003cp\u003eFor users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. \u003c/p\u003e","\u003cp\u003eInquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu\u003c/p\u003e","\u003cp\u003eHeld in the Ashland Theatre.\u003c/p\u003e","\u003cp\u003eFeaturing: information about Mu Phi Epsilon and the Zeta Epsilon chapter, music performance by InTONEnation, and dessert for all attendees.\u003c/p\u003e","\u003cp\u003eIncluding the additional infor Jayme Watkins the Director of Student Life.\u003c/p\u003e","\u003cp\u003eClassism, Homophobia, Transphobia, Sexism, Racism, and Intersectionality.\u003c/p\u003e","\u003cp\u003e2 copies.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eRain Date: September 18th, 2017\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFeaturing Dr. Seth Clabough, Dr. James Scanlon, and Dr. Jack Trammell.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFeaturing: hors d'oeuvers, silent auction and raffle, and music performance by InTONEnation.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eJ-Term.\u003c/p\u003e","\u003cp\u003eWith Professor Kim Gerecke, Associate Professor of Behavioral Neuroscience.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eHome Schedule: CNU, Ferrum, Lynchburg, Frostburg State, Rowan or Hobart, Shenandoah, Washington and Lee, Hampton-Sydney, Eastern Mennonite, Randolph, Guilford, and Emory and Henry.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003e\"He Named Me Malala\" directed by Davis Guggenheim.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eDirected by Janet Hayatshahi with assistant director Ashley Snead.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eA concert with Sammy Adams.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eStudents who submmited photos: Emily Bowman (1st Place Winner), Alina Pacione (2nd Place Winner), Calista Mason, Crystal J.C. McDonald, Elizabeth Majewski, Emily VC Cannon, Hallie Colonna, Julia Kinder, Katelyn Jordan, Nicholas Ravida, and Tait Buttery.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eThere is information on the Higgins Academic Ceneter (HAC).\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eZooptopia, The Jungle Book, Captain America: Civil War, The Great Gatsby, Neighbors 2: Sorority Rising, Now You See Me 2, Purge: Election Year, Finding Dory, Ghostbusters, and Suicide Squad.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eDirected by Olivia Klaers with costume designer Emily Durando.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eA concert with Sage the Gemini.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eFeaturing Dr. Peter Wallenstein.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eA film by Nancy Buirski.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eThere are two of these posters.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eJ-Term.\u003c/p\u003e","\u003cp\u003eThere are two of these posters.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eTujae Anglin, Nana Bamfo, Nathan Baumbach, Richard Bock, Lexi Bowden, Taylor Boyd, Callie Brown, Alex Burinsky, Samantha Cameron, Jessica Caso, Brad Davis, Brae Dozier, Skye Edwards, Atticus Finn, Madison Guidry, Bar Hass, Mark Heideman, Nadhira Hill, Matt Houle, Julia Knapp, Jamie Langbein, Steven Lohrey, Madeline Monk, Tracy Moriconi, Hang Ngo, Kaeleigh Olsen, Kristin Patrick, Trang Pham, Martha Reynolds, Brittany Richie, Marcelo Roman, Haley Russ, Jung Hee Seo, Aishwarya Shrestha, Elizabeth Steiner, Brooke Thomposon, Sarena Tien, Abbey Warren, and Jenelle Whitman.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eWritten by Bruce Norris and directed by Jasmine Shepard.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eA play by Todd Logan and directed by Richard Shavzin.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eA film by John Pirozzi.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eMarika Beale, Richard Bock, Raven Brown, Alisa Carmichael, Caroline Clary, Christian Cok, Derek Dittmar, Brae Dozier, Cory Fore, Elizabeth Forstall, Madison Guidry, Laura Haney, Emily Hewitt, Pirscilla Koirala, Fraser Mayberry, Meghan Novotny, Trang Pham, Steven Quinn, Rebecca Rediy, Marcelo Roman, Haley Russ, Natalie Schnell, Susie Snee, Stephanie Staples, Hannah Starkey, Elizabeth Steiner, Dashonte Temoney, Brooke Thompson, Boddy Trickett, Becca Waldman, Abbey Warren, Jenelle Whitman, and Most Wongsirikul.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eMovies shown: Selma, Straight Outta Compton, Crooklyn, The Intern, Hunger Games: Mockingjay Part 2, The Night Before, The Good Dinosaur, Creed, Sisters, Ride Along 2, and Star War VII: The Force Awakens.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eWith Eugene Thomas Long, RMC Class of '57.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eWritten by Sarah Ruhl and directed by Janet Hayatshahi.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eJ-term.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eWritten by Robert Harling and directed by Sydney Hinkle.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eFeaturing Tai Wo.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eAlso sponsored by SAAC, AOD, and Hanover Cares.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eFall.\u003c/p\u003e","\u003cp\u003eEvent held with Office of Student Life, History Department, Sociology Department, Black Cultural Society, One Change at a Time, Iota Phi Theta Fraternity, Inc., and Alpha Kappa Alpha Sorority, Inc.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eFeaturing Lee Loudermilk, Chris Leggett, and Thought.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eSpring.\u003c/p\u003e","\u003cp\u003eNo dates provided.\u003c/p\u003e","\u003cp\u003eUnique Experiences: Emerging Leaders Weekend, The Foundations of Leadership Seminar, Six Core Competency Workshops, The Great Leadership Hunt, The Leadership Case Study Competiton, The Student Leadership Conference, The Dream Speak Conference, Peer Education, Community Service, The Leadership Portfolio, and The Capstone Leadership Project.\u003c/p\u003e","\u003cp\u003eNo dates provided. However, there was also a \"My Language. My Choice\" Campaign Photo Shoot in 2015, but I am unsure if this poster is from around that time as well.\u003c/p\u003e","\u003cp\u003e\"Words Can Hurt, Understand your Impact, Take Responsibility\"\u003c/p\u003e","\u003cp\u003eNo dates provided.\u003c/p\u003e","\u003cp\u003eThere are no dates for this poster, but there are show times on a random Friday from 7pm to 10pm and on Saturday 7pm to 10pm.\u003c/p\u003e","\u003cp\u003eThere are two of these posters.\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eFall\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eFall\u003c/p\u003e","\u003cp\u003eJ-Term and Spring\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eSpring\u003c/p\u003e","\u003cp\u003eIt's oddly sticky in one place and it kind of smells?\u003c/p\u003e","\u003cp\u003eFall\u003c/p\u003e"],"odd_heading_ssm":["Content Disclaimer","Contact Information","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["Some images and content in these materials depict prejudices not condoned by the College. These materials are presented as documentation of the historical record of the College and broader American history. Randolph-Macon College values a diverse and inclusive community that promotes student learning and transparency. ","For users preferring to avoid potentially offensive content, please contact archives@rmc.edu; we are happy to assist in locating specific materials. ","Inquiries may be directed to the Special Collections and Archives team by emailing archives@rmc.edu","Held in the Ashland Theatre.","Featuring: information about Mu Phi Epsilon and the Zeta Epsilon chapter, music performance by InTONEnation, and dessert for all attendees.","Including the additional infor Jayme Watkins the Director of Student Life.","Classism, Homophobia, Transphobia, Sexism, Racism, and Intersectionality.","2 copies.","Fall.","Rain Date: September 18th, 2017","Fall.","Fall.","Fall.","Fall.","Fall.","Featuring Dr. Seth Clabough, Dr. James Scanlon, and Dr. Jack Trammell.","Fall.","Fall.","Fall.","Fall.","Fall.","Featuring: hors d'oeuvers, silent auction and raffle, and music performance by InTONEnation.","Fall.","Fall.","Fall.","Fall.","J-Term.","With Professor Kim Gerecke, Associate Professor of Behavioral Neuroscience.","Spring.","Spring.","Spring.","Spring.","Spring.","Home Schedule: CNU, Ferrum, Lynchburg, Frostburg State, Rowan or Hobart, Shenandoah, Washington and Lee, Hampton-Sydney, Eastern Mennonite, Randolph, Guilford, and Emory and Henry.","Spring.","Spring.","\"He Named Me Malala\" directed by Davis Guggenheim.","Spring.","Spring.","Directed by Janet Hayatshahi with assistant director Ashley Snead.","Spring.","A concert with Sammy Adams.","Spring.","Students who submmited photos: Emily Bowman (1st Place Winner), Alina Pacione (2nd Place Winner), Calista Mason, Crystal J.C. McDonald, Elizabeth Majewski, Emily VC Cannon, Hallie Colonna, Julia Kinder, Katelyn Jordan, Nicholas Ravida, and Tait Buttery.","Spring.","There is information on the Higgins Academic Ceneter (HAC).","Fall.","Fall.","Fall.","Zooptopia, The Jungle Book, Captain America: Civil War, The Great Gatsby, Neighbors 2: Sorority Rising, Now You See Me 2, Purge: Election Year, Finding Dory, Ghostbusters, and Suicide Squad.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Directed by Olivia Klaers with costume designer Emily Durando.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","A concert with Sage the Gemini.","Spring.","Spring.","Featuring Dr. Peter Wallenstein.","Spring.","A film by Nancy Buirski.","Spring.","Spring.","Spring.","Spring.","Spring.","There are two of these posters.","Spring.","J-Term.","There are two of these posters.","Spring.","Fall.","Fall.","Tujae Anglin, Nana Bamfo, Nathan Baumbach, Richard Bock, Lexi Bowden, Taylor Boyd, Callie Brown, Alex Burinsky, Samantha Cameron, Jessica Caso, Brad Davis, Brae Dozier, Skye Edwards, Atticus Finn, Madison Guidry, Bar Hass, Mark Heideman, Nadhira Hill, Matt Houle, Julia Knapp, Jamie Langbein, Steven Lohrey, Madeline Monk, Tracy Moriconi, Hang Ngo, Kaeleigh Olsen, Kristin Patrick, Trang Pham, Martha Reynolds, Brittany Richie, Marcelo Roman, Haley Russ, Jung Hee Seo, Aishwarya Shrestha, Elizabeth Steiner, Brooke Thomposon, Sarena Tien, Abbey Warren, and Jenelle Whitman.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Written by Bruce Norris and directed by Jasmine Shepard.","Fall.","Fall.","Fall.","Fall.","A play by Todd Logan and directed by Richard Shavzin.","Fall.","Fall.","A film by John Pirozzi.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Marika Beale, Richard Bock, Raven Brown, Alisa Carmichael, Caroline Clary, Christian Cok, Derek Dittmar, Brae Dozier, Cory Fore, Elizabeth Forstall, Madison Guidry, Laura Haney, Emily Hewitt, Pirscilla Koirala, Fraser Mayberry, Meghan Novotny, Trang Pham, Steven Quinn, Rebecca Rediy, Marcelo Roman, Haley Russ, Natalie Schnell, Susie Snee, Stephanie Staples, Hannah Starkey, Elizabeth Steiner, Dashonte Temoney, Brooke Thompson, Boddy Trickett, Becca Waldman, Abbey Warren, Jenelle Whitman, and Most Wongsirikul.","Spring.","Spring.","Spring.","Spring.","Spring.","Movies shown: Selma, Straight Outta Compton, Crooklyn, The Intern, Hunger Games: Mockingjay Part 2, The Night Before, The Good Dinosaur, Creed, Sisters, Ride Along 2, and Star War VII: The Force Awakens.","Spring.","With Eugene Thomas Long, RMC Class of '57.","Spring.","Written by Sarah Ruhl and directed by Janet Hayatshahi.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","J-term.","Spring.","Written by Robert Harling and directed by Sydney Hinkle.","Spring.","Spring.","Spring.","Spring","Featuring Tai Wo.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Also sponsored by SAAC, AOD, and Hanover Cares.","Spring.","Spring.","Spring.","Spring.","Spring.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Fall.","Event held with Office of Student Life, History Department, Sociology Department, Black Cultural Society, One Change at a Time, Iota Phi Theta Fraternity, Inc., and Alpha Kappa Alpha Sorority, Inc.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Featuring Lee Loudermilk, Chris Leggett, and Thought.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","Spring.","No dates provided.","Unique Experiences: Emerging Leaders Weekend, The Foundations of Leadership Seminar, Six Core Competency Workshops, The Great Leadership Hunt, The Leadership Case Study Competiton, The Student Leadership Conference, The Dream Speak Conference, Peer Education, Community Service, The Leadership Portfolio, and The Capstone Leadership Project.","No dates provided. However, there was also a \"My Language. My Choice\" Campaign Photo Shoot in 2015, but I am unsure if this poster is from around that time as well.","\"Words Can Hurt, Understand your Impact, Take Responsibility\"","No dates provided.","There are no dates for this poster, but there are show times on a random Friday from 7pm to 10pm and on Saturday 7pm to 10pm.","There are two of these posters.","Spring","Fall","Spring","Fall","J-Term and Spring","Spring","Spring","It's oddly sticky in one place and it kind of smells?","Fall"],"prefercite_html_tesm":["\u003cp\u003e[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA\u003c/p\u003e"],"prefercite_tesim":["[item identification] Collection Name, Flavia Reed Owen Special Collections and Archives, McGraw-Page Library, Randolph-Macon College, Ashland, VA"],"scopecontent_html_tesm":["\u003cp\u003eColleges involved include: University of Mary Washington, Randolph-Macon College, United States Naval Academy, and College of William and Mary\u003c/p\u003e","\u003cp\u003eThis calendar poster includes some of the events also listed on the Cafe Nights poster\u003c/p\u003e","\u003cp\u003eThe Fraternities included on this poster include: Theta Chi, Kappa Alpha Order, Kappa Sigma, Sigma Alpha Epsilon, Sigma Phi Epsilon, Phi Delta Theta, and Phi Kappa Sigma\u003c/p\u003e","\u003cp\u003eArtists listed as performing include: Nicole Claybrooks, Shuyan Zhan, Duke Nuygen, Hobbes Launderville, Matt Maddox, Ethan Franz, Jasmin Young, Erin Byrne, John Farnham, Emily Winks, Alex Burgess, Christina Mitchell, Matt Zavitz, Kristen Hodge, Ethan Litvan, Raymond Ruybe\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Colleges involved include: University of Mary Washington, Randolph-Macon College, United States Naval Academy, and College of William and Mary","This calendar poster includes some of the events also listed on the Cafe Nights poster","The Fraternities included on this poster include: Theta Chi, Kappa Alpha Order, Kappa Sigma, Sigma Alpha Epsilon, Sigma Phi Epsilon, Phi Delta Theta, and Phi Kappa Sigma","Artists listed as performing include: Nicole Claybrooks, Shuyan Zhan, Duke Nuygen, Hobbes Launderville, Matt Maddox, Ethan Franz, Jasmin Young, Erin Byrne, John Farnham, Emily Winks, Alex Burgess, Christina Mitchell, Matt Zavitz, Kristen Hodge, Ethan Litvan, Raymond Ruybe"],"abstract_html_tesm":["\u003cabstract id=\"aspace_53c3348371eb6d41be8ab849fda48484\"\u003eA Collection of 298 posters from different departments of Student Life.\u003c/abstract\u003e"],"abstract_tesim":["A Collection of 298 posters from different departments of Student Life."],"names_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"corpname_ssim":["Flavia Reed Owen Special Collections \u0026 Archives, McGraw-Page Library, Randolph-Macon College"],"language_ssim":["English \n.    "],"total_component_count_is":310,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:33:02.115Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viasr_repositories_2_resources_13_c01"}},{"id":"vihart_repositories_4_resources_488_c04_c04","type":"Subseries","attributes":{"title":"2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_488_c04_c04","ref_ssm":["vihart_repositories_4_resources_488_c04_c04"],"id":"vihart_repositories_4_resources_488_c04_c04","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488_c04","parent_ssi":"vihart_repositories_4_resources_488_c04","parent_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04"],"parent_ids_ssim":["vihart_repositories_4_resources_488","vihart_repositories_4_resources_488_c04"],"parent_unittitles_ssm":["Furious Flower Poetry Center Records","Conference Records"],"parent_unittitles_tesim":["Furious Flower Poetry Center Records","Conference Records"],"text":["Furious Flower Poetry Center Records","Conference Records","2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","Furious Flower Poetry Center (1999-2004)","Berry Media Group","Moore, Jessica Care","Medina, Tony (1966-01-10)","Alexander, Elizabeth, 1962-","Dawes, Kwame Senu Neville, 1962-","Eady, Cornelius, 1954-","Finney, Nikky (1957-08-26)","Goodison, Lorna (1947-08-01)","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Mullen, Harryette Romell (1953-07-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Derricotte, Toi, 1941-","Alleyne, Lauren K.","Gabbin, Joanne V. (Joanne Veal), 1946-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Facknitz, Susan","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Shockley, Evie, 1965-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Harris, Duriel E.","Scheyer, Lauri (1952-09-08)","Singleton, Giovanni","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Dove, Rita (1952-08-28)","Brown, Jericho","Dungy, Camille T. 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B., 1935-","Clifton, Lucille, 1936-2010","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Giovanni, Nikki (1943-2024)","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Debo, Annette, 1964-","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"title_filing_ssi":"2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry","title_ssm":["2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry"],"title_tesim":["2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry"],"unitdate_other_ssim":["2024"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["2024 Conference: Furious Flower IV: Celebrating the Worlds of Black Poetry"],"component_level_isim":[2],"repository_ssim":["James Madison University"],"collection_ssim":["Furious Flower Poetry Center Records"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":842,"parent_access_restrict_tesm":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection."],"parent_access_terms_tesm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[2024],"names_ssim":["Furious Flower Poetry Center (1999-2004)","Berry Media Group","Moore, Jessica Care","Medina, Tony (1966-01-10)","Alexander, Elizabeth, 1962-","Dawes, Kwame Senu Neville, 1962-","Eady, Cornelius, 1954-","Finney, Nikky (1957-08-26)","Goodison, Lorna (1947-08-01)","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Mullen, Harryette Romell (1953-07-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Derricotte, Toi, 1941-","Alleyne, Lauren K.","Gabbin, Joanne V. (Joanne Veal), 1946-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Facknitz, Susan","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Shockley, Evie, 1965-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Harris, Duriel E.","Scheyer, Lauri (1952-09-08)","Singleton, Giovanni","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Dove, Rita (1952-08-28)","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Jess, Tyehimba","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Walker, Frank X., 1961-","Rampersad, Arnold (1941-11-13)","Obama, Barack","Hughes, Langston (James Mercer Langston), 1902-1967","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Komunyakaa, Yusef (1947-04-29)","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Betts, Tara","Spellman, A. B., 1935-","Clifton, Lucille, 1936-2010","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Giovanni, Nikki (1943-2024)","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Debo, Annette, 1964-","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["Furious Flower Poetry Center (1999-2004)","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group","Berry Media Group"],"persname_ssim":["Moore, Jessica Care","Medina, Tony (1966-01-10)","Alexander, Elizabeth, 1962-","Dawes, Kwame Senu Neville, 1962-","Eady, Cornelius, 1954-","Finney, Nikky (1957-08-26)","Goodison, Lorna (1947-08-01)","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Mullen, Harryette Romell (1953-07-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Derricotte, Toi, 1941-","Alleyne, Lauren K.","Gabbin, Joanne V. (Joanne Veal), 1946-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Facknitz, Susan","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Alleyne, Lauren K.","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","Alexander, Elizabeth, 1962-","Dawes, Kwame Senu Neville, 1962-","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Shockley, Evie, 1965-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Alleyne, Lauren K.","Nielsen, Aldon Lynn (1950-10-20)","Giscombe, C. S. 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(Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Jess, Tyehimba","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Eady, Cornelius, 1954-","Walker, Frank X., 1961-","Finney, Nikky (1957-08-26)","Rampersad, Arnold (1941-11-13)","Obama, Barack","Hughes, Langston (James Mercer Langston), 1902-1967","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Komunyakaa, Yusef (1947-04-29)","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Dove, Rita (1952-08-28)","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Alleyne, Lauren K.","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Harris, Duriel E.","Micheaux, Dante","Adesina, Gbenga","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Reeves, Roger","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Betts, Tara","Spellman, A. 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(Joanne Veal), 1946-","Miller, Kei (1978)","McCallum, Shara, 1972-","Seibles, Tim (1955)","Anastacia-Reneé","Pardlo, Gregory","Giovanni, Nikki (1943-2024)","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Melton, McKinley","Debo, Annette, 1964-","Rutter, Emily Ruth (1978-02-28)","Leonard, Keith D., 1969-","Alleyne, Lauren K.","Hayes, Terrance (1971)","Shockley, Evie, 1965-","Osundare, Niyi, 1947-","Lubrin, Canisia, 1984-","Smith, Patricia, 1955-","Dawes, Kwame Senu Neville, 1962-","Alleyne, Lauren K.","Brown, Jericho","Alleyne, Lauren K.","Dungy, Camille T. (Camille Thornton), 1972-","Gay, Ross (Ross Alexander), 1974-","Gumbs, Alexis Pauline, 1982-","Osundare, Niyi, 1947-","Marshall, Nate, (Poet)","Hunt, Erica, 1955-","Spellman, A. B., 1935-","Redmond, Glenis (1963-08-27)","Anderson, Keisha-Gaye","Booker, Malika (1970)","Smith, Danez","Walker, Frank X., 1961-","Leonard, Keith D., 1969-","Anastacia-Reneé","Lubrin, Canisia, 1984-","Bertram, Lillian-Yvonne, 1983-","Sullivan, Mecca Jamillah","Shockley, Evie, 1965-","Bingham-Risher, Remica (1981)","Hayes, Terrance (1971)","Jones, Meta DuEwa","Shenoda, Matthew (1977-07-14)","Azino, Efe Paul (20)","Wesley, Patricia Jabbeh (1955-08-07)","Adesina, Gbenga","Betts, Tara","young, avery r.","Smith, Danez","Melton, McKinley","Browne, Mahogany L.","Jess, Tyehimba","Harris, Francine J.","Moore, Jessica Care","Goodison, Lorna (1947-08-01)","Collins, Merle (1950-09-29)","Miller, Kei (1978)","Booker, Malika (1970)","Ramazani, Jahan, 1960-","Reeves, Roger","Brown, Jericho","Pardlo, Gregory","Crisler, Curtis L."],"_nest_path_":"/components#3/components#3","timestamp":"2026-05-21T00:25:29.210Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_488","ead_ssi":"vihart_repositories_4_resources_488","_root_":"vihart_repositories_4_resources_488","_nest_parent_":"vihart_repositories_4_resources_488","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_488.xml","aspace_url_ssi":"https://aspace.lib.jmu.edu/repositories/4/resources/488","title_ssm":["Furious Flower Poetry Center Records"],"title_tesim":["Furious Flower Poetry Center Records"],"unitdate_ssm":["1970-2024"],"unitdate_inclusive_ssm":["1970-2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 0017","/repositories/4/resources/488"],"text":["UA 0017","/repositories/4/resources/488","Furious Flower Poetry Center Records","United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century","American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)","Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. 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For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). 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(Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. 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Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting.","It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.","The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.","\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.","The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.","Additional information on the Dark Room Collective can be found  here.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.","See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.","James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. (1950)","Taylor, Clyde (1931-07-03-2024-01-24)","Steptoe, Lamont B., 1949-","Gillespie, Carmen (1965-06-17-2019-08-30)","Coates, Ta-Nehisi (Ta-Nehisi Paul) (1975-09-30)","Rice, Dorothy Marie, 1948-","Blackman, Toni","Alexander, Kwame (1968-08-21)","deGannes, Nehassaiu","Kein, Sybil (1939-09-29-2022-10-28)","Osbey, Brenda Marie (1957-12-12)","Iverem, Esther, 1960-","Saloy, Mona Lisa (19500701)","Drake, Jeannette M.","Fabu","Dance, Daryl Cumber (1938-01-17)","Trethewey, Natasha D., 1966-","Jackson, Major, 1968-","Beatty, Vera L.","Strange, Sharan (1959)","Young, Kevin (Kevin Lowell), 1970-","Gex, Quo Vadis","Bullock, Byron","Morris, Mellasenah Young","Reagon, Bernice Johnson, 1942-","Pettis, Joyce Owens","Fowler, Virginia C., 1948-","Goven, Sandra","Hoagland, Everett (1942-12-18)","Moore, Lenard D., 1958-","Brown, Douglas T.","Harris, Trudier (1948-02)","Holladay, Hilary (1961-07-03)","Bolden, Tony","Clifton, Lucille, 1936-2010","Hughes, Langston (James Mercer Langston), 1902-1967","Anderson, T. J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L.","English"],"unitid_tesim":["UA 0017","/repositories/4/resources/488"],"normalized_title_ssm":["Furious Flower Poetry Center Records"],"collection_title_tesim":["Furious Flower Poetry Center Records"],"collection_ssim":["Furious Flower Poetry Center Records"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"geogname_ssm":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"geogname_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"creator_ssm":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_ssim":["James Madison University. Furious Flower Poetry Center","Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"creator_corpname_ssim":["James Madison University. Furious Flower Poetry Center"],"creators_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","James Madison University. Furious Flower Poetry Center"],"places_ssim":["United States -- Poetry","United States -- Intellectual life -- 20th century","United States -- Intellectual life -- 21st century"],"access_terms_ssm":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["Furious Flower Poetry Center transferred these materials to Special Collections on May 16 and June 29, 2016. Subsequent transfers occurred in September 2017, September 2019, April 2023, and October 2024."],"access_subjects_ssim":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"access_subjects_ssm":["American poetry -- African American authors","Poetry -- History and criticism","African American poets","African Americans -- Poetry","African Americans -- Intellectual life -- 20th century","African Americans -- Intellectual life -- 21st century","Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"has_online_content_ssim":["false"],"extent_ssm":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"extent_tesim":["17.6 cubic feet 43 boxes, 1 rolled storage container"],"genreform_ssim":["Administrative records","Grant Proposals","Letters (correspondence)","Electronic mail","Compact discs","Posters","DVDs","Poetry","Exhibit scripts","Photographs","Calendars (documents)","Programs (documents)"],"date_range_isim":[1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003erunning time:\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eResearchers may request digital video reference copies at the file level through the JMU Special Collections Request System.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eAccess to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.\u003c/p\u003e","\u003cp\u003eOriginal audiovisual and media are in process and not available pending reformatting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research. Currently, the silk banners used in the 2004 and 2014 Furious Flower Poetry Conferences may only be requested (in writing) by Furious Flower Poetry Center staff. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison University Special Collections Library to use this collection.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may access digitized archival audiovisual materials in the JMU Special Collections Reading Room by appointment. Digital files may also be requested through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","running time:","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Researchers may request digital video reference copies at the file level through the JMU Special Collections Request System.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Access to this item is currently restricted for off campus researchers. For more information contact library-special@jmu.edu.","Original audiovisual and media are in process and not available pending reformatting."],"accruals_html_tesm":["\u003cp\u003eIt is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis.\u003c/p\u003e"],"accruals_heading_ssm":["Accruals"],"accruals_tesim":["It is anticipated that the Furious Flower Poetry Center will continue to donate conference files approximately every ten years and other administrative records on a more frequent basis."],"altformavail_html_tesm":["\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions."],"appraisal_html_tesm":["\u003cp\u003eSmall Purchase Credit Card Statements were discarded due to lack of research value.\u003c/p\u003e\n","\u003cp\u003eDue to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system.\u003c/p\u003e"],"appraisal_heading_ssm":[" Appraisal Information"],"appraisal_tesim":["Small Purchase Credit Card Statements were discarded due to lack of research value.","Due to duplication elsewhere in Special Collections the following issues of Madison (known as Montpelier from 1977-2005), many with articles pertaining to Furious Flower Poetry Center, were returned to the donor: Summer 2003, Winter 2005, Spring 2006, Fall 2006, Summer 2006, Spring 2007, Summer 2007, Fall 2007, Fall 2008, Winter 2008, Summer 2009, Fall 2009, Spring/Summer 2010, Spring/Summer 2011, Fall 2011, Spring/Summer 2015. These issues were loose when donated and were not a part of any pre-established order or foldering system."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eGrants and Financial Files, 2004-2021\u003c/item\u003e\n      \u003citem\u003ePublications and Manuscripts, 1993-2012\u003c/item\u003e\n      \u003citem\u003eEvents, Programs, and Workshops, 1990-2019\u003c/item\u003e\n      \u003citem\u003eConference Records, 1970-2015\u003c/item\u003e\n    \u003c/list\u003e","\u003cp\u003eThe series is arranged chronologically into three sub-series:\u003c/p\u003e\n","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\u003citem\u003eSub-series 4.1: 1994 Conference, 1970-2009\u003c/item\u003e\u003citem\u003eSub-series 4.2: 2004 Conference, 2002-2007\u003c/item\u003e\u003citem\u003eSub-series 4.3: 2014 Conference, 2013-2015\u003c/item\u003e\u003c/list\u003e","\u003cp\u003eEvent footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The collection is arranged into four series. Series are arranged chronologically; Series 2, 3, and 4 are further arranged alphabetically according to a particular publication or event.","Grants and Financial Files, 2004-2021 Publications and Manuscripts, 1993-2012 Events, Programs, and Workshops, 1990-2019 Conference Records, 1970-2015","The series is arranged chronologically into three sub-series:","Sub-series 4.1: 1994 Conference, 1970-2009 Sub-series 4.2: 2004 Conference, 2002-2007 Sub-series 4.3: 2014 Conference, 2013-2015","Event footage is arranged chronologically by capture time, with the exception of the \"supercuts,\" consisting of video montages, which are arranged by program day. See the Interviews with Poets sub-group for additional arrangement details."],"bibliography_html_tesm":["\u003cbibref\u003e\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml.\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Furious Flower Poetry Center.\" James Madison University. Accessed August 09, 2016. https://www.jmu.edu/furiousflower/index.shtml."],"bioghist_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:\u003c/p\u003e\n","\u003cp\u003eThe time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.\u003c/p\u003e\n","\u003cp\u003eMany who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. \u003c/p\u003e\n","\u003cp\u003eDue to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.\u003c/p\u003e\n","\u003cp\u003eIn 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.\u003c/p\u003e\n","\u003cp\u003eToday, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).\u003c/p\u003e\n","\u003cp\u003eFFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.\u003c/p\u003e","\u003cp\u003eThe 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History","Bio/Historical Note"],"bioghist_tesim":["The Furious Flower Poetry Center (FFPC) was established in 1999 by Joanne V. Gabbin when she was the director of James Madison University's Honors Program. With this flagship of the Honors Program, she continued the kind of programming she had begun by hosting the 1994 Furious Flower Poetry Conference, which was the nation's first scholarly conference on Black poetry. The conference, entitled Furious Flower: A Revolution in African American Poetry, was dedicated to acclaimed poet Gwendolyn Brooks and featured scholars, critics, and the most accomplished and esteemed poets of the time including Nikki Giovanni, Rita Dove, Sonia Sanchez, Michael S. Harper, Haki Madhubuti, and Gwendolyn Brooks herself. The name \"Furious Flower\" is derived from Brooks' poem Second Sermon on the Warpland in which she writes:","The time\ncracks into furious flower. Lifts its face\nall unashamed. And sways in wicked grace.","Many who participated in the inaugural Furious Flower conference had their roots in the Black Arts Movement. The Black Arts Movement emerged in the wake of the Black Power Movement of the 1960s and 1970s and was comprised of politically motivated black visionaries, poets, artists, dramatists, musicians, and writers. The conference was met with overwhelming praise and The Washington Post called it an historic event. ","Due to the success of the 1994 Furious Flower Conference, the Furious Flower Poetry Center (FFPC) was established in 1999 and the Conference became a decennial event, held every ten years. The subsequent conferences were Regenerating the Black Poetic Tradition (2004) and Seeding the Future of African American Poetry (2014). Conference programming is comprised of concerts, readings, roundtable and panel discussions, and paper presentations.","In 2005, following the success of the second Furious Flower Poetry Conference (2004), JMU gave the FFPC its official charter, making it the first academic center in the United States devoted to Black poetry. Gabbin became its executive director, leaving the Honors Program after 19 years of service.","Today, the FFPC is committed to \"cultivating, honoring, and promoting the diverse voices of African American poets by making the genre accessible to a wide audience and collaborating with educational and cultural institutions, literary organizations, and artists.\" It hosts visiting poets for readings at JMU and nearby venues; sponsors workshops; holds an annual poetry camp for elementary and middle school-aged children; produces texts, videos, DVDs and other materials on African-American poetry; and gathers poets and other scholars for intimate panels and seminars, as well as major conferences. FFPC has held four decennial Furious Flower Conferences: \"A Revolution in African American Poetry\" (1994), \"Regenerating the Black Poetic Tradition\" (2004), \"Seeding the Future of African American Poetry\" (2014), and \"Furious Flower IV: Celebrating the Worlds of Black Poetry (2024).","FFPC is located off of Martin Luther King Jr. Way/Historic Cantrell Avenue. Beyond her duties as Executive Director of the Furious Flower Poetry Center, Joanne Gabbin is a professor of English at JMU, a published author, and a member of the International Literary Hall of Fame for Writers of African Descent.","The 1994 Conference Video Recordings, 1994 September 29-October 1, were produced by John L. Hodges. The videos represent the raw footage captured during the 1994 Conference."],"odd_html_tesm":["\u003cp\u003eAdditional information on the Dark Room Collective can be found \u003ca href=\"https://poets.org/text/brief-guide-dark-room-collective\"\u003ehere.\u003c/a\u003e\u003c/p\u003e"],"odd_heading_ssm":["General Note"],"odd_tesim":["Additional information on the Dark Room Collective can be found  here."],"otherfindaid_html_tesm":["\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;695ef954-06ba-43a6-b341-cc3edf3fc1e6\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|695ef954-06ba-43a6-b341-cc3edf3fc1e6/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;9e242b35-14e6-4742-bd85-186794dcc4ec\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|9e242b35-14e6-4742-bd85-186794dcc4ec/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://us.preservica.com/explorer/explorer.html#prop:4\u0026amp;ac68aac5-b304-45cc-aeb4-0905f8a57259\"\u003ePreservica Internal\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://jmu.access.preservica.com/archive/sdb%3Acollection|ac68aac5-b304-45cc-aeb4-0905f8a57259/\"\u003ePreservica Access\u003c/a\u003e\u003c/p\u003e"],"otherfindaid_heading_ssm":["Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL","Preservica Internal URL","Preservica Public URL"],"otherfindaid_tesim":["Preservica Internal","Preservica Access","Preservica Internal","Preservica Access","Preservica Internal","Preservica Access"],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e","\u003cp\u003e[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","[Identification of item, (including title and date)], [box #, folder # OR identifier], Furious Flower Poetry Center Records, 1970-2021, UA 0017, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA"],"processinfo_html_tesm":["\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"\u003c/p\u003e","\u003cp\u003eIn April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.\u003c/p\u003e","\u003cp\u003eProcessing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eThe donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.\u003c/p\u003e","\u003cp\u003eVideo recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Note"],"processinfo_tesim":["The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. All material contained within three-ring binders was disbound and foldered in original order. During processing several folders were discovered to be empty. Their folder titles are as follows: Dream in Color Drafts, WHSV Children First 2010, WVPT Kid's Book Festival 2010, Poetry Month 2010, Winter Poetry Contest 2010, Marilyn Nelson Reading 2010, 73 Poems Honorariums (Music). The empty folders were discarded. Numerous folders with small purchase credit card statements and receipts were also discarded. Series I has also been renamed \"Grants and Financial Files.\"","In April 2022, the contents of the Furious Flower Poetry Center Conference Records (UA 0018) were incorporated into the Furious Flower Poetry Center Records (UA 0017) due to the collections' shared provenance and their creation by the same administrative body. The conference records were added as a separate series with subseries for each of the decennial conferences. At this same time, accruals received after initial processing were physically arranged to match their intellectual arrangement. Additional financial files deemed to have limited research value were also weeded in April 2022. Administrative receipts, travel vouchers, travel expenses and reimbursements, travel authorizations, purchase orders, invoices for supplies, monthly detail budget reports, and budget revisions were returned to FFPC.","Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","The donor's original order, including folder titles, was maintained whenever possible. The archivist imposed an order on any unordered files, titled any untitled files, and created discrete series. Social security numbers and bank account numbers have been redacted from materials. When possible, newspapers and clippings were photocopied and originals returned to donor. The collection of magnesium letterpress die plates are individually boxed and organized by the poem's appearance in the publication Furious Flower: A Revolution in African American Poetry into larger boxes (one record storage box and one oversize Hollinger box). Furious Flower Poetry Center donated a box of rolled posters in cardboard tubes, all identical, from the 1994 and 2004 conferences – each cardboard tube contained one 1994 poster and one 2004 poster. Due to duplication elsewhere in this collection, only one set of posters was retained. They were flattened and placed in the Oversize series. Processing of audiovisual content is in-process as of April 2022. Access will be made available to content once processing is complete, barring any copyright or use restrictions.","Video recordings were digitized for preservation and research access by Scene Savers in 2016 and 2017. Select records were decribed by JMU graduate assistant Mitchell Teal in 2018 and 2019 for research access through JMU Scholarly Commons in support of a JMU X-Labs course. Description is ongoing as of 2022. Access to content will be made available once description is complete, barring any copyright or other use restrictions."],"relatedmaterial_html_tesm":["\u003cp\u003eSee \"1994 Conference Program, 1994\" in Series 1 for original conference program.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003eSee the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29908\"\u003eSam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29910\"\u003eToi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30094\"\u003eNamoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30095\"\u003eNamoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29998\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29999\"\u003e Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30039\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A\u003c/a\u003e\u003c/p\u003e\n","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/30040\"\u003eMichael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e","\u003cp\u003e\u003ca href=\"https://aspace.lib.jmu.edu/repositories/4/archival_objects/29907\"\u003eMari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut\u003c/a\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See \"1994 Conference Program, 1994\" in Series 1 for original conference program.","See the file Poetry Reading 2, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Critical Theories and Approaches in African American Poetry, 1994 September 30, located in the 1994 Conference Video Recordings sub-group.","See the file Critics' Roundtable: Writing a Literary History of African American Poetry, 1994 October 1, located in the 1994 Conference Video Recordings sub-group.","See the file Poetry Reading 5, 1994 September 29, located in the 1994 Conference Video Recordings sub-group.","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Sam Allen, Alvin Aubert, Amiri Baraka Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Toi Derricotte, Haki Madhubuti, and Naomi Long Madgett Interviews Final Cut","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B","Namoi Long Madgett and Eleanor Traylor Interview A. Mari Evans and Val Gray Ward Interview A","Namoi Long Madgett and Eleanor Traylor Interview B. Mari Evans and Val Gray Ward Interview B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B"," Amiri Baraka interviewed by Askia Touré Part 2, Camera A. Nikki Giovanni interviewed by Virginia Fowler, Camera A"," Amiri Baraka interviewed by Askia Touré Part 2, Camera B. Nikki Giovanni interviewed by Virginia Fowler, Camera B","Michael Harper interviewed by Aldon Nielsen Part 2, Camera A. Toi Derricotte interviewed by Opal Moore Camera A","Michael Harper interviewed by Aldon Nielsen Part 2, Camera B. Toi Derricotte interviewed by Opal Moore Camera B","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut","Mari Evans, Everett Hoagland, and Sonia Sanchez Interviews Final Cut"],"scopecontent_html_tesm":["\u003cp\u003eThe Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.\u003c/p\u003e","\u003cp\u003eArranged chronologically. \u003c/p\u003e\n","\u003cp\u003eFFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.\u003c/p\u003e","\u003cp\u003eArranged chronologically by project date and sub-arranged alphabetically within each project.\u003c/p\u003e\n","\u003cp\u003eThis series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.\u003c/p\u003e","\u003cp\u003eArranged chronologically by event and sub-arranged alphabetically within each event.\u003c/p\u003e\n","\u003cp\u003eThis series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.\u003c/p\u003e\n","\u003cp\u003eOne file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.\u003c/p\u003e","\u003cp\u003eThis series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.\u003c/p\u003e","\u003cp\u003eArranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.\u003c/p\u003e","\u003cp\u003eThis series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.\u003c/p\u003e","\u003cp\u003eOpening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.\u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003eMichael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 MII videocassettes.\u003c/p\u003e","\u003cp\u003eRita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eThe Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eOriginal 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003ePoetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. \u003c/p\u003e\n","\u003cp\u003eTape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 MII videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 6 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.\u003c/p\u003e","\u003cp\u003eSupercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eSupercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eSupercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on a MII videocassette. \u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eFootage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eAudience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eInterviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.\u003c/p\u003e","\u003cp\u003eArranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eMaterials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.\u003c/p\u003e","\u003cp\u003eOpening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eFootage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eKeynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.\u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes. \u003c/p\u003e","\u003cp\u003eFootage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eThe second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eLaureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 VHS videocassettes.\u003c/p\u003e","\u003cp\u003ePoetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.\u003c/p\u003e","\u003cp\u003eTribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 4 DVCAM videocassettes.  \u003c/p\u003e","\u003cp\u003ePoetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 1 DVCAM videocassette.\u003c/p\u003e","\u003cp\u003eThe third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 3 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eCave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 DVCAM videocassettes.\u003c/p\u003e","\u003cp\u003eConference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. \u003c/p\u003e\n","\u003cp\u003eThis footage was originally recorded on 2 videocassettes.\u003c/p\u003e","\u003cp\u003eLifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.\u003c/p\u003e","\u003cp\u003eOpening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eKeynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026amp; Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.\u003c/p\u003e","\u003cp\u003eThe Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eA Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eFurious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026amp; Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eDear Yusef: Celebrating the Life \u0026amp; Work of Poet \u0026amp; Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eWalk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eLaureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.\u003c/p\u003e","\u003cp\u003eMagnitude \u0026amp; Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026amp; Culture (CBLC), and Obsidian: Literature \u0026amp; Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.\u003c/p\u003e","\u003cp\u003eGrowing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.\u003c/p\u003e","\u003cp\u003eBlack Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.\u003c/p\u003e","\u003cp\u003eBlack Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.\u003c/p\u003e","\u003cp\u003eA Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.\u003c/p\u003e","\u003cp\u003eBlack Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.\u003c/p\u003e","\u003cp\u003eClosing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.\u003c/p\u003e","\u003cp\u003eInterview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e","\u003cp\u003eInterview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Contents","Contents","Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The Furious Flower Poetry Center Records, 1970-2024, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center, a unit formerly of the JMU Honor's Program that became its own separate academic center of the University in 2005. A portion of the material contained within the records derive from events and programs sponsored by the Furious Flower Poetry Center including 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, Lineage: The Margaret Walker Song Cycle, and an annual children's poetry camp. Specific types of materials include event posters and brochures, exhibit panels, logistical and planning documentation, and email correspondence. Materials related to publications produced by the Center such as Mourning Katrina: A Poetic Response to Tragedy and Shaping Memories: Reflections of African American Women Writers are comprised of draft manuscripts and correspondence with poets and publishers. Grant proposals and awards, many of which relate to the aforementioned events and projects, are also represented. Materials related to the decennial Furious Flower poetry conferences, including administrative documentation and video recordings, are represented in the Conference Records series.","Arranged chronologically. ","FFPC relies heavily on funding from corporate entities and non-profits to subsidize and off-set the cost of furthering their mission of promoting African-American poetry. As such, this series contains grant proposals and awards (all closed) relating to events, publications, and other projects sponsored by the Furious Flower Poetry Center. Projects represented in this series include \"Dream in Color,\" an online curriculum sponsored by Target that enabled elementary, middle, and high-school students to discover the works of African-American poets; and the publication of Mourning Katrina, an anthology of poems by observers and survivors of Hurricane Katrina. All grant materials were removed from three-ring binders and foldered, maintaining original order.","Arranged chronologically by project date and sub-arranged alphabetically within each project.","This series contains material related to publications and manuscripts produced by the Furious Flower Poetry Center. In many cases this refers to books in the typical sense (Mourning Katrina: A Poetic Response to Tragedy, Furious Flower: African-American Poetry from the Black Arts Movement to the Present), Furious Flower Poetry Center also oversaw the publication of The Painted Word – a set of notecards and a corresponding calendar of poets' portraits. Correspondence with various publishers is also included.","Arranged chronologically by event and sub-arranged alphabetically within each event.","This series is comprised of material relating primarily to the many events, programs, and workshops hosted and sponsored by the Furious Flower Poetry Center. Major events represented in this series include Tell Me Your Names: The Poetry of Lucille Clifton, a week-long seminar held June 14 –June 21, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton, a tribute program held September 21, 2010. Of particular interest are 57 oversize exhibit panels from Among Poets: Lucille Clifton Commemorative Exhibition. This 2012 exhibition held at the Reginald F. Lewis Museum and the Enoch Pratt Free Library, both in Baltimore, Maryland, primarily feature photographs by Lynda Koolish of Lucille Clifton, her contemporaries, and her family and friends. The Center's annual Children's Poetry Camp is also well documented. Researchers should note that there are some files in this series (e.g. materials concerning Oni Lasana Productions) that are not directly related to events held by FFPC. These events are likely ones attended by FFPC staff or documented because they serve as examples of comparable outreach initiatives or similar types of promotion.","One file of materials related to the Furious Flower Poetry Center's 25th Anniversary Celebration, held in September 2019 at the National Museum of African American History and Culture, include promotional material, a schedule of events, and a copy of the invocation presented by Rev. Edward A. Scott. Of particular interest is a promotional card inscribed by Qiniso \"Qibho\" Motsa, a poet, musicion, author, and social activist from Eswatini.","This series comprises materials related to the decennial Furious Flower poetry conferences, beginning with the inaugural conference in 1994. A significant portion of the records include logistical and planning documentation for each conference as well as marking and promotional items. These materials are comprised of calls for papers, contracts, correspondence, address lists, ticket requests, travel, transportation, and lodging reservations, and menus. The records include nontraditional items as well. Of interest are exhibit panels (text labels and images) describing and depicting the participants of the 1994 conference. Magnesium letterpress die plates used to print a limited edition portfolio Furious Flower: A Revolution in African American Poetry, a special collection of 23 poems selected by poets (who participated in the 1994 conference) to represent their work, are included. Six silk banners that adorned the Wilson Hall auditorium during the 2004 and 2014 conferences are included.","Arranged alphabetically with the exception of the Exhibit of Participants materials and the magnesium letterpress die plates which are located at the end of the series due to their size. Note that the numbering system for the letterpress die plates is sequential based on each poem's order in the publication Furious Flower: A Revolution in African American Poetry. As such the first folder/four-flap enclosure in box nine is labeled 9:21b. This is the plate for page two of the 21st poem in the publication.\nMaterials in this series primarily document the planning and implementation of the 1994 Furious Flower Poetry Conference: A Revolution in African American Poetry. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. Conference evaluations completed by attendees and folders labeled \"Positive Responses\" document the overwhelming success of the conference. Of particular interest are exhibit components from the 1994 conference that include text labels and images of each participating poet. The photographs for these panels were taken by C. B. Claiborne. Copy 225 of 300 of Furious Flower: A Revolution in African American Poetry is located in box 2, folder 5. The magnesium letterpress die plates used to print this collection of poetry are also included here. Each plate is individually housed in a four-flap enclosure and then boxed in order of appearance in the publication. Of significance are the video recordings documenting conference proceedings and interviews with Black poets.","This series contains 45 video recordings captured by John L. Hodges during the 1994 Furious Flower Poetry Conference as well as interviews with poets.","Opening invocation and welcome to participants for the 1994 Furious Flower Conference at James Madison University. The Opening Session was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 8:30 a.m. This footage was originally recorded on 1 MII videocassette.","The Critics' Roundtable, \"African American Poetry and the Vernacular Matrix,\" was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 9:30 a.m.","Original 1994 Furious Flower Poetry Conference program reads, \"African American poetry, perhaps more so than fiction and drama, has lent and continues to lend itself to the thematic and formalistic expression of its matrixing in African American culture, in the vernacular (folk and popular) culture in particular. This roundtable will investigate the nature and extent of this matrixing. It will consider the relationship of the folk to the popular vernacular mode, whether \"continuity\" or \"disjuncture\" best describes that relationship and how the difference between the two is imprinted upon the literature. It will also consider the nature and validity of rural/urban, southern/northern distinctions as they apply to cultural expressive manifestations such as the blues, and the degree to which these distinctions spill over into the poetry as a literary production. (Alvin Aubert)\"","This footage was originally recorded on 3 MII videocassettes.","Michael S. Harper's Keynote speech at the 1994 Furious Flower Conference. The session continued with poetry readings by Elizabeth Alexander, Gerald Barrax, Toi Derricotte, and E. Ethelbert Miller. The Keynote Speech and Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, and Naomi Long Madgett at the 1994 Furious Flower Conference. The Poetry Reading was held at the Grafton-Stovall Theatre at James Madison University on Thursday, September 29, 1994 at 4:45 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Amiri Baraka, Mari Evans, Michael S. Harper, and Sonia Sanchez at the 1994 Furious Flower Conference. The JMU Jazz Ensemble opened the session by playing \"Cherry Juice.\" The Poetry Reading was held at Wilson Hall, James Madison University on Thursday, September 29, 1994 at  8 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Critical Theories and Approaches in African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Friday, September 30, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"The work of literary theory and of theorizing in other areas of the human sciences is to specify what conditions obtain among those who create, those who make use of creations, and the languages (or signs) that enable creators and consumers to negotiate in a world of social constructions. In short, theory is obligated to explain relations between people and artifacts in the contexts of history and culture. In that sense, theory is necessary for rigorous examination of African American poetry. How might theory advance the study and appreciation of African American poetry? Within the frame of this questions, scholars on the panel will be asked to address what kind of critical or cultural theory seems most appropriate for understanding poetry, how such theories influence interpretive methods and approaches, and how must theorists themselves grapple with their own historicity in light of African American poetry's evolution from orature to literature to newer genres that mix orality and literacy. The aim of the panel is to clarify some problems of theory and poetry as they affect various audiences (Jerry W. Ward, Jr.)\" ","This footage was originally recorded on 4 MII videocassettes.","Rita Dove and Gwendolyn Brooks' Keynote Speeches at the 1994 Furious Flower Conference. The Keynotes were held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 1 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by Dolores Kendrick, Nikki Giovanni, and Eugene Redmond at the 1994 Furious Flower Conference. The Poetry Reading was held at Wilson Hall, James Madison University on Friday, September 30, 1994 at 3 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Tribute Banquet to honor important black poets at the 1994 Furious Flower Conference. Mari Evans, Raymond Patterson, Margaret Walker, Naomi Long Madgett, Samuel W. Allen, Pinkie Gordon Lane, and Gwendolyn Brooks were the honored poets. The banquet was held at Phillips Hall, James Madison University on Friday, September 30, 1994 at 7 p.m. ","This footage was originally recorded on 2 MII videocassettes.","The Critics' Roundtable, \"Writing a Literary History of African American Poetry,\" was held at the Grafton-Stovall Theatre at James Madison University on Saturday, October 1, 1994 at 9:30 a.m. ","Original 1994 Furious Flower Poetry Conference program reads, \"As the drum stands at the crossroads of traditional African and African American culture, so the poets stand at the center of the drum providing the cadence, connections and continuity that define their literary history. Panelists on this roundtable will speak on periodicity and identify significant literary movements from the Harlem Renaissance through the Black Arts Movement to hip-hop. In an attempt to provide a valid historical framework for the poetry, panelists will discuss major literary milestones and important poets emerging during the twentieth century. (Eugene Redmond)\" ","This footage was originally recorded on 3 MII videocassettes.","Poetry Free Read at the 1994 Furious Flower Conference. The Free Read was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994. ","This footage was originally recorded on a MII videocassette.","Poetry Readings by Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, and Mona Lisa Saloy at the 1994 Furious Flower Conference. The Poetry Reading was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 2 p.m. ","This footage was originally recorded on 2 MII videocassettes.","Poetry Readings by The Dark Room Collective at the 1994 Furious Flower Conference. Established in Boston in 1988, The Dark Room Collective was first a reading series and later a small community of black poets and writers. The Dark Room Collective's poetry reading at the 1994 conference was held at Grafton-Stovall Theatre, James Madison University on Saturday, October 1, 1994 at 4:15 p.m. ","Tape 1 begins with the last 10 minutes of Poetry Reading 5 and The Dark Room Collective reading starts at the 12 minute mark. ","This footage was originally recorded on 2 MII videocassettes.","Conference Finale for the 1994 Furious Flower Conference. A celebration of black arts and culture, the conference finale featured musical and spoken word performances by Mellasenah Morris, the JMU Contemporary Gospel Singers, Val Gray Ward, and Bernice Johnson Reagon. The Conference Finale was held at Wilson Hall, James Madison University on Saturday, October 1, 1994 at 8 p.m. ","This footage was originally recorded on 6 MII videocassettes.","Supercuts of the 1994 Furious Flower Conference, featuring footage from all 3 days of the conference. This footage was originally recorded on 10 MII videocassettes.","Supercut 1/10 of the 1994 Furious Flower Conference, featuring selections from the conference opening session and Critics' Roundtable: African American Poetry and the Vernacular Matrix. ","This footage was originally recorded on a MII videocassette.","Supercut 2/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 1 (Elizabeth Alexander, Gerald Barrax; Toi Derricotte; and E. Ethelbert Miller) and Poetry Reading 2 (Sam Allen, Pinkie Gordon Lane, Haki Madhubuti, Naomi Long Madgett). ","This footage was originally recorded on a MII videocassette.","Supercut 3/10 of the 1994 Furious Flower Conference, featuring selections from Poetry Reading 2 (Naomi Long Madgett) and Poetry Reading 3 (Amiri Baraka, Mari Evans, Michael S. Harper, Sonia Sanchez). ","This footage was originally recorded on a MII videocassette.","Supercut 4/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Critical Theories and Approaches in African American Poetry and the keynote speeches by Rita Dove and Gwendolyn Brooks. ","This footage was originally recorded on a MII videocassette.","Supercut 5/10 of the 1994 Furious Flower Conference, featuring the remainder of  Gwendolyn Brooks' keynote speech and selections from Poetry Reading 4 (Dolores Kendrick, Nikki Giovanni, Eugene Redmond). ","This footage was originally recorded on a MII videocassette.","Supercut 6/10 of the 1994 Furious Flower Conference, featuring selections from the Tribute Banquet. ","This footage was originally recorded on a MII videocassette.","Supercut 7/10 of the 1994 Furious Flower Conference, featuring selections from Critics' Roundtable: Writing a Literary History of African American Poetry. ","This footage was originally recorded on a MII videocassette. ","Supercut 8/10 of the 1994 Furious Flower Conference, featuring selections from  Poetry Reading 5 (Jacqueline Brice-Finch, Gwen Butler, Kalamu ya Salaam, Jeannette Drake, Sybil Kein, Adam David Miller, Brenda Marie Osbey, Fabu Carter, Ester Iverem, Mona Lisa Saloy, and Quo Vadis Gex-Breaux). ","This footage was originally recorded on a MII videocassette.","Supercut 9/10 of the 1994 Furious Flower Conference, featuring selections from The Dark Room Collective: A Fisted Reading. ","This footage was originally recorded on a MII videocassette. ","Supercut 10/10 of the 1994 Furious Flower Conference, featuring selections from the Conference Finale. ","This footage was originally recorded on a MII videocassette. ","Audience footage of Poetry Reading 2 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Footage of posters, books, various artifacts, and exhibits at the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Critical Theories and Approaches in African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Critics' Roundtable: Writing a Literary History of African American Poetry from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Audience footage of Poetry Reading 5 from the 1994 Furious Flower Conference. This footage was originally recorded on a MII videocassette.","Interview with E. Ethelbert Miller at the 1994 Furious Flower Conference. Miller was interviewed by Eugenia Collier in this recording. This footage was originally recorded on MII videocassettes.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Eugene Redmond interviewed by Jabari Asim, Major Jackson interviewed by Vera Beatty, Dolores Kendrick  interviewed by Judith Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Gerald Barrax interviewed by Joyce Pettis and Nikki Giovanni interviewed by Virginia Fowler. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Major Jackson interviewed by Vera Beatty, Dolres Kendrick interviewed by Judith Thomas, Pinkie Gordon Lane interviewed by Sandra Govan, and Michael S. Harper interviewed by Aldon Nielsen. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Mari Evans interviewed by Val Gray Ward, Everett Hoagland interviewed by Kalamu ya Salaam, and Sonia Sanchez interviewed by Lorenzo Thomas. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sam Allen interviewed by Jerry Ward, Alvin Aubert interviewed by Lenard Moore, and Amiri Baraka interviewed by Askia Touré. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Sherley Anne Williams interviewed by Deborah McDowell. This footage was originally recorded on a MII videocassette.","Interviews with poets at the 1994 Furious Flower Conference. Featured in this video is Toi Derricotte interviewed by Opal Moore, Haki Madhubuti interviewed by Sonia Sanchez, and Naomi Long Madgett interviewed by Eleanor Traylor. This footage was originally recorded on a MII videocassette.","Arranged alphabetically.","Materials in this series primarily document the planning and implementation of the 2004 Furious Flower Poetry Conference: Regenerating the Black Poetic Tradition. Records include travel and lodging reservations, correspondence with participating poets, financial documentation and budgets, and mailing lists. Marketing and promotional items such as posters and brochures are included. During the 2004 conference, notable African American scholars including Tony Bolden, Hilary Holladay, and Monifa Love conducted interviews with presenting conference poets including Houston Baker, Rita Dove, and Tony Medina. The corresponding transcripts are included and are particularly significant to African American poetry scholarship. Of particular interest is congratulatory correspondence and RSVP regrets for the 2004 conference from Julian Bond, Governor Mark Warner, Senator George Allen, the office of President George W. Bush and Senator John Kerry, President and CEO of the NAACP Kweisi Mfume, and many others. Some of these letters were printed in the official conference program. Also of interest are evaluations completed by conference attendees. Six  silk banners used to decorate the Wilson Hall auditorium during the conference are included in this series. The banners are rolled onto dowels and housed in a rolled storage container. Currently, the silk banners may only be requested (in writing) by Furious Flower Poetry Center staff.","Opening Session and welcome to participants for the 2004 Furious Flower Conference at James Madison University. The first recording is a copy of the ten-minute documentary that was shown during the opening session and the second tape features performances and remarks from the session itself. The Opening Session was held at College Center at James Madison University on Thursday, September 23, 2004 at 8:30 a.m.","This footage was originally recorded on 1 MDV and 1 DVCAM videocassettes.","The first Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Trudier Harris moderated the session while Maryemma Graham, Hilary Holladay, and Tony Bolden critically discussed turn of the twentieth century poetry, The Black Arts Movement, and modern Black poetry. The session was held at College Center Ballroom at James Madison University on Thursday, September 23, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Footage of the luncheon hosted by the George Moses Horton Society at the 2004 Furious Flower Conference. The 2004 Furious Flower Poetry Conference program reads, \"Members of the George Moses Horton Society, based at the University of North Carolina, Chapel Hill, will host a luncheon on Thursday, September 23. The Horton Society was concieved by Trudier Harris in the spring of 1996 as a way to encourage sustained scholarly focus on the works of African American poets and to foster presentation and publishing opportunities for that scholarship. Yusef Komunyakaa and T.J. Anderson are the featured speakers.\" This footage only shows a portion of the presentation by T.J. Anderson and Yusef Komunyakaa before cutting off abruptly. The luncheon was held in the College Center Ballroom, James Madison University on Thursday, September 23, 2004 at 11:45 a.m. ","This footage was originally recorded on 1 DVCAM videocassette.","Keynote Speech and Poetry Reading 1 at the 2004 Furious Flower Conference. Houston A. Baker Jr. gave his keynote speech entitled, \"The Poetry of Impulse: Six Inches of African Stone and Lyrical Black Consciousness\" after an introduction by Trudier Harris. The session continued a presentation of the Furious Flower Lifetime Achievement Award to Houston A. Baker Jr. by Jerry W. Ward Jr. and Joanne Gabbin. Susan Facknitz introduced the next segment, a poetry reading with Jabari Asim, Major Jackson, Tony Medina, Opal Moore, Sharan Strange, and Yusef Komunyakaa. The Keynote Speech and Poetry Reading 1 was held at Wilson Hall Auditorium, James Madison University on Friday, September 23, 1994 at 1:15 p.m.","This footage was originally recorded on 2 DVCAM videocassettes. ","Footage of Concurrent Sessions and the Furious Flower Art Opening Reception at the 2004 Furious Flower Conference. The first half of the footage shows snippets of concurrent sessions held in various rooms in Taylor Hall from 4:30-5:45pm on Thursday, September 23, 2004. The second half of the footage features the art opening reception, about which the original 2004 Furious Flower Poetry Conference program states, \"Commissioned to bring visual attention to the work of African American poets and symbolizing the flowering of African American poetry, this important and original work of art by Atlanta artist Malaika Favorite will be unveiled.\" The reception was held in Taylor Hall Room 405 at James Madison University on Thursday, September 23, 2004 at 6:45 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Poetry Reading 2 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Brenda Marie Osbey, Kevin Young, E. Ethelbert Miller, Haki Madhubuti, Lucille Clifton, and Nikki Giovanni.  Kalamu ya Salaam introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Thursday, September 23, 2004 at 8 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","The second Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Daryl C. Dance moderated the session while Velma Pollard, Mark Sanders, Eleanor Traylor, and Omékongo Dibinga presented about the topic cross pollination in the African diaspora. The session was held at College Center Ballroom at James Madison University on Friday, September 24, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Laureate's Circle poetry reading at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Eugene Redmond, Dolores Kendrick, Askia Touré, Rita Dove, Amiri Baraka, and Sonia Sanchez. Joanne Gabbin introduced the poets at the beginning of the session. The Laureate's Circle reading was held in Wilson Hall Auditorium, James Madison University on Friday, September 24, 2004 at 1:30 p.m. ","This footage was originally recorded on 3 VHS videocassettes.","Poetry Reading 3 at the 2004 Furious Flower Conference. This reading featured the following prominent Black poets: Harryette Mullen, Alvin Aubert, Nikky Finney, Everett Hoagland, jessica Care moore, and Kalamu ya Salaam. Tony Medina introduced the poets at the beginning of the session. The Poetry Reading was held in Wilson Hall Auditorium at James Madison University on Friday, September 24, 2004 at 3:30 p.m. This footage was originally recorded on 2 VHS videocassettes.","Tribute Banquet for the 2004 Furious Flower Conference at James Madison University. Furious Flower Lifetime Achievement Awards were presented to the following poets: Alvin Aubert, Amiri Baraka, Lucille Clifton, Nikki Giovanni, Haki Madhubuti, Velma Pollard, Eugene Redmond, Sonia Sanchez, and Askia Touré. The event also featured music by D.J. Renegade and the following as presenters: Melba Boyd, William \"Billy Joe\" Harris, Hilary Holladay, Sandra Govan, Quraysh Ali Lansana, Daryl Dance, Howard Rambsy, Lamont Steptoe, and Eleanor Traylor. The banquet was held in the College Center Ballroom, James Madison University on Friday, September 24, 2004 at 7:30 p.m. ","This footage was originally recorded on 4 DVCAM videocassettes.  ","Poetry Jam event at the 2004 Furious Flower Poetry Conference at James Madison University. The original 2004 Furious Flower Poetry Conference program reads, \"Outstanding poets read and perform their work. Music will be provided by the Joel Dias-Porter Quartet. Porter, aka D.J. Renegade, will emcee the event on Friday, September 24 at 10:30 p.m.\" Participants included Joel Dias-Porter, Quo Vadis Gex Breaux, Mona Lisa Saloy, Lenard Moore, Angela Shannon, Lamont Steptoe, and Samantha Thornhill. The event was held at College Center Ballroom, James Madison University on Friday, September 24, 2004 at 10:30 p.m. ","This footage was originally recorded on 1 DVCAM videocassette.","The third Critics' Roundtable of the 2004 Furious Flower Conference at James Madison University. Opal Moore moderated the session while E. Ethelbert Miller, Toi Derricotte, Kelli Norman Ellis, and Sharan Strange discussed the need for MFA writing programs at historically Black colleges and universities, the development of Cave Canem, Chicago State University's MFA writing program, and the history of the Dark Room Collective. The session was held at Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 9:30 a.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Luncheon and Open Mic event at the 2004 Furious Flower Conference at James Madison University. The footage begins with the presentation segments of the Cave Canem luncheon before switching to the Open Mic event. Tyehimba Jess was the Emcee for the Open Mic Reading and many poets read their poetry. The luncheon was held in the Phillips Center Ballroom, James Madison University on Saturday, September 25, 2004 at 12:00 p.m. and the Open Mic Reading was held in Grafton Stovall Theater,  at 1:30 p.m. ","This footage was originally recorded on 3 DVCAM videocassettes.","Cave Canem Reunion Reading at the 2004 Furious Flower Conference at James Madision University. The footage begins with a circle jam poetry reading before switching to the Cave Canem Reading. Cornelius Eady, Marilyn Nelson, Kwame Dawes, Elizabeth Alexander, and Toi Derricotte each read their poetry as part of this event. The reading was held in Grafton Stovall Theater, James Madison University on Saturday, September 25, 2004 at 3:30 p.m. ","This footage was originally recorded on 2 DVCAM videocassettes.","Conference Finale for the 2004 Furious Flower Conference. The event featured two musical groups: \"Fertile Ground\" a soul and jazz band from Baltimore, Maryland and \"The Full Moon of Sonia\" which sets Sonia Sanchez's poetry to music. The Conference Finale was held at Wilson Hall Auditorium, James Madison University on Saturday, September 25, 2004 at 8 p.m. ","This footage was originally recorded on 2 videocassettes.","Lifetime Achievement Award Banquet for the 2024 Furious Flower Conference at James Madison University. jessica Care moore and Tony Medina hosted the banquet and David Berry provided the music. Furious Flower Lifetime Achievement Awards were presented to the following poets: Elizabeth Alexander, Kwame Dawes, Cornelius Eady, Nikky Finney, Lorna Goodison, E. Ethelbert Miller, Harryette Mullen, Niyi Osundare, Timothy Seibles, and Patricia Smith. The banquet was held in the Festival Ballroom at James Madison University on Wednesday, September 18, 2024 at 6 p.m.","Opening session and welcome to the participants for the 2024 Furious Flower Conference at James Madison University. A video introduction featuring Afaa M. Weaver opened the session, followed by an in memoriam slideshow. Lauren Alleyne presented an overview of the Furious Flower Poetry Center's work since the 2014 conference. Traci Zimmerman, the Dean of the College of Arts and Letters Dean and interim-Provost, Bob Kolvoord made remarks, and Bethany Nowviskie, Dean of JMU Libraries, gave a presentation about the Mellon Foundation grant partnership between Furious Flower and JMU Libraries. The Opening Session was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 8:15 a.m.","Keynote Reading and Conversation with honored poets, Elizabeth Alexander \u0026 Kwame Dawes, at the 2024 Furious Flower Conference. Alexander and Dawes read poetry and engaged in discussion with Shara McCallum and Terrance Hayes. The Keynote Reading and Conversation was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 9:15 a.m.","The Worlds of Black Poetry: Critical Portals, Pathways, and Emergences panel at the 2024 Furious Flower Conference at James Madison University.  Keith Leonard, Jahan Ramazani, Evie Shockley, and Mecca Jamilah Sullivan each presented a paper showcasing the depth and breath of the worlds of Black poetry. Topics of discussion included: avant-garde poetry, elegy and Caribbean poetry, Black confessional poetry, Black feminism, and Black queer poetics. This panel was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 11:15 a.m.","A Decade of Poetic Experiment: 2014 to 2024 panel at the 2024 Furious Flower Conference at James Madison University. Aldon Lynn Nielsen, C.S. Giscombe, Meta DuEwa Jones, Mark McMorris, Duriel E. Harris, and Douglas Kearney engaged in a round table discussion about the past decade in Black poetry. Experimentation by poets and critics is of particular focus during this panel. This discussion was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 2 p.m.","Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading at the 2024 Furious Flower Conference. Winner, Michelle Alexander, Honorable Mention, Raejeana Brooks, and judge, Roger Reeves, read poetry and answered questions from the audience. The Furious Flower Poetry Prize Winner \u0026 Honorable Mention Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 3:30 p.m.","Black Universe I: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Rita Dove, Jericho Brown, Camille T. Dungy, Alexis Pauline Gumbs, Malika Booker, Patricia Jabbeh Wesley, Tyehimba Jess, Remica Bingham-Risher, Matthew Shenoda, Lillian-Yvonne Bertram, Cornelius Eady, Frank X. Walker, and Nikky Finney. The Black Universe I: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Thursday, September 19, 2024 at 7 p.m.","Dear Yusef: Celebrating the Life \u0026 Work of Poet \u0026 Professor Yusef Komunyakaa panel at the 2024 Furious Flower Conference. Lynne Thompson, Joel Dias-Porter, Linda Susan Jackson, and Dante Micheaux discussed a new anthology entitled \"Dear Yusef.\" Panelists also shared their personal experiences working with Yusef Kumanyaka and read poetry from the anthology. The session closed with the presenters answering audience questions. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 8:15 a.m.","Walk With Me: Freedom Fighter's Homage presentation and performance at the 2024 Furious Flower Conference. The session featured a discussion, live performances, and answering questions from the audience. The performance itself examined the long road to freedom for Black people in America and included song, spoken word poetry, and dance. This session was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 9:45 a.m.","Laureate Reading and Conversation at the 2024 Furious Flower Conference. Rita Dove, Poet Laureate of the United States, 1993-1995, introduced poet laureates from across the country and moderated a conversation after the readings. Featured poets included: Angela Jackson (Illinois), Curtis Crisler (Indiana), Amanda Johnston (Texas), avery r. young (Chicago, IL), and Glenis Redmond (Greenville, SC).  The Laureate Reading and Conversation was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 11:15 a.m.","Magnitude \u0026 Bond: A Preview of a Field Study on Black Literary Organizations panel at the 2024 Furious Flower Conference. Lisa Willis, Candace G. Wiley, Nichelle M. Hayes, and Duriel E. Harris discussed the Magnitude and Bond field study. The presenters represented four organizations that are participating in the field study: Cave Canem, The Watering Hole, Center for Black Literature \u0026 Culture (CBLC), and Obsidian: Literature \u0026 Arts in the African Diaspora. The group conversed about why the field study is important, positives and negatives they have experienced as leaders of Black literary arts organizations, and how organizations were chosen for the field study. The session closed with a questions from the audience. This panel was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 2 p.m.","Black Universe II: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Ross Gay, Erica Hunt, francine j. harris, Roger Reeves, DaMaris Hill, Efe Paul Azino, Merle Collins, Danez Smith, Tara Betts, A. B. Spellman, Lorna Goodison, E. Ethelbert Miller, and Harryette Mullen. The Black Universe II: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Friday, September 20, 2024 at 7 p.m.","Growing a New Garden: Furious Flowering in Classrooms panel at the 2024 Furious Flower Conference. Panelists Anastacia-Reneé, allia abdullah-matta, Brian Hannon, Carmin Wong, and Keisha-Gaye Anderson discussed the Furious Flower Syllabus project, an open access syllabus for a range of educational contexts. Each presenter highlighted their favorite poem featured in the project curriculum, conversed about creating the syllabus, and expressed the importance of such an undertaking. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 8:15 a.m.","Black Universe III: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Kei Miller, Shara McCallum, Tim Seibles, Anastacia Renée, Gregory Pardlo. Joanne Gabbin introduced each poet with a personally written haiku. The Black Universe III: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 9:45 a.m.","Black Joy in Song performance at the 2024 Furious Flower Conference. Sonya Gabrielle Baker, Albert Lee, and Jeremiah Padilla performed poetry set to music, incorporating both vocal and instrumental music. This performance was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 12:30 p.m.","A Vital History: The Cambridge Anthology Roundtable at the 2024 Furious Flower Conference. Panelists Matt Sandler, Carlyn Ferrari, Marta Werbanowska, McKinley Melton, Annette Debo, and Emily Ruth Rutter discussed an upcoming anthology. Each panelist described their essay from the anthology, including topics such as Black poets of the abolition movement, Black women poets, the Black eco-poetic tradition, elegy, and more. The session concluded with a panel discussion and audience questions. This panel was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 2 p.m.","Black Universe IV: Featured Poets Reading at the 2024 Furious Flower Conference. This reading featured the following prominent Black poets from across the world: Terrance Hayes, Evie Shockley, Niyi Osundare, Canisia Lubrin, Patricia Smith, and Kwame Dawes. Lauren Alleyne closed the session by reading a new poem. The Black Universe IV: Featured Poets Reading was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 3:30 p.m.","Closing Remarks for the 2024 Furious Flower Conference. Lauren Alleyne, the Executive Director of the Furious Flower Poetry Center, concluded the conference by expressing gratitude for everyone involved with the event in some way. This event was held in the Festival Ballroom at James Madison University on Saturday, September 21, 2024 at 5 p.m.","Interview with Camille Dungy, Ross Gay, Alexis Pauline Gumbs, and Niyi Osundare at the 2024 Furious Flower conference. Nate Marshall moderated the conversation, posing questions about the theme Black planet. The group discussed the relationship between Black identity and the environment, how crafting poetry allows them to explore new relationships with the natural world, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Erica Hunt, A.B. Spellman, and Glenis Redmond at the 2024 Furious Flower Conference. Keisha-Gaye Anderson moderated the conversation, posing questions about the theme life in poetry. The group discussed why they chose poetry, pivotal moments in their careers, the role of community and collaboration in their development as poets, advice for emerging poets, lessons learned, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Malika Booker, Danez Smith, and Frank X. Walker at the 2024 Furious Flower Conference. Keith Leonard moderated the conversation, posing questions about the theme collectives and community. The group discussed why it is important to be involved in their respective communities or collectives, the importance of inter-generational connections, and what the worlds of Black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Thursday, September 19, 2024.","Interview with Anastacia Renée, Canisia Lubrin, and Lillian Yvonne Bertram at the 2024 Furious Flower conference. Mecca Jamilah Sullivan moderated the conversation, posing questions about the theme poetic experimentation. The group discussed what poetic experimentation means to them, the experience of experimentation, what is lost when discussing the process of experimentation, and what the worlds of black poetry mean to them. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Evie Shockley, Remica Bingham-Risher, Terrance Hayes, and DaMaris Hill at the 2024 Furious Flower Conference. Meta DuEwa Jones moderated the conversation, posing questions about the theme creative scholarship. The group discussed what scholarship means to them, how the market does or does not affect their work, their collaborative practices, the worlds of black poetry as they relate to their scholarly, creative, and critical work, and finding joy in their work. The interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Matthew Shenoda, Efe Paul Azino, and Patricia Jabbeh Wesley at the 2024 Furious Flower Conference. Gbenga Adesina moderated the conversation, posing questions about the theme continental conversations. The group discussed diasporic influences, how their work may shape poetry moving forward, and the books or projects they currently working on. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tara Betts, avery r. young, Danez Smith, and Mahogany L. Browne  at the 2024 Furious Flower Conference. McKinley Melton moderated the conversation, posing questions about the theme performance. The group discussed what the worlds of Black poetry mean to them, how they see their work engaging in the expansiveness of poetic performance, the best lessons they have learned from their time as poets and performers, and what it means to be at Furious Flower. This interview was recorded in the Festival Conference and Student Center at James Madison University on Friday, September 20, 2024.","Interview with Tyehimba Jess, francine j. harris, jessica Care moore and Airea D. Matthews at the 2024 Furious Flower conference. Ajanaé Dawkins moderated the conversation, posing questions about the theme Detroit conversations. Each poet read one of their poems, discussed how the school of Detroit poetry shaped them, and talked about the evolution of Detroit poetry. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Lorna Goodison, Merle Collins, Kei Miller, and Malika Booker at the 2024 Furious Flower conference. Jahan Ramazani moderated the conversation, posing questions about the theme Caribbean conversations. The group discussed Caribbean identity, diasporic identity, the distinctiveness of the Caribbean experience, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024.","Interview with Roger Reeves, Jericho Brown, and Gregory Pardlo at the 2024 Furious Flower conference. Curtis Crisler moderated the conversation, posing questions about the theme Black masculinity. The group discussed their definitions of Black masculinity, how they show vulnerability in their poetry, and what the worlds of Black poetry mean to them. This interview was recorded in the Festival Conference and Student Center at James Madison University on Saturday, September 21, 2024."],"separatedmaterial_html_tesm":["\u003cp\u003eA copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. \u003c/p\u003e\n","\u003cp\u003eThe following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.\u003c/p\u003e\n","\u003cp\u003eA broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["A copy of Mourning Katrina: A Poetic Response to Tragedy Buena Vista, Va.: Mariner Publishing, 2009 and 73 Poems for 73 Years: Celebrating the Life of Lucille Clifton Harrisonburg, Va.: Virginia Tech Printing Services, 2010 were removed from Series 2, catalogued, and placed in the Special Collections rare book collection. ","The following titles were removed from Series 3 and catalogued: Opala, Joseph A. The Gullah: rice, slavery and the Sierra Leone-American connection. Freetown, Sierra Leone: USIS, 1987; Opala, Joseph. Krio in a nutshell.: Krio Grammar with Lessons, Exercise and Vocabulary, Vol. 1. Freetown, Sierra Leone: [publisher not identified], 1991; Opala, Joseph. Krio in a nutshell.: Krio Conversation with Dialogues, Stories, Proverbs, etc., Vol. 2. Freetown, Sierra Leone: [publisher not identified], 1991; Geraty, Virginia Mixson. Bittle en' t'ing': Gullah cooking with Maum Chrish'. Orangeburg, S.C.: Sandlapper Pub., 1992.","A broadside printing of Rita Dove's \"Ode to My Right Knee\" (no. 39 of 100) was removed from the collection and cataloged separately."],"userestrict_html_tesm":["\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e","\u003cp\u003eCopyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions","Use Restrictions"],"userestrict_tesim":["Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","Copyright for official University records is held by James Madison University; all other copyright is retained by the authors of items in these papers, or their descendants, as stipulated by United States copyright law. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_45f28e16f5fdc8ade98243e65fa6eef4\"\u003eThe Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center.\u003c/abstract\u003e"],"abstract_tesim":["The Furious Flower Poetry Center Records, consisting of 17.6 cubic feet (43 boxes, 1 rolled storage container), document the departmental activities of the Furious Flower Poetry Center."],"names_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). 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J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. 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(Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"corpname_ssim":["James Madison University Libraries Special Collections","James Madison University. Furious Flower Poetry Center","Furious Flower Conference (1st ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 1994 :.)","Furious Flower Conference (2nd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2004 :.)","Furious Flower Conference (3rd ) (Location of meeting: James Madison University). Date of meeting or treaty signing: 2014 :.)","Furious Flower Poetry Center (1999-2004)","James Madison University. Jazz Ensemble","Berry Media Group"],"names_coll_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K."],"persname_ssim":["Gabbin, Joanne V. (Joanne Veal), 1946-","Alleyne, Lauren K.","Hodges, John L.","Wright, Steven","Facknitz, Susan","Brice-Finch, Jacqueline","Claiborne, C. B. (Claudius B.)","Carrier, Ronald E., 1932-2017","Hunt, Doris","Ward, Val Gray (1932-08-21-2024-03-07)","Brown, Vernisha","Aubert, Alvin (1930-03-12-2014-12-06)","Alexander, Elizabeth, 1962-","Traylor, Eleanor W.","Williams, Sherley Anne, 1944-1999","Stover, Darrell \"SCIPOET\"","Drew, Shahara","Miller, Adam David (1922-10-08-2020-11-04)","Love, Monifa A.","Thompson, Mylea","Harper, Michael S. (Michael Steven), 1938-2016","Ellis, Thomas Sayers (1963)","Keene, John (John R.), 1965-","Barrax, Gerald W. (Gerald William) (1933-06-21-2019-12-07)","Derricotte, Toi, 1941-","Miller, E. Ethelbert (Eugene Ethelbert) (1950-11-20)","Allen, Samuel W. (Samuel Washington) (1917-12-09-2015-06-27)","Phillips, Carl, 1959-","Lane, Pinkie Gordon (1923-2008-12-03)","Madhubuti, Haki R., 1942-","Madgett, Naomi Cornelia Long (1923-07-23-2020-11-05)","Baraka, Amiri, 1934-2014","Touré, Askia M. (1938-10-13)","Evans, Mari, 1919-2017","Sanchez, Sonia, 1934-","Ward, Jerry W., Jr. (Jerry Washington), 1943-","Joyce, Joyce Ann, 1949-","Nielsen, Aldon Lynn (1950-10-20)","Rampersad, Arnold (1941-11-13)","Thomas, Lorenzo, 1944-2005","Renegade, D. J.","Salaam, Kalamu ya, 1947-","McDowell, Deborah E., 1951-","Dove, Rita (1952-08-28)","Kendrick, Dolores, 1927-2017","Brooks, Gwendolyn, 1917-2000","Giovanni, Nikki (1943-2024)","Redmond, Eugene (Eugene B.) (1937-12-01)","Gayles, Gloria Jean Wade (19380701)","Collier, Eugenia W. (1928-04-06)","Patterson, Raymond R. (1929-12-14-2001-04-05)","Graham, Maryemma (1949-06-13)","Moore, Opal (1953)","Gabbin, Alexander L. (1945)","Asim, Jabari, 1962-","Braxton, Joanne M. 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J., III, 1958-","Komunyakaa, Yusef (1947-04-29)","Baker, Houston A., Jr., 1943-","Medina, Tony (1966-01-10)","Debo, Annette, 1964-","Favorite, Malaika, 1949-","Pollard, Velma (1937-03-26)","Sanders, Mark A., 1963-","Dibinga, Omékongo","Mullen, Harryette Romell (1953-07-01)","Finney, Nikky (1957-08-26)","Moore, Jessica Care","Boyd, Melba Joyce (1950-04-02)","Harris, William J., 1942-","Lansana, Quraysh Ali (1964-09-13)","Rambsy, Howard (1976)","Rose, Linwood H. (Linwood Howard), 1951-","Thornhill, Samantha","Shannon, Angela","Ellis, Kelly Norman, 1964-","Jess, Tyehimba","Betts, Tara","Singleton, Giovanni","Harris, Duriel E.","Walker, Frank X., 1961-","Sheba Queen","Moon, Kamilah Aisha (1972-09-05)","Martin, Dawn Lundy (1975)","Obadike, Mendi Lewis, 1973-","Shockley, Evie, 1965-","Eady, Cornelius, 1954-","Nelson, Marilyn, 1946-","Dawes, Kwame Senu Neville, 1962-","Warner, Mark R. (Mark Robert) (1954-12-15)","Allen, George, 1952-","Mfume, Kweisi (1948-10-24)","Okai, Atukwei, 1941-","Bond, Julian (Horace Julian), 1940-2015","Obama, Barack","Goodison, Lorna (1947-08-01)","Osundare, Niyi, 1947-","Seibles, Tim (1955)","Smith, Patricia, 1955-","Adesina, Gbenga","Berry, David E., 1982-","Melton, McKinley","Jones, Meta DuEwa","Marshall, Nate, (Poet)","Oliver, Patrick M.","Morgan, Shauna M.","Weaver, Afaa M. (Afaa Michael), 1951-","Kolvoord, Robert","Zimmerman, Traci","Nowviskie, Bethany","McCallum, Shara, 1972-","Hayes, Terrance (1971)","Leonard, Keith D., 1969-","Ramazani, Jahan, 1960-","Sullivan, Mecca Jamillah","Jaji, Tsitsi (Tsitsi Ella)","Giscombe, C. S. (Cecil S.), 1950-","McMorris, Mark","Scheyer, Lauri (1952-09-08)","Williams, Tyrone (1954-02-24-2024-03-11)","Reeves, Roger","Alexander, Michelle, (Poet)","Brooks, RaeJeana","Brown, Jericho","Dungy, Camille T. (Camille Thornton), 1972-","Gumbs, Alexis Pauline, 1982-","Booker, Malika (1970)","Wesley, Patricia Jabbeh (1955-08-07)","Bingham-Risher, Remica (1981)","Shenoda, Matthew (1977-07-14)","Bertram, Lillian-Yvonne, 1983-","Thompson, Lynne, 1951-","Dias-Porter, Joel.","Jackson, Linda Susan","Micheaux, Dante","Sealey, Nicole","Faison, Latorial (1973)","Pinson, Hermine (1953-07-20)","Glenn, Leah","Crisler, Curtis L.","Johnston, Amanda, 1977-","young, avery r.","Redmond, Glenis (1963-08-27)","Willis, Lisa (20)","Wiley, Candace G.","Hayes, Nichelle M.","Gay, Ross (Ross Alexander), 1974-","Hunt, Erica, 1955-","Harris, Francine J.","Azino, Efe Paul (20)","Collins, Merle (1950-09-29)","Smith, Danez","Spellman, A. B., 1935-","Anastacia-Reneé","abdullah-matta, allia","Hannon, Brian James","Wong, Carmin.","Anderson, Keisha-Gaye","Miller, Kei (1978)","Pardlo, Gregory","Padilla, Jeremiah.","Baker, Sonya G.","Lee, Albert Rudolph","Sandler, Matt","Ferrari, Carlyn Ena, 1984-","Werbanowska, Marta.","Rutter, Emily Ruth (1978-02-28)","Lubrin, Canisia, 1984-","Browne, Mahogany L."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":883,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:25:29.210Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_488_c04_c04_c01"}},{"id":"vihart_repositories_4_resources_594_c07","type":"Series","attributes":{"title":"2025-0909 Accession","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSeries 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vihart_repositories_4_resources_594_c07","ref_ssm":["vihart_repositories_4_resources_594_c07"],"id":"vihart_repositories_4_resources_594_c07","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594","parent_ssi":"vihart_repositories_4_resources_594","parent_ssim":["vihart_repositories_4_resources_594"],"parent_ids_ssim":["vihart_repositories_4_resources_594"],"parent_unittitles_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"parent_unittitles_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"text":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","2025-0909 Accession","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors."],"title_filing_ssi":"2025-0909 Accession","title_ssm":["2025-0909 Accession"],"title_tesim":["2025-0909 Accession"],"unitdate_inclusive_ssm":["1979-2025"],"normalized_date_ssm":["1979/2025"],"normalized_title_ssm":["2025-0909 Accession"],"component_level_isim":[1],"repository_ssim":["James Madison University"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"has_online_content_ssim":["false"],"child_component_count_isi":25,"level_ssm":["Series"],"level_ssim":["Series"],"sort_isi":276,"parent_access_restrict_tesm":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection."],"parent_access_terms_tesm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"scopecontent_html_tesm":["\u003cp\u003eSeries 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors."],"_nest_path_":"/components#6","timestamp":"2026-05-21T00:23:04.783Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vihart_repositories_4_resources_594","ead_ssi":"vihart_repositories_4_resources_594","_root_":"vihart_repositories_4_resources_594","_nest_parent_":"vihart_repositories_4_resources_594","ead_source_url_ssi":"data/oai/JMU/repositories_4_resources_594.xml","title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"unitdate_ssm":["1929-2025"],"unitdate_inclusive_ssm":["1929-2025"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC 0211","/repositories/4/resources/594"],"text":["SC 0211","/repositories/4/resources/594","American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch","Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)","Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","Original media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.","The scrapbook pages have been photocopied and are available alongside the original.","The collection is arranged into seven series:","Administrative Files, 1929-2015 Financial Files, 1969-2007 Causes, Activism, and Education, 1965-2008 Publications, 1968-2011 Conventions and Programming, 1968-2017 Scrapbooks, Photographs, and Ephemera, 1929-2011 2025-0909 Accession, 1979-2025","\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).","The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. ","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book  Recipes of the Shenandoah Valley , first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025.","In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019.  This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","Series 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.","Series 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.","Series 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.","Series 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. ","The Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" ","This series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.","Series 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.","Series 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.","The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).","The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.","James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History","English"],"unitid_tesim":["SC 0211","/repositories/4/resources/594"],"normalized_title_ssm":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"collection_title_tesim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"collection_ssim":["American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch"],"repository_ssm":["James Madison University"],"repository_ssim":["James Madison University"],"creator_ssm":["American Association of University Women. Harrisonburg Branch"],"creator_ssim":["American Association of University Women. Harrisonburg Branch"],"creator_corpname_ssim":["American Association of University Women. Harrisonburg Branch"],"creators_ssim":["American Association of University Women. Harrisonburg Branch"],"access_terms_ssm":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"acqinfo_ssim":["The collection was donated in five separate accessions between 2011 and 2025."],"access_subjects_ssim":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"access_subjects_ssm":["Women college graduates -- Virginia -- Harrisonburg -- Societies, etc","Women in education -- Virginia -- Harrisonburg -- History","Women -- Virginia -- Harrisonburg -- Societies and clubs","Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"has_online_content_ssim":["false"],"extent_ssm":["9.89 cubic feet 29 boxes"],"extent_tesim":["9.89 cubic feet 29 boxes"],"genreform_ssim":["Minutes (administrative records)","Administrative records","Bylaws (administrative records)","Scrapbooks","Financial Records","Membership lists","Newspaper clippings","Letters (correspondence)","Publications (documents)","Photographs","Newsletters","Printed Ephemera","Fliers (printed matter)"],"date_range_isim":[1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.\u003c/p\u003e","\u003cp\u003eOriginal media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions","Access Restrictions"],"accessrestrict_tesim":["Collection is open to research with the exception of media for which reformatting is pending. Researchers must register and agree to copyright and privacy laws before using this collection. Please contact Research Services staff before visiting the James Madison Special Collections Library to use this collection.","Original media formats are restricted from access. Reformatted access copies may be available, or media reformatting may be available upon request. Contact research services staff at library-special@jmu.edu for additional information."],"altformavail_html_tesm":["\u003cp\u003eThe scrapbook pages have been photocopied and are available alongside the original.\u003c/p\u003e"],"altformavail_heading_ssm":["Other Formats Available"],"altformavail_tesim":["The scrapbook pages have been photocopied and are available alongside the original."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series:\u003c/p\u003e","\u003clist numeration=\"arabic\" type=\"ordered\"\u003e\n      \u003citem\u003eAdministrative Files, 1929-2015\u003c/item\u003e\n      \u003citem\u003eFinancial Files, 1969-2007\u003c/item\u003e\n      \u003citem\u003eCauses, Activism, and Education, 1965-2008\u003c/item\u003e\n      \u003citem\u003ePublications, 1968-2011\u003c/item\u003e\n      \u003citem\u003eConventions and Programming, 1968-2017\u003c/item\u003e\n      \u003citem\u003eScrapbooks, Photographs, and Ephemera, 1929-2011\u003c/item\u003e\n      \u003citem\u003e2025-0909 Accession, 1979-2025\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series:","Administrative Files, 1929-2015 Financial Files, 1969-2007 Causes, Activism, and Education, 1965-2008 Publications, 1968-2011 Conventions and Programming, 1968-2017 Scrapbooks, Photographs, and Ephemera, 1929-2011 2025-0909 Accession, 1979-2025"],"bibliography_html_tesm":["\u003cbibref\u003e\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019).\u003c/bibref\u003e"],"bibliography_heading_ssm":["Bibliography"],"bibliography_tesim":["\"Our History.\" American Association of University Women, https://history.aauw.org/ (accessed September 19, 2019)."],"bioghist_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. \u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book \u003cemph render=\"italic\"\u003eRecipes of the Shenandoah Valley\u003c/emph\u003e, first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.\u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg branch of AAUW officially disbanded on July 1, 2025.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["The American Association of University Women (AAUW) was founded on November 28, 1881 when Marion Talbot and Ellen Richards met in Boston, Massachusetts along with 15 alumnae representing eight colleges. The aim of this first meeting was to discuss the needs of college-educated women and to broaden opportunities and assist women in higher education. The organization is nonpartisan and nonprofit with more than 170,000 members. The mission of AAUW is \"to advance gender equity for women through research, education, and advocacy.\" Membership in AAUW is open to anyone holding a two-year associate degree or higher from an accredited college or university, or equivalent. ","The Harrisonburg branch of AAUW was founded on April 15, 1929 in Alumnae Hall on the campus of the State Teachers College at Harrisonburg (now James Madison University). The branch was organized with 15 charter members including Virginia Harnsberger, librarian at the State Teachers College, who was elected its first president. During the 1940s, the branch established and provided continued support for the Virginia Harnsberger Memorial Fund to furnish the Children's Room at the new Rockingham Public Library. In addition to membership dues, the recipe book  Recipes of the Shenandoah Valley , first published in 1959, served as a primary funding source for branch activities and outreach. Since 1975, the branch has held regular book club meetings. Current branch initiatives include equal rights and equal pay advocacy as well as voter registration. In partnership with JMU, the branch organizes \"Girls Can,\" an annual STEM conference and career fair for middle school girls.","The Harrisonburg branch of AAUW officially disbanded on July 1, 2025."],"prefercite_html_tesm":["\u003cp\u003e[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"prefercite_tesim":["[identification of item], [box #, folder #], American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2025, SC 0211, Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"processinfo_html_tesm":["\u003cp\u003eIn order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019. \u003cemph render=\"bold\"\u003eThis collection was previously cataloged as SC 5036.\u003c/emph\u003e\u003c/p\u003e","\u003cp\u003eDuring this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.\u003c/p\u003e","\u003cp\u003eLoose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.\u003c/p\u003e","\u003cp\u003eWhen the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["In order to streamline the process of applying collection numbers, Special Collections staff completed a large-scale renumbering campaign in 2017-2019.  This collection was previously cataloged as SC 5036.","During this time, the collection was also reprocessed in order to simplify the intellectual arrangement, increase discoverability through better description, and better stabilize  the materials through physical rehousing. Significant changes to the collection include the weeding of bank statements, canceled checks and check stubs, receipts, and deposit slips. Their research value is minimal and furthermore the financial activities of AAUW are documented in the bound account books and membership files which were retained. Additionally, duplicate materials, primarily multiple copies of newsletters and publications, were also discarded.","Loose copies of the Harrisonburg Branch Yearbook and branch newsletters, originally associated with the 1929-1947 scrapbook, were filed with like materials in Series 1 and Series 4 respectively.","When the collection was originally processed in September 2012, the pages of the 1929-1947 scrapbook were separated from the boards and photocopied. The original scrapbook, boards, pages, and photocopied pages are all retained."],"scopecontent_html_tesm":["\u003cp\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.\u003c/p\u003e\n","\u003cp\u003eResearchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.\u003c/p\u003e","\u003cp\u003eSeries 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.\u003c/p\u003e","\u003cp\u003eSeries 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.\u003c/p\u003e","\u003cp\u003eSeries 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.\u003c/p\u003e","\u003cp\u003eSeries 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. \u003c/p\u003e\n","\u003cp\u003eThe Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" \u003c/p\u003e\n","\u003cp\u003eThis series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.\u003c/p\u003e","\u003cp\u003eSeries 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.\u003c/p\u003e","\u003cp\u003eSeries 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"\u003c/p\u003e","\u003cp\u003eSeries 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents"],"scopecontent_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch, 1929-2017, document the activities of Harrisonburg's local AAUW branch and include administrative records, meeting minutes, bylaws, membership records, financial files, publications and newsletters, annual conference materials, scrapbooks, ephemera, and photographs.","Researchers should note that while there is a discrete series for Financial Files, other series, specifically Administrative Files, also contain documents related to the financial goings-on of AAUW. Cross-referencing related series is encouraged. Similarly, the absence of a Correspondence series does not denote a lack of correspondence. In fact, correspondence is likely located in most series.","Series 1: Administrative Files, 1929-2015, comprises bylaws, meeting minutes, membership files, and general materials related to the administrative activities of the Harrisonburg branch of AAUW. Materials related to other branches, specifically bylaws, are also included.","Series 2: Financial Files, 1969-2007, documents the business activities of the AAUW, Harrisonburg branch. The account books document the branch's income and expenses. Complementary materials include financial statements and reports, budgets, and treasurer's reports.","Series 3: Causes, Activism, and Education, 1965-2008, comprises subject files related to the mission of AAUW, particularly concerning social movements, education, and voting rights.","Series 4: Publications, 1968-2011, contains official publications and printed material primarily created by AAUW as well as the Harrisonburg branch, other local branches, and the Virginia division. ","The Harrisonburg Branch newsletter has had several title changes during the course of its publication. The titles represented in this collection include: \"U\" News, AAUW Newsletter, AAUW News, and The Inside Track. There are periods of time during which the newsletter does not have a discernable title. In the spirit of keeping like materials together, all branch newsletters, regardless of title, are filed under the generic title \"Newsletters.\" ","This series also includes publications explicitly related to causes, activism, and education. Relatedly, regularly published periodicals by AAUW also include articles related to the organization's causes. Researchers are encouraged to cross-reference Series 3: Causes, Activism, and Education for related subject files.","Series 5: Conventions and Programming, 1968-2017, comprises programs and related materials documenting the annual Virginia AAUW convention. The Harrisonburg branch's implementation of \"Girls Can,\" a STEM career fair, is documented in this series. This series also includes assorted programming and promotional materials and flyers.","Series 6: Scrapbooks, Photographs, and Ephemera, 1929-2011, comprises five scrapbooks, photo albums and loose photographs, printed ephemera, and realia. The scrapbooks include newspaper clippings, ephemera, programs, and photographs documenting the activities of the AAUW, Harrisonburg branch during a given time period. Of particular interest is a sash including the phrase \"MARCH FOR WOMEN'S EQUALITY, WOMEN'S LIVES.\"","Series 7: 2025-0909 Accession, 1979-2025, comprises assorted administrative records documenting the activities of the Harrisonburg branch of AAUW. Materials include newsletters, yearbooks, conference programs, newspaper clippings, and records related to branch initiatives including the Equal Rights Amendment, the Crystal Theodore Scholarship, and other philanthropic endeavors."],"userestrict_html_tesm":["\u003cp\u003eThe copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright interests in this collection have been transferred to the James Madison University Special Collection Library. For more information, contact the Special Collections Library Reference Desk (library-special@jmu.edu)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_a851f3b5686ab7d4771a1162809cbb0b\"\u003eThe American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs.\u003c/abstract\u003e"],"abstract_tesim":["The American Association of University Women (AAUW) Records, Harrisonburg, Virginia Branch document the activities of Harrisonburg's local AAUW branch and include administrative records, financial files, publications, annual conference materials, scrapbooks, and photographs."],"names_coll_ssim":["American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"names_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"corpname_ssim":["James Madison University Libraries Special Collections","American Association of University Women. Harrisonburg Branch","American Association of University Women. Harrisonburg Branch -- Archives","American Association of University Women. Harrisonburg Branch -- History","American Association of University Women. Virginia Division -- History"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":302,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:23:04.783Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vihart_repositories_4_resources_594_c07"}},{"id":"viblbv_repositories_2_resources_4542_c02_c24","type":"File","attributes":{"title":"[#23] Masamune, Kazuko, My pine tree","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4542_c02_c24#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4542_c02_c24","ref_ssm":["viblbv_repositories_2_resources_4542_c02_c24"],"id":"viblbv_repositories_2_resources_4542_c02_c24","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542_c02","parent_ssi":"viblbv_repositories_2_resources_4542_c02","parent_ssim":["viblbv_repositories_2_resources_4542","viblbv_repositories_2_resources_4542_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_4542","viblbv_repositories_2_resources_4542_c02"],"parent_unittitles_ssm":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content"],"parent_unittitles_tesim":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content"],"text":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content","[#23] Masamune, Kazuko, My pine tree","box 4"],"title_filing_ssi":"[#23] Masamune, Kazuko, My pine tree","title_ssm":["[#23] Masamune, Kazuko, My pine tree"],"title_tesim":["[#23] Masamune, Kazuko, My pine tree"],"unitdate_other_ssim":["2024"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["[#23] Masamune, Kazuko, My pine tree"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["1x1 Japan Exhibition Materials, 1965-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":30,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2024],"containers_ssim":["box 4"],"_nest_path_":"/components#1/components#23","timestamp":"2026-05-21T02:02:20.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4542","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4542.xml","title_filing_ssi":"1x1 Japan Exhibition Materials","title_ssm":["1x1 Japan Exhibition Materials, 1965-2024"],"title_tesim":["1x1 Japan Exhibition Materials, 1965-2024"],"unitdate_ssm":["2024"],"unitdate_other_ssim":["2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.076"],"text":["Ms.2025.076","1x1 Japan Exhibition Materials, 1965-2024","International Union of Women Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan","The collection is open for research.","This collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content","This collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA.","The guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025.","The 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.","Special Collections and University Archives, Virginia Tech","Japanese \n,        English \n.    "],"unitid_tesim":["Ms.2025.076"],"normalized_title_ssm":["1x1 Japan Exhibition Materials, 1965-2024"],"collection_title_tesim":["1x1 Japan Exhibition Materials, 1965-2024"],"collection_ssim":["1x1 Japan Exhibition Materials, 1965-2024"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["International Union of Women Architects"],"geogname_ssim":["International Union of Women Architects"],"places_ssim":["International Union of Women Architects"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives in August 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"extent_tesim":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"date_range_isim":[2024],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["This collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA."],"odd_html_tesm":["\u003cp\u003eThe guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], 1x1 Japan Exhibition Materials, 2024, Ms2025-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], 1x1 Japan Exhibition Materials, 2024, Ms2025-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4ed48143ee459ae78b81ca0b09487546\" label=\"Abstract\"\u003eThe 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.\u003c/abstract\u003e"],"abstract_tesim":["The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Japanese \n,        English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:02:20.551Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4542_c02_c24"}},{"id":"viblbv_repositories_2_resources_4542_c02_c28","type":"File","attributes":{"title":"[#27] Miyamoto, Nobuko, What is a building that develops people?","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4542_c02_c28#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4542_c02_c28","ref_ssm":["viblbv_repositories_2_resources_4542_c02_c28"],"id":"viblbv_repositories_2_resources_4542_c02_c28","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542_c02","parent_ssi":"viblbv_repositories_2_resources_4542_c02","parent_ssim":["viblbv_repositories_2_resources_4542","viblbv_repositories_2_resources_4542_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_4542","viblbv_repositories_2_resources_4542_c02"],"parent_unittitles_ssm":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content"],"parent_unittitles_tesim":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content"],"text":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content","[#27] Miyamoto, Nobuko, What is a building that develops people?","folder 4"],"title_filing_ssi":"[#27] Miyamoto, Nobuko, What is a building that develops people?","title_ssm":["[#27] Miyamoto, Nobuko, What is a building that develops people?"],"title_tesim":["[#27] Miyamoto, Nobuko, What is a building that develops people?"],"unitdate_other_ssim":["2024"],"normalized_date_ssm":["2024"],"normalized_title_ssm":["[#27] Miyamoto, Nobuko, What is a building that develops people?"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["1x1 Japan Exhibition Materials, 1965-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":34,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. 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","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2024],"containers_ssim":["folder 4"],"_nest_path_":"/components#1/components#27","timestamp":"2026-05-21T02:02:20.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4542","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4542.xml","title_filing_ssi":"1x1 Japan Exhibition Materials","title_ssm":["1x1 Japan Exhibition Materials, 1965-2024"],"title_tesim":["1x1 Japan Exhibition Materials, 1965-2024"],"unitdate_ssm":["2024"],"unitdate_other_ssim":["2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.076"],"text":["Ms.2025.076","1x1 Japan Exhibition Materials, 1965-2024","International Union of Women Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan","The collection is open for research.","This collection is divided into two series: I. 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","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.","Special Collections and University Archives, Virginia Tech","Japanese \n,        English \n.    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","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives in August 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"extent_tesim":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"date_range_isim":[2024],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into two series: I. 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Following the closing of the exhibition, the 47 participants donated their works to the IAWA."],"odd_html_tesm":["\u003cp\u003eThe guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], 1x1 Japan Exhibition Materials, 2024, Ms2025-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], 1x1 Japan Exhibition Materials, 2024, Ms2025-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. 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","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[2024],"containers_ssim":["box 4"],"_nest_path_":"/components#1/components#32","timestamp":"2026-05-21T02:02:20.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4542","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4542.xml","title_filing_ssi":"1x1 Japan Exhibition Materials","title_ssm":["1x1 Japan Exhibition Materials, 1965-2024"],"title_tesim":["1x1 Japan Exhibition Materials, 1965-2024"],"unitdate_ssm":["2024"],"unitdate_other_ssim":["2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.076"],"text":["Ms.2025.076","1x1 Japan Exhibition Materials, 1965-2024","International Union of Women Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan","The collection is open for research.","This collection is divided into two series: I. 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","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.","Special Collections and University Archives, Virginia Tech","Japanese \n,        English \n.    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","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives in August 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"extent_tesim":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"date_range_isim":[2024],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into two series: I. 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Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4ed48143ee459ae78b81ca0b09487546\" label=\"Abstract\"\u003eThe 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.\u003c/abstract\u003e"],"abstract_tesim":["The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Japanese \n,        English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:02:20.551Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4542_c02_c33"}},{"id":"viblbv_repositories_2_resources_4542_c02_c40","type":"File","attributes":{"title":"[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4542_c02_c40#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_4542_c02_c40","ref_ssm":["viblbv_repositories_2_resources_4542_c02_c40"],"id":"viblbv_repositories_2_resources_4542_c02_c40","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542_c02","parent_ssi":"viblbv_repositories_2_resources_4542_c02","parent_ssim":["viblbv_repositories_2_resources_4542","viblbv_repositories_2_resources_4542_c02"],"parent_ids_ssim":["viblbv_repositories_2_resources_4542","viblbv_repositories_2_resources_4542_c02"],"parent_unittitles_ssm":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content"],"parent_unittitles_tesim":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content"],"text":["1x1 Japan Exhibition Materials, 1965-2024","Exhibition Content","[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project","folder 6"],"title_filing_ssi":"[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project","title_ssm":["[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project"],"title_tesim":["[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project"],"unitdate_other_ssim":["1979, 2024"],"normalized_date_ssm":["1979/2024"],"normalized_title_ssm":["[#39] Tanaka-Sato, Atsuko, Kanagawa Women's Center Project"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["1x1 Japan Exhibition Materials, 1965-2024"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":46,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction.","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024],"containers_ssim":["folder 6"],"_nest_path_":"/components#1/components#39","timestamp":"2026-05-21T02:02:20.551Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_4542","ead_ssi":"viblbv_repositories_2_resources_4542","_root_":"viblbv_repositories_2_resources_4542","_nest_parent_":"viblbv_repositories_2_resources_4542","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_4542.xml","title_filing_ssi":"1x1 Japan Exhibition Materials","title_ssm":["1x1 Japan Exhibition Materials, 1965-2024"],"title_tesim":["1x1 Japan Exhibition Materials, 1965-2024"],"unitdate_ssm":["2024"],"unitdate_other_ssim":["2024"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2025.076"],"text":["Ms.2025.076","1x1 Japan Exhibition Materials, 1965-2024","International Union of Women Architects","International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan","The collection is open for research.","This collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content","This collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA.","The guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025.","The 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.","Special Collections and University Archives, Virginia Tech","Japanese \n,        English \n.    "],"unitid_tesim":["Ms.2025.076"],"normalized_title_ssm":["1x1 Japan Exhibition Materials, 1965-2024"],"collection_title_tesim":["1x1 Japan Exhibition Materials, 1965-2024"],"collection_ssim":["1x1 Japan Exhibition Materials, 1965-2024"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["International Union of Women Architects"],"geogname_ssim":["International Union of Women Architects"],"places_ssim":["International Union of Women Architects"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The collection was transferred to Special Collections and University Archives in August 2025."],"access_subjects_ssim":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"access_subjects_ssm":["International Archive of Women in Architecture (IAWA)","History of Women in Architecture","Women architects -- Japan"],"has_online_content_ssim":["false"],"extent_ssm":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"extent_tesim":["4.88 Cubic Feet 1 half-document box, 1 shallow flat box, 1 small file box, 2 oversized flat boxes, 7 oversized folders"],"date_range_isim":[2024],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThis collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is divided into two series: I. Exhibition Overview and Documentation; and II. Exhibition Content"],"bioghist_html_tesm":["\u003cp\u003eThis collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA.\u003c/p\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["This collection consists of the output of a collaborative effort between the International Archive of Women in Architecture (IAWA) Center's 1x1 initiative and the Japan chapter of l'Union Internationale des Femmes Architectes (UIFA). The 1x1 initiative includes a call for women architects to contribute one flat piece they've created that holds particular significance to them accompanied by a written personal statement about the piece's meaning. The call was distributed by the UIFA Japon network and the joint effort culminated in a traveling exhibition that debuted first in Japan in 2024 and then in the United States as part of the 2025 IAWA Symposium in Blacksburg, Virginia. Following the closing of the exhibition, the 47 participants donated their works to the IAWA."],"odd_html_tesm":["\u003cp\u003eThe guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003cextref href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/extref\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the 1x1 Japan Exhibition Materials, by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], 1x1 Japan Exhibition Materials, 2024, Ms2025-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], 1x1 Japan Exhibition Materials, 2024, Ms2025-076, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the 1x1 Japan Exhibition Materials was completed in September 2025."],"scopecontent_html_tesm":["\u003cp\u003eThe 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The 1x1 Japan Exhibition Collection consists of two sets of materials: the works of individual women, 47 in total, who contributed entries to an exhibition; and documentation related to the exhibition itself. Documentation consists of several posters, a UIFA Japon report on the exhibition, a dual language catalog with a list of entries, and a set of small wall panels printed on foam core. The 47 entries vary in size and media; the entrants' names, piece titles, dates of creation, are listed below. Each entry is paired with a photograph documenting the way the item was displayed in the original 2024 exhibition in Japan. Entries were numbered, ordered, and mostly displayed alphabetically by last name, which is the order in which they're listed below."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. \u003c/p\u003e\n","\u003cp\u003ePlease contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction .","Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . ","Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_4ed48143ee459ae78b81ca0b09487546\" label=\"Abstract\"\u003eThe 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters.\u003c/abstract\u003e"],"abstract_tesim":["The 1x1 Japan Exhibition Materials consists of artwork and architectural drawings submitted by 47 women for a collaborative exhibition coordinated between the Japan chapter of UIFA and the IAWA Center's 1x1 Initiative. The collection also includes documentation of the exhibition, including title plates, reports, programs, and posters."],"names_ssim":["Special Collections and University Archives, Virginia Tech"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"language_ssim":["Japanese \n,        English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":57,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:02:20.551Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_4542_c02_c40"}},{"id":"wvmturhc_repositories_2_resources_1_c06_c405","type":"Item","attributes":{"title":"4 flagpole bases","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1_c06_c405#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1_c06_c405","ref_ssm":["wvmturhc_repositories_2_resources_1_c06_c405"],"id":"wvmturhc_repositories_2_resources_1_c06_c405","ead_ssi":"wvmturhc_repositories_2_resources_1","_root_":"wvmturhc_repositories_2_resources_1","_nest_parent_":"wvmturhc_repositories_2_resources_1_c06","parent_ssi":"wvmturhc_repositories_2_resources_1_c06","parent_ssim":["wvmturhc_repositories_2_resources_1","wvmturhc_repositories_2_resources_1_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1","wvmturhc_repositories_2_resources_1_c06"],"parent_unittitles_ssm":["Senator John D. (Jay) Rockefeller IV papers","VI. Memorabilia"],"parent_unittitles_tesim":["Senator John D. (Jay) Rockefeller IV papers","VI. Memorabilia"],"text":["Senator John D. (Jay) Rockefeller IV papers","VI. Memorabilia","4 flagpole bases","No linguistic content; Not applicable .","Box VI - 101"],"title_filing_ssi":"4 flagpole bases","title_ssm":["4 flagpole bases"],"title_tesim":["4 flagpole bases"],"unitdate_inclusive_ssm":["undated"],"normalized_date_ssm":["1985/2105"],"normalized_title_ssm":["4 flagpole bases"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Senator John D. (Jay) Rockefeller IV papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":7177,"parent_access_restrict_tesm":["The majority of the Senator John D. (Jay) Rockefeller IV papers are closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion. ","Materials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research. ","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available. ","Some digital materials are available online at https://rockefeller.lib.wvu.edu/."],"parent_access_terms_tesm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. ","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center. "],"date_range_isim":[1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018,2019,2020,2021,2022,2023,2024,2025,2026,2027,2028,2029,2030,2031,2032,2033,2034,2035,2036,2037,2038,2039,2040,2041,2042,2043,2044,2045,2046,2047,2048,2049,2050,2051,2052,2053,2054,2055,2056,2057,2058,2059,2060,2061,2062,2063,2064,2065,2066,2067,2068,2069,2070,2071,2072,2073,2074,2075,2076,2077,2078,2079,2080,2081,2082,2083,2084,2085,2086,2087,2088,2089,2090,2091,2092,2093,2094,2095,2096,2097,2098,2099,2100,2101,2102,2103,2104,2105],"language_ssim":["No linguistic content; Not applicable ."],"containers_ssim":["Box VI - 101"],"_nest_path_":"/components#5/components#404","timestamp":"2026-06-10T07:10:52.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1","ead_ssi":"wvmturhc_repositories_2_resources_1","_root_":"wvmturhc_repositories_2_resources_1","_nest_parent_":"wvmturhc_repositories_2_resources_1","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/177420","title_ssm":["Senator John D. (Jay) Rockefeller IV papers"],"title_tesim":["Senator John D. (Jay) Rockefeller IV papers"],"unitdate_ssm":["1960-2015","1985-2014"],"unitdate_bulk_ssim":["1985-2014"],"unitdate_inclusive_ssm":["1960-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4050","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1"],"text":["A\u0026M 4050","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1","Senator John D. (Jay) Rockefeller IV papers","United States -- Politics and government -- 20th century","West Virginia -- Politics and government","National security","West Virginia -- Politics and government","United States -- Politics and government","Democratic Party","United States. Congress -- History -- 20th century","United States. Congress -- Archives","Steel industry and trade","Wireless communication systems -- Law and legislation","Child welfare","Coal miners--West Virginia","Veterans--United States","Health care reform -- United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States","The majority of the Senator John D. (Jay) Rockefeller IV papers are closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion. ","Materials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research. ","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available. ","Some digital materials are available online at https://rockefeller.lib.wvu.edu/.","The Constituent Services Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The Legislative Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The Press Staff Files series is closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion.","Speeches and statements can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Press releases can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","The Photographs series can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Access to audiovisual items may be arranged in the West Virginia \u0026 Regional History Center reading room depending on the format. Advance notice is required.","Clippings are available digitally as PDFs and can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Websites and social media can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","The Legacy Memos series is available online at https://rockefeller.lib.wvu.edu/.","The Office Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The papers are arranged into six subgroups, and each subgroup is further arranged into series. Digital materials received on external hard drives, USB flash drives, floppy disks, CDs, and DVDs are arranged in the appropriate series and reflect the arrangement of the paper records.","This series is arranged chronologically with undated materials listed last. The \"Miscellaneous\" speeches are not in chronological order; they originally were bound in a volume and have been described together.","This series is arranged chronologically.","Photographs are organized chronologically. Undated photographs are located at the end of the series.","The Audiovisual Materials series is arranged by format and then arranged chronologically.","The Clippings series is arranged chronologically.","The Websites and Social Media series is arranged chronologically.","Senator John Davison (Jay) Rockefeller IV served the people and state of West Virginia for more than 50 years. Rockefeller came to West Virginia in 1964 as a VISTA volunteer in the small community of Emmons, an experience that shaped his extensive career in public service. He served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); President of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). In 1984 he was elected to the United States Senate and was reelected four times, in 1990, 1996, 2002, and 2008, before retiring in 2015.","Jay Rockefeller was born in New York, New York, on June 18, 1937, to philanthropists John Davison Rockefeller III and Blanchette Ferry Hooker. He is the great-grandson of John D. Rockefeller, founder of the Standard Oil Company, and nephew of businessman and politician Nelson Aldrich Rockefeller. Jay Rockefeller graduated from Phillips Exeter Academy, New Hampshire, in 1955, and graduated from Harvard University in 1961 with a B.A. in Far Eastern Languages and History. In his junior year at Harvard, he attended the International Christian University in Tokyo, Japan, and he spent three years studying Japanese.","In 1964, Rockefeller joined the newly formed national service program Volunteers In Service to America (VISTA) aimed at fighting poverty. He served in Emmons, WV, a small mining community located in Boone and Kanawha Counties, for two years. His efforts in Emmons included starting a Little League baseball team, extending school bus service to the rural area, and providing transportation to dental clinics. He built a community center and obtained access to mobile health screenings for women.","Rockefeller entered politics in 1966 as a Kanawha County candidate for the West Virginia House of Delegates. He changed his party affiliation to Democrat, breaking with the family's traditional affiliation with the Republican Party.","In 1967, Rockefeller married Sharon Lee Percy, daughter of U.S. Senator Charles Percy of Illinois. Their Chicago wedding was featured on the cover of Life magazine. They had four children: John Davison (Jamie) V, Valerie, Charles, and Justin Aldrich.","He ran for West Virginia Secretary of State in 1968, winning the election against Republican John Callebs. As Secretary of State, Rockefeller pushed for election law reform and broke up several county Democratic political machines. He was successful in making elections more transparent and in reducing instances of election fraud by removing the names of deceased people from the state's official list of registered voters.","Rockefeller announced his candidacy for governor of West Virginia in 1972 against incumbent Republican Governor Arch Moore. Moore won reelection by 72,000 votes.","Within months of his defeat, Rockefeller was named president of West Virginia Wesleyan College, located in Buckhannon, WV. Some of his biggest accomplishments include increasing enrollment, creating an active recruitment campaign, and streamlining operations. He submitted a letter of resignation to the College in 1975 to prepare for the next gubernatorial election, for which he campaigned throughout 1976.","Rockefeller's second run for governor was successful: he beat Republican candidate Cecil Underwood by more than 242,000 votes, the largest majority in state history. Natural disaster, strikes, and a worsening economy posed serious challenges during his years as governor. In the spring of 1977, major spring floods in the southern West Virginia counties of McDowell, Wayne, Logan, and Ming wiped entire towns away, and made safe housing above flood plains a focus of Rockefeller's administration.","The same year saw the beginning of the 111-day national Bituminous Coal Strike of 1977-1978 led by the United Mine Workers of America (UMWA) and the AFL-CIO. Rockefeller refused to call upon the National Guard to suppress the miners' strike. At its conclusion, President Jimmy Carter appointed Rockefeller to lead the first major federal study of coal mining in America in three decades. Rockefeller served as chair of the President's Commission on Coal and pushed for a national energy strategy that included Appalachian coal. He also created the West Virginia Board of Coal Mine Health and Safety, reorganized state agencies, and set up senior centers statewide.","In 1980, Rockefeller ran for a second term as governor, again facing Republican Arch Moore, and won by 64,000 votes. Rockefeller faced another challenging four years and worked to maintain the state's economy as the federal government cut funding in the midst of an economic downturn, industries struggled to remain open, and unemployment rates across the state rose.","At the end of his governorship, Rockefeller ran for the United States Senate as a Democrat against businessman John Raese of Morgantown, WV. Rockefeller won the 1984 election by four percentage points and went on to fill the seat left vacant after long-time Senator Jennings Randolph retired.","Rockefeller began his service in the U.S. Senate on January 15, 1985, and served until 2015. He became a leading champion for health care reform, an advocate for improving the lives of children and working families, and a supporter of the nation's soldiers, veterans, and senior citizens. He served as chair of the Committee on Veterans Affairs (1993-1994, 2001-2003); the Select Committee on Intelligence (2007-2009); the Committee on Commerce, Science, and Transportation (2009-2015); and the Committee on Finance Subcommittee on Medicare and Long-term Care (1989-1994, 2001-2003, 2007-2014). He also served as vice-chair of the Select Committee on Intelligence (2003-2006).","He held additional leadership positions as chairman on the Pepper Commission (1987-1990), the U.S. Senate Steel Caucus (1989-1994, 2013-2015, co-chair 1995-2013), the National Commission on Children (1989-1993), and the Democratic Technology and Communications Committee (1995-2003). He was also a member of several Senate groups, including the Steering Committee on Democratic Policy, the Alternative Fuels Council, and the Coal Caucus.","Influenced by his two years in Emmons, WV, Rockefeller championed health care issues, and health care reform throughout his Senate career. He supported measures to improve and modernize Medicare, expand access to health care, and increase health coverage for children, authoring the Children's Health Insurance Program (CHIP). He introduced and co-sponsored more than 2,000 pieces of major health-related legislation and provided leadership and policy on health care reform for both the Clinton and Obama administrations. During the latter, he contributed to the successful passage of the Affordable Care Act and was a proponent of providing people with a not-for-profit insurance company backed by the government, commonly known as a public option.","He was appointed to the Senate Finance Committee and its Subcommittee on Medicare and Long-term Care (later known as the Subcommittee on Health Care) in 1987 and served as chairman of the Subcommittee and ranking member until his retirement. In 1987, he also was elected chair of the U.S. Bipartisan Commission on Comprehensive Health Care, also known as the Pepper Commission, when the commission's original leader, Representative Claude Pepper (D-FL), passed away. The Commission was charged with developing legislation that would provide Americans with comprehensive health and long-term care coverage.","In recognition of his contributions to improving the wellbeing of children and families and supporting education, in 1988, President Ronald Reagan appointed Rockefeller chair of the National Commission on Children. Recommendations made by the Commission centered on the creation of a Child Tax Credit, expansion of the Earned Income Tax Credit, and improvement to the federal approach to child welfare. As a member of the Finance Committee, he worked on the tax code to provide better financial support to the middle class and working poor. He sought to toughen child support enforcement laws, improve federal adoption and foster care services, and ensure a safe environment for children in the child welfare system with educational programs aimed at substance abuse prevention and treatment. He also worked for renewed investment in schools, school construction, and teachers, particularly those located in rural and impoverished areas.","Senator Rockefeller was an advocate for veterans' issues, serving on the Veterans' Affairs Committee for the entirety of his Senate career and acting as both chair and ranking minority member. He especially focused on expanding research and treatment for service-related illnesses, such as Gulf War Illness, Agent Orange, and issues relating to Atomic Veterans. He brought attention to treatment of Post-Traumatic Stress Disorder (PTSD) and the reform of the Veterans Affairs (VA) health care system.","Throughout his time in the Senate, Rockefeller was deeply involved with issues related to energy, the environment, coal miners, and mine safety. The first bill Rockefeller introduced in the Senate in 1985 was legislation intended to reduce the backlog of pending black lung cases, and he consistently worked to preserve the Black Lung Trust Fund while protecting coal jobs.","In 1992, he introduced the Coal Act to ensure retired miners received health benefits, and he threatened to keep the Senate in session over Christmas if they refused to pass the bill, which he described as a peak moment in his career. The Coal Act was passed as part of the Energy Policy Act of 1992, creating two new health care funds to protect the health benefits of all union coal miners, along with their widows and dependents. In 1995, the UMWA named him an honorary member, a distinction rarely bestowed on an elected official, because of his efforts on behalf of miners.","Following the January 2006 West Virginia Sago and Aracoma mine disasters, which together led to the deaths of 14 men, Rockefeller brought several senators from the Health, Education, Labor, and Pensions (HELP) Committee to meet with families of the Sago mine workers. Rockefeller then joined Committee Chair Senator Mike Enzi (R-WY) and Ranking Member Senator Ted Kennedy (D-MA) in drafting the MINER Act, which was signed into law in June 2006, establishing important new mine safety regulations.","Senator Rockefeller served on the Senate Select Intelligence Committee, 2001-2014, during critical and difficult years for the SSCI and the intelligence community. In January 2001, then-Democratic leader Tom Daschle (D-SD) appointed Rockefeller to the Committee. Eight months later the September 11, 2001, terrorist attacks occurred. In the months following the attacks, the United States launched operation Enduring Freedom in Afghanistan, and in March 2003, invaded Iraq. These events changed the nature and conduct of intelligence oversight. During Rockefeller's tenure on the committee, and particularly during his time as vice chairman and chairman, he made significant contributions in key areas, including the 9/11 investigation; the Iraq War and flawed intelligence on weapons of mass destruction; intelligence community reform; surveillance oversight and reform; the CIA's detention and interrogation program; cybersecurity; and the intelligence authorization process. ","Rockefeller also made significant contributions to communications policy. He co-authored the Universal Service Program for Schools and Libraries, known as E-Rate, which was authorized as part of the Telecommunications Act of 1996, making telecommunications and information services more affordable for schools and libraries. In 2010, Rockefeller introduced the Public Safety Spectrum Act, which created FirstNet, a nationwide wireless broadband network for the nation's first responders. It was signed into law as part of the Middle Class Tax Relief and Job Creation Act of 2012. He also supported net neutrality protections to keep the Internet open and free, and in 2011, he successfully led the Senate Floor against a resolution of disapproval of net neutrality rules.","He also championed the steel industry in West Virginia and the nation, earning him the nickname \"Senator Steel.\" Much of his work, launched largely through his position as co-chair of the Senate Steel Caucus, focused on providing income support and job training to laid-off employees and their families through Trade Adjustment Assistance (TAA), working with individual steel companies to mitigate the effects of closure and downsizing, and intervening in steel employee strikes. As a member of both the Committee on Commerce, Science, and Transportation, and the Committee on Finance, Rockefeller also addressed concerns about American manufacturing; trade protections and relief for workers negatively impacted by trade; and tax credits supporting research and development and encouraging businesses to build and expand.","For the state of West Virginia, Senator Rockefeller made jobs and economic development a priority. In 1988 he founded the Discover the Real West Virginia Program (DRWV), later formalized as the Discover the Real West Virginia Foundation, which showcased business and investment opportunities in West Virginia. He launched the \"Project Harvest\" trade mission in 1995 to bring state and international business leaders and investors together. Rockefeller's early experiences in Japan and knowledge of the language and culture aided in attracting the Toyota company to the state, resulting in the opening of the Buffalo, WV, plant in 1996. In the ensuing years, more than 20 other Japanese companies followed. Further, he encouraged the growth of the West Virginia tourism and travel industry through legislation that conserved lands, designated scenic areas, and promoted better transportation infrastructure.","In January 2013, Senator Rockefeller announced that he would not seek reelection. In his retirement announcement, he reflected that \"public service demands, and deserves nothing less than every single thing that you have to bring to bear, and that is what I have given.\" As he prepared to leave the Congress in December 2014, his Senate colleagues offered tributes on the Senate Floor recognizing his impressive legislative record, distinguished career, and legacy of compassionate and conscientious service.","Sources: ","Grimes, Richard S. \"Jay Rockefeller.\" The West Virginia Encyclopedia. http://www.wvencyclopedia.org/articles/110","Jay: A Rockefeller's Journey. Produced by Suzanne Higgins and Russ Barbour. 2015. Online video. West Virginia Public Broadcasting. http://video.wvpublic.org/video/2365511585/","\"A Record of Achievement for West Virginia: Energy and Environment Issues (Legacy on Energy, Environment and Coal Miners),\" 2014 May 30, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Review of Senator John D. Rockefeller's Service on the Senate Select Committee on Intelligence: 2001-2015,\" 2014 December 17, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries. ","\"Rockefeller, John Davison IV (Jay), (1937 - ).\" Biographical Directory of the United States Congress, 1774-present. http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000361","\"Senator Jay Rockefeller Retirement Announcement.\"  2013 January 11, 2013. Online video clip. C-SPAN. http://www.c-span.org/video/?310340-1/senator-jay-rockefeller-retirement-announcement","\"Senator Rockefeller's Health Care Accomplishments: 99th-113th Congress Memorandum,\" 2014, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Tributes to John D. Rockefeller.\" 2014 December 4. Congressional Record 160:147 p. S6343. Congress.gov.\nhttps://www.congress.gov/crec/2014/12/04/CREC-2014-12-04-pt1-PgS6343-2.pdf","\"Veterans' Legacy Memorandum,\" 2014 April 11, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.\n \n\"West Virginia Wesleyan College Legacy Memorandum,\" 2014 October, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"A Record of Achievement for West Virginia: Diversifying West Virginia's Economy for the 21st Century (Your Legacy Memo on Jobs and Economic Growth in West Virginia),\" 2014, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Your Legacy on FirstNet – Public Safety Spectrum Act,\" 2014 October 24, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Your Legacy on Net Neutrality,\" 2014 October 3, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","Processed by Danielle Emerling, 2015-\nProcessing assistants: Ashley Brooker, Dzondria Tarver, Leo Gmeindl, Casey DeHaven, Joshua Childs","The Senator John D. (Jay) Rockefeller IV papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Folders that do not exist: 43, 146, 177, 182, 187, 193, 196, 251, 313, 584. Contents were combined with other folders during processing.","Box III.E. - 18 now contains Box III.E. - 25 and Box III.E. - 28.","Audio and video recordings of some of Senator Rockefeller's speeches can be found in the III.E. Audiovisual materials series.","The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.  The records were maintained by Senator Rockefeller's Washington, DC, office and West Virginia state offices in Charleston, Beckley, Fairmont, and Martinsburg. Record formats include papers, audiovisual materials, born-digital resources, photographs, and memorabilia. The collection consists of approximately 2011 linear feet of paper records and two terabytes of electronic records.","The first subgroup, Constituent Services, reflects the work Senator Rockefeller and his staff performed for the state and people of West Virginia. It consists of constituent casework, issue mail, grant and project files, and academy files. ","The second subgroup, Legislative files, is composed of materials related to legislative and committee work. Legislative staff files; subject files; correspondence; committee files; and legislative activities, voting records, and accomplishments comprise this subgroup. ","The third subgroup, Press files, illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. ","The fourth subgroup, Personal and Political files, consists of Legacy Memos, schedules, personal files and correspondence, campaign files, and trip files.  ","The fifth subgroup, Office files, contains a small number of office management files. ","The sixth subgroup, Memorabilia, consists of a large collection of framed items, plaques, and objects, many of which Senator Rockefeller received as gifts during his service. It contains a large number of foreign gifts, particularly from Japan and Taiwan. ","The Press files subgroup illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. Much of the Press files subgroup is open for research.","The Speeches and Statements series contains transcripts of Senator Rockefeller's remarks given both inside and outside of the Senate. Speeches range in date from 1985 to 2014 and cover the 99th Congress to the 106th Congress, as well as various topics for which Senator Rockefeller gave speeches and talks outside of the Senate. Subjects include health care, education, foreign relations, graduation speeches, economic issues, campaign speeches, and speeches to political contributors. The series also contains remarks and public announcements, as well as committee statements. Beginning in 2001 through 2014, most speeches were created and saved digitally.","4 of 5 folders","5 of 5 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","1 of 2 folders","2 of 2 folders","1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.","1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.","1). award rercieved from the anti-defamation league. 2). speech to political contibutors: baseball story in Emmans, WV, experiences in public offices, introductions: Geoff Garon, Bob Squier, Cheryl Braner, Martha Wehrle, Tamera Stanton, Lane Baily. 3). Joe Grandmiaser - New Hampshire: deals with contrasts between NH and WV, acid rain, pollution, over half of NH powers WV, clean air, technology. 4). U.S. military aid to the Contras: advocates diplomatic and economic presence against Sandinista. 5). Committee hearing on nomination of James Fletcher: SDI, space plane, NASA, DOD joint venture. 6). present condition of America: present condition, call for commitment to serve society. 7). Wheeling - Nisshin dedication remarks introduces: Jack, Chairman Abe, Lloyd Labensky, Governor Moore, Mayor Dalessio; Japanese steel mill located in West Virginia. 8). Remarks of the senator at the Democrats for the 80's dinner: election of 958, ad-lib praise for Bob Graham. 9). remarks for the AIPAC breakfast: foreign relations, Israel support. 10). coal and steel problems facing West Virginia and nation. 11). business roundtable - international trade: fundraiser with Bob Graham. 12). Mitchel amendment - amend to tax bill: JDR supports amendment, argues against low capital gains tax. 13). points on tax shelters and passive losses. 14). Points for Princeton and/or Beckley Chamber meetings. Theme \"Getting coal moving now more important than ever.\" Reform staggers act. imported electric power from Canada. Colombian imports. exporting coal. 15). talking points on revenue sharing: accounts for 25% of all tax revenue for WV. 16) points on coal import amendment by Senator Ford. 17). remarks at Huntington Mall: importance of small businesses - SBA awards. 18). Shoemaker Square talking points: hall of fame, Mayor Shoemaker.","The Press releases series contains releases and media advisories created in Senator Rockefeller's office and distributed to media outlets. Releases range in date from 1988 to 2014.  Subjects of news statements and releases include health care, education, veterans, coal and steel industries, foreign relations, specifically with Japan and China, and other topics specific to West Virginia. The series also contains Congressional Records that were released monthly with news statements and press releases, as well as public announcements regarding special topics, such as Toyota Engine Plant expansion, Diamond Electric opening, and Gulf War veteran's treatment field hearings. There are also weekly commentary articles included and press kits on topics such as China Steel and West Virginia Coal and Public Safety. Beginning in 2001 through 2014, press releases were created and saved digitally.","1 of 2 folders","2 of 2 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","The Photographs series contains print and digital images relating to Senator Rockefeller's personal life and political career and spans the years 1960 to 2014. The bulk of the photographs relate to his time as Senator. Most were taken by official Senate photographers, and some appear to have been taken by members of his staff. Photographs officially associated with his career in the Senate are stamped with a label on the back, while those taken by a professional photographer often are watermarked or labeled as such. The photographs range in size from 3\" x 3\" to 11\" x 14\", and can be found in black and white as well as color. Various negatives and contact sheets are also included and noted on the folders.","Photographic topics include scenes of speeches, campaign events, political meetings and hearings, formal governor and Senate portraits, personal and candid shots, and visitations throughout West Virginia, Washington, D.C., and abroad, namely in Japan, China, and Thailand. Images from the 1960s also relate to his time spent as a VISTA volunteer in Emmons, WV. Some photographs document the various institutions and organizations that Rockefeller brought to West Virginia, such as Toyota, as well as his topics of interest including cyber security, education, senior citizen welfare, manufacturing, and coal. Individuals represented throughout the photographs include various United States presidents, members of Congress, staff members, constituents, foreign dignitaries, and family members. ","Senator Rockefeller is referred to as \"JDR\" on folder and photograph descriptions, and some files include staff notes and press releases.","The Senate Photographic Studio (SPS) file contains digital photographs of JDR in Senate hearings, swearing-in ceremonies, in his Washington, D.C. office with constituents, and at other events, 1985-2014. The files were transferred on an external hard drive and arranged chronologically. The SPS scanned print photographs from JDR's early years in the Senate, and beginning in the mid-2000s, SPS photographers began using digital cameras to capture images. The years 1996 and 1998-2000 do not have images.","The Audiovisual Materials series contains moving image and sound recordings of Senator Rockefeller's activities throughout his Senate career. Records relate to legislative activities, such as hearings of the committees on which Senator Rockefeller served and of other bodies, such as the U.S. Senate Committee on Armed Services, the National Commission on Terrorist Attacks Upon the United States (\"9/11 Commission\"), the U.S. Senate Committee on Homeland Security and Governmental Affairs, and the National Security Agency.  ","Other activities documented include bill introductions, debates, votes, and nominations; speeches, such as State of the Union addresses and opposition responses and  Democratic National Conventions; summits, such as the National Summit on Children and Families; forums, such as the New Hampshire Democratic Health Forum; town hall meetings; roundtable discussions; conference calls; luncheons and dinners; visits to schools and hospitals; campaigns, rallies, and elections; and ceremonies, such as award presentations, ground breaking, presidential inauguration, retirement celebrations.  ","Subjects include the intelligence community; terrorism; airline security; chemical and nuclear weapons; telecommunications (e.g., cybersecurity, wire-tapping); the Persian Gulf War (1991); the Iraq War (2003-2011); health care reform; aging; Alzheimer's disease; the Children's Health Insurance Program; spina bifida; veterans' health (e.g., Gulf War syndrome); prescription drugs; Medicare; Medicaid; retirement; Social Security; welfare; child support; taxes; labor (e.g., unions, strikes, minimum wage); the federal budget; commerce; trade (e.g., Fast Track, General Agreement on Tariffs and Trade, North American Free Trade Agreement); product liability; coal, steel, and automotive industries; coal miners' health (e.g., black lung disease, mine safety); business in West Virginia; energy and the environment (e.g., alternative fuels, clean air); education; and national service (e.g., Volunteers in Service to America).  ","Many items contain television and radio news segments, interviews, and live coverage, but there are also campaign advertisements, video press releases with b-roll, some documentaries (e.g., Biography: \"The Rockefellers,\" 1994), music compilations (including JDR as a guest conductor), and unedited footage.","Television networks that produced material in this series include: A\u0026E, ABC, CBS, Christian Broadcasting Network, CNBC, CNN, C-SPAN, Fox, History Channel, MSNBC, NBC, PBS, and West Virginia Public Television.","Local television stations that produced material in this series include: KDKA, KIRO, WBOY, WCHS, WDTV, WETA, WGBH, WOAY, WOWK, WSAZ, WTAP, WTOV, WTRF, WTVJ, WVAH, WVNS, and WVVA.","Television programs excerpted in this series include: 60 Minutes, 60 Minutes II, The 700 Club, Biography, Charlie Rose, Dateline NBC, Face the Nation, Fox and Friends, Frontline, Good Morning America, Hardball, Larry King Live, Late Edition, Lou Dobbs Tonight, Meet the Press, Moneyline, NBC Nightly News, NewsHour, NewsNight, Nightline, Primetime Live, The MacNeil/Lehrer NewsHour, The Rachel Maddow Show, The Situation Room, The Today Show, This Week, Washington Week in Review, Weekend Live, and World News Tonight.","Radio networks and local radio stations that produced material in this series include: ABC Radio, KABC, KFBK, Minnesota Public Radio, National Public Radio, WAMU, WCHS, WEPM, West Virginia MetroNews, WETA, WGMS, WJEH, WJLS, WRKY, WRNR, WSTV, WSTV, and WWYO.","Radio programs excerpted in this series include: All Things Considered, the Christine Craft Show, Hal Bruno's Washington, John McLaughlin's One on One, Morning Edition, Talk of the Nation, Talkline, The Diane Rehm Show, and The Michael Jackson Show.","Organizations included in this series, in addition to those mentioned above, are: Alzheimer's Association; American Association of Retired Persons; American Hospital Association; Blanchette Rockefeller Neurosciences Institute; Charleston Area Medical Center; Chlopak, Leonard, Schechter \u0026 Associates; Eastern Panhandle Free Clinic; Elm Grove Elementary School; Fairfax Hospital; League of Women Voters; Mayo Clinic; Morgantown High School; National Commission on Children; National Policy Council; Peyton Elementary School; Philips; Rainelle Medical Center; Shepherd College; Sino Swearingen; Toyota Motor Corporation; United Mine Workers of America; United Steelworkers of America; University of Charleston; University of New Hampshire; Veterans' Affairs Medical Centers; Webster County High School; Weirton Steel; West Virginia University; Weston State Hospital; Wetzel County Hospital; Wheeling Hospital; Wheeling-Pittsburgh Steel; and Yale University.","People mentioned within this series include: Charlene Barshefsky, Osama Bin Laden, Wolf Blitzer, George W. Bush, Robert C. Byrd, Gaston Caperton, Shelley Moore Capito, Hillary Rodham Clinton, Bill Clinton, Lou Dobbs, Johnny Reid Edwards, Al Gore, Hoppy Kercheval, John Kerry, Larry King, Jessica Lynch, Joe Manchin III, Chris Matthews, Arch Moore, Barack Obama, Keith Olbermann, Condoleezza Rice, Charlie Rose, Arlen Specter, and Paula Zahn.   ","Places in West Virginia represented in this series include: Beckley, Benwood, Boone County, Buffalo, Cabin Creek, Charleston, Clarksburg, Fairmont, Fayette County, Hancock County, Huntington, Kenova, Martinsburg, McDowell County, Mercer County, Minden, Monongalia County, Montcoal, Morgantown, Moundsville, Mullens, New Martinsville, Newell, Nicholas County, Oak Hill, Parkersburg, Pineville, Pleasants County, Princeton, Rainelle, Randolph County, Ravenswood, Richwood, Ripley, Shady Spring, Shepherdstown, Shrewsbury, Stanaford, Webster County, Weirton, Weston, Wetzel County, and Wheeling.  ","Other places associated with this series include: Abu Ghraib, Iraq; Alabama; Arlington, Virginia; Atlanta, Georgia; Baghdad, Iraq; Boston, Massachusetts; Chicago, Illinois; Concord, New Hampshire; Durham, New Hampshire; Gallipolis, Ohio; Goreham, New Hampshire; Japan; Miami, Florida; New Hampshire; New Haven, Connecticut; New York, New York; Pittsburgh, Pennsylvania; Rye, New Hampshire; Steubenville, Ohio; Taiwan; Tokyo, Japan, and Washington, D.C. ","Network(s): WGBH-TV, PBS. Notes: TRT=58:31.","Network(s): WGBH-TV, PBS.","Network(s): Ch. 6.","Notes: Videocassette label includes \"Squier Knapp Ochs Comm.\"","Notes: Note attached to videocassette cover includes \"5 min. spot that ran before forum\".","Notes: [TRT=7:45].","Place(s): Charleston, West Virginia. Notes: TRT=4:28. Business card enclosed from Gerald McDonald, President, Huntington Area Development Council.","Notes: TRT=8:27.","Notes: TRT=22:00.","Program(s): The Today Show, CBS This Morning. Network(s): NBC, CBS.","Program(s): On the Record. Notes: TRT=28:52.","Notes: Videocassette label includes \"Squier-Eskew-Knapp\".","Network(s): Ch. 5, Ch. 12.","Notes: TRT=30:00.","Program(s): Nightly News. Network(s): NBC. Notes: Videocassette label includes \"NBC WASHINGTON\" and logo.","Venue(s): Harkness Auditorium, Yale University School of Medicine. Place(s): New Haven, Connecticut. Notes: TRT=1:06:00.","Network(s): CNN.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): CNN.","Program(s): Fox Morning News. Network(s): Fox.","Program(s): Meet the Press. Network(s): NBC.","Notes: Videocassette label includes \"4:30 PM - 8:30 PM\".","Notes: TRT=15:00.","Network(s): CNN.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"JDR defining Dem. Party\".","Network(s): WGBH-TV. Notes: TRT=1:00:00. Videocassette label and cover include WGBH logo.","Program(s): Fox Morning News. Network(s): Fox, WETA-TV.","Notes: Videocassette label includes \"Broadcast News Reports\".","Network(s): ABC. Notes: TRT=1:47:00.","Program(s): NBC News. Network(s): NBC. Notes: Videocassette label includes \"JDR: \"If George Bush had to run on his record, he would be run out of town.\"","Network(s): CBS, NBC.","Network(s): C-SPAN, CBS, NBC, CNN, ABC, Fox, . Notes: TRT=2:04:00.","Network(s): WCHS-TV, ABC. Notes: Videocassette label includes \"6PM\".","Network(s): WSAZ-TV, NBC, WCHS-TV, ABC. Notes: Videocassette label includes \"11:00\".","Network(s): WOAY-TV, ABC. Place(s): Oak Hill and Beckley, West Virginia.","Network(s): C-SPAN. Notes: TRT=1:30:00.","Network(s): CNN, ABC, Fox, NBC, PBS.","Program(s): John McLaughlin's One on One, The McLaughlin Group. Network(s): PBS.","Program(s): Fox Morning News. Network(s): Fox.","Program(s): Face the Nation. Network(s): CBS. Place(s): Washington, D.C.","Notes: TRT=39:00. Videocassette label and cover include \"Capitol Video Communications, Inc.\" and logo.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Network(s): ABC.","Network(s): CBS, Fox.","Notes: TRT=7:27.","Notes: TRT=1:50:00.","Place(s): Parkersburg, West Virginia.","Notes: TRT=1:34:00.","Event(s): Democratic National Convention. Venue(s): Madison Square Garden. Place(s): New York, New York.","Notes: Three copies held; 40+ additional copies to be returned or recycled. Five copies removed from A\u0026M 4050 III. A. \"How the President's Health Care Plan Works\" video, 1992.","Notes: TRT=12:30. Videocassette cover includes \"A Government Service Message from the nurses of the National Nurses in Business Association.","Network(s): WGBH-TV.","Network(s): CNN.","Network(s): NHK (Japan Broadcasting Corporation).","Network(s): C-SPAN. Notes: TRT=20:00. Videocassette label and cover indicate that C-SPAN distributed this videocassette.","Program(s): Fox Morning News. Network(s): Fox. Notes: Videocassette label includes \"8:25 AM\".","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Event(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.","Event(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.","Program(s): Good Morning America, Moneyline, Nightline. Network(s): ABC, CNN, CBS.","Program(s): Nightline. Network(s): ABC.","Program(s): The MacNeil/Lehrer NewsHour, Nightline. Network(s): PBS, ABC. Notes: TRT=2:38:00.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Program(s): The MacNeil/Lehrer NewsHour, Eye on America. Network(s): PBS, CBS. Notes: TRT=1:03:00.","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette cover includes \"SDG-50\" and \"DPC 'raw tape'\".","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Notes: TRT=15:00.","Network(s): WTVJ-TV. Place(s): Miami, Florida.","Network(s): WTVJ-TV. Place(s): Miami, Florida.","Place(s): Washington, D.C. Notes: Videocassette label includes \"SDG-50\" and \"DPC 'raw tape'\".","Place(s): Washington, D.C.","Program(s): Eye on America. Network(s): NBC, CNN, CBS.","Notes: Videocassette label includes \"11:30 PM\".","Network(s): NBC.","Network(s): CNN.","Network(s): WGBH-TV.","Program(s): Nightline. Network(s): ABC. Notes: TRT=30:00.","Network(s): CBS.","Network(s): NBC.","Program(s): Good Morning America. Network(s): ABC. Notes: TRT=2:00:00.","Network(s): CNN.","Network(s): CNBC.","Place(s): Washington, D.C.","Program(s): CBS Morning News. Network(s): CBS.","Notes: TRT=6:13 (approximate). Broadcast schedule enclosed.","Network(s): CBS.","Network(s): NBC.","Place(s): Weirton, West Virginia. Notes: TRT=4:00.","Program(s): Good Morning America. Network(s): ABC. Notes: TRT=2:25.","Notes: TRT=5:18.","Notes: TRT=6:03.","Notes: TRT=58:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): ABC. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=6:30.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Dub\".","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Master\".","Place(s): Washington, D.C.","Network(s): CNBC.","Network(s): CNN.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=0:30. Videocassette label includes \"Clinton/Gore Creative Team.\"","Place(s): Charleston, West Virginia.","Notes: TRT=7:30. Videocassette cover includes \"John Franzén Multimedia\" and logo.","Place(s): Washington, D.C.","Notes: TRT=1:00. Videocassette label includes \"Greer, Margolis, Mitchell, Grinwald \u0026 Assoc.\"","Place(s): Washington, D.C.","Place(s): Princeton, West Virginia.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=10:00.","Program(s): Face the Nation. Network(s): CBS.","Place(s): Atlanta, Georgia.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Grunwald \u0026 Associates,\" and \"Capitol Video Communications, Inc.\" and logo.","Event(s): Presidential debates.","Network(s): ABC.","Notes: Videocassette cover includes \"John Franzén Multimedia\" and logo.","Network(s): ABC. Event(s): Presidential election.","Network(s): CNN.","Notes: TRT=25:00.","Notes: TRT=33:00.","Notes: Note attached to videocassette cover includes \"This tape has Tommy Boggs delivering JDR's remarks re: Ron Brown since JDR could not attend.\"","Network(s): C-SPAN.","Notes: Copyright USA Health Network Company, Inc.","Place(s): Huntington, West Virginia. Notes: TRT=12:15. Attached note includes \"WV Economic Development Tapes.\"","Network(s): ABC. Notes: TRT=1:00:00.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): Primetime Live. Network(s): ABC. Notes: TRT=58:00.","Event(s): United States presidential inauguration. Place(s): Washington, D.C.","Network(s): C-SPAN.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Program(s): Inside Politics. Network(s): CNN. Event(s): State of the Union Address. Place(s): Washington, D.C. Notes: Videocassette label includes \"4:30 PM\".","Notes: TRT=30:00.","Network(s): CNN.","Network(s): CNN. Place(s): Pineville, West Virginia.","Network(s): ABC, NBC.","Notes: TRT=approximately 48:00. Videocassette label includes Medical News Network logo.","Program(s): The Today Show, Fox Morning News. Network(s): NBC, Fox. Notes: TRT=10:00.","Program(s): Prime News. Network(s): CNN. Notes: TRT=3:00:00.","Program(s): Fox Morning News. Network(s): Fox. Notes: Title only on note attached to videocassette cover.","Program(s): The Today Show. Network(s): NBC. Notes: Title only on note attached to videocassette cover.","Notes: TRT=3:21.","Notes: TRT=8:21.","Place(s): Washington, D.C.","Notes: TRT=40:00.","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=9:00.","Network(s): CBS, ABC. Notes: TRT=56:00.","Network(s): C-SPAN.","Program(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.","Notes: Videocassette label includes \"'Rainelle' — 'New Martinsville' — 'Martinsburg' — 'Cabin Creek'\".","Notes: Videocassette label includes \"MASTER\".","Network(s): WOAY-TV, ABC.","Place(s): [Morgantown, West Virginia]. Notes: Videocassette label includes \"West Virginia University Health Sciences Center\".","Network(s): CNN, CBS.","Network(s): ABC. Notes: TRT=3:00.","Network(s): C-SPAN. Notes: Copyright: 1992 National Cable Satellite Corporation.","Program(s): Frontline. Network(s): PBS.","Program(s): Frontline. Network(s): PBS. Notes: TRT=1:00. Videocassette label and cover include \"WETA\" and logo.","Notes: TRT=60:00.","Program(s): Inside Politics. Network(s): CNN.","Program(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=2:00:00.","Place(s): Chicago, Illinois.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Moneyline, Nightline. Network(s): CNN, ABC.","Network(s): WGBH-TV.","Place(s): Washington, D.C. Notes: Videocassette label includes \"5:45 PM\".","Network(s): ABC.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Network(s): WCHS-TV, ABC. Notes: Videocassette label includes \"11:00 PM\".","Place(s): Bluefield, West Virginia.","Place(s): Oak Hill, West Virginia.","Notes: TRT=1:05:00.","Program(s): NBC Today. Network(s): NBC. Notes: TRT=9:00.","Network(s): WVEA [West Virginia Education Association]/KTA. Notes: Business card attached, from Jackie Goodwin, Director of Communications, WVEA, with contact info and \"To: Marissa Spadafore — This is a copy of the video which Senator Rockefeller graciously was interviewed for. It was used as an internal membership piece for Kanawha County. I thought you would want a copy for your files.\"","Network(s): ABC. Notes: TRT=3:00.","Notes: TRT=17:00.","Program(s): Moneyline. Network(s): CNN.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns and Associates,\" and \"Henninger Video\" and logo.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=6:00.","Program(s): Sunday Journal. Network(s): C-SPAN. Notes: Business card attached, from Geoffrey Baum, Producer, C-SPAN, with contact info.","Place(s): Minnesota. Notes: Videocassette cover includes \"Mayo Clinic\" and logo.","Program(s): Face the Nation, Meet the Press. Network(s): CBS, NBC. Notes: TRT=1:30:00.","Notes: TRT=30:00.","Notes: TRT=53:00.","Network(s): WSAZ-TV.","Network(s): WSAZ-TV, WCHS-TV, WOWK-TV.","Notes: TRT=45:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): CBS, PBS.","Notes: TRT=57:00.","Notes: TRT=57:00.","Place(s): Newell, West Virginia.","Notes: TRT=58:49.","Place(s): Washington, D.C.","Network(s): ABC.","Program(s): Late Edition. Network(s): CNN.","Notes: TRT=28:30.","Notes: TRT=4:47. Videocassette label and cover include \"Henninger Video\" and logo.","Notes: TRT=3:06. Videocassette label and cover include \"Henninger Video\" and logo.","Notes: TRT=2:00:00.","Notes: TRT=27:36. Removed from A\u0026M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.","Notes: TRT=57:27.","Program(s): The Today Show, Late Edition. Network(s): NBC, CNN. Notes: TRT=6:00.","Program(s): Nightline, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=54:00.","Notes: TRT=12:00.","Network(s): CBS. Notes: TRT=2:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Notes: TRT=6:00.","Place(s): Pittsburgh, Pennsylvania.","Network(s): ABC, NBC. Notes: TRT=4:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Program(s): Moneyline. Network(s): CNN.","Notes: TRT=0:30. Videocassette label and cover includes \"Modern Video Productions\" and logo.","Network(s): CNN.","Program(s): The Today Show, The MacNeil/Lehrer NewsHour. Network(s): NBC, PBS. Notes: TRT=19:00.","Place(s): Weston, West Virginia. Notes: TRT=1:30:00.","Program(s): Washington Week in Review. Network(s): PBS. Notes: TRT=26:46.","Notes: Videocassette label and cover include \"Squier/Knapp/Ochs\".","Notes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.","Notes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.","Network(s): C-SPAN.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=27:00.","Notes: TRT=1:00 (approximate). Videocassette label and cover include \"Chlopak, Leonard \u0026 Schechter,\" and \"Henninger Video\" and logo.","Place(s): Washington, D.C. Notes: TRT=12:00.","Place(s): Washington, D.C.","Program(s): Today, CBS This Morning. Network(s): NBC, CBS. Notes: TRT=4:00.","Program(s): Primetime Live. Network(s): ABC.","Place(s): Richwood, West Virginia. Notes: TRT=1:35:00 (approximate). Videocassette label includes \"airmaster copy.\"","Network(s): C-SPAN.","Network(s): C-SPAN.","Network(s): NBC. Notes: TRT=3:00.","Program(s): Biography. Network(s): A\u0026E Television Networks. Notes: Title from videocassette cover, which also includes \"12/26/06\"; no videocassette labels.","Place(s): Washington, D.C.","Network(s): WSAZ-TV.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: TRT=14:00.","Network(s): ABC. Notes: TRT=5:00.","Notes: TRT=1:00 (approximate). Videocassette label and cover includes \"Complete Post, Inc.\" and logo.","Network(s): ABC. Notes: TRT=4:49.","Network(s): ABC. Notes: TRT=5:00.","Notes: Videocassette label and cover include \"Grunwald Eskew \u0026 Donilon,\" and \"Henninger Capitol\" and logo.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=7:00.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=1:30:00. Videocassette label includes \"West Virginia Department of Health \u0026 Human Resources.\" Letter enclosed from Ann H. Garcelon, Communications Director, State of West Virginia Department of Health and Human Resources, to JDR re: this \"Public Health Teleconference.\"","Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=7:00.","Network(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.","Network(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.","Place(s): Huntington, West Virginia.","Notes: Letter, and business card, enclosed from Gretchen Goldsmith, Producer, The Crusaders, to Dan Rauh includes \"Per the instructions of Ralph Rivera of PT Phone Home, enclosed is a copy of The Crusaders' segment on the organization. Ralph indicated that the tape would be shown to the member of the Senate Veterans' Affairs Committee.\" Enclosed note includes \"To: Todd Glass — Return to Dan Rauh, Vets' Committee.\"","Notes: TRT=29:10.","Network(s): Ch. 3, Ch. 8, Ch. 13.","Network(s): CNN. Place(s): Kenova, West Virginia.","Notes: Videocassette cover includes \"John Franzén Multimedia\" and logo.","Network(s): WOWK-TV.","Event(s): State of the Union address. Place(s): Washington, D.C.","Notes: TRT=5:00.","Notes: TRT=1:15:00.","Notes: TRT=1:32:00.","Network(s): CNN.","Notes: TRT=15:00.","Notes: TRT=15:00.","Notes: TRT=11:40. Attached note includes \"Todd: For your viewing pleasure — Be kind --- we're still improving! [signed] K\".","Program(s): 60 Minutes. Network(s): CBS.","Notes: TRT=25:30. Attached note includes \"Todd — Please save in the JDR-WV great video clips. Thanks.\"","Notes: TRT=32:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=10:00.","Notes: TRT=2:10.","Place(s): New Martinsville, West Virginia.","Notes: Videocassette label and cover includes \"Modern Video Productions\" and logo.","Place(s): Washington, D.C.","Network(s): KIRO-TV. Notes: TRT=51:00. Videocassette label includes \"Third Avenue Productions.\"","Notes: TRT=2:00 (approximate).","Notes: TRT=29:50.","Network(s): ABC, C-SPAN. Notes: TRT=1:38:00.","Network(s): ABC, C-SPAN. Notes: TRT=1:38:00.","Event(s): [National Press Club annual dinner]. Place(s): Washington, D.C. Notes: Business card enclosed from Melissa M. Bender, Executive Assistant to the President, National Press Club.","Network(s): C-SPAN.","Place(s): Topeka, Kansas. Notes: Attached note includes \"Laura Quinn — 109 HART\".","Place(s): Beckley, West Virginia; [Welch, West Virginia].","Network(s): WNPB-TV.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette label includes \"TIME: 9:28 to 11:54\".","Notes: Attached note includes \"Mindy/Rich/others — For your viewing pleasure. JDR at M.U. [signed] Lou Ann\".","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=46:00.","Place(s): Washington, D.C.","Place(s): Shrewsbury, WV.","Network(s): WVVA-TV.","Network(s): WOAY-TV, WVVA-TV.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): WSAZ-TV. Notes: TRT=30:00.","Notes: Videocassette label and cover include \"Squier Knapp Ochs,\" and \"Interface Video Systems, Inc.\" and logo.","Notes: TRT=9:58. Videocassette label includes \"Fingerhut, Powers, Smith \u0026 Associates, Inc.\" and \"David Sandretti \u0026 Phil Smith, Producers.\" Includes pamphlet from Save America's Families Coalition.","Place(s): Arlington, Virginia.","Notes: TRT=1:30 (approximate). Television commercial script enclosed for each ad.","Program(s): The MacNeil/Lehrer NewsHour, ABC World News Tonight. Network(s): PBS, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Notes: TRT=5:22.","Program(s): CBS Evening News. Network(s): CBS.","Place(s): Washington, D.C.","Program(s): Nightline. Network(s): ABC.","Notes: TRT=20:00.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Notes: Appears to have been transferred to DVD.","Notes: Appears to have been transferred to DVD.","Network(s): [WSWP-TV].","Notes: Enclosed is an index to the 15 ads, re: Paul Wellstone, Max Baucus, and Jack Reed.","Network(s): WVVA-TV. Event(s): State of the State address. Place(s): Beckley, West Virginia.","Network(s): CBS.","Network(s): CBS. Notes: Attached note refers to an enclosed story on miners legislation with JDR and Alan Law.","Event(s): State of the Union address. Place(s): Washington, D.C.","Notes: Has been transferred to DVD.","Notes: Has been transferred to DVD.","Network(s): CNN.","Network(s): WVVA-TV.","Program(s): CNN Presents. Network(s): CNN.","Network(s): WOAY-TV, CBS, CNN, NBC. Place(s): Wyoming; Washington, D.C.","Program(s): This Week, Nightline, The Today Show. Network(s): WCHS-TV, WSAZ-TV, WOAY-TV, WTRF-TV, CBS, ABC, NBC. Place(s): Charleston, West Virginia; Wheeling, West Virginia; Washington, D.C.; Clarksburg, West Virginia.","Place(s): Washington, D.C.","Network(s): WOWK-TV, WSAZ-TV.","Program(s): 60 Minutes. Network(s): WCHS-TV, CNN, CBS, ABC.","Notes: Attached note includes \"WCHS — 4-1-96\".","Program(s): NewsHour. Network(s): PBS. Notes: TRT=10:00.","Event(s): 50th anniversary of UMWA Health Fund. Venue(s): The White House. Place(s): Washington, D.C. Notes: Attached note includes \"These tapes are both raw footage…\".","Program(s): Larry King Live. Network(s): CNN.","Program(s): Larry King Live. Network(s): CNN.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Network(s): WBOY-TV. Place(s): Washington, D.C.; Bridgeport, West Virginia.","Network(s): Channel 5, Channel 12.","Program(s): 60 Minutes. Network(s): CBS, C-SPAN. Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: TRT=52:37.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Notes: TRT=10:33. Videocassette label includes \"The Arnold Agency\" and logo.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Program(s): Larry King Live. Network(s): CNN.","Notes: TRT=8:00.","Network(s): CNN, CBS, MSNBC.","Network(s): CNN.","Notes: TRT=00:30. Videocassette label includes \"Split Ch. Audio, Dub in Mix.\"","Program(s): Nightline. Network(s): ABC.","Program(s): The 700 Club. Network(s): Christian Broadcasting Network. Notes: Attached business card from Emily Murray, Assistant Producer, CBN News.","Program(s): Fox Morning News. Network(s): Fox.","Notes: TRT=0:30. Videocassette label and cover include \"KLM Video, Inc.\" and logo.","Place(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".","Place(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".","Notes: TRT=60:00.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=4:48.","Network(s): CNN. Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=4:35.","Place(s): Stanaford, West Virginia. Notes: TRT=6:30. Videocassette label includes \"Appalachian Video Productions, Inc.\"","Notes: Business cards attached from Barry Cohn, Broadcast Producer, Dept. of Science News, American Medical Association, and Emily Murray, Assistant Producer, CBN News.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Notes: TRT=45:00.","Notes: TRT=15:00.","Network(s): CTS News. Place(s): Taiwan. Notes: Enclosed note from Jennifer Zimdahl Galt, Chief of Information Unit, and AIT Spokesperson, includes \"Jane — As promised, please find enclosed a tape of the TV talk show interview with Senator Rockefeller. They only used a minute or so.\"","Network(s): WOWK-TV.","Network(s): NBC. Notes: TRT=2:00.","Network(s): CNN, CBS, MSNBC.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.","Network(s): ABC, CNN, NBC.","Place(s): Washington, D.C.","Notes: TRT=20:51.","Place(s): Washington, D.C.","Place(s): Wheeling, West Virginia. Notes: TRT:9:00.","Program(s): Good Morning America. Network(s): ABC.","Network(s): CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): NewsHour. Network(s): PBS.","Program(s): World News Tonight. Network(s): ABC. Notes: Videocassette label includes U.S. Senate logo. Attached note includes \"Senator Rockefeller, this is a \"rough\" cut of tomorrow's caucus video. —Kim.\"","Program(s): The Today Show. Network(s): NBC. Notes: TRT=3:00.","Network(s): WPBY-TV. Place(s): Clarksburg, West Virginia.","Event(s): Philips Lighting press conference.","Program(s): CBS Morning News. Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=17:00.","Network(s): CNN. Place(s): Washington, D.C.","Network(s): WFRF.","Program(s): Nightline. Network(s): ABC.","Notes: Videocassette label includes U.S. Senate logo.","Network(s): WCHS-TV, ABC, WOWK-TV, CBS.","Network(s): WSTV, WTRF-TV, CBS. Place(s): Wheeling, West Virginia.","Notes: TRT=0:59.","Place(s): Martinsburg, West Virginia.","Place(s): Mercer and McDowell Counties, West Virginia.","Place(s): [California].","Network(s): WCHS-TV, ABC, WSAZ-TV, NBC.","Program(s): Frontline. Network(s): WGBH-TV/PBS. Notes: Videocassette label includes \"WGBH\".","Notes: Videocassette cover includes \"Airport News and Training Network\" and attached business card from J. Spencer Dickerson, Executive Vice President, The American Association of Airport Executives\".","Notes: Videocassette cover includes \"Airport News and Training Network\".","Notes: TRT=10:00.","Program(s): Nightline. Network(s): ABC. Notes: TRT=21:56.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:58:00.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"Horizons Television, Inc.\"","Network(s): WOWK-TV, WCHS-TV, WSAZ-TV.","Network(s): WOWK-TV, WCHS-TV, WSAZ-TV.","Program(s): CBS Evening News. Network(s): CBS.","Network(s): WOAY-TV, ABC. Notes: Information from attached note; no videocassette labels.","Venue(s): The White House. Place(s): Washington, D.C. Notes: TRT=6:00:00. Videocassette label includes \"Social Security Administration Regional Public Affairs Office.\"","Network(s): WOWK-TV, WSAZ-TV.","Network(s): WTRF-TV.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Network(s): WTOV-TV.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Moneyline. Network(s): CNN.","Program(s): Internight. Network(s): MSNBC. Notes: TRT=7:40.","Network(s): MSNBC, Fox.","Program(s): Meet the Press. Network(s): NBC.","Network(s): WSAZ-TV.","Network(s): WCHS-TV.","Place(s): Beckley, West Virginia.","Notes: TRT=12:00.","Notes: Videocassette label and cover include \"Bozell Eskew Advertising\".","Network(s): News4 Camcare. Event(s): Dedication of the MS Clinic at the Charleston Area Medical Center. Venue(s): MS Clinic at the Charleston Area Medical Center. Place(s): Charleston, West Virginia. Notes: Includes letter, under Camcare Health Education and Research Institute letterhead, from Jerry Handley, Network Specialist, to Ms. Joy Sims, Press Office, Office of Senator Jay Rockefeller, regarding enclosed videotape containing excerpts of Rockefeller's remarks at the dedication of the MS Clinic at the Charleston Area Medical Center on May 24th, 1999.","Network(s): WVVA-TV, WOAY-TV. Venue(s): Rainelle Medical Center. Place(s): Rainelle, West Virginia.","Network(s): WSAZ-TV.","Network(s): WCHS-TV.","Network(s): WOWK-TV.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns \u0026 Associates, Inc.\" and logo.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Place(s): Mullens, West Virginia. Notes: TRT=9:35. Videocassette label includes \"West Virginia National Guard\" and \"Produced by Detachment 1, 196th MPAD, WVARNG.\"","Notes: TRT=1:26:00.","Event(s): Toyota Lexus Announcement. Place(s): Buffalo, West Virginia. Notes: Videocassette label includes \"Image Associates\" and logo.","Notes: Videocassette label and cover includes \"Motion Masters\".","Venue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia.","Network(s): WOWK-TV. Place(s): Charleston, West Virginia.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=2:00:00.","Notes: TRT=7:16. Videocassette label includes \"Produced by: Ray Miller, West Virginia University Television Productions.\"","Network(s): CNN.","Network(s): CNN. Notes: TRT=1:00:00. Videocassette label includes \"5:30 PM - 6:30 PM.\"","Network(s): Fox.","Network(s): WOWK-TV.","Notes: Has been transferred to DVD.","Notes: Business card enclosed from Mark Ferrell, Press Secretary for JDR.","Notes: TRT=8:08.","Notes: TRT=12:00. Has been transferred to DVD.","Notes: Has been transferred to DVD.","Notes: TRT=12:04.","Network(s): Channel 13. Notes: Content information from note attached to videocassette cover.","Notes: TRT=48:00. Has been transferred to DVD.","Place(s): Washington, D.C. Notes: No videocassette cover.","Network(s): CNNfn.","Event(s): United Steelworkers of America rally.","Network(s): CBS.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"11:00 PM\".","Network(s): WCHS-TV, ABC.","Network(s): WOAY-TV, ABC.","Place(s): Washington, D.C. Notes: TRT=15:00.","Network(s): Fox. Notes: TRT=5:00.","Notes: TRT=1:07:00.","Network(s): WOAY-TV, ABC.","Place(s): Shady Spring, West Virginia.","Network(s): WOAY-TV, ABC.","Notes: TRT=27:00.","Network(s): WOAY-TV, ABC.","Network(s): Fox.","Network(s): Fox. Notes: Videocassette label includes Fox News letterhead and contact info.","Network(s): NBC.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Notes: TRT=2:00 (approximate).","Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Network(s): WOAY-TV, ABC.","Notes: TRT=1:00. Videocassette cover includes \"version 6.\"","Network(s): WOAY-TV, ABC.","Network(s): CNN.","Network(s): West Virginia Public Broadcasting.","Program(s): Meet the Press. Network(s): NBC. Notes: Content information on videocassette cover only; videocassette unlabeled.","Network(s): WOWK-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.","Network(s): WSAZ-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.","Program(s): Paula Zahn Now. Network(s): CNN.","Program(s): Paula Zahn Now. Network(s): CNN.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Network(s): Fox.","Program(s): Studio B. Network(s): Fox. Notes: Videocassette cover includes \"3 PM\".","Network(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Network(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Notes: TRT=45:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=1:00:00.","Program(s): Late Edition, Weekend Live. Network(s): CNN, Fox.","Program(s): Late Edition, Weekend Live. Network(s): CNN, Fox.","Network(s): WOWK-TV, CBS, CNN, Fox.","Program(s): Nightly News, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.","Program(s): World News Tonight, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.","Program(s): Late Edition, Weekend Live, World News Tonight, American Morning, Fox and Friends, Larry King Live. Network(s): CNN, Fox, ABC, CNN, CNBC, NBC.","Network(s): WOAY-TV, ABC.","Program(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.","Place(s): Washington, D.C. Notes: TRT=5:00.","Network(s): WOAY-TV, ABC.","Place(s): Washington, D.C.","Program(s): NewsHour, Meet the Press, Late Edition. Network(s): Fox, PBS, NBC, CNN. Notes: Videocassette label includes \"Newshour (soundbite from tax conference meeting)\".","Place(s): Washington, D.C.","Program(s): American Morning, Today, Capitol Report, World News Tonight. Network(s): CNN, NBC, CNBC, Fox, ABC.","Program(s): Hardball. Network(s): MSNBC. Notes: TRT=9:00.","Network(s): CNN.","Network(s): NBC. Notes: TRT=6:00.","Network(s): ABC, CBS, NBC. Notes: TRT=1:30:00.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=55:00.","Network(s): CNN, MSNBC. Notes: TRT=≥1:00:00.","Network(s): CNN. Notes: Videocassette label includes \"5:40-6:15PM\".","Network(s): CNN. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Program(s): Fox News Sunday. Network(s): Fox. Notes: TRT=2:00.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=approximately 15:00.","Program(s): NBC Nightly News. Network(s): NBC.","Program(s): Hardball. Network(s): CNN, MSNBC.","Network(s): CNN.","Network(s): CNN, MSNBC, Fox.","Network(s): CNN.","Network(s): CNN. Notes: Videocassette label includes \"9:00am\".","Network(s): ABC, CBS, NBC. Notes: TRT=1:32:00.","Place(s): Washington, D.C. Notes: TRT=13:00.","Network(s): ABC.","Program(s): Fox News Sunday. Network(s): Fox.","Program(s): 60 Minutes II. Network(s): CBS. Notes: TRT=1:00:00.","Place(s): Washington, D.C. Notes: TRT=7:00. Videocassette label includes \"11:00 AM.\"","Program(s): Face the Nation. Network(s): CBS.","Network(s): ABC, CBS, NBC.","Network(s): C-SPAN. Notes: TRT=1:30:00. Videocassette label includes \"10:30 AM - 12:00 PM.\"","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=60:00.","Network(s): Fox. Notes: TRT=60:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"","Network(s): Fox. Notes: TRT=1:00:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"","Place(s): Washington, D.C. Notes: TRT=11:00.","Program(s): Hardball. Network(s): MSNBC.","Program(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.","Network(s): WBOY-TV, West Virginia Media. Notes: Videocassette label includes WBOY-TV logo.","Program(s): Face the Nation. Network(s): CBS. Notes: TRT=30:00.","Network(s): CNN. Notes: No videocassette cover.","Network(s): WSAZ-TV, NBC. Place(s): Huntington, West Virginia. Notes: Videocassette label includes \"6:30AM.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Notes: No videocassette cover.","Place(s): Richwood, West Virginia.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=60:00.","Notes: TRT=11:58.","Notes: TRT=11:58. Has been transferred to DVD.","Notes: TRT=8:08. Has been transferred to DVD.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=21:04.","Network(s): Fox.","Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"6-7:00 PM.\"","Network(s): MSNBC. Notes: TRT=60:00. Videocassette label includes \"7-8:00 PM.\"","Program(s): NBC Nightly News. Network(s): CBS, NBC. Notes: TRT=12:00.","Program(s): CBS Evening News, NBC Nightly News, MSNBC Hardball, CNN Late Edition. Network(s): CBS, NBC, CNN, MSNBC, Fox. Notes: Videocassette label indicates 13 segments.","Network(s): CNN. Notes: TRT=1:00:00.","Network(s): CNN. Notes: TRT=1:00:00.","Program(s): Late Edition Sunday. Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"12:00 - 1:00 PM.\"","Program(s): 60 Minutes. Network(s): CBS. Notes: Videocassette label includes \"John Nolen\".","Event(s): John Kerry rally in West Virginia.","Program(s): NBC News. Network(s): NBC. Notes: TRT=13:08.","Notes: TRT=21:05.","Network(s): WSAZ-TV, NBC. Notes: Videocassette label includes \"11:00pm.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).","Network(s): CNN.","Program(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.","Notes: TRT=3:35.","Notes: TRT=3:35.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Network(s): CNN, Fox.","Program(s): 60 Minutes. Network(s): CBS. Notes: TRT=14:00.","Program(s): CNN Sunday Edition. Network(s): CNN. Notes: TRT=1:00:00.","Program(s): ABC World News Tonight. Network(s): ABC, CNN.","Program(s): Charlie Rose. Network(s): PBS.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Network(s): CNN.","Network(s): Fox.","Place(s): Morgantown, West Virginia.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=1:00:00.","Program(s): Hardball. Network(s): MSNBC. Notes: TRT=1:00:00.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C. Notes: No videocassette cover.","Network(s): ABC, CBS, NBC. Notes: TRT=1:24:00.","Program(s): Fox News Sunday. Network(s): MSNBC, Fox. Notes: TRT=2:00:00. Videocassette label includes \"MSNBC 7-8PM July 9, Fox News Sunday July 11.\"","Network(s): CNBC, CNN. Notes: TRT=2:00:00. Videocassette label includes \"CNBC from 7-8PM and CNN from 10-11PM.\"","Network(s): CNN. Notes: TRT=1:00:00.","Program(s): NewsHour. Network(s): PBS.","Program(s): Hardball. Network(s): CNN, Fox, MSNBC.","Program(s): Face the Nation. Network(s): CBS. Notes: TRT=25:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=50:00.","Program(s): NewsNight. Network(s): CNN.","Network(s): CNBC. Notes: Videocassette label includes \"7-8:00 pm\".","Network(s): CNN.","Network(s): CNN.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: TRT=1:20:00.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Network(s): Fox. Notes: TRT=6:20.","Network(s): MSNBC. Notes: TRT=5:30.","Event(s): Government Affairs hearing. Notes: TRT=3:13:00.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=60:00.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Program(s): Hardball. Network(s): Fox, MSNBC, CNN.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:00:00.","Network(s): ABC, CBS, NBC. Notes: TRT=2:00.","Network(s): CNN.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=4:30:00.","Program(s): CBC [CBS] Evening News. Network(s): CBC [CBS].","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=2:05:00.","Program(s): NewsNight. Network(s): CNN.","Event(s): UN General Assembly meeting. Venue(s): UN General Assembly building. Place(s): New York, New York.","Event(s): Allawi speech to Congress. Place(s): Washington, D.C.","Network(s): CNN.","Program(s): Late Edition. Network(s): CNN.","Program(s): Late Edition. Network(s): CNN.","Network(s): CNN.","Network(s): Fox, CNN.","Network(s): CNN.","Network(s): CNN.","Program(s): This Week. Network(s): ABC, CNN.","Network(s): West Virginia Public Television.","Network(s): CBS. Notes: TRT=30:00.","Program(s): Face the Nation, The Early Show. Network(s): CBS.","Network(s): CNN.","Program(s): Lou Dobbs Tonight, Hardball. Network(s): CNN, MSNBC. Event(s): Trial of Saddam Hussein.","Network(s): Fox.","Program(s): Lou Dobbs Tonight. Network(s): CNN, Fox, NBC.","Program(s): Lou Dobbs Tonight. Network(s): Fox, CNN. Event(s): State of the Union Address. Place(s): Washington, D.C.","Network(s): Fox.","Program(s): Late Edition. Network(s): CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: Videocassette label includes U.S. Senate logo.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:20:00. Videocassette label includes \"10:00 AM - 1:19 PM.\"","Network(s): CNN.","Network(s): Fox.","Network(s): Fox, CNN.","Program(s): Frontline. Network(s): PBS.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=25:00.","Network(s): NBC.","Program(s): 60 Minutes II. Network(s): CBS.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:56:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=42:00.","Place(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Geoff Garin\".","Place(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Geoff Garin\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Program(s): Nightline. Network(s): ABC.","Network(s): WSAZ-TV. Notes: Title from note attached to videocassette cover.","Place(s): Washington, D.C.","Place(s): Charlotte, North Carolina.","Network(s): ABC, NBC, CBS. Notes: TRT=10:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Network(s): C-SPAN. Place(s): Washington, D.C. Notes: Professionally produced C-SPAN videotape (ID: 189201 - Part 1 of 1) and cover. Description on back cover: \"Representative Capito was interviewed about the future of the Republican Party, West Virginia politics, and her decision not to run against Sen. Byrd in 2006. She also discussed her major in zoology at Duke University as well as the naming of her children, Charles Capito III and Shelley XIII. Pictures of Representative Capito, her family, and soldiers were shown intermittently during the program.\" Copyright: 2005 National Cable Satellite Corporation.","Program(s): Nightline. Network(s): ABC. Notes: Videocassette label includes \"Dub\".","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.","Network(s): ABC, CBS, NBC. Notes: TRT=1:03:00.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Program(s): Lou Dobbs Tonight. Network(s): CNN.","Network(s): West Virginia Public Television. Notes: Videocassette label includes \"West Virginia Public Television\" and logo. Date is broadcast date.","Network(s): CNN.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=53:10.","Program(s): Hannity \u0026 Colmes. Network(s): Fox. Notes: Attached note includes \"Bill Bennett \u0026 Wes Clark. JDR was frequently discussed.\"","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.","Program(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:10:00 (approximate).","Program(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:55:00.","Network(s): PBS.","Network(s): WOWK-TV, CBS.","Network(s): NBC. Notes: TRT=22:55.","Network(s): ABC. Notes: TRT=30:00.","Network(s): ABC, CBS, NBC. Notes: TRT=1:10:00.","Network(s): ABC, NBC. Notes: TRT=42:00.","Network(s): CBS. Notes: TRT=20:00.","Network(s): WVNS-TV, Fox.","Notes: Business card attached, from Philippe Diaz, Cinema Libre Studio, with contact info.","Place(s): Washington, D.C.","Network(s): WTRF-TV, CBS.","Notes: Note on cover includes \"Piece on poor water safety during Marine training. Not that interesting, but thought it might still be useful… —Chris\".","Event(s): House of Representatives debate. Venue(s): House of Representatives. Place(s): Washington, D.C. Notes: TRT=5:30.","Event(s): United Steelworkers of America Wheeling-Pitt strike. Place(s): Wheeling, West Virginia; Pittsburgh, Pennsylvania.","Notes: Videocassette label includes \"Note this is a short segment\".","Program(s): Charlie Rose. Network(s): PBS.","Network(s): Fox.","Network(s): CNN.","Event(s): United Steelworkers of America convention.","Venue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".","Venue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".","Event(s): West Virginia Air Service Summit. Notes: TRT=1:04:40.","Event(s): West Virginia Air Service Summit. Notes: TRT=1:54:17. Videocassette label indicates welcoming remarks by Governor Underwood and Senator Rockefeller.","Event(s): West Virginia Air Service Summit. Notes: TRT=2:00:51.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"Retiree James McMahon, Spouse Carole McMahon — insurance\".","Notes: No Videocassette label; title from videocassette cover.","Notes: Removed from Box 129 (Downtown moved to Depot). Videocassette label includes U.S. Senate logo.","Notes: Videocassette label includes \"Chlopak, Leonard, Schechter\".","Notes: TRT=4:49.","Notes: TRT=12:00.","Venue(s): Blanchette Rockefeller Neurosciences Institute. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes WVU TV logo.","Notes: TRT=9:00. Videocassette label includes \"Produced by the Sierra Club.\"","Program(s): CBS News Sunday Morning. Network(s): CBS.","Event(s): Democratic National Convention.","Place(s): Weirton, West Virginia.","Program(s): Meet the Press. Network(s): NBC.","Notes: Videocassette label and cover indicate that cassette was distributed by C-SPAN.","Notes: Videocassette label includes \"Democratic Technology \u0026 Communications Committee\".","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover includes \"Chlopak, Leonard, Schechter\" and \"Squier/Knapp/Ochs\".","Notes: Videocassette label and cover include \"Ernst \u0026 Young\" and logo. Business card enclosed from Michael Colopy, from O'Connor \u0026 Hannan.","Network(s): NBC.","Program(s): Crossfire. Network(s): CBS, CNN.","Notes: TRT=30:00 (approximate).","Network(s): WNPB. Notes: Videocassette label includes WNPB logo.","Notes: TRT=9:30. Attached note includes \"WV Economic Development Tapes.\"","Network(s): WNPB. Notes: Videocassette label includes WNPB logo.","Network(s): WVVA-TV.","Network(s): ABC.","Network(s): KIRO-TV.","Notes: Videocassette label and cover include \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: TRT=55:48.","Notes: Business card enclosed from Jeff Kimball, Deputy Press Secretary for JDR.","Place(s): Nicholas County, West Virginia. Notes: TRT=20:00.","Place(s): Washington, D.C.","Network(s): WVVA-TV, WOAY-TV. Place(s): Fayette County, West Virginia.","Notes: Note attached to cover from Squier Knapp Dunn Communications.","Notes: Videocassette label and cover include \"Digital Generation Systems, Inc.\" and logo.","Notes: Note attached to videocassette cover includes \"Clean Tape / No visible footage\".","Notes: Videocassette label includes \"HMS Technologies, Inc.\" and logo.","Notes: TRT=14:30. Videocassette label and cover include \"Ryan-McGinn.\"","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover include \"Hitachi, LTD.\"","Network(s): West Virginia Public Television.","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover include \"Foresight Communications, Inc.\" and logo.","Network(s): WCHS-TV.","Place(s): McDowell County, West Virginia.","Notes: Business card enclosed from Ron W. Wroblewski, President, W.Va. Marine Corps Coordinating Council.","Network(s): WBOY-TV.","Network(s): Fox, WDTV-TV.","Notes: TRT=14:53. Videocassette label includes \"Alliance for Retired Americans\" and logo.","Place(s): Ravenswood, West Virginia. Notes: TRT=14:45. Videocassette label includes \"Century Aluminum.\"","Network(s): WSAZ-TV. Notes: Videocassette label includes \"For Mark Ferrell\".","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: TRT=12:45.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Notes: TRT=1:15.","Notes: Videocassette label includes U.S. Senate logo.","Notes: Videocassette cover includes \"JDR Caucus Video 6/17/97\".","Program(s): Lou Dobbs Tonight. Network(s): CNN.","Program(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS, WVSA, NBC, CBS. Notes: Programs and networks from note attached to cover.","Network(s): WDTV-TV, WBOY-TV. Place(s): Monongalia County, West Virginia.","Notes: Removed from A\u0026M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.","Place(s): Washington, D.C.","Program(s): Hardball. Network(s): MSNBC.","Place(s): Washington, D.C.","Place(s): Michigan. Notes: TRT=10:00. Videocassette label includes \"MVP Communications Inc.\"","Place(s): Washington, D.C.","Network(s): WCHS-TV, WSAZ-TV. Place(s): Kenova, West Virginia.","Network(s): Channel 13. Notes: Content information from note attached to videocassette cover.","Network(s): Fox, CNN.","Program(s): World News Tonight. Network(s): ABC.","Network(s): WOWK-TV.","Program(s): Crossfire. Network(s): CNN.","Place(s): [Huntington, West Virginia].","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Video news release, interviews, dub of state tourism film and commercials","Note on tape state: \"tape warped - will not play.\"","(1.) Bob Brunner, Skinner Highway plan interview in D.C., March 1990. \n(2) AFL-CIO dinner with Barbara Mikulski, WOWK, February 1990.\n(3) EDA grant announcement for Clalrksburg Life Sciences Center, WDTV and WBOY, September 1989.  \n(4) Murphy home health visit - WSAZ, July 1989.  \n(5) Murphy home health visit - WCHS, July 1989. \n(6) Murphy home health visits - WOWK, July 1989. \n(7) Philips Lighting announcement/ Stonewall Jackson tour, WDTV and WBOY, July 1989.  \n(8) Cabot Oil and Gas announcement, WVVA, July 1989.  \n(9.) Discover the REAL WV/ Oliver North discssion, WTRF, July 5, 1989. \n(10.) Rural health clinic press conference, New River Health Clinic, WSAZ, April 24, 1989. \n(11.) Harrison County town meeting, WBOY, WDTV, and Congressional pay raise issue, WDTV; event - senators joking (\"It costs you $75 to come here tonight; it cost me $12 million\") Good Morning America, February 1989.  \n(12.) \"Partnership for progress\" with Caperton and delegation, WOWK, January 1989; CBS evening news on trade adjustment assistance. \n(13) Fairmont firemen/ policemen \"thank you\" reception, WBOY, December 1988.  (14). EAS story, WOAY, 1988.","11:00 p.m. Channel 11 and 13. 12 p.m. (noon) channel 11.","4 negative adds: 2 Bryan, 1 Conrad, 1 Pomeroy","Time: 00:00 Governor Bill Clinton; 1:00 Congressman Tim Penny; 17:08 Senator Jay Rockefeller; 34:30 Congressman Mike Espie; 1:09:30 House Majority Whip William Gray III","JDR speaks twice - once in morning and once around 5","Film damaged","(1) Fox morning news (whole thing) JDR at 7:35 a.m. \n(2) CBS Morning News (segment only) a. summer story JDR hit. b. National Commission segment. \n(3) NBC Today (segment only) children's interview segment (no JDR). \n(4). CNN Horn?/ Cheri Hayes. \n(5) ABC World News lead story 10-15 minutes on commission. \n(6) CBS Evening news lead story. \n(7) NBC News lead story. \n(8) MacNeil/ Lehrer  \n(9). CNN Crier and co.","(1). \"Logan airport\" ABC World News Tonight, ABC/Network January 24, 1989. \n(2)  Airport congestion, Alfred Kahn, Nightly Business Report, PBS/Network, January 13, 1989. \n(3) \"Keeping congestion down at Logan,\", WCVB-TV Channel 5, Boston, December 12, 1988.","(1) David Duke dilemma, KGO Channel 7 at 6 p.m., November 17, 1991 (2). Democratic fundraiser, KCRA channel 3 at 10 p.m.","North Carolina University documentary 1986, Rockefeller comments on Japan.","1.) Trip to Olney. 2). message. 3). catastrophic care.","Groundbreaking on June 19, 1984. Construction 1984-1985. Video by Herbert W. Roush, Sr.","1). China steel/ Island Creek contract in D.C. office, 1988;  \n2). POSCo contract in Charleston with Billy Yoo, April 21, 1988; \n3). POSCO contract/ Washigton, May 13, 1988;   4.) Historic Hinton, NPS memorandum of understanding, NPS Joe Kennedy and Bob McKeard;  \n5). Press conference/ industrial extension act introduced with McCain, R-AZ, June 10, 1987;  \n6). China steel and USX D.C. contract signing, June 7, 1988; \n7). AEP mine visit/ methanol May 2, 1988","WOAY - El-Tech, 1987; WSAZ children's hospital in Charleston - Bush Tower 1989; WVAH congressional minute 8th, 9th, 10th amendment; WDTV October 14, 1988 methanol signed into law; WSAZ ARC corridors 1988; WOWK ARC corridors 1988; WCHS ARC corridors 1988; WOAY El-tech September 17, 1988, Dukakis, methanol; WOWK methanol passage 1988; WOAY El tech - def. fair 1988; WCHS white watering 1988; WOAV methanol bill, captive shippers; WVVA methanol","Tape sent to Barbra Pryor from A26 mark Ave, Follansbee, WV","1). WDTV - math/science bill. 2). WBOY/WDTV - research summit. 3). WTAE - Dee Caperton. 4). WDTV - clean air. 5). WBOY - United Mine Workers (UMW) endorsement. 6). Oliver Luck ad. 7). WBOY - Salem-Teikyo","Harriman Communications.","Testimony and Q\u0026A of Mr. Robert Harris (Berkeley)","Event(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\".","Program(s): All Things Considered. Network(s): National Public Radio.","Network(s): WWYO.","Network(s): WWYO.","Network(s): WWYO.","Place(s): Washington, D.C.","Notes: Cassette label includes \"American Focus\" and logo.","Program(s): Morning Edition. Network(s): National Public Radio.","Notes: Attached note includes \"9/20/88 Methanol tape\".","Program(s): Morning Edition. Network(s): National Public Radio.","Network(s): WJLS. Place(s): [Beckley, West Virginia].","Place(s): Washington, D.C.","Program(s): Morning Edition. Network(s): National Public Radio.","Program(s): Morning Edition. Network(s): National Public Radio.","Network(s): WJEH. Place(s): Gallipolis, Ohio. Notes: Attached note includes \"I made this copy from the original tape which WJEH gave me. You have to run through the commercials before you get to the history part. This is the first — and only to date —interview as to Senator Rockefeller's floor statement in the Congressional Record. 6/21/90 [signed] Patricia Burton\".","Network(s): WCHS. Place(s): Charleston, West Virginia.","Network(s): WCHS. Place(s): Charleston, West Virginia.","Network(s): National Public Radio.","Notes: Cassette cover includes \"Tammy Lydel, NH Register — Erin Rasmussen, KSTP, Minnesota — Melissa Berg, Kansas City Times — Don Findley, San Antonio — Ron Kanye, LA Daily News — Stewart Craig, Augusta Chronicle — Steve Harvey, Atlanta Constitution 3 Jim Gannon, Detroit News 3 Pete Leffler, Allentown Call\".","Notes: Cassette cover includes \"Leslie Balducci, Chicago Sun Times — Lester Strong, WHDH, Boston — Margaret Murphy, ABC Nightline — Maryclaire Dale, Charleston Gazette — Paul Owens, Martinsburg Morning Journal — P.J. Cameon, Clarksburg Telegram, Cindy Crigger, Williamson Daily News — Bill ST. Clair, Parkersburg Sentinel — Chris Cramer, Weirton Daily News — Bluefield Telegram, Barbara Hawkins\".","Notes: Cassette cover includes \"Todd Silberman, Fayetteville, NC News — Irene Sege, Boston Globe — Bonnie Healy, DE County Times — Lori Roberts, The State, Columbia, SC\".","Notes: Cassette cover includes \"Terri Monsour, St. Paul Pioneer Press — Marshall Kildurf, San Francisco Chronicle — Susan Page, Newsday — Dorsey Griffith, Modesto Bee\".","Place(s): Washington, D.C.","Notes: Original title overwritten with \"Clean Air 3.00 [2000/03?]\".","Place(s): Goreham, New Hampshire.","Place(s): Rye, New Hampshire.","Event(s): Claude Pepper Award. Place(s): Concord, New Hampshire.","Place(s): Concord, New Hampshire.","Place(s): Durham, New Hampshire.","Place(s): New Hampshire.","Program(s): John McLaughlin's One on One. Network(s): PBS.","Place(s): Milwaukee, Wisconsin.","Program(s): Morning Edition. Network(s): National Public Radio. Notes: TRT=8:30. Cassette label includes National Public Radio copyright.","Program(s): Hal Bruno's Washington. Network(s): ABC Radio. Notes: Cassette cover includes \"ABC Radio News\" and logo.","Program(s): The Diane Rehm Show. Network(s): WAMU, National Public Radio.","Place(s): Washington, D.C.","Notes: TRT=7:27.","Network(s): CNN. Place(s): New Hampshire.","Event(s): Presidential Health Care Forum. Place(s): New Hampshire.","Event(s): Presidential Health Care Forum. Place(s): New Hampshire.","Event(s): State of the Union response.","Notes: Business card enclosed for Joel H. Komisarow, Producer, CBS News, with contact info.","Notes: Cassette cover includes \"Not for public distribution\".","Event(s): Alabama Democratic Conference. Place(s): Alabama.","Network(s): West Virginia Public Radio.","Notes: TRT=28:30.","Program(s): Christine Craft Show. Network(s): KFBK.","Program(s): The Michael Jackson Show. Network(s): KABC. Notes: Business card enclosed for Lyle Gregory, Producer, The Michael Jackson Show, KABC TALKRADIO, with contact info.","Notes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".","Notes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".","Notes: Cassette cover includes \"'Jay' DNC-9245R :60\" and \"Greer, Margolis, Mitchell, Grunwald \u0026 Associates\".","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Network(s): KLSE/KZSE, Minnesota Public Radio. Notes: Videocassette label includes MPR logo.","Notes: TRT=1:00.","Event(s): State of the Union response.","Program(s): All Things Considered. Network(s): National Public Radio.","Notes: TRT=5:00.","Event(s): National Summit on Children and Families.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): NPR or MPR.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): Tina Trenner Show. Notes: Videocassette label includes \"Air[ed] 12/24/93\".","Network(s): National Public Radio.","Network(s): National Public Radio.","Notes: TRT=1:00:00.","Program(s): [Marketplace]. Network(s): [American Public Radio]. Notes: Cassette label and cover label differ in content.","Notes: Removed from A\u0026M 4050 III. A. PRODUCT LIABILITY, 1994 RADIO SPOT WV.","Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Network(s): WGMS.","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Program(s): Talk of the Nation. Network(s): National Public Radio.","Program(s): Talk of the Nation. Network(s): National Public Radio.","Network(s): West Virginia MetroNews.","Network(s): WEPM.","Venue(s): Wheeling Clinic, Wheeling Hospital. Place(s): Wheeling, West Virginia.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"provision in tax bill attacking Coal Miners' Health\".","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"Wellstone\".","Notes: Dates on cassette label and cover label differ.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: Removed from A\u0026M 4050 III.A. PGWS, 1996.  Cassette label includes \"Panelists: Bernard Rostker – Pentagon, Dana Priest – Washington Post, Joe Vialante – DAV, Arthur Kaplan – President's Advisory Committee.\"","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.  Cassette label includes \"Acceptance speech by incoming Alfalfa Club President.  'For He's Our President' sung by Marine Staff Sgt. Michael Ryan…Introduction by Colin Powell; John D. Rockefeller IV.\"","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): WRNR. Place(s): Morgantown, West Virginia.","Network(s): WRNR. Place(s): Morgantown, West Virginia.","Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Network(s): West Virginia Public Radio. Notes: TRT=6:05.","Notes: TRT=30:00.","Program(s): The Diane Rehm Show. Network(s): National Public Radio. Notes: TRT=60:00.","Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Notes: TRT=30:00.","Notes: TRT=30:00.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): WSTV, WRKY, WTRF-TV.","Notes: TRT=20:00 (approximate).","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia Public Radio.","Network(s): National Public Radio. Notes: TRT=11:00 (approximate).","Notes: TRT=1:00.","Notes: Attached note includes \"Make audio dub of Sen. Rock[efeller] feed!\".","Notes: Cassette label includes \"Medical Group Management Association\" and logo.","Notes: Title from handwriting on cassette cover.","Event(s): State of the Union address. Place(s): Washington, D.C.","Place(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".","Place(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Place(s): Clarksburg, West Virginia.","Place(s): Clarksburg, West Virginia.","Venue(s): Wetzel County Hospital. Place(s): Wetzel County, West Virginia.","Place(s): Pleasants County, West Virginia; Hancock County, West Virginia; Wetzel County, West Virginia;.","Network(s): WTRF-TV. Place(s): Hancock County, West Virginia.","Place(s): Boone County, West Virginia.","Place(s): Charleston, West Virginia.","Place(s): Huntington, West Virginia.","Place(s): Benwood, West Virginia.","Place(s): Martinsburg, West Virginia.","Network(s): West Virginia MetroNews.","Network(s): WSTV.","Network(s): WSTV. Place(s): Steubenville, Ohio.","Place(s): [Charleston, West Virginia].","Network(s): West Virginia Public Radio.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Place(s): Fairmont, West Virginia; Parkersburg, West Virginia.","Network(s): West Virginia MetroNews.","Place(s): Parkersburg, West Virginia.","Place(s): Wheeling, West Virginia.","Network(s): ABC.","Network(s): WETA.","Network(s): NBC.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Place(s): Beckley, West Virginia; Clarksburg, West Virginia; Parkersburg, West Virginia.","Network(s): West Virginia MetroNews.","Network(s): NBC, CNN.","Network(s): West Virginia MetroNews, Fox, NPR.","Network(s): CNN.","Network(s): Fox.","Network(s): West Virginia MetroNews.","Notes: Title and date from note attached to cover.","Notes: TRT=5:00.","Place(s): Newell, West Virginia. Notes: Business card attached to Betacam cover for Jerry Hughes, President, Hughes Television Productions, Inc.","Notes: Betacam label and cover include \"Squier/Knapp/Ochs\".","Program(s): Sarbanes Show.","Place(s): Washington, D.C. Notes: TRT=40:00.","Place(s): Washington, D.C. Notes: TRT=35:22.","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia. Notes: Betacam label includes \"Master\".","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.","Notes: Betacam cover includes \"Master Beta Copy\".","Notes: TRT=15:00.","Notes: TRT=15:00.","Notes: TRT=4:34.","Place(s): Wheeling, West Virginia.","Notes: Betacam label includes \"Edited Master\" and \"Stereo\".","Program(s): On the Record. Notes: TRT=21:00.","Program(s): On the Record. Notes: TRT=30:00.","Notes: Betacam label includes \"Daschle, Lautenberg, Rockefeller, Graham, Mosley, Braun\".","Place(s): Ripley, West Virginia.","Place(s): Ripley, West Virginia. Notes: Betacam label includes \"B-roll and WV interviews (RAW)\".","Notes: TRT=5:00.","Notes: TRT=10:10.","Venue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=6:00.","Venue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=5:10.","Place(s): [Buffalo, West Virginia].","Place(s): Buffalo, West Virginia.","Place(s): Buffalo, West Virginia.","Notes: TRT=32:00. Videocassette label includes \"B-roll — campaign kickoff 2002, footage from 1996 of veteran \u0026 miner, Toyota plant footage 1/26/01.\"","Notes: Betacam label includes \"Master\" and \"The Washington Bureau\" with contact info.","Notes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Place(s): [Buffalo, West Virginia].","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Betacam cover includes \"Master\".","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Note attached to Betacam cover includes \"Chris, when you get a chance, please convert this into a digital file so Neysa can put it on our web site. Thanks, Allen Mattison\".","Notes: TRT=8:00.","Notes: Betacam label includes \"Oglebay Resort — 500 dubs with logo — cut aways — interviews\".","Venue(s): Ohio County Airport, Wheeling Senior Center. Place(s): Wheeling, West Virginia.","Notes: TRT=15:00.","Notes: Betacam label includes \"Democratic Technology \u0026 Communications Committee — Senator Tom Daschle, Democratic Leader — Senator Jay Rockefeller, Chairman\" and U.S. Senate logo.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Notes: Betacam label includes U.S. Senate logo.","Notes: TRT=1:56.","Place(s): Mercer County, West Virginia; McDowell County, West Virginia.","Venue(s): Toyota auto plant. Place(s): Buffalo, West Virginia.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Betacam label includes \"10:00 AM - 11:30 AM\".","Venue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia. Notes: Event program and business card for Joseph Webb, II, Interim Manager, WVU Television Productions, enclosed.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=34:00.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=1:30:00.","Notes: TRT=1:00:00. Betacam label and cover include \"Master\" and \"Motion Masters, Inc.\" Business card enclosed from Mark Ferrell, Press Secretary for JDR.","Notes: TRT=8:00.","Place(s): Washington, D.C. Notes: TRT=5:00.","Notes: TRT=21:00.","Notes: TRT=21:05.","Notes: Betacam label includes St. Louis Rams logo.","Notes: TRT=4:00.","Notes: TRT=17:00.","Venue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=12:12.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=7:21.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=5:44.","Notes: TRT=10:26.","Event(s): United States Senate Committee on Veterans' Affairs hearing; United States Senate Committee on Armed Services. Place(s): Washington, D.C. Notes: TRT=7:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=24:37.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=19:10.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=20:00. Videocassette label includes \"10:50A-11A \u0026 2:42P-2:52P\".","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=53:35.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=13:52.","Venue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Event(s): Children's Commission Summit. Notes: Betacam label includes \"I. Rebuilding Caring Communities, II. Great Beginnings — Supporting Young Children and their Families, III. Educating America — Improving Schooling and the Transition to Work, IV. Creating a Culture of Responsibility for Children, Youth, \u0026 Families\".","Notes: TRT=8:30. Betacam label includes \"Credit — Children's Action Network\". Business card attached to Betacam cover for Jennifer Perry, Executive Director, with contact info.","Notes: TRT=0:45.","Notes: Title from note attached to cover.","Notes: Betacam label includes \"Democratic Technology \u0026 Communications Committee\" and logo.","Notes: TRT=20:06.","Notes: DVD label and cover include \"Senate Democratic Communications Center\".","Notes: TRT=38:00.","Notes: DVD cover includes \"Friday Night — Saturday — Tatsuo Ikenaga — Shigehiko Ikenaga — Lloyd Ayers — Cathy Davis — Shigeji Ikenaga — White Water — Country Roads.\" Business cards enclosed from Someday Video Productions.","Notes: TRT=53:00. DVD label includes \"START 6:10pm - STOP 7:03pm.\"","Notes: TRT=3:39:00. DVD label includes \"START 9:25am - STOP 1:04pm.\"","Notes: TRT=3:55:00. DVD label includes \"START 2:15pm - STOP 6:10pm.\"","Program(s): Lou Dobbs Tonight, NBC Nightly News. Network(s): CNN, NBC.","Program(s): O'Reilly Factor. Network(s): Fox, CNN, NBC.","Program(s): CBS Evening News, Face the Nation. Network(s): CBS.","Program(s): CBS Evening News, Face the Nation. Network(s): CBS, Fox.","Program(s): CBS News Sunday Morning. Network(s): CBS.","Program(s): Lou Dobbs Tonight, The Situation Room. Network(s): CNN.","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC.","Notes: TRT=30:00.","Network(s): A\u0026E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.","Network(s): A\u0026E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.","Program(s): Countdown with Keith Olbermann. Network(s): Fox, CNN.","Program(s): Biography. Network(s): A\u0026E.","Program(s): Lou Dobbs Tonight. Network(s): MSNBC, CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=22:29.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:15:00. DVD label includes \"2:30 - 5:45 pm.\"","Program(s): Late Edition with Wolf Blitzer. Network(s): CNN.","Program(s): Hardball. Network(s): MSNBC. Place(s): Washington, D.C.","Program(s): The Situation Room. Network(s): CNN.","Network(s): WDTV-TV, WVNS-TV. Place(s): Bridgeport, West Virginia; Monongalia County, West Virginia; Beckley, West Virginia; Raleigh County, West Virginia.","Network(s): WTAP-TV. Place(s): Parkersburg, West Virginia.","Network(s): Fox.","Notes: TRT=13:30.","Notes: TRT=13:30.","Network(s): WCHS-TV. Place(s): Charleston, West Virginia.","Network(s): WSAZ-TV. Notes: TRT=1:03.","Network(s): WCHS-TV. Place(s): Webster County, West Virginia.","Network(s): MSNBC, CNN, ABC.","Network(s): CNN, MSNBC.","Network(s): CNN.","Network(s): MSNBC, CNN.","Network(s): CNN.","Place(s): Braxton County, West Virginia.","Program(s): Dateline NBC. Network(s): NBC.","Network(s): KDKA-TV, WCHS-TV, WOWK-TV, WVAH-TV, WVVA-TV, WTOV-TV, WTRF-TV, WBOY-TV, WDTV-TV. Notes: Broadcast schedule enclosed.","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Program(s): Hardball. Network(s): MSNBC.","Network(s): West Virginia Public Broadcasting.","Network(s): West Virginia Public Broadcasting.","Network(s): West Virginia Public Broadcasting.","Program(s): Charlie Rose, Countdown with Keith Olbermann, This Week. Network(s): PBS, MSNBC, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Countdown with Keith Olbermann, The Ed Show, The Situation Room, Hardball. Network(s): MSNBC, CNN.","Program(s): The Situation Room. Network(s): CNN.","Notes: TRT=13:20.","Notes: TRT=4:30.","Notes: TRT=4:10.","Program(s): Face the Nation. Network(s): CBS.","Place(s): Washington, D.C. Notes: TRT=22:00.","Notes: TRT=6:30.","Notes: TRT=3:30.","Notes: TRT=6:30.","Notes: TRT=7:15.","Notes: TRT=4:40.","Notes: TRT=6:50.","Notes: TRT=5:21.","Notes: TRT=2:30.","Notes: TRT=2:30.","Notes: TRT=2:55.","Notes: TRT=4:00.","Notes: TRT=3:00.","Notes: TRT=1:30.","Place(s): Washington, D.C. Notes: TRT=25:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=3:00.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=6:00.","Notes: TRT=4:11.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to letter (enclosed with 4050_xdc_0001 through 4050_xdc_0004) from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, this DVD contains the final version that was broadcast.","Network(s): C-SPAN. Notes: TRT=30:00.","Place(s): Washington, D.C.","Notes: TRT=7:00.","Notes: TRT=7:00.","Program(s): The Rachel Maddow Show. Network(s): MSNBC.","Notes: TRT=7:44.","Program(s): Charlie Rose. Network(s): PBS.","Notes: Includes DVD booklet.","Notes: TRT=11:30.","Network(s): A\u0026E.","Network(s): A\u0026E.","Place(s): Montcoal, West Virginia.","Network(s): WCHS-TV. Notes: Cassette label includes \"Beckley News Bureau\".","Program(s): Hello VIP. Network(s): Ch. 12 TV Tokyo. Place(s): Tokyo, Japan. Notes: Includes note to David Owens, from Yuichi Watanabe, Nikkei Visual Images, Inc., dated 1988/09/20.","Place(s): Minden, West Virginia.","Place(s): New Hampshire.","Place(s): Rainelle, West Virginia.","Place(s): Rainelle, West Virginia; Cabin Creek, West Virginia.","Place(s): Martinsburg, West Virginia.","Place(s): Martinsburg, West Virginia.","Notes: U-matic cassette and cover label include \"Raw\".","Notes: Attached business card from Mary Berecky, Anchor-Reporter, WDTV-5.","Notes: TRT=0:53.","Network(s): WSAZ-TV.","Network(s): WMUR-TV. Place(s): New Hampshire.","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: A compilation of Christmas songs.","Network(s): West Virginia Public Radio, National Public Radio.","Program(s): Talkline. Network(s): West Virginia MetroNews. Notes: Enclosed note includes \"Audio CD\".","Notes: Classical music track-list enclosed.","Program(s): All Things Considered. Network(s): West Virginia Public Radio, National Public Radio.","Notes: Note attached to cover includes \"Masters\".","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Notes: Removed from Box 129 (Downtown moved to Depot). Sticky note attached to case includes \"Found in Rachel's old desk. Should be archived.\"","Network(s): WTRF-TV, WCHS-TV, WTAP-TV, WOWK-TV.","The Clippings series contains newspaper clippings—original newsprint as well as photocopies—compiled by Senator Rockefeller's staff for distribution to the Senator and other staff members. Clippings primarily span Rockefeller's tenure in the U.S. Senate, but some clippings date to his second term as governor of West Virginia. Staff compiled clippings about the day's events and also maintained clippings that mentioned Rockefeller. Most of the clippings are arranged by topic, publication, or date range. Clippings within files arranged by topic or publication generally are ordered chronologically.  Some clippings arranged by date range are divided into morning and afternoon clippings, and these often are accompanied by indexes (tables of contents).  Finally, some files separate clippings created by West Virginia media from clippings created by national outlets. ","Beginning in approximately 2001, the staff began collecting clippings primarily from online news sources and wire services. Staff in the Washington, D.C. office maintained these digital clippings in the press files of the office's centralized shared drive. ","Digital file: Part 1 of 5 (Part 1)","Digital File: Part 1 of 5 (Part 2)","Digital File:  Part 2 of 5 (part 1)","Digital File:  Part 2 of 5 (part 1)","Digital File:  Part 2 of 5 (part 2)","Digital File:  Part 3 of 5 (part 1)","Digital File:  Part 3 of 5 (parts 1 and 2)","Digital File:  Part 3 of 5 (part 2), Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 2)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","The Websites and Social Media series contains files used to create Senator Rockefeller's congressional website and archived versions of his congressional website, YouTube page, Facebook page, and Twitter feed. The 2008 and 2011 congressional website files were maintained by press staff. The 2014 archived website and social media files were captured using Hanzo Archives and ArchiveSocial in May-June 2014.","The Legacy Memos series includes 12 memos compiled by staff members in 2013 and 2014 following the Senator's announcement that he would retire from Congress. The Memos provide a comprehensive overview of Senator Rockefeller's service and accomplishments in several important issue areas in which he worked during his 30-year career in the U.S. Senate, as well as during his time as Governor of West Virginia, 1977-1985. They highlight major initiatives and legislation, such as the Children's Health Insurance Program (CHIP); treatment of service related illnesses, such as Gulf War Illness; the Coal Act of 1992; the Public Safety Spectrum Act; and many others.","The Memorabilia Subgroup contains plaques, awards, framed items, and other gifts given to Senator Rockefeller throughout his Senate career. Several foreign gifts from Asian countries are included. Some materials can also be found in the Awards and Honors series, which contains honorary degrees, awards, and medals.","#84 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.","#175 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.","Drawing has signatures and notes surrounding it.","The beret features a flash patch with a standard blue with white stars. In the center is a enamel pin featuring a vertical arrow with two medals on either sides. The medals have red ribbons and the medals are blue with a star in the center.","Blueprints created by Diamond Group Inc., Odessa, Deleware.","Posters feature the U.S. Steel Tower, Hays Mine Treatment Plant, E. H. Aldrich Station, Omni William Penn Hotel, Duquesne Light Company, and David Lawrence Convention Center.","Note on back reads: \"To one among a new person who helped her. From Yen, Ling Hsing, 90 years old.\"","Presented by Americorps VISTA","Award honoring members of congress who have made substantial contributions in support of the United States Coast Guard.","In recognition of Rockefeller's advocacy on behalf of West Virginia consumers, workers, and their families and his efforts to protect our nations civil justice system.","For Rockefeller's efforts in the Second Session of the 108th Congress to strengthen American's health centers and preserve access to vital health care services for more than 15 million uninsured and medically underserved Americans.","Presented in grateful recognition of his contribution to the well-being of America's veterans as a member of the United States Senate","Two Toyota Pistons with Toyota and West Virginia gold labels.","Vase is blue and green. The green is on the bottom and comes up like flames to the top.","Given in recognition for his support of Wheeling-PIttsburgh Steel and its employees.","Image is in a flat greenish-yellow cloth covered box with flowers on it.","In recognition of unwavering support of a constitutional amendment to protect the flag from physical desecration.","For recognition of your outstanding personal contribution to the Americans for whom, on May 20, 1988, President Ronald Regan signed the Radiation Exposed Veterans Compensation Act.","Presented at the national forum: \"Strong Families for Strong Communities\".","Presented by the National Association of Community Health Centers.","Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. ","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center. ","John Davison (Jay) Rockefeller IV (b. 1937) represented West Virginia in the United States Senate for five terms. He was elected as a Democrat to the Ninety-ninth Congress and served from January 15, 1985, to January 3, 2015. He was not a candidate for reelection in 2014. Rockefeller previously served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); president of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). From 1964-1966, he was a volunteer in the Volunteers In Service To America (VISTA) program in Emmons, West Virginia. The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","United States. Congress. Senate. Committee on Commerce","United States. Congress. Senate. Select Committee on Intelligence","United States. Congress. Senate. Committee on Veterans' Affairs","United States. Congress. Pepper Commission","United States. National Commission on Children","Rockefeller, John D., IV (John Davison), 1937-","Rockefeller, Sharon Percy, 1944-","English \n.    "],"unitid_tesim":["A\u0026M 4050","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1"],"normalized_title_ssm":["Senator John D. (Jay) Rockefeller IV papers"],"collection_title_tesim":["Senator John D. (Jay) Rockefeller IV papers"],"collection_ssim":["Senator John D. (Jay) Rockefeller IV papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","National security","West Virginia -- Politics and government","United States -- Politics and government","Democratic Party"],"geogname_ssim":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","National security","West Virginia -- Politics and government","United States -- Politics and government","Democratic Party"],"creator_ssm":["Rockefeller, John D., IV (John Davison), 1937-"],"creator_ssim":["Rockefeller, John D., IV (John Davison), 1937-"],"creator_persname_ssim":["Rockefeller, John D., IV (John Davison), 1937-"],"creators_ssim":["Rockefeller, John D., IV (John Davison), 1937-"],"places_ssim":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","National security","West Virginia -- Politics and government","United States -- Politics and government","Democratic Party"],"access_terms_ssm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. ","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center. "],"acqinfo_ssim":["Gift of Senator John D. (Jay) Rockefeller IV, 2014-2015"],"access_subjects_ssim":["United States. Congress -- History -- 20th century","United States. Congress -- Archives","Steel industry and trade","Wireless communication systems -- Law and legislation","Child welfare","Coal miners--West Virginia","Veterans--United States","Health care reform -- United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States"],"access_subjects_ssm":["United States. Congress -- History -- 20th century","United States. Congress -- Archives","Steel industry and trade","Wireless communication systems -- Law and legislation","Child welfare","Coal miners--West Virginia","Veterans--United States","Health care reform -- United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["2011 Linear Feet record cartons","2 Terabytes"],"extent_tesim":["2011 Linear Feet record cartons","2 Terabytes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the Senator John D. (Jay) Rockefeller IV papers are closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion. \u003c/p\u003e\n","\u003cp\u003eMaterials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research. \u003c/p\u003e\n","\u003cp\u003eThe collection is stored off-site. Researchers should contact the West Virginia \u0026amp; Regional History Center prior to visiting to ensure materials are available. \u003c/p\u003e\n","\u003cp\u003eSome digital materials are available online at https://rockefeller.lib.wvu.edu/.\u003c/p\u003e","\u003cp\u003eThe Constituent Services Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.\u003c/p\u003e","\u003cp\u003eThe Legislative Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.\u003c/p\u003e","\u003cp\u003eThe Press Staff Files series is closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion.\u003c/p\u003e","\u003cp\u003eSpeeches and statements can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003ePress releases can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003eThe Photographs series can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003eAccess to audiovisual items may be arranged in the West Virginia \u0026amp; Regional History Center reading room depending on the format. Advance notice is required.\u003c/p\u003e","\u003cp\u003eClippings are available digitally as PDFs and can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003eWebsites and social media can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003eThe Legacy Memos series is available online at https://rockefeller.lib.wvu.edu/.\u003c/p\u003e","\u003cp\u003eThe Office Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The majority of the Senator John D. (Jay) Rockefeller IV papers are closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion. ","Materials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research. ","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available. ","Some digital materials are available online at https://rockefeller.lib.wvu.edu/.","The Constituent Services Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The Legislative Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The Press Staff Files series is closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion.","Speeches and statements can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Press releases can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","The Photographs series can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Access to audiovisual items may be arranged in the West Virginia \u0026 Regional History Center reading room depending on the format. Advance notice is required.","Clippings are available digitally as PDFs and can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Websites and social media can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","The Legacy Memos series is available online at https://rockefeller.lib.wvu.edu/.","The Office Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged into six subgroups, and each subgroup is further arranged into series. Digital materials received on external hard drives, USB flash drives, floppy disks, CDs, and DVDs are arranged in the appropriate series and reflect the arrangement of the paper records.\u003c/p\u003e","\u003cp\u003eThis series is arranged chronologically with undated materials listed last. The \"Miscellaneous\" speeches are not in chronological order; they originally were bound in a volume and have been described together.\u003c/p\u003e","\u003cp\u003eThis series is arranged chronologically.\u003c/p\u003e","\u003cp\u003ePhotographs are organized chronologically. Undated photographs are located at the end of the series.\u003c/p\u003e","\u003cp\u003eThe Audiovisual Materials series is arranged by format and then arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe Clippings series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe Websites and Social Media series is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The papers are arranged into six subgroups, and each subgroup is further arranged into series. Digital materials received on external hard drives, USB flash drives, floppy disks, CDs, and DVDs are arranged in the appropriate series and reflect the arrangement of the paper records.","This series is arranged chronologically with undated materials listed last. The \"Miscellaneous\" speeches are not in chronological order; they originally were bound in a volume and have been described together.","This series is arranged chronologically.","Photographs are organized chronologically. Undated photographs are located at the end of the series.","The Audiovisual Materials series is arranged by format and then arranged chronologically.","The Clippings series is arranged chronologically.","The Websites and Social Media series is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eSenator John Davison (Jay) Rockefeller IV served the people and state of West Virginia for more than 50 years. Rockefeller came to West Virginia in 1964 as a VISTA volunteer in the small community of Emmons, an experience that shaped his extensive career in public service. He served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); President of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). In 1984 he was elected to the United States Senate and was reelected four times, in 1990, 1996, 2002, and 2008, before retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eJay Rockefeller was born in New York, New York, on June 18, 1937, to philanthropists John Davison Rockefeller III and Blanchette Ferry Hooker. He is the great-grandson of John D. Rockefeller, founder of the Standard Oil Company, and nephew of businessman and politician Nelson Aldrich Rockefeller. Jay Rockefeller graduated from Phillips Exeter Academy, New Hampshire, in 1955, and graduated from Harvard University in 1961 with a B.A. in Far Eastern Languages and History. In his junior year at Harvard, he attended the International Christian University in Tokyo, Japan, and he spent three years studying Japanese.\u003c/p\u003e\n","\u003cp\u003eIn 1964, Rockefeller joined the newly formed national service program Volunteers In Service to America (VISTA) aimed at fighting poverty. He served in Emmons, WV, a small mining community located in Boone and Kanawha Counties, for two years. His efforts in Emmons included starting a Little League baseball team, extending school bus service to the rural area, and providing transportation to dental clinics. He built a community center and obtained access to mobile health screenings for women.\u003c/p\u003e\n","\u003cp\u003eRockefeller entered politics in 1966 as a Kanawha County candidate for the West Virginia House of Delegates. He changed his party affiliation to Democrat, breaking with the family's traditional affiliation with the Republican Party.\u003c/p\u003e\n","\u003cp\u003eIn 1967, Rockefeller married Sharon Lee Percy, daughter of U.S. Senator Charles Percy of Illinois. Their Chicago wedding was featured on the cover of Life magazine. They had four children: John Davison (Jamie) V, Valerie, Charles, and Justin Aldrich.\u003c/p\u003e\n","\u003cp\u003eHe ran for West Virginia Secretary of State in 1968, winning the election against Republican John Callebs. As Secretary of State, Rockefeller pushed for election law reform and broke up several county Democratic political machines. He was successful in making elections more transparent and in reducing instances of election fraud by removing the names of deceased people from the state's official list of registered voters.\u003c/p\u003e\n","\u003cp\u003eRockefeller announced his candidacy for governor of West Virginia in 1972 against incumbent Republican Governor Arch Moore. Moore won reelection by 72,000 votes.\u003c/p\u003e\n","\u003cp\u003eWithin months of his defeat, Rockefeller was named president of West Virginia Wesleyan College, located in Buckhannon, WV. Some of his biggest accomplishments include increasing enrollment, creating an active recruitment campaign, and streamlining operations. He submitted a letter of resignation to the College in 1975 to prepare for the next gubernatorial election, for which he campaigned throughout 1976.\u003c/p\u003e\n","\u003cp\u003eRockefeller's second run for governor was successful: he beat Republican candidate Cecil Underwood by more than 242,000 votes, the largest majority in state history. Natural disaster, strikes, and a worsening economy posed serious challenges during his years as governor. In the spring of 1977, major spring floods in the southern West Virginia counties of McDowell, Wayne, Logan, and Ming wiped entire towns away, and made safe housing above flood plains a focus of Rockefeller's administration.\u003c/p\u003e\n","\u003cp\u003eThe same year saw the beginning of the 111-day national Bituminous Coal Strike of 1977-1978 led by the United Mine Workers of America (UMWA) and the AFL-CIO. Rockefeller refused to call upon the National Guard to suppress the miners' strike. At its conclusion, President Jimmy Carter appointed Rockefeller to lead the first major federal study of coal mining in America in three decades. Rockefeller served as chair of the President's Commission on Coal and pushed for a national energy strategy that included Appalachian coal. He also created the West Virginia Board of Coal Mine Health and Safety, reorganized state agencies, and set up senior centers statewide.\u003c/p\u003e\n","\u003cp\u003eIn 1980, Rockefeller ran for a second term as governor, again facing Republican Arch Moore, and won by 64,000 votes. Rockefeller faced another challenging four years and worked to maintain the state's economy as the federal government cut funding in the midst of an economic downturn, industries struggled to remain open, and unemployment rates across the state rose.\u003c/p\u003e\n","\u003cp\u003eAt the end of his governorship, Rockefeller ran for the United States Senate as a Democrat against businessman John Raese of Morgantown, WV. Rockefeller won the 1984 election by four percentage points and went on to fill the seat left vacant after long-time Senator Jennings Randolph retired.\u003c/p\u003e\n","\u003cp\u003eRockefeller began his service in the U.S. Senate on January 15, 1985, and served until 2015. He became a leading champion for health care reform, an advocate for improving the lives of children and working families, and a supporter of the nation's soldiers, veterans, and senior citizens. He served as chair of the Committee on Veterans Affairs (1993-1994, 2001-2003); the Select Committee on Intelligence (2007-2009); the Committee on Commerce, Science, and Transportation (2009-2015); and the Committee on Finance Subcommittee on Medicare and Long-term Care (1989-1994, 2001-2003, 2007-2014). He also served as vice-chair of the Select Committee on Intelligence (2003-2006).\u003c/p\u003e\n","\u003cp\u003eHe held additional leadership positions as chairman on the Pepper Commission (1987-1990), the U.S. Senate Steel Caucus (1989-1994, 2013-2015, co-chair 1995-2013), the National Commission on Children (1989-1993), and the Democratic Technology and Communications Committee (1995-2003). He was also a member of several Senate groups, including the Steering Committee on Democratic Policy, the Alternative Fuels Council, and the Coal Caucus.\u003c/p\u003e\n","\u003cp\u003eInfluenced by his two years in Emmons, WV, Rockefeller championed health care issues, and health care reform throughout his Senate career. He supported measures to improve and modernize Medicare, expand access to health care, and increase health coverage for children, authoring the Children's Health Insurance Program (CHIP). He introduced and co-sponsored more than 2,000 pieces of major health-related legislation and provided leadership and policy on health care reform for both the Clinton and Obama administrations. During the latter, he contributed to the successful passage of the Affordable Care Act and was a proponent of providing people with a not-for-profit insurance company backed by the government, commonly known as a public option.\u003c/p\u003e\n","\u003cp\u003eHe was appointed to the Senate Finance Committee and its Subcommittee on Medicare and Long-term Care (later known as the Subcommittee on Health Care) in 1987 and served as chairman of the Subcommittee and ranking member until his retirement. In 1987, he also was elected chair of the U.S. Bipartisan Commission on Comprehensive Health Care, also known as the Pepper Commission, when the commission's original leader, Representative Claude Pepper (D-FL), passed away. The Commission was charged with developing legislation that would provide Americans with comprehensive health and long-term care coverage.\u003c/p\u003e\n","\u003cp\u003eIn recognition of his contributions to improving the wellbeing of children and families and supporting education, in 1988, President Ronald Reagan appointed Rockefeller chair of the National Commission on Children. Recommendations made by the Commission centered on the creation of a Child Tax Credit, expansion of the Earned Income Tax Credit, and improvement to the federal approach to child welfare. As a member of the Finance Committee, he worked on the tax code to provide better financial support to the middle class and working poor. He sought to toughen child support enforcement laws, improve federal adoption and foster care services, and ensure a safe environment for children in the child welfare system with educational programs aimed at substance abuse prevention and treatment. He also worked for renewed investment in schools, school construction, and teachers, particularly those located in rural and impoverished areas.\u003c/p\u003e\n","\u003cp\u003eSenator Rockefeller was an advocate for veterans' issues, serving on the Veterans' Affairs Committee for the entirety of his Senate career and acting as both chair and ranking minority member. He especially focused on expanding research and treatment for service-related illnesses, such as Gulf War Illness, Agent Orange, and issues relating to Atomic Veterans. He brought attention to treatment of Post-Traumatic Stress Disorder (PTSD) and the reform of the Veterans Affairs (VA) health care system.\u003c/p\u003e\n","\u003cp\u003eThroughout his time in the Senate, Rockefeller was deeply involved with issues related to energy, the environment, coal miners, and mine safety. The first bill Rockefeller introduced in the Senate in 1985 was legislation intended to reduce the backlog of pending black lung cases, and he consistently worked to preserve the Black Lung Trust Fund while protecting coal jobs.\u003c/p\u003e\n","\u003cp\u003eIn 1992, he introduced the Coal Act to ensure retired miners received health benefits, and he threatened to keep the Senate in session over Christmas if they refused to pass the bill, which he described as a peak moment in his career. The Coal Act was passed as part of the Energy Policy Act of 1992, creating two new health care funds to protect the health benefits of all union coal miners, along with their widows and dependents. In 1995, the UMWA named him an honorary member, a distinction rarely bestowed on an elected official, because of his efforts on behalf of miners.\u003c/p\u003e\n","\u003cp\u003eFollowing the January 2006 West Virginia Sago and Aracoma mine disasters, which together led to the deaths of 14 men, Rockefeller brought several senators from the Health, Education, Labor, and Pensions (HELP) Committee to meet with families of the Sago mine workers. Rockefeller then joined Committee Chair Senator Mike Enzi (R-WY) and Ranking Member Senator Ted Kennedy (D-MA) in drafting the MINER Act, which was signed into law in June 2006, establishing important new mine safety regulations.\u003c/p\u003e\n","\u003cp\u003eSenator Rockefeller served on the Senate Select Intelligence Committee, 2001-2014, during critical and difficult years for the SSCI and the intelligence community. In January 2001, then-Democratic leader Tom Daschle (D-SD) appointed Rockefeller to the Committee. Eight months later the September 11, 2001, terrorist attacks occurred. In the months following the attacks, the United States launched operation Enduring Freedom in Afghanistan, and in March 2003, invaded Iraq. These events changed the nature and conduct of intelligence oversight. During Rockefeller's tenure on the committee, and particularly during his time as vice chairman and chairman, he made significant contributions in key areas, including the 9/11 investigation; the Iraq War and flawed intelligence on weapons of mass destruction; intelligence community reform; surveillance oversight and reform; the CIA's detention and interrogation program; cybersecurity; and the intelligence authorization process. \u003c/p\u003e\n","\u003cp\u003eRockefeller also made significant contributions to communications policy. He co-authored the Universal Service Program for Schools and Libraries, known as E-Rate, which was authorized as part of the Telecommunications Act of 1996, making telecommunications and information services more affordable for schools and libraries. In 2010, Rockefeller introduced the Public Safety Spectrum Act, which created FirstNet, a nationwide wireless broadband network for the nation's first responders. It was signed into law as part of the Middle Class Tax Relief and Job Creation Act of 2012. He also supported net neutrality protections to keep the Internet open and free, and in 2011, he successfully led the Senate Floor against a resolution of disapproval of net neutrality rules.\u003c/p\u003e\n","\u003cp\u003eHe also championed the steel industry in West Virginia and the nation, earning him the nickname \"Senator Steel.\" Much of his work, launched largely through his position as co-chair of the Senate Steel Caucus, focused on providing income support and job training to laid-off employees and their families through Trade Adjustment Assistance (TAA), working with individual steel companies to mitigate the effects of closure and downsizing, and intervening in steel employee strikes. As a member of both the Committee on Commerce, Science, and Transportation, and the Committee on Finance, Rockefeller also addressed concerns about American manufacturing; trade protections and relief for workers negatively impacted by trade; and tax credits supporting research and development and encouraging businesses to build and expand.\u003c/p\u003e\n","\u003cp\u003eFor the state of West Virginia, Senator Rockefeller made jobs and economic development a priority. In 1988 he founded the Discover the Real West Virginia Program (DRWV), later formalized as the Discover the Real West Virginia Foundation, which showcased business and investment opportunities in West Virginia. He launched the \"Project Harvest\" trade mission in 1995 to bring state and international business leaders and investors together. Rockefeller's early experiences in Japan and knowledge of the language and culture aided in attracting the Toyota company to the state, resulting in the opening of the Buffalo, WV, plant in 1996. In the ensuing years, more than 20 other Japanese companies followed. Further, he encouraged the growth of the West Virginia tourism and travel industry through legislation that conserved lands, designated scenic areas, and promoted better transportation infrastructure.\u003c/p\u003e\n","\u003cp\u003eIn January 2013, Senator Rockefeller announced that he would not seek reelection. In his retirement announcement, he reflected that \"public service demands, and deserves nothing less than every single thing that you have to bring to bear, and that is what I have given.\" As he prepared to leave the Congress in December 2014, his Senate colleagues offered tributes on the Senate Floor recognizing his impressive legislative record, distinguished career, and legacy of compassionate and conscientious service.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eGrimes, Richard S. \"Jay Rockefeller.\" The West Virginia Encyclopedia. http://www.wvencyclopedia.org/articles/110\u003c/p\u003e\n","\u003cp\u003eJay: A Rockefeller's Journey. Produced by Suzanne Higgins and Russ Barbour. 2015. Online video. West Virginia Public Broadcasting. http://video.wvpublic.org/video/2365511585/\u003c/p\u003e\n","\u003cp\u003e\"A Record of Achievement for West Virginia: Energy and Environment Issues (Legacy on Energy, Environment and Coal Miners),\" 2014 May 30, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"Review of Senator John D. Rockefeller's Service on the Senate Select Committee on Intelligence: 2001-2015,\" 2014 December 17, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries. \u003c/p\u003e\n","\u003cp\u003e\"Rockefeller, John Davison IV (Jay), (1937 - ).\" Biographical Directory of the United States Congress, 1774-present. http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000361\u003c/p\u003e\n","\u003cp\u003e\"Senator Jay Rockefeller Retirement Announcement.\"  2013 January 11, 2013. Online video clip. C-SPAN. http://www.c-span.org/video/?310340-1/senator-jay-rockefeller-retirement-announcement\u003c/p\u003e\n","\u003cp\u003e\"Senator Rockefeller's Health Care Accomplishments: 99th-113th Congress Memorandum,\" 2014, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"Tributes to John D. Rockefeller.\" 2014 December 4. Congressional Record 160:147 p. S6343. Congress.gov.\nhttps://www.congress.gov/crec/2014/12/04/CREC-2014-12-04-pt1-PgS6343-2.pdf\u003c/p\u003e\n","\u003cp\u003e\"Veterans' Legacy Memorandum,\" 2014 April 11, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\n \n\"West Virginia Wesleyan College Legacy Memorandum,\" 2014 October, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"A Record of Achievement for West Virginia: Diversifying West Virginia's Economy for the 21st Century (Your Legacy Memo on Jobs and Economic Growth in West Virginia),\" 2014, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"Your Legacy on FirstNet – Public Safety Spectrum Act,\" 2014 October 24, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"Your Legacy on Net Neutrality,\" 2014 October 3, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Senator John Davison (Jay) Rockefeller IV served the people and state of West Virginia for more than 50 years. Rockefeller came to West Virginia in 1964 as a VISTA volunteer in the small community of Emmons, an experience that shaped his extensive career in public service. He served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); President of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). In 1984 he was elected to the United States Senate and was reelected four times, in 1990, 1996, 2002, and 2008, before retiring in 2015.","Jay Rockefeller was born in New York, New York, on June 18, 1937, to philanthropists John Davison Rockefeller III and Blanchette Ferry Hooker. He is the great-grandson of John D. Rockefeller, founder of the Standard Oil Company, and nephew of businessman and politician Nelson Aldrich Rockefeller. Jay Rockefeller graduated from Phillips Exeter Academy, New Hampshire, in 1955, and graduated from Harvard University in 1961 with a B.A. in Far Eastern Languages and History. In his junior year at Harvard, he attended the International Christian University in Tokyo, Japan, and he spent three years studying Japanese.","In 1964, Rockefeller joined the newly formed national service program Volunteers In Service to America (VISTA) aimed at fighting poverty. He served in Emmons, WV, a small mining community located in Boone and Kanawha Counties, for two years. His efforts in Emmons included starting a Little League baseball team, extending school bus service to the rural area, and providing transportation to dental clinics. He built a community center and obtained access to mobile health screenings for women.","Rockefeller entered politics in 1966 as a Kanawha County candidate for the West Virginia House of Delegates. He changed his party affiliation to Democrat, breaking with the family's traditional affiliation with the Republican Party.","In 1967, Rockefeller married Sharon Lee Percy, daughter of U.S. Senator Charles Percy of Illinois. Their Chicago wedding was featured on the cover of Life magazine. They had four children: John Davison (Jamie) V, Valerie, Charles, and Justin Aldrich.","He ran for West Virginia Secretary of State in 1968, winning the election against Republican John Callebs. As Secretary of State, Rockefeller pushed for election law reform and broke up several county Democratic political machines. He was successful in making elections more transparent and in reducing instances of election fraud by removing the names of deceased people from the state's official list of registered voters.","Rockefeller announced his candidacy for governor of West Virginia in 1972 against incumbent Republican Governor Arch Moore. Moore won reelection by 72,000 votes.","Within months of his defeat, Rockefeller was named president of West Virginia Wesleyan College, located in Buckhannon, WV. Some of his biggest accomplishments include increasing enrollment, creating an active recruitment campaign, and streamlining operations. He submitted a letter of resignation to the College in 1975 to prepare for the next gubernatorial election, for which he campaigned throughout 1976.","Rockefeller's second run for governor was successful: he beat Republican candidate Cecil Underwood by more than 242,000 votes, the largest majority in state history. Natural disaster, strikes, and a worsening economy posed serious challenges during his years as governor. In the spring of 1977, major spring floods in the southern West Virginia counties of McDowell, Wayne, Logan, and Ming wiped entire towns away, and made safe housing above flood plains a focus of Rockefeller's administration.","The same year saw the beginning of the 111-day national Bituminous Coal Strike of 1977-1978 led by the United Mine Workers of America (UMWA) and the AFL-CIO. Rockefeller refused to call upon the National Guard to suppress the miners' strike. At its conclusion, President Jimmy Carter appointed Rockefeller to lead the first major federal study of coal mining in America in three decades. Rockefeller served as chair of the President's Commission on Coal and pushed for a national energy strategy that included Appalachian coal. He also created the West Virginia Board of Coal Mine Health and Safety, reorganized state agencies, and set up senior centers statewide.","In 1980, Rockefeller ran for a second term as governor, again facing Republican Arch Moore, and won by 64,000 votes. Rockefeller faced another challenging four years and worked to maintain the state's economy as the federal government cut funding in the midst of an economic downturn, industries struggled to remain open, and unemployment rates across the state rose.","At the end of his governorship, Rockefeller ran for the United States Senate as a Democrat against businessman John Raese of Morgantown, WV. Rockefeller won the 1984 election by four percentage points and went on to fill the seat left vacant after long-time Senator Jennings Randolph retired.","Rockefeller began his service in the U.S. Senate on January 15, 1985, and served until 2015. He became a leading champion for health care reform, an advocate for improving the lives of children and working families, and a supporter of the nation's soldiers, veterans, and senior citizens. He served as chair of the Committee on Veterans Affairs (1993-1994, 2001-2003); the Select Committee on Intelligence (2007-2009); the Committee on Commerce, Science, and Transportation (2009-2015); and the Committee on Finance Subcommittee on Medicare and Long-term Care (1989-1994, 2001-2003, 2007-2014). He also served as vice-chair of the Select Committee on Intelligence (2003-2006).","He held additional leadership positions as chairman on the Pepper Commission (1987-1990), the U.S. Senate Steel Caucus (1989-1994, 2013-2015, co-chair 1995-2013), the National Commission on Children (1989-1993), and the Democratic Technology and Communications Committee (1995-2003). He was also a member of several Senate groups, including the Steering Committee on Democratic Policy, the Alternative Fuels Council, and the Coal Caucus.","Influenced by his two years in Emmons, WV, Rockefeller championed health care issues, and health care reform throughout his Senate career. He supported measures to improve and modernize Medicare, expand access to health care, and increase health coverage for children, authoring the Children's Health Insurance Program (CHIP). He introduced and co-sponsored more than 2,000 pieces of major health-related legislation and provided leadership and policy on health care reform for both the Clinton and Obama administrations. During the latter, he contributed to the successful passage of the Affordable Care Act and was a proponent of providing people with a not-for-profit insurance company backed by the government, commonly known as a public option.","He was appointed to the Senate Finance Committee and its Subcommittee on Medicare and Long-term Care (later known as the Subcommittee on Health Care) in 1987 and served as chairman of the Subcommittee and ranking member until his retirement. In 1987, he also was elected chair of the U.S. Bipartisan Commission on Comprehensive Health Care, also known as the Pepper Commission, when the commission's original leader, Representative Claude Pepper (D-FL), passed away. The Commission was charged with developing legislation that would provide Americans with comprehensive health and long-term care coverage.","In recognition of his contributions to improving the wellbeing of children and families and supporting education, in 1988, President Ronald Reagan appointed Rockefeller chair of the National Commission on Children. Recommendations made by the Commission centered on the creation of a Child Tax Credit, expansion of the Earned Income Tax Credit, and improvement to the federal approach to child welfare. As a member of the Finance Committee, he worked on the tax code to provide better financial support to the middle class and working poor. He sought to toughen child support enforcement laws, improve federal adoption and foster care services, and ensure a safe environment for children in the child welfare system with educational programs aimed at substance abuse prevention and treatment. He also worked for renewed investment in schools, school construction, and teachers, particularly those located in rural and impoverished areas.","Senator Rockefeller was an advocate for veterans' issues, serving on the Veterans' Affairs Committee for the entirety of his Senate career and acting as both chair and ranking minority member. He especially focused on expanding research and treatment for service-related illnesses, such as Gulf War Illness, Agent Orange, and issues relating to Atomic Veterans. He brought attention to treatment of Post-Traumatic Stress Disorder (PTSD) and the reform of the Veterans Affairs (VA) health care system.","Throughout his time in the Senate, Rockefeller was deeply involved with issues related to energy, the environment, coal miners, and mine safety. The first bill Rockefeller introduced in the Senate in 1985 was legislation intended to reduce the backlog of pending black lung cases, and he consistently worked to preserve the Black Lung Trust Fund while protecting coal jobs.","In 1992, he introduced the Coal Act to ensure retired miners received health benefits, and he threatened to keep the Senate in session over Christmas if they refused to pass the bill, which he described as a peak moment in his career. The Coal Act was passed as part of the Energy Policy Act of 1992, creating two new health care funds to protect the health benefits of all union coal miners, along with their widows and dependents. In 1995, the UMWA named him an honorary member, a distinction rarely bestowed on an elected official, because of his efforts on behalf of miners.","Following the January 2006 West Virginia Sago and Aracoma mine disasters, which together led to the deaths of 14 men, Rockefeller brought several senators from the Health, Education, Labor, and Pensions (HELP) Committee to meet with families of the Sago mine workers. Rockefeller then joined Committee Chair Senator Mike Enzi (R-WY) and Ranking Member Senator Ted Kennedy (D-MA) in drafting the MINER Act, which was signed into law in June 2006, establishing important new mine safety regulations.","Senator Rockefeller served on the Senate Select Intelligence Committee, 2001-2014, during critical and difficult years for the SSCI and the intelligence community. In January 2001, then-Democratic leader Tom Daschle (D-SD) appointed Rockefeller to the Committee. Eight months later the September 11, 2001, terrorist attacks occurred. In the months following the attacks, the United States launched operation Enduring Freedom in Afghanistan, and in March 2003, invaded Iraq. These events changed the nature and conduct of intelligence oversight. During Rockefeller's tenure on the committee, and particularly during his time as vice chairman and chairman, he made significant contributions in key areas, including the 9/11 investigation; the Iraq War and flawed intelligence on weapons of mass destruction; intelligence community reform; surveillance oversight and reform; the CIA's detention and interrogation program; cybersecurity; and the intelligence authorization process. ","Rockefeller also made significant contributions to communications policy. He co-authored the Universal Service Program for Schools and Libraries, known as E-Rate, which was authorized as part of the Telecommunications Act of 1996, making telecommunications and information services more affordable for schools and libraries. In 2010, Rockefeller introduced the Public Safety Spectrum Act, which created FirstNet, a nationwide wireless broadband network for the nation's first responders. It was signed into law as part of the Middle Class Tax Relief and Job Creation Act of 2012. He also supported net neutrality protections to keep the Internet open and free, and in 2011, he successfully led the Senate Floor against a resolution of disapproval of net neutrality rules.","He also championed the steel industry in West Virginia and the nation, earning him the nickname \"Senator Steel.\" Much of his work, launched largely through his position as co-chair of the Senate Steel Caucus, focused on providing income support and job training to laid-off employees and their families through Trade Adjustment Assistance (TAA), working with individual steel companies to mitigate the effects of closure and downsizing, and intervening in steel employee strikes. As a member of both the Committee on Commerce, Science, and Transportation, and the Committee on Finance, Rockefeller also addressed concerns about American manufacturing; trade protections and relief for workers negatively impacted by trade; and tax credits supporting research and development and encouraging businesses to build and expand.","For the state of West Virginia, Senator Rockefeller made jobs and economic development a priority. In 1988 he founded the Discover the Real West Virginia Program (DRWV), later formalized as the Discover the Real West Virginia Foundation, which showcased business and investment opportunities in West Virginia. He launched the \"Project Harvest\" trade mission in 1995 to bring state and international business leaders and investors together. Rockefeller's early experiences in Japan and knowledge of the language and culture aided in attracting the Toyota company to the state, resulting in the opening of the Buffalo, WV, plant in 1996. In the ensuing years, more than 20 other Japanese companies followed. Further, he encouraged the growth of the West Virginia tourism and travel industry through legislation that conserved lands, designated scenic areas, and promoted better transportation infrastructure.","In January 2013, Senator Rockefeller announced that he would not seek reelection. In his retirement announcement, he reflected that \"public service demands, and deserves nothing less than every single thing that you have to bring to bear, and that is what I have given.\" As he prepared to leave the Congress in December 2014, his Senate colleagues offered tributes on the Senate Floor recognizing his impressive legislative record, distinguished career, and legacy of compassionate and conscientious service.","Sources: ","Grimes, Richard S. \"Jay Rockefeller.\" The West Virginia Encyclopedia. http://www.wvencyclopedia.org/articles/110","Jay: A Rockefeller's Journey. Produced by Suzanne Higgins and Russ Barbour. 2015. Online video. West Virginia Public Broadcasting. http://video.wvpublic.org/video/2365511585/","\"A Record of Achievement for West Virginia: Energy and Environment Issues (Legacy on Energy, Environment and Coal Miners),\" 2014 May 30, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Review of Senator John D. Rockefeller's Service on the Senate Select Committee on Intelligence: 2001-2015,\" 2014 December 17, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries. ","\"Rockefeller, John Davison IV (Jay), (1937 - ).\" Biographical Directory of the United States Congress, 1774-present. http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000361","\"Senator Jay Rockefeller Retirement Announcement.\"  2013 January 11, 2013. Online video clip. C-SPAN. http://www.c-span.org/video/?310340-1/senator-jay-rockefeller-retirement-announcement","\"Senator Rockefeller's Health Care Accomplishments: 99th-113th Congress Memorandum,\" 2014, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Tributes to John D. Rockefeller.\" 2014 December 4. Congressional Record 160:147 p. S6343. Congress.gov.\nhttps://www.congress.gov/crec/2014/12/04/CREC-2014-12-04-pt1-PgS6343-2.pdf","\"Veterans' Legacy Memorandum,\" 2014 April 11, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.\n \n\"West Virginia Wesleyan College Legacy Memorandum,\" 2014 October, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"A Record of Achievement for West Virginia: Diversifying West Virginia's Economy for the 21st Century (Your Legacy Memo on Jobs and Economic Growth in West Virginia),\" 2014, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Your Legacy on FirstNet – Public Safety Spectrum Act,\" 2014 October 24, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Your Legacy on Net Neutrality,\" 2014 October 3, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries."],"prefercite_html_tesm":["\u003cp\u003eA\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia and Regional History Center, West Virginia University Libraries.\u003c/p\u003e"],"prefercite_tesim":["A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia and Regional History Center, West Virginia University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Danielle Emerling, 2015-\nProcessing assistants: Ashley Brooker, Dzondria Tarver, Leo Gmeindl, Casey DeHaven, Joshua Childs\u003c/p\u003e","\u003cp\u003eThe Senator John D. (Jay) Rockefeller IV papers are in process. The contents of this finding aid will be revised as progress is made on the collection.\u003c/p\u003e","\u003cp\u003eFolders that do not exist: 43, 146, 177, 182, 187, 193, 196, 251, 313, 584. Contents were combined with other folders during processing.\u003c/p\u003e","\u003cp\u003eBox III.E. - 18 now contains Box III.E. - 25 and Box III.E. - 28.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Processed by Danielle Emerling, 2015-\nProcessing assistants: Ashley Brooker, Dzondria Tarver, Leo Gmeindl, Casey DeHaven, Joshua Childs","The Senator John D. (Jay) Rockefeller IV papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Folders that do not exist: 43, 146, 177, 182, 187, 193, 196, 251, 313, 584. Contents were combined with other folders during processing.","Box III.E. - 18 now contains Box III.E. - 25 and Box III.E. - 28."],"relatedmaterial_html_tesm":["\u003cp\u003eAudio and video recordings of some of Senator Rockefeller's speeches can be found in the III.E. Audiovisual materials series.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Audio and video recordings of some of Senator Rockefeller's speeches can be found in the III.E. Audiovisual materials series."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.  The records were maintained by Senator Rockefeller's Washington, DC, office and West Virginia state offices in Charleston, Beckley, Fairmont, and Martinsburg. Record formats include papers, audiovisual materials, born-digital resources, photographs, and memorabilia. The collection consists of approximately 2011 linear feet of paper records and two terabytes of electronic records.\u003c/p\u003e\n","\u003cp\u003eThe first subgroup, Constituent Services, reflects the work Senator Rockefeller and his staff performed for the state and people of West Virginia. It consists of constituent casework, issue mail, grant and project files, and academy files. \u003c/p\u003e\n","\u003cp\u003eThe second subgroup, Legislative files, is composed of materials related to legislative and committee work. Legislative staff files; subject files; correspondence; committee files; and legislative activities, voting records, and accomplishments comprise this subgroup. \u003c/p\u003e\n","\u003cp\u003eThe third subgroup, Press files, illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. \u003c/p\u003e\n","\u003cp\u003eThe fourth subgroup, Personal and Political files, consists of Legacy Memos, schedules, personal files and correspondence, campaign files, and trip files.  \u003c/p\u003e\n","\u003cp\u003eThe fifth subgroup, Office files, contains a small number of office management files. \u003c/p\u003e\n","\u003cp\u003eThe sixth subgroup, Memorabilia, consists of a large collection of framed items, plaques, and objects, many of which Senator Rockefeller received as gifts during his service. It contains a large number of foreign gifts, particularly from Japan and Taiwan. \u003c/p\u003e","\u003cp\u003eThe Press files subgroup illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. Much of the Press files subgroup is open for research.\u003c/p\u003e","\u003cp\u003eThe Speeches and Statements series contains transcripts of Senator Rockefeller's remarks given both inside and outside of the Senate. Speeches range in date from 1985 to 2014 and cover the 99th Congress to the 106th Congress, as well as various topics for which Senator Rockefeller gave speeches and talks outside of the Senate. Subjects include health care, education, foreign relations, graduation speeches, economic issues, campaign speeches, and speeches to political contributors. The series also contains remarks and public announcements, as well as committee statements. Beginning in 2001 through 2014, most speeches were created and saved digitally.\u003c/p\u003e","\u003cp\u003e4 of 5 folders\u003c/p\u003e","\u003cp\u003e5 of 5 folders\u003c/p\u003e","\u003cp\u003e1 of 3 folders\u003c/p\u003e","\u003cp\u003e2 of 3 folders\u003c/p\u003e","\u003cp\u003e3 of 3 folders\u003c/p\u003e","\u003cp\u003e1 of 3 folders\u003c/p\u003e","\u003cp\u003e2 of 3 folders\u003c/p\u003e","\u003cp\u003e3 of 3 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.\u003c/p\u003e","\u003cp\u003e1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.\u003c/p\u003e","\u003cp\u003e1). award rercieved from the anti-defamation league. 2). speech to political contibutors: baseball story in Emmans, WV, experiences in public offices, introductions: Geoff Garon, Bob Squier, Cheryl Braner, Martha Wehrle, Tamera Stanton, Lane Baily. 3). Joe Grandmiaser - New Hampshire: deals with contrasts between NH and WV, acid rain, pollution, over half of NH powers WV, clean air, technology. 4). U.S. military aid to the Contras: advocates diplomatic and economic presence against Sandinista. 5). Committee hearing on nomination of James Fletcher: SDI, space plane, NASA, DOD joint venture. 6). present condition of America: present condition, call for commitment to serve society. 7). Wheeling - Nisshin dedication remarks introduces: Jack, Chairman Abe, Lloyd Labensky, Governor Moore, Mayor Dalessio; Japanese steel mill located in West Virginia. 8). Remarks of the senator at the Democrats for the 80's dinner: election of 958, ad-lib praise for Bob Graham. 9). remarks for the AIPAC breakfast: foreign relations, Israel support. 10). coal and steel problems facing West Virginia and nation. 11). business roundtable - international trade: fundraiser with Bob Graham. 12). Mitchel amendment - amend to tax bill: JDR supports amendment, argues against low capital gains tax. 13). points on tax shelters and passive losses. 14). Points for Princeton and/or Beckley Chamber meetings. Theme \"Getting coal moving now more important than ever.\" Reform staggers act. imported electric power from Canada. Colombian imports. exporting coal. 15). talking points on revenue sharing: accounts for 25% of all tax revenue for WV. 16) points on coal import amendment by Senator Ford. 17). remarks at Huntington Mall: importance of small businesses - SBA awards. 18). Shoemaker Square talking points: hall of fame, Mayor Shoemaker.\u003c/p\u003e","\u003cp\u003eThe Press releases series contains releases and media advisories created in Senator Rockefeller's office and distributed to media outlets. Releases range in date from 1988 to 2014.  Subjects of news statements and releases include health care, education, veterans, coal and steel industries, foreign relations, specifically with Japan and China, and other topics specific to West Virginia. The series also contains Congressional Records that were released monthly with news statements and press releases, as well as public announcements regarding special topics, such as Toyota Engine Plant expansion, Diamond Electric opening, and Gulf War veteran's treatment field hearings. There are also weekly commentary articles included and press kits on topics such as China Steel and West Virginia Coal and Public Safety. Beginning in 2001 through 2014, press releases were created and saved digitally.\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 3 folders\u003c/p\u003e","\u003cp\u003e2 of 3 folders\u003c/p\u003e","\u003cp\u003e3 of 3 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003eThe Photographs series contains print and digital images relating to Senator Rockefeller's personal life and political career and spans the years 1960 to 2014. The bulk of the photographs relate to his time as Senator. Most were taken by official Senate photographers, and some appear to have been taken by members of his staff. Photographs officially associated with his career in the Senate are stamped with a label on the back, while those taken by a professional photographer often are watermarked or labeled as such. The photographs range in size from 3\" x 3\" to 11\" x 14\", and can be found in black and white as well as color. Various negatives and contact sheets are also included and noted on the folders.\u003c/p\u003e\n","\u003cp\u003ePhotographic topics include scenes of speeches, campaign events, political meetings and hearings, formal governor and Senate portraits, personal and candid shots, and visitations throughout West Virginia, Washington, D.C., and abroad, namely in Japan, China, and Thailand. Images from the 1960s also relate to his time spent as a VISTA volunteer in Emmons, WV. Some photographs document the various institutions and organizations that Rockefeller brought to West Virginia, such as Toyota, as well as his topics of interest including cyber security, education, senior citizen welfare, manufacturing, and coal. Individuals represented throughout the photographs include various United States presidents, members of Congress, staff members, constituents, foreign dignitaries, and family members. \u003c/p\u003e\n","\u003cp\u003eSenator Rockefeller is referred to as \"JDR\" on folder and photograph descriptions, and some files include staff notes and press releases.\u003c/p\u003e","\u003cp\u003eThe Senate Photographic Studio (SPS) file contains digital photographs of JDR in Senate hearings, swearing-in ceremonies, in his Washington, D.C. office with constituents, and at other events, 1985-2014. The files were transferred on an external hard drive and arranged chronologically. The SPS scanned print photographs from JDR's early years in the Senate, and beginning in the mid-2000s, SPS photographers began using digital cameras to capture images. The years 1996 and 1998-2000 do not have images.\u003c/p\u003e","\u003cp\u003eThe Audiovisual Materials series contains moving image and sound recordings of Senator Rockefeller's activities throughout his Senate career. Records relate to legislative activities, such as hearings of the committees on which Senator Rockefeller served and of other bodies, such as the U.S. Senate Committee on Armed Services, the National Commission on Terrorist Attacks Upon the United States (\"9/11 Commission\"), the U.S. Senate Committee on Homeland Security and Governmental Affairs, and the National Security Agency.  \u003c/p\u003e\n","\u003cp\u003eOther activities documented include bill introductions, debates, votes, and nominations; speeches, such as State of the Union addresses and opposition responses and  Democratic National Conventions; summits, such as the National Summit on Children and Families; forums, such as the New Hampshire Democratic Health Forum; town hall meetings; roundtable discussions; conference calls; luncheons and dinners; visits to schools and hospitals; campaigns, rallies, and elections; and ceremonies, such as award presentations, ground breaking, presidential inauguration, retirement celebrations.  \u003c/p\u003e\n","\u003cp\u003eSubjects include the intelligence community; terrorism; airline security; chemical and nuclear weapons; telecommunications (e.g., cybersecurity, wire-tapping); the Persian Gulf War (1991); the Iraq War (2003-2011); health care reform; aging; Alzheimer's disease; the Children's Health Insurance Program; spina bifida; veterans' health (e.g., Gulf War syndrome); prescription drugs; Medicare; Medicaid; retirement; Social Security; welfare; child support; taxes; labor (e.g., unions, strikes, minimum wage); the federal budget; commerce; trade (e.g., Fast Track, General Agreement on Tariffs and Trade, North American Free Trade Agreement); product liability; coal, steel, and automotive industries; coal miners' health (e.g., black lung disease, mine safety); business in West Virginia; energy and the environment (e.g., alternative fuels, clean air); education; and national service (e.g., Volunteers in Service to America).  \u003c/p\u003e\n","\u003cp\u003eMany items contain television and radio news segments, interviews, and live coverage, but there are also campaign advertisements, video press releases with b-roll, some documentaries (e.g., Biography: \"The Rockefellers,\" 1994), music compilations (including JDR as a guest conductor), and unedited footage.\u003c/p\u003e\n","\u003cp\u003eTelevision networks that produced material in this series include: A\u0026amp;E, ABC, CBS, Christian Broadcasting Network, CNBC, CNN, C-SPAN, Fox, History Channel, MSNBC, NBC, PBS, and West Virginia Public Television.\u003c/p\u003e\n","\u003cp\u003eLocal television stations that produced material in this series include: KDKA, KIRO, WBOY, WCHS, WDTV, WETA, WGBH, WOAY, WOWK, WSAZ, WTAP, WTOV, WTRF, WTVJ, WVAH, WVNS, and WVVA.\u003c/p\u003e\n","\u003cp\u003eTelevision programs excerpted in this series include: 60 Minutes, 60 Minutes II, The 700 Club, Biography, Charlie Rose, Dateline NBC, Face the Nation, Fox and Friends, Frontline, Good Morning America, Hardball, Larry King Live, Late Edition, Lou Dobbs Tonight, Meet the Press, Moneyline, NBC Nightly News, NewsHour, NewsNight, Nightline, Primetime Live, The MacNeil/Lehrer NewsHour, The Rachel Maddow Show, The Situation Room, The Today Show, This Week, Washington Week in Review, Weekend Live, and World News Tonight.\u003c/p\u003e\n","\u003cp\u003eRadio networks and local radio stations that produced material in this series include: ABC Radio, KABC, KFBK, Minnesota Public Radio, National Public Radio, WAMU, WCHS, WEPM, West Virginia MetroNews, WETA, WGMS, WJEH, WJLS, WRKY, WRNR, WSTV, WSTV, and WWYO.\u003c/p\u003e\n","\u003cp\u003eRadio programs excerpted in this series include: All Things Considered, the Christine Craft Show, Hal Bruno's Washington, John McLaughlin's One on One, Morning Edition, Talk of the Nation, Talkline, The Diane Rehm Show, and The Michael Jackson Show.\u003c/p\u003e\n","\u003cp\u003eOrganizations included in this series, in addition to those mentioned above, are: Alzheimer's Association; American Association of Retired Persons; American Hospital Association; Blanchette Rockefeller Neurosciences Institute; Charleston Area Medical Center; Chlopak, Leonard, Schechter \u0026amp; Associates; Eastern Panhandle Free Clinic; Elm Grove Elementary School; Fairfax Hospital; League of Women Voters; Mayo Clinic; Morgantown High School; National Commission on Children; National Policy Council; Peyton Elementary School; Philips; Rainelle Medical Center; Shepherd College; Sino Swearingen; Toyota Motor Corporation; United Mine Workers of America; United Steelworkers of America; University of Charleston; University of New Hampshire; Veterans' Affairs Medical Centers; Webster County High School; Weirton Steel; West Virginia University; Weston State Hospital; Wetzel County Hospital; Wheeling Hospital; Wheeling-Pittsburgh Steel; and Yale University.\u003c/p\u003e\n","\u003cp\u003ePeople mentioned within this series include: Charlene Barshefsky, Osama Bin Laden, Wolf Blitzer, George W. Bush, Robert C. Byrd, Gaston Caperton, Shelley Moore Capito, Hillary Rodham Clinton, Bill Clinton, Lou Dobbs, Johnny Reid Edwards, Al Gore, Hoppy Kercheval, John Kerry, Larry King, Jessica Lynch, Joe Manchin III, Chris Matthews, Arch Moore, Barack Obama, Keith Olbermann, Condoleezza Rice, Charlie Rose, Arlen Specter, and Paula Zahn.   \u003c/p\u003e\n","\u003cp\u003ePlaces in West Virginia represented in this series include: Beckley, Benwood, Boone County, Buffalo, Cabin Creek, Charleston, Clarksburg, Fairmont, Fayette County, Hancock County, Huntington, Kenova, Martinsburg, McDowell County, Mercer County, Minden, Monongalia County, Montcoal, Morgantown, Moundsville, Mullens, New Martinsville, Newell, Nicholas County, Oak Hill, Parkersburg, Pineville, Pleasants County, Princeton, Rainelle, Randolph County, Ravenswood, Richwood, Ripley, Shady Spring, Shepherdstown, Shrewsbury, Stanaford, Webster County, Weirton, Weston, Wetzel County, and Wheeling.  \u003c/p\u003e\n","\u003cp\u003eOther places associated with this series include: Abu Ghraib, Iraq; Alabama; Arlington, Virginia; Atlanta, Georgia; Baghdad, Iraq; Boston, Massachusetts; Chicago, Illinois; Concord, New Hampshire; Durham, New Hampshire; Gallipolis, Ohio; Goreham, New Hampshire; Japan; Miami, Florida; New Hampshire; New Haven, Connecticut; New York, New York; Pittsburgh, Pennsylvania; Rye, New Hampshire; Steubenville, Ohio; Taiwan; Tokyo, Japan, and Washington, D.C. \u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV, PBS. Notes: TRT=58:31.\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV, PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): Ch. 6.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Squier Knapp Ochs Comm.\"\u003c/p\u003e","\u003cp\u003eNotes: Note attached to videocassette cover includes \"5 min. spot that ran before forum\".\u003c/p\u003e","\u003cp\u003eNotes: [TRT=7:45].\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia. Notes: TRT=4:28. Business card enclosed from Gerald McDonald, President, Huntington Area Development Council.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:27.\u003c/p\u003e","\u003cp\u003eNotes: TRT=22:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show, CBS This Morning. Network(s): NBC, CBS.\u003c/p\u003e","\u003cp\u003eProgram(s): On the Record. Notes: TRT=28:52.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Squier-Eskew-Knapp\".\u003c/p\u003e","\u003cp\u003eNetwork(s): Ch. 5, Ch. 12.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightly News. Network(s): NBC. Notes: Videocassette label includes \"NBC WASHINGTON\" and logo.\u003c/p\u003e","\u003cp\u003eVenue(s): Harkness Auditorium, Yale University School of Medicine. Place(s): New Haven, Connecticut. Notes: TRT=1:06:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"4:30 PM - 8:30 PM\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"JDR defining Dem. Party\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV. Notes: TRT=1:00:00. Videocassette label and cover include WGBH logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox, WETA-TV.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Broadcast News Reports\".\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=1:47:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC News. Network(s): NBC. Notes: Videocassette label includes \"JDR: \"If George Bush had to run on his record, he would be run out of town.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS, NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN, CBS, NBC, CNN, ABC, Fox, . Notes: TRT=2:04:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC. Notes: Videocassette label includes \"6PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV, NBC, WCHS-TV, ABC. Notes: Videocassette label includes \"11:00\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC. Place(s): Oak Hill and Beckley, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, ABC, Fox, NBC, PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): John McLaughlin's One on One, The McLaughlin Group. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=39:00. Videocassette label and cover include \"Capitol Video Communications, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS, Fox.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:27.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:50:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:34:00.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): Madison Square Garden. Place(s): New York, New York.\u003c/p\u003e","\u003cp\u003eNotes: Three copies held; 40+ additional copies to be returned or recycled. Five copies removed from A\u0026amp;M 4050 III. A. \"How the President's Health Care Plan Works\" video, 1992.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:30. Videocassette cover includes \"A Government Service Message from the nurses of the National Nurses in Business Association.\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): NHK (Japan Broadcasting Corporation).\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: TRT=20:00. Videocassette label and cover indicate that C-SPAN distributed this videocassette.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox. Notes: Videocassette label includes \"8:25 AM\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.\u003c/p\u003e","\u003cp\u003eEvent(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.\u003c/p\u003e","\u003cp\u003eProgram(s): Good Morning America, Moneyline, Nightline. Network(s): ABC, CNN, CBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour, Nightline. Network(s): PBS, ABC. Notes: TRT=2:38:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour, Eye on America. Network(s): PBS, CBS. Notes: TRT=1:03:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette cover includes \"SDG-50\" and \"DPC 'raw tape'\".\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTVJ-TV. Place(s): Miami, Florida.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTVJ-TV. Place(s): Miami, Florida.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: Videocassette label includes \"SDG-50\" and \"DPC 'raw tape'\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Eye on America. Network(s): NBC, CNN, CBS.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"11:30 PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Good Morning America. Network(s): ABC. Notes: TRT=2:00:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Morning News. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:13 (approximate). Broadcast schedule enclosed.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Weirton, West Virginia. Notes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Good Morning America. Network(s): ABC. Notes: TRT=2:25.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:18.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:03.\u003c/p\u003e","\u003cp\u003eNotes: TRT=58:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:30.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Dub\".\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Master\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label includes \"Clinton/Gore Creative Team.\"\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:30. Videocassette cover includes \"John Franzén Multimedia\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00. Videocassette label includes \"Greer, Margolis, Mitchell, Grinwald \u0026amp; Assoc.\"\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Princeton, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Atlanta, Georgia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Grunwald \u0026amp; Associates,\" and \"Capitol Video Communications, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eEvent(s): Presidential debates.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"John Franzén Multimedia\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Event(s): Presidential election.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=25:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=33:00.\u003c/p\u003e","\u003cp\u003eNotes: Note attached to videocassette cover includes \"This tape has Tommy Boggs delivering JDR's remarks re: Ron Brown since JDR could not attend.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eNotes: Copyright USA Health Network Company, Inc.\u003c/p\u003e","\u003cp\u003ePlace(s): Huntington, West Virginia. Notes: TRT=12:15. Attached note includes \"WV Economic Development Tapes.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Primetime Live. Network(s): ABC. Notes: TRT=58:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States presidential inauguration. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Inside Politics. Network(s): CNN. Event(s): State of the Union Address. Place(s): Washington, D.C. Notes: Videocassette label includes \"4:30 PM\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Place(s): Pineville, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, NBC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=approximately 48:00. Videocassette label includes Medical News Network logo.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show, Fox Morning News. Network(s): NBC, Fox. Notes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Prime News. Network(s): CNN. Notes: TRT=3:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox. Notes: Title only on note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: Title only on note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:21.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:21.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=40:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=9:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS, ABC. Notes: TRT=56:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"'Rainelle' — 'New Martinsville' — 'Martinsburg' — 'Cabin Creek'\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"MASTER\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): [Morgantown, West Virginia]. Notes: Videocassette label includes \"West Virginia University Health Sciences Center\".\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: Copyright: 1992 National Cable Satellite Corporation.\u003c/p\u003e","\u003cp\u003eProgram(s): Frontline. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Frontline. Network(s): PBS. Notes: TRT=1:00. Videocassette label and cover include \"WETA\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Inside Politics. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=2:00:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Moneyline, Nightline. Network(s): CNN, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: Videocassette label includes \"5:45 PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC. Notes: Videocassette label includes \"11:00 PM\".\u003c/p\u003e","\u003cp\u003ePlace(s): Bluefield, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Oak Hill, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:05:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Today. Network(s): NBC. Notes: TRT=9:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVEA [West Virginia Education Association]/KTA. Notes: Business card attached, from Jackie Goodwin, Director of Communications, WVEA, with contact info and \"To: Marissa Spadafore — This is a copy of the video which Senator Rockefeller graciously was interviewed for. It was used as an internal membership piece for Kanawha County. I thought you would want a copy for your files.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=17:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Moneyline. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns and Associates,\" and \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS This Morning. Network(s): CBS. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Sunday Journal. Network(s): C-SPAN. Notes: Business card attached, from Geoffrey Baum, Producer, C-SPAN, with contact info.\u003c/p\u003e","\u003cp\u003ePlace(s): Minnesota. Notes: Videocassette cover includes \"Mayo Clinic\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation, Meet the Press. Network(s): CBS, NBC. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=53:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV, WCHS-TV, WOWK-TV.\u003c/p\u003e","\u003cp\u003eNotes: TRT=45:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): CBS, PBS.\u003c/p\u003e","\u003cp\u003eNotes: TRT=57:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=57:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Newell, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=58:49.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=28:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:47. Videocassette label and cover include \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:06. Videocassette label and cover include \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:00:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=27:36. Removed from A\u0026amp;M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.\u003c/p\u003e","\u003cp\u003eNotes: TRT=57:27.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show, Late Edition. Network(s): NBC, CNN. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=54:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Pittsburgh, Pennsylvania.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, NBC. Notes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Moneyline. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover includes \"Modern Video Productions\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show, The MacNeil/Lehrer NewsHour. Network(s): NBC, PBS. Notes: TRT=19:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Weston, West Virginia. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Washington Week in Review. Network(s): PBS. Notes: TRT=26:46.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Squier/Knapp/Ochs\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS This Morning. Network(s): CBS. Notes: TRT=27:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00 (approximate). Videocassette label and cover include \"Chlopak, Leonard \u0026amp; Schechter,\" and \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=12:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Today, CBS This Morning. Network(s): NBC, CBS. Notes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Primetime Live. Network(s): ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Richwood, West Virginia. Notes: TRT=1:35:00 (approximate). Videocassette label includes \"airmaster copy.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Biography. Network(s): A\u0026amp;E Television Networks. Notes: Title from videocassette cover, which also includes \"12/26/06\"; no videocassette labels.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: TRT=14:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00 (approximate). Videocassette label and cover includes \"Complete Post, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=4:49.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Grunwald Eskew \u0026amp; Donilon,\" and \"Henninger Capitol\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS This Morning. Network(s): CBS. Notes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS This Morning. Network(s): CBS. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:30:00. Videocassette label includes \"West Virginia Department of Health \u0026amp; Human Resources.\" Letter enclosed from Ann H. Garcelon, Communications Director, State of West Virginia Department of Health and Human Resources, to JDR re: this \"Public Health Teleconference.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Huntington, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Letter, and business card, enclosed from Gretchen Goldsmith, Producer, The Crusaders, to Dan Rauh includes \"Per the instructions of Ralph Rivera of PT Phone Home, enclosed is a copy of The Crusaders' segment on the organization. Ralph indicated that the tape would be shown to the member of the Senate Veterans' Affairs Committee.\" Enclosed note includes \"To: Todd Glass — Return to Dan Rauh, Vets' Committee.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=29:10.\u003c/p\u003e","\u003cp\u003eNetwork(s): Ch. 3, Ch. 8, Ch. 13.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Place(s): Kenova, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"John Franzén Multimedia\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:32:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=11:40. Attached note includes \"Todd: For your viewing pleasure — Be kind --- we're still improving! [signed] K\".\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNotes: TRT=25:30. Attached note includes \"Todd — Please save in the JDR-WV great video clips. Thanks.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=32:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=18:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=18:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=18:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=18:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:10.\u003c/p\u003e","\u003cp\u003ePlace(s): New Martinsville, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover includes \"Modern Video Productions\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): KIRO-TV. Notes: TRT=51:00. Videocassette label includes \"Third Avenue Productions.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:00 (approximate).\u003c/p\u003e","\u003cp\u003eNotes: TRT=29:50.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, C-SPAN. Notes: TRT=1:38:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, C-SPAN. Notes: TRT=1:38:00.\u003c/p\u003e","\u003cp\u003eEvent(s): [National Press Club annual dinner]. Place(s): Washington, D.C. Notes: Business card enclosed from Melissa M. Bender, Executive Assistant to the President, National Press Club.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003ePlace(s): Topeka, Kansas. Notes: Attached note includes \"Laura Quinn — 109 HART\".\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia; [Welch, West Virginia].\u003c/p\u003e","\u003cp\u003eNetwork(s): WNPB-TV.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette label includes \"TIME: 9:28 to 11:54\".\u003c/p\u003e","\u003cp\u003eNotes: Attached note includes \"Mindy/Rich/others — For your viewing pleasure. JDR at M.U. [signed] Lou Ann\".\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=46:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Shrewsbury, WV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, WVVA-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Squier Knapp Ochs,\" and \"Interface Video Systems, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=9:58. Videocassette label includes \"Fingerhut, Powers, Smith \u0026amp; Associates, Inc.\" and \"David Sandretti \u0026amp; Phil Smith, Producers.\" Includes pamphlet from Save America's Families Coalition.\u003c/p\u003e","\u003cp\u003ePlace(s): Arlington, Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:30 (approximate). Television commercial script enclosed for each ad.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour, ABC World News Tonight. Network(s): PBS, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:22.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News. Network(s): CBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=20:00.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eNotes: Appears to have been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: Appears to have been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNetwork(s): [WSWP-TV].\u003c/p\u003e","\u003cp\u003eNotes: Enclosed is an index to the 15 ads, re: Paul Wellstone, Max Baucus, and Jack Reed.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV. Event(s): State of the State address. Place(s): Beckley, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: Attached note refers to an enclosed story on miners legislation with JDR and Alan Law.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): CNN Presents. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, CBS, CNN, NBC. Place(s): Wyoming; Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): This Week, Nightline, The Today Show. Network(s): WCHS-TV, WSAZ-TV, WOAY-TV, WTRF-TV, CBS, ABC, NBC. Place(s): Charleston, West Virginia; Wheeling, West Virginia; Washington, D.C.; Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, WSAZ-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): WCHS-TV, CNN, CBS, ABC.\u003c/p\u003e","\u003cp\u003eNotes: Attached note includes \"WCHS — 4-1-96\".\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS. Notes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eEvent(s): 50th anniversary of UMWA Health Fund. Venue(s): The White House. Place(s): Washington, D.C. Notes: Attached note includes \"These tapes are both raw footage…\".\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WBOY-TV. Place(s): Washington, D.C.; Bridgeport, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 5, Channel 12.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): CBS, C-SPAN. Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: TRT=52:37.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:33. Videocassette label includes \"The Arnold Agency\" and logo.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, CBS, MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=00:30. Videocassette label includes \"Split Ch. Audio, Dub in Mix.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): The 700 Club. Network(s): Christian Broadcasting Network. Notes: Attached business card from Emily Murray, Assistant Producer, CBN News.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"KLM Video, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=4:48.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:35.\u003c/p\u003e","\u003cp\u003ePlace(s): Stanaford, West Virginia. Notes: TRT=6:30. Videocassette label includes \"Appalachian Video Productions, Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Business cards attached from Barry Cohn, Broadcast Producer, Dept. of Science News, American Medical Association, and Emily Murray, Assistant Producer, CBN News.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=45:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CTS News. Place(s): Taiwan. Notes: Enclosed note from Jennifer Zimdahl Galt, Chief of Information Unit, and AIT Spokesperson, includes \"Jane — As promised, please find enclosed a tape of the TV talk show interview with Senator Rockefeller. They only used a minute or so.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, CBS, MSNBC.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CNN, NBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=20:51.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia. Notes: TRT:9:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Good Morning America. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): World News Tonight. Network(s): ABC. Notes: Videocassette label includes U.S. Senate logo. Attached note includes \"Senator Rockefeller, this is a \"rough\" cut of tomorrow's caucus video. —Kim.\"\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WPBY-TV. Place(s): Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003eEvent(s): Philips Lighting press conference.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Morning News. Network(s): CBS. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=17:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WFRF.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC, WOWK-TV, CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSTV, WTRF-TV, CBS. Place(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:59.\u003c/p\u003e","\u003cp\u003ePlace(s): Martinsburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Mercer and McDowell Counties, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): [California].\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC, WSAZ-TV, NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Frontline. Network(s): WGBH-TV/PBS. Notes: Videocassette label includes \"WGBH\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Airport News and Training Network\" and attached business card from J. Spencer Dickerson, Executive Vice President, The American Association of Airport Executives\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Airport News and Training Network\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC. Notes: TRT=21:56.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:58:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Horizons Television, Inc.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, WCHS-TV, WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, WCHS-TV, WSAZ-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC. Notes: Information from attached note; no videocassette labels.\u003c/p\u003e","\u003cp\u003eVenue(s): The White House. Place(s): Washington, D.C. Notes: TRT=6:00:00. Videocassette label includes \"Social Security Administration Regional Public Affairs Office.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTRF-TV.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTOV-TV.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Moneyline. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Internight. Network(s): MSNBC. Notes: TRT=7:40.\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV.\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:00.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Bozell Eskew Advertising\".\u003c/p\u003e","\u003cp\u003eNetwork(s): News4 Camcare. Event(s): Dedication of the MS Clinic at the Charleston Area Medical Center. Venue(s): MS Clinic at the Charleston Area Medical Center. Place(s): Charleston, West Virginia. Notes: Includes letter, under Camcare Health Education and Research Institute letterhead, from Jerry Handley, Network Specialist, to Ms. Joy Sims, Press Office, Office of Senator Jay Rockefeller, regarding enclosed videotape containing excerpts of Rockefeller's remarks at the dedication of the MS Clinic at the Charleston Area Medical Center on May 24th, 1999.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV, WOAY-TV. Venue(s): Rainelle Medical Center. Place(s): Rainelle, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns \u0026amp; Associates, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNotes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003ePlace(s): Mullens, West Virginia. Notes: TRT=9:35. Videocassette label includes \"West Virginia National Guard\" and \"Produced by Detachment 1, 196th MPAD, WVARNG.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:26:00.\u003c/p\u003e","\u003cp\u003eEvent(s): Toyota Lexus Announcement. Place(s): Buffalo, West Virginia. Notes: Videocassette label includes \"Image Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover includes \"Motion Masters\".\u003c/p\u003e","\u003cp\u003eVenue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=2:00:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:16. Videocassette label includes \"Produced by: Ray Miller, West Virginia University Television Productions.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=1:00:00. Videocassette label includes \"5:30 PM - 6:30 PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eNotes: Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: Business card enclosed from Mark Ferrell, Press Secretary for JDR.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:08.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:00. Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:04.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 13. Notes: Content information from note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003eNotes: TRT=48:00. Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: No videocassette cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNNfn.\u003c/p\u003e","\u003cp\u003eEvent(s): United Steelworkers of America rally.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"11:00 PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:07:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Shady Spring, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=27:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: Videocassette label includes Fox News letterhead and contact info.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:00 (approximate).\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00. Videocassette cover includes \"version 6.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Broadcasting.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eProgram(s): Paula Zahn Now. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Paula Zahn Now. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Studio B. Network(s): Fox. Notes: Videocassette cover includes \"3 PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=45:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition, Weekend Live. Network(s): CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition, Weekend Live. Network(s): CNN, Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, CBS, CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightly News, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): World News Tonight, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition, Weekend Live, World News Tonight, American Morning, Fox and Friends, Larry King Live. Network(s): CNN, Fox, ABC, CNN, CNBC, NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour, Meet the Press, Late Edition. Network(s): Fox, PBS, NBC, CNN. Notes: Videocassette label includes \"Newshour (soundbite from tax conference meeting)\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): American Morning, Today, Capitol Report, World News Tonight. Network(s): CNN, NBC, CNBC, Fox, ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC. Notes: TRT=9:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS. Notes: TRT=55:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, MSNBC. Notes: TRT=≥1:00:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: Videocassette label includes \"5:40-6:15PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox News Sunday. Network(s): Fox. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN. Notes: TRT=approximately 15:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): CNN, MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, MSNBC, Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: Videocassette label includes \"9:00am\".\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:32:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=13:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox News Sunday. Network(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes II. Network(s): CBS. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=7:00. Videocassette label includes \"11:00 AM.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: TRT=1:30:00. Videocassette label includes \"10:30 AM - 12:00 PM.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: TRT=60:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: TRT=1:00:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=11:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WBOY-TV, West Virginia Media. Notes: Videocassette label includes WBOY-TV logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: No videocassette cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV, NBC. Place(s): Huntington, West Virginia. Notes: Videocassette label includes \"6:30AM.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).\u003c/p\u003e","\u003cp\u003eEvent(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: No videocassette cover.\u003c/p\u003e","\u003cp\u003ePlace(s): Richwood, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN. Notes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=11:58.\u003c/p\u003e","\u003cp\u003eNotes: TRT=11:58. Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:08. Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): NBC. Notes: TRT=21:04.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=60:00. Videocassette label includes \"6-7:00 PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC. Notes: TRT=60:00. Videocassette label includes \"7-8:00 PM.\"\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): CBS, NBC. Notes: TRT=12:00.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News, NBC Nightly News, MSNBC Hardball, CNN Late Edition. Network(s): CBS, NBC, CNN, MSNBC, Fox. Notes: Videocassette label indicates 13 segments.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition Sunday. Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"12:00 - 1:00 PM.\"\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): CBS. Notes: Videocassette label includes \"John Nolen\".\u003c/p\u003e","\u003cp\u003eEvent(s): John Kerry rally in West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC News. Network(s): NBC. Notes: TRT=13:08.\u003c/p\u003e","\u003cp\u003eNotes: TRT=21:05.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV, NBC. Notes: Videocassette label includes \"11:00pm.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:35.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:35.\u003c/p\u003e","\u003cp\u003eEvent(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): CBS. Notes: TRT=14:00.\u003c/p\u003e","\u003cp\u003eProgram(s): CNN Sunday Edition. Network(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): ABC World News Tonight. Network(s): ABC, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Charlie Rose. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003ePlace(s): Morgantown, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eEvent(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C. Notes: No videocassette cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:24:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox News Sunday. Network(s): MSNBC, Fox. Notes: TRT=2:00:00. Videocassette label includes \"MSNBC 7-8PM July 9, Fox News Sunday July 11.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CNBC, CNN. Notes: TRT=2:00:00. Videocassette label includes \"CNBC from 7-8PM and CNN from 10-11PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): CNN, Fox, MSNBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS. Notes: TRT=25:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=50:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsNight. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNBC. Notes: Videocassette label includes \"7-8:00 pm\".\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: TRT=1:20:00.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: TRT=6:20.\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC. Notes: TRT=5:30.\u003c/p\u003e","\u003cp\u003eEvent(s): Government Affairs hearing. Notes: TRT=3:13:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS. Notes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): Fox, MSNBC, CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:00:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=4:30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): CBC [CBS] Evening News. Network(s): CBC [CBS].\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=2:05:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsNight. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): UN General Assembly meeting. Venue(s): UN General Assembly building. Place(s): New York, New York.\u003c/p\u003e","\u003cp\u003eEvent(s): Allawi speech to Congress. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): This Week. Network(s): ABC, CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Television.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation, The Early Show. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight, Hardball. Network(s): CNN, MSNBC. Event(s): Trial of Saddam Hussein.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): CNN, Fox, NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): Fox, CNN. Event(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: Videocassette label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:20:00. Videocassette label includes \"10:00 AM - 1:19 PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Frontline. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): NBC. Notes: TRT=25:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes II. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:56:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=42:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Geoff Garin\".\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Geoff Garin\".\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: Title from note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Charlotte, North Carolina.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, NBC, CBS. Notes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Place(s): Washington, D.C. Notes: Professionally produced C-SPAN videotape (ID: 189201 - Part 1 of 1) and cover. Description on back cover: \"Representative Capito was interviewed about the future of the Republican Party, West Virginia politics, and her decision not to run against Sen. Byrd in 2006. She also discussed her major in zoology at Duke University as well as the naming of her children, Charles Capito III and Shelley XIII. Pictures of Representative Capito, her family, and soldiers were shown intermittently during the program.\" Copyright: 2005 National Cable Satellite Corporation.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC. Notes: Videocassette label includes \"Dub\".\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:03:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Television. Notes: Videocassette label includes \"West Virginia Public Television\" and logo. Date is broadcast date.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS. Notes: TRT=53:10.\u003c/p\u003e","\u003cp\u003eProgram(s): Hannity \u0026amp; Colmes. Network(s): Fox. Notes: Attached note includes \"Bill Bennett \u0026amp; Wes Clark. JDR was frequently discussed.\"\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:10:00 (approximate).\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:55:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC. Notes: TRT=22:55.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:10:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, NBC. Notes: TRT=42:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: TRT=20:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVNS-TV, Fox.\u003c/p\u003e","\u003cp\u003eNotes: Business card attached, from Philippe Diaz, Cinema Libre Studio, with contact info.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTRF-TV, CBS.\u003c/p\u003e","\u003cp\u003eNotes: Note on cover includes \"Piece on poor water safety during Marine training. Not that interesting, but thought it might still be useful… —Chris\".\u003c/p\u003e","\u003cp\u003eEvent(s): House of Representatives debate. Venue(s): House of Representatives. Place(s): Washington, D.C. Notes: TRT=5:30.\u003c/p\u003e","\u003cp\u003eEvent(s): United Steelworkers of America Wheeling-Pitt strike. Place(s): Wheeling, West Virginia; Pittsburgh, Pennsylvania.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Note this is a short segment\".\u003c/p\u003e","\u003cp\u003eProgram(s): Charlie Rose. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United Steelworkers of America convention.\u003c/p\u003e","\u003cp\u003eVenue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".\u003c/p\u003e","\u003cp\u003eVenue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".\u003c/p\u003e","\u003cp\u003eEvent(s): West Virginia Air Service Summit. Notes: TRT=1:04:40.\u003c/p\u003e","\u003cp\u003eEvent(s): West Virginia Air Service Summit. Notes: TRT=1:54:17. Videocassette label indicates welcoming remarks by Governor Underwood and Senator Rockefeller.\u003c/p\u003e","\u003cp\u003eEvent(s): West Virginia Air Service Summit. Notes: TRT=2:00:51.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Retiree James McMahon, Spouse Carole McMahon — insurance\".\u003c/p\u003e","\u003cp\u003eNotes: No Videocassette label; title from videocassette cover.\u003c/p\u003e","\u003cp\u003eNotes: Removed from Box 129 (Downtown moved to Depot). Videocassette label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Chlopak, Leonard, Schechter\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:49.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:00.\u003c/p\u003e","\u003cp\u003eVenue(s): Blanchette Rockefeller Neurosciences Institute. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes WVU TV logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=9:00. Videocassette label includes \"Produced by the Sierra Club.\"\u003c/p\u003e","\u003cp\u003eProgram(s): CBS News Sunday Morning. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention.\u003c/p\u003e","\u003cp\u003ePlace(s): Weirton, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover indicate that cassette was distributed by C-SPAN.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Democratic Technology \u0026amp; Communications Committee\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover includes \"Chlopak, Leonard, Schechter\" and \"Squier/Knapp/Ochs\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Ernst \u0026amp; Young\" and logo. Business card enclosed from Michael Colopy, from O'Connor \u0026amp; Hannan.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Crossfire. Network(s): CBS, CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00 (approximate).\u003c/p\u003e","\u003cp\u003eNetwork(s): WNPB. Notes: Videocassette label includes WNPB logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=9:30. Attached note includes \"WV Economic Development Tapes.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WNPB. Notes: Videocassette label includes WNPB logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): KIRO-TV.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Chlopak, Leonard, Schechter, and Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=55:48.\u003c/p\u003e","\u003cp\u003eNotes: Business card enclosed from Jeff Kimball, Deputy Press Secretary for JDR.\u003c/p\u003e","\u003cp\u003ePlace(s): Nicholas County, West Virginia. Notes: TRT=20:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV, WOAY-TV. Place(s): Fayette County, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Note attached to cover from Squier Knapp Dunn Communications.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Digital Generation Systems, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Note attached to videocassette cover includes \"Clean Tape / No visible footage\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"HMS Technologies, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=14:30. Videocassette label and cover include \"Ryan-McGinn.\"\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Hitachi, LTD.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Television.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Foresight Communications, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV.\u003c/p\u003e","\u003cp\u003ePlace(s): McDowell County, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Business card enclosed from Ron W. Wroblewski, President, W.Va. Marine Corps Coordinating Council.\u003c/p\u003e","\u003cp\u003eNetwork(s): WBOY-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, WDTV-TV.\u003c/p\u003e","\u003cp\u003eNotes: TRT=14:53. Videocassette label includes \"Alliance for Retired Americans\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Ravenswood, West Virginia. Notes: TRT=14:45. Videocassette label includes \"Century Aluminum.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: Videocassette label includes \"For Mark Ferrell\".\u003c/p\u003e","\u003cp\u003eNotes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNotes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:45.\u003c/p\u003e","\u003cp\u003eNotes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.\u003c/p\u003e","\u003cp\u003eNotes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:15.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"JDR Caucus Video 6/17/97\".\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS, WVSA, NBC, CBS. Notes: Programs and networks from note attached to cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): WDTV-TV, WBOY-TV. Place(s): Monongalia County, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Removed from A\u0026amp;M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Michigan. Notes: TRT=10:00. Videocassette label includes \"MVP Communications Inc.\"\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, WSAZ-TV. Place(s): Kenova, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 13. Notes: Content information from note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): World News Tonight. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): Crossfire. Network(s): CNN.\u003c/p\u003e","\u003cp\u003ePlace(s): [Huntington, West Virginia].\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eVideo news release, interviews, dub of state tourism film and commercials\u003c/p\u003e","\u003cp\u003eNote on tape state: \"tape warped - will not play.\"\u003c/p\u003e","\u003cp\u003e(1.) Bob Brunner, Skinner Highway plan interview in D.C., March 1990. \n(2) AFL-CIO dinner with Barbara Mikulski, WOWK, February 1990.\n(3) EDA grant announcement for Clalrksburg Life Sciences Center, WDTV and WBOY, September 1989.  \n(4) Murphy home health visit - WSAZ, July 1989.  \n(5) Murphy home health visit - WCHS, July 1989. \n(6) Murphy home health visits - WOWK, July 1989. \n(7) Philips Lighting announcement/ Stonewall Jackson tour, WDTV and WBOY, July 1989.  \n(8) Cabot Oil and Gas announcement, WVVA, July 1989.  \n(9.) Discover the REAL WV/ Oliver North discssion, WTRF, July 5, 1989. \n(10.) Rural health clinic press conference, New River Health Clinic, WSAZ, April 24, 1989. \n(11.) Harrison County town meeting, WBOY, WDTV, and Congressional pay raise issue, WDTV; event - senators joking (\"It costs you $75 to come here tonight; it cost me $12 million\") Good Morning America, February 1989.  \n(12.) \"Partnership for progress\" with Caperton and delegation, WOWK, January 1989; CBS evening news on trade adjustment assistance. \n(13) Fairmont firemen/ policemen \"thank you\" reception, WBOY, December 1988.  (14). EAS story, WOAY, 1988.\u003c/p\u003e","\u003cp\u003e11:00 p.m. Channel 11 and 13. 12 p.m. (noon) channel 11.\u003c/p\u003e","\u003cp\u003e4 negative adds: 2 Bryan, 1 Conrad, 1 Pomeroy\u003c/p\u003e","\u003cp\u003eTime: 00:00 Governor Bill Clinton; 1:00 Congressman Tim Penny; 17:08 Senator Jay Rockefeller; 34:30 Congressman Mike Espie; 1:09:30 House Majority Whip William Gray III\u003c/p\u003e","\u003cp\u003eJDR speaks twice - once in morning and once around 5\u003c/p\u003e","\u003cp\u003eFilm damaged\u003c/p\u003e","\u003cp\u003e(1) Fox morning news (whole thing) JDR at 7:35 a.m. \n(2) CBS Morning News (segment only) a. summer story JDR hit. b. National Commission segment. \n(3) NBC Today (segment only) children's interview segment (no JDR). \n(4). CNN Horn?/ Cheri Hayes. \n(5) ABC World News lead story 10-15 minutes on commission. \n(6) CBS Evening news lead story. \n(7) NBC News lead story. \n(8) MacNeil/ Lehrer  \n(9). CNN Crier and co.\u003c/p\u003e","\u003cp\u003e(1). \"Logan airport\" ABC World News Tonight, ABC/Network January 24, 1989. \n(2)  Airport congestion, Alfred Kahn, Nightly Business Report, PBS/Network, January 13, 1989. \n(3) \"Keeping congestion down at Logan,\", WCVB-TV Channel 5, Boston, December 12, 1988.\u003c/p\u003e","\u003cp\u003e(1) David Duke dilemma, KGO Channel 7 at 6 p.m., November 17, 1991 (2). Democratic fundraiser, KCRA channel 3 at 10 p.m.\u003c/p\u003e","\u003cp\u003eNorth Carolina University documentary 1986, Rockefeller comments on Japan.\u003c/p\u003e","\u003cp\u003e1.) Trip to Olney. 2). message. 3). catastrophic care.\u003c/p\u003e","\u003cp\u003eGroundbreaking on June 19, 1984. Construction 1984-1985. Video by Herbert W. Roush, Sr.\u003c/p\u003e","\u003cp\u003e1). China steel/ Island Creek contract in D.C. office, 1988;  \n2). POSCo contract in Charleston with Billy Yoo, April 21, 1988; \n3). POSCO contract/ Washigton, May 13, 1988;   4.) Historic Hinton, NPS memorandum of understanding, NPS Joe Kennedy and Bob McKeard;  \n5). Press conference/ industrial extension act introduced with McCain, R-AZ, June 10, 1987;  \n6). China steel and USX D.C. contract signing, June 7, 1988; \n7). AEP mine visit/ methanol May 2, 1988\u003c/p\u003e","\u003cp\u003eWOAY - El-Tech, 1987; WSAZ children's hospital in Charleston - Bush Tower 1989; WVAH congressional minute 8th, 9th, 10th amendment; WDTV October 14, 1988 methanol signed into law; WSAZ ARC corridors 1988; WOWK ARC corridors 1988; WCHS ARC corridors 1988; WOAY El-tech September 17, 1988, Dukakis, methanol; WOWK methanol passage 1988; WOAY El tech - def. fair 1988; WCHS white watering 1988; WOAV methanol bill, captive shippers; WVVA methanol\u003c/p\u003e","\u003cp\u003eTape sent to Barbra Pryor from A26 mark Ave, Follansbee, WV\u003c/p\u003e","\u003cp\u003e1). WDTV - math/science bill. 2). WBOY/WDTV - research summit. 3). WTAE - Dee Caperton. 4). WDTV - clean air. 5). WBOY - United Mine Workers (UMW) endorsement. 6). Oliver Luck ad. 7). WBOY - Salem-Teikyo\u003c/p\u003e","\u003cp\u003eHarriman Communications.\u003c/p\u003e","\u003cp\u003eTestimony and Q\u0026amp;A of Mr. Robert Harris (Berkeley)\u003c/p\u003e","\u003cp\u003eEvent(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\".\u003c/p\u003e","\u003cp\u003eProgram(s): All Things Considered. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): WWYO.\u003c/p\u003e","\u003cp\u003eNetwork(s): WWYO.\u003c/p\u003e","\u003cp\u003eNetwork(s): WWYO.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"American Focus\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: Attached note includes \"9/20/88 Methanol tape\".\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): WJLS. Place(s): [Beckley, West Virginia].\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): WJEH. Place(s): Gallipolis, Ohio. Notes: Attached note includes \"I made this copy from the original tape which WJEH gave me. You have to run through the commercials before you get to the history part. This is the first — and only to date —interview as to Senator Rockefeller's floor statement in the Congressional Record. 6/21/90 [signed] Patricia Burton\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Tammy Lydel, NH Register — Erin Rasmussen, KSTP, Minnesota — Melissa Berg, Kansas City Times — Don Findley, San Antonio — Ron Kanye, LA Daily News — Stewart Craig, Augusta Chronicle — Steve Harvey, Atlanta Constitution 3 Jim Gannon, Detroit News 3 Pete Leffler, Allentown Call\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Leslie Balducci, Chicago Sun Times — Lester Strong, WHDH, Boston — Margaret Murphy, ABC Nightline — Maryclaire Dale, Charleston Gazette — Paul Owens, Martinsburg Morning Journal — P.J. Cameon, Clarksburg Telegram, Cindy Crigger, Williamson Daily News — Bill ST. Clair, Parkersburg Sentinel — Chris Cramer, Weirton Daily News — Bluefield Telegram, Barbara Hawkins\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Todd Silberman, Fayetteville, NC News — Irene Sege, Boston Globe — Bonnie Healy, DE County Times — Lori Roberts, The State, Columbia, SC\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Terri Monsour, St. Paul Pioneer Press — Marshall Kildurf, San Francisco Chronicle — Susan Page, Newsday — Dorsey Griffith, Modesto Bee\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Original title overwritten with \"Clean Air 3.00 [2000/03?]\".\u003c/p\u003e","\u003cp\u003ePlace(s): Goreham, New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): Rye, New Hampshire.\u003c/p\u003e","\u003cp\u003eEvent(s): Claude Pepper Award. Place(s): Concord, New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): Concord, New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): Durham, New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eProgram(s): John McLaughlin's One on One. Network(s): PBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Milwaukee, Wisconsin.\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio. Notes: TRT=8:30. Cassette label includes National Public Radio copyright.\u003c/p\u003e","\u003cp\u003eProgram(s): Hal Bruno's Washington. Network(s): ABC Radio. Notes: Cassette cover includes \"ABC Radio News\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): The Diane Rehm Show. Network(s): WAMU, National Public Radio.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:27.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Place(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eEvent(s): Presidential Health Care Forum. Place(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eEvent(s): Presidential Health Care Forum. Place(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union response.\u003c/p\u003e","\u003cp\u003eNotes: Business card enclosed for Joel H. Komisarow, Producer, CBS News, with contact info.\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Not for public distribution\".\u003c/p\u003e","\u003cp\u003eEvent(s): Alabama Democratic Conference. Place(s): Alabama.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: TRT=28:30.\u003c/p\u003e","\u003cp\u003eProgram(s): Christine Craft Show. Network(s): KFBK.\u003c/p\u003e","\u003cp\u003eProgram(s): The Michael Jackson Show. Network(s): KABC. Notes: Business card enclosed for Lyle Gregory, Producer, The Michael Jackson Show, KABC TALKRADIO, with contact info.\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"'Jay' DNC-9245R :60\" and \"Greer, Margolis, Mitchell, Grunwald \u0026amp; Associates\".\u003c/p\u003e","\u003cp\u003eVenue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): KLSE/KZSE, Minnesota Public Radio. Notes: Videocassette label includes MPR logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union response.\u003c/p\u003e","\u003cp\u003eProgram(s): All Things Considered. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eEvent(s): National Summit on Children and Families.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): NPR or MPR.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Tina Trenner Show. Notes: Videocassette label includes \"Air[ed] 12/24/93\".\u003c/p\u003e","\u003cp\u003eNetwork(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): [Marketplace]. Network(s): [American Public Radio]. Notes: Cassette label and cover label differ in content.\u003c/p\u003e","\u003cp\u003eNotes: Removed from A\u0026amp;M 4050 III. A. PRODUCT LIABILITY, 1994 RADIO SPOT WV.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WGMS.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eProgram(s): Talk of the Nation. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eProgram(s): Talk of the Nation. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): WEPM.\u003c/p\u003e","\u003cp\u003eVenue(s): Wheeling Clinic, Wheeling Hospital. Place(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"provision in tax bill attacking Coal Miners' Health\".\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"Wellstone\".\u003c/p\u003e","\u003cp\u003eNotes: Dates on cassette label and cover label differ.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Removed from A\u0026amp;M 4050 III.A. PGWS, 1996.  Cassette label includes \"Panelists: Bernard Rostker – Pentagon, Dana Priest – Washington Post, Joe Vialante – DAV, Arthur Kaplan – President's Advisory Committee.\"\u003c/p\u003e","\u003cp\u003eEvent(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026amp;M 4050 III.A. Alfalfa Club, 1997-1998.\u003c/p\u003e","\u003cp\u003eEvent(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026amp;M 4050 III.A. Alfalfa Club, 1997-1998.  Cassette label includes \"Acceptance speech by incoming Alfalfa Club President.  'For He's Our President' sung by Marine Staff Sgt. Michael Ryan…Introduction by Colin Powell; John D. Rockefeller IV.\"\u003c/p\u003e","\u003cp\u003eEvent(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026amp;M 4050 III.A. Alfalfa Club, 1997-1998.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): WRNR. Place(s): Morgantown, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WRNR. Place(s): Morgantown, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio. Notes: TRT=6:05.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Diane Rehm Show. Network(s): National Public Radio. Notes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eNotes: Removed from A\u0026amp;M 4050 III.A. Alfalfa Club, 1997-1998.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSTV, WRKY, WTRF-TV.\u003c/p\u003e","\u003cp\u003eNotes: TRT=20:00 (approximate).\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): National Public Radio. Notes: TRT=11:00 (approximate).\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00.\u003c/p\u003e","\u003cp\u003eNotes: Attached note includes \"Make audio dub of Sen. Rock[efeller] feed!\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"Medical Group Management Association\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Title from handwriting on cassette cover.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".\u003c/p\u003e","\u003cp\u003ePlace(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Wetzel County Hospital. Place(s): Wetzel County, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Pleasants County, West Virginia; Hancock County, West Virginia; Wetzel County, West Virginia;.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTRF-TV. Place(s): Hancock County, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Boone County, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Huntington, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Benwood, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Martinsburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSTV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSTV. Place(s): Steubenville, Ohio.\u003c/p\u003e","\u003cp\u003ePlace(s): [Charleston, West Virginia].\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003ePlace(s): Fairmont, West Virginia; Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003ePlace(s): Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WETA.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia; Clarksburg, West Virginia; Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC, CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews, Fox, NPR.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Title and date from note attached to cover.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Newell, West Virginia. Notes: Business card attached to Betacam cover for Jerry Hughes, President, Hughes Television Productions, Inc.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label and cover include \"Squier/Knapp/Ochs\".\u003c/p\u003e","\u003cp\u003eProgram(s): Sarbanes Show.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=40:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=35:22.\u003c/p\u003e","\u003cp\u003eVenue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia. Notes: Betacam label includes \"Master\".\u003c/p\u003e","\u003cp\u003eVenue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Betacam cover includes \"Master Beta Copy\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:34.\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Edited Master\" and \"Stereo\".\u003c/p\u003e","\u003cp\u003eProgram(s): On the Record. Notes: TRT=21:00.\u003c/p\u003e","\u003cp\u003eProgram(s): On the Record. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Daschle, Lautenberg, Rockefeller, Graham, Mosley, Braun\".\u003c/p\u003e","\u003cp\u003ePlace(s): Ripley, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Ripley, West Virginia. Notes: Betacam label includes \"B-roll and WV interviews (RAW)\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:10.\u003c/p\u003e","\u003cp\u003eVenue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eVenue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=5:10.\u003c/p\u003e","\u003cp\u003ePlace(s): [Buffalo, West Virginia].\u003c/p\u003e","\u003cp\u003ePlace(s): Buffalo, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Buffalo, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=32:00. Videocassette label includes \"B-roll — campaign kickoff 2002, footage from 1996 of veteran \u0026amp; miner, Toyota plant footage 1/26/01.\"\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Master\" and \"The Washington Bureau\" with contact info.\u003c/p\u003e","\u003cp\u003eNotes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.\u003c/p\u003e","\u003cp\u003eNotes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.\u003c/p\u003e","\u003cp\u003ePlace(s): [Buffalo, West Virginia].\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Betacam cover includes \"Master\".\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Note attached to Betacam cover includes \"Chris, when you get a chance, please convert this into a digital file so Neysa can put it on our web site. Thanks, Allen Mattison\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:00.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Oglebay Resort — 500 dubs with logo — cut aways — interviews\".\u003c/p\u003e","\u003cp\u003eVenue(s): Ohio County Airport, Wheeling Senior Center. Place(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Democratic Technology \u0026amp; Communications Committee — Senator Tom Daschle, Democratic Leader — Senator Jay Rockefeller, Chairman\" and U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:56.\u003c/p\u003e","\u003cp\u003ePlace(s): Mercer County, West Virginia; McDowell County, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Toyota auto plant. Place(s): Buffalo, West Virginia.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Betacam label includes \"10:00 AM - 11:30 AM\".\u003c/p\u003e","\u003cp\u003eVenue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia. Notes: Event program and business card for Joseph Webb, II, Interim Manager, WVU Television Productions, enclosed.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=34:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00:00. Betacam label and cover include \"Master\" and \"Motion Masters, Inc.\" Business card enclosed from Mark Ferrell, Press Secretary for JDR.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=21:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=21:05.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes St. Louis Rams logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=17:00.\u003c/p\u003e","\u003cp\u003eVenue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=12:12.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=7:21.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=5:44.\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:26.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing; United States Senate Committee on Armed Services. Place(s): Washington, D.C. Notes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=24:37.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=19:10.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=20:00. Videocassette label includes \"10:50A-11A \u0026amp; 2:42P-2:52P\".\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=53:35.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=13:52.\u003c/p\u003e","\u003cp\u003eVenue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): Children's Commission Summit. Notes: Betacam label includes \"I. Rebuilding Caring Communities, II. Great Beginnings — Supporting Young Children and their Families, III. Educating America — Improving Schooling and the Transition to Work, IV. Creating a Culture of Responsibility for Children, Youth, \u0026amp; Families\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:30. Betacam label includes \"Credit — Children's Action Network\". Business card attached to Betacam cover for Jennifer Perry, Executive Director, with contact info.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:45.\u003c/p\u003e","\u003cp\u003eNotes: Title from note attached to cover.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Democratic Technology \u0026amp; Communications Committee\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=20:06.\u003c/p\u003e","\u003cp\u003eNotes: DVD label and cover include \"Senate Democratic Communications Center\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=38:00.\u003c/p\u003e","\u003cp\u003eNotes: DVD cover includes \"Friday Night — Saturday — Tatsuo Ikenaga — Shigehiko Ikenaga — Lloyd Ayers — Cathy Davis — Shigeji Ikenaga — White Water — Country Roads.\" Business cards enclosed from Someday Video Productions.\u003c/p\u003e","\u003cp\u003eNotes: TRT=53:00. DVD label includes \"START 6:10pm - STOP 7:03pm.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:39:00. DVD label includes \"START 9:25am - STOP 1:04pm.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:55:00. DVD label includes \"START 2:15pm - STOP 6:10pm.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight, NBC Nightly News. Network(s): CNN, NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): O'Reilly Factor. Network(s): Fox, CNN, NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News, Face the Nation. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News, Face the Nation. Network(s): CBS, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS News Sunday Morning. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight, The Situation Room. Network(s): CNN.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): A\u0026amp;E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): A\u0026amp;E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Countdown with Keith Olbermann. Network(s): Fox, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Biography. Network(s): A\u0026amp;E.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): MSNBC, CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=22:29.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:15:00. DVD label includes \"2:30 - 5:45 pm.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition with Wolf Blitzer. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The Situation Room. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): WDTV-TV, WVNS-TV. Place(s): Bridgeport, West Virginia; Monongalia County, West Virginia; Beckley, West Virginia; Raleigh County, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTAP-TV. Place(s): Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNotes: TRT=13:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=13:30.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: TRT=1:03.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV. Place(s): Webster County, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC, CNN, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC, CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003ePlace(s): Braxton County, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Dateline NBC. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): KDKA-TV, WCHS-TV, WOWK-TV, WVAH-TV, WVVA-TV, WTOV-TV, WTRF-TV, WBOY-TV, WDTV-TV. Notes: Broadcast schedule enclosed.\u003c/p\u003e","\u003cp\u003eNotes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026amp; Telecommunications Association\".\u003c/p\u003e","\u003cp\u003eNotes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026amp; Telecommunications Association\".\u003c/p\u003e","\u003cp\u003eNotes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026amp; Telecommunications Association\".\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Broadcasting.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Broadcasting.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Broadcasting.\u003c/p\u003e","\u003cp\u003eProgram(s): Charlie Rose, Countdown with Keith Olbermann, This Week. Network(s): PBS, MSNBC, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Countdown with Keith Olbermann, The Ed Show, The Situation Room, Hardball. Network(s): MSNBC, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): The Situation Room. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=13:20.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:10.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=22:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:15.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:40.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:50.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:21.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:55.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:30.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=25:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): NBC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:11.\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to letter (enclosed with 4050_xdc_0001 through 4050_xdc_0004) from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, this DVD contains the final version that was broadcast.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Rachel Maddow Show. Network(s): MSNBC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:44.\u003c/p\u003e","\u003cp\u003eProgram(s): Charlie Rose. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNotes: Includes DVD booklet.\u003c/p\u003e","\u003cp\u003eNotes: TRT=11:30.\u003c/p\u003e","\u003cp\u003eNetwork(s): A\u0026amp;E.\u003c/p\u003e","\u003cp\u003eNetwork(s): A\u0026amp;E.\u003c/p\u003e","\u003cp\u003ePlace(s): Montcoal, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV. Notes: Cassette label includes \"Beckley News Bureau\".\u003c/p\u003e","\u003cp\u003eProgram(s): Hello VIP. Network(s): Ch. 12 TV Tokyo. Place(s): Tokyo, Japan. Notes: Includes note to David Owens, from Yuichi Watanabe, Nikkei Visual Images, Inc., dated 1988/09/20.\u003c/p\u003e","\u003cp\u003ePlace(s): Minden, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): Rainelle, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Rainelle, West Virginia; Cabin Creek, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Martinsburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Martinsburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: U-matic cassette and cover label include \"Raw\".\u003c/p\u003e","\u003cp\u003eNotes: Attached business card from Mary Berecky, Anchor-Reporter, WDTV-5.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:53.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WMUR-TV. Place(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: A compilation of Christmas songs.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio, National Public Radio.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews. Notes: Enclosed note includes \"Audio CD\".\u003c/p\u003e","\u003cp\u003eNotes: Classical music track-list enclosed.\u003c/p\u003e","\u003cp\u003eProgram(s): All Things Considered. Network(s): West Virginia Public Radio, National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: Note attached to cover includes \"Masters\".\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, these optical discs contain unedited footage.\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, these optical discs contain unedited footage.\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, these optical discs contain unedited footage.\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, these optical discs contain unedited footage.\u003c/p\u003e","\u003cp\u003eNotes: Removed from Box 129 (Downtown moved to Depot). Sticky note attached to case includes \"Found in Rachel's old desk. Should be archived.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WTRF-TV, WCHS-TV, WTAP-TV, WOWK-TV.\u003c/p\u003e","\u003cp\u003eThe Clippings series contains newspaper clippings—original newsprint as well as photocopies—compiled by Senator Rockefeller's staff for distribution to the Senator and other staff members. Clippings primarily span Rockefeller's tenure in the U.S. Senate, but some clippings date to his second term as governor of West Virginia. Staff compiled clippings about the day's events and also maintained clippings that mentioned Rockefeller. Most of the clippings are arranged by topic, publication, or date range. Clippings within files arranged by topic or publication generally are ordered chronologically.  Some clippings arranged by date range are divided into morning and afternoon clippings, and these often are accompanied by indexes (tables of contents).  Finally, some files separate clippings created by West Virginia media from clippings created by national outlets. \u003c/p\u003e\n","\u003cp\u003eBeginning in approximately 2001, the staff began collecting clippings primarily from online news sources and wire services. Staff in the Washington, D.C. office maintained these digital clippings in the press files of the office's centralized shared drive. \u003c/p\u003e","\u003cp\u003eDigital file: Part 1 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File: Part 1 of 5 (Part 2)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 2 of 5 (part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 2 of 5 (part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 2 of 5 (part 2)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 3 of 5 (part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 3 of 5 (parts 1 and 2)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 3 of 5 (part 2), Part 4 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 4 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 4 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 4 of 5 (Part 2)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eThe Websites and Social Media series contains files used to create Senator Rockefeller's congressional website and archived versions of his congressional website, YouTube page, Facebook page, and Twitter feed. The 2008 and 2011 congressional website files were maintained by press staff. The 2014 archived website and social media files were captured using Hanzo Archives and ArchiveSocial in May-June 2014.\u003c/p\u003e","\u003cp\u003eThe Legacy Memos series includes 12 memos compiled by staff members in 2013 and 2014 following the Senator's announcement that he would retire from Congress. The Memos provide a comprehensive overview of Senator Rockefeller's service and accomplishments in several important issue areas in which he worked during his 30-year career in the U.S. Senate, as well as during his time as Governor of West Virginia, 1977-1985. They highlight major initiatives and legislation, such as the Children's Health Insurance Program (CHIP); treatment of service related illnesses, such as Gulf War Illness; the Coal Act of 1992; the Public Safety Spectrum Act; and many others.\u003c/p\u003e","\u003cp\u003eThe Memorabilia Subgroup contains plaques, awards, framed items, and other gifts given to Senator Rockefeller throughout his Senate career. Several foreign gifts from Asian countries are included. Some materials can also be found in the Awards and Honors series, which contains honorary degrees, awards, and medals.\u003c/p\u003e","\u003cp\u003e#84 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.\u003c/p\u003e","\u003cp\u003e#175 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.\u003c/p\u003e","\u003cp\u003eDrawing has signatures and notes surrounding it.\u003c/p\u003e","\u003cp\u003eThe beret features a flash patch with a standard blue with white stars. In the center is a enamel pin featuring a vertical arrow with two medals on either sides. The medals have red ribbons and the medals are blue with a star in the center.\u003c/p\u003e","\u003cp\u003eBlueprints created by Diamond Group Inc., Odessa, Deleware.\u003c/p\u003e","\u003cp\u003ePosters feature the U.S. Steel Tower, Hays Mine Treatment Plant, E. H. Aldrich Station, Omni William Penn Hotel, Duquesne Light Company, and David Lawrence Convention Center.\u003c/p\u003e","\u003cp\u003eNote on back reads: \"To one among a new person who helped her. From Yen, Ling Hsing, 90 years old.\"\u003c/p\u003e","\u003cp\u003ePresented by Americorps VISTA\u003c/p\u003e","\u003cp\u003eAward honoring members of congress who have made substantial contributions in support of the United States Coast Guard.\u003c/p\u003e","\u003cp\u003eIn recognition of Rockefeller's advocacy on behalf of West Virginia consumers, workers, and their families and his efforts to protect our nations civil justice system.\u003c/p\u003e","\u003cp\u003eFor Rockefeller's efforts in the Second Session of the 108th Congress to strengthen American's health centers and preserve access to vital health care services for more than 15 million uninsured and medically underserved Americans.\u003c/p\u003e","\u003cp\u003ePresented in grateful recognition of his contribution to the well-being of America's veterans as a member of the United States Senate\u003c/p\u003e","\u003cp\u003eTwo Toyota Pistons with Toyota and West Virginia gold labels.\u003c/p\u003e","\u003cp\u003eVase is blue and green. The green is on the bottom and comes up like flames to the top.\u003c/p\u003e","\u003cp\u003eGiven in recognition for his support of Wheeling-PIttsburgh Steel and its employees.\u003c/p\u003e","\u003cp\u003eImage is in a flat greenish-yellow cloth covered box with flowers on it.\u003c/p\u003e","\u003cp\u003eIn recognition of unwavering support of a constitutional amendment to protect the flag from physical desecration.\u003c/p\u003e","\u003cp\u003eFor recognition of your outstanding personal contribution to the Americans for whom, on May 20, 1988, President Ronald Regan signed the Radiation Exposed Veterans Compensation Act.\u003c/p\u003e","\u003cp\u003ePresented at the national forum: \"Strong Families for Strong Communities\".\u003c/p\u003e","\u003cp\u003ePresented by the National Association of Community Health Centers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.  The records were maintained by Senator Rockefeller's Washington, DC, office and West Virginia state offices in Charleston, Beckley, Fairmont, and Martinsburg. Record formats include papers, audiovisual materials, born-digital resources, photographs, and memorabilia. The collection consists of approximately 2011 linear feet of paper records and two terabytes of electronic records.","The first subgroup, Constituent Services, reflects the work Senator Rockefeller and his staff performed for the state and people of West Virginia. It consists of constituent casework, issue mail, grant and project files, and academy files. ","The second subgroup, Legislative files, is composed of materials related to legislative and committee work. Legislative staff files; subject files; correspondence; committee files; and legislative activities, voting records, and accomplishments comprise this subgroup. ","The third subgroup, Press files, illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. ","The fourth subgroup, Personal and Political files, consists of Legacy Memos, schedules, personal files and correspondence, campaign files, and trip files.  ","The fifth subgroup, Office files, contains a small number of office management files. ","The sixth subgroup, Memorabilia, consists of a large collection of framed items, plaques, and objects, many of which Senator Rockefeller received as gifts during his service. It contains a large number of foreign gifts, particularly from Japan and Taiwan. ","The Press files subgroup illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. Much of the Press files subgroup is open for research.","The Speeches and Statements series contains transcripts of Senator Rockefeller's remarks given both inside and outside of the Senate. Speeches range in date from 1985 to 2014 and cover the 99th Congress to the 106th Congress, as well as various topics for which Senator Rockefeller gave speeches and talks outside of the Senate. Subjects include health care, education, foreign relations, graduation speeches, economic issues, campaign speeches, and speeches to political contributors. The series also contains remarks and public announcements, as well as committee statements. Beginning in 2001 through 2014, most speeches were created and saved digitally.","4 of 5 folders","5 of 5 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","1 of 2 folders","2 of 2 folders","1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.","1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.","1). award rercieved from the anti-defamation league. 2). speech to political contibutors: baseball story in Emmans, WV, experiences in public offices, introductions: Geoff Garon, Bob Squier, Cheryl Braner, Martha Wehrle, Tamera Stanton, Lane Baily. 3). Joe Grandmiaser - New Hampshire: deals with contrasts between NH and WV, acid rain, pollution, over half of NH powers WV, clean air, technology. 4). U.S. military aid to the Contras: advocates diplomatic and economic presence against Sandinista. 5). Committee hearing on nomination of James Fletcher: SDI, space plane, NASA, DOD joint venture. 6). present condition of America: present condition, call for commitment to serve society. 7). Wheeling - Nisshin dedication remarks introduces: Jack, Chairman Abe, Lloyd Labensky, Governor Moore, Mayor Dalessio; Japanese steel mill located in West Virginia. 8). Remarks of the senator at the Democrats for the 80's dinner: election of 958, ad-lib praise for Bob Graham. 9). remarks for the AIPAC breakfast: foreign relations, Israel support. 10). coal and steel problems facing West Virginia and nation. 11). business roundtable - international trade: fundraiser with Bob Graham. 12). Mitchel amendment - amend to tax bill: JDR supports amendment, argues against low capital gains tax. 13). points on tax shelters and passive losses. 14). Points for Princeton and/or Beckley Chamber meetings. Theme \"Getting coal moving now more important than ever.\" Reform staggers act. imported electric power from Canada. Colombian imports. exporting coal. 15). talking points on revenue sharing: accounts for 25% of all tax revenue for WV. 16) points on coal import amendment by Senator Ford. 17). remarks at Huntington Mall: importance of small businesses - SBA awards. 18). Shoemaker Square talking points: hall of fame, Mayor Shoemaker.","The Press releases series contains releases and media advisories created in Senator Rockefeller's office and distributed to media outlets. Releases range in date from 1988 to 2014.  Subjects of news statements and releases include health care, education, veterans, coal and steel industries, foreign relations, specifically with Japan and China, and other topics specific to West Virginia. The series also contains Congressional Records that were released monthly with news statements and press releases, as well as public announcements regarding special topics, such as Toyota Engine Plant expansion, Diamond Electric opening, and Gulf War veteran's treatment field hearings. There are also weekly commentary articles included and press kits on topics such as China Steel and West Virginia Coal and Public Safety. Beginning in 2001 through 2014, press releases were created and saved digitally.","1 of 2 folders","2 of 2 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","The Photographs series contains print and digital images relating to Senator Rockefeller's personal life and political career and spans the years 1960 to 2014. The bulk of the photographs relate to his time as Senator. Most were taken by official Senate photographers, and some appear to have been taken by members of his staff. Photographs officially associated with his career in the Senate are stamped with a label on the back, while those taken by a professional photographer often are watermarked or labeled as such. The photographs range in size from 3\" x 3\" to 11\" x 14\", and can be found in black and white as well as color. Various negatives and contact sheets are also included and noted on the folders.","Photographic topics include scenes of speeches, campaign events, political meetings and hearings, formal governor and Senate portraits, personal and candid shots, and visitations throughout West Virginia, Washington, D.C., and abroad, namely in Japan, China, and Thailand. Images from the 1960s also relate to his time spent as a VISTA volunteer in Emmons, WV. Some photographs document the various institutions and organizations that Rockefeller brought to West Virginia, such as Toyota, as well as his topics of interest including cyber security, education, senior citizen welfare, manufacturing, and coal. Individuals represented throughout the photographs include various United States presidents, members of Congress, staff members, constituents, foreign dignitaries, and family members. ","Senator Rockefeller is referred to as \"JDR\" on folder and photograph descriptions, and some files include staff notes and press releases.","The Senate Photographic Studio (SPS) file contains digital photographs of JDR in Senate hearings, swearing-in ceremonies, in his Washington, D.C. office with constituents, and at other events, 1985-2014. The files were transferred on an external hard drive and arranged chronologically. The SPS scanned print photographs from JDR's early years in the Senate, and beginning in the mid-2000s, SPS photographers began using digital cameras to capture images. The years 1996 and 1998-2000 do not have images.","The Audiovisual Materials series contains moving image and sound recordings of Senator Rockefeller's activities throughout his Senate career. Records relate to legislative activities, such as hearings of the committees on which Senator Rockefeller served and of other bodies, such as the U.S. Senate Committee on Armed Services, the National Commission on Terrorist Attacks Upon the United States (\"9/11 Commission\"), the U.S. Senate Committee on Homeland Security and Governmental Affairs, and the National Security Agency.  ","Other activities documented include bill introductions, debates, votes, and nominations; speeches, such as State of the Union addresses and opposition responses and  Democratic National Conventions; summits, such as the National Summit on Children and Families; forums, such as the New Hampshire Democratic Health Forum; town hall meetings; roundtable discussions; conference calls; luncheons and dinners; visits to schools and hospitals; campaigns, rallies, and elections; and ceremonies, such as award presentations, ground breaking, presidential inauguration, retirement celebrations.  ","Subjects include the intelligence community; terrorism; airline security; chemical and nuclear weapons; telecommunications (e.g., cybersecurity, wire-tapping); the Persian Gulf War (1991); the Iraq War (2003-2011); health care reform; aging; Alzheimer's disease; the Children's Health Insurance Program; spina bifida; veterans' health (e.g., Gulf War syndrome); prescription drugs; Medicare; Medicaid; retirement; Social Security; welfare; child support; taxes; labor (e.g., unions, strikes, minimum wage); the federal budget; commerce; trade (e.g., Fast Track, General Agreement on Tariffs and Trade, North American Free Trade Agreement); product liability; coal, steel, and automotive industries; coal miners' health (e.g., black lung disease, mine safety); business in West Virginia; energy and the environment (e.g., alternative fuels, clean air); education; and national service (e.g., Volunteers in Service to America).  ","Many items contain television and radio news segments, interviews, and live coverage, but there are also campaign advertisements, video press releases with b-roll, some documentaries (e.g., Biography: \"The Rockefellers,\" 1994), music compilations (including JDR as a guest conductor), and unedited footage.","Television networks that produced material in this series include: A\u0026E, ABC, CBS, Christian Broadcasting Network, CNBC, CNN, C-SPAN, Fox, History Channel, MSNBC, NBC, PBS, and West Virginia Public Television.","Local television stations that produced material in this series include: KDKA, KIRO, WBOY, WCHS, WDTV, WETA, WGBH, WOAY, WOWK, WSAZ, WTAP, WTOV, WTRF, WTVJ, WVAH, WVNS, and WVVA.","Television programs excerpted in this series include: 60 Minutes, 60 Minutes II, The 700 Club, Biography, Charlie Rose, Dateline NBC, Face the Nation, Fox and Friends, Frontline, Good Morning America, Hardball, Larry King Live, Late Edition, Lou Dobbs Tonight, Meet the Press, Moneyline, NBC Nightly News, NewsHour, NewsNight, Nightline, Primetime Live, The MacNeil/Lehrer NewsHour, The Rachel Maddow Show, The Situation Room, The Today Show, This Week, Washington Week in Review, Weekend Live, and World News Tonight.","Radio networks and local radio stations that produced material in this series include: ABC Radio, KABC, KFBK, Minnesota Public Radio, National Public Radio, WAMU, WCHS, WEPM, West Virginia MetroNews, WETA, WGMS, WJEH, WJLS, WRKY, WRNR, WSTV, WSTV, and WWYO.","Radio programs excerpted in this series include: All Things Considered, the Christine Craft Show, Hal Bruno's Washington, John McLaughlin's One on One, Morning Edition, Talk of the Nation, Talkline, The Diane Rehm Show, and The Michael Jackson Show.","Organizations included in this series, in addition to those mentioned above, are: Alzheimer's Association; American Association of Retired Persons; American Hospital Association; Blanchette Rockefeller Neurosciences Institute; Charleston Area Medical Center; Chlopak, Leonard, Schechter \u0026 Associates; Eastern Panhandle Free Clinic; Elm Grove Elementary School; Fairfax Hospital; League of Women Voters; Mayo Clinic; Morgantown High School; National Commission on Children; National Policy Council; Peyton Elementary School; Philips; Rainelle Medical Center; Shepherd College; Sino Swearingen; Toyota Motor Corporation; United Mine Workers of America; United Steelworkers of America; University of Charleston; University of New Hampshire; Veterans' Affairs Medical Centers; Webster County High School; Weirton Steel; West Virginia University; Weston State Hospital; Wetzel County Hospital; Wheeling Hospital; Wheeling-Pittsburgh Steel; and Yale University.","People mentioned within this series include: Charlene Barshefsky, Osama Bin Laden, Wolf Blitzer, George W. Bush, Robert C. Byrd, Gaston Caperton, Shelley Moore Capito, Hillary Rodham Clinton, Bill Clinton, Lou Dobbs, Johnny Reid Edwards, Al Gore, Hoppy Kercheval, John Kerry, Larry King, Jessica Lynch, Joe Manchin III, Chris Matthews, Arch Moore, Barack Obama, Keith Olbermann, Condoleezza Rice, Charlie Rose, Arlen Specter, and Paula Zahn.   ","Places in West Virginia represented in this series include: Beckley, Benwood, Boone County, Buffalo, Cabin Creek, Charleston, Clarksburg, Fairmont, Fayette County, Hancock County, Huntington, Kenova, Martinsburg, McDowell County, Mercer County, Minden, Monongalia County, Montcoal, Morgantown, Moundsville, Mullens, New Martinsville, Newell, Nicholas County, Oak Hill, Parkersburg, Pineville, Pleasants County, Princeton, Rainelle, Randolph County, Ravenswood, Richwood, Ripley, Shady Spring, Shepherdstown, Shrewsbury, Stanaford, Webster County, Weirton, Weston, Wetzel County, and Wheeling.  ","Other places associated with this series include: Abu Ghraib, Iraq; Alabama; Arlington, Virginia; Atlanta, Georgia; Baghdad, Iraq; Boston, Massachusetts; Chicago, Illinois; Concord, New Hampshire; Durham, New Hampshire; Gallipolis, Ohio; Goreham, New Hampshire; Japan; Miami, Florida; New Hampshire; New Haven, Connecticut; New York, New York; Pittsburgh, Pennsylvania; Rye, New Hampshire; Steubenville, Ohio; Taiwan; Tokyo, Japan, and Washington, D.C. ","Network(s): WGBH-TV, PBS. Notes: TRT=58:31.","Network(s): WGBH-TV, PBS.","Network(s): Ch. 6.","Notes: Videocassette label includes \"Squier Knapp Ochs Comm.\"","Notes: Note attached to videocassette cover includes \"5 min. spot that ran before forum\".","Notes: [TRT=7:45].","Place(s): Charleston, West Virginia. Notes: TRT=4:28. Business card enclosed from Gerald McDonald, President, Huntington Area Development Council.","Notes: TRT=8:27.","Notes: TRT=22:00.","Program(s): The Today Show, CBS This Morning. Network(s): NBC, CBS.","Program(s): On the Record. Notes: TRT=28:52.","Notes: Videocassette label includes \"Squier-Eskew-Knapp\".","Network(s): Ch. 5, Ch. 12.","Notes: TRT=30:00.","Program(s): Nightly News. Network(s): NBC. Notes: Videocassette label includes \"NBC WASHINGTON\" and logo.","Venue(s): Harkness Auditorium, Yale University School of Medicine. Place(s): New Haven, Connecticut. Notes: TRT=1:06:00.","Network(s): CNN.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): CNN.","Program(s): Fox Morning News. Network(s): Fox.","Program(s): Meet the Press. Network(s): NBC.","Notes: Videocassette label includes \"4:30 PM - 8:30 PM\".","Notes: TRT=15:00.","Network(s): CNN.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"JDR defining Dem. Party\".","Network(s): WGBH-TV. Notes: TRT=1:00:00. Videocassette label and cover include WGBH logo.","Program(s): Fox Morning News. Network(s): Fox, WETA-TV.","Notes: Videocassette label includes \"Broadcast News Reports\".","Network(s): ABC. Notes: TRT=1:47:00.","Program(s): NBC News. Network(s): NBC. Notes: Videocassette label includes \"JDR: \"If George Bush had to run on his record, he would be run out of town.\"","Network(s): CBS, NBC.","Network(s): C-SPAN, CBS, NBC, CNN, ABC, Fox, . Notes: TRT=2:04:00.","Network(s): WCHS-TV, ABC. Notes: Videocassette label includes \"6PM\".","Network(s): WSAZ-TV, NBC, WCHS-TV, ABC. Notes: Videocassette label includes \"11:00\".","Network(s): WOAY-TV, ABC. Place(s): Oak Hill and Beckley, West Virginia.","Network(s): C-SPAN. Notes: TRT=1:30:00.","Network(s): CNN, ABC, Fox, NBC, PBS.","Program(s): John McLaughlin's One on One, The McLaughlin Group. Network(s): PBS.","Program(s): Fox Morning News. Network(s): Fox.","Program(s): Face the Nation. Network(s): CBS. Place(s): Washington, D.C.","Notes: TRT=39:00. Videocassette label and cover include \"Capitol Video Communications, Inc.\" and logo.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Network(s): ABC.","Network(s): CBS, Fox.","Notes: TRT=7:27.","Notes: TRT=1:50:00.","Place(s): Parkersburg, West Virginia.","Notes: TRT=1:34:00.","Event(s): Democratic National Convention. Venue(s): Madison Square Garden. Place(s): New York, New York.","Notes: Three copies held; 40+ additional copies to be returned or recycled. Five copies removed from A\u0026M 4050 III. A. \"How the President's Health Care Plan Works\" video, 1992.","Notes: TRT=12:30. Videocassette cover includes \"A Government Service Message from the nurses of the National Nurses in Business Association.","Network(s): WGBH-TV.","Network(s): CNN.","Network(s): NHK (Japan Broadcasting Corporation).","Network(s): C-SPAN. Notes: TRT=20:00. Videocassette label and cover indicate that C-SPAN distributed this videocassette.","Program(s): Fox Morning News. Network(s): Fox. Notes: Videocassette label includes \"8:25 AM\".","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Event(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.","Event(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.","Program(s): Good Morning America, Moneyline, Nightline. Network(s): ABC, CNN, CBS.","Program(s): Nightline. Network(s): ABC.","Program(s): The MacNeil/Lehrer NewsHour, Nightline. Network(s): PBS, ABC. Notes: TRT=2:38:00.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Program(s): The MacNeil/Lehrer NewsHour, Eye on America. Network(s): PBS, CBS. Notes: TRT=1:03:00.","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette cover includes \"SDG-50\" and \"DPC 'raw tape'\".","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Notes: TRT=15:00.","Network(s): WTVJ-TV. Place(s): Miami, Florida.","Network(s): WTVJ-TV. Place(s): Miami, Florida.","Place(s): Washington, D.C. Notes: Videocassette label includes \"SDG-50\" and \"DPC 'raw tape'\".","Place(s): Washington, D.C.","Program(s): Eye on America. Network(s): NBC, CNN, CBS.","Notes: Videocassette label includes \"11:30 PM\".","Network(s): NBC.","Network(s): CNN.","Network(s): WGBH-TV.","Program(s): Nightline. Network(s): ABC. Notes: TRT=30:00.","Network(s): CBS.","Network(s): NBC.","Program(s): Good Morning America. Network(s): ABC. Notes: TRT=2:00:00.","Network(s): CNN.","Network(s): CNBC.","Place(s): Washington, D.C.","Program(s): CBS Morning News. Network(s): CBS.","Notes: TRT=6:13 (approximate). Broadcast schedule enclosed.","Network(s): CBS.","Network(s): NBC.","Place(s): Weirton, West Virginia. Notes: TRT=4:00.","Program(s): Good Morning America. Network(s): ABC. Notes: TRT=2:25.","Notes: TRT=5:18.","Notes: TRT=6:03.","Notes: TRT=58:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): ABC. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=6:30.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Dub\".","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Master\".","Place(s): Washington, D.C.","Network(s): CNBC.","Network(s): CNN.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=0:30. Videocassette label includes \"Clinton/Gore Creative Team.\"","Place(s): Charleston, West Virginia.","Notes: TRT=7:30. Videocassette cover includes \"John Franzén Multimedia\" and logo.","Place(s): Washington, D.C.","Notes: TRT=1:00. Videocassette label includes \"Greer, Margolis, Mitchell, Grinwald \u0026 Assoc.\"","Place(s): Washington, D.C.","Place(s): Princeton, West Virginia.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=10:00.","Program(s): Face the Nation. Network(s): CBS.","Place(s): Atlanta, Georgia.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Grunwald \u0026 Associates,\" and \"Capitol Video Communications, Inc.\" and logo.","Event(s): Presidential debates.","Network(s): ABC.","Notes: Videocassette cover includes \"John Franzén Multimedia\" and logo.","Network(s): ABC. Event(s): Presidential election.","Network(s): CNN.","Notes: TRT=25:00.","Notes: TRT=33:00.","Notes: Note attached to videocassette cover includes \"This tape has Tommy Boggs delivering JDR's remarks re: Ron Brown since JDR could not attend.\"","Network(s): C-SPAN.","Notes: Copyright USA Health Network Company, Inc.","Place(s): Huntington, West Virginia. Notes: TRT=12:15. Attached note includes \"WV Economic Development Tapes.\"","Network(s): ABC. Notes: TRT=1:00:00.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): Primetime Live. Network(s): ABC. Notes: TRT=58:00.","Event(s): United States presidential inauguration. Place(s): Washington, D.C.","Network(s): C-SPAN.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Program(s): Inside Politics. Network(s): CNN. Event(s): State of the Union Address. Place(s): Washington, D.C. Notes: Videocassette label includes \"4:30 PM\".","Notes: TRT=30:00.","Network(s): CNN.","Network(s): CNN. Place(s): Pineville, West Virginia.","Network(s): ABC, NBC.","Notes: TRT=approximately 48:00. Videocassette label includes Medical News Network logo.","Program(s): The Today Show, Fox Morning News. Network(s): NBC, Fox. Notes: TRT=10:00.","Program(s): Prime News. Network(s): CNN. Notes: TRT=3:00:00.","Program(s): Fox Morning News. Network(s): Fox. Notes: Title only on note attached to videocassette cover.","Program(s): The Today Show. Network(s): NBC. Notes: Title only on note attached to videocassette cover.","Notes: TRT=3:21.","Notes: TRT=8:21.","Place(s): Washington, D.C.","Notes: TRT=40:00.","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=9:00.","Network(s): CBS, ABC. Notes: TRT=56:00.","Network(s): C-SPAN.","Program(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.","Notes: Videocassette label includes \"'Rainelle' — 'New Martinsville' — 'Martinsburg' — 'Cabin Creek'\".","Notes: Videocassette label includes \"MASTER\".","Network(s): WOAY-TV, ABC.","Place(s): [Morgantown, West Virginia]. Notes: Videocassette label includes \"West Virginia University Health Sciences Center\".","Network(s): CNN, CBS.","Network(s): ABC. Notes: TRT=3:00.","Network(s): C-SPAN. Notes: Copyright: 1992 National Cable Satellite Corporation.","Program(s): Frontline. Network(s): PBS.","Program(s): Frontline. Network(s): PBS. Notes: TRT=1:00. Videocassette label and cover include \"WETA\" and logo.","Notes: TRT=60:00.","Program(s): Inside Politics. Network(s): CNN.","Program(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=2:00:00.","Place(s): Chicago, Illinois.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Moneyline, Nightline. Network(s): CNN, ABC.","Network(s): WGBH-TV.","Place(s): Washington, D.C. Notes: Videocassette label includes \"5:45 PM\".","Network(s): ABC.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Network(s): WCHS-TV, ABC. Notes: Videocassette label includes \"11:00 PM\".","Place(s): Bluefield, West Virginia.","Place(s): Oak Hill, West Virginia.","Notes: TRT=1:05:00.","Program(s): NBC Today. Network(s): NBC. Notes: TRT=9:00.","Network(s): WVEA [West Virginia Education Association]/KTA. Notes: Business card attached, from Jackie Goodwin, Director of Communications, WVEA, with contact info and \"To: Marissa Spadafore — This is a copy of the video which Senator Rockefeller graciously was interviewed for. It was used as an internal membership piece for Kanawha County. I thought you would want a copy for your files.\"","Network(s): ABC. Notes: TRT=3:00.","Notes: TRT=17:00.","Program(s): Moneyline. Network(s): CNN.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns and Associates,\" and \"Henninger Video\" and logo.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=6:00.","Program(s): Sunday Journal. Network(s): C-SPAN. Notes: Business card attached, from Geoffrey Baum, Producer, C-SPAN, with contact info.","Place(s): Minnesota. Notes: Videocassette cover includes \"Mayo Clinic\" and logo.","Program(s): Face the Nation, Meet the Press. Network(s): CBS, NBC. Notes: TRT=1:30:00.","Notes: TRT=30:00.","Notes: TRT=53:00.","Network(s): WSAZ-TV.","Network(s): WSAZ-TV, WCHS-TV, WOWK-TV.","Notes: TRT=45:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): CBS, PBS.","Notes: TRT=57:00.","Notes: TRT=57:00.","Place(s): Newell, West Virginia.","Notes: TRT=58:49.","Place(s): Washington, D.C.","Network(s): ABC.","Program(s): Late Edition. Network(s): CNN.","Notes: TRT=28:30.","Notes: TRT=4:47. Videocassette label and cover include \"Henninger Video\" and logo.","Notes: TRT=3:06. Videocassette label and cover include \"Henninger Video\" and logo.","Notes: TRT=2:00:00.","Notes: TRT=27:36. Removed from A\u0026M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.","Notes: TRT=57:27.","Program(s): The Today Show, Late Edition. Network(s): NBC, CNN. Notes: TRT=6:00.","Program(s): Nightline, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=54:00.","Notes: TRT=12:00.","Network(s): CBS. Notes: TRT=2:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Notes: TRT=6:00.","Place(s): Pittsburgh, Pennsylvania.","Network(s): ABC, NBC. Notes: TRT=4:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Program(s): Moneyline. Network(s): CNN.","Notes: TRT=0:30. Videocassette label and cover includes \"Modern Video Productions\" and logo.","Network(s): CNN.","Program(s): The Today Show, The MacNeil/Lehrer NewsHour. Network(s): NBC, PBS. Notes: TRT=19:00.","Place(s): Weston, West Virginia. Notes: TRT=1:30:00.","Program(s): Washington Week in Review. Network(s): PBS. Notes: TRT=26:46.","Notes: Videocassette label and cover include \"Squier/Knapp/Ochs\".","Notes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.","Notes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.","Network(s): C-SPAN.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=27:00.","Notes: TRT=1:00 (approximate). Videocassette label and cover include \"Chlopak, Leonard \u0026 Schechter,\" and \"Henninger Video\" and logo.","Place(s): Washington, D.C. Notes: TRT=12:00.","Place(s): Washington, D.C.","Program(s): Today, CBS This Morning. Network(s): NBC, CBS. Notes: TRT=4:00.","Program(s): Primetime Live. Network(s): ABC.","Place(s): Richwood, West Virginia. Notes: TRT=1:35:00 (approximate). Videocassette label includes \"airmaster copy.\"","Network(s): C-SPAN.","Network(s): C-SPAN.","Network(s): NBC. Notes: TRT=3:00.","Program(s): Biography. Network(s): A\u0026E Television Networks. Notes: Title from videocassette cover, which also includes \"12/26/06\"; no videocassette labels.","Place(s): Washington, D.C.","Network(s): WSAZ-TV.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: TRT=14:00.","Network(s): ABC. Notes: TRT=5:00.","Notes: TRT=1:00 (approximate). Videocassette label and cover includes \"Complete Post, Inc.\" and logo.","Network(s): ABC. Notes: TRT=4:49.","Network(s): ABC. Notes: TRT=5:00.","Notes: Videocassette label and cover include \"Grunwald Eskew \u0026 Donilon,\" and \"Henninger Capitol\" and logo.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=7:00.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=1:30:00. Videocassette label includes \"West Virginia Department of Health \u0026 Human Resources.\" Letter enclosed from Ann H. Garcelon, Communications Director, State of West Virginia Department of Health and Human Resources, to JDR re: this \"Public Health Teleconference.\"","Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=7:00.","Network(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.","Network(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.","Place(s): Huntington, West Virginia.","Notes: Letter, and business card, enclosed from Gretchen Goldsmith, Producer, The Crusaders, to Dan Rauh includes \"Per the instructions of Ralph Rivera of PT Phone Home, enclosed is a copy of The Crusaders' segment on the organization. Ralph indicated that the tape would be shown to the member of the Senate Veterans' Affairs Committee.\" Enclosed note includes \"To: Todd Glass — Return to Dan Rauh, Vets' Committee.\"","Notes: TRT=29:10.","Network(s): Ch. 3, Ch. 8, Ch. 13.","Network(s): CNN. Place(s): Kenova, West Virginia.","Notes: Videocassette cover includes \"John Franzén Multimedia\" and logo.","Network(s): WOWK-TV.","Event(s): State of the Union address. Place(s): Washington, D.C.","Notes: TRT=5:00.","Notes: TRT=1:15:00.","Notes: TRT=1:32:00.","Network(s): CNN.","Notes: TRT=15:00.","Notes: TRT=15:00.","Notes: TRT=11:40. Attached note includes \"Todd: For your viewing pleasure — Be kind --- we're still improving! [signed] K\".","Program(s): 60 Minutes. Network(s): CBS.","Notes: TRT=25:30. Attached note includes \"Todd — Please save in the JDR-WV great video clips. Thanks.\"","Notes: TRT=32:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=10:00.","Notes: TRT=2:10.","Place(s): New Martinsville, West Virginia.","Notes: Videocassette label and cover includes \"Modern Video Productions\" and logo.","Place(s): Washington, D.C.","Network(s): KIRO-TV. Notes: TRT=51:00. Videocassette label includes \"Third Avenue Productions.\"","Notes: TRT=2:00 (approximate).","Notes: TRT=29:50.","Network(s): ABC, C-SPAN. Notes: TRT=1:38:00.","Network(s): ABC, C-SPAN. Notes: TRT=1:38:00.","Event(s): [National Press Club annual dinner]. Place(s): Washington, D.C. Notes: Business card enclosed from Melissa M. Bender, Executive Assistant to the President, National Press Club.","Network(s): C-SPAN.","Place(s): Topeka, Kansas. Notes: Attached note includes \"Laura Quinn — 109 HART\".","Place(s): Beckley, West Virginia; [Welch, West Virginia].","Network(s): WNPB-TV.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette label includes \"TIME: 9:28 to 11:54\".","Notes: Attached note includes \"Mindy/Rich/others — For your viewing pleasure. JDR at M.U. [signed] Lou Ann\".","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=46:00.","Place(s): Washington, D.C.","Place(s): Shrewsbury, WV.","Network(s): WVVA-TV.","Network(s): WOAY-TV, WVVA-TV.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): WSAZ-TV. Notes: TRT=30:00.","Notes: Videocassette label and cover include \"Squier Knapp Ochs,\" and \"Interface Video Systems, Inc.\" and logo.","Notes: TRT=9:58. Videocassette label includes \"Fingerhut, Powers, Smith \u0026 Associates, Inc.\" and \"David Sandretti \u0026 Phil Smith, Producers.\" Includes pamphlet from Save America's Families Coalition.","Place(s): Arlington, Virginia.","Notes: TRT=1:30 (approximate). Television commercial script enclosed for each ad.","Program(s): The MacNeil/Lehrer NewsHour, ABC World News Tonight. Network(s): PBS, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Notes: TRT=5:22.","Program(s): CBS Evening News. Network(s): CBS.","Place(s): Washington, D.C.","Program(s): Nightline. Network(s): ABC.","Notes: TRT=20:00.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Notes: Appears to have been transferred to DVD.","Notes: Appears to have been transferred to DVD.","Network(s): [WSWP-TV].","Notes: Enclosed is an index to the 15 ads, re: Paul Wellstone, Max Baucus, and Jack Reed.","Network(s): WVVA-TV. Event(s): State of the State address. Place(s): Beckley, West Virginia.","Network(s): CBS.","Network(s): CBS. Notes: Attached note refers to an enclosed story on miners legislation with JDR and Alan Law.","Event(s): State of the Union address. Place(s): Washington, D.C.","Notes: Has been transferred to DVD.","Notes: Has been transferred to DVD.","Network(s): CNN.","Network(s): WVVA-TV.","Program(s): CNN Presents. Network(s): CNN.","Network(s): WOAY-TV, CBS, CNN, NBC. Place(s): Wyoming; Washington, D.C.","Program(s): This Week, Nightline, The Today Show. Network(s): WCHS-TV, WSAZ-TV, WOAY-TV, WTRF-TV, CBS, ABC, NBC. Place(s): Charleston, West Virginia; Wheeling, West Virginia; Washington, D.C.; Clarksburg, West Virginia.","Place(s): Washington, D.C.","Network(s): WOWK-TV, WSAZ-TV.","Program(s): 60 Minutes. Network(s): WCHS-TV, CNN, CBS, ABC.","Notes: Attached note includes \"WCHS — 4-1-96\".","Program(s): NewsHour. Network(s): PBS. Notes: TRT=10:00.","Event(s): 50th anniversary of UMWA Health Fund. Venue(s): The White House. Place(s): Washington, D.C. Notes: Attached note includes \"These tapes are both raw footage…\".","Program(s): Larry King Live. Network(s): CNN.","Program(s): Larry King Live. Network(s): CNN.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Network(s): WBOY-TV. Place(s): Washington, D.C.; Bridgeport, West Virginia.","Network(s): Channel 5, Channel 12.","Program(s): 60 Minutes. Network(s): CBS, C-SPAN. Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: TRT=52:37.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Notes: TRT=10:33. Videocassette label includes \"The Arnold Agency\" and logo.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Program(s): Larry King Live. Network(s): CNN.","Notes: TRT=8:00.","Network(s): CNN, CBS, MSNBC.","Network(s): CNN.","Notes: TRT=00:30. Videocassette label includes \"Split Ch. Audio, Dub in Mix.\"","Program(s): Nightline. Network(s): ABC.","Program(s): The 700 Club. Network(s): Christian Broadcasting Network. Notes: Attached business card from Emily Murray, Assistant Producer, CBN News.","Program(s): Fox Morning News. Network(s): Fox.","Notes: TRT=0:30. Videocassette label and cover include \"KLM Video, Inc.\" and logo.","Place(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".","Place(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".","Notes: TRT=60:00.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=4:48.","Network(s): CNN. Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=4:35.","Place(s): Stanaford, West Virginia. Notes: TRT=6:30. Videocassette label includes \"Appalachian Video Productions, Inc.\"","Notes: Business cards attached from Barry Cohn, Broadcast Producer, Dept. of Science News, American Medical Association, and Emily Murray, Assistant Producer, CBN News.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Notes: TRT=45:00.","Notes: TRT=15:00.","Network(s): CTS News. Place(s): Taiwan. Notes: Enclosed note from Jennifer Zimdahl Galt, Chief of Information Unit, and AIT Spokesperson, includes \"Jane — As promised, please find enclosed a tape of the TV talk show interview with Senator Rockefeller. They only used a minute or so.\"","Network(s): WOWK-TV.","Network(s): NBC. Notes: TRT=2:00.","Network(s): CNN, CBS, MSNBC.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.","Network(s): ABC, CNN, NBC.","Place(s): Washington, D.C.","Notes: TRT=20:51.","Place(s): Washington, D.C.","Place(s): Wheeling, West Virginia. Notes: TRT:9:00.","Program(s): Good Morning America. Network(s): ABC.","Network(s): CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): NewsHour. Network(s): PBS.","Program(s): World News Tonight. Network(s): ABC. Notes: Videocassette label includes U.S. Senate logo. Attached note includes \"Senator Rockefeller, this is a \"rough\" cut of tomorrow's caucus video. —Kim.\"","Program(s): The Today Show. Network(s): NBC. Notes: TRT=3:00.","Network(s): WPBY-TV. Place(s): Clarksburg, West Virginia.","Event(s): Philips Lighting press conference.","Program(s): CBS Morning News. Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=17:00.","Network(s): CNN. Place(s): Washington, D.C.","Network(s): WFRF.","Program(s): Nightline. Network(s): ABC.","Notes: Videocassette label includes U.S. Senate logo.","Network(s): WCHS-TV, ABC, WOWK-TV, CBS.","Network(s): WSTV, WTRF-TV, CBS. Place(s): Wheeling, West Virginia.","Notes: TRT=0:59.","Place(s): Martinsburg, West Virginia.","Place(s): Mercer and McDowell Counties, West Virginia.","Place(s): [California].","Network(s): WCHS-TV, ABC, WSAZ-TV, NBC.","Program(s): Frontline. Network(s): WGBH-TV/PBS. Notes: Videocassette label includes \"WGBH\".","Notes: Videocassette cover includes \"Airport News and Training Network\" and attached business card from J. Spencer Dickerson, Executive Vice President, The American Association of Airport Executives\".","Notes: Videocassette cover includes \"Airport News and Training Network\".","Notes: TRT=10:00.","Program(s): Nightline. Network(s): ABC. Notes: TRT=21:56.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:58:00.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"Horizons Television, Inc.\"","Network(s): WOWK-TV, WCHS-TV, WSAZ-TV.","Network(s): WOWK-TV, WCHS-TV, WSAZ-TV.","Program(s): CBS Evening News. Network(s): CBS.","Network(s): WOAY-TV, ABC. Notes: Information from attached note; no videocassette labels.","Venue(s): The White House. Place(s): Washington, D.C. Notes: TRT=6:00:00. Videocassette label includes \"Social Security Administration Regional Public Affairs Office.\"","Network(s): WOWK-TV, WSAZ-TV.","Network(s): WTRF-TV.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Network(s): WTOV-TV.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Moneyline. Network(s): CNN.","Program(s): Internight. Network(s): MSNBC. Notes: TRT=7:40.","Network(s): MSNBC, Fox.","Program(s): Meet the Press. Network(s): NBC.","Network(s): WSAZ-TV.","Network(s): WCHS-TV.","Place(s): Beckley, West Virginia.","Notes: TRT=12:00.","Notes: Videocassette label and cover include \"Bozell Eskew Advertising\".","Network(s): News4 Camcare. Event(s): Dedication of the MS Clinic at the Charleston Area Medical Center. Venue(s): MS Clinic at the Charleston Area Medical Center. Place(s): Charleston, West Virginia. Notes: Includes letter, under Camcare Health Education and Research Institute letterhead, from Jerry Handley, Network Specialist, to Ms. Joy Sims, Press Office, Office of Senator Jay Rockefeller, regarding enclosed videotape containing excerpts of Rockefeller's remarks at the dedication of the MS Clinic at the Charleston Area Medical Center on May 24th, 1999.","Network(s): WVVA-TV, WOAY-TV. Venue(s): Rainelle Medical Center. Place(s): Rainelle, West Virginia.","Network(s): WSAZ-TV.","Network(s): WCHS-TV.","Network(s): WOWK-TV.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns \u0026 Associates, Inc.\" and logo.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Place(s): Mullens, West Virginia. Notes: TRT=9:35. Videocassette label includes \"West Virginia National Guard\" and \"Produced by Detachment 1, 196th MPAD, WVARNG.\"","Notes: TRT=1:26:00.","Event(s): Toyota Lexus Announcement. Place(s): Buffalo, West Virginia. Notes: Videocassette label includes \"Image Associates\" and logo.","Notes: Videocassette label and cover includes \"Motion Masters\".","Venue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia.","Network(s): WOWK-TV. Place(s): Charleston, West Virginia.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=2:00:00.","Notes: TRT=7:16. Videocassette label includes \"Produced by: Ray Miller, West Virginia University Television Productions.\"","Network(s): CNN.","Network(s): CNN. Notes: TRT=1:00:00. Videocassette label includes \"5:30 PM - 6:30 PM.\"","Network(s): Fox.","Network(s): WOWK-TV.","Notes: Has been transferred to DVD.","Notes: Business card enclosed from Mark Ferrell, Press Secretary for JDR.","Notes: TRT=8:08.","Notes: TRT=12:00. Has been transferred to DVD.","Notes: Has been transferred to DVD.","Notes: TRT=12:04.","Network(s): Channel 13. Notes: Content information from note attached to videocassette cover.","Notes: TRT=48:00. Has been transferred to DVD.","Place(s): Washington, D.C. Notes: No videocassette cover.","Network(s): CNNfn.","Event(s): United Steelworkers of America rally.","Network(s): CBS.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"11:00 PM\".","Network(s): WCHS-TV, ABC.","Network(s): WOAY-TV, ABC.","Place(s): Washington, D.C. Notes: TRT=15:00.","Network(s): Fox. Notes: TRT=5:00.","Notes: TRT=1:07:00.","Network(s): WOAY-TV, ABC.","Place(s): Shady Spring, West Virginia.","Network(s): WOAY-TV, ABC.","Notes: TRT=27:00.","Network(s): WOAY-TV, ABC.","Network(s): Fox.","Network(s): Fox. Notes: Videocassette label includes Fox News letterhead and contact info.","Network(s): NBC.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Notes: TRT=2:00 (approximate).","Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Network(s): WOAY-TV, ABC.","Notes: TRT=1:00. Videocassette cover includes \"version 6.\"","Network(s): WOAY-TV, ABC.","Network(s): CNN.","Network(s): West Virginia Public Broadcasting.","Program(s): Meet the Press. Network(s): NBC. Notes: Content information on videocassette cover only; videocassette unlabeled.","Network(s): WOWK-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.","Network(s): WSAZ-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.","Program(s): Paula Zahn Now. Network(s): CNN.","Program(s): Paula Zahn Now. Network(s): CNN.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Network(s): Fox.","Program(s): Studio B. Network(s): Fox. Notes: Videocassette cover includes \"3 PM\".","Network(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Network(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Notes: TRT=45:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=1:00:00.","Program(s): Late Edition, Weekend Live. Network(s): CNN, Fox.","Program(s): Late Edition, Weekend Live. Network(s): CNN, Fox.","Network(s): WOWK-TV, CBS, CNN, Fox.","Program(s): Nightly News, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.","Program(s): World News Tonight, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.","Program(s): Late Edition, Weekend Live, World News Tonight, American Morning, Fox and Friends, Larry King Live. Network(s): CNN, Fox, ABC, CNN, CNBC, NBC.","Network(s): WOAY-TV, ABC.","Program(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.","Place(s): Washington, D.C. Notes: TRT=5:00.","Network(s): WOAY-TV, ABC.","Place(s): Washington, D.C.","Program(s): NewsHour, Meet the Press, Late Edition. Network(s): Fox, PBS, NBC, CNN. Notes: Videocassette label includes \"Newshour (soundbite from tax conference meeting)\".","Place(s): Washington, D.C.","Program(s): American Morning, Today, Capitol Report, World News Tonight. Network(s): CNN, NBC, CNBC, Fox, ABC.","Program(s): Hardball. Network(s): MSNBC. Notes: TRT=9:00.","Network(s): CNN.","Network(s): NBC. Notes: TRT=6:00.","Network(s): ABC, CBS, NBC. Notes: TRT=1:30:00.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=55:00.","Network(s): CNN, MSNBC. Notes: TRT=≥1:00:00.","Network(s): CNN. Notes: Videocassette label includes \"5:40-6:15PM\".","Network(s): CNN. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Program(s): Fox News Sunday. Network(s): Fox. Notes: TRT=2:00.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=approximately 15:00.","Program(s): NBC Nightly News. Network(s): NBC.","Program(s): Hardball. Network(s): CNN, MSNBC.","Network(s): CNN.","Network(s): CNN, MSNBC, Fox.","Network(s): CNN.","Network(s): CNN. Notes: Videocassette label includes \"9:00am\".","Network(s): ABC, CBS, NBC. Notes: TRT=1:32:00.","Place(s): Washington, D.C. Notes: TRT=13:00.","Network(s): ABC.","Program(s): Fox News Sunday. Network(s): Fox.","Program(s): 60 Minutes II. Network(s): CBS. Notes: TRT=1:00:00.","Place(s): Washington, D.C. Notes: TRT=7:00. Videocassette label includes \"11:00 AM.\"","Program(s): Face the Nation. Network(s): CBS.","Network(s): ABC, CBS, NBC.","Network(s): C-SPAN. Notes: TRT=1:30:00. Videocassette label includes \"10:30 AM - 12:00 PM.\"","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=60:00.","Network(s): Fox. Notes: TRT=60:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"","Network(s): Fox. Notes: TRT=1:00:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"","Place(s): Washington, D.C. Notes: TRT=11:00.","Program(s): Hardball. Network(s): MSNBC.","Program(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.","Network(s): WBOY-TV, West Virginia Media. Notes: Videocassette label includes WBOY-TV logo.","Program(s): Face the Nation. Network(s): CBS. Notes: TRT=30:00.","Network(s): CNN. Notes: No videocassette cover.","Network(s): WSAZ-TV, NBC. Place(s): Huntington, West Virginia. Notes: Videocassette label includes \"6:30AM.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Notes: No videocassette cover.","Place(s): Richwood, West Virginia.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=60:00.","Notes: TRT=11:58.","Notes: TRT=11:58. Has been transferred to DVD.","Notes: TRT=8:08. Has been transferred to DVD.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=21:04.","Network(s): Fox.","Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"6-7:00 PM.\"","Network(s): MSNBC. Notes: TRT=60:00. Videocassette label includes \"7-8:00 PM.\"","Program(s): NBC Nightly News. Network(s): CBS, NBC. Notes: TRT=12:00.","Program(s): CBS Evening News, NBC Nightly News, MSNBC Hardball, CNN Late Edition. Network(s): CBS, NBC, CNN, MSNBC, Fox. Notes: Videocassette label indicates 13 segments.","Network(s): CNN. Notes: TRT=1:00:00.","Network(s): CNN. Notes: TRT=1:00:00.","Program(s): Late Edition Sunday. Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"12:00 - 1:00 PM.\"","Program(s): 60 Minutes. Network(s): CBS. Notes: Videocassette label includes \"John Nolen\".","Event(s): John Kerry rally in West Virginia.","Program(s): NBC News. Network(s): NBC. Notes: TRT=13:08.","Notes: TRT=21:05.","Network(s): WSAZ-TV, NBC. Notes: Videocassette label includes \"11:00pm.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).","Network(s): CNN.","Program(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.","Notes: TRT=3:35.","Notes: TRT=3:35.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Network(s): CNN, Fox.","Program(s): 60 Minutes. Network(s): CBS. Notes: TRT=14:00.","Program(s): CNN Sunday Edition. Network(s): CNN. Notes: TRT=1:00:00.","Program(s): ABC World News Tonight. Network(s): ABC, CNN.","Program(s): Charlie Rose. Network(s): PBS.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Network(s): CNN.","Network(s): Fox.","Place(s): Morgantown, West Virginia.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=1:00:00.","Program(s): Hardball. Network(s): MSNBC. Notes: TRT=1:00:00.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C. Notes: No videocassette cover.","Network(s): ABC, CBS, NBC. Notes: TRT=1:24:00.","Program(s): Fox News Sunday. Network(s): MSNBC, Fox. Notes: TRT=2:00:00. Videocassette label includes \"MSNBC 7-8PM July 9, Fox News Sunday July 11.\"","Network(s): CNBC, CNN. Notes: TRT=2:00:00. Videocassette label includes \"CNBC from 7-8PM and CNN from 10-11PM.\"","Network(s): CNN. Notes: TRT=1:00:00.","Program(s): NewsHour. Network(s): PBS.","Program(s): Hardball. Network(s): CNN, Fox, MSNBC.","Program(s): Face the Nation. Network(s): CBS. Notes: TRT=25:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=50:00.","Program(s): NewsNight. Network(s): CNN.","Network(s): CNBC. Notes: Videocassette label includes \"7-8:00 pm\".","Network(s): CNN.","Network(s): CNN.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: TRT=1:20:00.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Network(s): Fox. Notes: TRT=6:20.","Network(s): MSNBC. Notes: TRT=5:30.","Event(s): Government Affairs hearing. Notes: TRT=3:13:00.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=60:00.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Program(s): Hardball. Network(s): Fox, MSNBC, CNN.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:00:00.","Network(s): ABC, CBS, NBC. Notes: TRT=2:00.","Network(s): CNN.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=4:30:00.","Program(s): CBC [CBS] Evening News. Network(s): CBC [CBS].","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=2:05:00.","Program(s): NewsNight. Network(s): CNN.","Event(s): UN General Assembly meeting. Venue(s): UN General Assembly building. Place(s): New York, New York.","Event(s): Allawi speech to Congress. Place(s): Washington, D.C.","Network(s): CNN.","Program(s): Late Edition. Network(s): CNN.","Program(s): Late Edition. Network(s): CNN.","Network(s): CNN.","Network(s): Fox, CNN.","Network(s): CNN.","Network(s): CNN.","Program(s): This Week. Network(s): ABC, CNN.","Network(s): West Virginia Public Television.","Network(s): CBS. Notes: TRT=30:00.","Program(s): Face the Nation, The Early Show. Network(s): CBS.","Network(s): CNN.","Program(s): Lou Dobbs Tonight, Hardball. Network(s): CNN, MSNBC. Event(s): Trial of Saddam Hussein.","Network(s): Fox.","Program(s): Lou Dobbs Tonight. Network(s): CNN, Fox, NBC.","Program(s): Lou Dobbs Tonight. Network(s): Fox, CNN. Event(s): State of the Union Address. Place(s): Washington, D.C.","Network(s): Fox.","Program(s): Late Edition. Network(s): CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: Videocassette label includes U.S. Senate logo.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:20:00. Videocassette label includes \"10:00 AM - 1:19 PM.\"","Network(s): CNN.","Network(s): Fox.","Network(s): Fox, CNN.","Program(s): Frontline. Network(s): PBS.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=25:00.","Network(s): NBC.","Program(s): 60 Minutes II. Network(s): CBS.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:56:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=42:00.","Place(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Geoff Garin\".","Place(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Geoff Garin\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Program(s): Nightline. Network(s): ABC.","Network(s): WSAZ-TV. Notes: Title from note attached to videocassette cover.","Place(s): Washington, D.C.","Place(s): Charlotte, North Carolina.","Network(s): ABC, NBC, CBS. Notes: TRT=10:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Network(s): C-SPAN. Place(s): Washington, D.C. Notes: Professionally produced C-SPAN videotape (ID: 189201 - Part 1 of 1) and cover. Description on back cover: \"Representative Capito was interviewed about the future of the Republican Party, West Virginia politics, and her decision not to run against Sen. Byrd in 2006. She also discussed her major in zoology at Duke University as well as the naming of her children, Charles Capito III and Shelley XIII. Pictures of Representative Capito, her family, and soldiers were shown intermittently during the program.\" Copyright: 2005 National Cable Satellite Corporation.","Program(s): Nightline. Network(s): ABC. Notes: Videocassette label includes \"Dub\".","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.","Network(s): ABC, CBS, NBC. Notes: TRT=1:03:00.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Program(s): Lou Dobbs Tonight. Network(s): CNN.","Network(s): West Virginia Public Television. Notes: Videocassette label includes \"West Virginia Public Television\" and logo. Date is broadcast date.","Network(s): CNN.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=53:10.","Program(s): Hannity \u0026 Colmes. Network(s): Fox. Notes: Attached note includes \"Bill Bennett \u0026 Wes Clark. JDR was frequently discussed.\"","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.","Program(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:10:00 (approximate).","Program(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:55:00.","Network(s): PBS.","Network(s): WOWK-TV, CBS.","Network(s): NBC. Notes: TRT=22:55.","Network(s): ABC. Notes: TRT=30:00.","Network(s): ABC, CBS, NBC. Notes: TRT=1:10:00.","Network(s): ABC, NBC. Notes: TRT=42:00.","Network(s): CBS. Notes: TRT=20:00.","Network(s): WVNS-TV, Fox.","Notes: Business card attached, from Philippe Diaz, Cinema Libre Studio, with contact info.","Place(s): Washington, D.C.","Network(s): WTRF-TV, CBS.","Notes: Note on cover includes \"Piece on poor water safety during Marine training. Not that interesting, but thought it might still be useful… —Chris\".","Event(s): House of Representatives debate. Venue(s): House of Representatives. Place(s): Washington, D.C. Notes: TRT=5:30.","Event(s): United Steelworkers of America Wheeling-Pitt strike. Place(s): Wheeling, West Virginia; Pittsburgh, Pennsylvania.","Notes: Videocassette label includes \"Note this is a short segment\".","Program(s): Charlie Rose. Network(s): PBS.","Network(s): Fox.","Network(s): CNN.","Event(s): United Steelworkers of America convention.","Venue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".","Venue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".","Event(s): West Virginia Air Service Summit. Notes: TRT=1:04:40.","Event(s): West Virginia Air Service Summit. Notes: TRT=1:54:17. Videocassette label indicates welcoming remarks by Governor Underwood and Senator Rockefeller.","Event(s): West Virginia Air Service Summit. Notes: TRT=2:00:51.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"Retiree James McMahon, Spouse Carole McMahon — insurance\".","Notes: No Videocassette label; title from videocassette cover.","Notes: Removed from Box 129 (Downtown moved to Depot). Videocassette label includes U.S. Senate logo.","Notes: Videocassette label includes \"Chlopak, Leonard, Schechter\".","Notes: TRT=4:49.","Notes: TRT=12:00.","Venue(s): Blanchette Rockefeller Neurosciences Institute. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes WVU TV logo.","Notes: TRT=9:00. Videocassette label includes \"Produced by the Sierra Club.\"","Program(s): CBS News Sunday Morning. Network(s): CBS.","Event(s): Democratic National Convention.","Place(s): Weirton, West Virginia.","Program(s): Meet the Press. Network(s): NBC.","Notes: Videocassette label and cover indicate that cassette was distributed by C-SPAN.","Notes: Videocassette label includes \"Democratic Technology \u0026 Communications Committee\".","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover includes \"Chlopak, Leonard, Schechter\" and \"Squier/Knapp/Ochs\".","Notes: Videocassette label and cover include \"Ernst \u0026 Young\" and logo. Business card enclosed from Michael Colopy, from O'Connor \u0026 Hannan.","Network(s): NBC.","Program(s): Crossfire. Network(s): CBS, CNN.","Notes: TRT=30:00 (approximate).","Network(s): WNPB. Notes: Videocassette label includes WNPB logo.","Notes: TRT=9:30. Attached note includes \"WV Economic Development Tapes.\"","Network(s): WNPB. Notes: Videocassette label includes WNPB logo.","Network(s): WVVA-TV.","Network(s): ABC.","Network(s): KIRO-TV.","Notes: Videocassette label and cover include \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: TRT=55:48.","Notes: Business card enclosed from Jeff Kimball, Deputy Press Secretary for JDR.","Place(s): Nicholas County, West Virginia. Notes: TRT=20:00.","Place(s): Washington, D.C.","Network(s): WVVA-TV, WOAY-TV. Place(s): Fayette County, West Virginia.","Notes: Note attached to cover from Squier Knapp Dunn Communications.","Notes: Videocassette label and cover include \"Digital Generation Systems, Inc.\" and logo.","Notes: Note attached to videocassette cover includes \"Clean Tape / No visible footage\".","Notes: Videocassette label includes \"HMS Technologies, Inc.\" and logo.","Notes: TRT=14:30. Videocassette label and cover include \"Ryan-McGinn.\"","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover include \"Hitachi, LTD.\"","Network(s): West Virginia Public Television.","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover include \"Foresight Communications, Inc.\" and logo.","Network(s): WCHS-TV.","Place(s): McDowell County, West Virginia.","Notes: Business card enclosed from Ron W. Wroblewski, President, W.Va. Marine Corps Coordinating Council.","Network(s): WBOY-TV.","Network(s): Fox, WDTV-TV.","Notes: TRT=14:53. Videocassette label includes \"Alliance for Retired Americans\" and logo.","Place(s): Ravenswood, West Virginia. Notes: TRT=14:45. Videocassette label includes \"Century Aluminum.\"","Network(s): WSAZ-TV. Notes: Videocassette label includes \"For Mark Ferrell\".","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: TRT=12:45.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Notes: TRT=1:15.","Notes: Videocassette label includes U.S. Senate logo.","Notes: Videocassette cover includes \"JDR Caucus Video 6/17/97\".","Program(s): Lou Dobbs Tonight. Network(s): CNN.","Program(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS, WVSA, NBC, CBS. Notes: Programs and networks from note attached to cover.","Network(s): WDTV-TV, WBOY-TV. Place(s): Monongalia County, West Virginia.","Notes: Removed from A\u0026M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.","Place(s): Washington, D.C.","Program(s): Hardball. Network(s): MSNBC.","Place(s): Washington, D.C.","Place(s): Michigan. Notes: TRT=10:00. Videocassette label includes \"MVP Communications Inc.\"","Place(s): Washington, D.C.","Network(s): WCHS-TV, WSAZ-TV. Place(s): Kenova, West Virginia.","Network(s): Channel 13. Notes: Content information from note attached to videocassette cover.","Network(s): Fox, CNN.","Program(s): World News Tonight. Network(s): ABC.","Network(s): WOWK-TV.","Program(s): Crossfire. Network(s): CNN.","Place(s): [Huntington, West Virginia].","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Video news release, interviews, dub of state tourism film and commercials","Note on tape state: \"tape warped - will not play.\"","(1.) Bob Brunner, Skinner Highway plan interview in D.C., March 1990. \n(2) AFL-CIO dinner with Barbara Mikulski, WOWK, February 1990.\n(3) EDA grant announcement for Clalrksburg Life Sciences Center, WDTV and WBOY, September 1989.  \n(4) Murphy home health visit - WSAZ, July 1989.  \n(5) Murphy home health visit - WCHS, July 1989. \n(6) Murphy home health visits - WOWK, July 1989. \n(7) Philips Lighting announcement/ Stonewall Jackson tour, WDTV and WBOY, July 1989.  \n(8) Cabot Oil and Gas announcement, WVVA, July 1989.  \n(9.) Discover the REAL WV/ Oliver North discssion, WTRF, July 5, 1989. \n(10.) Rural health clinic press conference, New River Health Clinic, WSAZ, April 24, 1989. \n(11.) Harrison County town meeting, WBOY, WDTV, and Congressional pay raise issue, WDTV; event - senators joking (\"It costs you $75 to come here tonight; it cost me $12 million\") Good Morning America, February 1989.  \n(12.) \"Partnership for progress\" with Caperton and delegation, WOWK, January 1989; CBS evening news on trade adjustment assistance. \n(13) Fairmont firemen/ policemen \"thank you\" reception, WBOY, December 1988.  (14). EAS story, WOAY, 1988.","11:00 p.m. Channel 11 and 13. 12 p.m. (noon) channel 11.","4 negative adds: 2 Bryan, 1 Conrad, 1 Pomeroy","Time: 00:00 Governor Bill Clinton; 1:00 Congressman Tim Penny; 17:08 Senator Jay Rockefeller; 34:30 Congressman Mike Espie; 1:09:30 House Majority Whip William Gray III","JDR speaks twice - once in morning and once around 5","Film damaged","(1) Fox morning news (whole thing) JDR at 7:35 a.m. \n(2) CBS Morning News (segment only) a. summer story JDR hit. b. National Commission segment. \n(3) NBC Today (segment only) children's interview segment (no JDR). \n(4). CNN Horn?/ Cheri Hayes. \n(5) ABC World News lead story 10-15 minutes on commission. \n(6) CBS Evening news lead story. \n(7) NBC News lead story. \n(8) MacNeil/ Lehrer  \n(9). CNN Crier and co.","(1). \"Logan airport\" ABC World News Tonight, ABC/Network January 24, 1989. \n(2)  Airport congestion, Alfred Kahn, Nightly Business Report, PBS/Network, January 13, 1989. \n(3) \"Keeping congestion down at Logan,\", WCVB-TV Channel 5, Boston, December 12, 1988.","(1) David Duke dilemma, KGO Channel 7 at 6 p.m., November 17, 1991 (2). Democratic fundraiser, KCRA channel 3 at 10 p.m.","North Carolina University documentary 1986, Rockefeller comments on Japan.","1.) Trip to Olney. 2). message. 3). catastrophic care.","Groundbreaking on June 19, 1984. Construction 1984-1985. Video by Herbert W. Roush, Sr.","1). China steel/ Island Creek contract in D.C. office, 1988;  \n2). POSCo contract in Charleston with Billy Yoo, April 21, 1988; \n3). POSCO contract/ Washigton, May 13, 1988;   4.) Historic Hinton, NPS memorandum of understanding, NPS Joe Kennedy and Bob McKeard;  \n5). Press conference/ industrial extension act introduced with McCain, R-AZ, June 10, 1987;  \n6). China steel and USX D.C. contract signing, June 7, 1988; \n7). AEP mine visit/ methanol May 2, 1988","WOAY - El-Tech, 1987; WSAZ children's hospital in Charleston - Bush Tower 1989; WVAH congressional minute 8th, 9th, 10th amendment; WDTV October 14, 1988 methanol signed into law; WSAZ ARC corridors 1988; WOWK ARC corridors 1988; WCHS ARC corridors 1988; WOAY El-tech September 17, 1988, Dukakis, methanol; WOWK methanol passage 1988; WOAY El tech - def. fair 1988; WCHS white watering 1988; WOAV methanol bill, captive shippers; WVVA methanol","Tape sent to Barbra Pryor from A26 mark Ave, Follansbee, WV","1). WDTV - math/science bill. 2). WBOY/WDTV - research summit. 3). WTAE - Dee Caperton. 4). WDTV - clean air. 5). WBOY - United Mine Workers (UMW) endorsement. 6). Oliver Luck ad. 7). WBOY - Salem-Teikyo","Harriman Communications.","Testimony and Q\u0026A of Mr. Robert Harris (Berkeley)","Event(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\".","Program(s): All Things Considered. Network(s): National Public Radio.","Network(s): WWYO.","Network(s): WWYO.","Network(s): WWYO.","Place(s): Washington, D.C.","Notes: Cassette label includes \"American Focus\" and logo.","Program(s): Morning Edition. Network(s): National Public Radio.","Notes: Attached note includes \"9/20/88 Methanol tape\".","Program(s): Morning Edition. Network(s): National Public Radio.","Network(s): WJLS. Place(s): [Beckley, West Virginia].","Place(s): Washington, D.C.","Program(s): Morning Edition. Network(s): National Public Radio.","Program(s): Morning Edition. Network(s): National Public Radio.","Network(s): WJEH. Place(s): Gallipolis, Ohio. Notes: Attached note includes \"I made this copy from the original tape which WJEH gave me. You have to run through the commercials before you get to the history part. This is the first — and only to date —interview as to Senator Rockefeller's floor statement in the Congressional Record. 6/21/90 [signed] Patricia Burton\".","Network(s): WCHS. Place(s): Charleston, West Virginia.","Network(s): WCHS. Place(s): Charleston, West Virginia.","Network(s): National Public Radio.","Notes: Cassette cover includes \"Tammy Lydel, NH Register — Erin Rasmussen, KSTP, Minnesota — Melissa Berg, Kansas City Times — Don Findley, San Antonio — Ron Kanye, LA Daily News — Stewart Craig, Augusta Chronicle — Steve Harvey, Atlanta Constitution 3 Jim Gannon, Detroit News 3 Pete Leffler, Allentown Call\".","Notes: Cassette cover includes \"Leslie Balducci, Chicago Sun Times — Lester Strong, WHDH, Boston — Margaret Murphy, ABC Nightline — Maryclaire Dale, Charleston Gazette — Paul Owens, Martinsburg Morning Journal — P.J. Cameon, Clarksburg Telegram, Cindy Crigger, Williamson Daily News — Bill ST. Clair, Parkersburg Sentinel — Chris Cramer, Weirton Daily News — Bluefield Telegram, Barbara Hawkins\".","Notes: Cassette cover includes \"Todd Silberman, Fayetteville, NC News — Irene Sege, Boston Globe — Bonnie Healy, DE County Times — Lori Roberts, The State, Columbia, SC\".","Notes: Cassette cover includes \"Terri Monsour, St. Paul Pioneer Press — Marshall Kildurf, San Francisco Chronicle — Susan Page, Newsday — Dorsey Griffith, Modesto Bee\".","Place(s): Washington, D.C.","Notes: Original title overwritten with \"Clean Air 3.00 [2000/03?]\".","Place(s): Goreham, New Hampshire.","Place(s): Rye, New Hampshire.","Event(s): Claude Pepper Award. Place(s): Concord, New Hampshire.","Place(s): Concord, New Hampshire.","Place(s): Durham, New Hampshire.","Place(s): New Hampshire.","Program(s): John McLaughlin's One on One. Network(s): PBS.","Place(s): Milwaukee, Wisconsin.","Program(s): Morning Edition. Network(s): National Public Radio. Notes: TRT=8:30. Cassette label includes National Public Radio copyright.","Program(s): Hal Bruno's Washington. Network(s): ABC Radio. Notes: Cassette cover includes \"ABC Radio News\" and logo.","Program(s): The Diane Rehm Show. Network(s): WAMU, National Public Radio.","Place(s): Washington, D.C.","Notes: TRT=7:27.","Network(s): CNN. Place(s): New Hampshire.","Event(s): Presidential Health Care Forum. Place(s): New Hampshire.","Event(s): Presidential Health Care Forum. Place(s): New Hampshire.","Event(s): State of the Union response.","Notes: Business card enclosed for Joel H. Komisarow, Producer, CBS News, with contact info.","Notes: Cassette cover includes \"Not for public distribution\".","Event(s): Alabama Democratic Conference. Place(s): Alabama.","Network(s): West Virginia Public Radio.","Notes: TRT=28:30.","Program(s): Christine Craft Show. Network(s): KFBK.","Program(s): The Michael Jackson Show. Network(s): KABC. Notes: Business card enclosed for Lyle Gregory, Producer, The Michael Jackson Show, KABC TALKRADIO, with contact info.","Notes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".","Notes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".","Notes: Cassette cover includes \"'Jay' DNC-9245R :60\" and \"Greer, Margolis, Mitchell, Grunwald \u0026 Associates\".","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Network(s): KLSE/KZSE, Minnesota Public Radio. Notes: Videocassette label includes MPR logo.","Notes: TRT=1:00.","Event(s): State of the Union response.","Program(s): All Things Considered. Network(s): National Public Radio.","Notes: TRT=5:00.","Event(s): National Summit on Children and Families.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): NPR or MPR.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): Tina Trenner Show. Notes: Videocassette label includes \"Air[ed] 12/24/93\".","Network(s): National Public Radio.","Network(s): National Public Radio.","Notes: TRT=1:00:00.","Program(s): [Marketplace]. Network(s): [American Public Radio]. Notes: Cassette label and cover label differ in content.","Notes: Removed from A\u0026M 4050 III. A. PRODUCT LIABILITY, 1994 RADIO SPOT WV.","Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Network(s): WGMS.","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Program(s): Talk of the Nation. Network(s): National Public Radio.","Program(s): Talk of the Nation. Network(s): National Public Radio.","Network(s): West Virginia MetroNews.","Network(s): WEPM.","Venue(s): Wheeling Clinic, Wheeling Hospital. Place(s): Wheeling, West Virginia.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"provision in tax bill attacking Coal Miners' Health\".","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"Wellstone\".","Notes: Dates on cassette label and cover label differ.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: Removed from A\u0026M 4050 III.A. PGWS, 1996.  Cassette label includes \"Panelists: Bernard Rostker – Pentagon, Dana Priest – Washington Post, Joe Vialante – DAV, Arthur Kaplan – President's Advisory Committee.\"","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.  Cassette label includes \"Acceptance speech by incoming Alfalfa Club President.  'For He's Our President' sung by Marine Staff Sgt. Michael Ryan…Introduction by Colin Powell; John D. Rockefeller IV.\"","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): WRNR. Place(s): Morgantown, West Virginia.","Network(s): WRNR. Place(s): Morgantown, West Virginia.","Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Network(s): West Virginia Public Radio. Notes: TRT=6:05.","Notes: TRT=30:00.","Program(s): The Diane Rehm Show. Network(s): National Public Radio. Notes: TRT=60:00.","Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Notes: TRT=30:00.","Notes: TRT=30:00.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): WSTV, WRKY, WTRF-TV.","Notes: TRT=20:00 (approximate).","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia Public Radio.","Network(s): National Public Radio. Notes: TRT=11:00 (approximate).","Notes: TRT=1:00.","Notes: Attached note includes \"Make audio dub of Sen. Rock[efeller] feed!\".","Notes: Cassette label includes \"Medical Group Management Association\" and logo.","Notes: Title from handwriting on cassette cover.","Event(s): State of the Union address. Place(s): Washington, D.C.","Place(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".","Place(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Place(s): Clarksburg, West Virginia.","Place(s): Clarksburg, West Virginia.","Venue(s): Wetzel County Hospital. Place(s): Wetzel County, West Virginia.","Place(s): Pleasants County, West Virginia; Hancock County, West Virginia; Wetzel County, West Virginia;.","Network(s): WTRF-TV. Place(s): Hancock County, West Virginia.","Place(s): Boone County, West Virginia.","Place(s): Charleston, West Virginia.","Place(s): Huntington, West Virginia.","Place(s): Benwood, West Virginia.","Place(s): Martinsburg, West Virginia.","Network(s): West Virginia MetroNews.","Network(s): WSTV.","Network(s): WSTV. Place(s): Steubenville, Ohio.","Place(s): [Charleston, West Virginia].","Network(s): West Virginia Public Radio.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Place(s): Fairmont, West Virginia; Parkersburg, West Virginia.","Network(s): West Virginia MetroNews.","Place(s): Parkersburg, West Virginia.","Place(s): Wheeling, West Virginia.","Network(s): ABC.","Network(s): WETA.","Network(s): NBC.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Place(s): Beckley, West Virginia; Clarksburg, West Virginia; Parkersburg, West Virginia.","Network(s): West Virginia MetroNews.","Network(s): NBC, CNN.","Network(s): West Virginia MetroNews, Fox, NPR.","Network(s): CNN.","Network(s): Fox.","Network(s): West Virginia MetroNews.","Notes: Title and date from note attached to cover.","Notes: TRT=5:00.","Place(s): Newell, West Virginia. Notes: Business card attached to Betacam cover for Jerry Hughes, President, Hughes Television Productions, Inc.","Notes: Betacam label and cover include \"Squier/Knapp/Ochs\".","Program(s): Sarbanes Show.","Place(s): Washington, D.C. Notes: TRT=40:00.","Place(s): Washington, D.C. Notes: TRT=35:22.","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia. Notes: Betacam label includes \"Master\".","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.","Notes: Betacam cover includes \"Master Beta Copy\".","Notes: TRT=15:00.","Notes: TRT=15:00.","Notes: TRT=4:34.","Place(s): Wheeling, West Virginia.","Notes: Betacam label includes \"Edited Master\" and \"Stereo\".","Program(s): On the Record. Notes: TRT=21:00.","Program(s): On the Record. Notes: TRT=30:00.","Notes: Betacam label includes \"Daschle, Lautenberg, Rockefeller, Graham, Mosley, Braun\".","Place(s): Ripley, West Virginia.","Place(s): Ripley, West Virginia. Notes: Betacam label includes \"B-roll and WV interviews (RAW)\".","Notes: TRT=5:00.","Notes: TRT=10:10.","Venue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=6:00.","Venue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=5:10.","Place(s): [Buffalo, West Virginia].","Place(s): Buffalo, West Virginia.","Place(s): Buffalo, West Virginia.","Notes: TRT=32:00. Videocassette label includes \"B-roll — campaign kickoff 2002, footage from 1996 of veteran \u0026 miner, Toyota plant footage 1/26/01.\"","Notes: Betacam label includes \"Master\" and \"The Washington Bureau\" with contact info.","Notes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Place(s): [Buffalo, West Virginia].","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Betacam cover includes \"Master\".","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Note attached to Betacam cover includes \"Chris, when you get a chance, please convert this into a digital file so Neysa can put it on our web site. Thanks, Allen Mattison\".","Notes: TRT=8:00.","Notes: Betacam label includes \"Oglebay Resort — 500 dubs with logo — cut aways — interviews\".","Venue(s): Ohio County Airport, Wheeling Senior Center. Place(s): Wheeling, West Virginia.","Notes: TRT=15:00.","Notes: Betacam label includes \"Democratic Technology \u0026 Communications Committee — Senator Tom Daschle, Democratic Leader — Senator Jay Rockefeller, Chairman\" and U.S. Senate logo.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Notes: Betacam label includes U.S. Senate logo.","Notes: TRT=1:56.","Place(s): Mercer County, West Virginia; McDowell County, West Virginia.","Venue(s): Toyota auto plant. Place(s): Buffalo, West Virginia.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Betacam label includes \"10:00 AM - 11:30 AM\".","Venue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia. Notes: Event program and business card for Joseph Webb, II, Interim Manager, WVU Television Productions, enclosed.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=34:00.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=1:30:00.","Notes: TRT=1:00:00. Betacam label and cover include \"Master\" and \"Motion Masters, Inc.\" Business card enclosed from Mark Ferrell, Press Secretary for JDR.","Notes: TRT=8:00.","Place(s): Washington, D.C. Notes: TRT=5:00.","Notes: TRT=21:00.","Notes: TRT=21:05.","Notes: Betacam label includes St. Louis Rams logo.","Notes: TRT=4:00.","Notes: TRT=17:00.","Venue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=12:12.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=7:21.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=5:44.","Notes: TRT=10:26.","Event(s): United States Senate Committee on Veterans' Affairs hearing; United States Senate Committee on Armed Services. Place(s): Washington, D.C. Notes: TRT=7:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=24:37.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=19:10.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=20:00. Videocassette label includes \"10:50A-11A \u0026 2:42P-2:52P\".","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=53:35.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=13:52.","Venue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Event(s): Children's Commission Summit. Notes: Betacam label includes \"I. Rebuilding Caring Communities, II. Great Beginnings — Supporting Young Children and their Families, III. Educating America — Improving Schooling and the Transition to Work, IV. Creating a Culture of Responsibility for Children, Youth, \u0026 Families\".","Notes: TRT=8:30. Betacam label includes \"Credit — Children's Action Network\". Business card attached to Betacam cover for Jennifer Perry, Executive Director, with contact info.","Notes: TRT=0:45.","Notes: Title from note attached to cover.","Notes: Betacam label includes \"Democratic Technology \u0026 Communications Committee\" and logo.","Notes: TRT=20:06.","Notes: DVD label and cover include \"Senate Democratic Communications Center\".","Notes: TRT=38:00.","Notes: DVD cover includes \"Friday Night — Saturday — Tatsuo Ikenaga — Shigehiko Ikenaga — Lloyd Ayers — Cathy Davis — Shigeji Ikenaga — White Water — Country Roads.\" Business cards enclosed from Someday Video Productions.","Notes: TRT=53:00. DVD label includes \"START 6:10pm - STOP 7:03pm.\"","Notes: TRT=3:39:00. DVD label includes \"START 9:25am - STOP 1:04pm.\"","Notes: TRT=3:55:00. DVD label includes \"START 2:15pm - STOP 6:10pm.\"","Program(s): Lou Dobbs Tonight, NBC Nightly News. Network(s): CNN, NBC.","Program(s): O'Reilly Factor. Network(s): Fox, CNN, NBC.","Program(s): CBS Evening News, Face the Nation. Network(s): CBS.","Program(s): CBS Evening News, Face the Nation. Network(s): CBS, Fox.","Program(s): CBS News Sunday Morning. Network(s): CBS.","Program(s): Lou Dobbs Tonight, The Situation Room. Network(s): CNN.","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC.","Notes: TRT=30:00.","Network(s): A\u0026E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.","Network(s): A\u0026E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.","Program(s): Countdown with Keith Olbermann. Network(s): Fox, CNN.","Program(s): Biography. Network(s): A\u0026E.","Program(s): Lou Dobbs Tonight. Network(s): MSNBC, CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=22:29.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:15:00. DVD label includes \"2:30 - 5:45 pm.\"","Program(s): Late Edition with Wolf Blitzer. Network(s): CNN.","Program(s): Hardball. Network(s): MSNBC. Place(s): Washington, D.C.","Program(s): The Situation Room. Network(s): CNN.","Network(s): WDTV-TV, WVNS-TV. Place(s): Bridgeport, West Virginia; Monongalia County, West Virginia; Beckley, West Virginia; Raleigh County, West Virginia.","Network(s): WTAP-TV. Place(s): Parkersburg, West Virginia.","Network(s): Fox.","Notes: TRT=13:30.","Notes: TRT=13:30.","Network(s): WCHS-TV. Place(s): Charleston, West Virginia.","Network(s): WSAZ-TV. Notes: TRT=1:03.","Network(s): WCHS-TV. Place(s): Webster County, West Virginia.","Network(s): MSNBC, CNN, ABC.","Network(s): CNN, MSNBC.","Network(s): CNN.","Network(s): MSNBC, CNN.","Network(s): CNN.","Place(s): Braxton County, West Virginia.","Program(s): Dateline NBC. Network(s): NBC.","Network(s): KDKA-TV, WCHS-TV, WOWK-TV, WVAH-TV, WVVA-TV, WTOV-TV, WTRF-TV, WBOY-TV, WDTV-TV. Notes: Broadcast schedule enclosed.","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Program(s): Hardball. Network(s): MSNBC.","Network(s): West Virginia Public Broadcasting.","Network(s): West Virginia Public Broadcasting.","Network(s): West Virginia Public Broadcasting.","Program(s): Charlie Rose, Countdown with Keith Olbermann, This Week. Network(s): PBS, MSNBC, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Countdown with Keith Olbermann, The Ed Show, The Situation Room, Hardball. Network(s): MSNBC, CNN.","Program(s): The Situation Room. Network(s): CNN.","Notes: TRT=13:20.","Notes: TRT=4:30.","Notes: TRT=4:10.","Program(s): Face the Nation. Network(s): CBS.","Place(s): Washington, D.C. Notes: TRT=22:00.","Notes: TRT=6:30.","Notes: TRT=3:30.","Notes: TRT=6:30.","Notes: TRT=7:15.","Notes: TRT=4:40.","Notes: TRT=6:50.","Notes: TRT=5:21.","Notes: TRT=2:30.","Notes: TRT=2:30.","Notes: TRT=2:55.","Notes: TRT=4:00.","Notes: TRT=3:00.","Notes: TRT=1:30.","Place(s): Washington, D.C. Notes: TRT=25:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=3:00.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=6:00.","Notes: TRT=4:11.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to letter (enclosed with 4050_xdc_0001 through 4050_xdc_0004) from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, this DVD contains the final version that was broadcast.","Network(s): C-SPAN. Notes: TRT=30:00.","Place(s): Washington, D.C.","Notes: TRT=7:00.","Notes: TRT=7:00.","Program(s): The Rachel Maddow Show. Network(s): MSNBC.","Notes: TRT=7:44.","Program(s): Charlie Rose. Network(s): PBS.","Notes: Includes DVD booklet.","Notes: TRT=11:30.","Network(s): A\u0026E.","Network(s): A\u0026E.","Place(s): Montcoal, West Virginia.","Network(s): WCHS-TV. Notes: Cassette label includes \"Beckley News Bureau\".","Program(s): Hello VIP. Network(s): Ch. 12 TV Tokyo. Place(s): Tokyo, Japan. Notes: Includes note to David Owens, from Yuichi Watanabe, Nikkei Visual Images, Inc., dated 1988/09/20.","Place(s): Minden, West Virginia.","Place(s): New Hampshire.","Place(s): Rainelle, West Virginia.","Place(s): Rainelle, West Virginia; Cabin Creek, West Virginia.","Place(s): Martinsburg, West Virginia.","Place(s): Martinsburg, West Virginia.","Notes: U-matic cassette and cover label include \"Raw\".","Notes: Attached business card from Mary Berecky, Anchor-Reporter, WDTV-5.","Notes: TRT=0:53.","Network(s): WSAZ-TV.","Network(s): WMUR-TV. Place(s): New Hampshire.","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: A compilation of Christmas songs.","Network(s): West Virginia Public Radio, National Public Radio.","Program(s): Talkline. Network(s): West Virginia MetroNews. Notes: Enclosed note includes \"Audio CD\".","Notes: Classical music track-list enclosed.","Program(s): All Things Considered. Network(s): West Virginia Public Radio, National Public Radio.","Notes: Note attached to cover includes \"Masters\".","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Notes: Removed from Box 129 (Downtown moved to Depot). Sticky note attached to case includes \"Found in Rachel's old desk. Should be archived.\"","Network(s): WTRF-TV, WCHS-TV, WTAP-TV, WOWK-TV.","The Clippings series contains newspaper clippings—original newsprint as well as photocopies—compiled by Senator Rockefeller's staff for distribution to the Senator and other staff members. Clippings primarily span Rockefeller's tenure in the U.S. Senate, but some clippings date to his second term as governor of West Virginia. Staff compiled clippings about the day's events and also maintained clippings that mentioned Rockefeller. Most of the clippings are arranged by topic, publication, or date range. Clippings within files arranged by topic or publication generally are ordered chronologically.  Some clippings arranged by date range are divided into morning and afternoon clippings, and these often are accompanied by indexes (tables of contents).  Finally, some files separate clippings created by West Virginia media from clippings created by national outlets. ","Beginning in approximately 2001, the staff began collecting clippings primarily from online news sources and wire services. Staff in the Washington, D.C. office maintained these digital clippings in the press files of the office's centralized shared drive. ","Digital file: Part 1 of 5 (Part 1)","Digital File: Part 1 of 5 (Part 2)","Digital File:  Part 2 of 5 (part 1)","Digital File:  Part 2 of 5 (part 1)","Digital File:  Part 2 of 5 (part 2)","Digital File:  Part 3 of 5 (part 1)","Digital File:  Part 3 of 5 (parts 1 and 2)","Digital File:  Part 3 of 5 (part 2), Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 2)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","The Websites and Social Media series contains files used to create Senator Rockefeller's congressional website and archived versions of his congressional website, YouTube page, Facebook page, and Twitter feed. The 2008 and 2011 congressional website files were maintained by press staff. The 2014 archived website and social media files were captured using Hanzo Archives and ArchiveSocial in May-June 2014.","The Legacy Memos series includes 12 memos compiled by staff members in 2013 and 2014 following the Senator's announcement that he would retire from Congress. The Memos provide a comprehensive overview of Senator Rockefeller's service and accomplishments in several important issue areas in which he worked during his 30-year career in the U.S. Senate, as well as during his time as Governor of West Virginia, 1977-1985. They highlight major initiatives and legislation, such as the Children's Health Insurance Program (CHIP); treatment of service related illnesses, such as Gulf War Illness; the Coal Act of 1992; the Public Safety Spectrum Act; and many others.","The Memorabilia Subgroup contains plaques, awards, framed items, and other gifts given to Senator Rockefeller throughout his Senate career. Several foreign gifts from Asian countries are included. Some materials can also be found in the Awards and Honors series, which contains honorary degrees, awards, and medals.","#84 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.","#175 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.","Drawing has signatures and notes surrounding it.","The beret features a flash patch with a standard blue with white stars. In the center is a enamel pin featuring a vertical arrow with two medals on either sides. The medals have red ribbons and the medals are blue with a star in the center.","Blueprints created by Diamond Group Inc., Odessa, Deleware.","Posters feature the U.S. Steel Tower, Hays Mine Treatment Plant, E. H. Aldrich Station, Omni William Penn Hotel, Duquesne Light Company, and David Lawrence Convention Center.","Note on back reads: \"To one among a new person who helped her. From Yen, Ling Hsing, 90 years old.\"","Presented by Americorps VISTA","Award honoring members of congress who have made substantial contributions in support of the United States Coast Guard.","In recognition of Rockefeller's advocacy on behalf of West Virginia consumers, workers, and their families and his efforts to protect our nations civil justice system.","For Rockefeller's efforts in the Second Session of the 108th Congress to strengthen American's health centers and preserve access to vital health care services for more than 15 million uninsured and medically underserved Americans.","Presented in grateful recognition of his contribution to the well-being of America's veterans as a member of the United States Senate","Two Toyota Pistons with Toyota and West Virginia gold labels.","Vase is blue and green. The green is on the bottom and comes up like flames to the top.","Given in recognition for his support of Wheeling-PIttsburgh Steel and its employees.","Image is in a flat greenish-yellow cloth covered box with flowers on it.","In recognition of unwavering support of a constitutional amendment to protect the flag from physical desecration.","For recognition of your outstanding personal contribution to the Americans for whom, on May 20, 1988, President Ronald Regan signed the Radiation Exposed Veterans Compensation Act.","Presented at the national forum: \"Strong Families for Strong Communities\".","Presented by the National Association of Community Health Centers."],"userestrict_html_tesm":["\u003cp\u003eMaterials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. \u003c/p\u003e\n","\u003cp\u003eMaterials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026amp; Regional History Center. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. ","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d14eb4df51da22c7256b340d3bf4196\" label=\"Abstract\"\u003eJohn Davison (Jay) Rockefeller IV (b. 1937) represented West Virginia in the United States Senate for five terms. He was elected as a Democrat to the Ninety-ninth Congress and served from January 15, 1985, to January 3, 2015. He was not a candidate for reelection in 2014. Rockefeller previously served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); president of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). From 1964-1966, he was a volunteer in the Volunteers In Service To America (VISTA) program in Emmons, West Virginia. The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.\u003c/abstract\u003e"],"abstract_tesim":["John Davison (Jay) Rockefeller IV (b. 1937) represented West Virginia in the United States Senate for five terms. He was elected as a Democrat to the Ninety-ninth Congress and served from January 15, 1985, to January 3, 2015. He was not a candidate for reelection in 2014. Rockefeller previously served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); president of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). From 1964-1966, he was a volunteer in the Volunteers In Service To America (VISTA) program in Emmons, West Virginia. The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ee7b69b7d85f8fa23b62c37a980adc85\" label=\"Physical Location \"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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